Frogpond 32.2 ⢠Summer 2009 (pdf) - Haiku Society of America
Frogpond 32.2 ⢠Summer 2009 (pdf) - Haiku Society of America
Frogpond 32.2 ⢠Summer 2009 (pdf) - Haiku Society of America
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We studied the latest haiku journals, discussing the essaysand poems. We wrote some renga together. Weshared poems <strong>of</strong> others we loved, and sometimes <strong>of</strong>fereda draft <strong>of</strong> a haiku we were pulling together to get a candidresponse. She sent me home with rare poetic treasures tostudy, classic out-<strong>of</strong>-print books and volumes <strong>of</strong> the firsthaiku journals. Little by little she was shaping me withoutintention or goal. I learned to trust my muse because <strong>of</strong> her.She had become a mentor. To think <strong>of</strong> herself as a mentor wouldhave amazed her. Free-spirited, intuitive, and generous, sheshared her genius with me, as well as with hundreds <strong>of</strong> other poetsin her long and productive life. Elizabeth Lamb was unique,and remains to this day, my idea <strong>of</strong> the quintessential editor.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42 <strong>Haiku</strong> <strong>Society</strong> <strong>of</strong> <strong>America</strong>