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The Illuminati Formula Used to Create an Undetectable Total Mind ...

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the bot<strong>to</strong>m of ev-er-y din-ner pail.” <strong>The</strong> Nome King in the programmingbecame the ruler of the demons/system within the Monarch system.Several s<strong>to</strong>ry lines from a number of sources are overlapped <strong>to</strong>reinforce the programming scripts. <strong>The</strong> programmers will use others<strong>to</strong>ries <strong>to</strong> introduce themselves in<strong>to</strong> the system <strong>to</strong>o. In case readersdon’t know, a Monarch system will have hidden powerful alters thatare made in the image of their programmers, that serve as personalrepresentatives of the programmers.pg. 79 Book 3 Ozma of Oz, “I am only a ma-chine, <strong>an</strong>d c<strong>an</strong>-not feelsor-row or joy, no mat-ter what hap-pens.” This is teaching mech<strong>an</strong>icaldissociation, <strong>an</strong>d coincides with Tin M<strong>an</strong> programming.pg. 83 Book 3 Ozma of Oz, “For the Princess L<strong>an</strong>gwidere is a differentperson every time I see her, <strong>an</strong>d the only way her subjects c<strong>an</strong>recognize her at all is by me<strong>an</strong>s of a beautiful ruby key which shealways wears on a chain attached <strong>to</strong> her left wrist. When we see thekey we know we are beholding the Princess.” “That is str<strong>an</strong>ge,” saidDorothy, in as<strong>to</strong>nishment. “Do you me<strong>an</strong> <strong>to</strong> say that so m<strong>an</strong>y differentprincesses are one <strong>an</strong>d the same person?” “Not exactly,” <strong>an</strong>sweredthe Wheeler. “<strong>The</strong>re is, of course, but one princess; but she appears <strong>to</strong>us in m<strong>an</strong>y forms, which are all more or less beautiful.” Doesn’t thissound like MPD! Did Fr<strong>an</strong>k Baum know about MPD?pg. 90 Book 3 Ozma of Oz, “Princess L<strong>an</strong>gwidere’s sitting-room wasp<strong>an</strong>elled with great mirrors, which reached from the ceiling <strong>to</strong> the floor;also the ceiling was composed of mirrors, <strong>an</strong>d the floor was of polishedsilver that reflected every object upon it. So when L<strong>an</strong>gwidere sat inher easy chair <strong>an</strong>d played soft melodies upon her m<strong>an</strong>dolin, her formwas mirrored hundreds of times, in walls, <strong>an</strong>d ceilings <strong>an</strong>d floor, <strong>an</strong>dwhichever way...” This is the mirror programming that has been done <strong>to</strong>so m<strong>an</strong>y victims!pg. 91 Book 3 Ozma of Oz, “Now I must explain <strong>to</strong> you that the PrincessL<strong>an</strong>gwidere had thirty heads.” Isn’t this s<strong>to</strong>ry line convenient forprogramming?pg. 94 Book 3 Ozma of Oz, ...L<strong>an</strong>gwidere <strong>to</strong> a position in front ofcupboard No. 17, the Princess unlocked the door with her ruby key <strong>an</strong>dafter h<strong>an</strong>ding head No.9, which she had been wearing, <strong>to</strong> the maid,she <strong>to</strong>ok No. 17 from its shelf <strong>an</strong>d fitted it <strong>to</strong> her neck....<strong>The</strong>re was onetrouble with No. 17; the temper that went with it (<strong>an</strong>d which washidden...)was fiery, harsh <strong>an</strong>d haughty in the extreme, <strong>an</strong>d it often ledthe Princess <strong>to</strong> do unpleas<strong>an</strong>t things which she regretted when shecame <strong>to</strong> wear her other heads.” Does the reader see how this isprogramming <strong>to</strong> switch personalities. And personality No. 17 is lockedup--which is a common programming methodology. <strong>The</strong> fiery, harsh176

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