A. "Histoire universelle." Le Figaro littéraire (Paris ... - Fonds Queneau

later works in a surrealist light. Cf. Michal Mrozowicki, "D'un 'Récit de rêve' à 'Des Récitsde rêve à foison' --- Les Ecrits brefs en prose de Raymond Queneau"; Carol J. Murphy,CR of Sarane Alexandrian's Le Surréalisme et le rêve.Alexandru, Laszlo. Cf. Queneau, Sintem mereu prea buni cu femeile and Zazie în metrou.Alfau, Felipe. Cf. Tom Whalen, "Felipe Alfau's 'Kaleidoscope of Fancies'."Algren, Nelson. Cf. Simone de Beauvoir, Lettres à Nelson Algren: Un Amour transatlantique(1947 - 1964).Les Alguazils. "Aux Quatre Vents." Le Figaro littéraire (Paris), an. 5 #221 (15 juillet 1950),p.2. %% The author gives a very positive review of the section of Petite Cosmogonie portativewhich had recently appeared in Les Temps modernes, although he concentrates onthe reaction to the publication of poetry in such a magazine. Cf. Queneau, Cher Monsieur-Jean-Marie-monfils: Lettres 1938-1971, p. 86.Les Alguazils. "Aux Quatre Vents." Le Figaro littéraire (Paris), an. 5 #225 (12 août 1950), p.3. %% The author indicates that Queneau would appear in a film that Louis-René desForêts planned to create; Queneau would be fishing in a river. The note goes on to saythat des Forêts had had to abandon the project. Cf. Antoine de Gaudemar, "'Je n'avanceque dans l'obscurité'"; Queneau, Cher Monsieur-Jean-Marie-mon fils: Lettres 1938-1971,pp. 96-98.Les Alguazils. "Jeudi, rue Sébastien-Bottin." Le Figaro littéraire (Paris), an. 4 #161 (21 mai1949), p. 2. %% This is merely an anecdote containing a "bon mot" of Queneau: "le muséede l'art brut" (a reference to Dubuffet).Ali Ahmed, Azouz. "Savoirs, création et désenchantement chez Queneau, précédé de 'Mirageblanc'." Thèse. Montréal: Université de Montréal, 2005.Alion, Yves, and Gilles Cèbes. "Entretien." Ecran 77 (Paris), vol. * #62 (15 octobre 1977),pp. 14-21. %% This interview with Jean-Pierre Marielle just mentions the film version ofSally Mara's On est toujours trop bon avec les femmes.Alkire, Elbern H., III. "Equivalence in Difference: Queneau's Les Exercices de style in French,English, and Italian." PhD at Cornell University (Ithaca, New York), 2000. DirectressLinda R. Waugh. Dissertation Abstracts International, vol. 61 #6A (* 2000), p. 2321.%% Alkire considers how translation and the differences in meaning that are incurredduring translation do not really affect the equivalence of the two texts. His primary interestis in the nature and limits of translation, and Queneau's Les Exercices de style onlyserves as a concrete referent. He limits himself to "Homophonique," "Vulgaire," "Lipogramme,"and "Translation" (from the revised edition) as they appear in the originalFrench and in Barbara Wright's translation, Exercises in Style, and Umberto Eco's Esercisidi stile.Allais, Alphonse. Cf. Anonymous, "Le Monde potine: L'Echo répète"; André Billy, "Queneauou le français populaire tel qu'on le parle"; Jacques Brenner, "Le Sourire d'Alphonse Allais";Jean Datain, "Aspects du comique de sonorité"; Jean-Marc Defays, "Enjeux et stratégiesdu discours dans l'oeuvre d'Aphonse Allais"; Jeanne Demers, "'Pataphysique appliquée:Le Cas Alphonse Allais"; Jean-Paul Lacroix, Allais-France; Queneau, "Message";Queneau and André Blavier, Lettres croisées 1949-1976, pp. 145 and 363 (note 192);Henri Rochon, "Je médis comme on me l'a dit."Allan, Alexander. "Waugh Revisited." Etudes anglaises (Paris), vol. 33 #3 (juillet-septembre