Dark Matter Archives

More documents

Recommendations

Info

introduction: the missing mass 9internalized bit of dissent, which, setting content aside, also represents a virtualcore-sample of the massive overproduction artists generate at any given moment?One answer is to think of this other archive of critical, surplus cultural activityas a mark or bruise within the body of high art. The system must wear this markof difference in order to legitimate its very dominance. Absolute exclusion isout of the question. Thus the image of the archive becomes an internally exiledexclusion, like a crypt or tomb that harbors meaning through a kind of negation(deathly remains) for the jurisdiction of the household above it. The surplusarchive—as well as artistic dark matter—is therefore both a presence and absencewithin the material and symbolic economy of art. Except that an archive cannever remain purely abstract, at some point it crosses the threshold into actual,content, even if, as in the case of the PAD/D Archive, this content is chaotic andmessy and very much at odds with the codes and laws that order the institutionwithin which it is housed. The chapters that follow this exploration of MoMA’sencrypted other play upon this double nature of the surplus archive: its ambivalentstructural relation as internally outlawed content which is at best a catalog ofmultiple aesthetic and political attractions (and perhaps also repulsions). Oneway to explain the structure of this book, therefore, is as an attempt to infectthe “lawfully” embodied systems of exclusion and visibility beginning with theart world’s inner foundation and spreading outwards: a procedure potentiallybrought within reach by the very demands of enterprise culture for ubiquitouscreativity and amplified by its own prosthesis of electronic memory and networkedintelligence. Still, there are complications.In Chapter 3 the archive returns, but now being written directly on the skinof a gentrified city that very much wants to forget its past. This essay focuses onthe momentary bubbling up and fading away of this other urban narrative as anopenly revanchist neoliberal urbanism typified by the administration of MayorRudolph Giuliani swept over New York City in the 1990s. During this periodthe group REPOhistory carried out several site-specific, “Do It Yourself” (DIY)public art projects, using street signs to focus public attention on little known,forgotten, or politically inconvenient histories. Eventually REPOhistory ran afoulof municipal and cultural authorities, and the subaltern archive was slammedshut once more. The chapter also sets REPOhistory’s work within a broadercontext of public art practices that emerged towards the end of the Cold Warand focused on historical memory and forgetting, as if a certain archivalizationwas only (temporarily) possible once the danger it represented had passed. LikeREPOhistory a number of these public art and history projects in Buenos Aires,Berlin, Pittsburgh, and Oakland California also mimicked the official street signsand other systems of spatial administration. As global neoliberalism turns urbanspaces into zones of managed consumption and ubiquitous surveillance, it seems
10 <strong>Dark</strong> matterNew York Newsday, June 28, 1992, reporting on REPOhistory’s Lower Manhattan SignProject including a clip-and-carry do it yourself walking tour map of the installation. Shownin the photograph from left to right are “REPOhistorians” Lisa Maya Knauer, Todd Ayoung(standing), Alan Michelson, and Tess Timoney. The newspaper is no longer in print. Imagecourtesy Gregory Sholette Archive.
Page 2 and 3: Dark Matter
Page 4 and 5: Dark MatterArt and Politics in the
Page 6: This book is dedicated to Lucy R. L
Page 10 and 11: Series PrefaceMarxists frequently p
Page 12 and 13: AcknowledgmentsA substantial roster
Page 14 and 15: Exordium: An Accidental RemainderMa
Page 16: exordium: an accidental remainderxv
Page 19 and 20: 2 Dark matterThe first newsletter o
Page 21 and 22: 4 Dark matteressays that make up th
Page 23 and 24: 6 Dark matterto separate art from n
Page 25: 8 Dark mattera recall to the opport
Page 29 and 30: 12 Dark matterincludes media pranks
Page 31 and 32: 14 Dark mattercultural and ethnic i
Page 33 and 34: 16 Dark matterCleaver, Mariarosa Da
Page 35 and 36: 18 Dark matterGraphic designer and
Page 37 and 38: 20 Dark matterof enterprise culture
Page 39 and 40: 22 Dark matterof Vimercate, agreein
Page 41 and 42: 24 Dark matterPicasso’s monumenta
Page 43 and 44: 26 Dark matterthe early 1980s permi
Page 45 and 46: 28 Dark matterexhibitions for each
Page 47 and 48: 30 Dark matterthough intentional no
Page 49 and 50: 32 Dark matterand affects. For no m
Page 51 and 52: 34 Dark matterin great or immediate
Page 53 and 54: 36 Dark matternarratives form “on
Page 55 and 56: 38 Dark matterand early 1970s, when
Page 57 and 58: 40 Dark matterhad approved legislat
Page 59 and 60: 42 Dark matterspace was located. Th
Page 61 and 62: 44 Dark matteris strictly hierarchi
Page 63 and 64: 2The Grin of the ArchiveHaunting im
Page 65 and 66: 48 Dark matterlands and commons in
Page 67 and 68: 50 Dark matterTwo of the sketches m
Page 69 and 70: 52 Dark matterHowever, it was the s
Page 71 and 72: 54 Dark matterMadame Binh Graphics
Page 73 and 74: 56 Dark matterfirst time. In an imp
Page 75 and 76: 58 Dark matterMaterial in the PAD/D
Page 77 and 78:
60 Dark mattermodeled on the popula
Page 79 and 80:
62 Dark matterthe early to mid 1980
Page 81 and 82:
64 Dark matterpublic resources away
Page 83 and 84:
66 Dark matterA photocopied collage
Page 85 and 86:
68 Dark matterand, somewhat prophet
Page 87 and 88:
70 Dark matteralluding to a far lar
Page 89 and 90:
72 Dark matter1994 REPOhistory stre
Page 91 and 92:
74 Dark matterprojects were not onl
Page 93 and 94:
76 Dark matterestate deals, conditi
Page 95 and 96:
78 Dark matter“Oasis” where hig
Page 97 and 98:
80 Dark matterof real estate develo
Page 99 and 100:
82 Dark matterAppropriating museum
Page 101 and 102:
84 Dark mattersubversive intent of
Page 103 and 104:
86 Dark matternomadic artist ethnog
Page 105 and 106:
88 Dark matterbroadcast their polit
Page 107 and 108:
90 Dark matteroffering the text of
Page 109 and 110:
92 Dark matterHomosexuals, he write
Page 111 and 112:
4Temporary ServicesBecause you can
Page 113 and 114:
96 Dark matterTwitter, Flickr, Word
Page 115 and 116:
98 Dark matter“Roots” is one of
Page 117 and 118:
100 Dark matterpractice such dark m
Page 119 and 120:
102 Dark matterconceptual artist Do
Page 121 and 122:
104 Dark matterdemands of flexible
Page 123 and 124:
106 Dark matterquestionnaires that
Page 125 and 126:
108 Dark matteradvertisements, popu
Page 127 and 128:
110 Dark matterthe border or across
Page 129 and 130:
112 Dark mattervisit to the webpage
Page 131 and 132:
114 Dark matterBlack molasses is sp
Page 133 and 134:
5Glut, Overproduction, Redundancy!W
Page 135 and 136:
118 Dark matterOverproductionThat t
Page 137 and 138:
120 Dark matteris to say that even
Page 139 and 140:
122 Dark matterin the institutional
Page 141 and 142:
124 Dark matterdesire is enhanced t
Page 143 and 144:
126 Dark matterhours of work), and
Page 145 and 146:
128 Dark matterAWC v. APTOne exampl
Page 147 and 148:
130 Dark matterAs just noted, one o
Page 149 and 150:
132 Dark matterStill from the video
Page 151 and 152:
134 Dark matterWithout losing site
Page 153 and 154:
136 Dark mattertook place across th
Page 155 and 156:
138 Dark mattermonopoly on future a
Page 157 and 158:
140 Dark matterStills from Evidence
Page 159 and 160:
142 Dark matterto US intervention i
Page 161 and 162:
144 Dark matterMembers of the inter
Page 163 and 164:
146 Dark matterexplain why, despite
Page 165 and 166:
148 Dark matterlonger attaches itse
Page 167 and 168:
150 Dark matterrevenge of the exclu
Page 169 and 170:
7MockstitutionsThe Cartographers Gu
Page 171 and 172:
154 Dark matterby highways, onramps
Page 173 and 174:
156 Dark matterof wonders veracity
Page 175 and 176:
158 Dark matterbecame more pronounc
Page 177 and 178:
160 Dark matterpair of cheeky, subu
Page 179 and 180:
162 Dark matterappears in the index
Page 181 and 182:
164 Dark matter• META-COMMERCIALS
Page 183 and 184:
166 Dark matterrole of service pers
Page 185 and 186:
168 Dark mattergroups to commandeer
Page 187 and 188:
170 Dark matterWhat has been born o
Page 189 and 190:
172 Dark matterThis relationship is
Page 191 and 192:
174 Dark matterKlutsis, and Malevic
Page 193 and 194:
176 Dark matterCampbaltimore. Their
Page 195 and 196:
178 Dark mattergroup to full-blown
Page 197 and 198:
180 Dark matterLearning Site’s
Page 199 and 200:
182 Dark matterseminars. Once enoug
Page 201 and 202:
184 Dark matteris to use the cultur
Page 203 and 204:
8Conclusions: Nights of AmateursIn
Page 205 and 206:
188 Dark matterkicks, an artist who
Page 207 and 208:
NotesIntroduction1. Walter Benjamin
Page 209 and 210:
notes 19116 Beaver Street, Lize Mog
Page 211 and 212:
notes 19316. Allegedly, the popular
Page 213 and 214:
notes 195Julie Ault, ed., Alternati
Page 215 and 216:
notes 19724. An index to the PAD/D
Page 217 and 218:
notes 199Art set within a broader c
Page 219 and 220:
notes 20122. See Katharyne Mitchell
Page 221 and 222:
notes 203Chapter 41. Yomango, “10
Page 223 and 224:
notes 205Czechoslovak Revolution Co
Page 225 and 226:
notes 20711. Marcelo Expósito, “
Page 227 and 228:
notes 20947. Barbara Adam and Joost
Page 229 and 230:
notes 21121. Lovink and Garcia, “
Page 231 and 232:
notes 21311. See the Central Office
Page 233 and 234:
notes 21543. Incarceration rates fo
Page 235 and 236:
notes 217of educational seminars at
Page 237 and 238:
ibliography 219Dan Peterman: 7 Dead
Page 239 and 240:
ibliography 221Rosler, Martha and B
Page 241 and 242:
appendix 223• Do you have a desig
Page 243 and 244:
index 225Artists Meeting for Cultur
Page 245 and 246:
index 227Center for Land Use Interp
Page 247 and 248:
index 229Duncan, Carol, 6, 11, 56,
Page 249 and 250:
index 231Haacke, Hans, 17, 42, 53,
Page 251 and 252:
index 233flexible labor, productivi
Page 253 and 254:
index 235new economy (Clinton), 38,
Page 255 and 256:
index 237Puerto Rican activism and
Page 257 and 258:
index 239army of unemployed or semi
show all

Dark Matter Archives

Create successful ePaper yourself

Delete template?

Save as template?