2011 Benefit Auction - Here - George Eastman House

In addition to the generous donors of objects to the auction, Eastman House gratefully acknowledgesthe following individuals and corporations, without whom this effort would not have been possible.BROADCLIFF CAPITAL PARTNERSAdvertising Support:Photo District NewsphotographAdditional Support from:Hanging Around Frame & Art, Fairport, NYNotes on the auction and the information provided in the catalogue:• Entries include, when available, information pertaining to where the auction donations or related works from the same series havebeen exhibited and/or published. Information has been modified from biographies provided by or referenced by donors, when available.Extensive exhibition and publication histories pertaining to each individual artist featured (e.g. CVs) can be made available upon request.A complete list of resources can also be made available upon request.• Dimensions listed are overall—not all donations were received by the time of the catalogue printing. For specific questions regardingdimensions, please contact Auction Coordinator Olivia Arnone at (585) 271-3361 ext. 339, oarnone@geh.org.• Condition reports can be made available upon request. We strongly recommend obtaining a report or inspecting works before purchase.• All works in the live auction will be sold framed. Artworks received framed by donors, and at the time of catalogue publication, arenoted. Please inquire regarding any concerns about frame dimensions at time of purchase.

About George Eastman HouseivLive Auction: Objects Available for Bid 1Online Auction: Objects Available for Bid 29Guide to the Auctions: Live and Online 88Index of Artists, with Biographical Information 89Conditions of Sale 98Guidelines for Live Auction Absentee Bidding 99Live Auction Absentee/Telephone Bidding Form 100Index of Donors 101• Live auction preview:October 2, 2011, 1–6 p.m.October 3, 2011, 10 a.m.–3 p.m.Metropolitan Pavilion123 West 18th StreetNew York, NY 10011• Live Auction: October 3, 2011, 7 p.m., Metropolitan Pavilion• Bidding for the online auction will be available from September26 through October 7 at iGavelAuctions.com.Left: Detail, Arno Minkkinen, Self-portrait, Bird of Paltaniemi,Paltaniemi, Kajaani, Finland, 2009. Courtesy of the artist. See p. 28.

George Eastman House, InternationalMuseum of Photography & Film combinesthe world’s leading collections of thosemedia with the National Historic Landmarkhome and gardens of Kodak founderGeorge Eastman, the father of popularphotography and motion picture film.George Eastman House is the world’soldest photography museum and thirdlargest film archive in the United States.Eastman (1854–1932) built his35,000-square-foot, 50-roomColonial Revival mansion in Rochesterbetween 1902 and 1905. He created anurban estate complete with 10.5 acres ofworking farmland, formal gardens, greenhouses,stables, barns, and pastures.Upon his death Eastman bequeathed his home, gardens, andgrounds to the University of Rochester. Within 10 years the universitytransferred the property to a board of trustees formed in 1947 toestablish a museum of photography and motion pictures. The newmuseum would honor Eastman and attract precious artifacts fromaround the world creating a center of study, care, and exhibition.The original photography collection was in many ways a collectionof collections, including Civil War photographs by AlexanderGardner; Kodak’s historical collection; and the vast Gabriel Cromercollection from France. Building on that foundation, entire archives,corporate collections, and artists’ lifetime portfolios have beendonated to the Eastman House in the ensuing decades. Recentacquisitions are the estate of Edward Steichen, the archives of theTechnicolor Corporation, the Kodak Colorama collection, and MerchantIvory Productions archive.In the mid-1980s limited storage space threatened the best care ofthe collections and a 73,000-square-foot addition was built to housenew Museum’s archives, galleries, and library. An exacting restorationof Eastman’s house and grounds was also completed, greatlyreturning the home to its original grandeur.Today Eastman House has unparalleledcollections of 400,000 photographs, fromdaguerreotype to digital, by 9,000 photographers.Most every master of the mediumand the various processes that they used arerepresented. Included are major collectionsof Ansel Adams’s and Alfred Steiglitz’s earlyand vintage prints; 19th-century photographsof the American West; early French photography;and one of the largest collectionsof daguerreotypes in the world, includingthe 1,200-daguerreotype archive of Southworth& Hawes. Here you also find the FirstPhotograph of Lightning, the first photographtaken in Japan, and a daguerrotype ofDaguerre himself.Eastman House is unique in its intertwiningof collections among photography, cameras, and motion pictures.The other Eastman House collections include 20,000 items of cameratechnology—the world’s largest—with features such as a NASALunar Orbiter, the Speed Graphic camera used by Joe Rosenthal tophotograph the flag-raising at Iwo Jima, and a three-strip Technicolormovie camera; 30,000 motion picture titles—including thecollections of Cecil B. DeMille and Martin Scorsese and cameranegatives to such classics as The Wizard of Oz and Gone With theWind—and 4 million publicity stills and posters; and one of theworld’s most comprehensive libraries of photographic books, manuscripts,and journals.The museum offers world-leading graduate and post-graduate programs.The L. Jeffrey Selznick School of Film Preservation, launchedin 1996 as the world’s first permanent school of film preservation,offers both a one-year certificate program and a two-year master’sdegree program in conjunction with the University of Rochester.A master’s degree program in Photographic Preservation andCollections Management has been offered since 2004 in conjunctionwith Ryerson University in Toronto. Both programs combine studyof preservation practices with intense study of the collections.A world leader in photograph conservation and preservation formore than three decades, Eastman House was the first institutionto offer classes and training in these disciplines. Today the conservationstaff offers workshops focused on historic processes on siteand abroad.iv | George Eastman House Benefit Auction 2011

Live AuctionObjects Available for BidOctober 3, 2011, 7 p.m.Metropolitan Pavilion123 West 18th St., New York, NYDetail, George Tice. LINCOLN MOTEL AND ABE’S DISCO, NEWARK, NJ, 1981. Courtesy of the artist. See p. 25.| 1

Lead Lot (opposite) | Richard AvedonHenry Miller, writer, Pacific Palisades, California, September 24, 1968Gelatin silver print, printed 1975, 16 x 16 inches. Edition # 30/50 plus 1 AP. Signed andstamped on verso.©The Richard Avedon FoundationValue: $ 12,000Donation of The Richard Avedon FoundationExhibitions: Image included in Richard Avedon: Portraits of Power, Corcoran Gallery of Art,Washington DC, 2008; Evidence: 1944-1994, Whitney Museum of American Art, NY, 1994;Richard Avedon, Marlborough Gallery, NY, 1975Publications: Image included in Evidence: 1944-1994 (Random House and Whitney Museumof American, 1994); An Autobiography (Random House, 1993).Richard Avedon (1923–2004) began his career making identification portraits of his fellowcrewmen while serving in the Merchant Marine during World War II. After two years of service,he left to work as a photographer, making fashion images and studying with art director AlexeyBrodovitch at the Design Laboratory of the New School for Social Research. In 1945, Avedon setup his own studio and worked as a freelance magazine photographer. He quickly became thepreeminent photographer for Harper’s Bazaar. There, under the tutelage of art director AlexeyBrodovitch, his rise to the top of the profession was meteoric. Avedon’s pioneering fashionphotographs and editorial portraiture subsequently appeared in the pages of Vogue, Life, RollingStone, The New Yorker, and Egöiste, among many other publications, through a remarkablefive decade career.From the outset, Avedon was fascinated by photography’s capacity for suggesting the personalityand evoking the life of his subjects. As his reputation grew and his signature aestheticevolved, Avedon remained dedicated to extended portraiture projects as a means for exploringcultural, political, and personal concerns. He produced and published a number of books overthe course of his prolific career. In addition to In the American West (1985), his books includeObservations (1959), Nothing Personal (1964), Portraits (1976), and his fashion survey Photographs1947–1977 (1978). His first museum survey came in 1962, at the Smithsonian Institute,and his photographs have since been widely exhibitedand colected in museums includingGeorge Eastman HouseThe Richard Avedon Foundation is a privately operated foundation that was structured byAvedon before his death. The staff at the foundation encourages the study and appreciation ofAvedon’s photography through publications, traveling exhibitions, and outreach to the academiccommunity.George Eastman House Benefit Live Auction 2011 — Lead LotsOctober 3, 2011 | 123 W. 18th St. New York, NY

Lead Lot | Robert MapplethorpeStatue Series, 1983Vintage Gelatin silver print, 20 x 16 inches. Edition #2/10. Stampedby the estate of Robert Mapplethorpe on verso. ©Robert Mapplethorpe Foundation.Used by permissionValue: $ 8,500Donation of the Robert Mapplethorpe Foundation, courtesy ofSean Kelly Gallery, New YorkRobert Mapplethorpe (1946–1989) is well known for his elegant and provocative compositionsof male and female nudes, formal still life images of flowers, and portraits of celebrities.After meeting Lisa Lyon, the first World Women’s Bodybuilding Champion, in 1980, they begancollaborating on a series of portraits and figure studies. The photographs he made during thisperiod reflect his profound appreciation for the statuesque—whether the form be chiseledmarble or sculpted flesh.Mapplethorpe established a not-for-profit foundation in 1988 with a mission to further recognizethe photographic medium as an art form and also to support medical research for AIDS.The Robert Mapplethorpe Foundation has funded numerous publications on photography, supportedexhibitions at various art institutions, and provided grants. In addition to its charitablework, the foundation maintains Mapplethorpe’s artistic legacy by preserving his archive ofworks, strictly maintaining the editions he established during his lifetime, facilitating loans ofhis photographs, and placing his work in important museums.George Eastman House Benefit Live Auction 2011 — Lead LotsOctober 3, 2011 | 123 W. 18th St. New York, NY

Lot #1 (right) | Renate AllerOceanscapes—One View—Ten Years,2008C-print, mounted to Diasec, 28 1/4 x 41 3/4inches. Signed, titled, and dated in archivalink on mount verso. From the series OneView—Ten Years.Value: $ 4,450Donation of the artistExhibitions: One View—Ten Years, JohnCleary Gallery, Houston, TX, 2011; AdamsonGallery, Washington, DC, 2010; ChiaroscuroContemporary Art, Santa Fe, NM, 2010Publications: Oceanscapes—One View—TenYears (Radius, 2010)Aller’s One View—Ten Years series was createdbetween 1999 and 2009 in Westhampton, NY, andhas been acclaimed by critics in The New Yorker,The Washington Post, and NY Arts Magazine.Lot #2 (below) | Robert LongoEt in Arcadia Ego, 2010Archival pigment print, 22 x 34 inches. From anedition of 30. Signed and dated in margin.Value: $3,500Donation of the artistLongo is an internationally recognized visual artist andmusician known for large-scale work in various mediums.He has exhibited at museums throughout Europe,Asia, and the United States and been included in Documenta,the Venice Biennale, and the Whitney Biennial.His work is in numerous major international museumsand private collections. Longo is now showing moreof his photographs that have long inspired his paintings.His photographs were featured in Contact 2011—Toronto’s annual photography festival.2 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #3 (above) | Roger EberhardUntitled (“Gas”), 2007Digital C-print, printed 2011, 29 1/2 x 39 1/4 inches. From the seriesWilted Country. Edition #4/7. Included with a label signed by the photographer.Value: $ 4,500Donation of the artistPublications: Wilted Country, Introduction by Anthony Bannon (Scheidegger& Spiess, 2010)Roger Eberhard is a Swiss-born artist who lives and works in Berlin. His work hasbeen the subject of four books and numerous solo and group exhibitions throughoutthe Unites States, Europe, and Canada. His series Wilted Landscape poetically documentsthe sun-stricken lands of the midwestern and western United States.Lot #4 (left) | Ann RhoneyFlatiron, 1998Hand-colored gelatin silver print, 14 x 11 inches. Edition AP. Signed, titled,and dated in pencil on recto and verso.Value: $ 5,000Donation of the artistPublications: New York—A Vertical Postcard Book (Chronicle Books,1998), cover.Rhoney’s hand-colored photographs arouse a way of looking beyond the twodimensionalsurface of an image. She invites viewers to interpret a distinct sense ofweather, smell, time, and sound while leaving a trace of mystery.George Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 3

Lot #5 (above) | Steve McCurryRabari Man with Henna Beard,Rajasthan, India, 2010Digital C-print, printed 2011, 20 x 24 inches.Signed in ink in margin. From the series TheLast Roll of Kodachrome.Value: $ 4,000Donation of the artistThroughout 2010 McCurry slowly advanced the lastroll of Kodachrome film inside his camera, reservingeach frame for the most significant people, events,and locales he encountered. The resulting projectis not only a visually stunning recollection of histraverses, but an homage to a film long celebratedfor its archival stability and vibrant colors.This is the artist’s favorite image from the roll—a portrait of a Rabari magician whom he has knownfor years.Lot #6 (right) | Nickolas MurayFrida (Blue Dress), 1938Carbon pigment print, printed 2010, 22 x18 inches. Edition #13/30. Inscribed verso:“Handmade carbon print by Tod Gangler/Limited to 30 prints plus 5 artist prints.” Accompaniedby certificate of authenticity.Value: $ 6,000Donation of Nickolas Muray Photo ArchivesExhibitions: Frida Kahlo: Through the Lens ofNickolas Muray, multiple venue internationaltraveling exhibition, 2007–2011; Frida Kahloand Diego Rivera from the Gelman Collection,multiple venue international travelingexhibition including the Irish Museum ofModern Art, Dublin, 2011Publications: I Will Never Forget You: FridaKahlo to Nickolas Muray (Schirmer/Mosel,2005); Frida Kahlo Retrospective (Prestel,2010); Frida Kahlo, Her Life in Paintings(Latino Biography Library, Enslow Publishers,2005); cover, Frida Kahlo (Leben WerdWirkung, Suhrkamp Basis Biographien, 2007);Kahlo (Barnes & Noble Books, 2002)4 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #7 (above) | Marcus DoyleSolway Fifth Lifeboat Ramp, Scotland, 2006C-print, printed 2007, 30 x 40 inches. Edition #1/14. From theseries Border City.Value: $ 5,000Donation of Alex Novak, Contemporary Works/VintageWorks, Chalfont, PAFor this series, Doyle returned to his hometown in the United Kingdomand photographed places he knew very well. Spending time in theUnited States made him see his homeland with fresh eyes. The largertheme of his work focuses on the effects of urban sprawl and how itaffects the landscape at night.Lot #8 (left) | Nicholas HughesUntitled (Sunset), 2007C-print, printed 2010, 16 x 20 inches. Edition #5/7. Includedwith a label signed, titled, dated, and editioned by the artist.From the series Field (Verse I) #1.Value: $ 2,500Donation of Nailya Alexander Gallery, New YorkGeorge Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 5

Lot #9 (above) | Carl ChiarenzaUntitled 253, 1994Gelatin silver print, printed 1995, 48 x 60 inches. From an editionof 5. Signed, titled, dated, and editioned in margin.Value: $ 5,000Donation of the artistExhibitions: Carl Chiarenza: Pictures Come from Pictures, Collegeof the Desert’s Walter N. Marks Center for the Arts, Palm Desert,CA, 2011“Carl Chiarenza, for over 45 years, has created photographic images of amysteriously haunting nature made visible by a most unique and personalapproach.... Chiarenza’s images challenge our notion of what a photographlooks like and what it tells us....”—Leland Rice.Chiarenza’s photographic constructions fabricated out of scraps of paperand foil result in seemingly multi-dimensional images that are complexcompositions, which reflect his state of mind.Chiarenza has lectured and taught workshops at more than 100 institutionsin 33 states. His photographs have been seen in more than 80 one-person,and over 250 group exhibitions since 1957 and are collected internationallyby more than 40 institutions.Publications: Evocations (Nazraeli Press, 2002), cover; PicturesCome from Pictures (David R. Godine—Special Sales, 2008)6 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #10 (right, top) | Alexey TitarenkoUntitled (Sunset), 2003Toned gelatin silver print, 16 x 16 inches. Edition # 2/10. Signed, dated,and editioned in pencil on verso. From the Havana series.Value: $ 6,000Donation of the artist and Nailya Alexander Gallery, New YorkExhibitions: A Revolutionary Project: Cuba from Walker Evans to Now,J. Paul Getty Museum, Los Angeles, CA, 2011Lot #11 (right,center) | Ralph GibsonUntitled, 1987Gelatin silver print, 13 7/8 x 10 7/8 inches, edition AP. Signed, dated,and editioned in pencil on verso. From the series Infanta.Value: $ 4,000Donation of the artistPublications: Infanta (Takarajima Books, 1995)Gibson began his photographic career working as assistant to Dorothea Langeand on film projects with Robert Frank. His own work is included in more than150 museum collections, hundreds of exhibitions, and has been the subject of 4Omonographs. In this series, Gibson idealizes the female body in fragments, maintaininghis signature high-contrast, grainy printing style and keen eye for uniqueand challenging vantages.Lot #12 (below) | Barbara CraneThe Crust, St. Luc, Switzerland, 1975Gelatin silver print, printed 1986, 5 3/4 x 19 5/8 inches. Signed, titled,dated, and editioned in pencil on verso. From the Repeats series.Value: $ 4,000Donation of the artist and Stephen Daiter Gallery, ChicagoExhibitions: Barbara Crane Photographs 1948–1980 (Center forCreative Photography, Tuson, AZ, 1981); Barbara Crane: ChallengingVision, Galerie Francoise Paviol, Paris, 2010; Repeats (1969–1978),Higher Pictures, New York, 2010Publications: Barbara Crane Photographs 1948–1980 (Center forCreative Photography, 1981); Barbara Crane: Challenging Vision (City ofChicago, Department of Cultural Affairs, 2009); limited edition portfolio:Repeats, 1986Crane’s Repeats series is an ongoing experiment rooted in the Bauhaus ideologyof exploration and innovation. The series is strongly inspired by long-format Asianscrolls, which she translates to the creative medium of photography by presentinga strip or roll of film as one image.George Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 7

Lot #13 | Victor SchragerComposition as Explanation #52, 2004Digital C-print, printed 2006, 29 7/8 x 24 inches. Edition #5/25. Signed,titled, dated, and editioned in ink on verso.Value: $ 4,000Donation of the artistExhibitions: Composition as Explanation, Edwynn Houk Gallery, New York,2008; Gallery Kong, Seoul, Korea, 2006; HackelBury Fine Arts, London, 2005;Adamson Gallery, Washington, DC, 2005; Lexington Art Gallery, Lexington,VA, 2005; Robert Klein Gallery, Boston, 2004“The real purpose in taking these pictures is addressing the box of space that sitsin front of me, and seeing if it is once again possible to pull a compelling pictureout of it.” —Victor SchragerSchrager approaches the camera’s viewfinder as a blank canvas, composing his subjectsas the sum of visual elements—shape, color, line, and focal range. He has been masteringthe art of still life photography, which he also calls “composing with information,”for more than 30 years, and has been a recipient of fellowships from the GuggenheimFoundation, the MacDowell Colony, and the National Endowment for the Arts. His workcan be found in numerous collections including the Museum of Modern Art, New York;The Metropolitan Museum of Art, New York; the Whitney Museum of Art, New York; andGeorge Eastman House.Publications: Composition as Explanation (Steidl/Edwynn Houk Gallery,2006); Blind Spot, Issue #32, 20068 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #14 (left) | Julie BlackmonParty Lights, 2008Archival pigment print, 22 x 29 inches. Edition #4/25.Signed, titled, dated, and editioned in ink in margin.Value: $ 2,800Donation of the artist and Catherine Edelman Gallery,ChicagoExhibitions: Domestic Vacations, Spiva Center for theArts, Joplin, MO, 2011; SF Camerawork, San Francisco,CA, 2009; Fahey Klein Gallery, Los Angeles, CA, 2009;Catherine Edelman Gallery, Chicago, IL, 2008Publications: Domestic Vacations (Radius Press, 2008)As an artist and a mother, Blackmon believes life’s mostpoignant moments come from the ability to fuse fantasy andreality: to see the mythic amidst the chaos. Her work can befound in the collections of the Cleveland Museum of Art, OH;George Eastman House; Museum of Contemporary Photography,Midwest Photographers’ Project, Chicago, IL; and Museumof Fine Arts, Houston, TX. The paintings of Jan Steen, alongwith those of other Dutch and Flemish genre painters, helpedinspire this body of work.Lot #15 (right) | William CouponJerry Garcia, 1988Archival pigment print, printed 2009, 22 x 17 inches.Edition # 1/40. Signed in ink in margin. Signed, dated,and editioned in ink on verso.Value: $ 1,500Donation of the artistCoupon became interested in formal studio portraits in 1979while observing lower Manhattan’s youth counter-culture. Hehas since then developed a signature style using a single lightsource and simple mottled backdrop. His medium-shot andclassically lit portraits reference the Dutch painting masterssuch as Rembrandt and Holbein and are less about fashion thanabout personality. Some of his most notable sitters includeYasser Arafat; George Harrison; Mick Jagger; Jean-MichelBasquiat; Miles Davis; Jerry Garcia; and Presidents George W.Bush and Bill Clinton, which were used as “Person of the Year”covers for Time magazine and are also the subject of a seriesand forthcoming publication titled Social Studies.George Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 9

Lot #16 (right) | John PfahlSUBSTITUTION FROM PRINTEDCATALOGHorse at Rydal Water, Lake District,England, 1995Iris print, printed 1997, 14 x 22 inches. AP.Edition AP. Signed, titled, dated, and editionedin pencil in margin. From the seriesPermutations on the PicturesqueValue: $ 1,500Donation of the artistExhibitions: Permutations on the Picturesque,Nina Freudenheim Gallery, Buffalo,NY, 1999; Robert P. Menschel PhotographyGallery, Syracuse University, 1997Publications: Permutations on the Picturesque(Robert P. Menschel PhotographyGallery/Schine Student Center, SyracuseUniversity, 1997)In this series, Pfahl examines the traditionsof landscape representation by recreating 18thcenturyBritish Picturesque landscapes. He visitedlocations illustrated in guidebooks of that periodand created variations on the original images.He then scanned and digitally manipulated thecontemporary photographs—adding, subtracting,and replacing elements and inserting a row ofenlarged pixels that draw the viewer’s attention tothe artificial aspect of the work.Lot #17 (above, right) | Chris McCawSunburned GSP #432 (Pacific Ocean), 2010Unique gelatin silver paper negative, 15 7/8 x 24 inches. Housed in a window mat backed withacetate to permit viewing both sides of the burnt-through image. From the Sunburn series.Value: $ 4,000Donation of the artist and Michael Mazzeo Gallery, New YorkMcCaw’s Sunburn series began as a serendipitous in-camera accident in 2003 and has become an ongoing explorationof light, time, and process. After hours of exposure, the sun burns a path onto light-sensitive paper, creating asolarized reversal negative. Works from the series have been included in more than a dozen exhibitions since 2007.10 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #18 (left) | Thomas Kellner42 #03 Paris/Las Vegas, 2004Lambda C-print, printed 2005, 35 1/2 x 35 inches. Edition #2/20 plus 3APs.Value: $ 3,700Donation of the artist and the Schneider Gallery, Chicago, ILSince 2003, Kellner has been photographing architectural exteriors and interiorsaround the world, using the contact sheet method to “deconstruct architectureas a visual language.” Kellner’s buildings seem to be broken apart, dancing andreminding us of the vulnerability of our values and creations.Lot #19 (left) | Robert HeineckenBreakfast and Lunch (documentaryphotogram), 1971Offset lithograph from a photogram, 12 x 14inches. Signed, titled, and dated in pencil onmount.Value: $ 2,500Donation of the Laurence MillerGallery, New York, and Charles IsaacsPhotographs, New YorkGeorge Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 11

Lot #21 (right) |Douglas KirklandCoco Chanel, 1962Archival pigment print, printed 2011, 16 x 20inches. Signed, titled, and dated in margin.Comes with a signed certificate of authenticity.Value: $ 2,000Donation of Douglas and Françoise KirklandPublications: Coco Chanel, Three Weeks1962 (Glitterati, 2008)In 1962, Kirkland spent three weeks with thefashion icon Coco Channel, photographing her withfriends, at runway shows, and in several of herhomes. These photographs revealed a never-beforeseenside of one of the world’s most enduring andiconic fashion legends of all time.Lot #22 (above) |Cindy ShermanUntitled [Diptych], 1980Gelatin silver prints, sepia toned, printed 1987, 10 x 8 inches each.Value: $ 5,000Donation of the artist and Metro Pictures, New YorkGeorge Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 13

Lot #25 (left) |Edward BurtynskyRailcuts #4, C.N. Track,Thompson River, BC, 1985Digital C-print, printed 2007, 18 x 22inches on a 24 x 28-inch mount.Edition #23/25.Value: $ 4,000Donation of the artistKnown worldwide for his large-scale colorphotographs of global industrial landscapes,Burtynsky connects the inspiration for hiswork to his early exposure to the GeneralMotors plant in his hometown.Burtynsky is an internationally renownedcontemporary photographer, and his workis collected by more than 50 museums internationallyincluding the National Galleryof Canada, Ottawa, and the BibliothèqueNationale, Paris. He is also the founderof Toronto Image Works, a photographictraining facility opened in Toronto in 1985,and was awarded the title of Officer of theOrder of Canada in 2006.Lot #26 (right) | Lori NixLover’s Leap, 2001C-print, printed 2011, 15 x 20 inches. Signed,titled, and dated in ink on verso.Value: $ 1,300Donation of the artistExhibitions: Alona Kagan Gallery, New York,2004; California Museum of Photography,Riverside, 2003; Light Work, Syracuse, NY,2002; White Columns, New York, 2001Nix’s work has been published extensively andshown across the United States with exhibitionsat George Eastman House; G. Gibson Gallery inSeattle, WA; and the Catherine Edelman Galleryin Chicago, IL. In addition to being held in privatecollections, her work can be also be found in thecollections of numerous institutions, including theSpencer Museum of Art, Lawrence, KS, and GeorgeEastman House.A childhood spent playing in fields of the rural Midwestleft Nix with a deep affection for the Americanlandscape. The constructed environments in herphotographic projects built by the artist in her studioare derived from this love of land and sky, andher fascination with the absurdities of life.George Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 15

Lot #27 (left) | Jack WelpottVerrieres, 1981Gelatin silver print, printed later, 14 x 11 inches. Signed, titled, and datedin ink in margin.Value: $ 2,000Donation of Benjamin NixonJack Welpott (1923–2007) was an internationally known photographer and educator.He mastered many genres of photography rather than committing to a singularapproach to the medium. His photographs are held in the permanent collections ofnumerous national and international museums including the Museum of ModernArt, New York, George Eastman House, and the Bibliothèque Nationale, Paris.Lot #28 (above) | Aaron SiskindChicago 23, 1957Vintage gelatin silver print, 13 1/2 x 10 1/2 inches.Value: $ 15,000Donation of Bruce Silverstein Gallery, New YorkSiskind (1903–1991) is a seminal figure in the history of photography who,through his own radical style of abstract image making and professional advocacy,advanced the practice and study of the medium. He began his career at theNew York Photo League in the 1930s and taught in New York City’s public schoolsfor 25 years before joining the faculty of the Institute of Design at the Art Instituteof Chicago, where in 1959 he became the director of the photography department.He also co-founded the Society for Photographic Education (1963–64) andthe Visual Studies Workshop in Rochester, NY (1969).The Bruce Silverstein Gallery in New York City serves as the exclusive agent forthe Aaron Siskind Foundation’s collection of original photographs. His work isheld internationally by more than 150 collections, with major holdings at GeorgeEastman House; Princeton University Art Museum, NJ; and Center for CreativePhotography, Tucson, AZ.16 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot 32 (left) | Wynn BullockLumière Collectors Edition Portfolio, 2010A special limited-edition portfolio of 5 pigment prints, eachmeasuring 9 x 12 inches, developed by Lumière in cooperationwith the Wynn Bullock Estate. Portfolio edition #2/5. Each printis also from a numbered edition of 50 authorized by BullockFamily Photography, LLC, and is titled, dated, editioned, andauthorized in archival ink on verso.Value: $ 5,000Donation of Lumiére Gallery, Atlanta, GABelow (left to right) | Stark Tree, 1956; Driftwood,1951; Let There Be Light, 1954 (shown left); NudeBehind Cobwebbed Window, 1955; Photogram, 1970Bullock gained international exposure from the 1955 Museum of ModernArt exhibition Family of Man, curated by Edward Steichen. Let There BeLight (included in this portfolio) was one of the signature images of theexhibition.Lot #33 (left) | Paul CaponigroOn Prior Lane: A Firefly’s Light, 2008. (Lumiere Press,Toronto in conjunction with Joseph Bellows Gallery, La Jolla,CA)Edition J from a numbered edition of 225 plus a variant editionof 26 that is lettered A to Z. Accompanied by an original gelatinsilver print mounted in a folio titled“Scottish Thistle, Rochester,New York, 1958,” which has been printed and signed in themargin by Paul Caponigro. The folio and book are presented ina slipcase.Value: $ 3,500Donation of Joseph Bellows Gallery, La Jolla, CAOn Prior Lane: A Firefly’s Light is a synthesis of conversation andpictures, a meditation on the source of personal meaning andspiritual discovery. Previously unpublished images and iconicmasterworks are interwoven through the narrative.18 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #34 (right) | Barbara MorganMartha Graham: Lamentation, 1935Gelatin silver print, printed later, 11 1/4 x 9 1/4 inches. This isa unique work print for reproduction. Verso includes copyrightstamp and various inscriptions in the artist’s hand. Productionnotes for printing, copyright, and title information in penciland ink in margins.Value: $ 2,000Donation of David LeighPublications: Martha Graham: Sixteen Dances in Photographs(Morgan and Morgan, 1980)Morgan had a long and varied photographic career beginning in themid-1930s with photographing influential modern dancers such asMartha Graham, Merce Cunningham, Erick Hawkins, and José Limon.Lot #35 (left) | Barbara MorganArtificial Life from the Laboratory, 1965Gelatin silver print, printed later, 17 3/8 x 13 1/2 inches.Signed, titled, and dated in pen in margin and on verso. Artist’sstamp on verso. Provenance: David Ruttenberg Collection.Value: $ 3,500Donation of Alex Novak, Contemporary/Vintage Works,Chalfont, PAPublications: Barbara Morgan: Photomontage (Morgan andMorgan, 1981)Morgan’s transition into photographs of light drawings was a naturalprogression after her dance studies and illustrate her continuedfascination with the gesture and energy of movement. Her photographshave been the subject of numerous exhibitions and are collected by thePrinceton University Library, NJ; Library of Congress, Washington, DC;Philadelphia Museum of Art, PA; and George Eastman House, amongmany other museums around the world.George Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 19

Lot #36 (left) | Arthur TressPopova’s Picnic, New York, 1985Ilfochrome print, printed 2007, 19 1/2 x 19 1/2 inches.Value: $ 4,500Donation of Alex Novak, Contemporary/Vintage Works, Chalfont, PAExhibitions: Arthur Tress: Fantastic Voyage, Photographs 1956–2000,Corcoran Gallery of Art, Washington, DCPublications: Arthur Tress: Fantastic Voyage, Photographs 1956–2000(Bulfinch, 2001)While attending film school in France, Tress traveled extensively and becameinterested in shamanism, which played a large part in developing his mythic andsurrealistic mode of expression. He has since become internationally renowned,with work in more than 40 collections, including Whitney Museum of AmericanArt, New York; Centre Pompidou, Paris; Stedelijk Museum, Amsterdam;and George Eastman House. In 2001, the Corcoran Gallery of Art organized aretrospective of his work titled Arthur Tress: Fantastic Voyage: Photographs1956–2000, which took an intimate look at his long and varied career.Lot #37 (below) | Eastman Kodak Company:Sam Campanaro and Marty CzamanskeFifteen Babies (Colorama #510), June 25, 1984C-print, 20 x 60 inches.Value: $ 5,000Donation of Eastman Kodak CompanyFaced with a challenge of utilizing a large commercial space for advertising,Kodak executives (and Colorama founders) Adolph Stuber and Waldo Potterlooked back to the success of large color slide projections at the 1939 World’sFair for inspiration. Mounted to a large light box, Coloramas measured 18 x 60feet and were replaced every 3 to 4 weeks. A total of 565 unique Coloramas wereinstallated in Grand Central Station’s East Balcony between 1950 and 1990. In2010, George Eastman House celebrated 60 years of Colorama with an exhibitionin conjunction with Kodak’s donation of the Colorama archive to George EastmanHouse.20 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #38 (left) | Neal SlavinToy Taxis, 2009C-print, printed 2011, 44 1/2 x 30 inches. Edition of 10 plus 2 APs.Value: $ 7,500Donation of the artistA contemporary play on the artist’s work of the 1970s that captured our society’s fascinationwith groups of people.Lot #39 (below) | Claudia KuninOur Lady of Cancer, 2007C-print, printed 2008, 40 x 30 inches. Edition of 10 plus 2 APs. Signed, titled,and dated on label mounted to verso. From the series Holy Ghost.Value: $ 3,500Donation of Alex Novak, Contemporary Works/Vintage Works, Chalfont, PAKunin’s series Holy Ghost was inspired by a waking dream while on a visit to the HolyIsland of Lindisfarne, a tidal island off the northeast coast of England. Kunin states thatthe dream delivered the message that “suffering is often necessary in order to see thelight.”George Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 21

Lot #40 (above) | Lucien ClergueNude in the Sea, Camargue, 1971Vintage gelatin silver print, 9 1/4 x 11 3/4. Signed, titled, and dated with copyrightstamp in ink on verso.Value: $ 10,000Donation of the artistClergue is a fine-art photographer, author, educator, and filmmaker. He founded the RecontresInternationales de la Photographie, an annual photo festival that has taken place in Arles,France, since 1970. His work has been published in numerous books, exhibited worldwide, andincluded in the collections of more than 70 major international museums, including the FoggArt Museum, Cambridge, MA, and the Harry Ransom Center, Austin, TX.Lot #41 (right) | Roland D’UrselPortrait of Brassai, 1940Gelatin silver print, printed later, 12 x 9 1/2 inches. Edition #7/7. Signed, titled,and editioned in ink on verso.Value: $ 2,000Donation of Paul M. Hertzmann and Susan HerzigExhibitions: Museum of Photography, Charleroi, Belgium, 1990D’Ursel began his professional photographic career shooting for Gevaert and making portraitsof prominent Belgian and French artists, writers, and other cultural figures. His early workappeared in Paris and London editions of Vogue, and in 1952, his photographs of artists wereexhibited at the Palace of Fine Arts in Brussels.22 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #42 (right) | Gertrude KäsebierUntitled (studio portrait of a woman), ca. 1905Platinum print with original multiple mount, 8 x 6 inches on a 14 1/2 x 10 1/2-inch mount. Signed. Inscription in unknown hand in pencil on mount verso,“Carrie Chatman Catt”Value: $ 5,000Donation of Peter BunnellLot #43 (below) | Grey VilletShort Shorts, 1956Gelatin silver print, printed later, 11 x 14 inches, included with a letter ofauthentication from the Estate of Grey Villet.Value: $ 4,000Donation of Barbara Villet. Courtesy and © TimeIncExhibitions: Schenectady Art Museum, NY, 1982; Parsons School of Design,New York, 1985Publications: Over the Edge: A Life’s Work, forthcomingOne of Villet’s personal favorites, this image was made on assignment for LIFE Magazinein the Midwest in 1956. The work of Villet (1927–2000), both on staff at LIFE Magazineand as a freelance photographer, spanned many decades and many subjects. His masteryof the medium attested to his credo that every story be, in his words, “as real as realcould get.” To achieve this, he seldom posed an image, generally used only availablelight, and while shooting became as unobtrusive as a “fly on the wall” to allow meaningfulmoments to emerge naturally from a fluid reality.George Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 23

Lot #44 (right) | Bruce WeberRichard Avedon, Columbus Day Parade, NYC, 1993Gelatin silver print, printed 2010, 11 x 14 inches. Edition #4/20.Signed, dated, and editioned in pencil on verso.Value: $ 6,500Donation of the artistExhibitions: National Portrait Gallery, London, UK, 1999;Baldwin Gallery, Aspen, CO, 1999; Photology, Milan, Italy, 1994Photographer and filmmaker Weber first rose to international prominencein the early 1980s for his ability to construct a seamless sense ofromance and drama in his images for fashion houses like Ralph Lauren,Calvin Klein, Versace, and most recently Abercrombie and Fitch. Webercontinues to work in various mediums—he has directed seven shortand feature length films and published more than 27 books. More than60 exhibitions world-wide have featured his photographs. Weber notesRichard Avedon as a major influence in his work. Their collaborativeprojects have resulted in several publications on Versace’s fashions.Lot #45 | André KertészTwo photographs (offered together)(left) | Going Home, October, 1918, Brasso,TransylvaniaGelatin silver print, printed ca. 1960, 8 x 10 inches. Twophotographer’s stamps in ink and various annotations in theartist’s hand in pencil on verso. Annotations in unknown handin margin.Publications: André Kertész: Sixty Years of Photography,1912–1972 (Grossman Publishers, 1972)(below, left) | Untitled, ca. 1915Gelatin silver print, printed ca. 1940, 8 x 9 1/2 inches. Photographer’sstamp in ink with inscription in pencil in unknownhand on verso, “1915 Front in Galicia.”Value: $ 6,500 for pairDonation: Howard and Carole TanenbaumHungarian-born photographer Kertész (1894–1985) began experimentingwith photography around 1912 while working as a stockbroker.Around this time he joined the army and fought in WWII, all the whilekeeping his camera in tote. These images depict his experiences on thebattlefront and with his fellow soldiers. He left the army after beinginjured and returned to work as a stockbroker, but continued to makephotographs.The lack of artistic freedom in Hungary inspired him to move to Paris in1925, where he worked as a freelance photographer and was affordedthe opportunity to make portraits of Paris’s most influential culturalfigures through his friendships with artists Marc Chagall and Piet Mondrian.The purchase of a handheld Leica camera in 1928 allowed himmobility as he became a spectator of urban street life and introduceda new mode of image making. During World War II, he moved to NewYork, and as a freelance photographer was published in American magazinessuch as Look, Harper’s Bazaar, and Vogue. Numerous monographsand major exhibitions of his work have been organized to date, as hecontinues to be an influential figure.24 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #46 (left) | George TiceLincoln Motel and Abe’s Disco, Newark NJ, 1981Vintage gelatin silver print, 13 7/8 x 10 3/4 inches. Signed on recto in pencil.Titled and dated on verso of print and mat. From the series Lincoln.Value: $ 3,000Donation of the artistPublications: Lincoln (Rutgers University Press, 1984)This image is featured in Tice’s photographic book, Lincoln, a collection of photographsof the various ways Abraham Lincoln has been memorialized. Having taken to photographyat 14, Tice has become an important figure in American photography, not only forhis own artistic endeavors, but also for his precise exposures and printing technique.With an extensive history of exhibitions and publications, Tice’s work has been collectedby many institutions, including the Museum of Modern Art, New York; The MetropolitanMuseum of Art, New York; the Bibliothèque Nationale, Paris; and the Art Institute ofChicago, IL.Lot #47 (below) | Walker EvansSaratoga, New York, 1931Vintage gelatin silver print, 6 X 8 inches, mounted. Title and date in pencilwith artist’s stamp on mount verso.Value: $ 15,000Donation of Howard Greenberg Gallery, New YorkGeorge Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 25

Lot #48 (left) | Frederick Evans36, Gloucester Cathedral. Into the Nave fromSt. Paul’s Chapel, 1890Platinum print, 5 3/4 x 4 1/2 inches. Signed, titled, and dated in pencilbelow image on mount.Value: $ 3,000Donation of Andrew Smith Gallery, Santa Fe, NMLot #49 (below) | Larry TowellIsaac’s First Swim, Lambton County, ON, Canada, 1996Gelatin silver print, printed 2007, 16 x 20 inches. Signed, titled, and datedin pencil on verso.Value: $ 1,800Donation of the artistExhibitions: The World from My Front Porch, multiple venue travelingexhibition at venues such as George Eastman House, 2008; StephenBulger Gallery, 2008; McDonough Museum of Art, Youngstown, OH, 2009Publications: The World from My Front Porch (Chris Boot, 2008)Towell has spent many years creating an autobiographical essay of the world around himthat intimately portrays his family members. Over the last three decades as a Magnumphotographer, he has traversed the globe, a witness to and photo-documentarian of warand conflicts in locations such as Nicaragua, Guatemala, Alaska, El Salvador, Palestine,and Mexico, resulting in images published in LIFE, GEO, Stern, Elle, Esquire, RollingStone, and The New York Times. He is also the author of 10 books that chronicle histravels. Numerous museums throughout North America collect his photographs. Here theartist’s daughter Naomi introduces her brother Isaac to the waters of the Sydenham Riverat the photographer’s rural Ontario homestead.26 | George Eastman House Benefit Live Auction 2011 — Items Available for Bid October 3, 2011 | 123 W. 18th St., New York, NY

Lot #50 (above) | Michael A. SmithChicago, 2008Gelatin silver chloride contact print, 13 x 25 inches.Signed and dated in pencil on recto of mount. Inscriptionon verso of mount.Value: $ 3,500Donation of the artistPublications: Chicago Loop (Lodima Press, 2009).Lot #51 (right) | Janelle LynchItka, 2006Digital C-print, printed 2011, 24 x 20 inches. From theseries Akna. Signed in ink in margin.Value: $ 2,700Donation of the artistExhibitions: Los Jardines de México, Museo Archivo dela Fotografia, Mexico City, 2011Publications: Los Jardines de México (Radius Books,2011)Janelle Lynch’s work has been exhibited worldwide and is inthe collections of George Eastman House, Brooklyn Museum ofArt, New York; Museo de Arte Contemporanéo, Salta, Argentina;and the Museum of Photographic Arts, San Diego, CA.Akna is a series of portraits of tree stumps that explores thetheme of regeneration. As anthropomorphized stumps, eachfigure can be ascribed its own personality, age, and gender.Akna refers to the name of the Mayan goddess of fertility andbirth. The series references the role the stump “figures” play inEl Huitepec, Oaxaca, Mexico, where the indigenous populationbelieves that gods live in high-elevation areas and watch overthe people of the valley.George Eastman House Benefit Live Auction 2011 — Items Available for BidOctober 3, 2011 | 123 W. 18th St., New York, NY | 27

Online AuctionObjects Available for BidSeptember 26–October 7, 2011iGavelauctions.comDetail, Lori Vrba. Wheatfield, 2009. Courtesy of the artist. See p. 82.| 29

Shelby Lee AdamsShauna Faye and Stephanie Lynn, 2001Gelatin silver print, image: 16 x 20 inches; frame: 20 x 24inches. Edition #8/25. Signed, titled, dated, and editioned inpencil on recto and verso.Value: $ 2,000Donation of Howard and Carole TanenbaumAdams’s uncle was a country doctor who took him on house calls tomeet patients who became the subject of his favorite photographsfor more than 25 years. While incredibly raw, his portraits conveyhis dedication to showing the challenges of these individuals whilemaintaining their dignity.Jessica AuerSpiral Jetty, Utah (after Robert Smithson), 2004C-print, printed 2007, 20 x 24 inches. From the seriesRe-creation.Value: $ 1,500Donation of the artistExhibitions: Galerie Thérese Dion, Montréal 2007, TorontoImage Works Gallery, Toronto, 2008Auer’s series Re-creation depicts how landscape and architecturehave been preserved, restored, or altered to encourage tourism. Byphotographing both subtly inhabited spaces as well as sites thathave been recently built or severely transformed, Auer producesimages that provoke reflection on personal experience, culturalauthenticity, and collective memory of specific sites.Roger BallenBoy Under Lamp, 2001Gelatin silver print, selenium toned, 14 1/4 x 14 1/4 inches.Edition #5/20. Signed, titled, dated, and editioned in pencilon verso. Inscription on verso detailing print specifications.Value: $ 4,000Donation of the artistBallen is known for his thought-provoking photographs, attention todetail, and his creation of complex, fictional scenes embedded withsymbolism.30 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

John BanasiakScenes from the Dream of a Fortune Teller,#739, 2011Archival pigment print, 12 x 17 inches. Signed, titled, anddated in pencil on verso.Value: $ 1,500Donation of the artistThis image is part of a continuing series Banasiak began in 2002.Scenes from Dreams of a Fortune Teller is a manifestation ofBanasiak’s daily search for meaning and understanding. Each print isaccompanied by a “fortune” written by the photographer.Brendan BannonDerby Day, Nairobi, Kenya, 2011Archival pigment print, 20 x 30 inches. Edition of 15. Fromthe series Daily Dispatches.Value: $ 800Donation of the artistExhibitions: Burchfield Penney Art Center, Buffalo, NY, 2011;Quick Center for the Arts, St. Bonaventure University, NY,2011The project took a nuanced view of Nairobi, Kenya, as a fast-changingAfrican metropolis. Exhibit images were printed and displayed asthe project progressed, bringing blog-like immediacy to the walls ofuniversity museums.Craig BarberThe Boy Just Stood There, 1995Platinum/palladium print, 7 3/8 x 11 1/8 inches. Edition #4/12.Signed, titled, dated, and editioned on verso. From the seriesGhosts in the Landscape.Value: $ 900Donation of the artistExhibitions: Ghosts in the Landscape: Vietnam Revisited, multiplevenue traveling exhibition, 2007–2011Publications: Ghosts in the Landscape: Vietnam Revisited(Umbrage Editions, 2006)Images from this series are inspired by Barber’s own experiences as acombat soldier in the Vietnam War. Long exposures of landscape viewsalong a former military route were captured with his pinhole camera, andresulted in images that are not documentary in nature, but are introspectivereflections of the past that take on new meaning.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 31

Timothy BarnwellByard Ray Playing Fiddle, 1978Gelatin silver print, printed 2005, 14 x 11 inches. Edition#7/30. Over-mat signed by artist in pencil, titled, dated, andeditioned on mount verso. Also included is a signed copy ofthe book Hands in Harmony: Traditional Crafts and Musicin Appalachia, 2009.Value: $ 2,000Donation of Lumiere Fine Art Photography Gallery,Atlanta, GAPublications: “On Virginia’s Crooked Road, Mountain MusicLights the Way,” The New York Times, June 2011; Hands inHarmony (WW Norton & Co., 2009); The Face of Appalachia(WW Norton & Co., 2003)Byard Ray (1910–1988) was an old-time fiddler and banjo playerfrom Asheville, NC. This portrait is from Tim Barnwell’s extensiveseries that explored the diverse musical heritage of southern Appalachia.Mary Ellen BartleyAll the More Real, 2011Archival pigment print, 12 x 18 inches, 17 x 23 inchesframed. From the series Standing Open.Value: $ 1,200Donation of the artist and Corden Potts Gallery,San Francisco, CAExhibitions: Books, Corden Potts Gallery, San Francisco, CA,2011In the series Standing Open, the artist examines books as they standopen before her camera using their chance settling and a full-frameclose-up view to convey the sensuality and intimacy of reading.Paul BergerMathematics #47, 1977Vintage gelatin silver print, 15 1/2 x 19 5/8 inches. Signed,titled, and dated on verso. Inscribed “for Larry.”Value: $ 1,000Donation of Laurence Miller Gallery, New YorkPaul Berger’s image from the series Mathematics re-contextualizessymbols and diagrams drawn on blackboards in the MathematicsDepartment of the University of Illinois. His concept is realizedgraphically, using sequential narrative and relying on the structure offrames for reference.32 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Jasna BogdanovskaKismet, 2010Archival pigment print, frame: 20 x 20 inches.Value: $ 350Donation of the artistAnthony BonairUntitled, (flowers, multiple exposure), ca. 1995C-print, image: 20 x 16 inches; frame: 27 x 21 inches.Value: $ 1,000Donation of the Estate of Anthony BonairBarbara BordnickPaeonia, 2002Archival pigment print, printed 2011, 18 x 24 inches. Edition#3/25. Signed, titled, dated, and editioned in black ink inmargin. From the series Searchings: Secret Landscapes ofFlowers.Value: $ 1,500Donation of the artistGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 33

Robert BourdeauRobert Bourdeau: The Station Point (MagentaFoundation, 2011)Limited edition canvas-covered book in wood case. Signedand included with an 8 1/2 x 11-inch pigment print onarchival paper. Tarn, France, 1990, signed and editioned inpencil in margin. Edition #24/100.Value: $ 400Donation of Howard and Carole TanenbaumConsidered a master printer, Bourdeau uses a large-format camera,shooting negatives up to 8 x 10 inches, which enables him to captureincredible detail.Jeff BridgesTwo books (offered separately)Donations of the artist1) Making True Grit, 2010Soft cover edition of 1,550. Signed and dated onthe title page by Jeff Bridges.2) Making Tron: Legacy, 2011Soft cover edition of 1,000. Signed and datedon the title page by Jeff Bridges.Value: $100 (each)34 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

John BridgesFloat, 2010Gelatin silver print, 5 x 5 inches. Edition #3/25. Signed,dated, and editioned in pencil on verso.Value: $ 400Donation of the artistDan BudnickGeorgia O’Keeffe after Supper, Ghost Ranch,New Mexico, 1975Gelatin silver print, printed 2005, 16 x 20 inches. Signed inink in margin; signed, titled, and dated in pencil on verso.Value: $ 3,500Donation of Peter Fetterman Gallery, Santa Monica, CADavid Wilson BurnhamDay at the Beach, 2010C-print, printed 2011, 23 7/8 x 27 7/8 inches. From theseries This Is Not America.Value: $ 600Donation of the artistGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 35

Matthew CardenCarrot Farmers, 2011Archival pigment print, 24 x 30 inches. Edition of 12.From the series Super Farmers.Value: $ 1,550Donation of the artistCarden’s series Super Farmers provides playful insight into ourprimal connection with food.Ray CarnsSaguaro 309, 2001Archival pigment print, printed 2011, 23 1/8 x 17 inches.Edition #1/10. Signed, titled, dated, and editioned in pencilon verso.Value: $ 850Donation of the artistExhibitions: Temple Gallery, Tucson, AZ; Porter Hall Gallery,Tucson, AZ; Phoenix Airport Museum, Phoenix, AZPublications: Light Leaks Magazine, Issue 16, 2010Alejandro CartagenaFragmented Cities, Santa Catarina, 2008Archival pigment print, printed 2010, image: 20 x 24 inches;frame: 21 1/2 x 25 inches.Value: $ 1,500Donation of the artist and Jen Beckman GalleryExhibitions: Suburbia Mexicana: Circuit Gallery, Toronto,ON, 2011; Flanders Gallery, Raleigh, NC, 2011; Bluesky Gallery,Portland, OR, 2010; Michigan State University, 2010;Monterrey International Airport, Monterrey, Mexico, 2010;Lishui Foto Festival, Lishui, China, 2009; Galeria de la Ciudad,Aguascalientes, Mexico, 2009Publications: Suburbia Mexicana (Daylight and Photolucida,2011)36 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Paul CavaMan/Woman, 1998Archival pigment print, printed 2005, 14 x 10 1/2 inches.Signed, titled, dated, and editioned in pencil in margin.Edition #4/10. Accompanied with the publication Childrenof Adam, from Leaves of Grass (Vevais, 2005)Value: $ 1,700Donation of the artistExhibitions: Children of Adam, from Leaves of Grass,Gallery 339, Philadelphia, PA, 2005Publications: Children of Adam, from Leaves of Grass(Vevais, 2005)For the last two decades, Paul Cava has created a hybrid form ofexpression by combining different media into sensual visual poetry.Christian ChaizePraia Piquinia 18-08-10 14h10, 2010Digital C-print, printed 2011, 44 x 37 inchesValue: $ 2,800Donation of the artist and Jen Bekman Gallery, New YorkPublications: The Collector’s Guide to New Art PhotographyVol. 2 (Humble Arts Foundation, 2010)Exhibitions: Kunstbüro Berlin, Germany, 2011; Centro deArtes de Sines, Portugal, 2009; Institut Franco Portugais deLisbonne, Portugal, 2009; Jen Bekman Gallery, New York,2009Tom ChambersStorm Clouds, 2009Archival pigment print, printed 2011, 20 x 20 inches. Edition#4/20. Signed, titled, dated, and editioned in pencil onverso.Value: $ 1,200Donation of the artistTom Chambers uses photography to construct photomontageswith images that draw heavily upon elements from Mexican Indianreligious art and retables. His juxtapositions convey a sense of peril,symbolizing the vulnerability of the natural world.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 37

Paula ChamleeTwo prints (offered separately)Donations of the artist1) Pitigliano, Tuscany, 1999Gelatin silver chloride contact print, 13 x 15 inches. Signedand dated in pencil on recto of mount. Titled and dated inpencil on verso of mount. Inscriptions in pencil on verso.Value: $ 2,5002) Quarry, Carrara, Tuscany, 1999Gelatin silver chloride contact print, printed 2000, 13 x15 inches. Signed and dated in pencil on verso. Titled anddated in pencil on verso of mat. Inscriptions in pencil onverso of mat.1Value: $ 2,0002Exhibitions: Both works included in Naples Museum of Art,Naples, FL, 2011; De Santos Gallery, Houston, TX, 2007;Fernback Museum of Natural History, Atlanta, GA, 2003Publications: Both works included in Tuscany: Wanderingthe Back Roads, Vol. 1 (Lodima Press, 2004)Christopher ChurchillVisitors at the Grand Canyon, AZ, 2007Gelatin silver print, printed 2009, 19 3/4 x 23 1/4 inches.Edition #6/15. Signed, titled, dated, and editioned in pencilon verso. From the series American Faith.Value: $ 1,500Donation of the artistExhibitions: American Faith, Fovea Exhibitions, Beacon, NY,2009Publications: American Faith (Nazraeli Press, 2011), forthcomingThe series American Faith is a social study of both the practice andbelief systems held in religion and spirituality in American culture.38 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Alvin Langdon CoburnThree photogravure prints (offered separately)Donations of Peter Bunnell1) Miss L. R., ca. 1909Photogravure, printed ca. 1909, 10 x 7 1/2 inches.Signed in pencil on recto.Value: $ 8002) Portrait of Max Weber, ca. 1903Photogravure, printed 1913, 9 1/2 x 6 1/2 inches. Signedin pencil in margin.Value: $ 800Publications: Men of Mark (1913)13) Trafalgar Square Fountain, London, 1905Photogravure, printed 1909, image: 8 1/4 x 6 7/16inches; sheet: 8 1/2 x 6 9/16 inches. Plate from thebook London (1909).Value: $ 1,20023Alvin Langdon CoburnA Portfolio of Sixteen Photographs, 1962Introduction by Nancy Newhall (George Eastman House,1962). Sixteen modern photogravure plates of some ofCoburn’s most notable subjects including Mark Twain andWilliam Butler Yeats, tipped onto leaves, each numbered,titled, and dated. Edition of 2,000 copies.Value: $ 250Anonymous donationGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 39

William CouponHayley with Miles, 1986Archival pigment print, printed 2011, 22 x 17 inches.Edition #10/40. Signed in ink in margin. Signed, dated,and editioned in pencil on verso.Value: $ 1,750Donation of the artistEric CousineauThree archival pigment prints, printed 2011, 17 x 22 inches. Each signed, titled, dated,and editioned in pencil on verso. From the series American Motel.Donations of the artist1. Couch, Room 11, 2006 2. Green Shower, Room 31, 2004Edition #2/20. Edition #2/20.Value: $ 500 Value: $ 5003. TV, Room 14, 2009Edition #3/20.Value: $ 5001Exhibitions: Governor’s Gallery, Santa Fe, NM, 2011; Jennifer Schwartz Gallery, Atlanta,GA, 2011; Photo Forum, Museum of Fine Arts Houston, TX, 2011; Marion Center of Photography,Santa Fe, NM (solo show), 2011; Art of Photography Show, San Diego, CA, 2011The series American Motel was inspired by a road trip the artist made in 2003 after graduatingfrom college. During the trip he was forced to stay in the lowest-possible budget accommodations.One year later he returned to explore how the experience affected his perception of time and livingstandards.2340 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Eric CousineauI Love You, 2004Archival pigment print, printed 2011, 19 x 13 inches. Edition#1/10. Signed, titled, dated, and editioned in pencil onverso.Value: $ 250Donation of the artistLaura CrosbyTraces, 2009Archival pigment print, printed 2011, 16 7/8 x 22 inches.Signed and dated in pencil on verso. From the series Traces.Value: $ 500Donation of the artistExhibitions: Open Eye Theater, Minneapolis, MN, 2011The series Traces links the past to the present by reenacting theplight of women and children fleeing Europe during World War II.Scott B. DavisSilver Lake, Los Angeles, 2010Platinum/palladium print, printed 2011, 20 1/2 x 25 1/2inches. Edition #1/5. Signed, titled, dated, and editioned inink on verso.Value: $ 3,500Donation of the artistExhibitions: Hous Projects, 2011George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 41

Denis DefibaughBirds of Paradise, Veracruz, Mexico, 2011Archival pigment print, 17 1/4 x 22 inches. Signed, titled,and dated in pencil in margin.Value: $ 1,200Donation of the artistDennis DeHartForward and the Side, 2011Archival pigment print, 24 x 30 inches, edition of 5 plus 2APs. From the series At Play.Value: $ 1,000Donation of the artistThe series At Play celebrates the imaginative world ofchildhood, placing the context of nature at the forefront ofconsciousness.Tamas DezsoBuilding, 2009C-print, printed 2011, 20 x 24 inches. From the series Here,AnywhereValue: $ 1,500Donation of the artist42 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Nell DickersonThe Turkey Plucker, 2008Archival pigment print, printed 2011, 22 x 19 7/8 inches.Edition #1/10. Signed and dated in pencil in margin. Fromthe series Porch Dogs: Sentinels of the South.Value: $ 1,200Donation of the artistPorch Dogs celebrates the architecture, history, and culture of thedog’s favorite domain.Mitch DobrownerRainstorm, Owens Valley, CA, 2007Archival pigment print, image: 20 x 30 inches; frame: 34 x41 inches. Edition #11/50. Signed, titled, and editioned inpencil in margin. Initialed and dated in pencil in margin.Value: $ 3,000Donation of Alex Novak, Contemporary Works/VintageWorks, PADobrowner’s photographs record moments when his exterior environmentand interior worlds merge to create dramatic landscapes ofthe American west.Beth DowPillar Garden, The Courts, 2004Platinum/palladium print, printed 2006, 19 7/8 x 23 5/8.Edition #4/25. Signed, titled, and editioned in pencil inmargin. Photographer’s stamp with title, date, edition, andcopyright on verso. Printed by Keith Taylor.Value: $ 1,800Donation of the artist and Jen Bekman Gallery, New YorkExhibitions: In the Garden: Joseph Bellows Gallery,La Jolla, CA, 2009; Blue Sky Gallery, Portland, OR, 2008;Iris Gallery, Great Barrington, MA, 2006The photograph, filled with a sparkling and unusual light, was takenin England immediately after a torrential downpour.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 43

Elena DubasDonations of the artist1) Merge, 2005Archival pigment print, printed 2006, 12 x 15 1/4 inches.Signed and dated in black ink on verso.Value: $ 1502) Rest Stop, 2005Archival pigment print, printed 2006, image: 8 3/4 x 13 1/8inches; sheet: 11 x 16 inches. Signed and dated in black inkon verso.Value: $ 15012Exhibitions: Both prints included in 273 Cups of Tea, CommunityDarkroom, Genessee Center for the Arts, Rochester,NY, 2006Cheryl DunnFans I, 2008C-print, printed 2011, 14 1/2 x 22 1/2 inches. Signed anddated in ink on verso.Value: $ 1,200Donation of the artist44 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Natan DvirDress on a Border Fence, 2007Digital C-print, printed 2011, 22 x 32 inches. Edition #3/10.Signed and dated in pen in margin.Value: $ 2,500Donation of the artistExhibitions: Museum on the Seam, Jerusalem, Israel, 2010;New York Photography Festival, 2010; Festival de la Luz,Buenos Aires, Argentina, 2010; SVA Gallery, New York, 2010;Houston Center for Fine Arts, 2009This dress of a young girl lingers on the Israeli-Egyptian borderfence at the point where two Sudanese families crossed just twonights before the image was made.Amy EckertBunny, 1999Archival pigment print, mounted, printed 2010; frame: 26 x26 inches. Edition of 5.Value: $ 950Donation of the artistExhibitions: Manufacturing Home, MPLS Photo Center,Minneapolis, MN, 2010; honorable mention, juried show,Center for Fine Art Photography, Ft. Collins, CO, 2010.In Manufacturing Home Eckert investigates the idea of “homeas more than a need for shelter” by examining the multi-billiondollar assembly-line mobile home building industry. The artistindicates that she sees the random objects as types of “set pieces”displayed in an attempt to make the rooms seem familiar or stylish.Juliane EirichMagnolia, 2007–2008C-print, mounted to Diasec, printed 2010, 6 x 6 inches. Edition#2/12. Signed in ink on verso. Title, date, edition, andcopyright printed on label on verso. From the series KoreaDiary.Value: $ 575Donation of the artistExhibitions: Gallery Schuster, Berlin, 2010; Gallery f5.6,Munich, 2010; Klein Collection, Stuttgart, 2010; SpinelloGallery, Miami, 2010; Gallery Schuster, Miami, 2010; Scope,Basel, Switzerland, 2009Publications: UYW Magazine, Issue 10, August 2010Eirich’s work focuses on the relationship between a man-madeenvironment and nature. She works mostly at night, capturing thepeculiar colors cast by artificial light.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 45

Frank EugeneThe Horse, 1910Photogravure, printed 1910, image: 3 1/2 x 4 1/2 inches;frame: 16 1/4 x 17 1/4 inches.Value: $ 1,200Donation of Mark KatzmanPublications: Camera Work 30, 1910; Impressionist Camera:Pictorial Photography in Europe, 1888–1918 (Merrell Publishers,2006)Edward FaustyTree and Moving Clouds, Bedford, NY, 2010Archival pigment print, printed 2011, image: 34 x 25 1/2inches; frame: 36 x 26 inches. AP from the series NextFrontier: Photographs of the Land and the Night Sky.Value: $ 1,000Donation of the artistExhibitions: Next Frontier: Photographs of the Land andthe Night Sky, Hunterdon Art Museum, NJ, 2011A note on the informationprovided in the catalogue:Entries include, when available, information pertainingto where the auction donations or related works fromthe same series have been exhibited and/or published.Information has been modified from biographies providedby or referenced by donors, when available. Extensiveexhibition and publication histories pertaining to each individualartist featured (e.g. CVs) can be made available uponrequest. A complete list of resources can also bemade available upon request.46 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Ahron FosterOut of the Gates, East Drive at 61st 2/26/05,4:00 p.m., 2005Archival pigment print, printed 2011, 17 x 22 inches. Edition#2/10. Signed, titled, dated, and editioned in black ink inmargin.Value: $ 750Donation of the artistExhibitions: Porter Butts Gallery, University of Wisconsin,2005; Ann Arbor Arts Center, MI, 2005; Image City PhotographyGallery, Rochester, NY, 2006; New York MercantileExchange, New York, 2006The series Out of the Gates features 26 images that document the2005 Christo and Jeanne-Claude installation The Gates in NewYork’s Central Park.Jona FrankAngela Candy Raver, CA, 1999Chromogenic C-print, printed, image: 20 x 16 inches; frame:24 x 20 inches.Value: $ 1,000Donation of Elaine GoldmanExhibitions: High School, Foley Gallery, NY, 2004; YerbaBuena Center for the Arts, San Francisco, CA, 2003; RobertKoch Gallery, San Francisco, 2002Publications: High School (Arenas Street Publishing, 2004)Frank’s series High School examines social groups in suburban highschools throughout the United States.Jeff Charbonneau and Eliza FrenchTraction, 2008Digital C-print, mounted to dibond, 29 1/4 x 29 1/4 inches.Edition #5/7. Signed, titled, and editioned on label adheredto verso. From the Massillon series.Value: $ 3,200Donation of the artists and VERVE Gallery, Santa Fe, NMExhibitions: Massillon, Robert Berman Gallery, SantaMonica, CAPublications: “Mystic Partners,” American Photo Magazine(May/June 2010)The artists’ Massillon series is loosely based on the life of French’sgreat-grandmother, a turn-of-the-20th-century resident of Massillon,Ohio. For this series, Charbonneau and French studied pictorialphotographs for inspiration and created props and costumes in aneffort to convey the emotional state of women from that era.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 47

Helen K. GarberFlat Iron Building, 2011Archival pigment print, printed in 1997 and mounted toantique wood panel then coated in beeswax in 2011.13 x 9 5/16 x 1 inches. Signed and dated in ink on verso.Value: $ 3,000Donation of the artist, DNJ Gallery, Santa Monica, andTepper Takayama Fine Arts, BostonThis image of the iconic Flat Iron Building in New York City is aunique mixed media object made from antique wood that was salvagedfrom the shelves of a closed book store.Richard GarrodTruck, Fence, and Snow, Mono Lake, 1981Silver bromide print, printed 2009, 12 7/8 x 10 1/4 inches.Signed in pencil in margin.Value: $ 600Donation of the artistCarol GolemboskiGenealogy, 2005Gelatin silver print, toned, printed 2011, 23 1/4 x 19 1/4inches. Edition #2/7. Signed, dated, and editioned in pencilon verso. From the series Psychometry.Value: $ 1,500Donation of the artistGolemboski’s series Psychometry addresses psychological issuesconcerning anxiety, loss, and existential doubt. Stark compositionsof old and discarded objects take on ambiguous meanings throughcomplex photographic manipulation.48 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Carolyn HamptonSilent Prayer, 2011Archival pigment print, 19 3/4 x 19 3/4 inches framed. AP.From the series Remnants of Past.Value: $ 650Donation of the artist and Duncan Miller Gallery, L.A.Exhibitions: Photo Spiva, 2011, Spiva Center for the Arts,Joplin, MO; Rotto Gallery, Cincinnati, OH; Center Forward2011, Center for Fine Art Photography, Ft. Collins, CO; JuliaDean Gallery, Los Angeles, CAPublications: Adore Noir, April 2011; Los Angeles Examiner,March 23, 2011In her series Remnants of Past, Hampton explores abandonedhospitals and prisons as a way to empower herself and conquerfears generated by a recurring dream.Gottfried HelnweinThree Portraits of Arno Brecker, 1985C-prints, each 15 3/4 x 23 5/8 inches and signed in ink onverso.Value: $ 5,000 (lot of 3)Donation of Renate GruberTo see these works, visit iGavelauctions.com after Sept. 26.Anthony HernandezColumbus Circle, Syracuse, NY, 1983Archival pigment print, printed 2010, 16 7/8 x 24 inches.Edition AP. Signed, titled, dated, and editioned in pencil onverso.Value: $ 4,000Donation of the artistHernandez’s work often focuses on the everyday lives of urbaninhabitants.50 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Todd HidoUntitled (#2552), 1999C-print mounted to board, 24 x 20 inches. Edition #9/10.Signed and editioned in pencil on verso of the mount. Fromthe series House Hunting.Value: $ 3,000Donation of the artistExhibitions: Steven Wirtz Gallery, San Francisco, CA, 1998;Julie Saul Gallery,New York, 2001; Cleveland Museum of Art,OH, 2002Publications: House Hunting (Nazraeli Press, 2007)Lisa HoldenJudith (study), 2006C-print, image: 32 1/2 x 30 inches; frame: 34 x 31 inches.Edition of 5, plus 3 APs.Value: $ 6,500Donation of Alex Novak, Contemporary/VintageWorks, Chalfont, PALetitia HuckabyHer Seed, 2007Photographic patchworkquilt, 55 x 37inches. Pigment printson cotton fabric handsewninto a patchworkquilt.Value: $ 6,500Donation of the artistLeft: DetailGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 51

John Isaac3 images (offered separately)Donations of the artist1) Antelope Canyon, Page, Arizona, 2002Archival pigment print, 2011, 22 x 17 inches. Signed andtitled in ink in margin.Value: $ 1,5002) Studying Together, Karachi, Pakistan, 1981Archival pigment print, printed 2011, 17 x 22 inches. Signedand titled in ink in margin.Value: $ 2,0003) Dal Lake, Srinagar, Kashmir, India, 2005Archival pigment print, printed 2011, 17 x 22 inches. Signedand titled in ink in margin.Value: $ 1,50012352 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Michael ItkoffBangkok, Thailand #11, 2003C-print, printed 2011, 24 x 20 inches. Signed, titled, dated,and editioned in ink on verso. Edition #2/7. From the seriesStreet Portraits.Value: $ 1,000Donation of the artistPublications: Street Portraits (Charta Editions, 2009)Rebecca JanecekCloudy Road, 2008Gelatin silver print, printed 2009, 11 x 14-inches. Signed,titled, and dated in pencil on verso. From the series TheTeton Exploration.Value: $ 500Donation of the artistExhibitions: Rayko Gallery, San Francisco, CA; Gallery Obscura,San Francisco, CAJanecek’s series The Teton Exploration is a study of light and landscapecombined with a pictorial investigation of America’s NationalParks.J.S. JohnstonFour New York City Views, 1893–1897 (offeredtogether)Albumen prints mounted to card, 6 1/4 x 8 3/4 inchesWashington BridgeElevated Train, 110th St at Morningside Park (shown)Elevated Train, 110th St at Morningside ParkGrants Tomb [inscribed verso: Grant’s Tomb, Year of Constrution,1897. “Favorite stopping place for Sunday bicycleriders.” (Black, p. 208, “old New York in early photographs,”1975) ]. Photographer’s name and date inscribed in lowerright-hand corner.Value: $ 250 for four printsDonation of the Laurence Miller Gallery, New YorkTo see these works, visit iGavelauctions.com after Sept. 26.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 53

Charles JohnstoneSt. Mary’s Playground East, Bronx, NY, 2008C-print, 15 x 15 inches. Edition #5/7. From the series andartist’s book Thirtyfour Basketball Courts.Value: $ 3,000Donation of the artistExhibitions: Joseph Bellows Gallery, La Jolla, CA, 2011;Meredith Ward Fine Art, New York, 2010Publications: Thirtyfour Basketball Courts (self-published,New York 2010)Urban American landscapes of the 1960s and ’70s are a significantinfluence in Johnstone’s series Thirtyfour Basketball Courts. Theseries pays tribute to Ed Rusha’s Thirtyfour Parking Lots in LosAngeles.Anthony JonesFourteen London street scenes (offered separately)Gelatin silver prints, each measuring 10 x 10 inches. Eachsigned and titled in pencil on verso.Value: $ 850 eachDonation of the artist1) London Taxi, 19982) Puddle, 2000To see these works, visit iGavelauctions.com after Sept. 26.1254 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Loli KantorRemains, 2007Platinum print, printed 2009, 14 1/4 x 11 inches (overall).Edition #3/12. Signed, titled, and dated in pencil in margin.From the series This Was a Forest.Value: $ 650Donation of the artistExhibitions: Bruno Shultz Festival, Drohobych, Ukraine,2010; Houston Fotofest, 2010; L. Nowlin Gallery, Austin, TX,2009; Hamon Arts Library, Dallas, TX, 2009; Lishui InternationalPhotography Festival, Lishui, China, 2009; NationalMuseum, Lviv, Ukraine, 2009Publications: This Was a Forest (artist’s book, Tel Aviv,Israel, 2010); Lenswork, Issue 87, March 2010In This Was a Forest, Kantor renders her perception of the reemergenceof Jewish culture in Poland and the Ukraine from 2005 to 2011.Ed KashiCity of the Dead, Cairo, 1993Archival pigment print, printed 2010, 14 x 11 inches. Edition#1/5. Signed and editioned in black ink in margin.Value: $ 1,500Donation of the artistMichael KennaHouse on Water, Atlanterhavsveien, Norway, 2008Gelatin silver print, toned, printed 2008, 19 7/8 x 15 7/8-inch mount. Edition #3/45. Signed, dated, and editioned inpencil on mount. Signed, titled, and dated in pencil on versoof mount. Photographer’s stamp on verso: “Negative 2008/print 2008.”Value: $ 2,000Donation of the artistGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 55

Lisa KeresziMovie Theatre Steps, Island Theatre, Governor’sIsland, NY, 2003C-print, printed 2007, 11 x 13 3/4 inches. Edition AP. Signed,titled, dated, and editioned in black ink on verso. From theseries Governor’s Island.Value: $ 1,200Donation of the artist and Yancey Richardson Gallery,New YorkPublications: Governor’s Island (Public Art Fund, 2004)Frazier KingEncyclia Cochleata, 2001Gelatin silver print, selenium toned, printed 2010, 20 x 16inches. Edition #7/20. Signed, titled, dated, and editioned inpencil on verso. Printing and toning times and/or ratios inscribedin pencil on verso. From the Orchidaceae Portfolio.Value: $ 800Donation of the artistThe Orchidaceae Portfolio depicts the unique photographic presenceof individual orchids grown by the artist.Ani KingtonSundown on the Lost Coast, 2009Archival pigment print, printed 2011, 11 x 14 inches. Editionof 5. Signed in ink on verso.Value: $ 350Donation of the artist56 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Mark Klett and Byron WolfeA Map of Flight for California Condors #4 and#99 Above, 2009Archival pigment print, printed 2011, 24 x 30 inches. Signedby both artists, titled, and dated in pencil on verso. Fromthe project Reconstructing the View: The Grand CanyonPhotographs of Mark Klett and Byron Wolfe.Value: $ 3,200Donation of the artistsHeinz KluetmeierTwo photographs (offered separately)Donations of Sports Illustrated and Heinz Kluetmeier1) Miracle on Ice, 1980C-print, printed 2011, 20 x 16 inches.Value: $ 500A shining moment in sports history, the United States beats Russiain hockey at the 1980 Winter Olympics. This image subsequently appearedon the cover of Sports Illustrated (March 3, 1980).122) The Touch, 2008C-print, printed 2011, 20 x 16 inches.Value: $ 500Donation of Sports Illustrated and Heinz KluetmeierAt the Beijing Olympics in 2008, Michael Phelps (seen top of frame)won the now-legendary 100-meter butterfly relay by a fraction of asecond. Overall, he took home eight gold medals for the U.S. teamthat year. This image appeared on the cover of Sports Illustrated(December 12, 2008).George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 57

James KnipeFive gelatin silver prints (offered separately)Donations of Bruce and Nancy BermanEach printed 8 x 10 inches. Signed, titled, and dated inpencil by the artist on verso of each print.Airplane in Window,1996 (shown)Edition #7/40.Bicycles in Window inChildress, 1996Edition #4/40.Newspaper in Window,Abingdon, VA, 1995Edition #7/40.Storefront,Montgomery, AL, 1997Edition #3/40.Elvis Window, Bristol,VA, 1995Edition #9/40.Value: $ 850 eachTo see these works, visit iGavelauctions.com after Sept. 26.Koichiro KuritaWood and Water Lily, 1998Platinum print on handmade Japanese paper, printed 2009,24 x 19 1/2 inches. Edition #4/8. Signed and editioned inpencil in margin. Signed, titled, dated, and editioned inpencil on verso.Value: $ 3,500Donation of the artistExhibitions: Chi Sui Ki—Terrasphere, Hydrosphere, Atmosphere,John Stevenson Gallery, New York, 2000Part of a series inspired by the spirit and harmony of Thoreau’sWalden Pond.Ellen Land-WeberCupid and Psyche at the Hermitage, 2008Archival pigment print, printed 2011, 12 7/8 x 18 7/8 inches.Signed, titled, and dated in pencil in margin recto. Photographer’sstamp on verso. From the Travel series, 2007.Value: $ 950Donation of the artist58 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Brian LavGarage Window, Atlantic Highlands, NJ, 2004Gelatin silver print; selenium toned, printed 2005, 9 1/4 x15 1/8 inches. Signed and dated in pencil on inside ofmount. Title, print date, and printing specifics in pencil onverso of mount.Value: $ 2,000Donation of the artistPublications: Brian Lav, Photographs 1969–2009 (Selfpublished,2010)Alejandra LaviadaTelephones, 2007Digital C-print, printed 2011, 20 x 16 inches. From the seriesJuarez 56.Value: $ 1,200Donation of the artistIn her ongoing project, Juarez 56, Laviada photographs constructionsshe builds out of objects she finds at sites being demolished orredeveloped in Mexico City.Neil LeiferSecretariat at Preakness, 1973Archival pigment print, printed 2011, 16 x 20 inches.Edition# 38/150. Signed and editioned in ink in margin.Accompanied by a certificate of authenticity.Value: $ 2,000Donation of Sports Illustrated and Neil LeiferGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 59

Isa LeshkoPumpkin, Morgan Arabian Horse, Age 28, 2008Archival pigment print, printed 2011, image: 9 x 9 inches;frame: 17 3/4 x 17 1/4 inches. Edition #5/15. Signed in pencilon verso. From the Elderly Animals series.Value: $ 800Donation of the artist and Corden Potts Gallery, SanFrancisco, CAExhibitions: Museum of Fine Arts, Houston, TX; GalvestonArts Center, Galveston, TXPublications: The Guardian, The Washington Post, and SüddeutscheZeitung Magazin, PDNLeshko traveled to animal sanctuaries across the country. She wasespecially drawn to photograph farm animals because they do nottraditionally live out their natural life span.Gilles LorinSchooner Mast Study #1, 2010Gelatin silver print, printed 2011, image: 20 x 30 inches;frame: 27 1/2 x 37 inches. AP #2 in an edition of 15.Value: $ 1,500Donation of the artistDoug MancheeUntitled, 2009Archival pigment print, printed 2011, image: 15 x 20 inches;frame: 20 x 24 inches. Edition #1/12. From the series Picturingthe Archive.Value: $ 750Donation of the artistManchee’s recent work extracts contextual elements and constructsnarratives from the physicality of books and archival materials.60 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Michael Philip ManheimIn a Labrynth, 1985Gelatin silver print, printed 2007, image: 36 x 24 inches;frame: 43 x 32 inches. Edition #1/5. Signed, titled, dated,and editioned on verso. From the series New Butoh.Value: $ 2,500Donation of Alex Novak, Contemporary/Vintage Works,PAExhibitions: In a Labyrinth: The Dance of Butoh, NationalMuseum of Dance, Saratoga Springs, NY, 2011Publications: In a Labyrinth: The Dance of Butoh (Selfpublished,2010)The New Butoh series illustrates a theatrical dance genre generatedin post-war Japan. Manheim employs his signature style, layeringmultiple exposures of the movements into a single photographicframe.Amanda MarchandUntitled 32, 2011Archival pigment print, 22 x 34 inches. Edition #1/5.Included with a signed label. From the series This EnormousEverything.Value: $ 2,500Donation of the artist and Traywick Contemporary,Berkeley, CAMarchand’s series This Enormous Everything parses multiple photographsfrom family albums, magazines, the Internet, and her ownportraits over a scanned painting. She began this project when herson, at age one and a half, became chronically ill. Through the workshe explores how the figures of mother and child have been depictedthroughout history and present day.Yamamoto Masao and 21st EditionsYamamoto Masao, Prism Series Book #1, 2011Limited edition #178/280, measuring 12 1/2 x 12 1/2 inches.Book is signed and stamped by the artist. One of fourvariable platinum prints included, signed in pencil by theartist. Comes in a custom clamshell box. Limp binding inTwinrocker paper. 144 pages.Value: $ 750Donation of 21st Editions, Rochester, NY, andSouth Dennis, MAGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 61

Steve McCurryTwo photographs (offered separately)Donations of the artist1) Elephant and Man in Tree, Chiang Mai, Thailand, 2010Ultrachrome print, printed 2010, 20 x 16 inches. Signed in ink in margin. Photographer’slabel on verso.Value: $ 3,0002) Mother and Child on Tonle Sap, Cambodia, 1996Ultrachrome print, printed 2011, 16 x 20 inches. Signed in ink in margin. Photographer’slabel on verso.Value: $ 3,00012Doug MenuezFriends, Rakai Home, Uganda, 2006Digital C-print, printed 2011, 16 x 20 inches. Signed, titled,dated, and editioned in ink on verso. Studio edition.Value: $ 1,000Donation of the artistPublications: Transcendent Spirit: The Orphans of Uganda,introduction by Elizabeth Taylor (Beaufort Books, distributedby Midpoint Trade Books, 2007)This image is from Menuez’s book Transcendent Spirit: The Orphansof Uganda, published in 2007 to benefit a dance troupe of UgandanAIDS orphans.62 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Kristen MerolaUntitled, 2010Archival pigment print, printed 2011, 11 x 17 inches. Fromthe series and artist-book Things I Wanted to Tell You.Signed and dated in pencil on verso.Value: $ 375Donation of the artistPublications: Things I Wanted to Tell You (Preacher’s BiscuitBooks, 2010)Things I Wanted to Tell You is a study about the obsessive need towrite diaristically to free oneself from seemingly important—yetunproductive—thoughts. Each new entry, itself illegible, obliteratesher previous ideas, thoughts, and feelings.Larry MerrillTree, Central Park, 2009Archival pigment print, 17 x 11 3/8 inches. Signed and datedin pencil in margin.Value: $ 750Donation of the artistExhibitions: Larry Merrill: Looking at Trees, George EastmanHouse, 2011Alan MetnickUntitled (Diptych), 2004–2005Gelatin silver print, toned, printed 2011, image (each): 9 x 131/2 inches; sheet (each): 11 x 14 inches. Signed, titled, anddated in pencil on recto of mat. Signed, titled, and dated inpencil on verso of prints. From the series Poland.Value: $ 1,500Donation of the artistExhibitions: Poland, Reilly Gallery at Smith Center for theArts, Providence College, RI, 2011The series Poland revisits the remains of the Holocaust in EasternEurope, documenting reclaimed and rededicated Jewish communalsites and property, and the individuals who aided Metnick in thisinvestigative process.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 63

Jeffrey MilsteinTwo photographs (offered separately)Donations of the artistArchival pigment prints, printed 2011, each 30 x 40 inches.Both are artist’s proofs and include a signed label.1. Sahara Christmas, 2007Value: $ 3,5002. Sahara Silver VW, 2007Value: $ 3,500Small Dreams presents a typology of the post-World War II trailersmade of surplus sheet metal and the technology that was developedto make World War II aircraft. Shot from the same straightforwardangle, each photograph of an exterior façade reflects on the nuanceddetails and expressive personalized touches of the inhabitants.12Eadweard J. MuybridgePlate 233 from Animal Locomotion,1887Collotype, 19 x 23 1/2 inches. Plate information:“Animal Locomotion, Plate #233/Copyright1887 by Eadweard Muybridge. All rightsreserved.”Value: $ 1,500Donation of the Etherton Gallery, Tucson,AZMuybridge began to devise a system for photographicallycapturing movement when asked to provethat there was a moment at which a horse in fullgallop has all four hooves off the ground. In 1877, heperfected the system which, became the basis forthe famous Animal Locomotion series.64 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Bruce MyrenThe Southern Terminus of a Short, Short Walk,2009Archival pigment print mounted on aluminum, printed 2011,21 1/4 x 17 inches.Value: $ 1,000Donation of the artistExhibitions: Special Collections Gallery, Jones Library,Amherst, MA“Fort Juniper” is the name of a small, one-person house in thewoods of Amherst, MA, built by the poet Robert Francis, whichserved as his home from 1940 until his death in 1987. With Francis’sprose and poems and Fort Juniper as inspiration, Myren exploresAmherst (his own hometown), photographing the intersectionswhere his and Francis’s lives intertwine.Dan NelkenTwo photographs (offered separately)1) Dairy Competition Winner: Ostego County Fair,2002, 2002C-print, printed 2009, 24 x 20 inches. Edition #4/15. Signed,titled, dated, and editioned in black marker on verso. Fromthe series Till the Cows Come Home: County Fair Portraits.Value: $ 1,800Donation of the artistExhibitions: Till the Cows Come Home: County Fair Portraits:Robert Morat Galerie, Hamburg, Germany, 2010;The Blue Sky Gallery, Portland, OR, 2005; InternationaleFototage Mannheim/Ludwigshafen, Mannheim, Germany,2005; Grosvenor Gallery, SUNY Cobleskill, NY, 200412Publications: Till the Cows Come Home: County Fair Portraits.(Kehrer Verlag, 2007); British Journal of Photography,“Six of the Best,” May 2006Nelken’s series Till the Cows Come Home documents what Nelkencalls the “passion and ethos” of a disappearing society—familyfarmers.2) Light in August, 1998C-print, printed 2004, 24 x 20 inches. Edition #3/10. Signed,titled, dated, and editioned in black marker on verso. Fromthe Industrial Memories project.Value: $ 1,800Donation of Adele Q. BrownLight in August was photographed at Jersey City Welding. The companywas founded in 1918 and has outlived its competitors, manyof whom folded during harsh economic times and post-modernexpansion.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 65

Erin Jane NelsonLove Lies Bleeding, 2010Digital C-print, printed 2011, 16 x 20 inches. Edition of 3.Value: $ 300Donation of the artistBea NettlesGavin with the World, 1987Vintage gelatin silver print, 24 x 20 inches. Signed, titled,dated, and editioned in pencil on verso. Edition #1/2. FromLife’s Lessons: A Mother’s Journal.Value: $ 1,000Donation of the artistExhibitions: Life’s Lessons, A Mother’s Journal, HarnMuseum of Art, Gainesville, FL, 2009; Media Gallery, PortWashington, NY, 1995; Illinois State Museum, Springfield,IL, 1992; State of Illinois Art Center, Chicago, IL, 1991; TheChrysler Museum of Art, Norfolk, VA, 1990.Publications: Life’s Lessons, A Mother’s Journal (PrairieBook Arts Center/Inky Press Productions: 1990)Nettles’s series Life’s Lessons: A Mother’s Journal is an explorationof life and of parenting. Nettles calls the project “an introspectiveautobiographical visual journal” that documents the first decade ofher childrens’ lives.Dianora NiccoliniPetal Rose Flower, 1981Gelatin silver print, printed 2006, 13 x 9 7/8 inches. Edition#3/25. Signed, dated, and editioned in pencil on verso.Value: $ 1,200Donation of the artist66 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Benjamin NixonCascade Foothills, 2010Gelatin silver print, toned, 16 x 19 3/4 inches. Signed andeditioned on verso. Signed in stylus on recto. Edition #2/15.From the Northern California series.Value: $ 1,200Donation of the artist1Scully and OstermanTwo photographs (offered separately)Value: $ 1,100 (each)Donations of the artistsBoth archival pigment prints from a photogenic drawingnegative, printed 2011, 16 x 20 inches. AP. Signed inpencil on verso. From the series The Light at Lacock, SunSketches from the Twilight of Photography.1) View from Talbot’s Grave, 20102) Light in the North Field, 2010Exhibitions: Both included in Hotel de Malestroit/Bry-sur-Marne, France, 2011; La Maison Européenne de la Photographie,Paris, 2011; Anthony Brunelli Fine Arts, Binghamton,NY, 20112The Light at Lacock, Sun Sketches at the Twilight of Photographyis the first artistic collaboration of France Scully Osterman and MarkOsterman. This series celebrates the 175th anniversary of the photographicnegative with lyrical images that marry the historic processof photogenic drawing with contemporary printing technology.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 67

Olivia ParkerArtichoke I, 2010Archival pigment print, printed 2011, 35 x 24 inches. Edition#2/10. From the series Still and Not Still Life.Value: $ 3,000Donation of the artistCori PepelnjakJoJo, Untitled (Off Duty Cab), 2009Archival pigment print, printed 2010, 16 1/2 x 23 3/8 inches.AP from an edition of 5. From the artist’s ongoing seriesJoJo.Value: $ 900Donation of the artistPepelnjak considers herself both an observer and participant in thelife of JoJo, a teenage girl whose potent environment is filled withchaos and drama.Jamie PermuthUntitled, 2010Archival pigment print, printed 2011, 22 x 17 inches. Signed,titled, dated, and editioned in pencil on verso. Edition#2/10. From the series Yonkeros.Value: $ 1,100Donation of the artistExhibitions: Centro Cultural de España, Guatemala, 2010;Hous Projects, New York, 2011The series Yonkeros is a lyrical exploration of First World consumerism,waste, and obsolescence as it intersects with Third Worldingenuity and survivalist strategies in the no man’s land of WilletsPoint, Queens.68 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

PictometryTwo photographs (offered separately)Donations of Pictometry International Corp.,Rochester, NY1. Statue of Liberty, 9/11, 2001Archival pigment print, printed 2011. 30 x 20 inches.2. We will never forget, 2001Archival pigment print, printed 2011. 40 x 30 inches.12Value: $ 500 (each)In 2001, Pictometry, an aerial oblique imaging company, was askedby the state and city of New York to provide high-resolution imagesof the World Trade Center site after the September 11 attack. Thetwo photographs featured are part of the resulting portfolio ofimages captured of Manhattan south of 14th Street in 2001. Thecompany then donated all of the image files and collected data tothe federal, state, and city officials working the 9/11 site. In We WillNever Forget, Ground Zero workers and officials can be seen hanginga banner with those words.Jack PiersonBen NYC, 2005Unique Polaroid print, 35 x 27 inches, including frame.Signed, titled, and dated in marker in margin.Value: $ 6,000Anonymous donationGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 69

Kirby James PilcherBuffalo, Highmore, SD, 2010Archival pigment print, printed 2011, 16 x 16 inches. Signed,titled, and dated in pencil on verso.Value: $ 850Donation of the artistThis image is part of a larger project on the Great Plains. Over thepast several years, Pilcher has returned to his home state to photographthe prairie landscape, retracing the footsteps of his ancestorswho settled there as pioneers generations ago.Donna PinckleyAustin with Bubbles, 2005Gelatin silver print, selenium toned, printed 2005, 14 x 11inches. Edition #3/25. Signed, titled, and editioned in pencilon verso.Value: $ 450Donation of the artistRichard QuataertReverie, 1985Gelatin silver print, printed 1986, 24 x 20 inches. Signed inpencil on verso.Value: $ 750Donation of the artist70 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Stephen RaderConstruction Desk, 2008Archival pigment print, 60 x 79 inches including frame.Signed in ink on label attached to verso. From the seriesPeak/Off Peak.Value: $ 2,800Donation of the artist“Off Peak” refers to the occasions when the photographer seeksquiet stillness and disparate elements coalesce in preparation for thenext encounter.Eli ReichmanStreet Vendor, Cusco, Peru, 2004Archival pigment print, printed 2011, 18 7/8 x 18 1/2 inches.Signed and titled in pencil in margin.Value: $ 600Donation of the artistStuart RomeFL-124-19, Florida Everglades, 2009Archival pigment print, printed 2011, 18 1/2 x 18 inches.Edition AP. Signed, titled, dated, and editioned in pencil onverso. From the series Signs and Wonders.Value: $ 1,000Donation of the artistExhibitions: Signs and Wonders, Southeast Museum ofPhotography, Daytona Beach, FL, 2011Publications: Signs and Wonders (Southeast Museum ofPhotography, 2011)George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 71

J. RosemanSculptor and Nude, Paris, 1909Vintage gelatin silver print, toned, 14 1/8 x 18 inches. Inscription(French) identifying the sculptor, patron, and date.Value: $ 500Donation of Laurence Miller Gallery, New YorkClaire RosenBeware the Squirrels, 2009Archival pigment print, printed 2011, 12 7/8 x 19 inches.Edition #2/15. Signed, dated, and editioned in black ink onmargin.Value: $ 500Donation of the artistThis image was selected for the short list at the Sony World PhotographyAwards for advertising in 2010.Dave RudinNude, Colorado, 2001, #1, 2001Gelatin silver print, printed 2002, 15 1/8 x 19 1/4 inches.Edition #1/25. Signed, titled, dated, and editioned in pencilon verso.Value: $ 600Donation of the artistPublications: Photo (France), Jan./Feb. 200472 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Jennifer SchlesingerObject Diaspora #9, 2009Gelatin silver print, toned, 10 x 8 inches. Edition #4/12.Signed, dated, and editioned in pencil in margin.Value: $ 750Donation of the artistCamille SeamanStranded Iceberg I, Cape Bird, Antarctica, 2006Archival pigment print, 25 7/8 x 16 7/8 inches. Edition AP.Signed, titled, dated, and editioned in pencil on verso. Fromthe series The Last Iceberg.Value: $ 2,000Donation of the artistThe Last Iceberg is an ongoing project that 2011 TED Fellow CamilleSeaman began in 2003 documenting the fragile and disappearingPolar Regions.George Henry SeeleyNature Study: Bird on Branch, ca. 1920Platinum print, 4 3/4 x 6 1/4 inches. Signed in pencil, lowerright of image. Label on verso with title information.Value: $ 4,000Donation of Michael ShapiroGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 73

Christine ShankUntitled, 2011Lambda C-print, 39 x 32 inches. Signed in ink on verso.From the series Our First Year Together.Value: $500Donation of the artistIn this series, Our First Year Together, Shank is exploring howphotographs can serve as markers of time and place. The title ofthe series indicates a structure of time and alludes to an undefinedrelationship, while the images work to confuse this expectation andmake openings for an individual interpretation.Thomas ShilleaPortrait of Djuna, 1981Platinum/palladium print, 10 x 8 inches. Signed and datedin pencil in margin.Value: $ 2,500Donation of the artistExhibitions: The Photography Place, Philadelphia, PA; JeffreyFuller Fine Arts Gallery, Philadelphia, PA; Daniel WolfeGallery, New York; Simon Gallery, Montclair, NJ; AllentownArt Museum, Allentown, PANate Larson and Marni ShindelmanGeolocation: Jesus Whispers, 2011Digital C-print, 19 7/8 x 24 inches. Edition AP. Signed, titled,dated, and editioned in ink on verso by both artists. Fromthe series Geolocation.Value: $ 1,000Donation of the artistsExhibitions: Museum of Fine Arts, Houston, TX; Format FotoFestival, Derby, UK; Contemporary Art Center, Las Vegas, NV.Publications: Flavorwire (May 10, 2011); Utne Reader (May7, 2011); British Journal of Photography (March, 2011)The Geolocation project considers the perception of distance inmodern life and networked culture. The artists trace Twitter feedsback to their geographic origin and make an image of the location—linking the virtual world with the physical.74 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Leif SkoogforsMidnight in Sarajevo, 1996Archival pigment print, printed 1997, 13 1/2 x 16 1/2 inches.Value: $ 1,100Donation of the artistThis image was made while the photographer was on a walk duringa cease-fire during the Bosnian conflict in the 1990s. Taken not farfrom “Sniper Alley,” a notoriously dangerous avenue in Sarajevo, theimage shows a red triangle signaling a warning that this snowcoveredschoolyard is laden with land mines.Neal SlavinTimes Square Boogie Woogie, 2009C-print, printed 2011, 50 x 66 inches. Edition of 10 plus 2APs.Value: $ 10,000Donation of the artistGary Mark SmithMontreal Motel Rain-scape, 1993Archival pigment print, printed 2011, image: 9 1/4 x 14inches; frame: 17 1/2 x 22 inches.Value: $ 1,500Donation of the artistGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 75

Edward SteichenWilliam M. Chase, 1906Photogravure, printed 1906, image: 8 x 6 1/4 inches; frame:16 x 13 inches. From the special Steichen supplement in 1906edition of Camera Work. Included with a signed letter ofauthenticity.Value: $ 1,500Donation of Francesca Calderone-SteichenThis print was selected from an incomplete, disassembled editionof the 1906 Steichen Camera Work supplement given by EdwardSteichen to his daughter, Mary Steichen Calderone, and passed onby Mary to her daughter, Francesca Calderone-Steichen. “Steichengravures were especially dear to my mother’s heart because she specificallyremembered her father, my grandfather, telling her that heconsidered hand-grained gravures to be original images” (FrancescaCalderone-Steichen, 2011).Amy SteinThreat, 2005Digital C-print, printed 2011, 16 x 20 inches. Included with alabel signed by the photographer.Value: $ 1,000Donation of the artistExhibitions: Domesticated, Harvard Museum of NaturalHistory, Cambridge, MA, 2010; Australian Center forPhotography, Sydney, 2010; Clamp Art, New York, 2009;Vu, Quebec City, Canada, 2009; Blue Sky Gallery, Portland,OR, 2009; Galleri Image, Aarhus, Denmark, 2009; The PrintCenter, Philadelphia, PA, 2008; Paul Kopeikin Gallery, LA,2008Publications: Domesticated (Photolucida, 2008)Stein’s work explores our evolving isolation from community, culture,and the environment. In 2006, she was a winner of the Saatchi Gallery/GuardianPrize for her Domesticated series. The book Domesticatedwon the Best Book award at the 2008 New York Photo Festival.Gordon StettiniusYoda’s Garden, 2010Gelatin silver print, sepia toned, image: 16 x 20 inches;frame: 25 x 24 inches.Value: $ 1,000Donation of the artist76 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

S. Gayle StevensTwo photographs (offered separately)1) Dance, 2010Donations of the artistWet plate collodion tintype photogram, printed 2011, 17 x 12inches framed. Edition #2/9 of unique variations. Signed,titled, dated, and editioned on verso. From the series Calligraphy.Value: $ 2,0002) Walking, 2010Wet plate collodion tintype photogram, printed 2011, 5 x 5inches, 6 x 6 inches framed. Edition #3/9 of unique variations.Signed, titled, dated, and editioned on verso. Fromthe series Calligraphy.1 2Value: $ 500Publications: Both images featured in Fraction Magazine,Issue 23, February 2011Jamey StillingsDownstream View from Dam, April 28, 2009Archival pigment print, printed 2011, 30 1/2 x 44 inches.Edition #4/20. Signed on verso.Value: $ 1,750Donation of the artistExhibitions: The Bridge at Hoover Dam, Phoenix Art Museum,Phoenix, AZ, 2011; Blue Sky Gallery, Portland, OR, 2012Publications: The Bridge at Hoover Dam (Nazraeli Press,2011), forthcomingGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 77

Adam StoltmanTwo photographs (offered separately)Donations of the artist1) Early Morning Workout, 1983C-print, printed 2011, 16 x 20 inches. Signed and titled inink in margin.Value: $ 1,6002) John McEnroe, Wimbledon, 1980C-print, printed 2011, 14 x 11 inches. Signed, titled, anddated in black ink in margin.Value: $ 1,20012Elisabeth SundayAnimus #3, Omo Valley, Ethiopia, 2011 (below)Archival pigment print, 34 x 19.5 inches with a 1-inch decklededge. Edition #7/7. Signed in pencil on verso.Value: $ 3,000Donation of the artistExhibitions: 291 Gallery, San Francisco, CA, 2011; Tregoningand Co. Gallery, Cleveland, OH, 2011Sunday began photographing in Africa in 1986 using a large, concavemirror she crafted. Her images are mirror reflections and arenot digitally manipulated.78 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Steve SzaboPiano, Methodist Church, Upper Fairmont, Maryland,1971Platinum print, printed 1976, 10 x 8 inches. Edition #22/25.Signed, titled, dated, and editioned in pencil in margin.Value: $ 2,500Donation of Kathleen Ewing Gallery, Washington, DCSzabo moved to a 19th-century farmhouse on Maryland’s EasternShore, where he began documenting the fields, barns, abandonedcars, and buildings along the back roads in the countryside. Hisexplorations resulted in the book Eastern Shore and an exhibition of15 platinum photographs, which traveled to 15 museums and galleriesfrom 1976 to 1979.12Arthur TaussigTwo photographs (offered separately)Donations of the artist1. Alex’s Adventures in the Five Rivers or A Yearof Dreaming Dangerously/The River Cocytus—TheRiver of Lamentation #15, 2010Archival pigment print, printed 2011, 22 x 16 7/8 inches.Edition #5/10. Signed, dated, and editioned in black ink onverso.Value: $ 1,0002. Alex’s Adventures in the Five Rivers or A Year ofDreaming Dangerously/The River Phlegethon—TheRiver of Fire #53, 2010Archival pigment print, printed 2011, 22 x 17 inches. Edition#3/10. Signed, dated, and editioned in ink on verso.Value: $ 1,000This series is inspired by medieval illuminated manuscripts as wellas science, medicine, anatomy, cosmology, botany, biology, militaryhistory, costume, alchemy, mysticism, religion, engineering, andadvertising. The works explore Dante’s mention of the Five Riversof the Underworld and borrow imagery from the great 19th-centuryartist Doré, whose illustrations adorned the pages of Inferno.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 79

Andrea TeseUntitled, 2008C-print, printed 2009, 29 x 37 inches including frame. Fromthe series After.Value: $ 3,300Donation of the artistExhibitions: After, Heist Gallery, New York, 2009; groupshow, Center for Fine Art Photography, Ft. Collins, CO, 2011.A relentless stream of tragedies cause one to be in a constant stateof recovery. After is a series of photographs depicting the aftermathof these experiences. The images tell of the indignity of death andthe trauma of living and are scenes of loss, decay, and departeddesire.Phillip ToledanoGina, 2008Digital C-print, printed 2011, 40 x 30 inches. Edition #1/6.Included with a label signed, titled, dated, and editioned bythe artist. From the series A New Kind of Beauty.Value: $ 2,750Donation of Phillip Toledano and Klompching Gallery,New YorkExhibitions: A New Kind of Beauty, Klompching Gallery,2010Publications: A New Kind of Beauty (Dewi Lewis, UK, 2011),forthcomingCharles TraubDog, Chicago Beach ’77, 1977Vintage gelatin silver print, 13 3/4 x 10 1/4 inches. Signed,titled, dated on verso.Value: $ 3,000Donation of the artistExhibitions: Light Gallery, 1979Charles Traub’s evocative Chicago Beach photographs were thesubject of his first monograph.80 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Brian UlrichToys R Us, 2009Archival pigment print, printed 2010, 12 7/8 x 17 inches.Edition AP. Signed, titled, dated, and editioned in black inkon verso. From the Dark Stores series of the artist’s Copiaproject.Value: $ 900Donation of the artistCopia explores contemporary consumer culture and the roles weplay in self-destruction, over-consumption, and as targets of marketingand advertising.Various PhotographersFive Stars: A Limited Edition Collection of ClassicPortraits from Vanity FairModern gelatin silver prints, each measuring 20 x 16 incheshoused in a custom linen box measuring 21 1/2 x 17 inches.Published by Condé Nast. Edition #24/250. Vanity Fairblindstamp on lower right recto of margin of each image.Value: $ 850Donation of Vanity Fair and the Condé Nast ArchiveA collection of five classic portraits from the Vanity Fair archive.Includes works by photographers Cecil Beaton, Anton Bruehl, andEdward Steichen with portraits of Louis Armstrong, Louise Brooks,George Gershwin, Katharine Hepburn, and Leslie Howard.George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 81

Suzanne VlamisTwo photographs (offered separately)Donations of the artist1) Twin Towers Aerial #1, 1979Gelatin silver print, printed 2002, 7 1/4 x 10 inches. Edition#9/50. Signed, titled, dated, and editioned in ink in margin.Photographer’s label on verso.Value: $ 1,500This image was photographed during a nuclear power protest wherepeople were gathered on sandy landfill “beach” on what ultimatelybecame Battery Park City. The Biosphere sculpture is also visible onthe ground in the photograph.12) View from Liberty’s Crown, 1984Gelatin silver print, printed 2002, 6 3/4 x 10 inches. Edition#9/50. Signed, titled, dated, and editioned in ink on margin.Photographer’s label on verso of mount.2Value: $ 1,500A park ranger looks out through the graffittied glass of the crown ofThe Statue of Liberty as the spikes of the crown frame Lower Manhattanand New York Harbor. This was one of numerous photographsVlamis shot over a three-year period documenting the restoration ofthe Liberty monument.Lori VrbaWheatfield, 2009Gelatin silver print, selenium and tea toned, printed 2011,16 x 15 7/8 inches. Edition #1/20. Signed, titled, dated, andeditioned in pencil on verso.Value: $ 700Donation of the artistExhibitions: Safekeeping, Labourlove Gallery, Durham, NC,2010; Lishui Foto Festival, China, 200982 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Paul WainwrightDoor, Olde Meeting House (1755), Danville, NewHampshire, 2004Gelatin silver print, selenium toned, printed 2008, 17 x 131/4 inches. Edition #2/20. Signed, titled, dated, and editionedin pencil on recto of mount. From the series A Spacefor Faith: The Colonial Meetinghouses of New England.Value: $ 450Donation of the artistPublications: A Space for Faith: The Colonial Meetinghousesof New England (self-published, 2009)A Space for Faith documents the few surviving colonial meetinghouses where Puritan settlers once practiced their faith, illustratingthe buildings’ simple unadorned architecture and providing aglimpse into our nation’s colonial history.Hiroshi WatanabeTwo photographs (offered separately)1) Marina Ema & Kazusa Ito, Matsuo Kabuki,2003Gelatin silver print, toned, printed 2006, 14 x 14 inches. Edition#14/15. Signed, titled, and editioned in verso on pencil.Printing settings and times recorded in pencil on verso.Value: $ 4,000Donation of the artist2) Gaku Tada, Matsuo Kabuki, 2003Gelatin silver print, printed 2004, image: 10 x 10 inches;frame: 24 x 19 inches. Edition #10/30. Signed, titled, anddated in pencil on verso.1Value: $ 3,000Donation of Elaine Goldman2George Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 83

Laura Alice WattMount Hood, 2010Archival pigment print, printed 2011, 13 x 19 inches. Firstedition #1/12. Signed, titled, dated, and editioned in pencilon verso. Photographer’s stamp in red ink on verso.Value: $ 1,000Donation of the artistThe blue cast of this photograph, which was made in broad daylight,is the result of a reaction of Polaroid 669 film developed at an ambienttemperature of 32 degrees Fahrenheit.Alex Webb and Rebecca Norris WebbTwo photographs (offered separately)1) Alex WebbHavana, Cuba, 2008C-print, printed 2011, 14 x 11 inches. Signed on verso. FromViolet Isle: A Duet of Photographs from Cuba.Value: $ 1,000Donation of the artist2) Rebecca Norris WebbHavana, Cuba, 2008C-print, printed 2011, 11 x 14 inches. Signed on verso. FromViolet Isle: A Duet of Photographs from Cuba.Value: $ 500Donation of the artist12Exhibitions: Both images included in Violet Isle: A Duet ofPhotographs from Cuba, University of the Arts, Philadelphia,PA, 2009Publications: Both images included in Violet Isle: A Duet ofPhotographs from Cuba (Radius Books, 2009)Alex Webb and Rebecca Norris Webb have collaborated on theirViolet Isle project to present a multi-layered and insightful impressionof Cuba that is inspired by the country’s last 50 years of historyand culture. The term “violet isle” is a little-known name for Cuba,inspired by the rich color of its soil.84 | George Eastman House Benefit Online Auction 2011—Items Available for Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Eric WeeksBirth of the Cool, 2007C-print, 19 1/2 x 23 1/2 inches. Edition #3/7. Signed, titled, dated, and editionedin ink on verso. From the series World Was in the Face of the Beloved.Value: $ 1,400Donation of the artistExhibitions: World Was in the Face of the Beloved, EDS Galeria, Mexico City,2009; Hopkins Center, Dartmouth College, Hanover, NH, 2009; Wave Photogallery,Brescia, Italy, 2008; Pablo’s Birthday, New York, 2007Publications: World Was in the Face of the Beloved (monograph with essayby Jean Dykstra, Pablo’s Birthday, New York); Corduroy, “World Was in theFace of the Beloved” (portfolio), issue 2, New York, 2008In this series, the artist’s wife Stacy is staged as a protagonist who becomes one withthe depicted enviornment. The works incorporate aspects of portraiture, self-portraiture,and fictional narrative.William WegmanRed Chip Yellow, 1999Archival pigment print, printed 2011, 13 1/4 x 10 7/8 inches. Signed, titled,dated, and editioned on verso. Edition #18/30.Value: $ 1,000Donation of the artistWegman is renown for his anthropomorphic photographs of his dogs Man Ray, Fay Ray,Chip, and others.Edward WestonA Photographer’s Love of Life (Dayton Art Institute, Dayton,2004)A limited edition catalogue that includes an 8 x 10 gelatin silver print titledSpring, 1943 (printed by the photographer’s grandson, Kim Weston), stampedand signed on verso. The hardcover catalogue is encased in a wooden presentationbox. Edition #23/100.Value: $ 500Anonymous donationGeorge Eastman House Benefit Online Auction 2011—Items Available for BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 85

Jo WhaleyAsterope markii: verso, 2010Archival pigment print, 10 x 8 inches. Edition #2/10. Signed,titled, dated, and editioned in pencil on verso.Value: $ 600Donation of the artist and Lisa Sette Gallery, Scottsdale,AZFrank WhitePear, 2002Gelatin silver print, selenium toned, printed 2011, image: 20x 16 inches; frame: 25 x 21 inches. Edition #3/10. From theseries Cuttings.Value: $ 1,800Donation of Sharon and Del ZoggWhite’s Cuttings series explores the concept of manmade versusnatural, illustrating the impossibility of escaping the primal forcesthat are imposed upon us from the natural world.Ross WhitakerUntitled triptych, 2010Archival pigment prints, 14 x 11 inches (each). Edition AP.Signed, titled, dated, and editioned in pencil on verso.Value: $ 1,050 (set)Donation of the artist86 | George Eastman House Benefit Online Auction 2011 — Items Available For Bid Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Jeffrey WolinNgo Huy Phat, Vietnam People’s Army MajorColonel, 2008Archival pigment print, printed 2010, 17 x 21 7/8 inches.Edition #2/10. Signed, titled, dated, and editioned in pencilon verso. Included with a narrative text panel.Value: $ 2,800Donation of Catherine Edelman Gallery, Chicago, ILExhibitions: From All Sides: Portraits of American and VietnameseWar Veterans, University of Kentucky Art Museum,2008; Lyon Photo Biennale, France, 2010Publications: A New American Photographic Dream: UsToday After, Silvana Editoriale, Milan, 2010Wolin’s series From All Sides is the culmination of an ongoingproject documenting Vietnamese war veterans.Francis Mark WoodsBloom I: A Series of Five Photographs, 2009–2011Five gelatin silver prints on matte fiber paper in an archivallinen box, printed 2011, 14 x 11 inches (three vertical printsand two horizontal). Edition #1/3. Signed, titled, dated, andeditioned in pencil on margin.Value: $ 1,500 (set)Donation of the artistTo see these works, visit iGavelauctions.com after Sept. 26.Francesca YorkeBlack Dog, Panama, 1992Archival pigment print, printed 2011, 13 x 19 inches. Edition#2/25. Signed, dated, and editioned in pencil on recto ofmat. Signed, titled, dated, and editioned in pencil on versoof print.Value: $ 900Donation of the artistGeorge Eastman House Benefit Online Auction 2011 — Items Available For BidSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 87

Guide to the AuctionsLive AuCTIONOctober 3, 2011, 7 p.m.Metropolitan Pavilion123 West 18th St., New York, NYonline AuCTIONSeptember 26–October 7, 2011www.igavelauctions.comDetail, Victor Schrager. Composition as Explanation #52, 2004.Courtesy of the artist. See p. 8

Adams, p. 30 | While attending the Cleveland Institute of Art, Shelby Lee Adams wasintroduced to the work of the Farm Securities Administration photographers, which hada lasting impact on the photographs he would make throughout his career. Though henow lives in Massachusetts, he is forever linked to Appalachia. His works are featuredin more than 30 collections, including Musée de l’Elysée, Lausanne, Switzerland; Centerfor Creative Photography, Tucson, AZ; and International Center of Photography, NY.Aller, p. 2 | New York-based photographer Renate Aller received a formal educationin photography in the UK. Her work has been featured in numerous solo and groupexhibitions at venues such as the Goethe Institute, New York, and the Tate Galley ofModern Art, London, and can be found in the permanent collections of Eastman House;Kunsthalle, Hamburg; and Yale University Art Gallery, New Haven, CT.Avedon, Lead Lot Insert | See insertAuer, p. 30 | Jessica Auer lives and works in Montréal, Canada. She is a co-founderand co-director of Galerie Les Territoires in Montréal and teaches photography atConcordia University. Her photographs are collected by numerous institutions, includingMusée de Beaux Arts du Québec;Canada Council Art Bank, Ottawa, ON; and BibliothèqueNationale du Québec, Montréal.Ballen, p. 30 | Roger Ballen has lived and worked in Johannesburg, South Africa, for almost30 years. His work has been shown in and collected by such institutions as CentreGeorges Pompidou, Paris; Victoria and Albert Museum, London; Museum of Modern Art,New York; and Eastman House.Banasiak, p. 31 | John Banasiak has been teaching photography at the University ofSouth Dakota since 1980. Throughout his career, he has received several awards andgrants, including a USD Research Excellence Development Grant, 2010. His photographsare in the permanent collections of the Walker Art Center, Minneapolis, MN; the TweedMuseum of Art, Duluth, MN; and the Nelson-Atkins Museum of Art, Kansas City, MO.Bannon, p. 31 | Brendan Bannon has worked as a photojournalist for The New YorkTimes and the London Daily Telegraph, Doctors Without Borders, The High Commissionon Refugees, and CARE. His photographs have been published widely in magazinessuch as Time, Monocle Magazine, and The Economist and exhibited at UN headquartersin New York, Geneva, and Nairobi, as well as numerous other venues.Barber, p. 31 | In addition to creating his own work, Craig Barber has taught workshopsand lectured on photography internationally. His photographs are collected bynumerous institutions, including the Bibliothèque Nationale, Paris; Eastman House; andMuseo Nacional de Bellas Artes, Buenos Aires, Argentina.Barnwell, p. 32 | Timothy Barnwell’s career as a professional photographer and a photographyinstructor has spanned more than 30 years. Dozens of group and solo showsin the United States and abroad have featured his works, which are in the permanentcollections of the New Orleans Museum of Art, LA; the High Museum in Atlanta, GA;and the Newark Museum, NJ.Bartley, p. 32 | Mary Ellen Bartley lives in Wainscott, NY. Her work has been exhibitednationally, and she has been recognized in notable competitions such as Photolucida’sCritical Mass and Jen Bekman Gallery’s Hey Hot Shot.Berger, p. 32 | Paul Berger received his MFA from the Visual Studies Workshop in 1973.He is best known for the use of a computer for producing images in the 1980s beforethe arrival of the “digital divide.” His work is collected by institutions including theNational Gallery of Australia, Canberra; Center for Creative Photography, Tucson, AZ;Eastman House; and the Seattle Art Museum, WA.Blackmon, p. 9 | As an artist and as a mother, Julie Blackmon believes life’s mostpoignant moments come from the ability to fuse fantasy and reality: to see the mythicamidst the chaos. Her work can be found in the collections of the Cleveland Museumof Art, OH; Eastman House; Midwest Photographers’ Project, Museum of ContemporaryPhotography, Chicago, IL; and The Museum of Fine Arts, Houston, TX.Bogdanovska, p. 33 | Jasna Bogdanovska is an artist, educator, and commercial photographer.Her personal work explores issues of femininity, home, religion, nostalgia,and belonging using a combination of photography and video. Her photographs havebeen exhibited in solo and group exhibitions in Macedonia, Croatia, Bosnia, and Rochester,NY. She teaches photography at Monroe Community College in Rochester, NY.Bonair, p. 33 | In 1969, Anthony Bonair (1945–2011) migrated from the West Indiesto the United States. Shortly after his arrival, he worked for Wometco PhotographicServices in Manhattan and studied photography with Roy DeCarava. His vibrant photographsof dancers have been published in numerous trade journals and other publications,and are held in many public and private collections.Bordnick, p. 33 | Barbara Bordnick is an renowned portrait and fashion photographer.She began her career in Copenhagen and Paris before opening a studio in New York,where her work for Harper’s Bazaar drew acclaim. Bordnick’s work has been collectedby numerous institutions including Eastman House and the Gilman Paper Company collectionat The Metropolitan Museum of Art, New York.Bourdeau, p. 34 | Canadian photographer Robert Bordeau took up photography in thelate 1950s after meeting Minor White in Rochester, NY, and has lived and worked inOttawa for 45 years. His work has been collected by numerous institutions, includingthe Los Angeles County Museum of Art, CA, and the Library and Archives of Canada. In2010 Bourdeau was appointed a Member of the Order of Canada for his contributionsto the field of visual arts as an artist-photographer.Bridges, Jeff, p. 34 | In addition to his work as an Academy Award ® -winning actor,Jeff Bridges has been a photographer since high school. He has been bringing camerasonto movie sets since the 1980s. These “behind the scenes” photographs provide anintimate view into the production and the camaraderie of movie making, as well as theunique perspective of the actor’s relationships on set.Bridges, John, p. 35 | John Bridges specializes in gelatin silver printing. In additionto teaching, he also serves as department chair at the Arkansas Arts Center MuseumSchool. Publications featuring his work include Fuzion, Shots, and F Stop Magazine. Hiswork can be found in the collections of the Clinton Presidential Library, Little Rock, ARand the Historic Arkansas Museum, Little Rock, AR.Bullock, p. 18 | Wynn Bullock (1902–1975) devoted himself to developing his ownvision, establishing deep, direct connections with nature. In 1975, Bullock, Adams, Callahan,Siskind, and Sommer were the five founding artists whose archives establishedthe University of Arizona’s Center for Creative Photography in Tucson. A master photographer,his photographs may be found in the permanent collections of more than 90institutions and have been shown in well over 150 major exhibitions, four of which tookplace at Eastman House.Budnick, p. 35 | As a Magnum photographer for more than 25 years, Dan Budnick isnoted for his intimate portrayals of influential artists, members of the civil rights movement,and Native American llfe. Some of his most notable subjects include Dr. MartinLuther King Jr., Willem de Kooning, and Georgia O’Keeffe.Guide to the Auctions— Index of ArtistsGeorge Eastman House 2011 Benefit Auction | 89

Burnham, p. 35 | David Wilson Burnham is interested in social interactions, places ofmeeting, individuality, and compartmentalization. He considers the photographs hemakes to be explorations of places where he uses his camera to give a visionary viewpointto the expressions of people.Burtynsky, p. 15 | See p. 15.Carden, p. 36 | Matthew Carden is a fine art and commercial photographer in SanFrancisco who has been recognized for his playful approach to food photography. Thefirst to open the first full service digital studio in the area, he has a long list of clientsand has won many awards for his work.Carns, p. 36 | Ray Carns lives and works in Phoenix, AZ. Since 1992, his work has beenshown throughout the United States in group and solo exhibitions. He achieves thecrackled aesthetic of his images through an experimental darkroom film processingtechnique called reticulation, a method he has been using for more than 20 years.Cartagena, p. 36 | Alejandro Cartagena lives and works in Monterrey, Mexico. His projectsare primarily documentary, and they employ landscape and portraiture as a meansto examine social, urban, and environmental issues in Latin America. His work has beenexhibited and published and is in several public and private collections, including theMuseum of Contemporary Photography, Chicago; and the Joaquim Paiva Collection, SaoPaolo, Brazil.Cava, p. 37 | Paul Cava has been exhibiting his work since 1976 in museums and galleriesin the United States and Europe. His photographs are also collected by institutionsincluding The Museum of Fine Arts, Houston, TX; Bibliothèque Nationale de France,Paris; and the Princeton Museum of Art, NJ. In addition to his impact as a fine artist,Cava owned and operated the Paul Cava Gallery in Philadelphia, PA, from 1979 to 1999.Chaize, p. 37 | Over the past decade, Christian Chaize has photographed exclusivelyalong a very small stretch of secluded beachfront on Portugal’s southern coast calledPraia Piquinia. He composed the images vertically from the same elevated angle, adeparture from the horizontal format traditionally used in landscape photography.In 1992, he was awarded the Prix European Panorama de Kodak for Young EuropeanPhotographer in Arles, France.Chambers, p. 37 | Tom Chambers’s work has been featured in solo exhibitions in Spain,Colombia, and across the United States and in print and online publications. He has receivedrecognition through Fotoweek DC; Critical Mass Top 50; and Texas PhotographicSociety National Competition. Chambers has received fellowships from the VirginiaMuseum of Fine Arts, Richmond, and the Virginia Commission for the Arts.Chamlee, p. 38 | For 26 years, Paula Chamlee has been traveling extensively, makinglarge-format photographs of the natural landscape and teaching photographic workshopsin the United States and abroad. She has been the recipient of several grants,and her work is widely exhibited in museums and galleries. Her work can be found inmore than 30 collections, including Los Angeles County Museum of Art, CA; PhiladelphiaMuseum of Art, PA; and the Library of Congress, Washington, DC.Charbonneau, p. 47 | See FrenchChiarenza, p. 6 | See p. 6Churchill, p. 38 | Christopher Churchill is a Boston-based photographer whose commercialclients include Esquire, GQ, Inc., Money, The New York Times Magazine, Newsweek,National Geographic Adventurer, Oprah, and Reebok. His work is held in publiccollections including the Addison Gallery of American Art, Andover, MA; CorcoranGallery of Art, Washington, DC; and the J. Paul Getty Museum, Los Angeles, CA.Clergue, p. 22 | See p. 22Coburn, p. 39 | Alvin Langdon Coburn began photographing at the age of 8 andwas exhibited in Boston at the age of 15. At 22, he became the youngest member ofthe Photo-Seccession. In 1912 he moved to England, after which his work becameincreasingly straight, and increasingly abstract. Coburn’s archive of more than 1,000photographs and 17,000 negatives is held at Eastman House.Cohen, p. 28 | See p. 28Coupon, p. 9, 40 | See p. 9Cousineau, p. 41 | Eric Cousineau is a fine art and commercial photographer based inSanta Fe, NM. He was the recipient of the Kindle Project Grant in 2009 and his workhas been exhibited nationally.Crane, p. 7 | Barbara Crane joined the faculty at the School of the Art Institute of Chicagoin 1967. More than 85 solo exhibitions and 7 retrospective exhibitions of her workhave been mounted to date, and her photographs are included in numerous collectionsincluding Eastman House; Art Institute of Chicago, IL; Polaroid International Collectionat the WestLicht museum, Vienna, Austria; and Thessaloniki Museum of Photography,Greece.Crosby, p. 41 | The focus of Laura Crosby’s work for more than two decades has beenilluminating the lives of marginalized people afflicted by illness or cultural status. Herwork has been exhibited at museums such as the Walker Art Center, Minneapolis, MN;the Weisman Museum, Minneapolis, MN; and the Minneapolis Art Institute.Davis, p. 41 | Using an 8 x 10 view camera, Scott B. Davis makes his images primarilyat night, often in unremarkable wilderness corridors where he can broaden unexploredvestiges of landscape. He believes no single truth exists about landscape, and that themost honest photographs equally consider light, dark, human, and natural elements. His2008 solo exhibition Land of Sunshine was shown at Hous Projects gallery in New York,and his work has been widely collected.Defibaugh, p. 42 | Denis Defibaugh travels the globe photographing and exploringworld cultures. He has worked on projects in Cuba, Croatia, Mexico, and Zion NationalPark. On the merit of his documentary and travel photographs, he earned a Fulbright-Hays Travel/Study grant to Mexico, where he has made frequent visits. Defibaugh is atenured professor at Rochester Institute of Technology, where he has taught since 1987.DeHart, p. 42 | Dennis DeHart teaches photography at Washington State University. Hisphotographs have been exhibited at more than 75 venues and have been published inbooks such as Photography (8th, 9th, and 10th editions), Lens and Light, and PhotographicPossibilities, and in periodicals such as Leonardo (MIT). DeHart’s work is heldin private and public collections including the Getty Archives in Los Angeles, CA.Dezso, p. 42 | Tamas Dezso is a documentary fine art photographer focusing on themargins of society in Hungary, Romania, and other parts of Eastern Europe. His photographs,included in numerous solo and group exhibitions, have been published in TheNew York Times, National Geographic, Time, GEO, Le Monde Magazine, Ojo de Pez,Polka Magazine, and many others.Dickerson, p. 43 | Nell Dickerson lives and works in Memphis, TN. Her photographshave been included in numerous juried and gallery shows around the country, and shecontinues to collaborate with several agencies to preserve, protect, and rebuild the richculture of the South.Dobrowner, p. 43 | Mitch Dobrowner’s photographs have been published extensively inindustry journals such as Lenswork, B&W Magazine, and PhotoArt, and have also beenexhibited in numerous museum and gallery venues. The Santa Barbara Museum of Art,CA, and the Photography Museum of China, Lishui, collect his photographs.90 | Guide to the Auctions— Index of Artists

Dow, p. 43 | Beth Dow is a Minneapolis-based photographer who uses historical referencesand traditional processes to address contemporary issues of land use and time.Her work has been widely exhibited and she was awarded fellowships from the McKnightFoundation and the Minnesota State Arts Board. Her photographs can be found inMinneapolis Institute of Arts, MN; and Portland Art Museum, OR.Doyle, p. 5 | British-born photographer Marcus Doyle’s work reflects his interest inboundaries people create within a society. His work has been the subject of severalsolo exhibitions, including Isolation London and Dumped London, and has also beenfeatured at the Paris Photo, Photo San Francisco, Photo New York, and Photo Londonphoto fairs.Dubas, p. 44 | Elena Dubas lives and works in Brooklyn, NY. She works primarily withphotography, and her work has been included in exhibitions at Chashama Times SquareGallery, New York; Rochester Contemporary Art Center, NY; The Kuhn Fine Arts Gallery,Marion, OH; and Margaret Colacino Gallery, Rochester, NY.Dunn, p. 44 | Cheryl Dunn is a filmmaker and photographer based in New York whosework focuses on alternative members of society. Her work has been published in Spin,Vogue, and Elle. In 2000, she collaborated in a traveling museum show that became abook and a documentary film titled Beautiful Losers, and recently produced the filmEverybody Street about photographers who have used New York streets as a majorsubject in their work.D’Ursel, p. 22 | See p. 22Dvir, p. 45 | Natan Dvir is a New York-based Israeli photographer who focuses on thehuman aspects of political, social, and cultural issues. His work has been published byThe New York Times Magazine and Newsweek among others. His work has also beenexhibited in many solo and group exhibitions including The Museum of Fine Arts, Houston,TX, and the Tel Aviv Museum of Art, Israel.Eastman Kodak Co., p. 20 | With the slogan “You press the button, we do the rest,”George Eastman put the first simple camera into the hands of world consumers in 1888.Since that time, Eastman Kodak Co. has grown into a premier multinational corporation,leading the way with an abundance of new products and processes to make photographysimpler, more useful, and more enjoyable.Eberhard, p. 3 | See p. 3Eckert, p. 45 | Amy Eckert is a Minneapolis-based photographer. She was the recipientof the 2010–2011 McKnight Photography Fellowship, and her work has been featured inTime, Dwell, Blu Dot, and The New York Times Magazine.Eirich, p. 45 | Juliane Eirich lives and works in Berlin and New York. Her work hasbeen exhibited in the United States, Canada, Syria, Italy, Switzerland, and Germany, andhas been featured in publications such as The New York Times Magazine, Stern, andEuropean Photography.Eugene, p. 46 | Frank Eugene (1865–1936) is one of the most significant figures of thePictorialist movement. His revolutionary work incorporated a synthesis of painting,etching, and photography and was often the subject of heated debates over whether ornot a photograph should be manipulated in order to achieve an artistic effect.Evans, Frederick H., p. 26 | Frederick H. Evans (1853–1943) was a photographic puristwhose most significant contribution to the history of photography and greatest artisticachievement were his photographs of medieval chapels. His unmanipulated, magnificentimages were contact printed in platinum, a medium chosen for its exquisite tonalqualities. He was the first British photographer asked by Steiglitz to contribute toCamera Work.Evans, Walker, p. 25 | One of the greatest photographers of the American social landscape,Walker Evans (1903–1975) is best known for his contribution to the Farm SecuritiesAdministration. His simple yet potent photographs symbolized the experience of afarmer’s life during the Great Depression, and will shape our memory of this Americanexperience for years to come.Fausty, p. 46 | Edward Fausty is a photographer and printmaker specializing in collotypeand digital printing on fine papers. His work is represented in such collections asThe Canadian Center for Architecture, Montréal, and Eastman House. He recently finishedan artist’s teaching residency at Princeton University’s Lewis Center for the Arts.Foster, p. 47 | Ahron Foster specializes in performance photography and has photographedsuch artists as Levon Helm, Seal, and John Mayer. His work has appeared inRolling Stone, New York Magazine, The New York Times, and The Washington Post.Frank, p. 47 | California-based photographer and filmmaker Jona Frank focuses herwork on exploring how people learn to navigate their environment in search of identity.Her work has been exhibited widely throughout the United Sates and is the subject oftwo published monographs.French, p. 47 | Jeff Charbonneau and Eliza French began their collaboration in 2004 aftermeeting at a community darkroom in Los Angeles. Their performance-based imagesare created through a partnership from conception to finish and have been exhibited ingroup shows and art fairs since 2006.Galembo, p. 14 | See p. 14Garber, p. 48 | With a diverse background, including theater scene and costume design,painting, computer animation, and video documentary, Helen K. Garber has earned areputation for her urban nighttime photographs. Her work is held in numerous publicand private collections.Garrod, p. 48 | Richard Garrod is a photographer and educator who studied withinfluential 20th-century photographers such as Minor White and Brett Weston. His workhas appeared in numerous publications and has been exhibited throughout the UnitedStates. Numerous collections include his work, such as Eastman House and the NationalMuseum of Modern Art in Kyoto, Japan.Gibson, p. 7 | See p. 7Golemboski, p. 48 | Carol Golemboski has been the recipient of numerous grants,including fellowships from the New York Foundation for the Arts, the Virginia Commissionfor the Arts, and Light Work. Her work has been widely exhibited, and she is anassociate professor of photography at the University of Colorado at Denver.Grinker, p. 49 | Lori Grinker is an acclaimed documentary photographer in the humanistictradition. Her work has been featured in publications including The New YorkTimes and Vogue and is held in major collections including the Akron Art Museum, OHand Centre National de l’audiovisuel, Dudelange, Luxembourg. She has been the recipientof the W. Eugene Smith Memorial Fund Fellowship, a Hasselblad Foundation grant,and numerous other awards.Grossman, p. 49 | Debbie Grossman is interested in playing with time, re-imagining history,and reviving archival images and documents. She won the Paula Rhodes MemorialPrize, and is also a senior editor at Popular Photography magazine, where she is theresident expert on image editing software and technique.Gundlach, p. 12 | See p. 12Halpern, p. 49 | Gregory Halpern recently published a book of photographs titledA with J&L Books. His other books include Harvard Works Because We Do (Norton,2003) and Omaha Sketchbook (J&L, 2009). He is recipient of the Aaron Siskind awardand lives in Rochester, NY, where he teaches at the Rochester Institute of Technology.George Eastman House 2011 Benefit Auction | 91

Hampton, p. 50 | Carolyn Hampton is a California-based portrait and fine art photographer.Her work has been the subject of numerous solo and group exhibitions and isfeatured in private collections across the United States.Heinecken, p. 11 | Robert Heinecken (1931–2006) was an experimental photographerin America who worked with non traditional modes of image making, such asappropriation, deconstruction, and unorthodox exhibition and distribution practices inorder to displace constructed ideals incurred by mass media consumption. Since 1964,Heinecken has had more than sixty one-person shows. His works are collected by morethan 60 museums with substantial holdings located at the Center for Creative Photography,Tucson, AZ, and Eastman House.Helnwein, p. 50 | Gottfried Helnwein is an Austrian artist known for working in avariety of medium best known for large-scale, unnerving, photo-realist images of children,and haunting visual art dealing with innocence, sexuality, and victimization. Hiswork has been exhibited throughout Europe and the United States and is collected byMuseum Ludwig, Cologne; Los Angeles County Museum of Art, CA; and San FranciscoMuseum of Modern Art, CA.Hernandez, p. 50 | Anthony Hernandez works with large-format cameras, which requirea slow and deliberate style of shooting. His work is held in numerous permanent collections,including Bibliotèque Nationale, Paris, France; Center for Creative Photography,Tucson, AZ; Corcoran Gallery of Art, Washington, DC; and Eastman House.Hido, p. 51 | Todd Hido finds his photographic subjects while wandering both rural andurban landscapes using available light and long exposures. In addition to several monographsof his own works, his photographs have been published in ArtForum, The NewYork Times, and Vanity Fair and are collected by more than 35 institutions, includingthe San Francisco Museum of Modern Art, CA, and Eastman House.Holden, p. 51 | Lisa Holden is a British-born artist who combines digital imagerywith hand-painted layers to create “parallel realities,” referring to the exploration ofdisplacement, adoption, and the reinvention of identity as a necessity for survival. Inaddition to being featured in publications such as Camera Work and Fotografi, her workis also represented in numerous private and public collections, including the PeabodyEssex Museum, Salem, MA.Huckaby, p. 51 | Letitia Huckaby turned the camera on herself and family after theloss of her father, and now creates a visual legacy of her family and African-Americanheritage by constructing patchwork quilts from family heirloom materials and photographsof her loved ones. Entrenched in tradition, and visually reminiscent of jazzcompositions, these works allow her to speak about her relations and issues unique toher community.Hughes, p. 5 | Nicholas Hughes became interested in environmentalism at an earlyage. His work has gained increasing attention as an exhibitor at “Earth,” the HoustonBiennial Fotofest in 2006 as well as in “Landscape,” the 5th International Photo Festivalin Seoul, South Korea (2005). His work has been featured in numerous publications,including Next Level, Hotshoe International, The Photographer, and the British Journalof Photography, and is held in a variety of photographic collections worldwide.Isaac, p. 52 | John Isaac worked as a photographer for the United Nations and UNICEF,which brought him to more than 100 countries where he used his camera to raiseawareness of the many struggles and triumphs that occur in our ever-changing world.In his 33-year career, he has been awarded first prize at Photokina, Cologne, Germany,and earned a lifetime achievement award from the International Photographic Council.Itkoff, p. 53 | Michael Itkoff is a photographer, writer, educator, and the foundingeditor of Daylight Magazine. His photographs have appeared on the cover of Orion,Katalog, Next American City, and Philadelphia Weekly, and he has written for Art AsiaPacific, Nueva Luz, Conscientious, and Forward. Itkoff was the recipient of the HowardChapwick Grant for the Advancement of Photojournalism in 2006, a Creative Arts Fellowshipfrom the Pennsylvania Arts Council in 2007, and a Puffin Foundation grant in2008.Janecek, p. 53 | San Francisco-based photographer Rebecca Janecek makes gelatinsilver photographs reminiscent of a century ago. Her work draws inspiration from boththe explorative spirit of the pioneer photographer and the pictorial style popular at thattime. For 10 years she studied with Steve Kisher, a traditional darkroom photographerwho was a student and assistant of Ansel Adams.Johnston, p. 53 | Born in England or Ireland in the late 1830s, the photographer JohnS. Johnston is known to have been active in New York in the late 1880s and 1890sbefore his death in 1899. He is known for his cityscapes of New York and photographsof yachts.Johnstone, p. 54 | Charles Johnstone’s work is heavily influenced by the social landscapephotographers of the 1960s and ’70s. Exhibitions featuring his photographs havebeen held at galleries in the United States and Europe, and he has produced severalmonographs, including Havana (2006) and Thirty-Four Basketball Courts (2010).Jones, p. 54 | Anthony Jones is a London-based fine art photographer specializing inblack-and-white gelatin silver prints of the urban environment. Many of his blackand-whitephotographs were taken in London and convey a sense of mystery aboutthe figures in their environment. His work has been published in the British Journal ofPhotography, Victoria and Albert Museum Magazine, Barbican Magazine, ProfessionalPhotographer, Black and White Enthusiast (Australia), and Luxury (Korea), amongothers.Kantor, p. 55 | Loli Kantor is a fine art and documentary photographer based in FortWorth, TX. Her photographs have been exhibited widely and are included in the collectionsof the Lviv National Museum, Ukraine; the Drohobych Museum, Ukraine; LishuiPhotography Museum in China; the Center for Fine Art Photography, Fort Collins, CO;the City Center Library in Fort Worth, TX.Käsebier, p. 23 | After raising her three children, Gertrude Käsebier (1852–1932) openeda painting and photography studio in Brooklyn, NY. She was a founding member of thePhoto-Secession in 1902, and her work was featured in the first issue of Camera Work.Käsebier continued to photograph until she closed her studio in 1929. Her photographsare included in more than 100 collections, with major holdings located at the InternationalCenter of Photography, New York, and the University of Delaware, Newark.Kashi, p. 55 | Ed Kashi is a photojournalist, filmmaker, and educator dedicated todocumenting the social and political issues that define our times. As a member of theVII Photo Agency, Kashi has been recognized for his complex imagery and its compellingrendering of the human condition. His images have been published and exhibitedworldwide, and his editorial assignments and personal projects have generated sixbooks.Kellner, p. 11 | German photographer Thomas Kellner studied art, sociology, politics,and economics at the University of Seigen, and has lived and worked there as anexperimental and conceptual visual artist. His photographs are collected by the ArtInstitute of Chicago, IL; The Museum of Fine Arts, Houston, TX; and Eastman House,among many other private collections and museums in the Unted States and Europe.Kenna, p. 55 | Since moving to San Francisco in 1977, Michael Kenna has traveled theworld extensively and built a reputation for his graceful black-and-white landscapephotographs. His work has been published and exhibited, as well as collected by numerousmuseums, including The Museum of Decorative Arts, Prague; The National Galleryof Art, Washington, DC; and Eastman House.92 | Guide to the Auctions— Index of Artists

Kereszi, p. 56 | After graduating from college, Lisa Kereszi moved to New York andworked as an assistant to Nan Goldin. In 2003, she was granted a commission to photographGovernor’s Island by the Public Art Fund, which resulted in several exhibitionsand a book. Her work is featured in the collections of the Whitney Museum of AmericanArt, New York; the New Museum, New York; and the Brooklyn Museum, New York.Kertész, p. 24 | See p. 24King, p. 56 | Frazier King lives and works in Houston, Texas. He uses a large-formatcamera to capture the essence and individuality of orchids. Using Polaroid 55 material,King solarizes his negatives before creating gelatin silver prints.Kington, p. 56 | Ani Kington received her BFA from Tisch School of the Arts at NewYork University in 2009. Her work is included in the exhibition regeneration2: Tomorrow’sPhotographers Today, originating at the Museé de l’Elyseé in Lausanne, Switzerland,and travelling to Italy and New York.Kirkland, p. 13 | Douglas Kirkland began his photographic career at Look and Lifemagazines in the 1960s and ’70s, during the “golden age” of photojournalism. Amonghis high-profile assignments were essays on Greece, Lebanon, and Japan, as well asiconic images of Marilyn Monroe, Elizabeth Taylor, and Coco Channel. His works arecollected by the Library of Congress, Washington, DC; Southeast Museum of Photography,Daytona Beach, FL; and Eastman House.Klett, p. 57 | Mark Klett and Byron Wolfe began their collaboration in 2007 andcontinue their exploration of the geography of the Grand Canyon as seen through theeyes of historic photographers. Klett, with a background in geology, has won accoladesfor his photographic work, which he has been exhibiting for more than 30 years.Wolfe’s photographs connect his interests in time, change, and place. His work is widelyexhibited and collected.Kluetmeier, p. 57 | At 15, Hans Kluetmeier was already shooting photographs for TheAssociated Press. In 1969, he became a staff member at Time, Inc., photographing forTime, Sports Illustrated, and Life magazines. Since then he has shot more than 100covers for Sports Illustrated. His ability to engage the viewer in the passion of the momentsets his work apart from that of other sports photographers.Knipe, p. 58 | James Knipe taught photography at Viterbo College, LaCrosse, WI, andlater at Radford University in Roanoke, VA. His work is held at the Minneapolis Instituteof Arts, MN, and the Virginia Museum of Fine Arts, Richmond, VA.Krzyzanowki, p. 17 | Michel Szulc Krzyzanowski received his training at the AkademieSt. Joost in Breda, Netherlands, and the Koninklijke voor Kunst en Vormgevingin’s-Hertogenbosch. Since 1972, he has had numerous solo exhibitions in the Netherlands,France, the United States, Switzerland, and the UK. His photographs are collected innumerous institutions, including the Stedelijk Museum, Amsterdam, and the CentrePompidou, Paris.Kurita, p. 58 | Amidst a career in commercial photography, Koichiro Kurita retreatedto the mountains and made images he felt would describe his profound respect for thenatural world. His photographs can be found in numerous collections, including EastmanHouse and Tokyo Fuji Art Museum.Kunin, p. 21 | Claudia Kunin began her career as a photographer for Rolling Stonein 1974. After 30 years of image making, the appearance of “ghosts” inspired her toexplore three-dimensional technology in image making, thus providing a view into the“other world.” Her photographs are collected by the J. Paul Getty Museum, Los Angeles,and the Museum of Photographic Arts, San Diego, CA.Land-Weber, p. 58 | Ellen Land-Weber is a photographer and emeritus professor ofart at Humboldt State University in Arcata, CA. She has taught photography and digitalimaging for almost 30 years. Since 1968, her work has been featured in numerous exhibitionsand is held in the permanent collections of many notable museums.Larson and Shindelman, p. 74 | Nate Larson (Baltimore, MD) and Marni Shindelman(Rochester, NY) are independent artists and educators who are united by conceptualcollaborative projects. They regularly give lectures about their work, most recently atthe Society for Photographic Education National Conference, Rochester Institute ofTechnology, and University of Texas.Lav, p. 59 | Brian Lav is a photographer and educator who published the textbook ZoneSystem: Step-by-Step Guide for Photographers (2002). In 2001, he received the prestigiousTeaching Excellence Award from Parsons, where he has been teaching since 1978.To date, his work has been featured in more than 40 solo and group exhibitions and iscollected by numerous institutions, including the International Center for Photography,New York, and Newark Museum, NJ.Laviada, pp. 59, 99 | Alejandra Laviada’s photographs document the site-specific constructionsshe builds in abandoned spaces around Mexico City. She is the recipient ofnumerous awards, and was named by Wallpaper as one of American Photo’s EmergingPhotographers of the Year. Her work has been featured in such publications as The NewYork Times Magazine and American Photo.Leifer, p. 59 | Neil Leifer began his photographic career while still a teenager. In 1960he began freelancing, and his photographs regularly appeared in magazines includingthe Saturday Evening Post, Life, Time, and Sports Illustrated. He has traveled all overthe world on assignments, documenting 15 Olympic Games, four Soccer World Cups, 15Kentucky Derbies, countless World Series games, the first 10 Super Bowls, and everymajor heavyweight title fight since 1960.Leshko, p. 60 | Isa Leshko is a photographer living in Philadelphia, PA, whose imageshave been published in The Guardian, The Boston Globe, The Washington Post, SüddeutscheZeitung Magazin (SZ-Magazin), NPR.org, and Zoom magazine. Her photographsare collected by the Museum of Fine Arts, Houston, TX; Boston Public Library, MA; andHaverford College, PA.Longo, p. 2 | See p. 2Lorin, p. 60 | Gilles Lorin is a contemporary photographer who lives and works inOrlando, FL. After working in London as a specialist in Asian art for a major auctionhouse, he decided to combine his interests in photography and art history. He has sincedeveloped a business doing artwork reproduction and continues his own work.Lynch, p. 27 | See p. 27Mapplethorpe, Lead Lot Insert | See insertManchee, p. 60 | Doug Manchee is a professor and chair of the Department of AdvertisingPhotography at Rochester Institute of Technology. His fine art photographs haveappeared in exhibitions at the University of Rochester (2006) and Ping Yao InternationalPhotography Festival, Ping Yao, China (2007), and can be found in numerous public andprivate collections, including Light Work, Syracuse, NY, and Eastman House.Manheim, p. 61 | Michael Philip Manheim’s work focuses on themes of change andtransformation and has been exhibited throughout the United States and in Germany,Greece, and Italy. Magazines such as Zoom and Black and White ave published hiswork. His photographs are held in public and private collections, and he has beenartist-in-residence at Bates College in Lewiston, ME, and at Phillips Exeter Academy inExeter, NH.Marchand, p. 61 | Amanda Marchand is photographer and writer living and workingin Brooklyn, NY. She has exhibited in numerous solo and group exhibitions. Collectionsfeaturing her work include the San Jose Museum of Art, CA, as well as other privateand corporate collections. She is the author of the book, without cease the earthfaintly trembles (DC Books), which was selected as a “Critic’s Pick” by NOW Magazine.George Eastman House 2011 Benefit Auction | 93

21 st Editions and Yamamoto Masao, p. 61 | 21 st Editions produces and publishes finehandmade monographs on the work of various photographers, illustrated with originalsigned photographs, and incorporates new writing by the artists themselves, historians,critics, poets, novelists, and philosophers. 21 st Editions’ titles have been acquired bymore than 50 museums and special collections libraries. This volume is a stunningformat in which to view the visually poetic work of Japanese artist Yamamoto Masao.McCaw, p. 10 | Chris McCaw was the recipient of an Alternative Exposure grant fromthe Andy Warhol Foundation/Southern Exposure in 2007 and a New Works grant bythe Andy Warhol Foundation/SF Camerawork in 2008. Institutions collecting his workinclude the Metropolitan Museum of Art, New York, and Eastman House. McCaw iscontinuing to advance this method and knowledge of optics and photographic papers,which has rejuvenated his faith in analog photography.McCurry, pp. 4, 62 | See p. 4Menuez, p. 62 | Award-winning documentary photographer Doug Menuez has shot forThe Washington Post, Time, Newsweek, Life, People, USA Today, Fortune, and numerouspublications. Stanford University Library has recently acquired Menuez’s archiveand created The Douglas Menuez Collection at Stanford University Library.Merola, p. 63 | Kristen Merola is a book artist, photographer, educator, and co-founderof Preacher’s Biscuit Books—a small press artist book publisher in Rochester, NY. Whenshe is not making art, she helps run the Visual Studies Workshop.Merrill, p. 63 | Larry Merrill has had work exhibited at the Memorial Art Gallery,Rochester, NY; Yale University, New Haven, CT; and The World Bank, Washington, DC.Several major institutions collect his work, including Eastman House; Israel Museum,Jerusalem, Israel, and the Museum of the City of New York.Metnick, p. 63 | Alan Metnick is an artist working primarily in documentary photography.He has been teaching since the early 1970s and has widely published and exhibitedhis work, which is held in many notable collections including Los Angeles CountyMuseum of Art, CA, and Center for Creative Photography, Tucson, AZ.Miller, p. 14 | Garry Fabian Miller works in the darkroom without a camera. The resultingimages are luminous abstractions that pay homage to the earliest days of photography.His work is included in the collections of Bibliothèque Nationale, Paris, France; TheGilman Paper Company Collection, Metropolitan Museum of Art, New York; The Museumof Fine Arts Houston, TX; and the Victoria and Albert Museum, London.Milstein, p. 64 | Formerly an architect, Jeffrey Milstein lives and works in Kingston, NY.His photographs are held in the collections of numerous institutions including Akron ArtMuseum, Akron, OH; Musée de l’Elysée, Lausanne, Switzerland; and Eastman House.Minkkinen, pp. v, 28 | Arno Rafael Minkkinen is a Finnish American photographernoted for his unmanipulated nude self-portraits in the landscape. He received his MFAfrom the Rhode Island School of Design, studying with Harry Callahan and Aaron Siskind.He is a professor of art at the University of Massachusetts, Lowell, and a docentand visiting professor at the University of Art and Design, Helsinki, and École d’ArtAppliqués in Vevey, Switzerland.Morgan, p. 19 | See p. 19Muray, p. 4 | Hungarian-born American photographer Nickolas Muray (1892–1965 ) iswidely known for producing images with the lush, saturated colors. He photographedmany famous figures in the 20th century’s artistic, literary, political, and social arenas,making more than 10,000 portraits at the height of his career. Eastman House holdsmore than 8,000 Muray negatives and prints in its collections.Muybridge, p. 64 | Eadweard Muybridge (1830–1904) first gained notoriety for hislandscape photographs of the American West and is renowned for the system of photographingsequences of progressive movements within a fraction of a second. He is amajor figure in the history of photography, and his work is included in the collections ofinnumerable photographic collections worldwide.Myren, p. 65 | Boston-based photographer and educator Bruce Myren is the currentnortheast regional chair of the Society for Photographic Education. His works havebeen included in group exhibitions at the Houston Center of Photography, TX, and theWilliam Benton Museum of Art, Storrs, CT, among others. In addition to numerous privatecollections, his work can be found in University of Connecticut, School of GraduateStudies and in the ISM Corporate Collection, Boston, MA.Nelken, p. 65 | Dan Nelken’s work has been featured in solo and group exhibitions, aswell as in publications such as British Journal of Photography, Photo International(Germany), and Foto Magazine (Germany). His photographs are held in the permanentcollections of the International Center of Photography, New York, and The Museum ofFine Arts, Houston, TX, among others.Nelson, p. 66 | Erin Jane Nelson is an American artist and writer living in New York.She received her BFA from the Cooper Union School of Art and has been awarded theVincent Mielcarek Memorial Prize in Photography and The Ox-Bow Student Fellowship.She has exhibited her work throughout the United States and Europe and has widelybeen published.Nettles, p. 66 | Bea Nettles’ prolific career as an artist and educator spans fourdecades, and her work has been featured in more than 200 exhibitions. In 1990, shewas named Senior University Scholar at the University of Illinois and has twice beenawarded National Endowment for the Arts Photography Fellowships. More than 26institutions collect her photographs, including Eastman House and the Polaroid InternationalCollection, Offenbach, Germany.Niccolini, p. 66 | Dianora Niccolini met Weegee in the early 1960s and took a seriousinterest in photography. Since 1974, Niccolini’s work has been published widely and collectedby major institutions including the J. Paul Getty Museum, Los Angeles, CA, andthe Library of Congress, Washington, DC.Nix, p. 15 | See p. 15Nixon, p. 67 | Benjamin Nixon is a contemporary photographer working in the 19thcenturytradition of wet plate collodion. His photographs reference the history of landscapephotography of the American West. The collodion process itself leaves behindmany distinctive marks on the artifacts themselves, suggesting a sense of history.Osterman, p. 67 | In addition to making art, Mark Osterman is process historian atGeorge Eastman House, and France Scully Osterman writes and teaches workshops inthe Ostermans’ 19th-century-style skylight studio. Together they lecture and demonstratehistoric image-making techniques. Their work is collected by numerous institutions,including The Museum of Fine Arts, Houston, TX, and the Michener Museum,Doylestown, PA.Parker, p. 68 | Olivia Parker is a mostly self-taught photographer who has been makingand photographing ephemeral constructions for the best of 40 years. She has hadmore than 100 one-person exhibitions in the United States and abroad, and her workis represented in major private, corporate, and museum collections, including the ArtInstitute of Chicago, IL, and Eastman House.Paulin, p. 17, back cover | See p. 17Pepelnjak, p. 68 | Cori Pepelnjak is primarily a self-taught photographer who begantaking photos with real intention in 2008 by undertaking workshops with photographerssuch as Costa Manos. She was the recipient of the 2009 CENTER Project CompetitionAward for her ongoing series JoJo, as well as a Minnesota State Arts grant in 2010. Herwork has been included in group exhibitions at the Rayko Gallery, San Francisco, CA,and Photographic Center Northwest, Seattle, WA.94 | Guide to the Auctions— Index of Artists .

Permuth, p. 68 | Jaime Permuth is a Guatemalan photographer living and working inNew York. He is a faculty member in The School of Visual Arts’ Masters of TeachingArts Education Program and has designed workshops and taught classes for el Museodel Barrio and the International Center of Photography. His photographs have beenexhibited widely and are featured in collections across the United States.Pfahl, p. 10 | John Pfahl has had a prolific photographic career spanning four decades.In addition to teaching photography since 1968, he has published numerous books andportfolios of his work such as Picture Windows, A Distanced Land, Waterfall, and ExtremeHorticulture. He received an honorary doctorate from Niagara University in 1991and has served on the Board of Trustees at Eastman House since 1998. His photographscan be found in more than 40 public and private collections such as National Gallery ofAustralia, Canberra, and Zeit-Foto Co., Tokyo.Pictometry International Corp., p. 69 | Headquartered in Rochester, NY, Pictometryis a leading provider of geo-referenced aerial, oblique image libraries and relatedsoftware.Pierson, p. 69 | Jack Pierson is an American photographer and artist working withcollage, sculpture, installation, and bookmaking. He has photographed celebrities andmodels including Michael Bergin, Naomi Campbell, Snoop Dogg, and Brad Pitt. His workis collected by major museums worldwide.Pilcher, p. 70 | Kirby Pilcher is a photographer based in Rochester, NY. He has exhibitedthroughout the country and was included in the winter 2007 edition of the Jen BekmanGallery’s Hey Hot Shot competition. His work is in the permanent collection of the VisualStudies Workshop as well as in several private collections. He is a visiting assistantprofessor at the Rochester Institute of Technology.Pinckley, p. 70 | Donna Pinkley’s photographs have been exhibited in more than 150solo and juried shows and are also included in several public collections, such as theUniversity of Vera Cruz at Xalapa, Vera Cruz, Mexico; and the Harry Ransom Center,University of Texas, Austin. She has been published in Photography Quarterly, PhotoReview Magazine, and Preservation Magazine and is an associate professor at theUniversity of Central Arkansas in Conway, AR.Quataert, p. 70 | Fine art photographer Richard Quataert works primarily with infraredfilm and is always seeking to enhance his image through hand-applied manipulationtechniques such as double printing, hand coloring, and over painting. An ongoing assignmentfor Eastman Kodak Co. has taken Quataert to more than 35 countries.Rader, p. 71 | Stephen Rader is a self-taught photographer based in Beverly Hills, CA,whose photographs have been exhibited nationally and have also appeared on the set ofthe HBO series Entourage. His project Deconstructions was published in 2009.Reichman, p. 71 | After fulfilling an internship with the Los Angeles Times, Eli Reichmanspent time working with National Geographic Magazine, The Topeka Capitol-Journal, The Kansas City Star, and The Tulsa Tribune. Using photography as a tool toexplore and narrate the world, Reichman’s list of clients include magazines, Fortune500 corporations, and advertising agencies.Rhoney, p. 3 | Ann Rhoney is a photographer with a vast body of evolving work, whichhas merited mentions in The New York Times and The New Yorker. She has exhibitedwidely, and her photographs are in many public collections such as Metropolitan Museumof Art, New York; Eastman House; and the Bibliothèque Nationale, Paris.Rome, p. 71 | In 1985, Stuart Rome designed the photography curriculum and facilityfor Design Arts College at Drexel University, where he continues to teach. His awardsinclude Pennsylvania Council on the Arts grants in 1999 and 1992 and the ResearchScholar Award from Drexel in 1989. Many leading photography collections feature hiswork, including Eastman House and the Yale Art Museum, New Haven, CT.Roseman, p. 72 | J. Roseman was a French photographer who operated a portrait studioin Paris in the early 20 th century.Rosen, p. 72 | Claire Rosen is a fine art and commercial photographer and video artistworking in New York. Rosen lectures and teaches photography courses around theworld.Rossiter, p. 17 | Volunteering in the conservation lab at the Metropolitan Museum ofArt in 2003 led Alison Rossiter to an appreciation of the history of photographic materials.Her work is featured in numerous North American collections including Art Instituteof Chicago, IL and the Canadian Museum of Contemporary Photography, Ottawa, ON.Rudin, p. 72 | Dave Rudin is a fine art photographer based in Brooklyn, NY. He specializesin art nude and travel photography, and continues to utilize traditional analogmethods for developing and printing his work. His photographs have been published injournals such as Black & White Magazine and Condé Nast Traveler.Schrager, pp. 8, 88 | See p. 8Scully Osterman, p. 67 | See OstermanSchlesinger, p. 73 | Jennifer Schlesinger graduated from the College of Santa Fe with adegree in photography and journalism in 1998. In addition to teaching photography, herwork has received numerous awards. She is co-founder of finitefoto.com, a new mediacollective that investigates and promotes the intersection of photography and culture inthe state of New Mexico.Seaman, p. 73 | Camille Seaman was born to a Native American (Shinnecock tribe)father and African-American mother. She studied photography with Jan Groover atthe State University of New York at Purchase. Her photographs have been published inNational Geographic Magazine, Italian Geo, The New York Times Magazine, Newsweek,and many others. She was the recipient of a 2011 TED Fellowship.Seeley, p. 73 | In addition to being a pictorial photographer known for the lyrical qualityof his images, George Seeley (1880–1955) was also an amateur ornithologist. Hisphotographs are held in many public collections including Metropolitan Museum of Art,New York, and Albright-Knox Art Gallery, Buffalo, NY.Shank, p. 74 | Christine Shank is an artist whose photographic work explores the narrativequality in a single image and the photographic series. Her work is concerned withideas of loss, isolation, storytelling and the implication of place. She is an assistantprofessor of photography at Rochester Institute of Technology.Shillea, p. 74 | Thomas Shillea has spent the last 33 years mastering the art of printingin platinum. This research and development led to the publication of the InstructionManual for the Platinum Printing Process, as well as the founding of the Johnson MattheyPrint Photography Collection in England. His work can also be found in the collectionsof the Philadelphia Museum of Art, PA, and the Baltimore Museum of Art, MD.Shindelman, p. 74 | See LarsonSiskind, p. 16 | See p. 16Skoogfors, p. 75 | A freelance photojournalist for more than 30 years, Leif Skoogforshas reported from locations that include Central America, the Eastern Bloc, andNorthern Ireland. His photographs have been published in Newsweek, Time, ParisMatch, The Atlantic, and The New York Times, and are included in the collections of thePhiladelphia Museum of Art, PA; the Corcoran Gallery, Washington, DC; and other publicand private collections.Slavin, p. 21, 75 | In addition to being a photographer, New York-based Neal Slavin isalso a writer, director, producer, filmmaker, and educator. He has published photographsin monographs of his own work and produced the award-winning feature film Focus,George Eastman House 2011 Benefit Auction | 95

starring William H. Macy and Laura Dern. His photographic work has been widelyexhibited and is held in the collections of institutions including Eastman House and theStedlijk Museum, Amsterdam.Smith, G., p. 75 | Gary Mark Smith is an innovative American street photographer notedfor his empathetic and literal style of photography often captured in extremely hazardousenvironments. This image has been accessioned into the Gary Mark Smith Collectionat the University of Kansas along with an extensive archive of Smith’s papers.Smith’s work is also included in many prominent collections, including Eastman House.Smith, M., p. 27 | Michael A. Smith has been devoted to large-format photographysince 1967. His extensive journeys resulted in more than 200 exhibitions, including aretrospective at George Eastman House in 1992. In addition to teaching workshops, hehas published numerous monographs of his own work and established Lodima Press, apublisher of fine photographic books and portfolios, in 1981. His photographs are heldin the collections of more than 125 museums.Steichen, p. 76 | Edward Steichen (1879–1973) is an icon in 20 th -century Americanphotography who mastered both the artfulness and function of the medium. As curatorof the Museum of Modern Art, he organized one of the most notable exhibitions of the20 th century, The Family of Man (1955). His work is collected by almost 150 institutions,with major repositories at Eastman House and the Royal Photographic Society in Bath,England. His photographs continue to be published and exhibited throughout the world.Stein, p. 76 | Amy Stein is a photographer and teacher whose work is featured in manyprivate and public collections such as the Philadelphia Museum of Art, PA, and Museumof Contemporary Photography, Chicago, IL. In 2007, she was named one of the top 15emerging photographers in the world by American Photo magazine.Stettinius, p. 76 | Gordon Stettinius is a photographer and artist living and working inRichmond, VA. A 2009 recipient of the Theresa Pollak Award for Excellence in the Arts,Stettinius has shown his work over the past 25 years and, more recently, has taken timeoff from teaching to establish and promote an independent publishing company.Stevens, p. 77 | S. Gayle Stevens specializes in antiquarian photographic processes,favoring wet collodion for its fluidity and individuality, delighting in its characteristicflaws. Using modified Holga cameras as well as cameraless photography, she producessmall wet-plate tintypes. Dance and Walking are pieces in editions of nine; because ofthe nature of the collodion process, each piece has slight variations.Stillings, p. 77 | Jamey Stillings’s work as a photographer spans fine art, documentary,and commercial work. He has traveled and worked throughout the world for clientswhile continuing to pursue long-term personal projects. His photographs have beenwidely exhibited and are in the permanent collections of The Museum of Fine Arts,Houston, TX, and the JGS Collection, jgsinc.org.Stoltman, p. 78 | Adam Stoltman has been a photographer and editor for more than 25years. His work has appeared in Time, Newsweek, Life, Sports Illustrated, Paris Match,and a host of other publications in the United States and Europe. He has photographedcultural and artistic figures, including Maya Lin and Leonard Bernstein, for featurestories. Throughout his career, he has covered 10 Olympic Games, 13 Wimbledon Championships,and 20 United States Opens, as both photographer and editor.Sunday, p. 78 | San Francisco-based photographer Elisabeth Sunday’s work focuses onher interest in the African Diaspora. Her work has been featured in numerous exhibitionssince 1982, and is featured in many notable collections, including the CorcoranArt Gallery, Washington, DC, and Le Bibliothèque Nationale de Paris, France.Szabo, p. 79 | Steve Szabo (1940–2000) resigned from his position as a photojournalistfor the The Washington Post in 1971. He continued his own photographic work whileteaching at the Corcoran School of Art in New York until the progression of multiplesclerosis became an obstacle and ultimately ended his life. His work can be found inthe collections of Library of Congress, Washington, DC, and Eastman House, amongnumerous other museums throughout North America.Taussig, p. 79 | Arthur Taussig studied with Minor White and Ansel Adams, thenmoved on to a lifelong career teaching fine art photography. He possesses his ownlibrary of more than 10,000 digital images, from which he draws his own iconographyand creates a flexible contextualization for the graphic elements of his art. His workcan be found in the collections of the Australian National Gallery, Canberra, Australia,and Eastman House, among many other institutions.Tese, p. 80 | Andrea Tese lives and works in New York. Her work has been featured inThe New York Times Style Magazine as well as international editions of Vogue, Harper’sBazaar, and Cosmopolitan. In addition to having been exhibited extensively in theUnited States, her photographs can also be found in the collections of The Center forFine Art Photography, Fort Collins, CO, and the Johnson Museum of Art, Ithaca, NY.Tice, pp. 1, 25 | See p. 25Titarenko, p. 7 | Alexey Titarenko began taking photographs in the 1970s, graduating in1983 with an MFA from the Department of Cinematic and Photographic Art at Leningrad’sInstitute of Culture. His work is in numerous American and European collections,including The State Russian Museum, St. Petersburg, and Eastman House. In addition,Alexey has been the recipient of prestigious awards from Musée de l’Elysée and theMosaique program of the Luxemburg National Audiovisual Centre.Toledano, p. 80 | Phillip Toledano is a British photographer living and working in NewYork. Three monographs have been published on his artistic practice, the most recent,Days With My Father, having received critical acclaim. His work can be found in thecollections of The Museum of Fine Art Houston, TX, and the University of South FloridaContemporary Art Museum, Tampa, FL.Towell, p. 26 | See p. 26Traub, p. 80 | Charles Traub was a founding chairperson of the photography departmentat Columbia College, Chicago, and organized the development of the prestigiousMuseum of Contemporary Photography. He is also formerly the director of Light Gallery,and is now president of the Aaron Siskind Foundation. His work has been featured insolo exhibitions throughout his prolific career, and he has written and edited manybooks on photography and of his own work. Holdings of his work can be found in theInstitute of Design, Chicago, IL, and Eastman House.Tress, p. 20 | While attending film school in France, Arthur Tress traveled extensivelyand became interested in shamanism, which played a large part in developing hismythic and surrealistic mode of expression. He has since become renowned, with workin more than 40 collections, including Centre Pompidou, Paris, and Eastman House.In 2001, the Corcoran Gallery of Art, Washington, DC, organized a retrospective of hiswork, Arthur Tress: Fantastic Voyage: Photographs 1956–2000, which took an intimatelook at his long and varied career.21 st Editions, p. 61 | see MasaoUlrich, p. 81 | Brian Ulrich lives and works in Chicago. His photographic projects focuson contemporary consumer culture and, in addition to being extensively exhibited, areheld in collections including the Art Institute of Chicago, IL; the Cleveland Museum ofArt, OH; The Museum of Fine Arts, Houston, TX; the Museum of Contemporary Art SanDiego, CA; and the Museum of Contemporary Photography, Chicago, IL.Villet, p. 23 | See p. 23Vlamis, p. 82 | Suzanne Vlamis worked for The Associated Press for more than 30 yearsand was one of the AP’s first full-time female staff photographers. She later supervisednews stories as a photo editor and edited special projects from the agency’s archive.96 | Guide to the Auctions— Index of Artists

Vrba, pp. 29, 82 | Lori Vrba is an award-winning fine art photographer committed tofilm and her own traditional printmaking. Her emotionally evocative work often portraysa personal or invented narrative. Vrba’s photographs have been widely published,exhibited and collected. Her images are included in the permanent collections of TheMuseum of Fine Arts, Houston, TX, and the Lishui Museum of Photography in China.Wainwright, p. 83 | Paul Wainwright is a photographer based in Atkinson, NH, whoworks in a traditional manner utilizing sheet film, a large-format camera, and gelatinsilver printing. His photographs have appeared in juried competitions and solo exhibitions,and are included in the permanent collections of such institutions as the BostonPublic Library, MA, and The Museum of Fine Arts, Houston, TX.Watanabe, p. 83 | Hiroshi Watanabe was born in Sapporo, Japan. He graduated fromthe Department of Photography, College of Art, at Nihon University, then moved toLos Angeles and worked as a television producer. In 1995 his passion for photographywas rekindled, and since then he has traveled extensively worldwide, photographingwhat he finds intriguing at that moment and place. His works have been published andexhibited around the world.Watt, p. 84 | Growing up the child of biologists, Laura Alice Watt spent much of hertime in high-altitude Colorado wilderness. The artist now uses many cameras andfilm types to explore her deep and personal connection to her environment. She hasrecently been commissioned by the “Impossible Project,” which seeks to make instantfilm available for consumer use through continuous research and development ofmaterials and technologies.Webb, p. 84 | Rebecca Norris Webb’s work explores the tensions between the manmadeand natural worlds. Alex Webb, a member of Magnum Photo Agency since 1976, hasbeen documenting cities and their inhabitants around the globe. Together, these NewYork-based photographers have produced nine photography books and are currentlyworking on two forthcoming publications, The Suffering of Light (Alex) and My Dakota(Rebecca). Both Alex and Rebecca’s works are collected and exhibited widely.Weber, p. 24 | See p. 24Weeks, p. 85 | Eric Weeks’s photographs have been widely published and exhibited,and his editorial clients include Newsweek, Details, The New York Times Magazine, andFortune. Collections of his work include the Le Bibliothèque Nationale, Paris; and theYale University Art Gallery, New Haven, CT. He teaches photography at the InternationalCenter of Photography, New York, and Hunter College, CUNY, New York.Welpott, p. 16 | See p. 16Weston, p. 85 | Edward Weston (1886–1958) is renowned as a master of 20 th centuryphotography with works in more than 170 collections. His artistic legacy continues toimpress upon generations of artists and scholars.Whaley, p. 86 | The subject matter of Jo Whaley’s photographs over the last 25 yearshas included such varied themes as allegorical nudes, revisionary “vanitas” still-lifeimages, and blending elements of natural history with environmental issues. Since theearly 1980s, Whaley’s photographs have been exhibited in the United States, Europe,and Japan. She teaches at the College of Santa Fe, NM.White, p. 86 | Frank White is a graduate of the Rochester Institute of Technology and afaculty member at Rice University, Houston, TX. His photographs are held in the permanentcollection of the Bibliothèque National de France in Paris.Whitaker, p. 86 | Ross Whitaker is a photographer in San Clemente, CA, with more than30 years of experience. He owns and operates the Ross Whitaker studio, which offersclients full-service and on-location photographic and video services.Wolfe, p. 57 | See KlettWolin, p. 87 | Jeffrey Wolin’s work focuses on the lives of survivors of war and genocideand has been exhibited in major museums, including the Art Institute of Chicago,IL, and the International Center of Photography, New York. His photographs are in thepermanent collections of museums including the Los Angeles County Museum of Art,CA, and Le Bibliothèque Nationale de France, Paris.Woods, p. 87 | After focusing primarily on street photography, Francis Mark Woodsmoved to Hollywood to work in the film industry, which greatly influenced the way hemade still images. He has been the director of photography for more than 1,000 televisioncommercials and won numerous awards, including Cable ACE, New York FestivalSilver World Medal, two Belding awards and a number of Clio nominations.Yorke, p. 87 | Born in the UK, Francesca Yorke divides her time between London andSanta Fe, NM. She shoots photo features and book projects while also pursuing herpersonal fine art photography. Yorke has had a diverse photographic career, freelancing,teaching, and exhibiting her work throughout the world.Wegman, p. 85 | William Wegman graduated from the Massachusetts College of Art in1965 with a BFA in painting before earning an MFA in painting and printmaking fromthe University of Illinois, Champaign–Urbana in 1967. His iconographic photographs,videos, paintings, and drawings are widely collected and exhibited.George Eastman House 2011 Benefit Auction | 97

Live Auction:The property offered in this sale is offered and sold by George EastmanHouse. Any questions should be directed to George Eastman House.Sotheby’s representatives serve merely as auctioneer for Eastman Housein conducting the auction sale and participates on the following terms andconditions, as amended by any posted notices or oral announcements duringthe sale, which govern the sale of all the property offered at the auction:1. (a) Neither Sotheby’s nor George Eastman House assume any risk, liabilityor responsibility for the authenticity of the authorship of any propertyoffered at this auction (that is, the identity of the creator or the period,culture, source or origin, as the case may be, with which the creation of anyproperty is identified).(b) ALL PROPERTY IS SOLD “AS IS,” AND NEITHER SOTHEBY’S NORGEORGE EASTMAN HOUSE MAKES ANY REPRESENTATIONS OR WARRAN-TIES OF ANY KIND OR NATURE, EXPRESSED OR IMPLIED, WITH RE-SPECT TO THE PROPERTY, AND IN NO EVENT SHALL EITHER OF THEM BERESPONSIBLE FOR THE CORRECTNESS OF ANY CATALOGUE OR NOTICESOR DESCRIPTIONS OF PROPERTY, NOR BE DEEMED TO HAVE MADE ANYREPRESENTATIONS OR WARRANTY OF PHYSICAL CONDITION, SIZE, QUAL-ITY, RARITY, IMPORTANCE, GENUINENESS, ATTRIBUTION, AUTHENTICITY,PROVENANCE OR HISTORICAL RELEVANCE OF THE PROPERTY. No statementin any catalogue, notice, or description or made at the sale, in anybill of sale invoice or elsewhere, shall be deemed such a representation orwarranty or any assumption of liability. Neither Sotheby’s nor George EastmanHouse makes any representation or warranty, expressed or implied, asto whether the purchaser acquires any reproduction rights in the property.Prospective bidders should inspect the property before bidding to determineits condition, size, and whether or not it has been repaired or restored.2. Any property may be withdrawn by George Eastman House at any timebefore the actual sale without any liability therefore.4. If the auctioneer determines that any opening bid is not commensuratewith the value of the article offered, s/he may reject the same and withdrawthe article from sale, and if, having acknowledged an opening bid, s/hedecides that any advance thereafter is insufficient, s/he may reject theadvance.5. On the fall of the auctioneer’s hammer, the highest bidder shall bedeemed to have purchased the offered lot subject to all of the conditions setforth herein and thereupon (a) assumes the risk and responsibility thereof(including without limitation damage to frames or glass covering the prints),(b) will sign a confirmation of purchase thereof, and (c) will pay the fullpurchase price therefor or such part as George Eastman House may require.All property shall be removed from Metropolitan Pavilion’s premises by thepurchaser at his/her expense immediately after purchase and payment onOctober 3 and, if not so removed, will be sent by George Eastman House atthe expense of the purchaser, to a public warehouse for the account, risk,and expense of the purchaser and such added charges will then be addedto the purchase price of the object. If the foregoing conditions and otherapplicable conditions are not complied with, in addition to other remediesavailable to George Eastman House by law, including, without limitation, theright to hold the purchaser liable for the bid price, George Eastman Houseat their option, may either (a) cancel the sale, or (b) resell the propertyon three days notice to the purchaser and for the account and risk of thepurchaser, either publicly or privately, and in such event the purchaser shallbe liable for payment of any deficiency, all other charges due hereunder, andincidental damages.6. Make all checks payable to “George Eastman House.”7. In the case of order bids or bids transmitted by telephone, George EastmanHouse is not responsible for any errors or omissions in connection withsuch bids.3. George Eastman House reserves the right to reject a bid from any bidder.The highest bidder acknowledged by the auctioneer shall be the purchaser.In the event of any dispute between bidders, the auctioneer shall have soleand final discretion either to determine the successful bidder or to reofferand resell the article in dispute. If any dispute arises after the sale, GeorgeEastman House’s sale records shall be conclusive in all respects.Online Auction:The online portion of the George Eastman House Benefit Auction 2011 is being hosted by iGavelauctions.com. Conditions of sale for the online auction areavailable on the iGavel site at http://www.igavelauctions.com/aboutUs/policies.html.98 | Guide to the Auctions

Absentee and telephone bidding services are onlyavailable on the objects offered in the October 3live auction listed on pages 1–28 in this catalogueand in the Lead Lot Insert.written/fixed bids• If you are unable to attend the October 3 live auction, you may giveinstructions for Eastman House to bid on your behalf by completing andforwarding the form on reverse. This service is free and confidential.• Please record accurately the lot numbers indicated in this catalogue, title,and description, and the top price you are willing to pay for each lot.• We will try to purchase your choice for the lowest price possible and nevermore than the maximum bid amount you have authorized. “Buy” or unlimitedbids will not be accepted.• Alternative bids can be placed by using the word “OR” between lot information.In that case if your bid on an early lot is successful, we will notcontinue to bid on other lots for you. If your early bids are unsuccessful,we will continue to execute bids for alternative lots until a bid is successful.• The form on reverse should be used for the October 3, 2011, GeorgeEastman House Benefit Live Auction only.• Please place your bids as early as possible, as in the event of identicalbids, the earliest bids received will take precedence. Bids must be receivedat least 24 hours before the auction.• Where appropriate, your bids will be rounded down to the nearest amountconsistent with the auctioneer’s bidding increments.Telephone bids• You may also bid by telephone on specific lots in the October 3 live auction.• Please complete the form on reverse, indicate in the bidding grid that youwant to participate by telephone, and clearly specify the telephone number(including the country code) at which you may be reached at the time ofthe sale. You will be called from the salesroom shortly before your lot isoffered.• All absentee bids phoned in must be confirmed by completion of the formon reverse and its successful submission by mail or fax to George EastmanHouse at (585) 271-3970.ImportantPlease note that the execution of written and telephone bids is offeredas an additional service for no extra charge, and at the bidder’s risk.It is undertaken subject to Sotheby’s and George Eastman House’s othercommitments at the time of the auction. Neither Sotheby’s nor GeorgeEastman House therefore can accept liability for failure to place suchbids, whether through negligence or otherwise. All bids will be executedand are accepted subject to the Conditions of Sale printed in the cataloguefor the sale.Detail, Alejandra Laviada, Telephones, 2007.Courtesy of the artist. See p. 59.| 99

Live Auction Absentee/Telephone Bidding FormGeorge Eastman House Benefit AuctionMetropolitan Pavilion, 7 p.m., October 3, 2011Please see important notice and information regarding absentee bidding on the reverse of this form.TITLE (E.G.: MR., MRS., DR.) OR COMPANY NAME (IF APPLICABLE)FIRST NAME|LAST NAMEE-MAIL ADDRESSTELEPHONE (HOME)FAX||TELEPHONE (BUSINESS)TELEPHONE (CELL)ADDRESSNote: Please write clearly and place your bids as early as possible. In the event of identical bids, the earliest bidreceived will take precedence. Bids must be received on or before October 2, 2011.LOT # Object(s) Title(s) and Description(s) Max. US $$ amount OR indicate “Phone Bid”TELEPHONE NUMBER DURING THE SALE (Required for telephone bids):I agree that I am bound by the bid(s) I submit through use of this form, those bids that I make by phone, and to theConditions of Sale as published in the catalogue.SIGNATURE (Required)| DATEPLEASE MAIL OR FAX TO:George Eastman House, 900 East Avenue, Rochester, NY 14607-2298, attn: Peter BriggsFAX (585) 271-3970 Absentee & Telephone Bids (585) 271-3361, ext. 359Must be received on or before October 2.

Anonymous Donations 39, 69, 85Amy Eckert 45Isa Leshko 60Camille Seaman 7321st Editions 61Catherine Edelman Gallery 9, 87Robert Longo 2Lisa Sette Gallery 86Nailya Alexander Gallery 5, 7, 49Juliane Eirich 45Gilles Lorin 60Christine Shank 74Renate Aller 2Jessica Auer 30The Richard Avedon FoundationLead Lot InsertRoger Ballen 30John Banasiak 31Brendan Bannon 31Craig Barber 31Mary Ellen Bartley 32Jen Bekman Gallery 36, 37, 43Joseph Bellows Gallery 18Bruce and Nancy Berman 58Julie Blackmon 9Jasna Bogdanovska 33Anthony Bonair Estate 33Barbara Bordnick 33Jeff Bridges 34John Bridges 35Adele Q. Brown 65Stephen Bulger Gallery 17Peter Bunnell 23, 39David Wilson Burnham 35Edward Burtynsky 15Matthew Carden 36Ray Carns 36Alejandro Cartagena 36Paul Cava 37Christian Chaize 37Tom Chambers 37Paula Chamlee 38Jeff Charbonneau 47Carl Chiarenza 6Christopher Churchchill 38Lucien Clergue 22Orly Cogan 17Mark Cohen 28Condé Nast 81William Coupon 9, 40Eric Cousineau 40, 41Barbara Crane 7Laura Crosby 41Scott B. Davis 41Stephen Daiter Gallery 7Denis Defibaugh 42Dennis DeHart 42Tamas Dezso 42Nell Dickerson 43DNJ Gallery 48Beth Dow 43Elena Dubas 44Cheryl Dunn 44Natan Dvir 45Roger Eberhard 3Etherton Gallery 64Kathleen Ewing Gallery 79Edward Fausty 46Peter Fetterman Gallery 35Ahron Foster 47Eliza French 47Phyllis GalemboHelen K. Garber 48Richard Garrod 48Ralph Gibson 7Elaine Goldman 47, 83Carol Golemboski 48Howard Greenberg Gallery 25Lori Grinker 49Debbie Grossman 49Renate Gruber 50F.C. Gundlach 12Gregory Halpern 49Carolyn Hampton 50Anthony Hernandez 50Paul M. Hertzmann 22Susan Herzig 22Todd Hido 51Letitia Huckaby 51Charles Isaacs Photographs 11John Isaac 52Michael Itkoff 53Rebecca Janecek 53Charles Johnstone 54Anothony Jones 54Loli Kantor 55Steven Kasher Gallery 14Ed Kashi 55Mark Katzman 46Sean Kelly GalleryLead Lot InsertThomas Kellner 11Michael Kenna 55Lisa Kereszi 56Frazier King 56Ani Kington 56Douglas and Francoise Kirkland 13Mark Klett 57Klompching Gallery 80Heinz Kluetmeier 57Koichiro Kurita 58Eastman Kodak Company 20Ellen Land-Weber 58Nate Larson 84Brian Lav 59Alejandra Laviada 59Neil Leifer 59David Leigh 14, 19Lumiere Fine Art Photography Gallery18, 32Janelle Lynch 27Doug Manchee 60Robert Mann Gallery 17The Robert Mapplethorpe FoundationLead Lot InsertAmanda Marchand 61Michael Mazzeo Gallery 10Chris McCaw 10Steve McCurry 4, 62Doug Menuez 62Kristen Merola 63Larry Merrill 63Alan Metnick 63Metro Pictures 13Duncan Miller Gallery 50Laurence Miller Gallery 11, 32, 53, 72Jeffrey Milstein 64Arno Minkkinen 28Patrick MontgomeryNickolas Muray Photo Archives 4Bruce Myren 65Alex Novak, ContemporaryWorks/Vintage Works 5, 19, 20, 21,43, 51, 61Dan Nelken 65Erin Jane Nelson 66Bea Nettles 66Dianora Niccolini 66Lori Nix 15Benjamin Nixon 16, 67Scully and Osterman 67Olivia Parker 68Cori Pepelnjak 68Jamie Permuth 68John Pfahl 10Pictometry International Corp. 69Kirby James Pilcher 70Donna Pinckley 70Corden Potts Gallery 32, 60Richard Quataert 70Stephen Rader 71Eli Reichman 71Ann Rhoney 3Yancey Richardson Gallery 56Stuart Rome 71Claire Rosen 72Dave Rudin 72Julie Saul Gallery 49Jennifer Schlesinger 73Schneider Gallery 11Victor Schrager 8Michael Shapiro 73Cindy Sherman 13Thomas Shillea 74Marni Shindelman 74Bruce Silverstein Gallery 16, 17Leif Skoogfors 75Neal Slavin 21, 75Andrew Smith Gallery 26Gary Mark Smith 75Michael A. Smith 27Sports Illustrated 57, 59Richard StanleyAmy Stein 76Francesca Calderone-Steichen 76Gordon Stettinius 76S. Gayle Stevens 77Jamey Stillings 77Adam Stoltman 78Elisabeth Sunday 78Tepper Takayama Fine Arts 48Howard and Carole Tanenbaum 24, 30, 34Arthur Taussig 79Andrea Tese 80George Tice 25Alexey Titarenko 7Phillip Toledano 80Larry Towell 26Charles Traub 80Traywick Contemporary 61Brian Ulrich 81Vanity Fair Archive 81VERVE Gallery 47Barbara Villet 23Suzanne Vlamis 82Lori Vrba 82Paul Wainwright 83Hiroshi Watanabe 83Laura Alice Watt 84Alex Webb 84Rebecca Norris Webb 84Bruce Weber 24Eric Weeks 85William Wegman 85Jo Whaley 86Ross Whitaker 86Byron Wolfe 56Francis Mark Woods 87Thomas YannulFrancesca Yorke 87Sharon and Del Zogg 86Guide to the Auction—Index of Donors

This addendum includes objects donated to the auction between July 20 and August 2, 2011.For conditions of sale for the online auction, visit igavelauctions.com.

Alec SothBrittany, France, 2007Archival pigment print, printed 2011, 14 x 17 inches.Value: $ 1,200Donation of the artistRichard StanleyTwo photographs (offered separately)Value: $ 500 (each)Donations of the artist1) George Cukor in his Bedroom, 1977Archival pigment print, printed 2011, 11 x 14 inches.122) Surfer, Dead Sea, ca. 1978Archival pigment print, printed 2011, 11 x 14 inches.Peter TurnleyMetro Saint-Germain-des-Pres, 1980Gelatin silver print, printed 2010, 16 x 20 inches.Value: $ 1,200Donation of the artist104 | George Eastman House Benefit Online Auction 2011 — Addendum to Catalog Sept. 26 – Oct. 7, 2011 | www.igavelauctions.com

Unknown photographerIRT Subway Construction, Union Square, 1902Vintage platinum print, 7 1/2 x 9 1/2 inches.Value: $ 3,500Donation of Steven Kasher Gallery, New YorkWhen the Interborough Rapid Transit Company began building thefirst subway line in New York City in 1900, a group of photographerswas commissioned to document all stages of this massive engineeringand construction project. The resulting platinum prints, exposedon glass plate negatives, are remarkably subtle and elegant, belyingtheir utilitarian origin. Views range throughout the city, from thestreets and buildings above the lines to the elaborate efforts necessaryto build a subterranean railway, forming a unique record ofturn-of-the-century New York.Jo WhaleyRoses with Soot and Lead, 1991C print, 24 x 20 inches. Edition # 4/15. Signed, titled,dated, and editioned in ink in margin. From the NaturaMorta series.Value: $ 1,500Donation of Patrick MontgomeryThomas YanulSPSE Conference, George Eastman House,1986Vintage gelatin silver print, 12 x 20 inches. Autographedby Harold Edgerton in ink. Photographer’sblind stamp in image area.Value: $ 400Donation of the artistAttendees shown at the 1986 Society of Photographic Scientistsand Engineers (now the Society for Imaging Science andTechnology) conference include Harold Edgerton, inventor offlash photography, and Edwin Land, co-founder of the PolaroidCorporation, among many other individuals dedicated to thetechnical advancement of photography.George Eastman House Benefit Online Auction 2011 — Addendum to CatalogSept. 26 – Oct. 7, 2011 | www.igavelauctions.com | 105