A. "Histoire universelle." Le Figaro littÃ©raire (Paris ... - Fonds Queneau

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#2 (november 1965), pp. 326-327. %% Alter's review is not exactly negative but doespoint out a number of weaknesses in Bergens' text.Alter, Jean V. CR of Henri Peyre's French Novelists of Today. French Review (Baltimore),vol. 42 #1 (october 1968), pp. 171-173. %% Alter reviews what is essentially a revisededition of Peyre's Contemporary French Novel. He finds that "le traitement de Queneaureste aussi insuffisant qu'il l'était."Alter, Robert. Partial Magic: The Novel as a Self-conscious Genre. Berkeley: University ofCalifornia Press, 1975. %% Alter has almost exactly reproduced his "Self-conscious Moment"article in this book; the pages relevant to Queneau are 220-223 and 232-235. Alteralso refers to Queneau on page 22.Alter, Robert. "Mimesis and the Motive for Fiction." In Images and Ideas in American Culture:The Functions of Criticism. Ed. Arthur Edelstein. Hanover, New Hampshire: UniversityPress of New England, 1979, pp. 99-123. %% Alter refers to Queneau's Exercicesde style (p. 117), but only to say that Manuel Puig's stylistic variations in The BuenosAires Affair are not similar to Queneau's.Alter, Robert. "Mimesis and the Motive for Fiction." In his Motives for Fiction. Cambridge,Massachusetts: Harvard University Press, 1984, pp. 3-21. %% This is virtually the sametext as the original.Alter, Robert. "The Self-conscious Moment: Reflections on the Aftermath of Modernism."Tri-Quarterly (Champaign, Illinois), vol. * #33 (spring 1975), pp. 209-230. %% Pages211-212 and 220-222 discuss the importance of Exercices de style and Le Chiendent inmodern literature.Alter, Robert. Cf. Thomas Francesco Petruso, "Characterization in the Novel Since Proust andJoyce."Althusser, Louis. CR of Alexandre Kojève's Introduction à la lecture de Hegel. Cahiers duSud (Marseille), an. 34 #286 (* 1947), pp. 1057-1059. %% Althusser reviews Hegel'sthought and notes the particular interpretation which Kojève puts on it, all without mentioningQueneau.Altman, Thierry, and Michel Paquot. "Jacques Roubaud: 'Nous n'avons pas terminé 53Jours'." La Cité (Bruxelles), an. 2 #42 (19 octobre 1989), p. 65. %% The authors interviewRoubaud, who edited, along with Harry Mathews, Georges Perec's unfinished 53Jours.Alwyn, William. Cf. Queneau, "Four Poems" and "Poems."Alyn, Marc. "La Poésie en 1969: Une Année couleur de muraille." Les Nouvelles littéraires(Paris), an. 48 #2207 (8 janvier 1970), p. 7. %% Alyn just barely mentions Fendre lesflots.Άµαvίτης, Νίκoς. Cf. Queneau, "Ηvα Παραµυθι στα µετρα σας."Ambrière, Francis. "Raymond Queneau à l'Académie Goncourt." Revue de Paris (Paris), an.58 #* (avril 1951), pp. 169-170. %% Ambrière discusses possible reasons for Queneau'selection as well as possible effects; it is quite an interesting article.Ambrière, François. "Revue des revues." Toute l'Edition (Paris), an. 17 #454 (4 février 1939),p. 10. %% In considering Volontés #13, Ambrière cites with approval Queneau's "LesHorizons perdus" on the sad state of contemporary poetry.Ambrière, Francis. "Savoir sourire." La Bataille (Paris), an. 6 #123 (30 avril 1947), p. 6. %%He just mentions Queneau's Exercices de style.
Ambrière, Francis. "'La Vie que je t'ai donnée' au Théâtre Agnès Capri." Opéra (Paris), an. 4#101 (16 avril 1947), p. 3. %% Ambrière finds "En passant" rather flat.Amiot, Anne-Marie. Cf. Marcel Bourdette-Donon, "Raymond Queneau, une stratégie de communication."Amis de Valentin Brû. For this oranization and the periodical which bears the same name, cf.Astrid Bouygues and Daniel Delbreil, "Claude Simonnet face à l'oeuvre de RaymondQue-neau," p. 79.Ammour, Ophélie. "L'Echec dans la production romanesque de Raymond Queneau."Mémoirede maîtrise. Directeur Daniel Delbreil. Paris: Université de Paris III (Sorbonnenouvelle), 2006. %% [This work is available at the Centre de recherches "L'Espritnouveau en poé-sie"; Institut de littérature française; université de Paris III; 13, rue deSanteuil, 75005. It will be necessary to contact Professeur Daniel Delbreil beforehand inorder to receive au-thorization.]Amphitryon. "Madame Bovary exagère." Paris-presse (Paris), an. * #* (17 mars 1952), p. 2D.%% Queneau jokes about Aragon being the "travailleur de l'Amer," a pun on VictorHugo's title.Amphitryon. "Queneau est cruel." Paris-presse (Paris), an. * #* (22 janvier 1952), p. 2C. %%Queneau tells the story of a blind man who accidentally blinds a "borgne" and how thelatter got his revenge.Amphitryon. "Queneau offre un autre zouave à la N.R.F." Paris-presse (Paris), vol. * #* (17janvier 1952), p. 2C. %% This is a brief mention of the appearance of Le Dimanche de lavie, with special attention to the "Hain-Tenys."Amrouche, Jean. "Mal du siècle 1944." Les Elites françaises (Orléans), vol. 1 #1 (avril-mai1945), p. 39. %% Amrouche's review of Loin de Rueil is more of a postwar social commentarythan literary criticism.Amunategui, Francisco. "Französische Romane." Pariser Tageszeitung (Paris), an. 1 #139 (28oktober 1936), p. 4. %% Amunategui reviews Les Derniers Jours and two other novels.Amunategui, Francisco. "Les Livres: Romans des temps difficiles." La Vie réelle (Paris), an.*#2 (octobre 1937), pp. 61-65. %% This review of Odile is very good, although in a differentvein than is usual.Anbert, Camille. "Vient de paraître." Temps présent (Paris), an. 9 #34 (13 avril 1945), p. 3.%% A rather average short review of Loin de Rueil.André. "Negerblod och löss." Morgon-Tidningen (Stockholm), an. * #348 (23 december1949), p. 6. %% The author gives an ambiguous to warm reception to Var Världen ändaär liten (which means "How Small the World is"), C. G. Bjurström and Maj Odman'stranslation of Loin de Rueil into Swedish.André, Alex. Ils en racontent de drôles. Paris: Plon, 1963. %% Queneau notes (p. 182) thatthe public clocks and scales in Paris do not agree much at all... Alex André is the pseudonymof André de Coudekerque-Lambrecht.André, Paul. "Un Discours encyclopédique." Présence (Genève), an. 6 #2 (printemps 1956),pp. 111-114. %% André discusses the value of the new Encyclopédie de la Pléiade.André, Robert. "En font-ils de la musique?" Nouvelle Revue française (Paris), an. 10 #117(septembre 1962), pp. 558-559. %% André just mentions the Cent Mille Milliards de
Page 3 and 4: trées par le héros" ("les conflit
Page 5 and 6: croisées 1949-1976, pp. 223 and 37
Page 7 and 8: d'En-tremeuse (p. 275), cited in Le
Page 9 and 10: later works in a surrealist light.
Page 11: ficielle," "Insistance," "Ignorance
Page 15 and 16: and attitude towards various eras a
Page 17 and 18: posedly retires to write a novel on
Page 19 and 20: sium which would take place on 25-2
Page 21 and 22: stantially the same thing as Anonym
Page 23 and 24: "Concordances baudelairiennes."Anon
Page 25 and 26: Anonymous. "Les 'Cacouacs' ont fait
Page 27 and 28: eview of Zazie dans le métro is en
Page 29 and 30: Couple."Anonymous. "Congrès à Lon
Page 31: giving the usual review in pointing

A. "Histoire universelle." Le Figaro littÃ©raire (Paris ... - Fonds Queneau

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