SVL AP Music Theory Syllabus/Online Course Plan

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UNIT 11: AP EXAM REVIEW AND PRACTICEKnowledge:The four parts of the AP Exam and the types of questions contained in eachStrategies for maximizing your score on the AP ExamAssignments/Assessments:Students will take the released 2003 exam section by section after having learned about the content andstrategies relevant to that section. This serves as a review for the exam and as a course final.Direct Instructionx__Structured Overviewx__Mini presentationx__Drill & Practice____Demonstrations____Other (List)IndirectInstructionx__Problem-based___Case Studiesx__Inquiryx__ReflectivePracticex__Projectx__Paper____ConceptMapping____Other (List)ExperientialLearning____ Virt. FieldTrip____Experiments____Simulations____Games____FieldObserv.___Role-playing____Model Bldg.____Surveys____Other (List)Independent Studyx__Essaysx_Self-pacedcomputer____Journalsx__Learning Logsx__Reportsx__Directed Studyx__Research Projects____Other (List)InteractiveInstructionx__Discussion____Debates___Role Playing____Panels____Peer PartnerLearning____Project team____Laboratory Groups____Think, Pair, Share____CooperativeLearning____Tutorial Groups____Interviewingx__Conferencing____Other (List)Scope and Sequence:Week Unit Lessons Due1 1 Introductory Tasks21Scales, tonalitykeys, modes3 14 152Intervals andtransposition1.01 Major Scales1.02 Key Signatures and the Circle of Fifths1.03 Building Key Signatures1.04 Natural minor and relative keys1.05 Three types of minor scales1.06 Hearing Major and minor scales2.01 Introduction to Solfege: a system for sightsinging2.02 Writing and hearing Major and minor 2nds2.03 Writing and hearing Major and minor 3rds1.01a - b1.02a - b1.031.04a - b1.05a - b1.062.012.02a - b2.03a - b6 22.04 Perfect Intervals: unisons octaves, 4ths, and 5ths2.05 Writing and hearing Augmented, and diminished4ths and 5ths2.042.05 a - b
7 28 293Chords10 311 34Cadences andnon-harmonictones2.06 Writing and hearing Major and minor 6ths2.07 Writing and hearing Major and minor 7ths2.08 Augmented and diminished intervals2.06a - b2.07a - b2.082.09 Inversion of intervals2.10 Transposition 2.09 - 2.103.01 Scale degree names3.02 Four triad types3.03 Diatonic triads and their Roman numeral chordsymbols3.013.02a - b3.03a - b3.04 Triad inversions and their Roman numeral chordsymbols3.05 Seventh chords and their Roman numeral chordsymbols 3.04 - 3.053.06 Figured bass3.07 Popular music chord symbols3.06a - b3.074.01 Phrases4.02 Cadence types 4.01 - 4.021213 4 4.03 Unaccented non-harmonic tones 4.0314 4 4.04 Accented non-harmonic tones 4.04155Voice Leading 5.01 Writing a good melody 5.01a - b16 5 5.02 Two-part voice leading 5.02a - b17 5 5.03 Four-part voice leading 5.03a - b18 5 Semester FinalFinal, Parts 1and 2196Harmonicprogressionandharmonic rhythm20 66.01 Harmonic progression and harmonic rhythm6.02 Dominant 7th chords6.03 Leading tone 7th chords6.04 Non-dominant 7th chordsIntroductoryTasks6.01a - b6.026.03a - b6.04a - b217Modulation andsecondarydominants7.01 Modulation7.02 Secondary dominant chords7.01a - b7.02 a - b22 7 7.03 Secondary leading tone chords 7.03a - b238Melodicorganization24 8925Texture8.01 Characteristics of a good melody8.02 Motive8.03 Sequence8.04 Composition project9.01 Monophony and the Medieval period9.02 Polyphony and the Renaissance period8.01a - b8.02a - b8.03a - b8.04a - b9.019.029.03 The Baroque era -- the bridge between26 9polyphony and homophony9.04 The Classical and Romantic periods9.039.0427 9 9.04 Unit Assignment Unit
Page 4 and 5: Knowledge:Notation of pitch-the sta
Page 7: UNIT 8: MELODIC ORGANIZATIONKnowled

SVL AP Music Theory Syllabus/Online Course Plan

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