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Felix Aeppli 2012-04-30

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32, 35, 36, 40, 43: Incomplete recordings; Cut 33: Only version to feature Keith Richards onvocals; Cuts 37, 38: Shared vocals Mick Jagger and Keith Richards, various takes (one versionwith announced chord changes; one faded in version with Undercover-like percussion; one startedby bass drums and piano; falsetto vocals Mick Jagger; Cut 39: Faded in; lyrics incomplete; Cut40: Starting with long drum intro and off-mike vocals by Keith Richards; Cut 41: Chuck-Berry-likerocker,featuring You Can’t Cut The Mustard-riffs; Cut 42: Two incomplete takes of a title which atthis point consists of hardly more than a repeated refrain; Cut 43: A ballad, not the well knownsong by Elvis Presley; Cut 44: Same as cut 8, lacking back-up vocals; Cuts 45-52: No bass; Cuts45-55: No proper drums; might feature Ian Stewart on bass drum; Cuts 56-92: Rehearsals; mostlyfragments, many of them instrumentals only; Cut 56: Might be an embryonic version of cut 34;recorded April 16, 1985; Track 52: Might be The Jerk (Julian); Cut 57: Initially known amongcollectors as Song A; Cuts 57, 58: Bass Alan Rogan; drums Ian Stewart; Mick Jagger, KeithRichards, Bill Wyman and Charlie Watts not present; recorded April 19, 1985; Cut 59: RecordedApril 20, 1985; Cuts 60-62: Recorded February 28, 1985; Cuts 62 (II), 72: Harmonica Ron Wood;Cut 65: Recorded June 13, 1985; Cuts 66, 67: Recorded April 9, 1985; Cut 67 (IV, V, VIII-X):Vocals Mick Jagger (as opposed to all other vocal versions of this title sung by Keith Richards);Cut 68: Recorded April 16, 1985; Cut 69: Recorded April 11, 1985; Cuts 70-76: Recorded April14, 1985; Cuts 77, 87: At the time probably entitled Too Much For Me; Cut 77: Recorded May 9,1985; Cuts 78-80, 83: Recorded May, 1985; Cut 81: Recorded April 7, 1985; Cut 82: RecordedMay 17 and 18, 1985; Cut 83: Recorded May 25, 1985; Cut 85: Recorded May or June, 1985;Cuts 86, 87: Recorded May 9, 1985; Cut 88: Recorded May 5, 1985; Cuts 89-92: Recorded Apriland May, 1985.1.003 MAY 11, 2010 ”STONES IN EXILE”; DOCUMENTARY, PREMIERED AT THE MUSEUMOF MODERN ART; NEW YORK CITY, Director Stephen KijakL Shake Your Hips (Moore)M Ventilator Blues (Jagger, Richards, Taylor)R Can I Get A Witness (Holland, Holland, Dozier)S Loving CupCuts L, M, R, S (all incomplete soundtracks, “Song” R with faked footage): Probably recorded duringthe rehearsals, Sumet-Burnet Recording Studio, Dallas, Texas, June 23, 1972.1452A Mid-November, 2009 Probably London: MJ interview for Czech TV (on the 20th anniversary of therevolution in Czechoslovakia).3271 July 10, 20<strong>04</strong> Live at the Universal Amphitheatre, Los Angeles: “RETURN TO SIN CITY - A TRIBUTETO GRAM PARSONS” (Image Entertainment ID2743GXDVD, DVD [US]/82876 67422 9, DVD[Europe], April, 2005): KEITH RICHARDS & NORAH JONES: 1. Love Hurts (Bryant), KEITHRICHARDS: 2. Hickory Wind (Buchanan, Parsons), SUSAN MARSHALL AND THE HOUSE OFBLUES GOSPEL CHOIR, 3. In My Hour Of Darkness (Harris, Parsons), ALL STAR BAND: 4. WildHorses (Jagger, Richards)KR: guitar, vocals (1, 2, 4), Norah Jones (1), Jim Jones (4): vocals; Jim Lauderdale (2, 4),Steve Earle (4): guitar, additional vocals; Al Perkins: guitar, pedal steel; James Burton, TonyFurtado, Doug Pettibone, Easy Pickens, Colin Cripps: guitar; Skip Edwards: keyboards; MarvinEtzioni: mandolin (2, 4); Dusty Wakeman: bass; Dave Raven: drums; Susan Marshall: vocals (3),back-up vocals (2); Kristin Mooney: back-up vocals (2); all participants of the show: back-upvocals (4); Mark Lukas: director.Added 2011-02-280.084A SEPTEMBER 13, 1965 ERNST-MERCK-HALLE, HAMBURG1 The Last TimeSong 1 (incomplete): Shown in a German news-reel or TV news clip, mid-September, 1965.NOTES: The Rolling Stones’ arrival at Hamburg (not Dusseldorf) airport was featured in “4 SCHLUS-SEL”, film, directed by Jurgen Roland, premiered January 14, 1966; released on DVD, e-m-s-115952 (Germany), February 10, 2006.0.448 MARCH 29 - MAY 5, 1989 AIR STUDIOS, MONTSERRAT, WEST INDIES, Producers:Chris Kimsey and The Glimmer Twins3 Terrifying

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