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THE COMPLETE CURRICULUM Ensuring a Place for the Arts and ...

THE COMPLETE CURRICULUM Ensuring a Place for the Arts and ...

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NASBE<strong>THE</strong> <strong>COMPLETE</strong> <strong>CURRICULUM</strong>Chapter 4How Instruction in <strong>the</strong> <strong>Arts</strong> <strong>and</strong>Foreign Languages Fits into aSt<strong>and</strong>ards-Based System:Recommendations <strong>for</strong>PolicymakersAs this report has discussed,competition <strong>for</strong> a slot among <strong>the</strong>core subjects is stiff in this era ofst<strong>and</strong>ards-based re<strong>for</strong>m. Class time<strong>and</strong> funding are scarce resources, <strong>and</strong>both policymakers <strong>and</strong> educators,driven by assessment <strong>and</strong> accountability,have made difficult choicesabout what to include in <strong>the</strong> curriculum.Many policymakers hold to <strong>the</strong>belief that reading, writing, <strong>and</strong>ma<strong>the</strong>matics are <strong>the</strong> keys to academicachievement <strong>and</strong> direct time <strong>and</strong>resources to <strong>the</strong>se areas. Advocatesare concerned about <strong>the</strong> narrowingof <strong>the</strong> curriculum <strong>and</strong> point out <strong>the</strong>advantages of both arts <strong>and</strong> <strong>for</strong>eignlanguage study. Following are tenrecommendations from <strong>the</strong> StudyGroup on <strong>the</strong> Lost Curriculum tohelp policymakers ensure that <strong>the</strong> arts<strong>and</strong> <strong>for</strong>eign languages are an integralpart of each state’s curriculum.16St<strong>and</strong>ards <strong>for</strong> Students<strong>and</strong> StaffIn order to ensure a role <strong>for</strong> arts<strong>and</strong> <strong>for</strong>eign languages in a st<strong>and</strong>ardsbasedsystem equal to that of o<strong>the</strong>rcore subject areas, state policymakersmust ensure that <strong>the</strong>re arehigh-quality st<strong>and</strong>ards <strong>for</strong> whatstudents should be able to learn <strong>and</strong>know—in both <strong>the</strong> arts <strong>and</strong> <strong>for</strong>eignlanguages.At <strong>the</strong> national level, much workhas gone into developing studentst<strong>and</strong>ards <strong>for</strong> <strong>for</strong>eign languagestudy. In 1999, a coalition of languageorganizations released a comprehensiveset of national st<strong>and</strong>ards <strong>for</strong>students in <strong>for</strong>eign languages. Thest<strong>and</strong>ards were developed to reflect<strong>the</strong> languages taught in <strong>the</strong> UnitedStates, <strong>and</strong> many go beyond <strong>the</strong> K-12grades to include post-secondaryeducation. This set of st<strong>and</strong>ards hasan exp<strong>and</strong>ed view of language learningthat provides <strong>for</strong> <strong>the</strong> teaching of<strong>for</strong>eign languages to all students. Thest<strong>and</strong>ards are based on a set ofunderlying principles called <strong>the</strong> FiveC’s of Language Education: Communication;Cultures; Communities;Comparison; <strong>and</strong> Connection.Similarly, at <strong>the</strong> national level,student st<strong>and</strong>ards have been developed<strong>for</strong> arts education. In 1992, <strong>the</strong>Consortium of National <strong>Arts</strong>Education Associations received agrant to begin looking into developingst<strong>and</strong>ards <strong>for</strong> students. The result was<strong>the</strong> National St<strong>and</strong>ards <strong>for</strong> <strong>Arts</strong>Education, which focused on <strong>the</strong> arts<strong>for</strong> <strong>the</strong>ir intrinsic value in helpingyoung people make connectionsbetween concepts <strong>and</strong> across subjects.

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