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The Lewis Baltz Library - Steidl

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John Wood<br />

On the Edge of Clear Meaning<br />

“Historically, ‘purity’ is not a term that has often been applied to the work of John Wood. In photo-historical terms, Wood<br />

is thought of as one of those renegades who went against ‘pure photography’ by incorporating drawing,<br />

painting, collage, and every other technique he could get his hands on (not to mention explicit political content), into<br />

his practice, thus ushering in the multi-media of the 1960s that caused a crisis in ‘straight photography.’ Long before<br />

it became the signal medium of the avant-garde, collage was a folk art, practiced by children, lovers, and<br />

grand-mothers. I suspect this is one of the reasons John Wood was initially attracted to it, just as he would later make<br />

art out of whirligigs. Or photography, for that matter, that art before and after ‘art.’<br />

“From the jaundiced perspective of our pluralistic present, those once furiously enforced and ferociously<br />

defended divisions seem quaint. Now that those and most other boundaries have dissolved and digital imaging has<br />

normalized ‘impurity’ and made the combination and alteration of different kinds of images commonplace, perhaps it’s<br />

a good time to reconsider the life’s work of John Wood.”<br />

From the introduction by David Levi Strauss<br />

This book accompanies a major touring retrospective of John Wood’s work, encompassing the full range of his<br />

productive career from the late-1950s to the present, in over 210 works. Essays include an assessment of John’s work<br />

by David Levi Strauss, a complete biography and bibliography compiled by William Johnson, and an assessment of<br />

Wood’s important role as an educator for over thirty years by Ezra Shales. A DVD includes footage of Wood’s<br />

working, recent interviews and a page turning program to experience his book works in real time.<br />

Exhibition: George Eastman House, Visual Studies Workshop and Memorial Art Gallery, Rochester, October 2008;<br />

touring to the International Center of Photography and the Grey Art Gallery in New York City and then to SUArt<br />

Galleries, Syracuse University, Syracuse, NY<br />

John Wood<br />

On the Edge of Clear Meaning<br />

Text by David Levi Strauss, William S. Johnson and Ezra Shales<br />

Book design by Joan Lyons<br />

176 pages with 168 color and b/w plates<br />

10.5 x 9 in./26.6 x 22.8 cm<br />

Clothbound hardcover with dust jacket, DVD included<br />

US$65.00/£35.00/€45.00<br />

ISBN 978-3-86521-689-2<br />

133

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