Frogpond 32.2 â¢ Summer 2009 (pdf) - Haiku Society of America

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Museum of HaikuLiterature Award$100For the best previously unpublished work appearing in thelast issue of Frogpond as selected by vote of the H.S.A.Executive Committee.From Issue 32:1reddening apples—my newborn tries to sucklethe orchard airDejah Leger, Washington. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Haiku Society of America
Page 6: spring woodnote—the sunburned knu
Page 11: Moonflower tuckedunder my chin. Win
Page 14: slap and tugof bedsheets on the lin
Page 17 and 18: lunch hourlobsters duelin the tankJ
Page 19 and 20: a torn leafblows inwith himSusan Ma
Page 21 and 22: ten licks heretwelve there—sun ba
Page 23 and 24: winter night—moving the bookmarkt
Page 25 and 26: the great horned owlstops hootinga
Page 27 and 28: hangover . . .out-of-date condiment
Page 29 and 30: ifocals i step into the gapdinner p
Page 31 and 32: mother’s bone chinathings we spea
Page 33 and 34: my skipping stone its moment in the
Page 35 and 36: your arms around mewhite butterflie
Page 37 and 38: My slow dyingacross a lifetimehalts
Page 39 and 40: Why, then, would anyone choose to b
Page 41 and 42: ecame a teaching tool. She wrote sh
Page 43 and 44: RengayAt The SeasidebyRafal Zabraty
Page 45 and 46: Trillium Lights The Forest FloorbyC
Page 47 and 48: SequencesBushfire 2009byQuendryth Y
Page 49 and 50: HaibunChristmas 1996by Marjorie A.
Page 51 and 52: Genomeby Michael Kiella, MichiganTo
Page 53 and 54:
In High Countryby Carol Pearce-Wort
Page 55 and 56:
The Family Treeby Karen Peterson Bu
Page 57 and 58:
Day Outby Diana Webb, England“He
Page 59 and 60:
new blood of autumnB. Ellis William
Page 61 and 62:
The Virgin River Gorgeby Deborah P.
Page 63 and 64:
was written by each writer in turn.
Page 65 and 66:
Haikuholics Anonymousby Michael Dyl
Page 67 and 68:
over to the care of the Infinite No
Page 69 and 70:
Haikuholics Anonymous is an effecti
Page 71 and 72:
which marked “Oriental” art. Th
Page 73 and 74:
way links Nature with human nature.
Page 75 and 76:
In Richard Gilbert’s deeply sensi
Page 77 and 78:
English. It becomes a version too,
Page 79 and 80:
PromotersFluffy snowflakes—quietl
Page 81 and 82:
Society. As well as haiku, it inclu
Page 83 and 84:
Marra, M.F. Seasons and Landscapes
Page 85 and 86:
Rosenow, C. & Arnold, B. (eds.). Th
Page 87 and 88:
Verbeke, G. Hermit: Reflections abo
Page 89 and 90:
Carlos’ [Colón] “corn maze”
Page 91 and 92:
The Bernard Lionel EinbondRenku Com
Page 93 and 94:
19. two by twothe Merry Mengreet th
Page 95 and 96:
First Honorable MentionJohn Stevens
Page 97 and 98:
Second Honorable MentionJohn Steven
Page 99 and 100:
Judges’ CommentsRenku is a form t
Page 101 and 102:
together, the scene shifts outdoors
Page 103 and 104:
HSA PatronsOur thanks to these memb
Page 105 and 106:
Hopkins, Gregory, 11Hosomi, Ayako,
Page 107 and 108:
HSA Officers & Regional Coordinator
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Frogpond 32.2 â¢ Summer 2009 (pdf) - Haiku Society of America