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Archives at the Crossroads 2007 - Nelson Mandela Foundation

Archives at the Crossroads 2007 - Nelson Mandela Foundation

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archives are vital in anchoring citizenship and th<strong>at</strong> in turn lies <strong>at</strong> <strong>the</strong> heart ofsocial cohesion.The Conference discussed <strong>the</strong> existence of a range of community-based initi<strong>at</strong>iveswhich interrog<strong>at</strong>e those archives th<strong>at</strong> are available to <strong>the</strong>m and use <strong>the</strong>m asways of achieving understandings of <strong>the</strong> past and of imagining <strong>the</strong> future th<strong>at</strong>are not necessarily those th<strong>at</strong> are envisaged in <strong>the</strong> formal heritage projects of<strong>the</strong> st<strong>at</strong>e. None<strong>the</strong>less <strong>the</strong>se local projects do important work in assisting thosecommunities to negoti<strong>at</strong>e <strong>the</strong>ir identities within contemporary South Africa,allow <strong>the</strong> communities concerned to valorize those identities and where necessaryenable reconcili<strong>at</strong>ion over past injustices. In a number of best practice examples<strong>the</strong>y result in archivally-based contemporary cultural initi<strong>at</strong>ives with developmentaland employment possibilities. (The Living Landscape project involving <strong>the</strong>Clanwilliam community provides a case in point.) Such initi<strong>at</strong>ives illustr<strong>at</strong>e vividly<strong>the</strong> difference between archive and heritage, most notably in archive as an opensource for diverse explor<strong>at</strong>ions of <strong>the</strong> past, and heritage as a form of present<strong>at</strong>ionof <strong>the</strong> past already organized into a story. As such <strong>the</strong> differences provide pointersfor n<strong>at</strong>ional archival policy.Isol<strong>at</strong>ion of ArchiveThe Conference noted th<strong>at</strong> <strong>the</strong> archive is currently understood in a limited wayas comprising <strong>the</strong> isol<strong>at</strong>ed institutions of <strong>the</strong> archival system. This definition of<strong>the</strong> archive is a colonial and apar<strong>the</strong>id inheritance th<strong>at</strong> needs to be revised. Thecollections of m<strong>at</strong>erial culture in museums, for example, are crucial archivalsources for <strong>the</strong> history of South Africa. Archival policies and projects need toinclude <strong>the</strong>se holdings.The inherited definition fur<strong>the</strong>r fails to acknowledge <strong>the</strong> presence of archive incountless aspects of cultural and social life: in neighbourhood jazz clubs, marriageand funeral rites, family photo albums, artworks, plays, novels and designerclothing, to name but a few of <strong>the</strong> many sites. These sites contain valuablearchival resources and significant archival energies flourish in <strong>the</strong>m th<strong>at</strong> meritrecognition within cultural policy. Indeed, archive needs to be recognized asfound<strong>at</strong>ional to much of <strong>the</strong> work of <strong>the</strong> Department of Arts and Culture.The prevailing concept of archive is weighed down by its colonial and apar<strong>the</strong>idbaggage. The fact th<strong>at</strong> <strong>the</strong> bulk of <strong>the</strong> documents comprising this archive rel<strong>at</strong>eto those regimes contributes fur<strong>the</strong>r to its isol<strong>at</strong>ion. Two important points needto be registered here.<strong>Archives</strong> <strong>at</strong> <strong>the</strong> <strong>Crossroads</strong> | 9

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