1RLv6mX

More documents

Recommendations

Info

LIST OF ACRONYMSCENACI Centre National du Cinéma GabonCIDC Consortium Interafricain de Distribution Burkina FasoCinématographiqueCIPROFILM Consortium Inter-Africain de Production de Burkina FasoFilmsCIVCA Compagnie Ivoirienne de Cinéma et Ivory Coastd’AudiovisuelCLCF Conservatoire Libre du Cinéma Français FranceCNC Centre National de la Cinématographie FranceCNC Centre National du Cinéma Burkina FasoCNCA (1) Centre National du Cinéma Algérien Algeria(1964–7)(2) Centre National du Cinéma et de Algerial’Audiovisuel (2004)CNPC Centre National de Production MaliCinématographiqueCNSAD Conservatoire National Supérieur d’Art FranceDramatiqueCOMACICO Compagnie Africaine Cinématographique FranceIndustrielle et CommercialeDEA Diplôme d’Etudes Approfondies FranceDEFA Deutsche Film-AG GermanyDNC Direction Nationale du Cinéma Burkina FasoENADEC Entreprise Nationale de Distribution et Algeriad’Exploitation CinématographiquesENAPROC Entreprise Nationale de Production AlgeriaCinématographiqueENPA Entreprise Nationale de Productions AlgeriaAudiovisuellesENTV Entreprise Nationale de Télévision AlgeriaERTT Etablissements Radio-Télévision Tunisiens TunisiaESEC Ecole Supérieure des Etudes FranceCinématographiquesESRA Ecole Supérieure de Réalisation Audiovisuelle FranceFACC Fédération Algériennne des Ciné-Clubs AlgeriaFACISS Fédération Africaine des Ciné-Clubs au Sud Black Africadu Saharaix
AFRICAN FILMMAKINGFAMU Filmov Akademie Múzickych Umení (Film & CzechTelevision Faculty of the Academy ofRepublicPerforming Arts)FAPCN Fonds d’Aide à la Production MoroccoCinématographique NationaleFAS Fonds d’Action Sociale FranceFED Fonds Européen de Développement EUFEMIS Fondation Européenne des Métiers de l’Image Franceet du SonFEPACI Fédération Panafricaine des CinéastesFESPACO Festival Panafricain du Cinéma de Ougadougou Burkina FasoFIFAK Festival International du Film Amateur de TunisiaKélibiaFIA Fonds Images Afrique FranceFLN Front de Libération Nationale AlgeriaFNCCM Fédération Nationale des Ciné-Clubs au Maroc MoroccoFODIC Fonds pour le Développement de l’Industrie CameroonCinématographiqueFTCA Fédération Tunisienne des Cinéastes Amateurs TunisiaFTCC Fédération Tunisienne de Ciné-Clubs TunisiaGDR German Democratic Republic GermanyGPRA Gouvernement Provisoire de la République AlgeriaAlgérienneICADI Institut Communal des Arts Décoratifs et BelgiumIndustriels de LiègeINAFEC Institut Africain d’Education Burkina FasoCinématographiqueIDHEC Institut des Hautes Études Cinématographiques FranceIET Institut d’Études Théatrales FranceIFC Institut Français de Cinéma FranceIMA Institut du Monde Arabe FranceINA Institut National de l’Audiovisuel FranceINC Institut National de Cinéma AlgeriaINSAS Institut National des Arts du Spectacle et BelgiumTechniques de Diffusionx
Page 2: AFRICAN FILMMAKING
Page 6 and 7: CONTENTSAcknowledgementsList of Acr
Page 8: ACKNOWLEDGEMENTSHere, as with all m
Page 14 and 15: In memory of Lionel NgkaneFriend an
Page 16: INTRODUCTIONThe progress of the mea
Page 19 and 20: AFRICAN FILMMAKINGunder 11 million
Page 21 and 22: AFRICAN FILMMAKINGAs in eastern Eur
Page 23 and 24: AFRICAN FILMMAKINGhad to leave a ro
Page 25 and 26: AFRICAN FILMMAKINGIslamIn addition
Page 27 and 28: AFRICAN FILMMAKINGSomalian Nuruddin
Page 29 and 30: AFRICAN FILMMAKINGThe contrast in t
Page 31 and 32: AFRICAN FILMMAKINGkinship makes him
Page 33 and 34: AFRICAN FILMMAKING58. Troin, Maghre
Page 36 and 37: 2. BEGINNINGSNorth Africa has given
Page 38 and 39: BEGINNINGSthey are suffused with ra
Page 40 and 41: BEGINNINGSthe dozen cameramen emplo
Page 42 and 43: BEGINNINGSwith the spirit of aparth
Page 44 and 45: BEGINNINGSintensity and calamitous
Page 46 and 47: BEGINNINGSmilitant film was used as
Page 48 and 49: BEGINNINGSSouth Africa. But in the
Page 50 and 51: BEGINNINGS52. Mouny Berrah, ‘Hist
Page 52 and 53: AFRICAN INITIATIVESfollows, is that
Page 54 and 55: AFRICAN INITIATIVESthe OAA, set up
Page 56 and 57: AFRICAN INITIATIVESaim of producing
Page 58 and 59: AFRICAN INITIATIVESMoroccan system.
Page 60 and 61:
AFRICAN INITIATIVESThe number of ci
Page 62 and 63:
AFRICAN INITIATIVESRouch’s docume
Page 64 and 65:
AFRICAN INITIATIVESBathily’s Tiya
Page 66 and 67:
AFRICAN INITIATIVESThirdly, in all
Page 68 and 69:
4. THE FRENCH CONNECTIONIt is less
Page 70 and 71:
THE FRENCH CONNECTIONattitudes, tho
Page 72 and 73:
THE FRENCH CONNECTIONwhose funding
Page 74 and 75:
THE FRENCH CONNECTIONThe African Fi
Page 76 and 77:
THE FRENCH CONNECTIONindividuality
Page 78 and 79:
THE FRENCH CONNECTIONcan also be ap
Page 80:
PART IICONFRONTING REALITYAfrican c
Page 83 and 84:
AFRICAN FILMMAKINGas we think’. I
Page 85 and 86:
AFRICAN FILMMAKINGhad to be largely
Page 87 and 88:
AFRICAN FILMMAKINGas a mere individ
Page 89 and 90:
AFRICAN FILMMAKINGmemory? Folklore?
Page 91 and 92:
AFRICAN FILMMAKINGdown a well and t
Page 93 and 94:
AFRICAN FILMMAKINGabout the French
Page 95 and 96:
AFRICAN FILMMAKINGIn Fad’jal (197
Page 97 and 98:
AFRICAN FILMMAKINGnarrative, with v
Page 99 and 100:
AFRICAN FILMMAKINGkillings, the mov
Page 101 and 102:
AFRICAN FILMMAKING25. For a detaile
Page 103 and 104:
AFRICAN FILMMAKINGissues. As Tahar
Page 105 and 106:
AFRICAN FILMMAKINGDepardieu and the
Page 107 and 108:
AFRICAN FILMMAKINGgirlfriend with h
Page 109 and 110:
AFRICAN FILMMAKINGside of African c
Page 111 and 112:
AFRICAN FILMMAKINGbecause the lead
Page 113 and 114:
AFRICAN FILMMAKINGmen dabbling (in
Page 115 and 116:
AFRICAN FILMMAKINGa social revoluti
Page 117 and 118:
AFRICAN FILMMAKINGIn Burkina Faso a
Page 119 and 120:
AFRICAN FILMMAKINGfocused and the t
Page 122:
PART IIINEW IDENTITIESThe past cont
Page 125 and 126:
AFRICAN FILMMAKINGsubsequent years.
Page 127 and 128:
AFRICAN FILMMAKINGThe 1970sIn Sub-S
Page 129 and 130:
AFRICAN FILMMAKINGfrom the police a
Page 131 and 132:
AFRICAN FILMMAKINGlevel, and ‘to
Page 133 and 134:
AFRICAN FILMMAKINGthis message. As
Page 135:
AFRICAN FILMMAKINGthe simple story
Page 139 and 140:
AFRICAN FILMMAKINGaudience’s resp
Page 141 and 142:
AFRICAN FILMMAKINGwater in a desert
Page 143 and 144:
AFRICAN FILMMAKINGtradition’. 12
Page 145 and 146:
AFRICAN FILMMAKINGshifts in the win
Page 147 and 148:
AFRICAN FILMMAKINGby her future in-
Page 149 and 150:
AFRICAN FILMMAKINGon their brutalit
Page 151 and 152:
AFRICAN FILMMAKINGsometimes in big
Page 153 and 154:
AFRICAN FILMMAKINGSene Absa’s sec
Page 156:
PART IVTHE NEW MILLENNIUMIf it’s
Page 159 and 160:
AFRICAN FILMMAKINGThough there is c
Page 161 and 162:
AFRICAN FILMMAKINGdiscovering only
Page 163 and 164:
AFRICAN FILMMAKINGand summons his f
Page 165 and 166:
AFRICAN FILMMAKINGthem in a final r
Page 167 and 168:
AFRICAN FILMMAKINGmercy of the rest
Page 169 and 170:
AFRICAN FILMMAKINGBekolo’s second
Page 171 and 172:
AFRICAN FILMMAKINGThe films of the
Page 173 and 174:
10. MAHAMAT SALEH HAROUN (CHAD)Beca
Page 175 and 176:
AFRICAN FILMMAKINGAlmost immediatel
Page 177 and 178:
AFRICAN FILMMAKINGFigure 10.1Mahama
Page 179 and 180:
AFRICAN FILMMAKINGthat we are witne
Page 181 and 182:
AFRICAN FILMMAKINGNotes1. Mahamat S
Page 183 and 184:
AFRICAN FILMMAKINGallowing the grio
Page 185 and 186:
AFRICAN FILMMAKINGin Sissoko’s Gu
Page 187 and 188:
AFRICAN FILMMAKINGhis nephew Mamadi
Page 189 and 190:
AFRICAN FILMMAKINGthe undertaker’
Page 191 and 192:
12. RAJA AMARI (TUNISIA)The only pr
Page 193 and 194:
AFRICAN FILMMAKINGFigure 12.1Raja A
Page 195 and 196:
AFRICAN FILMMAKINGBut when her daug
Page 197 and 198:
AFRICAN FILMMAKINGsocial setting in
Page 199 and 200:
AFRICAN FILMMAKINGHe has received C
Page 201 and 202:
AFRICAN FILMMAKINGfrom one to anoth
Page 203 and 204:
AFRICAN FILMMAKINGFigure 13.2Faouzi
Page 205 and 206:
AFRICAN FILMMAKINGBensaidi’s own
Page 207 and 208:
AFRICAN FILMMAKINGa priority in its
Page 209 and 210:
AFRICAN FILMMAKINGThe film’s open
Page 211 and 212:
AFRICAN FILMMAKINGFigure 14.2Abderr
Page 213 and 214:
AFRICAN FILMMAKINGSissako has said
Page 215 and 216:
AFRICAN FILMMAKING11. Abderrahmane
Page 217 and 218:
AFRICAN FILMMAKINGArmbrust, Walter
Page 219 and 220:
AFRICAN FILMMAKINGCalvocoressi, Pet
Page 221 and 222:
AFRICAN FILMMAKINGFanon, Frantz (19
Page 223 and 224:
AFRICAN FILMMAKINGImages et Visages
Page 225 and 226:
AFRICAN FILMMAKINGMegherbi, Abdelgh
Page 227 and 228:
AFRICAN FILMMAKINGSalhi, Abdel-Illa
Page 229 and 230:
AFRICAN FILMMAKINGWerbner, Richard
Page 231 and 232:
AFRICAN FILMMAKINGAoulad Syad, Daou
Page 233 and 234:
AFRICAN FILMMAKINGDe quelques évé
Page 235 and 236:
AFRICAN FILMMAKINGKassari, Yasmine,
Page 237 and 238:
AFRICAN FILMMAKINGQuand les hommes
Page 239:
AFRICAN FILMMAKINGYeux secs, Les (N
show all

1RLv6mX

Create successful ePaper yourself

Delete template?

Save as template?