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Program - Krannert Center for the Performing Arts

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Recorded Books Repertory Company. He has alsoserved as a voice and text coach <strong>for</strong> <strong>the</strong> IllinoisShakespeare Festival and American Players Theatrein Spring Green, Wisconsin. Robert received his MFAfrom <strong>the</strong> Professional Theater Training <strong>Program</strong> at<strong>the</strong> University of Delaware and was on <strong>the</strong> voice andspeech faculties at Marymount Manhattan Collegeand <strong>the</strong> American Musical and Dramatic Academy inNew York City be<strong>for</strong>e joining <strong>the</strong> faculty at <strong>the</strong> U ofI. He specializes in speech, text, and dialect work, aswell as vocal production and development.Kevin Tianyu Qiu (Scenic Design Ensemble) is asenior in <strong>the</strong> BFA Scenic Design <strong>Program</strong> at <strong>the</strong> Uof I. Kevin transferred from <strong>the</strong> U of I School of Artand Design. Dracula is his first design project at<strong>Krannert</strong> <strong>Center</strong>. His previous design work was with<strong>the</strong> Illini Union Board’s musical Chicago at AssemblyHall. He has also been an assistant designer <strong>for</strong>Battle of Angels, Barber of Seville, and will be anassistant scenic charge <strong>for</strong> this season’s Florencia enel Amazonas at <strong>Krannert</strong> <strong>Center</strong>.Liz Rowe (Costume Designer) is a third-year MFAcandidate from Canada. She received her BFA fromNova Scotia College of Art and Design and hascompleted an eight-month mastery makeup diplomaprogram at Complections International Academyof Make-up Artists. Having IATSE Permittee statusin <strong>the</strong> Make-up, SPFX Make-up, and Wardrobecategories, she has worked on a variety of filmsand television productions including <strong>the</strong> featureResident Evil 4: Afterlife in Paul Jones’ SPFX Studio.Prior to coming back to <strong>the</strong> U of I this year, shespent her summer styling an array of commercials<strong>for</strong> companies such as Toshiba, Scotia Bank, andESPN. Since <strong>the</strong> onset of her program in 2010, shehas worked as an assistant costume designer on AMidsummer Night’s Dream—It’s a Bacchanal! andCabaret. Liz also designed makeup <strong>for</strong> Cabaretand was <strong>the</strong> costume designer <strong>for</strong> Our Town. In <strong>the</strong>spring, she is looking <strong>for</strong>ward to being a costumedesigner <strong>for</strong> No Child . . . .Julie Rundell (Properties Master) has been <strong>the</strong>assistant properties director at <strong>Krannert</strong> <strong>Center</strong>since 1990. Be<strong>for</strong>e coming to Urbana, she worked at<strong>the</strong>atres in North Carolina, Michigan, Massachusetts,and Wisconsin, and, occasionally, her work can beseen in Chicago. She has a BFA from <strong>the</strong> NorthCarolina School of <strong>the</strong> <strong>Arts</strong>.Michael J. Susong (Technical Director) is a thirdyearscenic technology MFA student at <strong>the</strong> U of I.He has previously studied at Boston University andWestern Illinois University. His most recent worksinclude touring as technical director <strong>for</strong> a new playtitled diventare, including per<strong>for</strong>mances at NewWorld Stages in New York City and <strong>the</strong> Kennedy<strong>Center</strong> <strong>for</strong> <strong>the</strong> Per<strong>for</strong>ming <strong>Arts</strong> in Washington, DC;technical director <strong>for</strong> Summer Studio Theatre 2011at <strong>Krannert</strong> <strong>Center</strong>; technical director <strong>for</strong> HoodooLove (Department of Theatre); and technical director<strong>for</strong> Rossini’s Barber of Seville (U of I School of MusicOpera <strong>Program</strong>). This has been a new and excitingapproach to <strong>the</strong> design process, and he is excited topresent his work and collaboration on Liz Lochhead’sDracula.Assistant Stage ManagerAssistant Technical DirectorStage CarpenterAssistant Costume DesignerAssistant Lighting DesignerAssistant Sound DesignerAssistant to <strong>the</strong> DirectorAssistant to <strong>the</strong> Voice and Dialect CoachProduction AssistantMaster ElectricianCostume TechnicianHair/Makeup ArtistHair/Makeup Graduate Asst.Scenic Change EnsembleProduction Running CrewAutomations OperatorProduction StaffJamie FullerKatie MoshierBrian MorganJason HuertaAmy Chmielewskihea<strong>the</strong>r McLaughlinMia LeeSlick Jorgenseneric BisgyerChristopher WilliamsonNaomi MarkShanna ZieglerBeanz RamirezKelly NeulsLisa LilligNatalie LovelandOlivia BaganMadeline CampbellSara Costelloedgar Nevarez FloresMariano NavaChloe WardShanna ZieglerTricia Wrinkle (Scenic Design Ensemble) is a seniorProperties Running CrewJade Hebererin <strong>the</strong> BFA Scenic Design program. Her work atAlon Stotter<strong>the</strong> university has ranged from paints to props <strong>for</strong>several different shows including Rigoletto, Battle ofCostume Running Crew HeadAmy ChmielewskiAngels, and The Last Days of Judas Iscariot. For <strong>the</strong>Costume Running CrewClaire Floriano2012-2013 season at <strong>Krannert</strong> <strong>Center</strong>, she is workingRacquel Rizzoin an ensemble to design Dracula <strong>for</strong> <strong>the</strong> fall and willKevin Silversteinbe <strong>the</strong> assistant designer and scenic charge artist <strong>for</strong>Makeup Running CrewCody ChongThe Normal Heart in <strong>the</strong> spring. She has also helpedAmanda Miesnerdesign <strong>for</strong> shows at Champaign’s Central HighLauren NittoSchool and has helped paint a show at <strong>the</strong> StationTheatre in Urbana.Lighting Running Crewelaine SenftAudio Running CrewMaria Nikolova16 17

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