SUN CITY - Style Magazine
SUN CITY - Style Magazine
SUN CITY - Style Magazine
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
#23<br />
zafxuli<br />
2007<br />
Tbilisis haiat parki<br />
Hyatt Park Tbilisi<br />
arqiteqtura interieri dizaini<br />
STYLE<br />
A R C H I T E C T U R E I N T E R I O D E S I G N<br />
siyvarulidan siZulvilamde erTi nabijia<br />
One Step From Love to Hatred…<br />
kaxi kalaZe milanis jianino<br />
Kakhi Kaladze – Giannino, Milan<br />
tixruli minanqari oqros sawmisis qveynidan<br />
Cloisonne Enamel from the Land of Golden Fleece
serTificirebulia
serTificirebulia
��������� � Tqvens myudroebas ar<br />
daarRvevs mezobel sarTulze mimdinare<br />
remontis xmauri da mtveri, radganac<br />
mTliani kompleqsi dasrulebuli remontiT<br />
bardeba. TeTri karkasis SeZenisas es<br />
procesi gardauvalia sul mcire 3 wlis<br />
ganmavlobaSi.<br />
���������� ��������� � CvenTan<br />
dazogavT dros, energiasa da Tanxebs,<br />
romelic TeTri karkasis SeZenisas kvalificiuri<br />
Semsruleblebis moZebnaze, maT<br />
zedamxedvelobasa da xarisxiani masalebis<br />
SerCevaze dagexarjebodaT.<br />
� ���������� ������� � Cveni binebi<br />
da nagebobebi aRWurvilia espanuri<br />
da franguli warmoebis keramikuli<br />
filebiT, santeqnikuri mowyobilobebiTa<br />
da furnituriT; germanuli warmoebis<br />
aluminis gare kar-fanjariT; kanaduri<br />
warmoebis naturaluri xis parketiTa da<br />
italiuri warmoebis CaSenebuli samzareuloTi.<br />
BOSCH/CANDY - is brendis macivariT,<br />
gazquriT, gamwoviT, sarecxisa da<br />
WurWlis manqanebiT. N1 brendis - OTIS warmoebis<br />
liftebiT.<br />
���������������������������������<br />
���������������������������������<br />
����������������������BCV�����<br />
��������� ��������� ������ ������ � sacxovrebeli<br />
nawilis ezo izolirebulia da<br />
Caketilia sazogadoebrivi kompleqsisgan.<br />
swored amitom, Tqven SegiZliaT<br />
mSvidad iyoT, rodesac Tqveni Svili saTamaSod<br />
marto Cava ezoSi.<br />
24 saaTiani dacvis samsaxuri da video<br />
domofonebi Tqvens mSvid Zilsa Tu sasiamovno<br />
dasvenebas uzrunvelyofs.<br />
qalaqis eleqtro da wyalmomaragebis<br />
mTliani paralizebac ki ar imoqmedebs<br />
Tqvenze. kompleqsis sageneratoro, uzrunvelyofs<br />
liftebis, avtofarexis, Tqveni<br />
binebis avariul ganaTebas, sadarbazoebisa<br />
da dacvis sistemis uwyvet eleqtro<br />
momaragebas. sacxovrebeli da sazogadoebrivi<br />
kompleqsi aseve uzrunvelyofilia<br />
uwyveti wyalmomaragebiT.
serTificirebulia<br />
�����������������������������<br />
��������������������������������������������<br />
www.bcv.ge<br />
����������������������������<br />
�� A����������������������<br />
������������ � ��������<br />
�����������������������������������<br />
BCV<br />
ALL INCLUSIVE<br />
BCV ���������������������<br />
��������������������������������������������������������������������������
sareklamo kompania<br />
gTavazobT:<br />
� gare reklamis damzadeba da ganTavseba;<br />
� video reklamis damzadeba da ganTavseba;<br />
� proeqtireba, mSenebloba, dizaini.<br />
arqiteqtorebisa da dizainerebis<br />
sayuradRebod!<br />
arqiteqturul-dizaineruli Jurnali "stili" kvlav agrZelebs<br />
TqvenTan TanamSromlobas.<br />
gTxovT, mogvawodoT Tqvens mier realizebuli arqiteqturuldizaineruli<br />
proeqtebi. maT Soris saukeTesoebi ganTavsebuli iqneba<br />
Jurnali "stilis" momdevno nomrebSi, risTvisac winaswar gixdiT<br />
madlobas.<br />
redaqcia itovebs uflebas gacnoboT masalis momzadebisa da<br />
publikaciisaTvis aucilebeli piroba - JurnalSi gamosaqveynebeli<br />
obieqti warmodgenili iqnas misi amsaxveli foto-masalis<br />
maRalmxatvruli xarisxiT - avtorma uzrunvelyos obieqtis profesiuli<br />
fotogadaReba.<br />
kompania "stili" mwuxarebas gamoTqvams stamba "omega Tegis"<br />
direqtoris zaza nadiraZis gardacvalebis gamo da TanaugrZnobs<br />
gansvenebulis ojaxs.<br />
nomris sponsoria<br />
Sps `kaparol-jorjia~<br />
gamomcemeli - kompania stili da dimitri mosuliSvili<br />
direqtori - eka javaxiSvili<br />
redaqtori - nino laRiZe<br />
informacia - nino laRiZe, lali baxtaZe,<br />
qeTevan odiSeli (spec.kor. berlinidan)<br />
reklama - TaTia gabeskiria, alisa Somaxia, qeTi mwariaSvili<br />
Targmani - nata kurtaniZe<br />
kompiuteruli dizaini - Tamaz CxaiZe<br />
dizaini - gia nozaZe<br />
gavrcelebis menejeri - mirian margalitaSvili<br />
PUBLISHER - Company STYLE & Dimitri Mosulishvili<br />
DIRECTOR - Eka Javakhishvili<br />
EDITOR - Nino Lagidze<br />
INFORMATION - Nino Lagidze, Lali Bakhtadze,<br />
Ketevan Odisheli (Special correspondent from Berlin)<br />
ADVERTISING - Tatia Gabeskiria, Alisa Shomakhia, Keti Mtsariashvili<br />
TRANSLATION - Nata Kurtanidze<br />
COMPUTER GRAPHIC - Tamaz Chkhaidze<br />
DESIGN - Gia Nozadze<br />
SALE MANAGER - Mirian Margalitashvili<br />
kompania "stili"<br />
380079 Tbilisi, i. abaSiZis q. 26<br />
tel/faqsi: 22-27-26.<br />
mob: 877 44-86-00, 893 42-74-73<br />
26 I.Abashidze Str., Tbilisi, Georgia, 380079.<br />
Tel/fax: 22-27-26. Mob: 877 44-86-00<br />
http://www.archistyle.ge<br />
E-mail: style_inbox@mail.ru<br />
inbox@archistyle.ge<br />
sareklamo teqstis Sinaarsze<br />
redaqcia pasuxs ar agebs
serTificirebulia
qalaqis ganviTarebis<br />
strategia<br />
The Strategy of Urban<br />
Development<br />
Tbilisis haiat parki<br />
Hyatt Park Tbilisi<br />
arqiteqturuli<br />
konkursi<br />
qalaqis arqiteqturis<br />
mniSvnelovani niuansebi<br />
Important Details<br />
of City Architecture<br />
siyvarulidan<br />
siZulvilamde<br />
erTi nabijia<br />
One Step From Love<br />
to Hatred…<br />
finansuri centri<br />
Business Center<br />
arqiteqturuli<br />
speqtakli<br />
Architectonic<br />
Spectacle<br />
cixe-simagre Tanamedrove<br />
interpretaciiT<br />
A Fortress in Modern<br />
Interpretation<br />
qalaqi<br />
<strong>CITY</strong><br />
14<br />
16<br />
20<br />
24<br />
28<br />
saxli<br />
HOUSE<br />
sacxovreblis arqiteqtonika<br />
Residential Space<br />
Architectonics<br />
31<br />
36<br />
38<br />
42<br />
ucxouri arqiteqtura<br />
FOREIGN ARCHITECTURE<br />
stilis esTetika<br />
Aesthetics of <strong>Style</strong><br />
peis arqiteqtura<br />
Ieoh Ming Pei<br />
48<br />
54<br />
sacxovrebeli -<br />
inteleqtualurobis kredo<br />
A House as an Accessory<br />
of Intellectual<br />
58<br />
Lifestyle<br />
CexeTis arqiteqturuli<br />
anonsi TbilisSi<br />
Czech Architecture<br />
Introduces Itself<br />
to Tbilisi<br />
Jan boCani,<br />
partniorebi, kasua<br />
Bochan & Partners,<br />
Casua<br />
italiis milani,<br />
milanis jianino<br />
Milan, Italy –<br />
Giannino, Milan<br />
metexis CrdilqveS<br />
In the Shade<br />
of Metekhi<br />
kaSe<br />
CACHE<br />
franguli<br />
eleganturoba<br />
68<br />
70<br />
74<br />
interieri<br />
ITERIOR<br />
78<br />
82<br />
86<br />
sakura<br />
bufetis<br />
respeqtabeluri<br />
garemo<br />
tokio<br />
mSvenieri konkretul<br />
materiad gardaiqmneba<br />
transformizmi<br />
interierSi<br />
Interior<br />
Transformism<br />
sivrcis funqciuri<br />
organizeba<br />
Functional Organization<br />
of the Space<br />
vinosimo<br />
istoriuli dekoracia<br />
Historical Decorations<br />
eleganturoba<br />
dekorSi<br />
88<br />
90<br />
92<br />
95<br />
98<br />
102<br />
105<br />
106<br />
108
serTificirebulia<br />
italiuri komforti<br />
Italian Comfort<br />
funqcionalizmis<br />
esTetika<br />
Functionalism<br />
at Its Best<br />
stili interierSi<br />
<strong>Style</strong> Identification<br />
Issues<br />
sivrcis sworad<br />
organizacia<br />
110<br />
112<br />
114<br />
116<br />
interieruli esTetika<br />
Interior Aesthetics<br />
Tanamedrove klasikuri<br />
Modern Classical<br />
Tema moyvarulTaTvis<br />
A theme for amateurs<br />
118<br />
123<br />
128<br />
istoria<br />
HISTORY<br />
qarTvel mamluqTa<br />
arqiteqtura<br />
Architecture<br />
130<br />
of Georgian Mameluks<br />
axali ambebi<br />
tixruli minanqari NEWS<br />
oqros sawmisis qveynidan<br />
Cloisonne Enamel from<br />
the Land of Golden<br />
Fleece<br />
amerikis gzispira<br />
arqiteqtura<br />
American Roadside<br />
Architecture<br />
zarafxanis<br />
zRaprul samyaroSi<br />
"elene axvlediani -<br />
suraTebi da fotoebi<br />
kerZo koleqciebidan"<br />
134<br />
136<br />
138<br />
vernisaJi<br />
VERNISAGE<br />
141
konkursze ganixileba bolo wlebis<br />
arqiteqturuli proeqtebi da interierebi.<br />
dawvrilebiTi informacia, konkursSi<br />
"arqiteqturuli premia 2007" monawileobis pirobebisa<br />
da konkursis nominaciebis Sesaxeb,<br />
ixileT veb-gverdze<br />
www.archistyle.ge
serTificirebulia
10<br />
stili #23. 2007<br />
emociebi, inovaciebi, tendenciebi<br />
Caparol-ma kolnSi specializirebul gamofenaze<br />
`feri - mSenebloba da fasadebi~<br />
didi aRfrTovaneba daimsaxura.<br />
kolnSi specializirebul gamofenaze<br />
`feri - mSenebloba da fasadebi~ (Farbe<br />
Ausbau Fassade - FAF), romelic 18 - dan 21<br />
aprilamde mimdinareobda, Caparol-i didi warmatebiT<br />
iqna warmodgenili. deviziT `emociebi,<br />
inovaciebi, tendenciebi~ germaniis<br />
saamSeneblo saRebavebis udidesma warmomadgenelma<br />
damTvarieleblebi moxibla<br />
da daainteresa produqciis mravali<br />
siaxliTa da kompetenciiT.<br />
axali ganzomilebebi<br />
SPECTRUM 3.0-iT<br />
gansakuTrebuli<br />
furoris moxdenisaTvisizruna<br />
ferebisa da<br />
dizainis studiam<br />
(Farb-Designe Studio<br />
-FDS) - xelmZRvaneli<br />
margit volmerti,<br />
- erT-erTi<br />
TanamSromlis, petra runaus mier warmodgenili<br />
iqna axali kompiuteruli programa<br />
Spectrum 3.0, romlis saSualebiTac Caparol-ma<br />
kidev erTxel mniSvnelovnad gaafarTova<br />
fasadebisa da interierebis formirebis<br />
parametrebi. DVD-is meSveobiT pirvelad<br />
warmodgenili iqna erTiani sivrcis<br />
formireba, rac saRebavebisa da stru-<br />
qturebis paralelurad, axla ukve moicavs<br />
uamrav iatakis masalas, rogorebicaa<br />
xaliCa, linoleumi da parketi, materiebs<br />
fardebisaTvis, avejisaTvis, aseve Sida sivrcis<br />
sxvadasxva profilebs. iseT mwarmoeblebTan<br />
TanamSromlobiT, rogorebicaa,<br />
Tarkett, nmc, dura da drapilux, formirebis speqtri<br />
17.000 zedapiramde iqna gafarToebuli.<br />
garda amisa, veb-gverdze www.spectrum3.eu<br />
mocemulia masalaTa onlain banki,<br />
romlis gamoyenebac SesaZlebelia Spectrum<br />
3.0-is meSveobiT. aRniSnuliT uzrunvelyofilia<br />
is, rom nebismier dros SesaZlebeli<br />
iyos rogorc koleqciebis aqtualizireba,<br />
aseve maTi gamudmebiT Sevseba.<br />
garda amisa, komunikaciis platforma daxmarebas<br />
gviwevs axali gaformebis programebis<br />
profesiul gamoyenebaSi.<br />
mas Semdeg, rac Spectrum 2.0-ma ucxoeT-<br />
Si didi moTxovna gamoiwvia, gadawyda axali<br />
versiis ramdenime enaze Seqmna, maT Soris<br />
rusul da inglisur enebze. rogorc<br />
FDS-s erT erTi dizaineri aRniSnavs - `gaformebis<br />
sakiTxebze Cven Spectrum 3.0-iT vsaubrobT<br />
15 enaze~. aRniSnulidan gamomdinare<br />
sulac ar aris gasakviri, rom DVD diskze<br />
mocemuli suraTebi akmayofilebs saerTaSoriso<br />
moTxovnebs. suraTebis biblioTekaSi<br />
mocemulia 150-ze meti axali motivi<br />
TiTqmis yvela evropuli qveynidan.<br />
`personalur kompiuterze programis<br />
saSualebiT SesaZlebelia obieqtebis ferebiT<br />
mTliani gaformeba an masalaTa kombinirebuli<br />
zedapirebis vizualizireba.<br />
boblioTekaSi mocemuli sakuTri fotoebi,<br />
aseve suraTebi fotorealisturadaa<br />
damuSavebuli~, ganmartavs margit volmerti:<br />
`3D-Studio Planer-is meSveobiT SesaZlebelia<br />
sivrceebis konstruireba da maTi<br />
survilisamebr formireba. gadawyvetilebis<br />
miReba imasTan dakavSirebiT, Tu formirebis<br />
romeli variantebi unda iqnas sabolood<br />
SerCeuli, gaadvilebulia prezentaciis<br />
axali SesaZleblobebis meSveobiT.<br />
ase rom SesaZlebelia ekranze erTdoulad<br />
warmodgenili iqnas oridan oTx proeqtamde<br />
an erTmaneTis miyolebiT naCvenebi<br />
iqnas nebismieri raodenobis suraTebi~.<br />
wamyvani teqnologiebi<br />
fasadebisaTvis<br />
wamyvani teqnologiebi fasadebis ferebis<br />
sferoSi SilaClean, rac gamofenis siaxles<br />
warmoadgenda, warmodgenili iqna<br />
produqciis menejeris doqt. Stefan kairisis<br />
mier. Caparol Clean Concept-is farglebSi<br />
Seqmnili saRebavebi erTmaneTTan ganumeoreblad<br />
akavSirebs nanostruqturis,<br />
kapitalhidrofobiisa da fotokatalizis<br />
dadebiT mxareebs. specialuri<br />
NanoHybrid-formulis meSveobiT SesaZlebeli<br />
xdeba imgvari Sreebis dadeba, romlebic<br />
- rogorc Caparol Clean Concept-is produqtebisTvisaa<br />
damaxasiaTebeli - mravali<br />
wlis ganmavlobaSi sisufTavesa da sigluves<br />
inarCunebs. `NanoHybrid-teqnologiebis<br />
saSualebiT erTmaneTs ukavSirdeba silikaturi<br />
da organuli<br />
Semadgeneli nawilebi~,<br />
ganmartavs doqt. kairisi:<br />
`orive komponentis<br />
absoluturad erTgvarovani<br />
ganawilebiT miiReba<br />
gansakuTrebiT xelsayreli<br />
Tvisebebis<br />
mravalferovneba, romelTa<br />
ricxvsac ganeku-<br />
Tvneba daWuWyianebis Zalze<br />
dabali xarisxi, mineraluri<br />
saRebavebis<br />
simtkice da xangrZlivi<br />
mdgradoba, aseve dispersiuli<br />
saRebavebis<br />
dacarcvaze mdgradoba<br />
- yovelive es warmoadgens<br />
SesaniSnavi damu-<br />
SavebiT uzrunvelyofil<br />
Tvisebebs~. amasTanave<br />
axali masalebis sa-<br />
SualebiT SesaZlebelia<br />
uCveulod maRali xa
isxiT iqnas ganaxlebuli Zveli silikatis<br />
saRebavebi, gluvi dispersiuli saRebavebi<br />
da dauzianebeli Tboizolaciis<br />
sistemebi. izolirebuli fasadebisaTvis<br />
Seqmnilma axali Caparol-is seriam warmoudgeneli<br />
gakvirveba gamoiwvia. oTxi metris<br />
simaRlidan erTi kilogrami simZimis<br />
liTonis burTula Camovarda izolaciaze,<br />
ise rom mas aranairi kvali ar dautovebia.<br />
damTvalierebelTa gakvirveba kidev<br />
ufro didi gaxda maSin, roca produqciis<br />
menejeris klaus hartmanis mier ganmartebuli<br />
iqna axali maRalteqnologiuri<br />
dacva. `karbonis boWkoebi amJamad ara<br />
mxolod formula-1-is avtomobilebis Zarebs<br />
xdis dartymisadmi mdgrads da tenisis<br />
raketebs elastiurs. gazrdili Sesa-<br />
Zleblobebis maRalteqnologiuri masalebiT<br />
SesaZlebelia gazrdili iqnas aseve fasadebis<br />
Tboizolaciis gamZleobac. karbonis<br />
seriiT Caparol-ma bazarze Semoitana sistema,<br />
romelic maqsimalurad zrdis Tboizolaciis<br />
sistemebis dajaxebisa da dartymisadmi<br />
mdgradobas. karbonis seriaSi er-<br />
TmaneTTan harmonizirebuli armaturis,<br />
zedapiris mopirkeTebisa da ferebis komponentebi<br />
maRalteqnologiuri boWkoebiT<br />
aris aRWurvili~, mogvaxsenebs hartmani:<br />
`aRniSnulis saSualebiT izrdeba iseTi meqanikuri<br />
dazianebebisadmi mdgradoba, rogorebicaa<br />
setyva, yoveldRiuri mcire dartymebi,<br />
velosipedis mirtyma an uneblied<br />
burTis moxvedra, ar toveben aranair<br />
kvals. amgvarad izolacia aTwleulebis<br />
ganmavlobaSi usafrTxod inarCunebs Tavis<br />
funqcias~.<br />
esTetika<br />
xmauris winaaRmdeg<br />
gamofenaze aseve warmodgenili iyo Caparol-is<br />
mier SemuSavebuli Capacoustic-Metaporis<br />
elementebi. isini garandvisa da samRebro<br />
saxelosno samuSaoebs axal samoqmedo<br />
asparezsa da axali formirebis saSualebebs<br />
uxsnian, rac mdgomareobs SenobebSi<br />
xmauris donis mniSvnelovnad SemcirebaSi.<br />
akustikuri elementebi Sedgeba melaminis<br />
fisis nedleulisagan da gaaCnia<br />
Ria, ujredovani sqemis struqtura. amgvari<br />
gziT uzrunvelyofilia xmauris CaxSoba<br />
da Tboizolacia. maTi formisa da<br />
sisqis TvalsazrisiT arsebobs mocemuli<br />
elementebis mravali varianti. maTTvis nebismieri<br />
formis micema SesaZlebelia sa-<br />
Rebavis fenis meSveobiT. Zalzed martivi<br />
da swrafi damuSaveba, aseve mcire wona xazs<br />
usvams maTi mravalmxrivi gamoyenebis SesaZleblobebs.<br />
mravalgzis gamokvlevis safuZvelze<br />
dadasturebuli iqna, rom elementebis<br />
saRebaviT SeRebviT aranairi<br />
uaryofiTi zegavlena ar xdeba maTi absorbciis<br />
unarze.<br />
stili #23. 2007<br />
11
12<br />
stili #23. 2007<br />
inovaciuri masalebi<br />
interieris dizainisTvis<br />
Caparol-ma welsac ar uRalata Tavis tradicias<br />
da stendTan misul uamrav damTvarieblebs<br />
axali masalebi warudgina interieris dizainisTvis.<br />
damTvaliereblebi ecnobodnen, Tu rogor<br />
xorcieldeba ferTa tonebisa da masalebis<br />
kombinaciiT sivrcis zedapirisaTvis kreatiuli<br />
mravalferovnebis Seqmna. amasTan produqciis menejeris<br />
ernst hiubneris mier FantaasticFleece-is me-<br />
SveobiT warmodgenili iqna zedapiris axali<br />
teqnika, romlis rafinirebuli stereoskopiuli<br />
efeqti da gamWvirvale Sreebi ganumeorebel<br />
optikas gvTavazobs. hiubneri: `mocemuli specialuri<br />
minis firfitebis zedapiri sxvadasxva<br />
nimuSebis struqturebSi TeTri feriT aris<br />
mocemuli. Tormeti nimuSi gvTavazobs maTi formirebis<br />
araCveulebriv SesaZleblobebs, mas Semdeg<br />
rac SeiRebeba tonirebuli Caparol Deco-<br />
Lasur-iT. STambeWdavi stereokopiuli efeqti warmoiqmneba<br />
axali minis firfitebis Fantaastic-<br />
Fleece-is diferencirebuli Semwovi aqtivobiT~.<br />
individualurad formirebadi FantaasticFleece warmoadgens<br />
kreatiul pasuxs kedlebis standartul<br />
gaformebaze, ambobs hiuberi: `TiToeuli<br />
zedapiri warmoadgens xeliT damzadebul originals<br />
da xazs usvams mocemuli masalisa da teqnikis<br />
ganumeorebel xasiaTs~.
stili #23. 2007<br />
iseve rogorc kaparolis jgufma aseve kaparol jorjiamac ar uRalata tradicias da monawileoba miiRo yovelwliur<br />
gamofenaze Caucasus Build 2007, 16 maisidan 19 maisamde. kaparolma Tavis stendze damTvaliereblebs mravali<br />
siaxle warudgina rogorc interieris aseve eqsterieris mopirkeTebis sferoebSi. damTvarieblebis<br />
gansakuTrebuli yuradReba interieris dekoratiulma danafarebma miiqcia, romelTa mravalferovani nimuSebi da<br />
datanis teqnika adgilzeve iqna naCvenebi kaparolis teqnologebis mier. warmodgenili iyo aseve kaparolis mier<br />
ganxorcielebuli proeqtebi, rogorc fasadebi aseve interierebi. stendTan mosul damTvalierebels kaparolma<br />
siurprizi daaxvedra, yovel dRe kaparolis stendTan imarTeboda bodi arti ramac didi mowoneba daimsaxura<br />
damTvaliereblebs Soris. mTlianobaSi stendTan informaciuli sasiamovno da sanaxaobrivi ganwyoba Seiqmna.<br />
kaparoli ukve Semdegi gamofenisTvis emzadeba da kidev ufro inovaciur stends gegmavs damTvaliereblebisTvis.<br />
axali produqti - meti SesaZleboba – meti feri<br />
ivlisidan Cvens asortiments ori axali produqti Seemateba Premiumlatex 3-is da Fassadenweiss-is gamWvirvale<br />
bazebi (baza 3), rac saSualebas mogcemT miiRoT nebismieri muqi da intensiuri toni, adgilze SeferadebiT kompiuteruli<br />
sistemiT ColorExpress. Alpina Premiumlatex 3 - moxexvisadmi medegi interieris lateqsuri saRebavi<br />
gankuTvnilia Sida samuSaoebisTvis, uZlebs maRal datvirTvas, aqvs Zalian kargi dafarvis unari, feraddeba<br />
muq tonebSi, idealuria minaqsovilebis SesaRebad. Fassadenweiss Base 3 atmosferuli movlenebis zemoqmedebisadmi<br />
medegi da maRali dafarvis unaris mqone, cveTamedegi fasadis saRebavi.<br />
13
14<br />
stili #23. 2007<br />
qalaqi<br />
<strong>CITY</strong><br />
- batono manuCar, qalaqis teritoriebis<br />
maRalefeqturad gamoyenebis gadasawyvetad,<br />
mniSvnelovani amocanebia gadasaWreli. sainteresoa<br />
Tqveni azri qalaqis ganaSenianebis ganviTarebis<br />
Sesaxeb.<br />
- qalaqis sivrciTi mowyobis gegmasTan dakavSirebiT<br />
weliwadze metia muSaobs qalaqis<br />
urbanuli dagegmarebis samsaxuri, xvews davalebas<br />
- dokuments, romelic qalaqis ganviTarebis<br />
strategiad unda Camoyalibdes. arqiteqturisa<br />
da perspeqtiuli ganviTarebis saqalaqo<br />
samsaxuris mier ramdenjerme gamocxadda<br />
tenderebi da konkursebi Tbilisis sxvadasxva<br />
raionebis sivrciTi ganviTarebis winasaproeqto<br />
kvlevis programis Sesaqmnelad. 2005<br />
wels gaimarjva orma kompaniam, romlebmac am<br />
samuSaoSi miiRes monawileoba. maTi kvlevis<br />
Sedegi saxezea - geosainformacio sistemaze<br />
dayrdnobiT damuSavda ganviTarebis dawvrilebiTi<br />
gegmebi, aRnusxulia qalaqSi arsebuli<br />
Senoba-nagebobebi, maTi funqciuri datvirTva,<br />
sakomunikacio (miwisqveSa infrastruqtura)<br />
sistemebi, arsebuli xidebi da sxva mni-<br />
Svnelovani obieqtebi. paralelurad, geosainformacio<br />
sistemaze dayrdnobiT, kulturisa<br />
da ZeglTa dacvis saministros ZalisxmeviT,<br />
Catarda mniSvnelovani samuSao - aRiricxa<br />
ZeglTa da Zeglis niSnis matarebeli Senobebi<br />
TbilisSi. garda amisa, movaxdineT TbilisSi<br />
arsebuli (daarqivebuli) wiTeli xazebis<br />
degitalizacia. yovelives fonze, dResd-<br />
ReobiT, Cven vflobT mniSvnelovan informacias<br />
qalaqis teritoriebis, misi calkeuli ubnebis<br />
Sesaxeb. axlo momavalSi igi sajaro reestris<br />
monacemebiT, ufro srulyofili gaxdeba<br />
da yoveli monakveTi zustad iqneba registrirebuli.<br />
metad mniSvnelovania, is faqtic,<br />
rom Cveni samsaxuri, germaniis teqnikuri<br />
TanamSromlobis sazogadoebasTan `getece~sTan<br />
erTad garkveuli periodi muSaobda davalebis<br />
Sedgenaze, rac faqtiurad dasrulda.<br />
aprilis dasawyisSi, Cven gamovacxadeT konkursi<br />
Tbilisis gengegmis sivrciT mowyobaze.<br />
konkursSi ramodenime kompaniam miiRo monawileoba.<br />
konkursis Sedegebi, gansaxilvelad,<br />
ekonomikis saministroSi gadaigzavna, sadac<br />
dazustdeba, ramdenad akmayofilebs warmodgenili<br />
proeqtebi konkursis moTxovnebs.<br />
amis Semdeg, maT ganixilavs komisia da gamarjvebuli<br />
maisis Tvis bolos gamocxaddeba. faqtiurad,<br />
amave periodSi daiwyeba konkretuli<br />
muSaoba axali davalebiT da savaraudod<br />
rva TveSi - 2007 wlis bolomde gavalT Sedegze.<br />
qalaqis ganviTarebis strategia<br />
interviu qalaqis urbanuli dagegmarebis ufrosTan,<br />
qalaqis mTavar arqiteqtorTan<br />
baton manuCar maxaTaZesTan<br />
samuSao Sesruldeba etapobrivad. yoveli<br />
etapi moicavs orTvian bijs, romelic sakuTriv<br />
orkvirian intervalebad danawildeba, es<br />
ki imas niSnavs, rom yovel or kviraSi gamarjvebulma<br />
kompaniam, unda mogvawodos Sesrulebuli<br />
samuSaoebis angariSi.<br />
cnobilia, agreTve, rom Zveli Tbilisis gamgeoba<br />
acxadebs konkursebs istoriuli ubnebis<br />
- rogorc arqiteqturuli, aseve sakomunikaci<br />
qselebis mosawesrigeblad. mogexsenebaT,<br />
raoden savalalo mdgomareobaSia Zveli<br />
Tbilisis miwisqveSa infrasruqtura. ra Tqma<br />
unda, konkursebis Sedegebis Semdgom, arsebuli<br />
mdgomareobis reabilitaciis procesi etapobriv<br />
xasiaTs miiRebs da nabij-nabij ganxorcieldeba.<br />
axlaxans mowveul gaerTianebul sabWoze<br />
gansaxilvelad gamotanili iqna Tbilisis calkeuli<br />
teritoriebi - ramodenime kompania seriozulad<br />
dainteresda `sololakSi~ arsebuli<br />
konkretuli monakveTebiT. sabWos gadawyvetilebiT<br />
amdagvari sakiTxebi konkursebis sistemiT<br />
gadaiWreba - adgili ar eqneba qaotur<br />
ganaSenianebas. konkursis Catarebamde ki<br />
kompaniebi gaerTiandebian, Catardeba teritoriis<br />
kvleva, daiwereba davaleba. identuri<br />
mdgomareobaa uSangi CxeiZis quCasTan mimar-<br />
TebaSi. kompaniebma gamoTqves survili maTi er-<br />
Tiani ZalisxmeviT moxdes quCis aRdgena-gana-<br />
Senianeba, miTumetes, rom, am konkretul teritoriasTan<br />
dakavSirebiT, ukve seriozuli<br />
kvlevaa Catarebuli da davaleba daproeqtebisaTvis<br />
damtkicebulia. arsebuli davalebis<br />
safuZvelze ki menaSeneebi, ganaSenianebis saukeTeso<br />
variantis SesarCevad, konkurss gamoacxadeben.<br />
- Tbilisis qalaqgegmarebiT ruqaze problematuri<br />
laqebi dafiqsirda. SesaZlebelia ugulvelyoT<br />
es problema?<br />
- qalaqmSeneblobiT procesSi es laqebi<br />
mtkivneul ubnebad rCeba. teritoriis mniSvnelovani<br />
nawili SenobebiT, nawili ki `barakebiTaa~<br />
gadatvirTuli. maTi dangreva ukve gamoricxulia<br />
da absurdia. gamosavali erTia -<br />
arsebuli ganaSenianeba garedan `Sevmosod~ ma-<br />
Ralxarisxiani SenobebiT, RirSesaniSnavi fasadebiT.<br />
minimumamde daviyvanoT mSeneblobis<br />
procesi, davareguliroT gzebi da maqsimalurad<br />
gavamwvanoT darCenili teritoria.<br />
qalaqis arqiteqturis samsaxurma mWidrod<br />
dasaxlebul raionebSi mSeneblobis SemTxvevaSi<br />
miiRo gadawyvetileba, TiToeuli Senobis<br />
moculoba umjobesia simaRleSi gaizardos,<br />
raTa naklebad moxdes ganaSenianebiT teritoriis<br />
gajereba.<br />
- riyis teritoriis ganaSenianebisaTvis<br />
proeqtis Sesaqmnelad konkursi iqna gamocxadebuli.<br />
rogoria konkursis Sedegebi?<br />
- riyis teritoriis mosawyobad daxuruli<br />
tipis konkursi Catarda. konkursSi saer-<br />
TaSoriso donis cnobilma arqiteqtorebma miiRes<br />
monawileoba da metad saintereso, inovaciuri<br />
winadadebebi da proeqtebi warmoadgines.<br />
Tumca, am etapze ganaSenianebis proeqtis<br />
saboloo varianti ar dakonkretebula.<br />
yovelive, jer, isev ideis, koncefciis donezea<br />
mocemuli. sakiTxi axlo momavalSi gadawydeba.<br />
- satransporto problema qalaqSi, Ziri-<br />
Tadad mis centralur raionebSi aucilebel,<br />
kardinalur cvlilebebs moiTxovs. rogor ganxorcieldeba<br />
igi?<br />
- qalaqis sivrciTi mowyobis gegmasTan dakavSirebiT<br />
davalebis Sedgenisas, udidesi yuradReba<br />
eqceoda satransporto sqemisa da misi<br />
analizis Seswavlas. Cveni samsaxuri gansakuTrebuli<br />
datvirTviT swavlobda konkretulad<br />
im kvanZebs, sadac yvelaze xSiria `sacobebis~<br />
Seqmnis saSiSroeba. gamocdili specialistebis<br />
mier, am kuTxiT, ukve mniSvnelovani<br />
daskvnebia miRebuli. garda amisa, 2006<br />
wels, germaniidan - `kaizerslauternis~ universitetidan<br />
mowveuli gvyavda specialistebi,<br />
romlebic mxolod satransporto problemebis<br />
gadawyvetiT arian dakavebulni. maT gadaveciT<br />
Cvens mier mopovebuli informacia. ucxoelma<br />
kolegebma seriozulad imuSaves am sakiTxze<br />
da arsebuli problemis gadawyvetis<br />
SesaZlo variantebi gamogvigzavnes. maTi monacemebi<br />
davalebaSia Cadebuli da male Sedegs<br />
gamoiRebs.<br />
- batono manuCar, gavrcelda informacia,<br />
rom miwis mesakuTres, meriis arq. samsaxuris<br />
mier, ekrZaleba Tavisi teritoriis gamijvna<br />
da SemdgomSi, survilisamebr, misi gayidva-gasxviseba.<br />
sazogadoebisaTvis saerTo suraTi mocemul<br />
Temaze, metnaklebad bundovania. gangvimarteT<br />
saqmis viTareba ufro detalurad.<br />
- informacia, arasworad iqna gagebuli. mogexsenebaT,<br />
CvenTan gaxSirda msgavsi precedentebi,<br />
rac, vfiqrob arasworia da droze unda<br />
ailagmos. ganvixiloT es procesi ufro detalurad<br />
- magaliTad, pirovneba, romelic,<br />
vTqvaT, flobs sakuTrebaSi 400-450 kv.m far-<br />
Tis miwis nakveTs masze arsebuli sacxovrebeli<br />
saxliT, mijnavs Senobisgan Tavisufal teritorias<br />
da aregistrirebs mas reestrSi, rogorc<br />
axal nakveTs. faqtiurad, arsebuli nakveTis<br />
gayofiT viRebT or, 200 kv.m, an xSir<br />
SemTxvevaSi 130-150 kv.m farTis mqone nakveT
ebs. axladgamomcxvar nakveTze, rasakvirvelia<br />
Senoba aSendeba, magram am SemTxvevaSi, miwis<br />
resursi mTlianad gamoiyeneba - mas ar eqneba<br />
Tavisufali mikrogaremo, ezo. am qmedebiT, faqtiurad<br />
gaufasurdeba miwis Rirebuleba da<br />
mizerul miwis (xSir SemTxvevaSi) nakveTebze<br />
qaotur ganaSenianebas eqneba adgili. swored<br />
am procesebis winaaRmdeg wamoiwyo, Cvenma samsaxurma<br />
kompania. Tumca oficialuri dadgenileba<br />
jer ar arsebobs. igi damuSavebis procesSia.<br />
saWiroa swori, dasabuTebuli gadawyvetilebebis<br />
miReba. msgavsi problemebis dasaregulireblad<br />
ki aucilebelia arq.samsaxurisa<br />
da sajaro reestris mWidro urTierT-<br />
TanamSromloba.<br />
reestri, miwis gamijvnamde, kargad unda gaerkves<br />
arsebul, konkretul situaciaSi. uari<br />
uTxras miwis mflobels kuTvnili teritoriidan<br />
nakveTis gamoyofaze, im SemTxvevaSi, Tu<br />
teritoria, misi farTis sididis miuxedavad,<br />
masze arsebuli SenobiT, pirovnebis mflobelobaSi<br />
arq.samsaxuris mier aris damtkicebu-<br />
li. winaaRmdeg SemTxvevaSi problemebi eqmneba,<br />
rogorc arq.samsaxurs, aseve reestrs da rac<br />
mTavaria gamijnuli miwis axal mflobels.<br />
Cveni samsaxuri male daaregulirebs am sakiTxebs,<br />
raTa momavalSi ar gagrZeldes manipulaciebi<br />
qalaqis teritoriebis dayofa-gamijvnasTan<br />
dakavSirebiT.<br />
- qalaqi sagrZnoblad gamococxlda. mimdinareobs<br />
mniSvnelovani rekonstruqciebi. dagegmilia<br />
axali mSeneblobebi. konkretulad,<br />
ras gvetyodiT amis Sesaxeb?<br />
- rusTavelis gamzirze, rogorc iciT, dawyebulia<br />
istoriuli Senobebis restavracia.<br />
mecnieruli kvleviT, maRal doneze damuSavda<br />
gamziris marjvena mxaris detaluri proeqti.<br />
male daiwyeba aRmaSeneblis gamziris rekonstruqcia.<br />
qalaqproeqtis gamocdilma specialistebma<br />
calkeul, mtkivneul ubnebze, aRdgeniTi<br />
samuSaoebis Casatareblad, ramodenime<br />
optimaluri varianti SemogvTavazes da maT<br />
fonze, paralelurad mimdinareobs wertilovani<br />
(calkeuli istoriuli mniSvnelobis Se-<br />
The Strategy of Urban Development<br />
Interview with Manuchar Makhatadze,<br />
Head of Urban Development Department of Tbilisi<br />
Can you please share with us your vision of Tbilisi<br />
development, considering the various aspects, connected<br />
with efficient solution of urban development issues?<br />
Urban Development Department has been working on<br />
development of Tbilisi area for over the year now – their<br />
current task is to develop a master plan, which is going<br />
to become the key strategy of city development. Various<br />
structures of City Municipality are researching different parts<br />
of Tbilisi, registering constructions, architectural monuments<br />
and facilities, underground communication systems, bridges<br />
and other important sites existing in the city have been<br />
registered and sorted according to functions, delimiting and<br />
digitizing land boundaries. Due to the immense efforts, applied<br />
by all the stakeholders, we currently possess comprehensive<br />
information on the city and its different districts. In the near<br />
future, the information obtained from the Public Registry<br />
of Tbilisi will help us enrich these data.<br />
Another important news is that in the near future competitions<br />
on architectural reconstruction of historical districts<br />
of the city will be announced.<br />
On the other hand, several areas of Tbilisi cause interest<br />
of realty development companies. To eliminate chaotic<br />
architectural development, we have decided to systemize<br />
this commercial interest through a complex system of<br />
preliminary research process and architectural competitions,<br />
which will allow to satisfy all the stakeholders and identify<br />
the best options of city development.<br />
What is your approach to the problematic areas<br />
on Tbilisi development map?<br />
Within the current process of city development, the<br />
high-density construction areas remain an unsolved problem.<br />
The general policy of city office of architecture as<br />
regards densely populated districts will be to minimize the<br />
ongoing construction process and / or support “vertical<br />
increase” of construction areas, repair access roads and<br />
communications, take care of landscaping on the remaining<br />
territory in order to preserve the environment.<br />
What are the results of the competition on Rike<br />
area development?<br />
The competition on Rike area development was a closed<br />
one. It was conducted with participation of international level<br />
architects, who offered very interesting, innovative ideas<br />
and projects. However, the final project of Rike area development<br />
has not been approved as yet. At the time being,<br />
we only have a concept, a general idea, but the issue will<br />
be finalized in the nearest future.<br />
The problem of traffic, especially acute for the central<br />
parts of the city, probably requires certain crucial<br />
changes. What will be your response to this issue?<br />
While creating an assignment on spatial development<br />
of Tbilisi, we paid a great deal of attention to the analysis<br />
of existing transport communications network. Our office<br />
closely studied the areas around which occurrence of traffic<br />
jams is most frequent and took certain steps toward<br />
identification of solutions to this problem. Besides, in 2006<br />
we invited experts from Kaiserslautern University, Germany,<br />
who worked specifically on the traffic-related issues. Foreign<br />
experts evaluated the existing information and came back<br />
to us with several possible solutions, implementation of<br />
which we included into our agenda and which will, hopefully,<br />
give a desired result very soon.<br />
It became known that City Office of Architecture<br />
intends to impose restrictions on provisional division<br />
and sale of existing land plots. I do not think that the<br />
public has a clear picture of this issue. Can you please<br />
give us your comments thereupon?<br />
As you know, the frequency of land plot splitting has<br />
increased considerably, which, as we believe, is damaging<br />
and should be restricted in a good time. Let us take<br />
a closer look at this process – e.g. an individual, owning<br />
a 400-450sq.m. piece of land with a house sitting on it,<br />
registers the free part of his land separately in the Public<br />
Registry. The newly-created plot would surely be used for<br />
construction, and there is nothing wrong in an intention to<br />
create a new building, but considering the restrictedness<br />
of available area, the land would be used fully, and there<br />
would remain no free space on the site. Such actions basically<br />
bring down the cost of land and, as it happens in<br />
most cases, cause chaotic construction on minuscule land<br />
plots. It is against this tendency of space-devouring that<br />
our Office has started to struggle. However, there have<br />
been no official regulations passed on the issue – the work<br />
stili #23. 2007<br />
nobis) sarekonstruqcio samuSaoebi.<br />
mtkvris marjvena sanapiroze, cirkis Senobis<br />
ukan, sastumroebis brendi `haiati~ aSenebs<br />
axal kompleqss - sastumros da saofise Senobas.<br />
CvenTan mimdinareobs proeqtis SeTanxmeba-damtkicebis<br />
procesi, romlis safuZvelzec<br />
40 sarTuliani caTambjenebi - metad ZviradRirebuli<br />
obieqtebi realizirdeba.<br />
kompania `kempinskis~ ZalisxmeviT, soflis meurneobis<br />
saministros, ukve gasxvisebul SenobaSi,<br />
misi rekonstruqciis Semdgom sastumro<br />
ganTavsdeba. sastumrod gardaiqmneba yofili<br />
`imelis~ Senobac, Tumca orive SemTxvevaSi eqsterieri<br />
ZiriTadaT ucvleli darCeba.<br />
mniSvnelovani cvlilebebia dagegmili qu-<br />
Cis dizainis gasamravalferovnebad. qalaqis<br />
qonebis marTvis samsaxuri acxadebs konkurss<br />
qalaqSi sazogadoebrivi transportis gaCerebebis<br />
jixurebis dizainis saukeTeso variantis<br />
SesarCevad da male quCebi axali formebiT<br />
da ferebiT, kidev ufro gamococxldeba.<br />
esaubra nino laRiZe<br />
is still underway, because the decision, taken by relevant<br />
authorities should be efficient and consider the interests<br />
of all stakeholders.<br />
Such problems cannot be solved without close cooperation<br />
between the City Office of Architecture and the<br />
Public Registry – the Registry should not issue permissions<br />
on land splitting without having previously studied<br />
the background, so as not to create pretext for further complications.<br />
A couple of words about the current large-scale<br />
reconstruction activities, going on in the city and the<br />
new construction projects, which are most likely to<br />
enliven the image of our capital…<br />
As you know, reconstruction of several historical buildings<br />
is now going on in Rustaveli Avenue – the right part<br />
of the avenue has been subjected to a detailed scientific<br />
research, which resulted in a high-quality project. We are<br />
going to start the same process in Agmashenebeli Avenue.<br />
Experts from Urban Planning Office have offered us projects<br />
for reconstruction of several other problematic areas.<br />
These projects are now being finalized, but in the meantime<br />
we are conducting ‘pinpoint’ reconstruction of various<br />
historical buildings.<br />
On the right bank of Mtkvari river, behind the Circus,<br />
Hyatt Network plans to start construction of a new hotel<br />
/ business complex. We are now finalizing negotiations on<br />
the relevant project, implying construction of two very impressive<br />
(both as regards construction costs and technologies)<br />
40-level buildings.<br />
Due to the efforts of Kempinski Company, the former<br />
office of the Ministry of Agriculture will be reconstructed<br />
and transformed into a hotel. Another hotel will be housed<br />
in the former Marx, Engels and Lenin Institute, though in<br />
both cases exterior of the buildings will be preserved almost<br />
intact.<br />
We have planned several important changes, aiming<br />
at diversification of street design. City Office of Property<br />
Management announces competitions on design of bus<br />
stops, retail sales outlets and other outdoor constructions,<br />
so that very soon the streets of Tbilisi will become more<br />
diverse, more colorful and more lively.<br />
INTERVIEWED BY NINO LAGHIDZE<br />
15
16<br />
stili #23. 2007<br />
Tbilisis haiat parki<br />
mtkvris marjvena sanapiroze, cirkis Senobis ukan, sastumroebis brendis HYATTs<br />
mier axali kompleqsis - sastumrosa da saofise - biznescentris Senobebis ageba<br />
igegmeba. misi avtorebi kompania BBG-s (BRENNAN BEER GORMAN) arqiteqtorebi<br />
arian. saqarTvelos mxridan arqiteqtor-koordinatori gaxlavT gogi sulaberiZe.<br />
mimdinareobs proeqtis SeTanxmeba-damtkicebis procesi Tbilisis arqiteqturis<br />
samsaxurTan, romlis safuZvelzec 40 sarTuliani caTambjenebi -<br />
metad ZviradRirebuli obieqtebi realizdeba.<br />
kompleqsi moicavs or ZiriTad caTambjens. mravalsarTuliani, mravalfunqciuri<br />
nageboba, erTgvar qalaqis merkantul orients warmoadgens. Senobis moculoba,<br />
misi vertikalebis fasadTa modulacia maRali sazomis masStaburobas<br />
da gansxvavebulobas qmnis. mTliani arqiteqtonikis dayofa geometriuli Se-<br />
Wra-SemoWris principiT xorcieldeba. caTambjenebis minis garsi bunebrivi ganaTebiT<br />
uzrunvelyofs Sida sivrceebs. obieqtis mravalfunqciuroba aaqtiurebs<br />
garemos urbanul konteqsts da udaoa, dedaqalaqis Tanamedrove ubnis iersaxes<br />
mniSvnelovnad JRerads gaxdis.
stili #23. 2007<br />
17
18<br />
stili #23. 2007<br />
Hyatt Park Tbilisi<br />
A new HYATT complex, comprising hotel and business sections, will be built on the right bank of Mtkvari river, behind the Circus.<br />
Authors of the design are BBG (Brennan Beer Gorman) architects; on the Georgian side, the initiative is coordinated by architect Gogi Sulaberidze.<br />
The project, implying construction of a 40-storey complex, is now studied by the Architectural Office of Tbilisi. The project, consisting of two main high-rise constructions,<br />
is going to become one of the city landmarks, activating the urban context and enriching the existing architectural surroundings.
serTificirebulia
20<br />
stili #23. 2007<br />
arqiteqturuli konkursi<br />
saqarTvelos dedaqalaqis - Tbilisis qalaqm-<br />
SeneblobiTi ganviTarebis procesSi gamoikveTa<br />
ramdenime struqturul-gegmarebiTi saerTo-saqalaqo<br />
centris sistemis sakvanZo elementi, romelic<br />
atarebs gaazrebuli da aucilebeli inovaciis<br />
gansakuTrebul funqcias. am mimarTebiT, saerTosaqalaqo<br />
centris erT-erTi mniSvnelovani kvanZia<br />
metros sadgur `axmetelis Teatris~ miwiszeda vestibiulis<br />
mimdebare teritoria.<br />
aRniSnuli sivrciT-teritoriuli areali warmoadgens<br />
gldanis sacxovrebeli raionis xazovani<br />
centris sawyis urbanul kvanZs, sadac Tavmoyrilia<br />
mZlavri qalaqmaformirebeli sakomunikacio<br />
funqciebi. teritorias esazRvreba, rogorc<br />
sacxovrebeli zonebi, aseve saqalaqTaSoriso<br />
avtosadguri, bankebi, sxvadasxva simZlavris savaWro,<br />
sazogadoebrivi kvebisa da momsaxurebis<br />
obieqtebi.<br />
qveynis axali politikur-ekonomikuri formaciis<br />
Camoyalibeba- ganviTarebis pirobebSi, qalaqmSeneblobiTi<br />
TvalsazrisiT, aRniSnulma teritoriam<br />
ganicada kerZo kapitalis arcTu gaazrebuli<br />
zegavlena, Tumca arsebul stiqiur ganaSenianebaSi<br />
arqiteqturuli iersaxiT da strategiuli<br />
mniSvnelobis funqciuri datvirTviT, udaod gamoirCeva<br />
metros sadgur `axmetelis Teatris~ zeda<br />
vestibiulis nageboba.<br />
funqciuri, semantikuri, sainJinro da zogadad,<br />
kompoziciur-esTetikuri TvalsazrisiT, es<br />
areali ar warmoadgens dasrulebul qalaqmSeneblobiT<br />
kompleqss da saWiroebs msxvilmasStabian<br />
rekonstruqcias. amitomac, dedaqalaqis saer-<br />
To-saqalaqo centris am umniSvnelovanesi kvanZis<br />
mowesrigeba-ganviTarebis problemis gadaWra<br />
metad saSuri arqiteqturul-qalaqmSeneblobiTi<br />
amocanaa.<br />
am amocanis gadawyvetas axlebur impulss ani-<br />
Webs meriis urbanuli dagegmarebis saqalaqo samsaxuris,<br />
S.p.s. `salxino 93~-isa da S.p.s. `muxianis~<br />
erToblivi iniciativa, rac qalaqganviTarebis dRevandel<br />
socialur-ekonomikur pirobebSi saxelmwifo<br />
da kerZo seqtorebis TanamSromlobis erT-erT<br />
saukeTeso formas warmoadgens.<br />
zemoxsenebulidan gamomdinare, ama wlis 12<br />
Tebervals, gamocxadda Ria arqiteqturul-qalaqmSeneblobiTi<br />
konkursi q. TbilisSi, metros sadgur<br />
`axmetelis Teatris~ miwiszeda vestibiulis<br />
mimdebare teritoriis sivrciT-kompoziciuri ganaxlebis<br />
konteqstSi mravalfunqciuri kompleqsis<br />
proeqtze.<br />
konkursis ZiriTad mizans warmoadgenda Ria SemoqmedebiTi<br />
paeqrobis gziT, winamdebare `programa-pirobebiT~<br />
gansazRvruli sakonkurso teritoriisTvis<br />
da arealisaTvis sivrciT-kompoziciuri<br />
gadawyvetis miReba; am gadawyvetis konteqstSi, praqtikul<br />
Sedegebze orientirebuli, sakonkurso<br />
arealis sivrciT-kompoziciuri ganaxlebis da mravalfunqciuri<br />
kompleqsis saukeTeso proeqtis gamovlena<br />
da Jiuris rekomendaciis SemTxvevaSi, misi<br />
Semdgomi damuSavebisaTvis qalaqmSeneblobiTi<br />
davalebisTvis aprobirebuli safuZvlis Seqmna.<br />
sakonkurso arealSi da mravalfunqciuri kompleqsis<br />
SemadgenlobaSi gasaTvaliswinebeli iyo<br />
gaSenebis maRali intensiurobis sazogadoebriv-saqmiani<br />
zonisTvis (ssz; k-1=0,8; k-2=4,0;) `uflebrivi<br />
zonirebis~ wesebiT daSvebuli mravalfunqciuri<br />
saxeobebi.<br />
konkursis organizatorebi iyvnen:<br />
- q. Tbilsis meriis urbanuli dagegmarebis<br />
saqalaqo samsaxuri;<br />
- S.p.s. `salxino 93~;<br />
- S.p.s. `muxiani~.<br />
konkursi iyo erTturiani da saxelobiTi. mas-<br />
Si monawileoba miiRes diplomirebulma arqiteq-<br />
torebma da arqiteqturis specialobis magistraturis<br />
studentma.<br />
konkursSi monawileobis ufleba ar hqondaT<br />
Jiuris wevrebs da `samsaxuris~, S.p.s. `salxino 93~s<br />
da S.p.s. `muxianis~ TanamSromlebs.<br />
warmogidgenT konkursis Jiuris wevrebs:<br />
m. axvlediani - q. Tbilisis vice-meri, Jiuris<br />
Tavmjdomare;<br />
m. maxaTaZe - q. Tbilisis meriis urbanuli dagegmarebis<br />
saqalaqo samsaxuris ufrosi, qalaqis mTavari<br />
arqiteqtori;<br />
T. kopaleiSvili - S.p.s. ~salxino 93-s~ direqtori;<br />
r. CxaiZe - S.p.s. `muxianis~ direqtori;<br />
n. CxaiZe - arqiteqtori;<br />
d. mosiaSvili - arqiteqtori, konkursis pasuxismgebeli<br />
mdivani;<br />
g. abulaZe - arqiteqtori;<br />
n. amirejibi - arqiteqtori;<br />
v. baxtaZe - arqiteqtori;<br />
v. vardosaniZe - arqiteqtori-urbanisti;<br />
T. jafariZe - arqiteqtori.<br />
saukeTeso sakonkurso proeqtebisTvis dawesda<br />
Semdegi premiebi:<br />
- erTi pirveli premia - 12 000 lari;<br />
- erTi meore premia - 7 500 lari;<br />
- erTi mesame premia - 4 500 lari;<br />
- sami wamaxalisebeli premia,<br />
TiToeuli - 1500 lari.<br />
warmodgenil proeqtebze Jiuri 13-dan 24 ivnisamde<br />
muSaobda, kalendaruli grafikis Sesabamisad.<br />
sakonkurso masalebis sajaro ganxilva Sedga<br />
22 ivniss, kompania `arsis~ sagamofeno darbazSi,<br />
xolo konkursSi gamarjvebulTa vinaoba gamocxadda<br />
24 ivniss.<br />
warmogidgenT maT:<br />
amrigad, wamaxalisebeli premiebi mieniWaT:<br />
- arqiteqturis fakultetis diplomants,<br />
u. uCavas (konsultanti - profesori merab<br />
Cxenkeli);<br />
- g. kereseliZes;<br />
- g. miqiaSvils, k. maCaiZes, g, nonikaSvils,<br />
g. bokuCvas, g. gvancelaZes da<br />
l. maCabliSvils.<br />
mesame premiis mflobelebi gaxdnen: d. axvlediani,<br />
l. demetraSvili, g. TevzaZe da g. kiRuraZe.<br />
meore premia mieniWaT: a. mefariSvils da S. demetraSvils.<br />
xolo pirveli premia moipoves g. beriZem da<br />
l. doliZem.<br />
konkursis Sedegebis gamocxadebis Semdeg, konkursis<br />
organizatorebi gamarjvebuli proeqtebis<br />
safuZvelze ganaxorcieleben sakonkurso teritoriis<br />
da mravalfunqciuri kompleqsis ganvi-<br />
Tarebis Semdgom etapebs, saxeldobr:<br />
`samsaxuri~ - Seadgens Sesabamis qalaqmSeneblobiT<br />
davalebas sakonkurso teritoriisaTvis da sakuTriv<br />
mravalfunqciuri komleqsisaTvis. agreTve,<br />
Tavisi kompetenciis farglebSi ganaxorcielebs<br />
sxva kanonmdeblobiT dadgenil qmedebebs.<br />
S.p.s. `salxino 93~ da S.p.s. `muxiani~ dadgenili<br />
wesiT moiwveven `organizatorebis~ mier Ser-<br />
Ceuli proeqtebis avtorebs sakonkurso arealisa<br />
da `mravalfunqciuri kompleqsis saoproeqto dokumentaciis<br />
dasamuSaveblad, Seadgenen Sesabamis saproeqto<br />
davalebas da q. Tbilisis meriasTan, `q.<br />
Tbilisis teritoriebis gamoyenebisa da regulirebis<br />
wesebis~ Sesabamisad, daideba `infrastruqturis<br />
ganviTarebis xelSekruleba~. yovelives fonze,<br />
ki daiwyeba proeqtis realizacia.<br />
vusurvoT warmatebebi, mis organizatorebs, konkursis<br />
priziorebs, dawyebul sasikeTo saqmianobaSi,<br />
momaval etapebzec.
stili #23. 2007<br />
pirveli premia<br />
g. beriZe, l. doliZe<br />
meore premia<br />
a. mefariSvili,<br />
S. demetraSvili<br />
mesame premia<br />
d. axvlediani, l. demetraSvili,<br />
g. TevzaZe, g. kiRuraZe<br />
21
wamaxalisebeli prizi:<br />
g. kereseliZe<br />
22<br />
stili #23. 2007<br />
wamaxalisebeli prizi: kaxa maCaiZe,<br />
goCa miqiaSvili, giorgi nonikaSvili,<br />
giorgi gvancelaZe mixeil ramiSvili,<br />
luka maCabliSvili, giorgi bokuCava<br />
wamaxalisebeli prizi:<br />
uCa uCava<br />
konsultanti:<br />
Cxenkeli merabi
serTificirebulia
24<br />
stili #23. 2007<br />
qalaqis arqiteqturis<br />
mniSvnelovani niuansebi<br />
arqiteqturis aRqma, pirvel rigSi es-<br />
Tetikur siamovnebas unda warmoqmnides,<br />
rasac qalaqgegmarebiTi Canafiqris moculobiToba,<br />
obieqtisaTvis zusti adgilis<br />
SerCeva, kompoziciis sivrcobrivi wyoba,<br />
teqnikisa da nagebobis funqciuri struqturis<br />
axali, progresuli sinqroni ganapirobebs.<br />
naTqvami zedmiwevniT miesadageba, amje-<br />
rad warmodgenil, TbilisSi ganxorcielebuli<br />
obieqtebis - savaWro centri diRomSi<br />
(2005-2006 ww). mT. arqiteqtori: giorgi<br />
WumburiZe. avtorebi: gogi sulaberi-<br />
Ze, rati xecuriani, giorgi WumburiZe; sacxovrebeli<br />
kompleqsi “parkpleis -1” – WavWavaZis<br />
gamziri #78 (2005-2007 ww). mT. arqiteqtori:<br />
rati xecuriani, avtorebi:<br />
gogi sulaberiZe, gaga kiknaZe, Saqri qur-<br />
diani, irakli vaCeiSvili, mika yruaSvili,<br />
sandro ramiSvili; vakis sacurao auzis<br />
rekonstruqcia (2004-2005 ww.). mT. arqiteqtori:<br />
gogi sulaberiZe, avtorebi: sandro<br />
ramiSvili, gogi sulaberiZe - arqiteqturul-moculobiT<br />
Tu gegmarebiT gadawyvetas.<br />
calkeul SemTxvevaSi, maTi mkafio<br />
struqturis mqone erTiani organizmi ga
emomcveli, konkretuli ganaSenianebis dominantia,<br />
mTel sivrces kravs da amave dros TiTqos masTanaa<br />
dapirispirebuli. SenobaTa forma TavianT<br />
funqcias ara imdenad ganaxorcielebs, ramdenadac<br />
gamoxatavs da mis Sesaxeb avtorTa xatovan warmosaxvas<br />
iZleva. eqsterierTa moculobiTi dizaini,<br />
nagebobis daniSnilebis specifikurobis aRqma<br />
aZlierebs da haerovnebas matebs Sida vrcel,<br />
daxurul Tu Ria moculobebs.<br />
monumentur formebSi Seqmnili nagebobebis mkve-<br />
Tri dasamaxsovrebeli saxis moculobiT-sivrcobrivi<br />
kompozicia, erT SemTxvevaSi TavisTavad dominantia,<br />
meoreSi ki centrisadmi - aTvlis wertilisadmi<br />
mimarTebiT gadanawilebul moculobebzea<br />
dafuZnebuli. moculobis warmoCenis Taviseburi,<br />
profesiuli xedva nagebobaTa mTlianobis, mZlavri,<br />
moqnili siluetis ganmsazRvrelia. arqiteqturuli<br />
masebi TavianTi parametrebiT, proporciuli<br />
wyobiT mTlian moculobas gansakuTrebul gamomxatvelobas<br />
aniWeben. Tanamedrove masalis xarisxis<br />
gamovlenisa da maTi kompoziciaSi gamoyenebis<br />
saSualebiT erTianad aRiqmeba nagebobaTa materialuroba,<br />
simtkice, simsubuqe - qalaqis arqiteqturul<br />
panoramaSi saintereso niuansebi Cndeba.<br />
nino laRiZe<br />
stili #23. 2007<br />
25
26<br />
stili #23. 2007<br />
Important Details of City Architecture<br />
Perception of an architectural construction, its aesthetical<br />
value firstly depend on the scale of urban planning<br />
solution, selection of the site, spatial composition,<br />
integrity of technique and functional structure.<br />
The above fully describes architectural and planning<br />
solution of the following projects, recently realized<br />
in Tbilisi: a trade center in Dighomi (2005-2006; chief<br />
architect – Giorgi Chumburidze; authors – Gogi<br />
Sulaberidze, Rati Khetsuriani, Giorgi Chumburidze), residential<br />
complex “Parkplace-1” in no.78 Chavchavadze<br />
Avenue (2005-2007; chief architect – Rati Khetsuriani,<br />
authors – Gogi Sulaberidze, Gaga Kiknadze, Shakri<br />
Kurdiani, Irakli Vacheishvili, Mika Kruashvili, Sandro<br />
Ramishvili), reconstruction of Vake Swimming Pool (2004-<br />
2005; chief architect – Gogi Sulaberidze, authors – Sandro<br />
Ramishvili and Gogi Sulaberidze).<br />
Each project dominates and integrates the surrounding<br />
architectural background. Bulky but flexible exterior<br />
shapes not so much correspond to the purpose<br />
of this or that building as provide their artistic interpretation,<br />
highlight their function and render them even<br />
more expressive.<br />
NINO LAGHIDZE
serTificirebulia<br />
PFT G4 - ukve saqarTveloSia!<br />
PFT G4 salesile manqana #1 evropaSi!<br />
PFT G4 - lideri evropul salesile manqanebs Soris.<br />
muSaobs yovelgvar mSral narevebTan, romelTa<br />
datanac xdeba manqanuri wesiT. 60 000-ze meti<br />
gayiduli egzemplari ukve bevr rameze<br />
metyvelebs.<br />
PFT G4 - gamoiyeneba TabaSiris, kir-TabaSiris,<br />
cementis, kir-cementis salesile duRabebis da<br />
sakalatozo duRabis mosamzadeblad da<br />
zedapirze dasatanad, aseve TviTnivelirebadi<br />
dasasxmeli iatakebis mosawyobad.<br />
S.p.s. "knauf marketing Tbilisi"<br />
sakontaqto misamarTi:<br />
gamrekelis 19, 0160-Tbilisi, saqarTvelo.<br />
tel: 242503, 242503<br />
faqsi: 242504<br />
e-mail: info@knauf.ge
stili #23. 2007<br />
siyvarulidan siZulvilamde erTi nabijia<br />
Tbilisis nebismier ubanSi, nebismier quCaze, nebismieri asakis, socialuri fenis, profesiis gamvleli rom gaaCeroT da hkiTxoT,<br />
romeli qalaqi uyvars yvelaze metad, romeli qalaqia yvelaze lamazi, TviTmyofadi, kolorituli, ganurCevlad yvela erTi da imave<br />
pasuxs gagcemT - `Tbilisi, ra Tqma unda, Tbilisi!~<br />
Cven, qarTvelebs gviyvars, mogvwons, gveamayeba Cveni uZvelesi dedaqalaqi. mas simRerebs, leqsebs vuZRvniT. sufraze, rogorc wesi,<br />
mis sadRegrZelos vsvamT. Camosul stumars siamayiT vaTvalierebinebT, Zvel nawilSi vaseirnebT, qalaqis Sesaxeb arsebul legendebs<br />
vuyvebiT. WeSmariti TbiliselobiT Tavi mogvaqvs, vtrabaxobT da es `Tbiliseloba~ RmerTisgan naboZeb gansakuTrebul pativad,<br />
bednierebad gvaqvs aRqmuli. TiToeulma qarTvelma zepirad icis sityvebi - `Tbiliso, mzis da vardebis mxareo, uSenod sicocxlec<br />
ar minda...~<br />
ar ginda da nu ginda! Tbilisi dRes, samwuxarod, is qalaqi aRar aris, romelsac Tavis<br />
droze es sityvebi mieZRvna. sistemas, dros, droiT motanil moTxovnebsa da gemovnebiT<br />
kriteriumebs, aTasgvar mTavrobebs morgebulebma, Cven, yvelam erTad, TiToeulma<br />
CvenTaganma wlebis ganmavlobaSi, es, marTlac rom ulamazesi da CvenTvis viTomda aseTi<br />
Zvirfasi qalaqi meTodurad, daundoblad, daufiqreblad, windauxedavad, nel-nela,<br />
sakuTari, piradi interesebidan, mogebidan, uzneobidan an Tu gnebavT ukulturobidan<br />
gamomdinare vamaxinjeT. uzarmazari, erTi meoreze usaxuri, tipiuri sacxovrebeli kvartalebi<br />
vaSeneT, romlebsac karga xani araferi eSveleba. vangrieT Zveli, unikaluri<br />
ubnebi, Senobebi da maT adgilas `kancelaria~, `respublikis moedani~ Tavisi `iveriiT~<br />
da kidev uamravi sxva Senoba-urCxuli wamovWimeT.<br />
qarTuli kulturisaTvis sruliad<br />
Seuferebeli araerTi saSineli Zegli,<br />
qandakeba, davidgiT. isedac maxinj, Tbilisis<br />
specifikisgan amovardnil mravalsarTulian<br />
korpusebs mivaSeneT lojiebi, davaSeneT<br />
qoxebiviT mansardebi, individualuri<br />
gemovnebidan da SesaZleblobebidan gamomdinare<br />
fasadze gamavali kar-fanjrebi gamovcvaleT,<br />
ezoebi daJanguli rkinis avtofarexebiT<br />
avavseT, erTi xis dasargavi, an<br />
bavSvis gasaseirnebeli, saTamaSo adgili ar<br />
davtoveT. trotuarebi ubadruki, Wrela-<br />
Wrula jixurebiT CavxergeT, yvela maRaziis<br />
Tu silamazis salonis garSemo kedlebi<br />
mepatronis fantaziisa da gemovnebis mixedviT<br />
SerCeuli feriT SevRebeT, sareklamo<br />
warwerebiT avaWreleT. abrebi mivakariT<br />
yvelgan, sadac ki SeiZleboda da ar SeiZleboda,<br />
xeebzec ki da es yvelaferi saku-<br />
Tari, dalagebul-dakrialebuli binebidan,<br />
saxlebidan gamotanil nagavSi CavaxCveT, Ca-<br />
28
stili #23. 2007<br />
vfeliT. Tqven warmoidgineT, amas yvelafers da kidev<br />
mets, wlebis manZilze Cven vakeTebdiT, vakeTebT da samwuxarod,<br />
albaT, aseve gavagrZelebT. araprofesionalur,<br />
mogonil, TiTidan gamowovil simaxinjeebs dResac<br />
vaSenebT, sokoebiviT vamravlebT, zogadad qalaqis,<br />
calkeuli ubnebis specifikas uxeSad varRvevT, qalaqis<br />
reliefs, quCis sidides, sigrZe-siganes, mezobeli saxlebis<br />
saerTo simaRles arafriT viTvaliswinebT. vakeTebT<br />
yvelafers mxolod ise, rogorc Cven mogvwons,<br />
gvesmis, an pirvel rigSi, gvawyobs. Cveneburad vRebavT,<br />
fanjrebis nacvlad TviTneburad karebs vWriT, aivnebs<br />
vawebebT, isedac viwro, patara quCebs, kidev ufro vaviwrovebT,<br />
faqtiurad gauvalad vaqcevT, uzarmazari<br />
korpusebis CaSenebiT vauqmebT skverebs, parkebs. Cven ase<br />
gvinda! Cven ase gvawyobs! Cven ase gvesmis! ioli, momgebiani<br />
poziciaa, miTumetes, Tu am yvelaferSi damnaSavec<br />
yovelTvis martivad moiZebneba. Cven arafer SuaSi<br />
ar varT. Cven Tbilisi gviyvars! amaSi xan ugulo, arafrismoyvarul<br />
komunistebs, xan mogebis survilisagan dabrmavebul-gaRorebul<br />
samSeneblo, ufro swored, modurad<br />
rom vTqvaT, developerul kompaniebs, xan uzneo korumpirebul<br />
Cinovnikebs da yvelaze xSirad ki ratomRac,<br />
`uniWo~, `araprofesional~ qarTvel (ucxoelebi kargia!)<br />
arqiteqtorebs vadanaSaulebT. arada, komunistebic,<br />
Cinovnikebic, arqiteqtorebic, proeqtis mimReb-damamtkiceblebic,<br />
mSeneblebic da mere am vandalur saxlebSi<br />
binebis myidvelebic xom Cven varT. Cven, visac Tbilisi<br />
ase gviyvars, misdami miZRvnili erTi leqsi mainc<br />
Tavidan bolomde zepirad viciT da Cveni dedaqalaqis<br />
sadRegrZelos fexze damdgari, gansxvavebuli sasmisiT<br />
vsvamT. mere ki rigiTi vandaluri mSeneblobis nebarTvis<br />
misaRebad qrTams vaZlevT, an viRebT. komerciuli<br />
mogebis mizniT, magaliTad veris patara, koloritul<br />
saxls vangrevT da wiTel-yviTel-vardisfer urCxuls va-<br />
SenebT. trotuarebs SuSis savaWro centrebiT, an totalizatorebiT<br />
vxergavT. didi, naTeli, mosaxerxebeli<br />
binebi ar gvyofnis da kidev ufro gafarToebis mizniT,<br />
yvela SesaZlebeli mimarTulebiT, mercxlis budeebiviT<br />
patar-patara oTaxebs vaSenebT, TaRebs vWriT, `evroremonts~,<br />
usulo, uwarsulo, usaxur, magram normad,<br />
`karg tonad~ miCneul `modur~ interierebs vikeTebT,<br />
remontis nagavs iqve sadarbazosTan vyriT, saxls<br />
valagebT, stumrebs viwvevT da kvlav Tbilisis sadRegrZelos<br />
vambobT.<br />
gviyvars Tu gvZuls?<br />
ar mogwonT eg sityva? geuxeSebaT?<br />
Tqveni Tavis mimarTebaSi gaRizianebT?<br />
maSin, Zala moikribeT da Tqven<br />
garSemo odnav obieqturi TvaliT mimoixedeT.<br />
sadRac sxvagan, gaurkvevel<br />
damnaSaves nu eZebT!<br />
Tbilisis dRevandeli, me rom mki-<br />
Txo, sagangaSo mdgomareoba yvela CvenTaganis<br />
bralia da amas versad gaveqceviT.<br />
gviyvars Cveni uZvlesi, ulamazesi,<br />
marTlac rom TviTmyofadi dedaqalaqi,<br />
magram sakuTari interesebi,<br />
gamorCena, mogeba, gafarToeba, sacxovrebeli<br />
pirobebis gaumjobeseba, patara,<br />
meSCanuri simyudrovis Seqmna gvirCevnia.<br />
da mogwonT Tqven Tu ara, aRiarebT<br />
amas, Tu vera, SeZlebT obieqtur<br />
Sefasebas, Tu vera, es, swored is<br />
gzaa, sadac siyvarulidan siZulvilamde<br />
mxolod erTi, Zalian mokle, TiTqmis<br />
SeumCneveli, magram mniSvnelovani,<br />
gadamwyveti nabijia.<br />
qeTusia ignatova<br />
29
30<br />
stili #23. 2007<br />
One Step From Love<br />
to Hatred…<br />
If you stop any passer-by in any district of Tbilisi and ask what city he loves<br />
most, everyone will say ‘Tbilisi’.<br />
We Georgians are fond of our ancient capital city. We dedicate to it songs, verses<br />
and toasts, take pleasure in showing it to the guests and recalling its history.<br />
Those born in Tbilisi consider their origin as a special favor and pride.<br />
But today, our Tbilisi is not the same city in honor of which we used to compose<br />
songs and verses. Governmental systems, changing requirements of time, taste<br />
and fashion cause us – every one of us – to turn our backs on our cherished home<br />
city and methodically, ruthlessly, irreparably cripple it without looking back at the consequences.<br />
Impersonal administration buildings and irrelevant monuments, craggy apartment<br />
blocks with odd doors and windows, rusty garages and motley-colored shops, rising<br />
in place of unique old districts without any consideration of the existing background,<br />
style, local specificity – unfortunately, all this is done by us and will probably go on<br />
for many years to come. Evidently, this is what we want to have. An advantageous<br />
position, especially that the responsibility always rests with somebody else (because<br />
we would never harm our city) – the local undereducated architects, entrepreneurs<br />
with no imagination, development companies chasing profitable deals, corrupted government<br />
officials, etc… The only thing we forget is that we are the members of this<br />
list (architects, businessmen, development companies, government officials, etc.).<br />
So what do we feel toward our city – do we love or hate it? Let us face the<br />
truth – the present-day alarming (as I think) situation of Tbilisi is our fault. Yes, we<br />
are fond of the place where we were born, but our personal interests, whatever they<br />
be, appear to be much closer to our heart than the environment in which we live.<br />
And this is the way on which love and hatred are just one step – one little, but<br />
important step away.<br />
KETUSIA IGNATOVA
finansuri centri<br />
marjaniSvilis quCaze, Teatris gverdiT<br />
me-20 saukunis aTian wlebSi aSenebuli<br />
saxli dgas. Senoba arqiteqtor<br />
leopold bilfeldis proeqtiT ganxorcielda,<br />
kavkasiis regionSi SvedeTis<br />
vicekonsulis qaliSvilis efrosine martinovskaiasaTvis.<br />
Senoba Tavisi arqiteqturiT<br />
- aRmosavluri fligelebiT,<br />
profiluri aivnebiT fsevdo- renesan-<br />
sisa da fsevdo-klasicizmis periods<br />
miekuTvneba. komunistebis periodSi saxli<br />
erT-erT administraciul Senobad<br />
iqca.<br />
2005 wels nageboba `jiardisi jgufma~<br />
SeiZina da 11 Tvis Semdeg, prezentaciaze<br />
biznes korpuss `grin bildingad~ warudgina.<br />
Senobis rekonstruqciaze<br />
5 000 000 daixarja. investiciebi, rogorc<br />
stili #23. 2007<br />
saxli<br />
HOUSE<br />
inglisidan, amerikidan, holandiidan, aseve<br />
saqarTvelodan iqna moZiebuli. Zvel<br />
SenobasTan erTad aSenda axali korpusic.<br />
arsebuli Senobis rekonstruqciisa da<br />
axali korpusis erTiani proeqti, arqiteqtorebis<br />
- levan muSkudianisa da gaga kiknaZis<br />
avtorobiT Seiqmna. samSeneblo samuSaoebi<br />
samSeneblo kompaniam NCC-ma Caatara.<br />
31
32<br />
stili #23. 2007<br />
arqiteqtorebma Cveuli profesionalizmiT<br />
gardaqmnes JamTa svliT Selaxuli<br />
da funqciadakarguli Senobis iersaxe da<br />
daniSnuleba, sifrTxiliT moekidnen warsulis<br />
danatovars da iseTi arqiteqturuli<br />
da dizaineruli gadawyveta monaxes,<br />
romliTac warsulisa da awmyos er-<br />
Tiani gamomxatvelobiTi saxea dafiqsirebuli.<br />
Zveli Senobis fasadi da Sida sivrce<br />
klasikuri stilis esTetikas pasuxobs.<br />
interierSi tradiciebi Tanamedro-<br />
ve mentalitetTanaa adaftirebuli. axli<br />
Senobis eqsterieri uCveulod sasiamovno<br />
disonans qmnis arsebulTan. mTlianobaSi,<br />
kompleqsis sivrceTa atmosferos,<br />
haeriT gajerebuli simsubuqe gansazRvravs.<br />
`jiardisma~ istoriuli mniSvnelobis<br />
saxls axali funqciebi Semata. restavrirebul<br />
da TanamedroveobaSi gacocxlebul<br />
SenobaSi biznes-centri ganTavsda.<br />
3000 kv.m farTi evropuli, umaRlesi kla-<br />
sis ofisebiT aRiWurva.<br />
interierebi plastikuri gadawyvetisa<br />
da wynari gamebis SerwymiTaa agebuli.<br />
aq TiToeuli detali daxvewili da mowesrigebulia.<br />
dizaini individualuria da<br />
absoluturad gansazRvruli funqcia gaaCnia.<br />
yovelive es ki misi daniSnulebis Sesabamis<br />
komfortul, saqmian da saintereso<br />
garemos ganapirobebs.<br />
nino laRiZe
Business Center<br />
In Marjanishvili Street, by the side of the theater,<br />
there stands a house, built in the 1910s. The project<br />
of this construction – a mixture of pseudo-Renaissance<br />
and pseudo-Classicist styles – was designed by architect<br />
Leopold Bilfeld for Ms. Eprosine Martinovskaia, the<br />
daughter of Swedish vice-consul in Caucasus.<br />
During the Soviet time, the house was used for<br />
administrative purposes. In 2005, it was purchased by<br />
GRDC Group, reconstructed, expanded and opened<br />
under the name of Green Building. Reconstruction of<br />
the building and construction of a new wing was con-<br />
ducted with the help of British, American, Dutch and<br />
Georgian investors.<br />
The project of reconstruction / extension was<br />
designed by architects Levan Mushkudiani and Gaga<br />
Kiknadze; construction works implemented by construction<br />
company NCC.<br />
In their customary professional manner, architects<br />
transformed the exterior of the time-worn building and<br />
found a design solution, allowing to integrate its longterm<br />
history with current functions.<br />
Façade and interior of the old building retain the<br />
stili #23. 2007<br />
aesthetics of classicist style (with certain elements of<br />
modern interpretation showing up in interior design),<br />
while its new wing forms a pleasant contrast with the<br />
‘elder’ counterpart.<br />
Having adapted a historical building to the presentday<br />
reality, GRDC created a state-of-art business-center<br />
with the total area of 3000 sq.m. Flexibility and elegance<br />
of design render its interior space highly expressive and<br />
functional, and form a comfortable, businesslike atmosphere,<br />
fully corresponding to the purpose of the building.<br />
NINO LAGHIDZE<br />
33
<strong>SUN</strong> <strong>CITY</strong> – yvelaze eqskluziuri<br />
misamarTi Savi zRvis sanapiroze<br />
Sun City - zRvispiras ganfenili premium klasis kompleqsi, romlis TiToeuli apartamentidan<br />
iSleba Savi zRvisa da aWaris mTebis Tvalwarmtaci, panoramuli xedebi.<br />
Sun City - zRvispira kurortze dasvenebisa da antikuri istoriis mqone qalaqSi cxovrebis<br />
SesaniSnavi SesaZlebloba.<br />
Sun City - uZvelesi istoriul-arqiteqturuli Zeglebis, mdidari kulturis zonebisa da<br />
subtropikuli mcenareulobis garemoSi aRmocenebuli kompleqsi.<br />
Sun City - kluburi tipis kompleqsi, romlis wevroba mravalferovani momsaxurebebiTa da<br />
privilegiebiT sargeblobas iTvaliswinebs. Tqvens gankargulebaSi iqneba<br />
garTobisa da dasvenebis saSualebebi, romlebsac SexvedrixarT msoflios<br />
saukeTeso kurortebze.<br />
Sun City - wlis 4-ive sezonze dasvenebisa da gantvirTvis gansakuTrebuli garemo.<br />
Sun City -Si cxovreba Tqveni Tavdajerebulobisa da warmatebuli moRvaweobis<br />
logikuri dasturia.<br />
<strong>SUN</strong> <strong>CITY</strong> – THE MOST EXCLUSIVE ADDRESS<br />
ALONG THE BLACK SEA COAST<br />
Sun City - premium Class complex along the Black Sea coast. Beautiful and panoramic views of the Black Sea and<br />
Mountain can be seen from every apartment of the complex.<br />
Sun City - gives a remarkable opportunity to rest at the seaside resort and live in a city having an ancient history.<br />
Sun City - complex built in the surroundings of ancient historic-architectural monuments, seaside resorts, cultural zones<br />
and rich subtropical plants.<br />
Sun City - being a member of Sun City means to benefit from wide range of services and privileges.<br />
You will be provided with a service of worldwide standards and enjoy different means of entertainment,<br />
which are provided on the best resorts of the world.<br />
Sun City - during all four seasons you will enjoy yourself and have a good opportunity to relax in Sun City .<br />
Living in Sun City is a logical evidence of your self-confidence and successful lifestyle.<br />
www.suncity.ge
serTificirebulia<br />
www.tifliscity.ge
36<br />
stili #23. 2007<br />
sacxovreblis arqiteqtonika<br />
Tbilisis erT-erT prestiJul ubanSi<br />
arqiteqtor Salva jafariZis proeqtiT sacxovrebeli<br />
saxli aSenda. proeqtis Rirseba<br />
– misi sivrcis garemosTan urTierTkavSirSi<br />
mdgomareobs. nageboba kompaqturia<br />
– arqiteqtonikis ZiriTadi jgufebi<br />
erTmaneTTan moxerxebuladaa dakavSirebuli.<br />
misi arqiteqtura originaluri<br />
kompoziciiT gamoirCeva da erT mTlianobaSi<br />
aRiqmeba. sxvadasxva geometriuli,<br />
mobiluri formebis SerwymiT, Senobis moculoba<br />
dinamiuri da Sesabamisad mravalferovania.<br />
saxli Tavidanve ipyrobs yuradRebas<br />
araordinaluri gadaxurvis vi-<br />
zualuri simsubuqiTa da siluetis grafikuli<br />
sizustiT. amasTan erTad mniSvnelovania<br />
is, rom SemoqmedebiTad gaazrebul<br />
moculobaSi arqiteqturuli detalebis<br />
koloriti yovel vertikalur Tu horizontalur<br />
WrilSia gadaTamaSebuli<br />
da mikrosamyaros simbolur vels qmnis..<br />
interieris atmosfero uxvad Seminuli<br />
sibrtyeebidan SemoWrili sinaTliTa<br />
da haeriTaa savse da Tavisufalia. Seminuli<br />
sibrtyeebi zrdis sacxovreblis sazRvrebs<br />
da maTi mcdeloba moaqcion igi<br />
xist, Tundac gamWvirvale CarCoebSi –amaoa.<br />
didi masebis konstruqciul simsubuqes di-<br />
zainis elementebic imeoreben. interier-<br />
Si yuradRebas ipyrobs arq. fragmentebis<br />
dekoratiuli kompoziciebi, sxvadasxva<br />
aqsesuarebis forma, feri da a.S. Sida da<br />
gare samyaros saxlis mgrZnobiare membranad<br />
gardaqmnili garsi erTimeoris monacvleobiT<br />
aRiqvams.<br />
arqiteqtorma sacxovrebelSi mTliani<br />
sivrcis Tavisuflebis mzardi xarisxis<br />
gamoyenebiT komfortuli da mSvidi garemo<br />
Seqmna.<br />
nino laRiZe
Residential Space<br />
Architectonics<br />
A residential house (author: architect Shalva Japardze) was recently built in one<br />
of the fashionable districts of Tbilisi. Main accomplishment of the project is its close<br />
connection with the surrounding space, the immediate environment. The construction<br />
is very compact with main architectonic groups ingeniously connected with<br />
each other. Its architectural composition is rather original and harmonious. Volume<br />
of the building, composed of diverse geometric forms, develops dynamically and<br />
flexibly. Unusual, light and uncomplicated roofing acts as a dominating exterior detail.<br />
Interior of the house is connected with the outer world by a range of glazed<br />
surfaces, which expand its borders and let in a great deal of sunlight and air.<br />
Constructional lightness of larger masses is reiterated by minor design elements,<br />
decorative compositions and accessories. The house breathes in unison with its<br />
surroundings, offering its inhabitants a comfortable living environment as well as<br />
the exciting beat of city life.<br />
NINO LAGHIDZE<br />
stili #23. 2007<br />
37
38<br />
stili #23. 2007<br />
arqiteqturuli speqtakli<br />
baton oTar vefxvaZis mier ganxorcielebuli<br />
obieqtebis skulpturuloba da formaTa simbolika<br />
avtoris SemoqmedebiT koncefcias dakonkretebisa<br />
da ganmartebis gareSe warmoaCens.<br />
amJamad ostatis ZalixmeviT baraTaSvilis<br />
quCa icvlis iersaxes. konkidan dawyebuli,<br />
vidre yavlaSvilis Zeglamde avtoriseuli interpretaciiT<br />
gardaiqmneba garemo Tu mis irgvliv<br />
arsebuli moculobebi. procesi dawyebulia<br />
- ukve Seqmnili ki moulodnelobebiT aRsavse<br />
perspeqtivebs ganapirobebs.<br />
patara skveri, gubura kupidoniT, ucnaurad<br />
mokirwyluli bilikebi, baris interieri...<br />
aq moculobiTi kompoziciebi masisa da sivrcis<br />
urTierTobiT xasiaTdeba. formawarmomqmnel<br />
sawyiss skulpturuli, TviTmyofadi cocxali<br />
masa warmoadgens. sivrce ki kompoziciurad<br />
eqvemdebareba mas. dizaineri umTavress adgils<br />
formebis plastikur saxesxvaobas, adamianisaTvis<br />
gansazRvrul emociurad datvirTul<br />
garemos Seqmnas uTmobs adgils. erTiani moculobebisa<br />
da Sida sivrcis urTierTqmedebis specifikis<br />
Rrma wvdoma kompoziciuri palitris<br />
simdidris gaxsnisa da gamoyenebis SesaZleblobas<br />
iZleva. interierSi Tanamedrove Tu tradiciuli<br />
arqiteqturuli dekoris yoveli fra-<br />
gmenti mniSvnelovan datvirTvas iRebs. erTiani<br />
sivrcis gansakuTrebuli atmosfero sasiamovno<br />
urTierTobebisaTvis gangvawyobs. dizainis<br />
saxe dekoris motivebiT, moculobiTi da<br />
plastiuri gadawyvetebiT arqiteqturuli ri-<br />
TmebiT iqmneba. gamoyenebul dekorze ar batonobs<br />
wuTieri moda. eleganturoba natif niuansebSia<br />
gansxeulebuli. TiToeul fragmentSi<br />
axlis, Tanamedroveobis suliereba SeigrZnoba<br />
da visac Seswevs unari SeigrZnos es silamaze<br />
- eZleva Sansi datkbes arqiteqtonikuli speqtakliT.<br />
nino laRiZe
stili #23. 2007<br />
39
40<br />
stili #23. 2007<br />
Architectonic Spectacle<br />
Sculptural precision and symbolism of Otar<br />
Vephkhvadze reflect the author’s creative concept without<br />
a need for further explanations. At the time being,<br />
Otar Vephkhvadze works on reconstruction of Baratashvili<br />
Street, interpreting its environment and giving new life<br />
to the existing buildings.<br />
Take Romaamori Bar, surrounded by a small<br />
square, a fountain, unusually paved paths… The design<br />
acquires its final image from interaction of forms with<br />
their live environment. Flexible and uninhibited combination<br />
of diverse design elements – including such<br />
unusual material as occasional visitors – creates an<br />
emotional atmosphere in which all the components<br />
are equally meaningful and where notions of fashion<br />
and time are dominated by the sense of freedom and<br />
eternity.<br />
NINO LAGHIDZE
serTificirebulia
42<br />
stili #23. 2007
cixe-simagre<br />
Tanamedrove<br />
interpretaciiT<br />
sacxovrebeli saxlis Seqmnisas, arqiteqtoris<br />
winaSe dgas saintereso,<br />
magram yovelTvis. Taviseburad rTuli<br />
amocana - Seiqmnas komfortuli da araordinaluri<br />
sacxovrebeli sivrce konkretuli<br />
ojaxis SemoqmedebiTi Taviseburebebisa<br />
da individualurobis ga-<br />
TvaliswinebiT, sadac ojaxis wevrTa gemovneba<br />
saxlis moculobiT-sivrcobrivi<br />
saxis stiluri mimarTulebis safu-<br />
Zvelia.<br />
dRes saqarTveloSi, mogexsenebaT,<br />
mSeneblobis bumia magram, xSir SemTxvevaSi,<br />
ara mgonia, am procesSi Cabmuli<br />
adamianebi Canafiqris gansaxorcieleblad<br />
profesionalebs mimarTavdnen<br />
da Sedegic - xSir SemTxvevaSi savalaloa.<br />
am TvalsazrisiT, warmodgenili sacxovrebeli<br />
saxli, romelic TbilisSi,<br />
arayiSvilis quCaze aSenda, erT-erTi bednieri<br />
gamonaklisia. misma mepatronem,<br />
daviT zodelavam, SesaniSnavad icoda,<br />
rac undoda - ` saxli, garegnulad cixe-simagred<br />
unda aRiqmes, Sida sivrce<br />
ki gaxsnili da Tavisufali iyos~ - miawoda<br />
idea man megobar arqiteqtors,<br />
zaza ciciSvils da proeqtze muSaobisas,<br />
swored es `Tezisi~ gaxda profesionalisTvis<br />
ZiriTadi amosavali wertili.<br />
`damkveTi~ ar Semcdara, arqiteqtorma<br />
zustad ganaxorciela misi Canafiqri.<br />
sacxovrebeli saxlis arqiteqturul-gegmarebiT<br />
gadawyvetaSi ori mniSvnelovani<br />
principia gatarebuli - er-<br />
Tis mxriv, misi arqiteqtura absoluturad<br />
Tanamedrovea, kosmopolituria.<br />
amgvari saxli nebismier arqiteqturul<br />
qargaSi SeiZleba arsebobdes,<br />
meores mxriv, igi metad qarTulia - tradiciebidanaa<br />
aRmocenebuli.<br />
garemosTan Serwymuli Senobis arqiteqtonikul<br />
wyobaSi Tu Sida sivrceSi<br />
gemovnebiT da gonivruladaa SerCeuli<br />
bunebrivi masala, detalebi, niuansebi.<br />
sacxovreblis sufTa, ekologiuri<br />
garemo myudro da komfortulia.<br />
`cixe-simagre~ masStaburia, msubuqia<br />
da landSaftTan sasiamovno disonans<br />
qmnis. Senoba dasavleTisa da samxreTis<br />
mxridan TiTqmis mTlianad daxurulia.<br />
eqsterieris konturebi, misi farToplaniani<br />
danawevreba mnaxvels misadmi<br />
interesiTa da simpaTiiT ganawyobs.<br />
stili #23. 2007<br />
43
44<br />
stili #23. 2007
stili #23. 2007<br />
saxli absoluturad gaxsnilia aRmosavleTis - ezos<br />
mxridan. interieri gare samyaroSia SeWrili. Seminuli<br />
didi sibrtyeebiT SemozRuduli sacxovrebeli sivrceebi<br />
mTlianad ixsneba da sazafxulo Ria oTaxebad gardaqmnili<br />
ezosTan absolutur sinqronSia.<br />
or sarTulad zonirebuli sacxovrebelis interierSi<br />
moculoba plastiurad viTardeba. saTavsoTa Sida<br />
struqtura, maTi zonireba, formaTa mravalferovnebiT<br />
iqmneba. originaluri dizaini da grafikuloba sivrcis<br />
vizualuri JReradobis ganmsazRvrelia.<br />
avtoris originaluri gadawyvetebiTa da mignebebiT<br />
Seiqmna esTetikurad, funqciurad TviTmyofadi sacxovrebeli.<br />
SemoqmedebiTma Tavisuflebam SesaZlebeli<br />
gaxada miRweuliyo stilisturi mTlianoba. mas ganmarteba<br />
ar sWirdeba. mniSvnelovania saxlis stilis sruli<br />
Sesabamisoba mis mflobelTa cxovrebis wesTan.<br />
nino laRiZe<br />
45
46<br />
stili #23. 2007<br />
A Fortress<br />
in Modern<br />
Interpretation<br />
Designing a residential interior, an architect<br />
invariably faces a complex task of creating a comfortable,<br />
individualized space, tailored to the<br />
needs and requirements of a particular family and<br />
reflecting the taste / style of its members.<br />
Considering the scale, at which construction<br />
is now developing in Georgia, we can find<br />
numerous examples of this issue being solved<br />
with this or that degree of success.<br />
A residential house recently built in Arakishvili<br />
Street, Tbilisi, stands on the positive end of this<br />
scale. Its owner David Zodelava had a clear vision<br />
of what he wanted from the very beginning – a<br />
fortress on the outside with an open, free space<br />
on the inside. The vision was picked up and developed<br />
by his friend architect Zaza Tsitsishvili.<br />
Architectural planning solution of the resulting<br />
house is based on two key principles – on<br />
the one hand, its architecture is utterly modern,<br />
cosmopolitan, capable of matching any architectural<br />
context, while on the other hand this is a very<br />
Georgian, very traditional house.<br />
Inner space of the construction is free and<br />
comfortable, decorated with tastefully chosen natural<br />
materials and accessories. On the outside,<br />
the house stands in a slight dissonance with its<br />
surroundings – it looks a fortress from West and<br />
South, where the walls are almost blind, but bursts<br />
open on the East, toward the courtyard.<br />
Interior of the two-level house develops flexibly.<br />
Inner planning and zone distribution is<br />
enlivened by diversity of forms and original<br />
design, creating a unique and functional, stylistically<br />
integral space.<br />
NINO LAGHIDZE
serTificirebulia<br />
zafxulis periodi gansakuTrebiT<br />
xelsayrelia hidrosaizolacio samuSaoebisaTvis.<br />
naleqis simcire, haeris<br />
maRali temperatura xelSemwyobi pirobebia<br />
imisaTvis, rom gamomSral kedlebze,<br />
iatakebze, saZirkvelebSi, terasebze<br />
da gansakuTrebiT brtyel saxuravebze<br />
moewyos hidroizolacia. mravali<br />
teqnologiuri siaxleebis miuxedavad<br />
rulonuli hidroizolacia kvlav<br />
rCeba yvelaze saimedo masalad, raTa<br />
Senoba-nagebobebi daculi iyos tenisgan,<br />
wylis Camodinebisagan da a.S.<br />
kompania "modernrufingi" gTavazobT<br />
hidrosaizolacio samuSaoebis<br />
kompleqsur Sesrulebas, rac iTvaliswinebs<br />
Senoba-nagebobebis betonis<br />
zedapiris momzadebas, mis damuSavebas<br />
specialuri biTumis praimeriT da<br />
Semdgom hidroizolacias. kompania<br />
gTavazobT samuSaoebis Sesrulebas<br />
germanuli warmoebis "emdaplastis",<br />
finuri warmoebis "katepalis"da rusuli<br />
warmoebis "teqnonikolis" gaerTianebis<br />
mravalferovani, maRalxarisxovani<br />
masalebiT, romelTa sagarantio-saeqspluatacio<br />
vada xuTidan ormoc<br />
wlamdea.<br />
bolo periodSi gansakuTrebul popularobas<br />
iZens e.w. "rbili kramiti"<br />
(SHINGLE). "modernrufingi" agreTve<br />
gTavazobT belgiuri, Turquli, finuri<br />
da rusuli warmoebis analogiuri masalebiT<br />
individualuri binebis, saagarake<br />
kotejebis gadaxurvebs.
48<br />
stili #23. 2007<br />
ucxouri arqiteqtura<br />
FOREIGN ARCHITECTURE<br />
renco piano<br />
igi, 1937 wels daibada genuaSi (italia).<br />
1964 wels daamTavra milanis politeqnikuri<br />
institutis arqiteqturis fakulteti.<br />
studentobisas franko albinis<br />
xelmZRvanelobiT muSaobda. paralelurad,<br />
praqtikuli gamocdilebis amaRlebis<br />
mizniT, gamudmebiT stumrobda mamis<br />
samSeneblo moedans.<br />
1965- 70-ian wlebSi, britaneTsa da amerikaSi<br />
samuSao vizitebma, misi gamocdilebisa<br />
da codnis formireba moaxdina. am<br />
periodSi renco piano Sexvda jein frouvs.<br />
masTan megobrobam mniSvnelovani gavlena<br />
iqonia axalgazrda arqiteqtoris<br />
profesionalad CamoyalibebaSi.<br />
1971 wels, renco pianom, riCard rojersTan<br />
erTad saagento `piano da rojersi~<br />
daarsa. pompidus centris proeqtirebisas,<br />
rojersi, pianos partniori iyo.<br />
1977 wels arqiteqtorma, inJiner peter<br />
raisTan erTad `pianos da raisis atelie~<br />
daafuZna. isini, 1992 wlamde (raisis<br />
gardacvalebamde) erTad muSaobdnen da<br />
mravali saintereso proeqti ganaxorcieles.<br />
dResdReobiT, renco piano, mis mier dafuZnebul<br />
kompaniaSi `renco pianos saxelosnoSi~<br />
moRvaweobs. kompaniis ofisebi<br />
funqcionireben parizsa da genuaSi. did<br />
SemoqmedTan daaxloebiT asi adamiani (arqiteqtorebi,<br />
inJinrebi da sxva specialistebi)<br />
muSaobs. renco piano calkeul asocirebul<br />
arqiteqtorTan mWirod urTierTTanamSromlobs.<br />
maestros mTavari prizebi da aRiarebebi:<br />
1989 w - R.I.B.A. samefo oqros medali<br />
arqiteqturaSi (didi britaneTi);<br />
1990 w. - kiotos prizi, inamoris prizi.<br />
kioto, iaponia;<br />
1994 w. - mieniWa `arqiteqturaSi keTili<br />
nebis elCis~ wodeba;<br />
1998 w. - friTqeris arqiteqturuli<br />
prizi. TeTri saxli, vaSingtoni, a.S.S.;<br />
2002 w. arqiteqtorTa saerTaSoriso kavSiris<br />
medali. berlini, germania<br />
2004 wels genuaSi (italia), arakomerciuli<br />
organizaciis saxiT, dafuZnda renco<br />
pianos fondi. igi miznad isaxavs rogorc<br />
ganaTlebis programebis, aseve identur<br />
saqmianobaTa meSveobiT arqiteqturuli<br />
praqtikis ganviTarebas.<br />
fondi arsebobs da iRwvis arqiteqturuli<br />
codnisa da gamocdilebis dagrovebisa<br />
da gapiarebisaTvis. amJamad fondi,<br />
akademiur swavlebasa da praqtikul saqmianobas<br />
Soris napralis amosavsebad, ge
nuisa da parizis RPBW ofisebSi,<br />
studenturi staJirebis programas<br />
axorcielebs. amJamad, programis mixedviT,<br />
yovelwliurad, eqvsi Tvis<br />
ganmavlobaSi, mTeli msofliodan<br />
SerCeuli Tormeti studenti momzaddeba.<br />
momavali wlidan fondi, Tavis<br />
programaSi sxva maRalkvalificiuri<br />
saproeqto studiebis CarTvasac<br />
apirebs.<br />
renco pianos fondis meSveobiT<br />
Seiqmna ermano pianos saxelobis (maestros<br />
Zmis pativsacemad) stipendia,<br />
romelic axalkursdamTavrebul arqiteqtorebs<br />
SesaZleblobas miscems<br />
eqvsTviani staJirebiT swavla ganagrZon<br />
renco pianos samSeneblo saxelosnoSi.<br />
grantis raodenoba<br />
10 000 funti sterlingia. staJireba<br />
gagrZeldeba 2008 wlis Tebervlidan<br />
2008 wlis ivlisamde. Sesar-<br />
Cevi konkusi Riaa im arqiteqtorebisaTvis,<br />
romlebmac saswavleblebi<br />
2006-2007 wlebSi daamTavres.<br />
SesarCevi konkursis Sesaxeb informaciis<br />
mopoveba SesaZlebelia vebgverdze<br />
www.rpbw.com.<br />
renco pianos Semoqmedebaze dausruleblad<br />
SeiZleba msjeloba.<br />
maestros Sedevrebi mTels msoflioSia<br />
realizebuli da xSirad konkretuli<br />
qalaqebis simboloebad<br />
gvevlinebian. amjerad SesaZlebloba<br />
gveZleva warmogidginoT arqiteqtoris<br />
mier bolo wlebSi ganxorcielebuli<br />
sami umSvenieresi nageboba.<br />
padre pios piligrimTa eklesia.<br />
san jovanis rotonda<br />
(1991-2004 ww.)<br />
san jovanis rotondis mosanaxuleblad<br />
mosuli. piligrimTa mzardi<br />
nakadis dasakmayofileblad, Tanamedrove<br />
taZari aSenda. miuxedaad<br />
imisa, rom eklesiis simaRle 16 metria,<br />
igi 6500 adamians itevs. mis win<br />
arsebuli moedani ki, romlis far-<br />
Tobi 9000kv. metria, 30 000 mlocvelzea<br />
gaTvaliswinebuli. Senobis<br />
struqtura spiralis moZraobis principzea<br />
agebuli. gumbaTi, gadaxurvis<br />
centridan TiTqosda moednisadmi<br />
stumarTmoyvare JestiT, qveviT<br />
moedineba.<br />
eklesiis mSeneblobisas teqnikurad<br />
urTulesi samuSaoebi Catarda.<br />
mzidi konstruqciebis samSeneblo masalad<br />
adgilobrivi qva iqna gamoyenebuli.<br />
konstruqcia 20 qvis kamaras<br />
moicavs. isini, identuri formis<br />
gumbaTis balavrad wriulad<br />
arian ganlagebulni.<br />
stili #23. 2007<br />
49
50<br />
stili #23. 2007<br />
paul kleis centri bernSi (1999 - 2005 ww.)<br />
qalaqis saCuqari udidesi<br />
mxatvrisadmi<br />
paul kleis centri warmoadgens mravalfunqciur,<br />
grandiozul nagebobas.<br />
igi sami, minisa da liTonisagan Sekruli<br />
`borcvisagan~ Sedgeba. maTi formamoculobebi<br />
dinamiurad erwymis erTmaneTs,<br />
imeorebs mimdebare garemos, landSaftis<br />
xveulebs (uswormasworo formebs)<br />
da amiT misi Semadgeneli nawili<br />
xdeba. yoveli maTgani Seesabameba centris<br />
specifiur funqciebs da zedmiwevniT<br />
asaxavs xelovanis cxovrebas, romelic<br />
mxatvaric iyo, musikosic da poetic.<br />
SenobaSi ganTavsebulia sakoncerto<br />
darbazi, centri sabavSvo stendebiT<br />
da mxatvris mudmivmoqmedi koleqcia.<br />
garda amisa, aq sxva cnobili mxatvrebis<br />
droebiTi, moklevadiani gamofenebic<br />
imarTeba.<br />
atlantis xelovnebis muzeumi.<br />
atlanta, a.S.S. (1999-2005 ww.)<br />
riCard maieris proeqtis mixedviT,<br />
1983 wels realizebuli sagamofeno sivrcis<br />
nageboba, 1999-2005 wlebSi perco<br />
pianos mier rekonstruirda - gafarTovda<br />
da atlantis xelovnebis muzeumi<br />
ewoda. misi mTliani sivrce, TiTqmis orjer<br />
aRemateba adreul nagebobas. muzeumi<br />
sami axali moculobisgan Sedgeba -<br />
ZiriTadi pavilioni, darbazi specialuri<br />
koleqciebisaTvis da administraciuli<br />
bloki. proeqtis mixedviT, dRis sinaTle<br />
Senobis Sida sivrces maqsimalurad<br />
moicavs. moSenebuli konstruqciebis<br />
gadaxurvebSi datanilia 1000 mrgvali<br />
fanjara, romelTa meSveobiTac sagamofeno<br />
galereebi, maTi specifikis daniSnulebisamebr<br />
maqsimalurad naTdeba.<br />
muzeumis centria - axali piaca (moedani).<br />
igi axalisebs, erTmaneTTan akavSirebs<br />
kompleqsis moculobebs da damTvariebelTaTvis<br />
moZraobis damatebiT sivrces<br />
uzrunvelyofs.<br />
moamzada nino laRiZem<br />
Targmani: nata kurtaniZe,<br />
mirian margalitaSvili
stili #23. 2007<br />
51
52<br />
stili #23. 2007<br />
Renzo Piano<br />
Renzo Paino was born in Genoa (Italy) in 1937. He graduated in 1964<br />
from the School of Architecture of the Milan Polytechnic. As a student, he was<br />
working under the design guidance of Franco Albini, while also regularly attending<br />
his father’s building sites where he got a valuable practical experience.<br />
Between 1965 and 1970, he completed his formation and work experiments<br />
with study travels in Britain and America. It was at that time he met<br />
Jean Prouve: their friendship would have a deep influence on his professional<br />
life.<br />
In 1971, Renzo Piano founded the “Piano & Rogers” agency with Richard<br />
Rogers, his partner on the Centre Pompidou project in Paris.<br />
In 1977, he founded “l’Atelier Piano & Rice” with the engineer Peter Rice,<br />
who worked with him on many projects, until his death in 1992.<br />
Nowadays Renzo Piano works in Renzo Piano Building Workshop. The<br />
enterprise, comprising offices in Paris and Genoa and to 100 architects, engineers<br />
and specialists, works in close collaboration with associate architects,<br />
linked to Renzo Piano by nears of experience.<br />
Among the major prizes & acknowledgements of Renzo Piano, we can<br />
mention the following”<br />
1989 – R.I.B.A. Royal Gold Medal for Architecture, UK<br />
1990 – Kyoto Prize, Inamori Foundation, Kyoto, Japan<br />
1994 – Goodwill Ambassador of Unesco for Architecture<br />
1998 – The Pritzker Architecture Prize, The White House, Washington,<br />
USA<br />
2002 – Medaille D’Or UIA (International Union of Architects), Berlin, Germany<br />
In 2004, the Fondazione Renzo Piano was established as a non-profit<br />
organization, dedicated to advancing architectural practice through education<br />
programs and related activities.<br />
The Fondazione Renzo Piano exists and acts for sharing and preserving<br />
architectural know-how and expertise. The Fondazione currently runs a student<br />
internship program at the RPBW’s offices in Paris and Genoa to foster educational<br />
experiences that bridge the gap between academic learning and the<br />
realities of actual creative practice. The program involves 6-month internships<br />
for 12 students per year, drawn from selected universities all over the world.<br />
In the coming years, the Fondazione plans to include other well-qualified design<br />
offices into the program.<br />
The Fondazione Renzo Piano established Ermanno Piano Scholarship (in<br />
memory of Renzo Piano’s brother), assigned annually to young graduate architects<br />
and implying a 6-month internship in Renzo Piano building Workshop from<br />
February to July 2008. The amount of grant is 10000 Euros; selection is open<br />
to architects who have graduated in the academic year 2006-2007. Conditions<br />
of participation are available at www.rpbw.com.<br />
The work of Renzo Piano could serve as a subject for endless discussions.<br />
His creations are scattered all over the world and often serve as area<br />
symbols. This time, we have an opportunity to present you three beautiful constructions,<br />
realized by Renzo Piano during the recent years.<br />
Padre Pio Pilgrimage Church<br />
San Giovanni Rotondo (1991-2004)<br />
The church was designed to receive the increasing number of pilgrims,<br />
visiting San Giovanni Rotondo. Though it is only 16 meters high, the church<br />
has a capacity of 6500 people. The vast external precinct can hold some 30000<br />
people on a surface of 9000 square meters.<br />
The structure has a spiral-shaped movement: the dome sweeps down from<br />
the centre towards the precinct in a gesture of welcoming invitation.<br />
The technical challenge of the project lies in the use of local stone as a<br />
structural material: the church in fact includes about twenty stone arches arranged<br />
in radial fashion holding the vast roof.<br />
Zentrum Paul Klee<br />
Bern (1999-2005)<br />
A gift from the city to one of its greatest artists.<br />
The Paul Klee Centre is a multifunctional space: in addition to the permanent<br />
collection, it also houses temporary exhibitions, a concert hall, and a<br />
centre with ateliers for children.<br />
The shapes of the building recall the curves of the surrounding landscape,<br />
thus becoming its integral part.<br />
The Centre is composed of three hills, made of glass and steel. Each “hill”<br />
corresponds to one different function of the centre and runs through the life of<br />
the artist, who was a painter, a musician and a poet.<br />
High Museum Expansion<br />
Atlanta, USA (1999-2005)<br />
The intervention of the High Museum of Art is composed of three new<br />
buildings – a main pavilion, a building for special collections and a building for<br />
administrative offices.<br />
The extension doubles the exhibition space of the museum originally designed<br />
by Richard Meier in 1983.<br />
The theme of zenithal light is once again pursued through a grid of 1000<br />
circular skylights atop each building.<br />
The north facing skylights fill the gallery spaces with the required amount<br />
of light.<br />
The heart of the scheme is the new “piazza”, which gives the project new<br />
life by linking the buildings, environment and visitors.<br />
PREPARED BY NINO LAGHIDZE
stili #23. 2007<br />
53
54<br />
stili #23. 2007<br />
peis arqiteqtura<br />
cnobil amerikel arqiteqtors I.M.Pei-s<br />
(ikiTxeba I am Pei, me var pei), romlis saxelis<br />
gagonebazec luvris minis piramida<br />
warmogvidgeba Tvalwin, aprilis Tve-<br />
Si 90 weli Seusrulda.<br />
pei 1917 wels kantonSi / CineTSi daibada.<br />
Semdgomi wlebi ki hong kongSi, Sanghaisa<br />
da suchouSi gaatara. 18 wlis asakSi<br />
pei miemgzavreba amerikis SeerTebul<br />
StatebSi jer MIT-Si<br />
(Massachusetts Institute of Technology) xolo Semdgom<br />
harvardSi arqiteqturul fakultetze<br />
saswavleblad. misi maswavleblebi<br />
arian germaniidan emigrirebuli bauhauzis<br />
damaarseblebi valter gropiusi da<br />
marsel broieri.<br />
peis arqiteqturul karieraze mniSvnelovani<br />
roli iTamaSa prezident kenedis<br />
ojaxTan misma damegobrebam.<br />
1964 wels peis daevala bostonSi, kenedis<br />
saxelobis biblioTekis sarealizacio<br />
proeqtis ganxorcieleba. es iyo mi-<br />
si msoflio arqiteqturul sarbielze<br />
gamosvlis dasawyisi. mas Semdeg peim 50 sxvadasxva<br />
namuSevari ganaxorciela msoflios<br />
sam kontinentze: amerikaSi, aziasa da<br />
evropaSi.<br />
caTambjenebi bostonSi, torontoSi,<br />
niu-iorkSi, maiamiSi, hiustonsa da denverSi.<br />
singapurSi Rafles-City-Tower da taivan-<br />
Si qristianuli eklesiis nageboba.<br />
1974 wels, CineTSi mogzaurobis Semdeg<br />
CineTis mTavroba mas yofili CineTis<br />
kaizeris sanadiro teritoriaze, romlis<br />
saxelia “surnelovani mTa”, sastumro<br />
`Xiangshan-Hotel~-is proeqts ukveTavs. nageboba<br />
sruliad asimetriulia da tradiciul<br />
Cinur arqiteqturas da ornaments Tanamedrove<br />
TvaliT dagvanaxebs.<br />
erTi wlis Semdeg pei aproeqtebs hong<br />
kongSi Bank of China-s caTambjens.<br />
da mainc peis yvelaze mniSvnelovan namuSevrebad<br />
misi muzeumebi iTvleba, romelTa<br />
daproeqtebisas man gansakuTrebu-<br />
li sifaqiziT SeZlo arsebuli istoriuli<br />
nagebobebis Tanamedrove sxeulTan harmoniulad<br />
Serwyma. amis legendaruli<br />
magaliTebia vaSingtonis nacionaluri galereis<br />
e.w. “aRmosavleTis frTa” (National<br />
Gallery of Art "East Wing"), pariziSi luvris minis<br />
piramida da berlinSi „germaniis istoriis<br />
muzeumi“-s (Deutsches Historisches<br />
Museum) Senoba.<br />
berlinSi „germaniis istoriis muzeumi“-s<br />
gafarToebis proeqti, germaniaSi peis<br />
erTaderTi namuSevaria.<br />
klasicisturi muzeumebis kunZulis garemocvaSi<br />
aRmocenda peis gamWvirvale<br />
da dinamiuri Tanamedrove nageboba. Senobis<br />
ZiriTadi nawili monumeturia, gegmarebaSi<br />
samkuTxa formisaa da mTlianad bunebrivi<br />
qviT aris mopirkeTebuli. Sesasvleli<br />
nawili ki Senobis mTel simaRleze<br />
Seminulia, romlis skulpturul detalsac<br />
spiraluri formis kibis ujredi<br />
warmoadges.
stili #23. 2007<br />
55
56<br />
stili #23. 2007<br />
oTx doneze ganTavsebuli eqspozicia<br />
damTvalierebels yvela doneze axal da moulodnel<br />
perspeqtivas uxsnis.<br />
sagamofeno nawili miwisqveSa gadasasvleliTaa<br />
dakavSirebuli barokos stilis<br />
Zeughaus-Tan.<br />
iseve rogorc peis sxva namuSevrebi, es<br />
nagebobac gamoirCeva masalis siZvirfasiT<br />
(bunebrivi qviT mopirkeTebuli fasadi), interierebis<br />
gansakuTrebuli daxvewilobiT<br />
da Suq-Crdilebis efeqtebiT.<br />
moZravi gamofenebisTvis koncipirebuli<br />
nageboba qalaqgegmarebiTi xelovnebis namdvili<br />
Sedevria.<br />
peis azriT arqiteqtura pragmatuli<br />
xelovnebaa da mxolod maSin funqcionirebs,<br />
rodesac yvela misi Semadgeneli komponenti<br />
erTmaneTTan srul harmoniaSia.<br />
miuxedavad xandazmulobisa pei aqtiurad<br />
moRvaweobs. misi bolo wlebis namuSevrebia<br />
muzeumebi luqsemburgSi, dohasa da<br />
suchouSi.<br />
qeTevan odiSeli<br />
spec. korespondenti berlinidan
serTificirebulia<br />
Ieoh Ming Pei<br />
Well-known American architect I.M.Pei, whose name invariably evokes an image<br />
of Louvre glass pyramid, became 90 years old this April.<br />
Pei was born in 1917 in Canton, China and passed his childhood and adolescence<br />
in Hong Kong, Shanghai and Suchou. At the age of 18, Pei went to the USA<br />
to study in Massachussetts Institute of Technology and then the Architectural Faculty<br />
of Harvard University. His teachers were Walter Gropius and Marcel Breuer, founders<br />
of Bauhaus.<br />
Architectural career of I.M.Pei was considerably influenced by his friendship with<br />
Kennedy family. In 1964, Pei was asked to develop a project of Kennedy Library in<br />
Boston. This was one of his first steps on the international architectural stage. Since<br />
that time, Pei designed 50 different projects on three continents – America, Asia and<br />
Europe, including high-rise constructions in Boston, Toronto, New York, Miami, Houston<br />
and Denver, Rafles City Tower in Singapore and a Christian church in Taiwan.<br />
In 1974, after a visit to China, Ieoh Ming Pei received an assignment from the<br />
Chinese government to design Xiangshan Hotel in the Fragrant Hills, former hunting<br />
grounds of the Chinese emperors. The realized construction with its asymmetric<br />
forms represents a modern interpretation of Chinese architectural and decoration<br />
traditions.<br />
On the next year, Pei started to design Bank of China office in Hong Kong.<br />
However, the most important works of Ieoh Ming Pei are East Wing of the National<br />
Gallery of Art in Washington, Louvre glass pyramid in Paris and Deutsches<br />
Historisches Museum in Berlin – museum projects, in which modern constructions<br />
are skilfully integrated into the existing historical context.<br />
Extension of Deutsches Historisches Museum – a transparent and dynamic, highly<br />
modern building, standing in the Classicist surroundings of Museuminsel, is the<br />
only project Ieoh Ming Pei realized in Germany. Deutsches Historisches Museum is<br />
a triangular stone-clad bulk with glazed entrance, featuring a spiral staircase. Fourlevel<br />
exhibition space, offering visitors new and unexpected perspectives, is connected<br />
with Baroque-style Zeughaus by an underground tunnel. Same as other proj-<br />
italiuri kafelis saloni<br />
misamarTi: Tbilisi 0179, i. abaSiZis q.#49. tel: (995 32) 23-36-77<br />
www.unifsp.ge<br />
stili #23. 2007<br />
ects, created by Pei, Deutsches Historisches Museum features expensive construction<br />
materials (e.g. the natural stone cladding, used on the facade) and refined interior<br />
design with rare lighting effects. The construction, specially designed for mobile<br />
exhibitions, is a masterpiece of urban planning.<br />
According to Pei, architecture is a pragmatic art, functioning only in case if all<br />
its components are in harmony with each other.<br />
In spite of his old age, Ieoh Ming Pei is as productive as ever. His most recent<br />
projects are museums in Luxembourg, Doha and Suchou.<br />
KETEVAN ODISHELI<br />
SPECIAL CORRESPONDENT FROM BERLIN<br />
� webocementi<br />
� izolacia<br />
� santeqnika<br />
� Semrevebi<br />
� hidroabazanebi<br />
� aveji da aqsesuarebi<br />
� mosapirkeTebeli masalebi
58<br />
stili #23. 2007<br />
sacxovrebeli -<br />
inteleqtualurobis kredo<br />
vagrZelebT gacnobas azerbaijaneli<br />
kolegebis SemoqmedebasTan.<br />
amJamad, arqiteqturul-SemoqmedebiT<br />
wyvilis - ragim da naila seifulaevebs warmogidgenT.<br />
arqiteqtorTa Sesaxeb arsebuli<br />
SemoqmedebiTi dosie, dagveTanxmebiT,<br />
zustad asaxavs maT miRwevebs arqiteqturisa<br />
da dizainis sferoSi.<br />
- ragim seifulaevma arqiteqturuli ganaTleba<br />
azerbaijanis politeqnikur institutSi<br />
miiRo. institutis damaTavrebisTanave<br />
saxelmwifo saproeqto institutSi<br />
- `azgosproeqtSi~ daiwyo muSaoba. oriode<br />
wlis Semdeg, ojaxTan erTad, qalaq<br />
norilskSi gadavida sacxovreblad da sa-<br />
qmianoba qalaqis saproeqto institutSi<br />
`norilskproeqtSi~ ganagrZo. aqedan, er-<br />
Ti wlis Tavze, qalaqis samxatvro saxelosnos<br />
(saxelosno, qalaqis sazogadoebrivi<br />
interierebis dizainze muSaobda) xelmZ-<br />
Rvanelad iqna miwveuli.<br />
1976 wlidan aris ssrk ariteqtorTa<br />
kavSiris wevri. 1980 wlidan - ssrk mxatvarTa<br />
kavSiris wevri.<br />
1982-1991 wlebSi iyo baqos mTavari mxatvari.<br />
1992 wlidan dRemde dakavebulia ker-<br />
Zo praqtikiT.<br />
1999 wlidan aris aRmosavleTis qveynebis<br />
arqiteqturis saerTaSoriso akade-<br />
miis<br />
namdvili wevri.<br />
2002 wels mieniWa azerbaijanis damsaxurebuli<br />
arqiteqtoris wodeba.<br />
- naila seifulaevam, meuRlis darad,<br />
azerbaijanis politeqnikur institutSi<br />
miiRo arqiteqturuli ganaTleba. praqtikuli<br />
saqmianoba specialur samxatvro sakonstruqtoro<br />
biuroSi (ÑÕÊÁ-Si)<br />
daiwyo. 1970-1980 wlebSi qalaq narilskis<br />
samxatvro saxelosnoSi moRvaweobda.<br />
1976 wlidan aris ssrk ariteqtorTa<br />
kavSiris wevri. 1980 wlidan - ssrk mxatvarTa<br />
kavSiris wevri.
stili #23. 2007<br />
59
60<br />
stili #23. 2007
naila seifulaevas mier Seqmnili dekoratiul-gamoyenebiTi<br />
xelovnebis mxatvruli<br />
nimuSebi msoflios mravali qveynis<br />
kerZo koleqciebSi inaxeba. axali aTaswleulis<br />
mijnaze, londonSi, qalbatoni<br />
nailas namuSevrebis personaluri gamofena<br />
Sedga.<br />
ojaxs, zogjer aerTianebs, rogorc<br />
saerTo yofa da Svilebi, aseve SemoqmedebiTi<br />
ideebi. ragim da naila seifulaevebi,<br />
am mimarTebiT idealurad harmoniul<br />
wyvils warmoadgens. maTi arqiteqturul-profesiuli<br />
tandemi wlebis ganmavlobaSi<br />
mravali warmatebuli Sedegis safu-<br />
Zvelia. mogexsenebaT SemoqmedebiTi procesi<br />
TavisTavad kompromisebsac moicavs<br />
da yoveli ganxorcielebuli idea Sinaganad<br />
daukmayofileblobis grZnobas, ufro<br />
zustad ki, kidev ukeTesis Seqmnis survils<br />
badebs. absoluturad identuria arqiteqturuli<br />
wyvilis damokidebuleba<br />
yoveli axali obieqtisadmi. icvleba landSafti,<br />
arqiteqtonika, interieri, dizaini<br />
da yovel mocemul SemTxvevaSi Sedegi<br />
warmatebulia - igi zustad Seesabameba<br />
arsebul moTxovnebs da xSirad aRemateba<br />
kidec Tavisi TviTmyofadobiT.<br />
arqiteqturuli wyvili identuri da-<br />
stili #23. 2007<br />
tvirTviT muSaobs nebismieri specifikisa<br />
da sirTulis arqiteqturul-dizaineruli<br />
proeqtis gansaxorcieleblad. amjerad,<br />
SesaZlebloba gveZleva, maTi mravalferovani<br />
SemoqmedebiTi palitridan, axlaxans<br />
realizebuli, individualuri sacxovrebeli<br />
saxlebis fragmentebi warmogidginoT.<br />
TiToeul SemTxvevaSi, arqiteqturuli<br />
moculoba plastiurad viTardeba. yoveli<br />
monakveTi individualuria da araordinaluri<br />
xerxebiT profesiuladaa gadawyvetili.<br />
mTliani sivrcis, misi elementebis<br />
gaTaviseba garkveul gonebriv fo-<br />
61
62<br />
stili #23. 2007<br />
kusirebas moiTxovs. Senobebis moculobaTa<br />
arqiteqtonika, myudro, naTeli sivrceebi<br />
konkretuli ojaxebis, adamianebis SemoqmedebiTi<br />
cxovrebis stilisa da komfortis garantia.<br />
kompoziciaTa geografiuli da esTetikuri<br />
centrebi, mTliani RerZi, sacxovrebeli<br />
zonebis organizacia, maTi moZraobis xazis<br />
dinamika da saerTod sacxovreblebis<br />
erTiani atmosfero Tavisuflebisa da lakonurobis<br />
SegrZnebiTaa ganmsWvaluli, vizualurad<br />
gazrdilia, xist sazRvrebs scdeba da<br />
garemosTan organuladaa Serwymuli.<br />
ideis garegnuli moCvenebiTi `simartive~<br />
gaazrebul funqcionalizmTan da komfort-<br />
Tanaa Serwymuli. amgvarad iqmneba `pirovnulobisken~<br />
mimarTuli binis dizaini. es stili<br />
Zalzed mosaxerxebelia sivrcis Semdgomi<br />
gardasaxvisaTvis, radgan dizaini, praqtikulad,<br />
xelovanis mier Seqmnil, nebismier detals<br />
`iTvisebs~. es detalebi da aqsesuarebi<br />
`sakuTari~, gansazRvruli adgilebis dakavebiT<br />
interiers dasrulebul saxes aZlevs<br />
da amiT ganumeorebel sacxovrebel atmosferos<br />
qmnis.<br />
nino laRiZe
stili #23. 2007<br />
A House as an Accessory<br />
of Intellectual Lifestyle<br />
63
64<br />
stili #23. 2007
More information on the activities of our colleagues<br />
from Azerbaijan – today, we would like to tell you about<br />
the work of architects Ragim and Naila Seipulaev, whose<br />
portfolio fully reflects their successful background in architecture<br />
and design.<br />
Ragim Seifulaev accomplished his architectural education<br />
in Azerbaijan Polytechnic Institute and started<br />
to work in State Design Institute AzGosProjekt imme-<br />
diately upon graduation. A couple of years later, he<br />
moved to Norilsk and continued to work as an architect<br />
in the City Design Institute NorilskProjekt and, later<br />
on, as a director of City Public Interior Design Studio.<br />
In 1976, Ragim Seifulaev became member of the<br />
Union of Architects of USSR; in 1980 – member of<br />
the Union of Artists of the USSR.<br />
In 1982-1991 Ragim Seifulaev occupied the posi-<br />
stili #23. 2007<br />
tion of the Chief Artist of Baku.<br />
Since 1992 he engaged in a private architectural<br />
business.<br />
In 1999, Ragim Seifulaev was elected a full member<br />
of the International Architectural Academy of<br />
Oriental Countries.<br />
In 2002, Ragim Seifulaev was granted a title of<br />
the Merited Architect of Azerbaijan.<br />
65
66<br />
stili #23. 2007
Like her husband, Naila Seifulaeva studied architecture in<br />
Azerbaijan Polytechnic Institute and started her professional activities<br />
in the State Creative Design Office. In 1976-1980, Naila<br />
Seifulaeva worked in the Creative Design Studio of Norilsk. Naila<br />
Sefulaeva had been a member of the Union of Architects of USSR<br />
since 1976 and member of the Union of Artists of the USSR<br />
since 1980.<br />
Naila Seifulaeva’s decorative designs are stored in private<br />
collections all over the world. In the beginning of the 21st century,<br />
the personal exhibition of Naila Seifulaeva’s works was arranged<br />
in London.<br />
Families are often united not only by the habit of joint life<br />
and the children, but creative ideas too. From this point of view,<br />
Ragim and Naila are an ideal couple. Activities of their professional<br />
tandem have resulted in numerous achievements. Through<br />
the years of working with diverse architectural environments, landscapes,<br />
architectonics, interiors, they have successfully retained<br />
their approach – prioritized aspiration toward perfection and the<br />
readiness to compromise in order to achieve harmony.<br />
This time, we have an opportunity to describe several realized<br />
residential houses, designed by Ragim and Naila Seifulaev.<br />
The distinguishing traits of their architecture are flexibility, originality<br />
and elegance, forming an inspiring environment tailored to<br />
meet the requirements of a family intending to live therein. Seeming<br />
simplicity of the concept is merged with functionality and comfort,<br />
allowing further “personalization” and creation of a unique<br />
living atmosphere.<br />
NINO LAGHIDZE<br />
serTificirebulia<br />
axali CamrTveli Berker S.1<br />
www.berker-switches.com<br />
WavWavaZis gamz. 50<br />
tel/faqsi: 91-47-27<br />
el-fosta: info@idea.ge<br />
stili #23. 2007
68<br />
stili #23. 2007<br />
CexeTis arqiteqturuli<br />
anonsi TbilisSi<br />
18 maiss saqrTvelos teqnikuri universitetis<br />
sagamofeno darbazSi `universi~,<br />
Cexi arqiteqtorebis - Jan boCanis, oleg<br />
hamanis da peter novakis namuSevrebis<br />
gamofena gaixsna.<br />
gamofenis organizatorebi iyvnen:<br />
- saqarTvelos teqnikuri universitetis<br />
arqiteqturis, urbanistikisa da dizainis<br />
fakulteti;<br />
- saqarTvelos arqiteqtorTa kavSiri.<br />
sponsorebi:<br />
developeruli kompania `libo+~;<br />
samSeneblo kompania `sasko~.<br />
gamofenaze Tavi moiyara qarTuli arqiteqturuli<br />
sazogadoebis saukeTeso<br />
warmomadgenlebma, saqarTveloSi arsebuli<br />
CexeTis saelCos oficialurma pirebma,<br />
damswreTa Soris iyo CexeTis elCi batoni<br />
iozef vrabeci.<br />
gamofena gaxsna saqarTvelos teqnikuri<br />
universitetis arqiteqturis, urbanistikis<br />
da dizainis fakultetis dekanma<br />
batonma goCa miqiaSvilma. man sazogadoebas<br />
warudgina Cexi arqiteqtorebi. sityviT<br />
gamovidnen qarTuli arqiteqturuli<br />
skolis TvalsaCino warmomadgenlebi<br />
batonebi: giorgi saluqvaZe, vaxtang daviTaia,<br />
saqarTvelos arqiteqtorTa kavSiris<br />
Tavmjdomare batoni daviT abulaZe.<br />
damswre sazogadoebas TavianTi SemoqmedebiTi<br />
miRwevebis warmoCeniT warudgnen<br />
Cexi arqiteqtorebi.<br />
gamofena CexeTis da saqarTvelos kulturuli<br />
urTierTobebis farglebSi gaimarTa.<br />
am urTierTobebs did xnis tradicia<br />
aqvs. sayovelTaod cnobilia, rom<br />
Cexma kompozitorma ioseb ratilma, udidesi<br />
amagi dasdo qarTuli kulturis ganviTarebas,<br />
kerZod musikalur xelovnebas.<br />
SedarebiT axalia kulturis erT-er-<br />
Ti umniSvnelovanesi fenomenis -arqiteqturis<br />
sferoSi TanamSromloba. maSin roca<br />
Cvens qveyanas bolo dros ase moeZala<br />
ucxouri, arcTu maRali xarisxis arqiteqtura.<br />
Cveni sazogadoeba ara aris ganebivrebuli<br />
msgavsi gamofenebiT. ara da maTi<br />
mniSvneloba ganuzomelia, miT umetes rodesac<br />
dainteresebul adamianebs, maT Soris<br />
arqiteqtorebs, uCndebaT piradi kontaqtis<br />
damyarebis da urTierTobis SesaZlebloba<br />
saqveynod cnobil arqiteqtorebTan.<br />
am urTierTobebis dros mravali<br />
saintereso, Sors mimavali erToblivi<br />
proeqti Tu saqmianoba SeiZleba daigegmos.<br />
Cveni stumrebi - gamofenis monawile-<br />
ni, CexeTis cnobili arqiteqtorebi arian.<br />
maT mraval saerTaSoriso kokursSi<br />
miiRes monawileoba da didi warmatebi-<br />
Tac. SemTxveviTi ara aris, rom CexeTis erTerTi<br />
wamyvani arqiteqtori, profesori Jan<br />
boCani jer kidev 2004 wels arCeuli qna<br />
stu-s arqiteqturis institutis sapatio<br />
profesorad. amdenad man movaled CaTvala<br />
Tavi, sakuTari Tu Tavisi kolegebis<br />
namuSevrebiT warmdgariyo qarTveli<br />
studentebis, profesionali arqiteqtorebis<br />
da saerTod qarTveli sazogadoebriobis<br />
winaSe.<br />
udaoa es gamofena dadebiT impulss<br />
miscems qarTveli da Cexi arqiteqtorebis<br />
urTierTobas. stu-s proreqtorTan<br />
profesor arCil frangiSvlTan, CexeTis<br />
teqnikuri universitetis proreqtori<br />
miloslav pavlikisa da Cexi arqiteqtorebis<br />
Sexvedris Semdeg, ori qveynis wamyvani<br />
umaRlesi saswavleblebis - saqarTvelos<br />
da CexeTis teqnikur universitetebs<br />
Soris arsebuli kontaqtebi kidev<br />
ufro gaRrmavdeba. ukve miRweulia SeTanxmeba,<br />
raTa moxdes Cveni da Cexi studentebis<br />
gacvla sazafxulo vorqSofebSi monawileobis<br />
da profesiuli praqtikis gavlis<br />
TvalsazrisiT. savsebiT realuria<br />
qarTveli da Cexi arqiteqtorebis profesiuli<br />
TanamSromlobac, Cexi arqiteqtorebis<br />
CarTva sxvadasxva qarTuli arqiteqturuli<br />
Tu developeruli firmebis saqmianobaSi.
serTificirebulia<br />
serTificirebulia<br />
Czech Architecture Introduces Itself to Tbilisi<br />
On May 18, exhibition of Czech architects Jan Bochan, Oleg Haman and Peter<br />
Novak opened in UNIVERSI Exhibition Hall of the Georgian Technical University.<br />
The exhibition was organized by Architecture, Urban Development and Design<br />
Faculty of the Georgian Technical University and the Union of Architects of Georgia<br />
with the support of Developer Company LIBO+ and Construction Company SASCO.<br />
The exhibition was attended by notable members of the Georgian architectural<br />
community, the Ambassador of Czech Republic in Georgia Mr. Josef Vrabec and<br />
other official representatives of the Czech Embassy.<br />
The honor of opening the exhibition and introducing the Czech architects to the<br />
attendees was conferred upon Gocha Mikiashvili, the dean of Architecture, Urban<br />
Development and Design Faculty of the Georgian Technical University. Welcome<br />
speeches were also pronounced by prominent Georgian architects Giorgi Salukvadze,<br />
Vakhtang Davitaia, David Abuladze, Chairman of the Union of Architects of Georgia.<br />
The exhibition was a part of long-term Czech-Georgian cultural exchange tradition,<br />
of which architecture is a comparatively new component. Though the inflow of<br />
stili #23. 2007<br />
foreign architecture into our country is rather intense, Georgian public does not often<br />
have a chance to attend quality architectural exhibitions, enabling the stakeholders<br />
to gain new information, plan interesting projects and joint actions.<br />
Our guests, participating in the exhibition, do have their say in Czech architecture.<br />
They have successfully participated in numerous international competitions; professor<br />
Jan Bochan, who has been elected a honorary member of Architecture Institute<br />
at the Georgian Technical University in 2004, felt obliged to present his works to<br />
the Georgian students, professional architects and Georgian public in General.<br />
The exhibition will surely provide an additional incentive to development of friendly<br />
relationship between Czech and Georgian architects. At the meeting, which professor Archil<br />
Prangishvili, pro-rector of the Georgian Technical University, held with Miloslav Pavlic, prorector<br />
of the Czech Technical University, and the Czech architects, it was decided to deepen<br />
and reinforce the existing links between the Georgian and Czech Technical Universities,<br />
arrange student exchange programs for summer workshops and internships and, possibly,<br />
establish professional cooperation between Czech and Georgian architects.
70<br />
stili #23. 2007<br />
Jan boCani, partniorebi, kasua<br />
maisis TveSi TbilisSi Cexi arqiteqtorebis namuSevrebis<br />
gamofena gaixsna.<br />
ZiriTadad warmodgenili iyo Cexuri arqiteqturuli<br />
kompaniebis `boCani & partniorebisa~ da<br />
`kasuas~ proeqtebi Tu realizebuli obieqtebi. evropeli<br />
arqiteqtorebis mier warmodgenili arqiteqturuli<br />
palitra axali progresuli formiT<br />
gamoirCeoda. maT, ganaSenianebis calkeuli obieqtis<br />
Tu interieruli fragmentebis gamravalferovnebisa<br />
da maRalmxatvruli saxis CamoyalibebasTan<br />
dakavSirebiT mTeli rigi principuli gadawyvetebi<br />
warmoaCines. yovel mocemul SemTxvevaSi, obieqtis<br />
kompoziciis arqiteqturuli mTlianobis uzrnvelsayofad<br />
gamoyenebuli individualuri profesiuli<br />
xerxebis funqcionalur-gegmarebiTma siaxleebma,<br />
moculobiT-sivrcobriv struqturaTa<br />
mravalmxrivi varireba ganapiroba. warmoCenilSi,<br />
industriuli elementebis aqtiuri plastikiT arqiteqturis<br />
maRali, emociur-mxatvruli JReradobaa<br />
miRweuli. arqiteqturuli saSualebebis<br />
mravalferovnebis fonze, kidev erTi, saintereso<br />
sawyisi gamoikveTeba - obieqtis arqiteqturis gadawyvetisas,<br />
tradicia Tanamedrove aRqmiT viTardeba.<br />
yovelive ki maRali ostatobis dasturia.<br />
saproeqto studia `boCani & partniorebi~ saproeqto<br />
samuSaoebis Sesrulebisas, mis yvela etaps<br />
(dawyebuli wina saproeqto samuSaoebidan, damTavrebuli<br />
mSeneblobis zedamxedvelobiT) uzrunvelyofs.<br />
arqiteqtori, inJineri, profesori Jan boCani<br />
muSaobda saproeqto sakonstruqtoro biuroSi, mogvianebiT<br />
ki studia “BETA” -Si, romelsac xelmZRvanelobda<br />
arqiteqtori Jan stameki.<br />
drois Zalze mcire periodis manZilze am studiaSi<br />
metad nayofieri SemoqmedebiTi gundi Seiqmna.<br />
arqiteqturul konkursebSi miRweulma Sedegebma<br />
maT sakuTari qveynis farglebs gareTac gauTqves<br />
saxeli. am periodis ganmavlobaSi Jan bo-<br />
Canis mTavari partniori proeqtebis SeqmnaSi in-<br />
Jineri zdenek rotbaueri gaxldaT.<br />
1990 wlis pirveli semestridan Jan boCani saproeqto<br />
SemoqmedebiTi saxelosnos xelmZRvaneli<br />
gaxldaT CexeTis teqnikur universitetis arqiteqturis<br />
fakultetze, sadac masTan erTad muSaoben<br />
arqiteqtorebi ian pladiki, iakub konata, devid<br />
brauni. imave periodSi man Camoayaliba sakuTari<br />
saproeqto studia `boCani & partniorebi~.<br />
studentur konkursebSi Jan boCanis studia yo-
velTvis iyo dafasebuli, rogorc erT-erTi saukeTeso.<br />
mraval nominaciaSi gamarjveba da uamravi<br />
jildo saukeTeso proeqtebisaTvis da saukeTeso<br />
saxelosno-studiisaTvis amis naTeli dasturia.<br />
CexeTis nacionalur arqiteqturul konkursebSi<br />
misi studentebi xSirad imsaxureben umaRles<br />
Sefasebas. Jan boCanis studentebi misi partniorebi<br />
da TanamSromlebi arian saproeqto studiaSi,<br />
romelic warmatebiT agrZelebs SemoqmedebiT da<br />
saSemsruleblo moRvaweobas.<br />
arqiteqturuli kompania `kasuas~ saqmianobis<br />
speqtri sakmaod vrcelia. igi identuri datvir-<br />
TviT muSaobs qalaqgegmarebiT da restavracia-rekonstuqciis<br />
sferoSi, damoukidebel obieqqtebze,<br />
da sxvadasxva daniSnulebis interierebis Sesaqmnelad,<br />
mcire arqiteqturul formebze, da land-<br />
Saftis arqiteqturaze da a.S. misi profesiuli saqmianobis<br />
filosofia efuZneba ori mniSvnelovani<br />
dargis - arqiteqturisa da samSeneblo inJineriis<br />
TanamSromlobas, rac muSaobis sxva speqtrebis<br />
koordinacias winaswar gansazRvravs. am principis<br />
sulisCamdgmelebi, romlebic amavdroulad kompaniis<br />
Tanamflobelebic arian, gaxlavT arqiteqtori<br />
oleg hamani da inJiner-mSenebeli aleS podebrodi.<br />
kompaniaSi gaerTianebulia 35 arqiteqtori<br />
da inJiner-mSenebeli. dRidan misi daarsebisa,<br />
`kasua~ TanamSromlobs sxvadasxva msxvil kli-<br />
entebTan, maT Soris - saxelmwifo kompaniebTan, municipalur<br />
struqturebTan, bankebTan, sadazRvevo<br />
Tu saerTaSoriso developerul kompaniebTan, , kerZo<br />
investorebTan, saelCoebTan da sxva.<br />
kompania `kasua~ aris:<br />
- 2005 wlidan erovnuli usafrTxoebis samsaxuris<br />
serTifikatis mflobeli;<br />
- saerTaSoriso ISO 9001/2000 sertifikatis<br />
mflobeli;<br />
- 2007 wlis ianvridan saerTaSoriso kompaniis<br />
`eqvatoris~ (`evropis arqiteqtorebi~) wevri.<br />
mizanSewonilad migvaCnia gacnoboT, rom `eqvatori~<br />
aris saerTaSoriso arqiteqturuli qseli,<br />
romelSic gawevrianebulia 240 TanamSromeli.<br />
igi moicavs cxra ofiss evropis sxvadasxva wertilebSi<br />
(belgia, rumineTi, irlandia, fineTi, portugalia,<br />
safrangeTi, CexeTi, SvedeTi da polone-<br />
Ti). `eqvatori~ adgilobrivi specifikis codnas-<br />
Tan da saerTaSoriso masStabis resursebTan axdens<br />
komerciuli miznebis kombinirebas. misi muSaobis<br />
sami mTavari principia - klientis interesebis<br />
srulad dakmayofileba; SemoqmedebiTi dizaini;<br />
ormxrivi urTierTTanamSromloba.<br />
dagveTanxmebiT, yovlive zemoTTqmuli komentars<br />
ar saWiroebs.<br />
masala moamzada nino laRiZem<br />
stili #23. 2007<br />
71
72<br />
stili #23. 2007<br />
Bochan & Partners, Casua<br />
In May 2007, Tbilisi hosted an exhibition of Czech architects.<br />
The majority of projects and realized works displayed at the exhibition belonged<br />
to Czech design studios Bochan & Partners and Casua. The range of architectural<br />
works, presented by the European architects, comprised urban planning, construction,<br />
interior design – a diversity of professional solutions, creativity and innovative<br />
approach.<br />
Design Studeio “Bochan & Partners” covers all stages of design activities (starting<br />
with initial design and ending in supervision of construction works).<br />
Jan Bochan – architect, engineer, professor, started his professional career in<br />
Design Engineering Bureau and, later on, in Beta Studio, run by architect Jan<br />
Stamec.<br />
In a very short period of time, Beta Studio gathered an immensely productive<br />
team of architects, who successfully promoted Czech architecture by participating<br />
in various architectural competitions. During this period, Jan Bochan mainly<br />
designed his projects in partnership with engineer Zdenec Rotbauer.<br />
In 1990, Jan Bochan became the head of creative design studio at the architectural<br />
faculty of the Czech Technical University, where he works in cooperation<br />
with architects Jan Hladic, Jacub Konata and David Braun. In the same year he<br />
established an engineering his on design studio “Bochan & Partners”.<br />
Jan Bochan’s studio always stood out as one of the best at the students’ architectural<br />
competitions, winning numerous prizes and best project / best studio awards.<br />
Students of Jan Bochan often get high evaluation in domestic architectural<br />
competitions. Many of them become Jan Bochan’s partners and pursue their career<br />
in the engineering studio, which successfully implements its design and construction<br />
activities.
The range of activities of Casua Company is rather wide, covering urban planning<br />
and reconstruction, separate sites and interior design, minor architectural forms<br />
and landscape architecture. Philosophy of their professional activities are based on<br />
a tight cooperation and communication of two crucial professions: architect and<br />
civil engineer. This cooperation predetermines consequential coordination of other<br />
profession. The main bearers of this cooperation and simultaneously co-owners of<br />
the company are architect Oleg Haman and civil engineer Ales Podebrad. At the<br />
time being, Casua comprises 35 architects and civil engineers. Since its establishment<br />
in 1991, CASUA worked for a lot of clients starting with large state companies,<br />
banks, private investors, embassies, etc.<br />
CASUA is holder of National Security Authority Certificate since 2005 and a<br />
holder of ISO 9001/2000 certificate and member of Equator European architects<br />
since January 2007.<br />
We would like to note here that Equator is an international architectural network,<br />
employing a 240-man staff in 9 offices all around Europe (in Belgium, Romania,<br />
Ireland, Finland, Portugal, France, Czech Republic, Sweden and Poland). Equator<br />
combines business objective with local expertise and international resources to deliver<br />
value through design. The 3 key values, to which Equator network is committed<br />
are clients’ objectives, creative design and interactivity. You would agree that<br />
no further comment on our part is required.<br />
MATERIALS COMPILED BY NINO LAGHIDZE<br />
stili #23. 2007<br />
73
stili #23. 2007<br />
italiis milani, milanis jianino<br />
kaxi da nuka<br />
74<br />
sporti, udaod erovnuli siamayea, erovnuli aRorZinebis, qveynis warmoCenis erTerTi<br />
ZiriTadi pirobaa da bednierebaa, roca Tanamedrove qarTul sportul samyaro-<br />
Si mravali cnobili saxea, romlebic sxvadasxva miRwevebiT ipyroben yuradRebas.<br />
kaxi kalaZe - fexburTis erovnuli nakrebis kapitani, italiis safexburTo klubis<br />
`milanis~ mcveli - gansakuTrebuli kriteriumebiT gamoirCeva da karga xania misi persona<br />
saerTaSoriso masmediis arealis centrSia moqceuli. warmatebulma sportsmenma<br />
radikalurad gansxvavebul sferoebSiac miaRwia mniSvnelovan Sedegebs. igi, saqveynod<br />
cnobili Jurnalis, MAX-is gamomcemelia (kievi, ukraina), feSenebeluri restornis Gianninos<br />
(milani, italia) damfuZnebelia da axlo momavalSi gansaxorcieleblad, kvlav saintereso,<br />
araordinalur proeqtebze muSaobs.<br />
Cveni Jurnalis specifikidan gamomdinare, SevecadeT dagvefiqsirebina kaxi kalaZis<br />
realiebis erT-erTi fragmenti da amjerad, SeZlebisdagvarad, restoran Giannino-s interierul<br />
garemos gagacnobT, romelic sxvaTaSoris, pirvelad Suqdeba qarTul sainformacio<br />
sivrceSi. visargebleT agreTve, kaxi kalaZis TbilisSi droebiTi yofniT da<br />
mas Giannino-sa da saerTod arqiteqturis Seasaxeb gavesaubreT.<br />
- batobo kaxi, rogor Seiqmna<br />
Giannino-s interieruli<br />
sivrce?<br />
- interieris dizaini italieliarqiteqtor-dizaineris<br />
flavio kapriotis proeqtiT<br />
ganxorcielda TviT proeqti<br />
ki, profesionalma CemTan<br />
SeTanxmebiT - Cemi mosazrebebisa<br />
da moTxovnebis gaTvaliswinebiT<br />
Seqmna.
- Sedegi, marTlac warmatebulia, samomavlod,<br />
Tu gaqvT dagegmili, identuri<br />
an gansxavavebuli daniSnulebis sazogadoebrivi<br />
obieqtis gaxsna-funqcionireba?<br />
- didi survili maqvs da uaxloes periodSi<br />
vapireb kidec, gavxsna msgavsi italiuri<br />
restorani kievSi.<br />
- romel arqiteqturul stilSi unda<br />
iyos gadawyvetili, TqvenTvis misa-<br />
Rebi interieri?<br />
- dameTanxmebiT, gemovnebaze ar daoben.<br />
am TvalsazrisiT, me modernisa da<br />
klasikuri stilis sinTezs vaniWeb upiratesobas.<br />
- sainteresoa Tqveni STabeWdilebebi,<br />
Cveni Tanamedrove sazogadoebis cxovrebis<br />
wesis - misi sacxovrebeli garemos<br />
aRqmisas.<br />
- qarTul interiers, Cemi azriT, garkveuli<br />
Camoyalibebuli saxeli ar gaaCnia.<br />
ufro xSirad, igi ekleqtikuria<br />
da masSi SeiZleba haitekis, qanTris, kolonialuri<br />
Tu klasikuri stilis elementebi<br />
naxoT, bolosdabolos adamians<br />
ufleba aqvs icxovros iq, sadac Tavs kargad<br />
grZnobs da ra mniSvneloba aqvs misTvis<br />
misi garemos stils? Tumca namdvilad<br />
SeiZleba iTqvas, rom qarTveli sazogadoebis<br />
gemovneba, moTxovnilebebi da<br />
interesi interieris mowyobis mimarT<br />
mniSvnelovnad gaizarda.<br />
- saqarTveloSi mSeneblobis bumia ga-<br />
CaRebuli. rogor SeafasebdiT uaxles samamulo<br />
arqiteqturas, evropis, vTqvaT,<br />
italiis Tanamedrove arqiteqturis fonze?<br />
- rac Seexeba arqiteqturis - profesionalizmis<br />
dones, italiis Tanamedrove<br />
arqiteqtura erT-erTi saukeTesoa<br />
msoflio masStabiT. saqarTveloSi ki, sadac<br />
profesionals SemoqmedebiTi Tavisufleba<br />
sul ramdenime weliwadia mieca,<br />
iqmneba saSualo, kargi, saukeTeso Tu<br />
unikaluri, sabolood ki arqiteqtura<br />
TviTmyofadobas SeiZens, udaod.<br />
... Giannino-s sada da myudro atmosfero,<br />
ferTa klasikuri palitra, daxvewili<br />
furnitura da sasiamovno aura...<br />
aq, Tanamedrove dizainis elementebi<br />
istoriulad Camoyalibebul sivrcobriv<br />
struqturasTanaa Serwymuli.<br />
mkveTrad gamoxatuli stilisturi specifikis,<br />
damoukidebeli moculobiTi<br />
kompoziciis mqone egzotikuri interieri<br />
araCveulebriv garemos qmnis saqmiani<br />
SexvedrebisTvis, dasvenebisa da garTobisaTvis.<br />
nino laRiZe<br />
stili #23. 2007<br />
75
76<br />
stili #23. 2007<br />
Milan, Italy – Giannino, Milan<br />
Kakhi Kaladze – captain of the Georgian<br />
national football team, player of Italian Milan F.C.<br />
– is an outstanding personality, attracting a great<br />
deal of attention on the part of international mass<br />
media. A sportsman of remarkable performance, Kahi<br />
also achieved success in radically different fields.<br />
He founded a very popular MAX <strong>Magazine</strong> in Kiev<br />
(Ukraine) and a fashionable restaurant GIANNINO<br />
in Milan (Italy); at the time being, Kakhi works on<br />
more interesting and original projects to be implemented<br />
in the near future.<br />
Considering the specificity of our magazine, we<br />
chose to cover one particular fragment of Kakhi<br />
Kaladze’s life – the interior of GIANNINO Restaurant<br />
and his views on architecture in general.<br />
How was the interior of GIANNINO designed?<br />
The project of interior design was developed<br />
by the Italian architect-designer Flavio Capriotti based<br />
on my own ideas and requirements.<br />
The result is successful. Does it make you<br />
wish to create another public establishment?<br />
Yes, of course. In the nearest future I am going<br />
to open a similar Italian restaurant in Kiev.<br />
What is your preferred interior design style?<br />
Chacun a son gout, you would agree with that.<br />
I personally favor a synthesis of modern and classical<br />
styles.<br />
What do you think about the current lifestyle,<br />
living environment of the Georgian public?<br />
I believe Georgian residential interior design could<br />
not be classified under a definite name. Most often,<br />
you find there a little of everything – hi-tech, country,<br />
elements of colonial and classical styles. After<br />
all, one can live where one likes and there is no<br />
need to live in an environment of a definite style.<br />
But in general it can be said that the taste of the<br />
Georgian public and their interest toward interior<br />
design have increased considerably.<br />
Considering the growing popularity of construction<br />
in Georgia, how would you evaluate<br />
the present-day Georgian architecture compared<br />
to modern European, e.g. Italian architecture?<br />
As regards the level of professionalism, modern<br />
Italian architecture is one of the best in the<br />
world. In Georgia, where professional architects<br />
acquired creative freedom just several years ago,<br />
architecture is yet a mixture of good and bad, original<br />
and trite. But considering the high speed of its<br />
development, the day when Georgian architecture<br />
finds its unique image is not so far away.<br />
…In the reserved and comfortable atmosphere<br />
of GIANNINO Restaurant, the elements of modern<br />
design are skillfully combined with the historically<br />
developed structure of the space. The exotic interior<br />
with clearly expressed specific style and independent<br />
volumetric composition provides a perfect<br />
setting for business meetings, relaxation and leisure.<br />
NINO LAGHIDZE
serTificirebulia
78<br />
stili #23. 2007<br />
interieri<br />
ITERIOR<br />
metexis CrdilqveS<br />
warmodgenili interieri Tavisi arqiteqtonikiT,<br />
masSi Sesabamisi ganwyobis Sesaqmnelad<br />
sasiamovno anturaJs qmnis. restornis<br />
`metexis CrdilSi~ myudro,¸komfortuli<br />
garemo nino axvledianisa da gia jaoSvilis<br />
dizainiT Seiqmna. misi mkveTri, dasamaxsovrebeli<br />
saxe - moculobiT-sivrcobrivi<br />
kompozicia, centrisadmi simetriulad<br />
Tu asimetriulad gadanawilebul moculobebzea<br />
dafuZnebuli, amdenad dinamikuri<br />
da STambeWdavia. moculobebis danawevrebis<br />
Taviseburi xedva sivrcis mTli-<br />
anobis, moqnili siluetis ganmsazRvrelia.<br />
saintereso, cocxali interieruli kompoziciebis<br />
ganxorcielebiT avtorebi<br />
uamrav siurprizs gviwyoben. interieris<br />
atmosfero absoluturad Seminuli naxevarwridan<br />
Semosuli sinaTliTa da haeri-<br />
Taa savse da Tavisuflebis SegrZnebiTaa<br />
gaJRenTili. uzarmazari Seminuli sibrtyeebi<br />
zrdian sazRvrebs da maTi mcdeloba<br />
moaqcion igi xist, Tundac gamWvirvale<br />
CarCoSi amaoa. gare samyaro - Zveli Tbilisis<br />
ulamazesi panorama interieris<br />
struqturul elementaTaa gardaqmnili.<br />
detalebis grafikuli naxatis moZraoba<br />
moulodnel rakursebs xsnis. sxvadasxva<br />
masalis Tamam, daxvewil kombinirebas,<br />
konstruciisa da mopirkeTebis urTierTzemoqmedebis<br />
gamovlinebas dizainerebi<br />
profesiuli ostatobiT moekidnen da wamyvani<br />
elementebis warmoCinebiT, mTliani<br />
sivrcis Tavisuflebis mzardi xarisxis gamoyenebiT,<br />
TviTmyofadi garemo Seqmnes.<br />
nino laRiZe<br />
foto: gia javeliZe
stili #23. 2007<br />
79
80<br />
stili #23. 2007<br />
In the Shade<br />
of Metekhi<br />
The comfortable and peaceful interior of this restaurant has been created<br />
by Nino Akhvlediani and Gia Jaoshvili.<br />
Its unusual and memorable design is based on dynamic and flexible planning<br />
with clearly delimited zones, which nevertheless leave an impression of<br />
integrity. Semicircular, fully glazed wall fills the space with air and sunlight and<br />
merges the interior into the magnificent panorama of old Tbilisi. Unusual combinations<br />
of construction materials, distribution of dominant elements and accessories<br />
allowed the designers to form a free and original atmosphere, a place,<br />
which is always a pleasure to visit.<br />
NINO LAGHIDZE<br />
PHOTO BY GIA JAVELIDZE
stili #23. 2007<br />
81
kaSe<br />
qalaqis istoriuli ubnis regeneracia,<br />
misi sicocxlisunarianobis SenarCuneba<br />
aucilebeli procesia, radgan is rac<br />
Rirebulia, istorias ar unda Cabardes.<br />
swored regeneraciis Sedegad moxda bambis<br />
rigisa da Sardenis quCebis CarTva qalaqis<br />
majiscemaSi. aq arsebuli istoriuli<br />
Senobebis Sida da gare sivrceebis Tanamedrove<br />
konteqstSi Serwymam mniSvnelovani<br />
gaxada garemos moculobiT-sivrcobrivi<br />
kompozicia. Cven araerTxel SevexeT<br />
bambis rigis quCaze mdebare istoriuli<br />
`manTaSevis rigebis~ arqiteqturul ans-<br />
82<br />
stili #23. 2007<br />
ambls. igi, saqarTvelos erovnuli mniSvnelobis<br />
Zegladaa aRiarebuli.<br />
nagebobis gegmarebam rekonstruqciis<br />
Sedegad cvlilebebi ganicada, rac garkveulwilad<br />
misma mravalfunqciurma daniSnulebam<br />
ganapiroba. SenobaSi ganTavsebulia<br />
sakonferencio da sagamofeno<br />
sivrceebi, saofise saTavsoebi, kafeebi, `Tu<br />
saiT~ qselis bari da restornebi. amjerad,<br />
warmogidgenT mis moculobaSi realizebul<br />
axal kafes - `kaSe~, romlis dizainic<br />
aleqsandra abzianiZisa da sofo<br />
cxvedianis ideebiT Seiqmna. funqciurad<br />
organizebul, ulamazesi sivrcis dizainSi<br />
mravalferovneba, srulyofili formebis<br />
umaRlesi xarisxi, gasazRvrul da<br />
damajerebel organizmSi erTmaneTTanaa Serwymuli.<br />
ganaTeba, feri, aqsesuarebi,<br />
proporciebi, moZravi grafika - maTi er-<br />
TobliobiT warmoqmnili araordinaluri<br />
sivrce, yovel mocemul SemTxvevaSi teqnologiuri<br />
siaxleebis saSualebebiT gamogonil<br />
struqturaze gacilebiT mniSvnelovania.<br />
nino laRiZe<br />
foto: gia javeliZe
stili #23. 2007<br />
83
84<br />
stili #23. 2007<br />
CACHE<br />
Regeneration of the historical districts of a city, retention of their viability<br />
is an indispensable process, enabling to conserve the most valuable characteristic<br />
traits of a place. This is the reason why Shardeni and Bambis<br />
Rigi Streets were restored to life. Rehabilitation of their historical buildings<br />
and outdoor spaces highlighted the importance of local space composition.<br />
We have repeatedly covered the architectural complex of Mantashevis Rigebi,<br />
located in Bambis Rigi Street, which has been recognized as a historical /<br />
architectural monument of national importance.<br />
After reconstruction, planning of the construction was modified to correspond<br />
to the numerous functions it now combines. Mantashev complex<br />
houses conference and exhibition spaces, offices, cafes, a bar of Two Side<br />
network and several restaurants.<br />
This time, we would like to tell you about a new café CACHE, recently<br />
opened in the same building. Its interior has been created by Alexandra<br />
Abzianidze and Sopo Skhvediani. An attractive and at the same time highly<br />
functional design is smoothly integrated with its environment. Lighting, colors,<br />
accessories, proportions, moving graphics – these tools proved much<br />
more efficient in forming this unordinary space than an artificially developed<br />
structure based on advanced technologies would.<br />
NINO LAGHIDZE<br />
PHOTO BY GIA JAVELIDZE
servis-mSeni<br />
sacxovrebeli saxli saburTalos quCa #51-Si<br />
avtorebi: T. murvaniZe, l. kupraSvili,<br />
b. abramiSvili, r. ebraliZe<br />
serTificirebulia<br />
� proeqtireba;<br />
� arqiteqturuli<br />
naxazebis<br />
sivcobrivi<br />
vizualizacia;<br />
� konstruireba;<br />
� saproeqto<br />
gadawyvetebis<br />
SeTanxmeba;<br />
� saxarjTaRricxvo<br />
dokumentacia;<br />
� mSenebloba;<br />
� ultraTanamedrove<br />
masalebiTa da<br />
aRWurvilobiT<br />
obieqtis<br />
kompleqtacia;<br />
� yoveli etapis<br />
zedamxedveloba.<br />
Tbilisi,<br />
taSkentis q. #27<br />
tel.: 45-01-52
86<br />
stili #23. 2007<br />
franguli eleganturoba<br />
sul axlaxans, Zvel TbilisSi, prokredit<br />
jgufis iniciativiT kidev erTi, ulamazesi,<br />
franguli restorani `leqspresi~<br />
gaixsna. misi interieris dizainis avtoria<br />
goga Cxetia. elegantur garemoSi moxvedrisas<br />
`leqspresis~ franguli `surneli~,<br />
Tavidanve amaRlebul, respeqtabelur SegrZnebebs<br />
iwvevs mnaxvelSi.<br />
originaluri gadawyvetiTa da saintereso<br />
mignebebiT komfortuli, esTetikurad<br />
TviTmyofadi sazogadoebrivi sivrce warmoiqmna.<br />
interierSi moculobebi Tavisuf
ladaa ganTavsebuli, Tumca maTi ganlageba<br />
mkacr kanzomierebas eqvemdebareba - yvelaferi<br />
mxolod silamazisaTvis da sargeblobisTvisaa<br />
Seqmnili. esTetika sinqronulad<br />
erwymis pragmatizms. sivrcis TiToeuli<br />
monakveTi damoukidebeli da damTavrebulia,<br />
yoveli kuTxe da detali pedanturi TanmimdevrobiTaa<br />
Sesrulebuli. furnitura saerTo<br />
asociaciaciebis sistemaSia CarTuli<br />
da TiTqos arsebuli arqiteqturuli fo-<br />
stili #23. 2007<br />
rmebidanaa amoziduli. geometriuli Wrilebi,<br />
moculobebi, garemos mxatvrul-dinamikur<br />
gamoxatulebas - evropul Sarms - aZlierebs<br />
da metad gamomxatvelobiTs xdis.<br />
nino laRiZe<br />
87
88<br />
stili #23. 2007<br />
sakura
warmodgenili interieris Camoyalibebisas, idea, `emociuri<br />
mdgomareobis cvalebadobis~gamoxatulebad Camoyalibda.<br />
`sakura~ patara iaponuri restorania, TbilisSi.<br />
igi prokredit jgufis damfuZneblebis iniciativiT funqcionirebs.<br />
misi interieri, arqiteqtorebis, mika yruaSvilisa<br />
da mariana Wyonias proeqtiT Seiqmna.<br />
aRmosavlur garemoSi, Tanamedrove arqiteqturuli dekoris<br />
yoveli niuansi mniSvnelovan datvirTvas iRebs. ekologiuri<br />
dizainis teqnologiur elementebTan Serwyma,<br />
efeqturi da gamomxatvelobiTia. erTiani sivrcis Seqmna,<br />
romelic sasiamovno urTierTobebisaTvis gangvawyobs,<br />
profesionalTaTvis aranair sirTules ar warmoadgenda.<br />
dizainis saxe Tanamedrove dekoris motivebiT, moculobiTa<br />
da plastikuri gadawyvetebiT, arqiteqturuli ri-<br />
TmebiTaa miRweuli. Tavisuflad formirebul sivrceSi, Ti-<br />
Toeuli niuansia aqcentirebuli, rac TavisTavad dizainis<br />
stils gansazRvravs. swored mignebuli intonaciebis fonze<br />
interierSi Sesabamisi atmosfero, sasiamovno ganwyoba,<br />
simyudrove, komforti isadgurebs da igi maqsimalurad<br />
srulyofili dasamaxsovrebeli saxiT warmoCindeba.<br />
nino laRiZe<br />
stili #23. 2007<br />
89
90<br />
stili #23. 2007<br />
bufetis respeqtabeluri garemo<br />
restoran `bufetis~ interiers,<br />
praqtikulad vizualurad zrdis, misi<br />
avtoris, mariana Wyonias mier SerCeuli<br />
dizaini, romelic damkveTis, progres jgufis<br />
damfuZneblebis moTxovnebis gaTvaliswinebiT<br />
Camoyalibda. mSvid da respeqtabelur<br />
garemoSi, sadac detalebis<br />
siWarbiT qaosi ar iqmneba, yoveli elementi<br />
gansakuTrebiT mniSvnelovania. interierSi<br />
sivrce erT mTlianobad aRiqmeba da ara<br />
mxolod imitom, rom aq klasikuri formebis<br />
gameoreba da erTiani feriTi gama<br />
dominirebs. zustad SerCeuli mosapirkeTebeli<br />
masala, lamazi teqstura da<br />
Tbili tonaloba, misgan damzadebuli<br />
aveji interieris warmomadgenlobiTobas<br />
arbilebs. mTavaria ki is aris, rom aq,<br />
mocemul SemTxvevaSi, TiTqmis yovelTvis<br />
rTuli dialogi dizainis avtorsa da<br />
damkveTs Soris warmatebiT Sedga.<br />
nino laRiZe
stili #23. 2007<br />
91
92<br />
stili #23. 2007<br />
tokio arqiteqtor<br />
mika yruaSvilis dizainiT<br />
Seqmnili restoran `tokios~ interierSi<br />
mravalferovneba, formaluri araerTgvarovneba,<br />
srulyofili formebis umaRlesi<br />
xarisxi erTmaneTTanaa Serwymuli. klasikuri,<br />
gamomxatvelobiTi saSualebebis erTi mi-<br />
znisken mimarTviT stiluri garemo iqmneba.<br />
masSi kulturul-mxatvruli elementebis<br />
SetaniT, atributikis dekori misi daniSnulebis<br />
saerTo principebs Seesabameba. amis ga-<br />
TvaliswinebiT arqiteqturuli detalebisa<br />
da avejis dizaineruli gadawyveta Tu ga-
nTavseba aRmosavluri stilis esTetikas pasuxobs.<br />
igi daxvewil proporcionalizmzea<br />
dafuZnebuli. aq gamefebul patara samyaros<br />
survilisamebr irCev, mis wesebs emorCilebi<br />
da mTeli sisavsiT SeigrZnob nirvanas.<br />
nino laRiZe<br />
stili #23. 2007<br />
93
94<br />
stili #23. 2007<br />
TOKYO<br />
AUTHOR MIKA KRUASHVILI
mSvenieri<br />
konkretul<br />
materiad<br />
gardaiqmneba<br />
maqsimalurad efeqturad warmoCenili<br />
Sedegi yovelTvis originalurobiT<br />
gamoirCeva da funqcionalurad<br />
da esTetikurad Seesabameba konkretul<br />
moTxovnebs. arqiteqtor daviT<br />
xurcilavas mier Seqmnili, amjerad warmodgenili<br />
salonis `franko provos~<br />
interierSi moculoba plastikurad<br />
viTardeba. yoveli amocana kompoziciuri<br />
xerxiTaa gadawyvetili da kompoziciuri<br />
principis SenarCunebiT sa-<br />
Tavsos Sida struqtura formaTa mravalferovnebiT<br />
iqmneba. furnituriTa<br />
da lamazi sagnebiT Seqmnil sivrces,<br />
calkeuli gansakuTrebuli xiblis matarebel<br />
monakveTTa erToblioba<br />
qmnis.<br />
mocemuli interieri erTxel ukve<br />
iqna Cvens mier warmodgenili maSin,<br />
igi ZiriTad masebSi, detalebis dakonkretebis<br />
gareSe iyo gadawyvetili.<br />
avtorma, metad sainteresod moaxdina<br />
misi saboloo vizualizacia, Tumca<br />
procesi dinamiuria da ganuwyvetliv<br />
mimndinareobs.<br />
nino laRiZe<br />
stili #23. 2007<br />
95
96<br />
stili #23. 2007
stili #23. 2007<br />
97
98<br />
stili #23. 2007<br />
transformizmi interierSi<br />
arqiteqtor ilia zaqaraias mier Seqmnili<br />
sacxovrebeli Tu sazogadoebrivi interieris<br />
erTiani sivrcis organizebaSi mTavari<br />
mxatvruli principi minimalizmi da sisadave<br />
gaxda. moculobis mTliani saxe sasiamovno<br />
disonansebis mqone moulodnelobebzea agebuli.<br />
misi mTavari niSania arsebobis filosofia<br />
- komfortuloba da sisadave, romli-<br />
Tac TiToeuli detalia gajerebuli. aseTi<br />
midgoma Tanamedrove stilistikaSi araordinalur<br />
CarTvebs ganapirobebs da mas dasaSvebs<br />
xdis.<br />
interieris arqiteqtonika martivicaa,<br />
rTulic, lamazic da `arqiteqturuli Janris~<br />
yvela kanonis mixedviT viTardeba. sivrcis<br />
mTlianobis STabeWdileba kompoziciis dinamizmiT,<br />
zonidan zonaSi gardamavali dekoris<br />
mixedviT, ferTa lavirebiT, moculobiTsivrcobrivi<br />
gadawyvetebis riTmebiTaa miiRweuli.<br />
interierSi, kidev erTi, misi `vizualuri<br />
moZraobis~ - transformizmis ideaa ganxorcielebuli,<br />
rasac arqiteqtoris mier SemuSavebuli<br />
specefeqtebisa da moulodneli dizaineruli<br />
gadawyvetebis sistemebi ilustrirebs.<br />
nino laRiZe
stili #23. 2007<br />
99
100<br />
stili #23. 2007<br />
Interior<br />
Transformism<br />
In either residential or public interiors,<br />
created by Ilia Zakaraia, major principles<br />
defining space organization are minimalism<br />
and simplicity. Generally speaking,<br />
his projects always feature unexpected<br />
highlights, seemingly falling out of general<br />
concept, but not damaging the philosophy<br />
of being – the comfort and ease,<br />
to whish every detail of the design is subjected.<br />
Architectonics of the interior is both<br />
complex and simple, developed according<br />
to the basic architectural principles<br />
and just beautiful. Integrity is achieved by<br />
dynamic composition, smooth zone-to-zone<br />
transition décor, rhythmical solution of<br />
space composition.<br />
One of the ideas, distinguishing this<br />
interior, is visual movement – transformism,<br />
based on specific effects and<br />
unordinary design solutions, developed by<br />
the architect.<br />
NINO LAGHIDZE
serTificirebulia
102<br />
stili #23. 2007<br />
sivrcis<br />
funqciuri<br />
organizeba<br />
sazogadoebrivi sivrcis sworad<br />
organizeba, ferisa da masalis<br />
harmonia, ostaturad mofiqrebuli<br />
da gadanawilebuli gana-<br />
Tebis dizaini, interieris saerTo<br />
stilisturi gadawyvetis Sesabamisi<br />
furnitura, gemovnebiT Ser-<br />
Ceuli teqstili da aqsesuarebi...<br />
- TiToeul mocemul amocanas originaluri<br />
ideebis SemoTavazebiT<br />
da maTi warmatebulad ganxorcielebiT,<br />
arqiteqtori wyvets. uzado<br />
dizaini gulisxmobs saerTo<br />
ideiTa da TemiT gamTlianebuli<br />
harmoniuli interieruli saxis<br />
Seqmnas, romelSic gaTvlilia yoveli<br />
niuansi da maqsimaluradaa ga-<br />
Tvaliswinebuli damkveTis `tabudadebuli~<br />
moTxovna.<br />
studia `adlis~ (arqiteqtorebi:<br />
v. WeliZe, a. donaZe, z. svanaZe,<br />
g. WanWaleiSvili) proeqtiT,<br />
TbilisSi ganxorcielebuli standart<br />
bankis filialebis saofise<br />
interierebi specifikuri daxvewili<br />
zomieri dekoriT gamoir-<br />
Ceva, Sesabamisad TiToeul konkretul<br />
SemTxvevaSi komfortuli da<br />
myudro samuSao garemo iqmneba.<br />
interieris Tavisebureba - detalebamde<br />
gaTvlili sivrcis funqciuri<br />
organizebaa. amgvarad warmoqmnili<br />
erTiani sazogadoebrivi<br />
zona afarTovebs `manevrirebis<br />
sivrces~ da mocemul farTobze<br />
funqciaTa maqsimumis koncentrireba<br />
xdeba SesaZlebeli.<br />
avtorTa ZalisxmeviT aRqmadi<br />
lakonizmiT SeniRbuli zustad<br />
gaTvlili gadawyvetebis fonze, misi<br />
datvirTvis specifikis Sesabamisi,<br />
stiluri interierebi Seiqmna.<br />
nino laRiZe
stili #23. 2007<br />
103
Functional Organization of the Space<br />
Correct space organization, harmony of colors<br />
and materials, skillful finishing and lighting, interesting<br />
interior design and well-chosen furniture, tasteful<br />
accessories alongside with clear identity and style,<br />
conforming the functional meaning of the space… -<br />
104<br />
stili #23. 2007<br />
such are attributes, describing a successful architectural<br />
solution.<br />
Interiors of StandardBank Tbilisi branch offices,<br />
designed by Adli Studio (architects V. Chelidze, A.<br />
Donadze, Z. Svanadze, G. Chanchaleishvili), provide<br />
an open and comfortable working environment with<br />
refined, purpose-specific style, corresponding to modern<br />
requirements.<br />
NINO LAGHIDZE
vinosimo<br />
baxusis sasmelisaTvis gankuTvnili, patara butikis<br />
`vinosimos~ interieris dizaini arqiteqtor<br />
daTo xurcilavas proeqtiT ganxorcielda. damkve-<br />
Tis moTxovniT zonireba mkacrad unda yofiliyo daculi,<br />
raTa horizontalSi minimumamde dasuliyo<br />
klientebis gzebis gadakveTa. SesvlisTanave Seigr-<br />
ZnobT, rom interieri feriTi da sivrciTi gadawyvetiT<br />
aqtiuri da lokaluria, rac misi iersaxis<br />
ganmsazRvrelia. dizainSi avtorisaTvis damaxasia-<br />
Tebeli manera, stili, TvalsaCino pirobiToba,<br />
mTliani sivrcis originaluri kompozicia naTlad<br />
gamoikveTa. interierSi Tbili feriTi palitra dominirebs.<br />
mocemuli Tematika guldasmiTaa damuSavebuli<br />
da originaluri gadawyvetiT gamoirCeva. masSi<br />
wamyvani dominanti elementebis gadanawileba,<br />
dizaineruli xerxebiT ostaturadaa Sesrulebuli,<br />
rac sasiamovno garemos qmnis.<br />
nino laRiZe<br />
stili #23. 2007<br />
105
106<br />
stili #23. 2007<br />
avtorebi:<br />
lenka ciciSvili,<br />
sandro TayaiSvili<br />
istoriuli<br />
dekoracia<br />
mihyvebi Zveli Tbilisis viwro, qvafenilian quCas, romlis gaswvriv myudro kuTxeebi,<br />
Ria pawawina moednebia mowyobili. TiToeul monakveTze sxvadasxva drois suli trialebs,<br />
TiToeuls - Tavisi saxeli hqvia. survilisamebr irCev drois romelime fragments<br />
da xdebi misi monawile, ebmebi `TamaSSi~...<br />
Tarovine - Rvinis cicqna duqania. misi dizaini - Sida sivrce da win mdebare patara moedani<br />
arqiteqtorebis, sandro TayaiSvilisa da lenka ciciSvilis ideiT ganxorcielda.<br />
avtorebma guldasmiT SemuSavebuli Tematuri scenariT Seqmnes STambeWdavi eqspozicia.<br />
aq dizaini - dekoracia, arc Tu ise Soreuli warsulis, istoriuli epoqis anareklia.<br />
saintereso sagnebis, aqsesuarebis (Tarovine-s avtorTa saxelovani winaparebis foto-portretebis<br />
galerea, gramafoni, Zveli firfitebi...), Tbil tonalobaTa rialSi, yovelives<br />
Tavisi adgili aqvs miCenili, yovelives wamyvani roli akisria.<br />
feriT, formiTa da informaciiT datvirTuli dekoraciebi harmoniuladaa Sewymuli<br />
patara samyaros sivrciT gadawyvetasTan, romelSic arqiteqturul-mxatvruli avangardisa<br />
da inteleqtualuri bohemis aura ikveTeba.<br />
nino laRiZe<br />
Historical Decorations<br />
A narrow paved street in old Tbilisi, lined with shady nooks, minuscule open squares, buildings of different ages,<br />
each having its own story and individuality… So easy to plunge headlong into this game of time and get lost among<br />
these distant whispers of time…<br />
Tarovine is a small wine tavern. Its design – the interior and the small square in front of the tavern – belongs<br />
to architects Sandro Takaishvili and Lenka Tsitsishvili. The authors spent a great deal of effort to develop a thematic<br />
scenario, which resulted in an impressive exposition. Design theme represents a decoration from relatively<br />
recent historical past. A variety of attractive items, accessories (photo-portraits of the ancestors of Tarovine owners,<br />
a phonograph, old song records), nestling in the tavern, harmoniously match the spatial solution of this small world,<br />
saturated with the aura of artistic and intellectual ‘underground’.<br />
NINO LAGHIDZE
stili #23. 2007<br />
107
108<br />
stili #23. 2007
eleganturoba dekorSi<br />
axali kompiuteruli maRazia-salonis<br />
interieri daxvewili, zomieri dekoriT gamoirCeva.<br />
igi arqiteqtorebis lenka cici-<br />
Svilisa da sandro TayaiSvilis proeqtiT<br />
ganxorcielda.<br />
feri, interieris xasiaTis Sesabamisad,<br />
tonalur niuansebSi lavirebs da amgvari<br />
lakonuri, optimaluri anturaJi sagnobrivi<br />
garemosaTvis araCveulebriv fons<br />
qmnis. interieris eleganturoba furnituris,<br />
aqsesuarebis araordinalur dekor-<br />
Si vlindeba, avtorTa profesionalizms<br />
stili #23. 2007<br />
deklarirebs da maTTvis, visac ZaluZs<br />
silamaze gadaWarbebuli Teatralurobisa<br />
da prezentabelurobis gareSe Seafasos,<br />
warmodgenili dizainis esTetika metad<br />
axlobelia.<br />
nino laRiZe<br />
109
110<br />
stili #23. 2007<br />
italiuri komforti<br />
sazogadoebrivi TavSeyris sivrcis Tanamedrove<br />
garemo arasodes yofila mxolod<br />
komfortuli interieri. igi, gansakuTrebuli,<br />
mxolod misTvis damaxasiaTebeli<br />
simyudrovis damcvelia da iseve rogorc<br />
Semoqmedeba, Tavisi kanonebiT transformirdeba<br />
realobaSi.<br />
arqiteqtorebis lenka ciciSvilisa da<br />
sandro TayaiSvilis proeqtiT Seqmnil<br />
italiuri restornis interierSi, daxvewili<br />
furnituriTa da lamazi sagnebiT Seqmnili<br />
calkeuli monakveTi gansakuTrebuli<br />
xiblis matarebelia. mSvenieri, esTetikuris<br />
aRqmiT ar Semoifargleba, radgan<br />
igi mravalmxrivia da moazrebul, konkretul<br />
materiad gardaqmnas moiTxovs.<br />
dizainSi detalebi araordinaluri gamovlinebiT<br />
gamoirCeva da mTlianobis gamo-<br />
mxatvelobiTi xasiaTis ganmsazRvreli xdeba.<br />
igi uxilavi barierebiT Seqmnil msubuq<br />
erTianobas warmoadgens, sadac saerTo<br />
feriTi gama dekoratiuli aqsesuarebis,<br />
furnituris mkveTri tonebiTaa aqcentirebuli.<br />
advili warmosadgenia, ra sasiamovno<br />
iqneba megobrebTan erTad aq TavSeyra<br />
da maTTan urTierToba.<br />
nino laRiZe
Modern public space does not just provide comfort.<br />
It contains a unique atmosphere, integrating with<br />
the outside life according to its own laws.<br />
Interior of an Italian restaurant, designed by architects<br />
Lenka Tsitsishvili and Sandro Takaishvili, has<br />
a special appeal. Different sections of the space, each<br />
stili #23. 2007<br />
Italian Comfort<br />
endowed with a special charm, unobtrusively delimited<br />
by invisible barriers, are reintegrated by colors<br />
and textures, decorative accessories and furniture.<br />
In other words – a perfect place to meet friends and<br />
relax.<br />
NINO LAGHIDZE<br />
111
112<br />
stili #23. 2007<br />
funqcionalizmis esTetika<br />
arqiteqturuli sivrce mravlismTqmelia.<br />
interierma ganumeorebeli saxe, rom<br />
miiRos da CvenTan erTad da Cveze ilaparakos,<br />
profesionalia saWiro, romelic<br />
mxolod misTvis damaxasiaTebeli Sesrulebis<br />
maneriT warmoaCens erTaderTs, individualurobiT<br />
gamorCeuls. interierze<br />
muSaobisas dizaineri masSi arsebul sixisteebs<br />
ostaturad auCinarebs da damkveTis<br />
moTxovnebis Tu daniSnulebis Sesabamis<br />
ganwyobas qmnis.<br />
proeqtireba niSnavs, konkretul sivrceSi,<br />
gaazrebulad moaqcio sazogadoe-<br />
brivi cxovrebis kanonzomierebani. es mtkicebuleba<br />
metad marTebulia interierTan<br />
mimarTebaSi. axalgazrda dizainerebis<br />
nia mgalobliSvilis, sofo SevardnaZisa<br />
da ia lipartelianis mier ganxorcielebuli,<br />
`elit-eleqtroniqsis~ maRazia-salonis<br />
sivrce zemoTTqmulis dasturia. igi<br />
gamWvirvale da msubuqia, rasac originaluri<br />
koloristuli gadawyveta udevs<br />
safuZvlad. mTliani palitra optimalur<br />
fons uqmnis nebismier sagans, gamokveTs mis<br />
moculobas. es, gansakuTrebiT mniSvnelovania<br />
- interierSi yovelives Tavisi ad-<br />
gili aqvs miCenili da skulpturuli xasiaTis<br />
matarebelia. gamoyenebul masala-<br />
Ta faqturebis zedapirebze sinaTlis aTinaTi<br />
interierisaTvis damaxasiaTebel<br />
grafikul ideas, ufro metad aqcentirebs.<br />
saerTo gamWvirvalebaSi SeWrili xazebi<br />
da paralelebi, dinamikuri simrudeebi<br />
maorientebel monaxazebsa da siluetebs<br />
qmnian. dizaineruli melodia, misi ri-<br />
Tmis cvliTa da Sesabamisi notebis registris<br />
gaZlierebiTaa agebuli.<br />
nino laRiZe<br />
foto: irakli bluiSvili
Functionalism at Its Best<br />
For an interior to acquire a definitive image, it<br />
requires involvement of a professional who will interpret<br />
the concept and express it in his own way. While<br />
creating an interior, a designer skillfully removes<br />
unfavorable traits and builds up an atmosphere, corresponding<br />
to the client’s wishes and/or the purpose<br />
of the interior.<br />
The above exactly corresponds to the interior of<br />
Elite Electronics showroom, designed by young designers<br />
Nia Mgaloblishvili, Sopho Shevardnadze and Ia<br />
Liparteliani. Original coloring solution renders the space<br />
transparent and light and creates an efficient and advantageous<br />
background to any object. Which is especially<br />
important is that all the components of the interior<br />
are put in right places and possess a monumental quality.<br />
Graphic precision of the design is further accentu-<br />
stili #23. 2007<br />
ated by lighting. Parallel and perpendicular lines,<br />
dynamic curves interrupting the general transparency<br />
of the space, structure the interior and facilitate orientation.<br />
The melodious flow of the design is set off by<br />
variable rhythms and tonalities.<br />
NINO LAGHIDZE<br />
PHOTO BY IRAKLI BLUISHVILI<br />
113
114<br />
stili #23. 2007
stili<br />
interierSi<br />
sacxovrebeli interieris dizainis SerCeva did pasuxismgeblobas<br />
da seriozul midgomas moiTxovs. saxlis<br />
mepatrone, romelime stilisaTvis upiratesobis micemiT,<br />
xangrZlivi droiT irCevs gansazRvrul atmosferos,<br />
cxovrebis wess. saxlSi gamefebuli stili, ki<br />
Tavad zemoqmedebs adamianze - amSvidebs an aRelvebs mas.<br />
warmodgenili interieris avtori dizaineri ia liparteliania.<br />
man saxlis mflobelTa gemovnebisa da survilebis<br />
gaTvaliswinebiT, sakuTar profesionalizmze<br />
dayrdnobiT, mkafio arqiteqturuli grafikiT, geometriuli<br />
forma-moculobebis originaluri monacvleobiT<br />
da feriTi kontrastebiT Tanamedrove daxvewili<br />
interieri Seqmna.<br />
avtors, sacxovrebel sivrceSi moulodneli dizaineruli<br />
Strixebi, simsubuqe Seaqvs da mosaxerxebel gegmarebas<br />
qmnis.<br />
stilistur mTlianobaSi, TiToeuli saTavsos individualuroba,<br />
funqciuroba Taviseburad ikveTeba. ma-<br />
Ti kontrastuloba interierSi simsubuqis, uwonadobis<br />
SegrZnebas badebs. Tavisufali atmosferos Seqmnis<br />
ideas sivrcis yoveli elementi eqvemdebareba. konstruqciuli<br />
Tu dekoratiuli detalebis erToblioba<br />
interiers vizualurad zrdis. sacxovrebelSi mni-<br />
Svnelovan rols TamaSobs ganaTeba. igi xazs usvams formas,<br />
gansazRvravs feris siRrmes da intensiobas.<br />
interieris dizaini mis binadarTa gemovnebis, socialuri<br />
mdgomareobis bunebrivi xorcSesxmaa da dResdReobiT,<br />
rodesac sul ufro meti upiratesoba eni-<br />
Weba funqcionalizms, Warbobs simartive da gonivruloba,<br />
saxlSi adamianisaTvis aucilebel simyudroves<br />
mxolod dizaineri qmnis.<br />
nino laRiZe<br />
foto: irakli bluiSvili<br />
<strong>Style</strong> Identification<br />
Issues<br />
Designing of a residential interior is a complex and responsible issue.<br />
People, choosing this or that style for their houses, actually define their<br />
environment and living style for years to come, while the environment<br />
of a house extends a great deal of influence – both positive and negative<br />
– on its inhabitants.<br />
The interior presented in this article has been created by designer<br />
Ia Liparteliani. She implemented this project considering the taste and<br />
interests of its owners as well as her own professional experience, which<br />
motivated her to create a distinctively graphical and brightly colored house<br />
with unexpected design solutions and comfortable planning.<br />
Within the overall design, this each particular room stands out according<br />
to its function. These contrasts, as well as smaller constructional<br />
and decorative elements, far from disrupting the uninhibited atmosphere<br />
of the house, create a pleasant feeling of weightlessness, visually expand<br />
and diversify the space. Lighting design plays an important role in the<br />
interior, highlighting the form, stressing the depth and intensity of colors.<br />
House interior design is a realization of its owners’ taste, social status<br />
and lifestyle. Today, when the importance of functionality, simplicity<br />
and rationalism increases daily, the atmosphere of comfort, indispensable<br />
for any living space, can be created only with the designer’s professional<br />
assistance.<br />
NINO LAGHIDZE<br />
PHOTO BY IRAKLI BLUISHVILI<br />
stili #23. 2007<br />
115
116<br />
stili #23. 2007
sivrcis sworad<br />
organizacia<br />
sivrcis sworad organizacia, ferisa da masalis harmonia,<br />
ostaturad mofiqrebuli da gadanawilebuli ganaTebis dizaini,<br />
binis saerTo stilistur gadawyvetasTan Sesabamisi<br />
furnitura, gemovnebiT SerCeuli teqstili da aqsesuarebi..<br />
- mogexsenebaT, yovelives, damkveTis moTxovnebis gaTvaliswinebiT,<br />
profesionali wyvets. uzado dizaini gulisxmobs saerTo<br />
ideiTa da TemiT gamTlianebuli harmoniuli interieruli<br />
saxis Seqmnas, romelSic detaluradaa gaTvlili yoveli<br />
niuansi, gaTvaliswinebulia damkveTis individualuroba. arqiteqtor<br />
kaxa dekanoiZis proeqtiT ganxorcielebuli, warmodgenili<br />
sacxovrebeli interieri TviTmyofadia - daxvewili<br />
zomieri dekoriT gamoirCeva da myudro sacxovrebel garemos<br />
warmoqmnis. feri, interieris xasiaTis Sesabamisad tonalur<br />
niuansebSi lavirebs da amgvari anturaJi sagnobriv<br />
garemos kidev ufro amravalferovnebs. interieris eleganturoba<br />
furniturisa da aqsesuarebis daxvewil dekorSi<br />
vlindeba. da Sesabamisad avtoris profesionalizmi yovel fragmentSi<br />
SeigrZnoba.<br />
nino laRiZe<br />
stili #23. 2007<br />
117
118<br />
stili #23. 2007<br />
interieruli esTetika<br />
arqiteqtorebis givi da vasil qobuliebis<br />
proeqtiT Seqmnili sacxovrebeli saxlis<br />
interieri Tanamedrove esTetiki-<br />
Taa gajerebuli, sadac mkveTradaa gamoxatuli<br />
stiluri dominanti. lakonizmidan<br />
gamomdinare Tavisufali gegmareba, ge-<br />
ometrizmi da formaTa grafika esTetikasTan<br />
Serwymuli funqcionalizmis tradiciebs<br />
gvkarnaxobs. dizainSi gamoyenebuli
masalis faqtura da feri, Tavisufali<br />
moculobebi da formebi,<br />
lokaluri tonebis da<br />
dekoris TvalSisacemi minimumi<br />
naTlad warmoaCens interieris<br />
ganumeorebel saxes - siurprizebiT<br />
aRsavse atmosferos,<br />
avtorTa maRal profesionalizms.<br />
sacxovreblis moduluri kompozicia<br />
- arqiteqtonikuri<br />
elementebis proporciebi Tavisufalia,<br />
sivrciTi kompozocia<br />
funqciur-mxatvruli xasiaTis<br />
stili #23. 2007<br />
matarebelia da interieris Tvi-<br />
Tmyofadobas gansazRvravs.<br />
sacxovrebeli haeriTaa gaJ-<br />
RenTili. Tavisi `xasiaTiT~, sinatifiT<br />
identur mopyrobas<br />
moiTxovs. zedmeti dekoratiuli<br />
detalebis ignori mkveTri,<br />
119
120<br />
stili #23. 2007<br />
lakonuri feriTi kontrastebiTaa kompensirebuli.<br />
sacxovreblis fragmentebis<br />
saerTo tonalobebis, formaTa grafikulobis<br />
Tanaarseboba mSvid, dadebiT ganwyobas<br />
qmnis.<br />
interieris dizaini, Tavisi pikanturobis<br />
miuxedavad, Tavisufali da gamomgoneblurobas<br />
absoluturad moklebulia.<br />
mTliani sivrce, misTvis damaxasiaTebeli<br />
funqciurobidan gamomdinare, gansakuTre-<br />
buli emociuri datvirTviT aRiqmeba da<br />
Tavisi esTetikiT srulad Seesabameba mis<br />
mobinadreTa moTxovnebs, gemovnebas, cxovrebis<br />
esTetikas.<br />
nino laRiZe
stili #23. 2007<br />
121
122<br />
stili #23. 2007<br />
Interior Aesthetics<br />
Interior, designed by architects Givi and Vasil<br />
Kobulia, is saturated with modern aesthetics and<br />
dominant stylistic elements. Simple planning and<br />
strict graphic forms remind us of functional traditions.<br />
Textures and colors, free volumes and forms,<br />
minimum of local overtones and decorations clear-<br />
ly highlight originality of the design and professionalism<br />
of its authors.<br />
The interior space with its light, breathing atmosphere<br />
evokes the associations of fragility and delicacy.<br />
Small number of decorative details is compensated<br />
by color contrasts and geometric forms.<br />
In spite of all its piquancy, interior design does<br />
not disturb one with excessive originality. On the<br />
emotional plane, the house fully conforms to the<br />
taste and character, day-to-day life aesthetics of<br />
its dwellers.<br />
NINO LAGHIDZE
Tanamedrove<br />
klasikuri<br />
stili #23. 2007<br />
123
124<br />
stili #23. 2007
arqiteqtor kaxa dekanoiZisa da giorgi feraZis<br />
mier ganxorcielebuli, amjerad warmodgenili<br />
sacxovrebeli interieri, sasiamovno<br />
disonansis mqone moulodnelobebzea agebuli.<br />
mTliani sivrce polaruli TemebiTaa aRsavse.<br />
mis organizebaSi minimalizmi da ekleqtika gaxda<br />
mTavari mxatvruli principi. aseTi midgoma<br />
Tanamedrove stilistikaSi `istoriul Car-<br />
Tvebs~ ganapirobebs da mas dasaSvebs xdis. sacxovrebelSi<br />
sazogadoebrivi cxovreba ramodenime<br />
dominanti niuansisadmia koncentrirebuli,<br />
Tumca aralokalurad. aq moxvedrili damkvirvebeli<br />
aRiqvams, rom WeSmaritad Tanamedrove<br />
interieris esTetika saWiroebs ara mxolod<br />
Tanamedrove formebsa da sagnebs. is aucileblad<br />
eyrdnoba warsulis saxasiaTo formebs,<br />
calkeul asociaciebs, rac mTeli sivrcis<br />
WeSmaritad Tanamedrove JReradobis gamosavlenadaa<br />
aucilebeli.<br />
nino laRiZe<br />
stili #23. 2007<br />
125
stili #23. 2007<br />
Modern Classical<br />
This residential interior, designed by Kakha Dekanoidze and Giorgi Peradze, boasts clear functional organization and refined architectonics, diversity and high quality of<br />
forms, which merge together into an integral space. Original language of sculptural plasticity, lighting, proportion and movement graphics, combined with advanced technology<br />
and modern construction materials, form an original composition, which is much more than an artificial structure, based on technological innovations.<br />
NINO LAGHIDZE<br />
126
qarTuli minanqris popularizaciisa<br />
da mis saerTaSoriso asparezze<br />
warmoCenis saqmeSi unda<br />
aRiniSnos galerea `Sardenis~<br />
udidesi damsaxureba. minanqris<br />
nakeTobebis sistematuri gamofenebis<br />
wyalobiT, sul ufro meti<br />
mxtvari dainteresda xelovnebis<br />
am uZvelesi dargiT. galereas<br />
gamarTuli aqvs 60-ze meti<br />
gamofena. Tanamedrove qarTuli<br />
dekoratiul-gamoyenebiTi xelovnebis<br />
jgufuri gamofenebis garda,<br />
galereas mowyobili aqvs<br />
mniSvnelovani personaluri gamofenebi<br />
da foto-gamofenebi.<br />
2007 wlis 24 maisidan 1 ivnisamde,<br />
italiaSi, qalaq romSi, sagamofeno<br />
darbazSi `marguta 3~<br />
(es galerea mdebareobs romSi,<br />
ulamazes via margutaze) moewyo<br />
qarTuli minanqris gamofena saxelwodebiT<br />
_ `minanqris saidumloeba<br />
saqarTvelodan~. gamofenas<br />
maspinZlobda saqarTvelos<br />
saelCo italiaSi (elCi _ batoni<br />
zaza goqsaZe). gamofena gaimarTa<br />
qalbaton nino noRaidelis<br />
patronaJiT (qalbaton ninos patronaJiT<br />
moewyo gamofena londonSic).<br />
quCa, sadac gaimarTa gamofena,<br />
ulamazesia, yvavilebSia Cafluli,<br />
kafeebiTa da sagamofeno<br />
darbazebiTaa daxunZluli, romis<br />
kulturul centrad iTvleba<br />
da bomondis TavSeyris sayvareli<br />
adgilia. adamianebi seirnoben,<br />
kafeebidan cocxali musika ismis,<br />
aq yoveli momenti, dRisa Tu<br />
stili #23. 2007<br />
romauli vernisaJi<br />
Ramis yvela monakveTi naxatviT<br />
aRiqmeba _ yovelive amis fonze,<br />
qarTulma minanqarma aRafrTovana<br />
damTvalierebeli, presaSi<br />
seriozuli recenziebi gaCnda qarTuli<br />
minanqris ganumeorebel,<br />
gansxvavebul stilze.<br />
saqarTvelos saelCom italiaSi<br />
26 maiss moawyo qarTuli gamofenis<br />
inaoguracia, romelsac<br />
eswrebodnen xelovnebis moRvaweebi,<br />
sxva qveynebis elCebi, saqar-<br />
Tvelos saelCos warmomadgenlebi,<br />
mxatvrebi, galerea `Sardenis~<br />
mesveurebi qalbatoni maia<br />
nozaZe da qalbatoni ia dvali.<br />
gansakuTrebuli yuradReba<br />
miipyro galerea `Sardenis~ eqskluziurma<br />
koleqciam _ Zvirfasi<br />
liToniTa da TvlebiT Sesrulebulma<br />
namuSevrebma _ samkaulebma,<br />
xatebma, sxvadasxva kompoziciebma.<br />
gamofeniT dainteresdnen<br />
romis sxva sagamofeno darbazebic,<br />
daigegma miwvevebi.<br />
romis gamofenas yvela monawilisaTvis<br />
TavisTavad metad mni-<br />
Svnelovani datvirTva hqonda,<br />
saerTaSoriso gamofenebSi monawileoba,<br />
sxva qveynebis mxatvrebTan<br />
kontaqti yovelmxriv waadgeba<br />
maT profesiul saqmianobas,<br />
rac udaod mniSvnelovania xelovnebis<br />
am dargis gamravalferovnebisa<br />
da winsvlisaTvis.<br />
Semdgomi warmatebebi vusurvoT<br />
qarTuli minanqris mesveurebs<br />
SemoqmedebiTi gegmebis ganxorcielebis<br />
saqmeSi.<br />
lali baxtaZe<br />
127
samzareulo, sacxovreblis erT-erTi umniSvnelovanesi<br />
komponentia. igi ojaxis TavSeyris ucvleli adgilia.<br />
yoveldRiuri, mravalkilometriani garbenis aTvlas diasaxlisi<br />
samzareulodan iwyebs. samzareulo konkretuli<br />
ojaxis gamovnebas, moTxovnebs unda Seesabamebodes, iyos<br />
gansakuTrebulad komfortuli da zustad pasuxobdes sanitarul-higienur<br />
normebs. igi Tanamedrove sacxovreblis<br />
sxvadasaxva zonebis gamaerTianebeli erT-erTi mniSvnelovani<br />
centria, amitom samzareulos daproeqtebisas<br />
aucilebelia gegmarebis moqniloba da racionaluroba. is<br />
SeiZleba maqsimalurad izolirebul zonaSi ganTavsdes,<br />
SeiZleba sasadilo an sastumro zonasTan gaerTiandes, anda<br />
misi konfiguracia saerTo sivrcidan, mcire miniSnebiT,<br />
Tundac vizualuri danawevrebiT, gamoikveTos. mokled,<br />
es yovelive profesionalis gadasawyvetia, romelic<br />
damkveTTan SeTanxmebiT aRwevs dasaxul mizans.<br />
128<br />
stili #23. 2007<br />
Tema<br />
moyvarulTaTvis
warmodgenili interierebi arqiteqtorebis - grant marqarovisa<br />
da ilia gavriliadis dizainiT ganxorcielebuli,<br />
sxvadasxva sacxovrebeli binebis samzareuloebia. yovel<br />
mocemul SemTxvevaSi, samzareulo aRWurvilobis gegmareba<br />
Tavisufalia. Tanamedrove teqnika avtorebs saSualebas<br />
aZlevs interieris dizains mobiluroba SesZinos. sacxovreblis<br />
gansazRvrul, lokalur zonaSi stacionaluri<br />
da mobiluri elementebi erTmaneTs harmoniulad Seerwymis<br />
da `oqros Sualedis~ maqsimalurad optimaluri variantebi<br />
iqmneba. dizainis konstruqcias moduluri principi<br />
udevs safuZvlad. ostaturad gamoiyeneba ergonomiuli<br />
`karuselebi~ Tu moduri elementebi.<br />
ramdenadac eqspresiulia samzareulos garegnuli saxe,<br />
avangardulia misi dizaini, imdenad meti Sansi aqvs male<br />
CamorCes modas. amitom arqiteqtorebi, gamomwvevi, mkve-<br />
Tri ferebis gamoyenebis gareSe, upiratesobas plastikis<br />
safarvelis, polimerebis, liTonis, xis wynar pastelur tonebs<br />
aniWeben. avejis SerCevisas orientacia mis stilzea aRebuli,<br />
sabolood ki avtorTa profesiuli xedviT miRweuli<br />
formisa da Sinaarsis harmonia SesaZleblobas iZleva<br />
samzareulo xangrZlivad emsaxuros ojaxs.<br />
nino laRiZe<br />
A theme for amateurs<br />
stili #23. 2007<br />
A kitchen is an indispensable component of a living environment – the most traditional<br />
place of family gatherings, the starting point of a woman’s busy day-to-day<br />
life. In a kitchen – a hub, uniting various zones of an apartment, it is especially important<br />
to ensure flexibility and rationality of design as well as conformance with the<br />
preferences and demands of the family. The kitchen might stand apart from other<br />
parts of the house or be integrated into a generally accessible area, be fully open<br />
or delimited with at least a waist-high partition… In other words, positioning and design<br />
issues can be solved in various ways based on individual requirements.<br />
The interiors, covered in this article are kitchens, designed by architects Grant<br />
Markarov and Ilia Gavriliadi for different apartments. In each case, the planning of<br />
kitchen equipment is provisional. Modern technologies provide the authors with enough<br />
maneuvering space, allowing to achieve the balance between stationary and mobile<br />
design elements and diversify the space with accessories.<br />
The more expressive and fashionable kitchen design is at the time of its creation,<br />
the less time it takes to become outdated. This is why the architects maximally<br />
try to use endurable materials, mild pastel coloring and ergonomic furniture and<br />
attempt to harmonize style with requirements of comfort, so that a kitchen serves a<br />
family for many years to come.<br />
NINO LAGHIDZE<br />
129
130<br />
stili #23. 2007<br />
istoria<br />
HISTORY<br />
qarTvel mamluqTa akldamebi<br />
bab zuveila-gamarjvebis WiSkari<br />
kait beis sasaxlis kubbanabatia<br />
kait beis sasaxle sakrebulo<br />
qarTvel mamluqTa<br />
arqiteqtura<br />
2006 wlis dekemberSi gadacema "Cveneburebma", egviptis arabTa respublikaSi teleeqspedicia<br />
moawyo. Cveni mizani qarTveli mamluqebis moRvaweobis Seswavla da SemorCenili kvalis firze<br />
dafiqsireba iyo. am misiis miRweva albaT SeuZlebeli iqneboda, rom ara saqarTvelos sagangebo<br />
da sruluflebiani elCis batoni gia janjRavas, saelCos TanamSromlis maka oZelaSvilis,<br />
aRmosavleTmcodneebis: Tamar natroSvilisa da vaxo imerliSvilis uangaro daxmareba.<br />
10 dRis ganmavlobaSi firze uamravi saintereso ram avRbeWdeT, Tumca waruSleli kvali<br />
mainc mamluqTa periodis arqiteqturam datova. oTxseriani dokumentur-publicisturi filmis, "misreTis<br />
mxedrebis" eTerSi gasvlamde Jurnali "stilis" mkiTxvels eqspediciis dRiuris saxiT nanaxsa da<br />
gancdils pirvelad gavacnobT.<br />
3.XII.2006<br />
Tanamedrove kairo pirobiTad or nawilad<br />
SeiZleba gaiyos, erTi cocxlebs, meore ki<br />
maT winaprebs ekuTvniT. pirveli xmauriani da<br />
mSfoTvarea, meore - utyvi da mSvidi. mkvdarTa<br />
qalaqi kairoSive, mis aRmosavleT nawilSi<br />
mdebareobs. albaT, adamians masze ufro<br />
mSvenieri da amasTan Semzaravi araferi Seuqmnia.<br />
Tumca is drois naxelavi ufroa, vidre<br />
kacTa modgmisa. aq marTlmorwmune muslimebs<br />
jer kidev VII saukuneSi krZalavdnen.<br />
akldama mflobelis Rirsebasa da simdidreze<br />
miuTiTebda. igi imqveyniur samyaroSi Taviseburi<br />
karibWe iyo.<br />
qveynis saukeTeso arqiteqtorebi micvalebulTa<br />
qalaqis gasamSveniereblad drosa da<br />
energias ar iSurebdnen. ase iqmneboda mokvdavTa<br />
xelovnebis saukeTeso nimuSebi, didebuli<br />
meCeTebiT, grandiozuli makbarebiT da<br />
mdidrulad morTuli kedlebiT.<br />
mkvdarTa qalaqi dRemde cocxalia, anu aqaur<br />
akldamebSi adamianebi cxovroben. kairos<br />
upovarTaTvis is saukeTeso TavSesafrad<br />
iqca. qalaqi dRes 2 dan 3 milionamde egvipteliTaa<br />
dasaxlebuli. akldamebSi ibadebian<br />
bavSvebi, qorwindebian mozardebi, imqveynad<br />
midian moxucebi.<br />
mkvdarTa qalaqs erTaderTi mizniT vewvieT,<br />
Cven aq dakrZalul ramdenime ganTqmuli<br />
qarTvelis saflavs veZebT. samecniero<br />
literaturidan cnobilia, rom kairos micvalebulTa<br />
saufloSi ukanaskneli gansasvenebeli<br />
ali beg al qabirma, ismail begma da<br />
ibrahim qaTxudam hpoves. samive Cveneburma, romlebic<br />
didi xnis ganmavlobaSi marTavdnen egviptes,<br />
qveynis istoriaSi waruSleli kvali<br />
datoves.<br />
kairos mze, jer kidev oqrosfrad anaTebda,<br />
roca Cveneburebis saflavebs mivageniT.<br />
mavzoleumi qalaqis SuagulSi muhammad alis<br />
imam al-laisis quCaze yru kedlisa da ubralo<br />
xis WiSkris miRma mdebareobs. Ria Ta-<br />
Rebiani da orgumbaTiani mavzoleumi mflobelTa<br />
pativsa da Rirsebaze miuTiTebs. akldamebi<br />
qveda da zeda samarxebisagan Sedgeba.<br />
zeda saflavis qvebi, igive Tarqiba, mdidruladaa<br />
morTuli yvavilTa gamosaxulebebiTa<br />
da aRmosavluri ornamentebiT. micvalebulis<br />
TavTan da fexebTan maRali svetebi, anu mowmeebi<br />
- `Sahidebi~ dgas. Cvens yuradRebas er-<br />
Ti sveti ipyrobs, igi ibrahim qaTxudas eku-<br />
Tvnis, Sahidis arabuli warwera ki gansvenebulis<br />
bolo wuTebs saocrad xatovnad mogviTxrobs:<br />
`im dRes, rodesac epoqis es rCeuli adamiani<br />
aResrula, aRmoTqves sawuTros enebma:<br />
`hoi daqceva Jamisa~. is ukve didi xania aRzevda<br />
Tavisi didsulovnebiTa da guluxvobiT,<br />
da Tavisi keTilmoqmedebiT yoveli ga-<br />
Wirvebulisadmi, xolo misi samwyso misi samarTlianobiT<br />
iyo daculi, da aseve yvela,<br />
visi dacvis survilic hqonda. am Semwes oblobisa,<br />
misi mfarvelobis mosurneTa, im dros<br />
rodesac gaanadgura maTi bedi ZmaTa xelma da<br />
mimarTa Tavis ufals da mere warudga mor-<br />
Cilad samoTxisa da ridvanis mezoblobaSi.<br />
ramdenma Tvalma daitira da adina Rvarebad<br />
cremli, winaSe misi sanaqebo Tvisebebisa, rodesac<br />
daeTanxma ufali: - wadi! davsvi Tari-<br />
Ri. is WeSmaritad amaRlda samoTxis netarebaSi~<br />
(g. jafariZis Targmani).<br />
ibrahimi 1754 wlis 23 noembers gardaicvala,<br />
amboben avadmyofi mamluqi metoqe amirebma<br />
mowamleso gulubryvilo dalaqis xeliT,<br />
amas saflavis epitafiac miuTiTebs gamanadgurebel<br />
ZmaTa xelis xsenebisas. am qveynidan<br />
mimavalma ibrahimma Tavisi mowyalebiT, egvipte<br />
kidev erTxel gaaoca. man kairos cixeebidan<br />
yvela patimris gaTavisufleba brZana.<br />
ibrahimis sagmiro saqmeebma istoriaSi samudamo<br />
adgili daimkvidra. magram misi bavSvobis<br />
Sesaxeb wyaroebs araferi SemorCeniaT. cnobilia<br />
erTaderTi, rom igi Cveneburi iyo, amaze<br />
berZeni vaWris saviura luzinianis Canaweri<br />
miuTiTebs. mogvianebiT arabi istorikosi<br />
al jabarTi ibrahim qaTxudaze ityvis: - `mas<br />
hqonda iseTi siZliere da sidiade, gavlena,<br />
gamWriaxoba marTvaSi da udavo xelisufleba,<br />
romlisTvisac egvipteSi aravis miuRwevia~.<br />
qaTxudas, sikvdilis Semdegac uerTgules,<br />
misi gansasveneblis gverdiT ori saflavia,<br />
orive ibrahimis mier nayid da gaTavisuflebul<br />
monebs, qarTvel ali beisa da ismail<br />
beis ekuTvniT.<br />
ali beis Sesaxeb wyaroebiT gacilebiT meti<br />
SemorCa - `igi 5 futisa da 10 gojis simaRlisa<br />
iyo, lamazi agebulebis, Ria wablisferi<br />
TmebiT, didTvalebiani, mogrZo-mrgvali<br />
saxiT da mediduri Sesaxedavad~. albaT<br />
vefxvis tyavs atarebda rogorc yvela namdvili<br />
kavkasieli, mzis sxivebisagan garujulsa<br />
da ferSecvlil ierSi qarTveloba yovelTvis<br />
Canda.<br />
ali beim egvipte osmaleTis monobisagan<br />
gaaTavisufla da damoukidebel qveynad gamoacxada,<br />
moWra vercxlis moneta, romelzec sakuTari<br />
saxeli amotvifra, SemoierTa siria<br />
da dalaSqra saudis arabeTi.
istoriam misi sagmiro saqmeebis garda, misi<br />
romantiuli Tavgadasavalic icis, ali beis<br />
TavdaviwyebiT Seuyvarda ukraineli mona<br />
qali maria, romelzec iqorwina kidec. mzesaviT<br />
brwyinvale mamluq sulTans samSobloc<br />
ar daviwyebia, axsovda afxazeTSi mcxovrebi<br />
mama, beri daviTi, romelic qairoSi Caiyvana.<br />
Tumca moxucma qarTvelma ucxoeTSi didxans<br />
ver gaZlo da 7 Tvis Semdeg afxazeTSi<br />
dabrunda.<br />
mavzoleumidan oriode nabijze ubralo<br />
saflavia, istoriuli wyaroebis Tanaxmad igi<br />
mamluqTa dedad wodebul qarTvels qals nafisas<br />
ekuTvnis...<br />
is haramxanis rigiTi mandilosani arasodes<br />
yofila, tyveTa bazarzeve gauRima bedma<br />
da gogona im drois yvelaze gamoCenilma<br />
mamluqma, ali bei al-qabirma iyida. nafisam<br />
Zalian swrafad gaiTqva saxeli. ramdenime<br />
weliwadSi alim is gaaTavisufla da meore<br />
colad SeirTo. Tumca siyvarulSi nafisas bedi<br />
arasodes hqonia, misi saqveynod ganTqmuli<br />
meuRle male sasikvdilod daiWra, nafisas<br />
ki alis mosagonrad didZali qoneba darCa.<br />
daqvrivebidan, arc Tu ise didi xnis Semdeg<br />
nafisa meore cnobilma qarTvelma mamluqma<br />
muradma SeirTo. lamazmani da misi axali<br />
meuRle auarebeli qonebis patronebad<br />
iqcnen. maSin egvipteSi Zalian rTuli dro idga,<br />
Tumca nafisas gamWrixobiT wyvilma mainc<br />
xelgaSlilad icxovra.<br />
1791 wels, qarTvelma qalma momavali ubedureba<br />
gansWvrita da usafrTxoebis mizniT<br />
mTeli qoneba oficialurad gadaiforma.<br />
xuTi wlis Semdeg ki bab zuveilas ubanSi didebuli<br />
qarvasla SeakeTa da Tavisi saxelobis<br />
mowyalebis saxli, anu sabil-quTabic miaSena.<br />
4.XII.2006<br />
... ubani, romelsac vewvieT kairoSi, albaT<br />
yvelaze gamorCeuli da kolorituli adgilia.<br />
gamarjvebis WiSkris bastionidan egviptis<br />
dedaqalaqis saocrad lamazi xedi iSleba,<br />
aqedan danaxuli kairo sul sxvanairia.<br />
igi aTasi minareTis zRaprul qalaqs ufro<br />
hgavs vidre 21 saukunis Tanamedrove megapoliss.<br />
CvenTvis saintereso nafisa xanumis qarvasla<br />
da sabil quTabi, quCis samxreT boloSi<br />
yvelaze gamorCeul adgilas mdebareobs. Senobis<br />
daxvewiloba, lamazad damuSavebuli<br />
qvis, xisa da brinjaos dekoraciebi mnaxvelze<br />
dRemde did STabeWdilebas axdens.<br />
qarvaslis kedlebs, daxuruli xis aivnebis<br />
lamazi rigi miuyveba. es maSrabiaa, anu<br />
Taviseburi galia, romlis wvrili cxaurebidan<br />
qalebi quCaSi gamvlelT aTvalierebdnen,<br />
maT ki ucxo Tvali verasodes xedavda.<br />
mdidari Zlevamosili qalbatoni, romlis<br />
brZanebiTac 1796 wels es Senoba aigo, mona<br />
iyo. aravin icis, nafisa warmoSobiT saidan<br />
iyo an rogor gamoiyureboda, magram mis-<br />
Tvis Serqmeuli saxeli – `TeTri samkauli~<br />
cxadyofs, rom Ria kanisferi unda hqonoda.<br />
misi cxovrebis amsaxveli gadmocemebidan Cans,<br />
rom is mtkice xasiaTis mqone, ganaTlebuli,<br />
gonieri da gulkeTili qali iyo. `man arabiviT<br />
zedmiwevniT kargad icoda arabuli poezia,<br />
miuxedavad imisa, rom arabuli ar iyo<br />
misi mSobliuri ena da mxolod mogvianebiT<br />
daeufla am enas~ - aRniSnavs misi Tanamedro-<br />
ve mwerali. garda imisa, rom Zalian kargad<br />
icoda arabuli da Turquli wera-kiTxva, savaraudod<br />
is frangul enasac flobda.<br />
kairoSi misi pirveli patroni qarTveli<br />
ali bei al qabiri iyo, romelsac `Rrublebze<br />
monadires~ eZaxdnen. is Zlevamosili qar-<br />
Tveli mamluqi da egviptis de faqto mmarTveli<br />
gaxldaT. man nafisa jer monobidan gaaTavisufla<br />
mere ki colad SeirTo, magram<br />
egvipteSi saSineli mdgomareoba iyo. 1773 wels<br />
ali bei Zalauflebas mowyurebul mamluqeb-<br />
Tan brZolisas daiRupa. gadmocemis Tanaxmad<br />
is meore qarTvelma mamluqma murad beim moakvlevina,<br />
radgan erTxel naTqvami hqonda, rom<br />
alis moklavda da nafisas xelSi Caigdebda.<br />
nafisam da muradma maleve iqorwines da<br />
im memkvidreobis wyalobiT, romelic nafisas<br />
yofili qmrisagan ergo, meore qmarTan er-<br />
Tad mTeli cxovreba fufunebaSi gaatara. sasaxleebi,<br />
savaWro saxlebi, 400 mamluqisagan<br />
Semdgari piradi amala, nilossze Camwkrivebuli<br />
gemebi...<br />
qarvaslaSi megzuroba polonelma mecnierma<br />
agneska dobrovolskam gagviwia, igi egviptes<br />
meuRlesTan erTad 17 wlis win ewvia,<br />
male mecnieri nafisas sabil quTabiT da aqedan<br />
gamomdinare, misi Semqnelis biografii-<br />
Tac dainteresda. nafisa xanumis mowyalebis<br />
saxli Signidanac iseTive lamazia rogorc garedan,<br />
dRemde SemorCenili mdidrulad morTuli<br />
yoveli detali ki mflobelis daxvewil<br />
gemovnebaze miuTiTebs. egvipteSi sasmeli<br />
wyali dasaxlebul ubnebSi nilosidan gamohyavdaT.<br />
sabilis Seqmnis mizanic is iyo, rom<br />
xalxs wyali mowyalebis saxiT mieRo. im ubnis<br />
bavSvebi ki quTabSi (anu saswavlebelSi) elementarul<br />
ganaTlebas iRebdnen. sabilebsa<br />
(Webs) da quTabebs (skolebs) islamur samyaroSi<br />
sxvaganac SexvdebodiT, magram mowyalebis<br />
saxlis es ori tipi rom erT SenobaSi yofiliyo<br />
moqceuli, amas mxolod kairoSi Tu<br />
naxavdiT. sabil-quTabi qalaqisaTvis damaxasiaTebel<br />
niSnad iqca. rodesac nafisas sabili<br />
aSenda, kairoSi ukve 300-ze meti mowyalebis<br />
aseTi saxli arsebobda.<br />
yovel sabils hqonda gisosebiani didi fanjrebi,<br />
masze wylis sasmisebs amagrebdnen. msaxurebi,<br />
romlebic gasamrjelos Semowirulobebidan<br />
iRebdnen, marmarilos auzebidan<br />
wyals gareT mdgom xalxs awvdidnen. wyali ki<br />
miwisqveSa auzidan amodioda, romelic aqlemebs<br />
nilosidan amohqondaT. nafisas sabili er-<br />
TaderTi gamonaklisi iyo, romelsac miwis qveS<br />
cisterna ar hqonda. aq wyali mezobeli Senobis<br />
Widan amodioda. nafisam xuroTmoZRvrebs<br />
Senobis yvela oTaxi moaxatina.<br />
vin icis ramdenma upovarma da Raribma miiRo<br />
am SenobaSi mowyaleba, TavSesafari da<br />
is saTnoeba, romelmac nafisas mTel egvipte-<br />
Si mamluqTa dedis saxeli daumkvidra. `Te-<br />
Trma ganZma~, saxeli, gansakuTrebiT napoleonis<br />
egvipturi kampaniis dros gaiTqva. frangma<br />
imperatorma, marTalia kairodan qarTveli<br />
mamluqebi gaaZeva, magram nafisas veraferi<br />
avno, piriqiT misiT moxiblulma napoleonma<br />
qalbatoni Tavis sasaxleSi wveulebaze<br />
miiwvia. imperatorma mas briliantebiT morTuli<br />
saaTi aCuqa. nafisa, male frangebTan<br />
politikur TamaSSi Caeba, Tumca paralelurad<br />
kontaqts ar wyvetda qarTvel meuRlesTan<br />
muradTan. wyvili erTmaneTs niSans ugzavnida.<br />
nafisa, abasiaSi sakuTari sasaxlis<br />
mkvdarTa qalaqi<br />
knutisSvilis saflavi<br />
stili #23. 2007<br />
kunZuli ravda da SinjikaSvilis sasaxle<br />
mkvdarTa qalaqi<br />
knutisSvilis akldama<br />
131
132<br />
stili #23. 2007<br />
kait beis meCeTi<br />
nafisas vakala<br />
nafisas vakala<br />
nafisas vakalas maSrabia<br />
nafisas vakalis fanjris gaformeba<br />
saxuravidan, xolo misi meuRle gizis piramidis<br />
wveridan. qarTveli qalis gamWriaxobam,<br />
is Sedegi gamoiRo, rom muradi da misi<br />
meomrebi ukan dabrundnen da napoleons gaurigdnen.<br />
Tumca romantikam didxans ver gastana.<br />
murad bei epidemiam imsxverpla. nafisa<br />
ki siRaribeSi 1816 wels gardaicvala.<br />
5.XII.2006<br />
Zveli qairos centrSi mdgari sulTan al<br />
aSraf kaitbeis meCeTi da mavzoleumi mamluqTa<br />
periodis arabuli arqiteqturis sauke-<br />
Teso nimuSia. Cven am Senobas ori mizezis gamo<br />
vstumrobT. pirvel rigSi, gvainteresebs<br />
xelovnebis brwyinvale TvalsaCinoebad qceuli<br />
istoriuli Zeglis daTvaliereba da amasTanave<br />
gvsurs, meti SevityoT misi amSenebeli<br />
sulTnis Sesaxeb. istoriuli wyaroebis<br />
cnobiT igi warmoSobiT kavkasielia. Tumca<br />
zogi mecnieri kait beis Cerqez, zogi ki<br />
qarTvel mamluqad miiCnevs.<br />
kait beis mier agebuli meCeTi mnaxvels ferTa<br />
sixasxasiTa da mdidruli morTulobiT<br />
ajadoebs. misi fasadi 1472 wels marmarilo-<br />
Ti da granitiT mopirkeTda. SenobaSi yvelaze<br />
gamorCeuli kubbanabaTia, anu mcenareuli<br />
ornamentiT morTuli TeTri gumbaTi. aseT xelovnebis<br />
nimuSs islamur samyaroSi iSviaTad<br />
ixilavT. aseTive unikaluri Zeglia maRali<br />
minareTi, romelic mamluqTa periodis egviptis<br />
arqiteqturis margalitad iqca..<br />
kait beis mier aSenebuli kompleqsi 3 ZiriTadi<br />
nawilisagan Sedgeba. mTavari adgili<br />
meCeTs ukavia. mas, erT-erTi emiris makbari anu<br />
mavzoleumi mohyveba. swored mas agvirgvinebs<br />
kubbanabaTia. aqvea makyada, igive sasaxle,<br />
sadac sulTnis mrCevlebi samamluqo qveynis<br />
saqmeebze bWobdnen..<br />
meCeTSi grandiozuli karibWiT Sedixar,<br />
masiuri xis Zelebi yuranidan gadmoRebuli<br />
dekoracebiTaa morTuli. mamluqTa epoqaSi<br />
aSenebul meCeTTa Soris yvelaze lamazi Weri<br />
swored kait beim Seqmna. misi gaformebisTvis<br />
asi aTasze meti patara xisa da spilos<br />
Zvlis detalia gamoyenebuli. Senobis sivrce<br />
uamravi sarkmeliT naTdeba radgan aq locvis<br />
garda swavlobdnen kidec.<br />
mamluqis gansasvenebeli mis mier sagangebod<br />
aSenebul kubbanabaTias TaRebqveS mdebareobs,<br />
aqvea misi dis, 4 colisa da vaJis mahmud<br />
nasrudin kait beis saflavi. mavzoleumSi<br />
erTi ucnauri ram xdeba - roca mze amodis<br />
vitraJebis feradi Suqi wriulad yvela<br />
kedels moivlis da saRamo Jams mamluqis<br />
saflavTan Cerdeba.<br />
namdvil qairos mxolod kait beis meCeTis<br />
minareTidan ixilav. misi simaRlidan mukatamis<br />
mTa, kairos citadeli da mkvdarTa<br />
qalaqi xelisguliviT moCans. Zvelad, roca am<br />
minareTebze Semomdgar molebs xedavdnen,<br />
sjerodaT, rom maTi locva Rrublebs gaapobda<br />
da zecas miaRwevda. netav qarTveli mamluqi<br />
maSin ras fiqrobda, ras grZnobda, roca<br />
paraskevobiT, piriT meqisaken Seqceuli idga.<br />
nuTu, arasodes axsendeboda bavSobaSi, eklesiaSi<br />
Cumad, butbutiT wakiTxuli qarTuli<br />
locva da galoba.<br />
Tu kait beis erovneba burusiTaa moculia,<br />
zustadaa cnobili im saxelovani qarTveli<br />
mamluqis warsuli, romlis saflavic me-<br />
CeTidan sul ramdenime wuTis savalSi mdebareobs.<br />
es is martyofeli qarTveli glexia romelmac<br />
erekle mefes Soreuli egviptidan we-<br />
rili gaugzavna da sakuTari Zmis ivane knutisSvilis<br />
saxaso ymad gadayvana sTxova. ukeTes<br />
pirobebSi acxovreo evedreboda sulTnis<br />
moadgile patara kaxs, Tavisi qveynidan da<br />
saqristianodan ar daikargoso, dasZenda gamuslimebuli<br />
qarTveli.<br />
7.XII.2006<br />
egviptis Seixis TanammarTvelis saflavi<br />
mkvdarTa qalaqis SuagulSi kldis meCeTis qvemoT<br />
mdebareobs. igi didi akldamaa sadac gansasveneblis<br />
garda mowyalebis saxli anu sabili<br />
iyo. swored am Widan urigebdnen wyals<br />
upovar egviptelebs, aqve nebismier davrdomils<br />
Ramis gaTeva da daxmarebis miReba See-<br />
Zlo. knutisSvilis grandiozuli akldamidan<br />
dRes aCrdiliRa SemorCa, Camoingra Weri<br />
da gaiZarcva ornamentebiT morTuli kedlebi.<br />
Sida ezo ki qairoelTa axalma saflavebma<br />
daikava.<br />
knutisSvilis saflavis Semdeg, gezi misi<br />
patronis, egviptis uzenaes mmarTvelad aRzevebuli<br />
martyofeli glexis, ibrahim SinjikaSvilis<br />
sasaxlisaken gviWiravs. qarTvelma<br />
mamluqma rezidencia RvTaebrivi mdinare nilosis<br />
SuagulSi, kunZul ravdaze aago.<br />
ibrahim SinjikaSvilis sasaxlidan ravdas<br />
dRes, mxolod saZirkveli SemorCa. mis fundametze<br />
xediv Tavfikis dros axali Senoba<br />
aigo. JamTasvlam sabolood warxoca qarTveli<br />
mamluqis vrceli apartamentebi, Zveli xidi<br />
da egvipturi wisqvili. axla, aq evropuli<br />
tipis sasaxle dgas, romelsac Tanamedrove<br />
kairoSi klasikuri musikis saRamoebis mosawyobad<br />
iyeneben.<br />
ibrahim SinjikaSvilis garda qairoSi sasaxle<br />
meore qarTvel mamluqs murad beisac<br />
hqonia. igi, qalaqis ramdenime rukazea gamosaxuli.<br />
SemorCenilia, aseve sasaxlis feradi<br />
graviurac. eqspediciis mier moZiebuli dokumentebi<br />
cxadyofen, rom qarTveli mamluqis<br />
rezidencia Zveli kairos centrSi, yvelaze<br />
gamorCeul adgilas, did moedanze, meCeTebs<br />
Soris mdgara.<br />
Cvens xelT arsebuli, mwiri istoriuli<br />
wyaroebis miuxedavad muradis sasaxlis mo-<br />
Zebna mainc vcadeT, Tumca uSedegod. verc<br />
mcxovrebTa gamokiTxvam da verc qairos Zvel<br />
ubnebSi xetialma xelSesaxebi veraferi mogvitana,<br />
rogorc Cans qarTveli mamluqis rezidencia<br />
didi qalaqis JamTasvlam samudamod<br />
warxoca.<br />
9.XII.2006<br />
amir tazis da misi patronis sulTan hasanis<br />
saxeli qairos erT grandiozul Senobas<br />
ukavSirdeba. Senobas romelic amasTanave<br />
qarTveli mamluqis udides tragedias itevs.<br />
meCeTis minareTebis mSeneblobis daiwyebisas,<br />
arqiteqtorebs sjerodaT, rom cis kides<br />
miaRwevdnen, Tumca cadazidulma svetebma<br />
ngreva iwyo da qveS uamravi adamiani moiyola.<br />
dRes Senobas Cafiqrebuli 4-is nacvlad<br />
mxolod 2 minareTi amSvenebs.<br />
sulTan hasanis meCeTs mTels islamur samyaroSi<br />
yvelaze maRali karebi aqvs. aquri kedlebi<br />
ki milion 500 aTasi qvisagan aSenda,<br />
romelTagan bevri gizis piramidebis kuTvnilebaa.<br />
moedani, romelic meCeTis SuaSi gaSlila,<br />
1736 wels didi sisxlisRvris mowme iyo. swored<br />
misi minbaris boZebs qveS 40 mamluqis da<br />
maT Soris kairos qarTveli mmarTvelis mu
hamed bei katamiSis mokveTili Tavi gamodes.<br />
arabi istorikosi al jabarTi mamluqebis xocvas<br />
dramatulad aRwers: - `roca qarTvelma<br />
muhamed katamiSma egviptis mmarTveloba<br />
xelT igdo, is Rvinis msmelebsa da garyvnilebis<br />
saxlTa patronebs daupirispirda. misma<br />
mcdelobam, qveyanaSi wesrigi daemyarebina,<br />
bevri aamxedra. 1736 wlis 22 aprils msxverplTSewirvis<br />
dResaswauli idga. katamiSi<br />
erT-erTi mamluqis sasaxleSi vaxSamze miiwvies.<br />
SeTqmulebs saidumlo niSani hqondaT da<br />
roca sanTlebi Caaqres darbazSi saSineli xocva-Jleta<br />
atyda. Tavi yvelas, maT Soris katamiSad<br />
wodebul muhamed beg kitass, salih<br />
beis, osman qaTxudas, xalil efendisa da uamrav<br />
aRas mohkveTes.~<br />
10.XII.2006<br />
dRes, bednieri SemTxveva mogveca da kairoSi<br />
qarTveli mamluqis STamomavals iasir<br />
katamiSs SevxvdiT. batoni iasiri poetia.<br />
igi, Tavisi winapris Tavgadasavalze gatacebiT<br />
gviambobda, mogviTxrobda im sagmiro saqmeebs<br />
romelic qarTvelma mamluqma faraon-<br />
Architecture<br />
In December 2006 program Chveneburebi organized<br />
an expedition to Egypt. We wanted to study the<br />
history of Georgian mameluks and film the traces of<br />
their activities. This mission would not have succeeded<br />
without kind assistance of the Ambassador of Georgia<br />
Mr. Gia Janjgava, diplomatist Maka Odzelashvili and<br />
Orientalists Tamar Natroshvili and Vakho Imerlishvili.<br />
Prior to issuing the documental-publicist film, based<br />
on our research, we would like to present the readers<br />
of STYLE <strong>Magazine</strong> with a story of what our<br />
expedition saw and experienced in Egypt. During the<br />
10 days of our stay there we collected a great deal<br />
of interesting materials, but our most important finding<br />
was the architecture of Mameluk period.<br />
The present-day Cairo consists of two parts, closely<br />
intertwined with each other – the city of alive and<br />
the city of the dead. The former is a busy and clamorous<br />
modern city, while the latter – silent and serene<br />
– probably the most beautiful and most terrible place<br />
that human hands could create. The best architects<br />
of the country had spent a great deal of effort and<br />
time on embellishing the city of dead with glorious<br />
mosques, impressive makbars and richly ornamented<br />
walls.<br />
The reason why we visited this part of Cairo was<br />
to study the graves of several famous Georgians.<br />
According to historical sources, we would find here<br />
the tomb of Ali Beg Al Kabir, Ismail Beg and Ibrahim<br />
Katkhuda. The three Georgians had ruled Egypt for<br />
a considerable period of time in the middle of 18th<br />
century and left an indelible trace in its history.<br />
The mausoleum, located in the middle of the city<br />
in Mukhammad Ali Imam al-Lais Street – a lavishly<br />
decorated two-domed construction with open vaults,<br />
Ta miwaze Caidina, didi Seix elbaladis warsuli,<br />
poeti STamomavalisTvis aSkara Tavmowonebis<br />
sagania:<br />
_ `me Zalian meamayeba, rom qarTveli mamluqis<br />
STamomavali var, imitom, rom qarTvelebma<br />
egviptis istoriaSi didi kvali datoves.<br />
Zveli kairos daTvalierebisas, amas yovel<br />
nabijze SeamCnevT. magaliTad, maidan obraze<br />
dRemde dgas meCeTi qexia, romelic katamiSis<br />
qarTveli megobris mieraa aSenebuli.<br />
iq xSirad mivdivar da orives saxelze didxans<br />
vloculob~.<br />
egvipte is qveyanaa, sadac maradisobas xeliT<br />
Seexebi. am maradisobis nawili ki bevri<br />
qarTveli gaxda. zogma xmliT, gonierebiT, silamaziT<br />
an SenebiT gaiTqva saxeli. 200 wlis<br />
ganmavlobaSi qarTvelebma egviptis mzis qveS<br />
uzarmazari SemoqmedebiT energia daxarjes<br />
- energia, romelsac mxolod didi xuroTmo-<br />
ZRvris Zalas Tu Seadri.<br />
giorgi kalandia<br />
gadacema "Cveneburebis" avtori<br />
of Georgian Mameluks<br />
is a testimony to the honorable and worthy position<br />
of its occupants during their life. Arabian inscriptions,<br />
engraved on high stone columns – ‘shahids’, watching<br />
over Ibrahim Katkhuda’s grave, eloquently describe<br />
the demise of this man, who, according to historians,<br />
ruled the country with incomparable power, influence<br />
and shrewdness. The same mausoleum contains<br />
graves of two other mameluks – Ali Bei and<br />
Ismail Bei – both of them Georgian slaves, bought<br />
and liberated by Ibrahim Katkhuda, whom they faithfully<br />
supported until his death.<br />
In a couple of paces from the mameluk’s mausoleum<br />
there is a simple grave, which, according to<br />
historians, belongs to a Georgian woman Napisa, called<br />
the mother of mameluks. The life of this lady is closely<br />
connected with the three warriors and rulers we<br />
mentioned above. A liberated slave, she distinguished<br />
herself by beauty, outstanding education and<br />
social as well as political activity in the second half<br />
of the 18th century.<br />
Napisa owned a sabil-kutab – a charity house<br />
in Bab Zuveila district. This establishment, combining<br />
a shelter for the poor, publicly accessible water<br />
reservoirs and an elementary school for local children,<br />
was one of 300 charity houses, existing in the<br />
18th-19th century Cairo. This sabil-kutab of Napisa<br />
khanum – an elegant construction with stone, wood<br />
and bronze ornaments and lavishly decorated interiors,<br />
still exists in one of the most beautiful corners<br />
of old Cairo, rather resembling a city of thousand<br />
mosques than a modern megapolis.<br />
GIORGI KALANDIA<br />
AUTHOR OF CHVENEBUREBI PROGRAM<br />
mkvdarTa qalaqi<br />
mamlukTa saflavis Tarqiba<br />
kait beis meCeTis Weri<br />
kunZuli ravda<br />
stili #23. 2007<br />
vitraJebis anarekli kait beis akldamaSi<br />
133
134<br />
stili #23. 2007<br />
axali ambebi<br />
NEWS<br />
tixruli minanqari oqros sawmisis qveynidan<br />
qarTuli tixruli minanqris nimuSebi V saukuniT<br />
TariRdeba. TiToeuli ganixileba, rogorc<br />
TviTmyofadi, unikaluri da Seufasebeli<br />
xelovnebis Zegli. qarTuli tixruli minanqari<br />
erTaderTia msoflioSi Tavisi gamorCeuli<br />
individualurobiT. igi Taviseburia Sesrulebis<br />
teqnikiT, ferTa wyobiT, kompoziciis<br />
dinamikiT da sruliad gansxvavdeba bizantiuri,<br />
Cinuri da veneciuri minanqrisgan. misi<br />
mxatvrulad srulyofisa da urTulesi teqnologiis<br />
daxvewis procesi ki dResac grZeldeba<br />
aRafrTovanebs mnaxvels.<br />
am iSviaTi Suasaukunovani teqnikis aRor-<br />
Zineba Tanamedrove saqarTveloSi gasuli saukunis<br />
70-iani wlebidan daiwyo. xelovnebis is-<br />
irakli megreliSvili<br />
IRAKLI MEGRELISHVILI<br />
daviT CxeiZe<br />
DAVID CHKHEIDZE<br />
qeTi WavWaniZe-lomaia<br />
KATIE CHAVCHANIDZE-LOMAIA<br />
torikosTa, mecnierTa da minanqris ostatTa TanamSromlobis<br />
Sedegad aRdgenili iqna adgilobrivi<br />
mineralebis mopovebaze dafuZnebuli unikaluri<br />
ferebis, maT Soris lilisferisa da<br />
Rvinisferis miRebis saidumlo. Tuki uwin tixruli<br />
minanqari, mxolod religiuri da kanonikuri<br />
TematikiT Semoifargleboda, dReisaTvis<br />
igi mravalferovani da yofiTi gaxda.<br />
Tbilisis SuagulSi mdebareobs ramdenime<br />
samxatvro galerea, romelic myidvelebs sTavazobs<br />
tixruli minanqris sxvadasxva stilisa<br />
da mimarTulebis asobiT nimuSs...<br />
am oriode Tvis win, strasburgSi, saqarTvelos<br />
elCis, baton zurab WiaberaSvilis TaosnobiT,<br />
evrosabWos Stab-binis sagamofeno da-<br />
paata paataSvili<br />
PAATA PAATASHVILI<br />
rbazSi Sedga qarTvel xelovanTa namuSevrebis<br />
gamofena-gayidva, saxelwodebiT - `tixruli<br />
minanqari oqros sawmisis qveynidan~. proeqtis<br />
sponsorebi iyvnen: `banki respublika~, developeruli<br />
kompania `bisivi - arqstudia p.m.~ da<br />
qarTuli Rvino `qinZmaraulis marani~. gamofenis<br />
kuratorebi gaxldnen qalbatonebi qeTi WavWaniZe-lomaia<br />
(dizaineri) da mariam mamuCaSvili<br />
(mxatvari). eqspoziciaze 47 qarTveli mxatvris<br />
saukeTeso tixruli minanqris nakeTobebi<br />
iyo warmodgenili. damTvarieleblebi, Ziri-<br />
Tadad evrosabWos delegatebi, aRfrTovandnen<br />
gamofeniT da maT mier, warmodgenil nake-<br />
TobaTa mniSvnelovani nawili iqna Sesyiduli.<br />
aRsaniSnavia, is faqti, rom gamofenaze qa-<br />
Tea gergeniZe<br />
TEA GURGENIDZE<br />
Cloisonne Enamel from the<br />
Land of Golden Fleece<br />
A couple of months ago, the EU headquarters exhibition hall in Strasbourg hosted<br />
an exhibition of Georgian artists, titled “Cloisonne Enamel from the Land of Golden Fleece”.<br />
This initiative of the Georgian Ambassador Zurab Chiaberashvili was sponsored by Respublika<br />
Bank, development company BCV Archstudio P.M. and Georgian winery “Kindzmaraulis
Tuli Rvinis `qinZmaraulis maranis~ prezentacia-degustaciac<br />
Sedga da uaxlesi warsulis,<br />
yuriTmoTreuli miTi qarTuli Rvinis `fiaskos~<br />
Sesaxeb, sabolood gaqarwylda, ufro metic,<br />
qarTuli sasmelis importiT seriozulad<br />
dainteresdnen rigi qveynebis warmomadgenlebi.<br />
faqti, dagveTanxmebiT, marTlac sasixaruloa,<br />
magram, kvlav dawyebul, CvenTvis, amjerad<br />
mniSvnelovan Temas davubrundeT.<br />
espaneTis dedaqalaq madridSi, samefo sasaxleSi,<br />
weliwadSi erTxel, espaneTis dedoflis<br />
fondis iniciativiT, espaneTSi akreditebuli<br />
qveynebis xelovanTa namuSevrebis gamofena-gayidva<br />
imarTeba, romlidanac Semosuli Tanxa<br />
bavSvTa fondSi iricxeba.<br />
wels, madridis gamofenaze monawileobis mi-<br />
Reba qarTvel xelovnebs, espaneTSi saqarTvelos<br />
elCma, batonma zurab pololikaSvilma SesTavaza.<br />
nino burkaZe<br />
NINO BURKADZE<br />
da, ai, 11 ivniss, 50 qarTveli mxatvris 200ze<br />
meti namuSevriT Seqmnili eqspozicia, Cven-<br />
Tvis, ukve nacnobi saxelwodebiT - `tixruli<br />
minanqari oqros sawmisis qveynidan~ (sponsorebi:<br />
`banki respublika~, developeruli kompania<br />
`bisivi - arqstudia p.m.~ da qarTuli Rvino `qinZmaraulis<br />
marani~), pirvelad iqna gamofenili<br />
madridis samefo sasaxleSi.<br />
madridis gamofenaze, sul, 53 qveynis xelovanTa<br />
namuSevrebi iyo warmodgenili. saeqspozicio<br />
darbazebi damTvalierebels ver itevda.<br />
male, Tavisi amaliT, dedofalic mobrZanda.<br />
igi, yuradRebiT ecnoboda warmodgenil eqsponatebs,<br />
gansakuTrebiT ki qarTuli xelnake-<br />
Ti samkaulebiT moixibla. qarTuli gamofenis<br />
kuratorebma, qalbatonebma, qeTi WavWaniZe-lomaiam<br />
da mariam mamuCaSvilma, dedofals saCuqrad,<br />
ulamazesi tixruli minanqris nakeToba -<br />
yelsabami (avtori - Tea gurgeniZe) miarTves. Ta-<br />
zaza lodia<br />
ZAZA LODIA<br />
Marani”. The exhibition was supervised by designer Keti Chavchanidze-Lomaia and artist Mariam<br />
Mamuchashvili.<br />
Once a year, the charitable foundation of the Spanish Queen organizes sales-exhibitions in<br />
the Royal Palace in Madrid, all the revenues of which are passed on to the vulnerable children.<br />
On June 11 2007, this annual exhibition hosted the abovementioned project “Cloisonne Enamel<br />
from the Land of Golden Fleece”. The exposition, consisting of over 200 works by 50 Georgian<br />
artists, produced an immense impression on Queen Sophia. Supervisors of the exhibition – Keti<br />
Chavchanidze-Lomaia and Mariam Mamuchashvili presented Her Majesty with an enamel necklace<br />
(author: Tea Gurgenidze) and the Queen, on her part, purchased a Greek-style cross (author:<br />
Irina Makhviladze) for her grandchild.<br />
PREPARED BY NINO LAGHIDZE<br />
stili #23. 2007<br />
vad, misma udidebulesobam (warmoSobiT berZenma),<br />
ki berZnul jvarze SearCia yuradReba da<br />
SeiZina kidec igi, Tavisi SviliSvilisaTvis.<br />
nakeTobis avtori, irina maxvilaZe profesiiT<br />
fizikosia da sul raRac erTi welia, rac<br />
tixrul minanqarze muSaobs, mxatvar nino burkaZis<br />
xelmZRvanelobiT.<br />
dedoflisgan amgvari Jestis gamovlenis<br />
Semdgom, qarTul nakeTobaTa mimarT damTvarielebelTa<br />
Tu specialisTa interesi, kidev ufro<br />
gaizarda. xazgasmiT aRiniSna qarTvel xelovanTa<br />
maRali SemoqmedebiToba da profesionalizmi...<br />
warmatebiT Sedga qarTuli Rvinis<br />
degustacia...<br />
espaneTis mefis ojaxSi ukve kargad icnoben<br />
saqarTvelos. qalbatoni dedofali ki male<br />
stumrad gvewveva.<br />
moamzada nino laRiZem<br />
Tea durmiSiZe<br />
TEA DURMISHIDZE<br />
paata paataSvili<br />
PAATA PAATASHVILI<br />
ia gigoSvili<br />
IA GIGOSHVILI<br />
135
136<br />
stili #23. 2007<br />
amerikis gzispira arqiteqtura<br />
saqarTveloSi amerikis SeerTebuli Statebis saelCom, saqarTvelos arqiteqtorTa<br />
kavSirma da galerea "arsma" umaspinZla gamofenas "amerikis gzispira arqiteqtura".<br />
gamofena mieZRvna amerikis arqiteqturis institutis 150 wlisTavs.<br />
15 maiss, galerea `arsSi~ gaixsna foto - gamofena<br />
“amerikis gzispira arqiteqtura”, romlis<br />
organizatorebi arian amerikis SeerTebuli<br />
Statebis saelCo saqarTveloSi da saqarTvelos<br />
arqiteqtorTa kavSiri. gamofena moicavda cnobili<br />
amerikeli arqiteqtorisa da mkvlevaris jon<br />
margolisis wignebidan gadmotanil 56 fotos,<br />
romlebzec aRbeWdilia amerikis adreuli xanis<br />
benzin-gasamarTi sadgurebis, gzispira dasasvenebeli<br />
adgilebis, restornebisa da sasadiloebis<br />
arqiteqtura.<br />
25 wlis ganmavlobaSi jon margolisi mogzaurobda<br />
amerikis SeerTebul StatebSi da fotokameris<br />
meSveobiT istorias SeunarCuna amerikul<br />
komerciaSi arsebuli Zveli tradiciebi. fotoebze<br />
aRbeWdili amerikis arqiteqturuli nagebobebis<br />
dizaini Zalian Taviseburi da ganumeorebelia.<br />
fotosesiis mizani iyo mogzaurebisa<br />
da turistebis mozidva da amave dros imdroindeli<br />
amerikuli kulturisa da xasiaTis asaxva.<br />
amerikis gzispira arqiteqturis fotoebi<br />
gamofenili iyo kievSi, ekaterinburgSi, permSi,<br />
vladivostoksSi, aTenSi, praRaSi, ankaraSi, parizSi,<br />
zagrebSi, talinSi, aseve UNESCO-s StabbinaSi<br />
parizSi.<br />
jon margolisma Tavisi saarqiteqturo karieris<br />
manZilze daagrova uamravi video da foto<br />
dokumentacia da agreTve gamosca bevri wigni<br />
da publikacia arqiteqturis istoriis Sesaxeb.<br />
misi yovelwliuri leqciebi niu-iorkis arqiteqtorTa<br />
ligaSi da londonis samefo arqiteqturul<br />
sazogadoebaSi rogorc wesi didi in-<br />
teresiT sargeblobs.<br />
amerikis gzispira arqiteqturis fotoebi<br />
gamofenili iyo TbilisSi, galerea `arsSi~ 15dan<br />
22 maisamde. Semdeg dagegmili iyo fotoebis<br />
gamofena saqarTvelos sxvadaxva qalaqebSi: TelavSi<br />
(24 maisidan - 29 maisamde), quTaisSi (31 maisidan<br />
6 ivnisamde), baTumSi (8 ivnisidan - 17 ivnisamde),<br />
foTSi (19 ivnisidan - 24 ivnisamde), zugdidSi<br />
(26 ivnisidan – 29 ivnisamde).<br />
fotogamofenis programiT gaTvaliswinebulia<br />
leqciebi amerikis arqiteqturis Sesaxeb, romelsac<br />
waikiTxavs ienis universitetis arqiteqturis<br />
skolis fulbraitis profesori, doqtori<br />
elene kilaZe.<br />
avtomobilis gamogonebam da misma masobrivma<br />
warmoebam Secvala amerikelebis cxovreba da<br />
SeerTebuli Statebis landSafti me-20 saukune-<br />
Si. me-19 saukuneSi mgzavroba mouxerxebeli da<br />
ZviradRirebuli siamovneba iyo. im dros arsebuli<br />
gzebi sirTuleebs qmnida manevrirebisaTvis.<br />
es yovelive Seicala maSin, rodesac manqanebi<br />
xelmisawvdomi gaxda milionobiT adamianisa-<br />
Tvis, gaiyvanes kargi gzebi, raTa daekmayofilebinaT<br />
avtomobilis mflobelTa moTxovna. Seiqmna<br />
axali tipis biznesi. kompania `Moms and Pops”ma<br />
mTels amerikaSi Seqmna gzispira infrastruqtura<br />
sxvadasxva saWiroebebisaTvis: sawvavis,<br />
sakvebis da Ramis gasaTevad. gaCnda gamorCeuli<br />
da individualisturi gzispira Senobebi, xSirad<br />
uzarmazari warwerebiT. maTi dizaini garkveul<br />
vizualur stenografiul Canawers warmoadgenda,<br />
romlis mizani yuradRebis mipyroba da<br />
momxmarebelTa SeCereba iyo.
American Roadside Architecture<br />
The United States Embassy in Tbilisi, Georgian Union of Architects and ARCI Gallery<br />
host the American Roadside Architecture Exhibition. The exhibition was dedicated to celebrating<br />
150 years of American Institute of Architects – AIA.<br />
On May 15, the United States Embassy<br />
in Tbilisi and the Georgian Union of Architects<br />
opened the photographic exhibition “American<br />
Roadside Architecture” at ARCI Gallery. The exhibition,<br />
created by architectural historian John<br />
Margolies, comprised 56 photos and four text<br />
panels that depicted the early architecture of<br />
gas stations, roadside lodging, restaurants and<br />
eateries.<br />
American roadside architecture is drawn from<br />
Mr. Margolies’s extensive series of books on<br />
the subject of popular American architecture.<br />
For more than 25 years, John Margolies crisscrossed<br />
the United States, camera in hand, to<br />
capture and preserve images of a vanishing tradition<br />
in American commerce. The photos displayed<br />
at ARCI Gallery document a unique and<br />
fast disappearing American architecture designed<br />
to appeal primarily to motoring tourists, one that<br />
relied heavily on local culture and sensibilities.<br />
They are the artifacts of a creative, whimsical<br />
and very inviting moment in American business<br />
and tourism.<br />
The exhibit has been shown in Kiev,<br />
Yekaterinburg, Perm, Vladivostok, Athens,<br />
Chisinau, Prague, Ankara Paris, Zagreb, Tallinn<br />
and most recently at UNESCO headquarters<br />
in Paris.<br />
John Margolies’s more than 30-year career<br />
in architecture has included video and photo<br />
documentations, as well as many books and<br />
publications on architectural history. His annual<br />
lectures series at the Architectural League<br />
of New York and the Royal Society of Architects<br />
in London regularly draw large audiences.<br />
American Roadside Architecture at ARCI<br />
Gallery will be open in Tbilisi May 15-May 22<br />
at 21 T. Abuladze Street, Tbilisi. The exhibit<br />
will also tour the following cities: Telavi (May<br />
24-May 29), Kutaisi (May 31-June 6), Batumi<br />
(June 8-June 17), Poti (June 19-June 24) and<br />
Zugdidi (June 26-June 29). As part of the exhibit,<br />
Fulbright Professor from the Yale School of<br />
Architecture, Dr. Lena Kiladze, will give a lecture<br />
on the architectural design in each city.<br />
The invention and mass production of the<br />
automobile transformed the livers of Americans<br />
and the landscape of the United States in the<br />
20th century. During the 19th century, travel was<br />
cumbersome and expensive. Existing roads were<br />
mostly rough dirt paths and difficult to navigate.<br />
The predetermined routes and schedules of railroads<br />
or the slow pace of travel by horse and<br />
carriage placed limitations on people anxious<br />
to explore the wonders of the country.<br />
But all this began to change as cars<br />
became affordable for millions of people, and<br />
good roads were built to accommodate the steadily<br />
increasing numbers of motorists now set free<br />
to discover the country on their own schedules<br />
and routes. The American free enterprise system<br />
responded, creating new types of businesses<br />
geared specifically to the needs of these “automobilists”.<br />
“Moms and Pops” across the U.S.<br />
built facilities beside the highways to provide<br />
the necessities: gas, food and lodging. Distinctive<br />
and individualistic roadside buildings, often with<br />
huge signs proclaiming their presence, screamed<br />
for attention to attract those customers passing<br />
by at higher speeds. Their designs were a<br />
kind of visual shorthand, intended to attract attention<br />
and to get customers to STOP.<br />
stili #23. 2007<br />
137
138<br />
stili #23. 2007<br />
zarafxanis<br />
zRaprul samyaroSi<br />
interviu S.p.s. "zarafxanis" kreativ departamentis xelmZRvanelTan,<br />
qalbaton ekaterine sofiasTan<br />
- rogoria dRes modis tendenciebi saiuveliro<br />
samyaroSi? ra stili dominirebs, ras eqceva<br />
meti yuradReba, romel Zvirfas qvebzea meti<br />
moTxovnileba?<br />
- dRes moda demokratiulia, amitom Znelia<br />
daasaxelo romelime erTi mimarTuleba saiuveliro<br />
dizainSi. stili, idea, mxatvruli da teqnologiuri<br />
gadawyvetilebebi mravalferovania.<br />
amave dros didi yuradReba eTmoba praqtikul<br />
da racionalur midgomas, vinaidan saboloo<br />
jamSi Cveni momxmarebeli mainc miiltvis<br />
loialuri, universaluri dizainisken, prŒt- -<br />
porter-is tipis samkaulisken, romelsac atarebs<br />
rogorc dRisiT, aseve saRamos.<br />
Zvirfas liTonebSi udao popularobiT sargeblobs<br />
oqro, rogorc 585, aseve 750 sinjis,<br />
rodesac myidveli iZens oqros, garda imisa, rom<br />
is sakuTar Tavs saCuqars ukeTebs, amavdroulad<br />
erTgvar dabandebasac axorcielebs. modaSia<br />
yviTeli da TeTri feri, an maTi tandemi – am<br />
ori feris TamaSi erT samkaulSi. evropaSi Zalian<br />
popularulia platina da paladiumi. platina<br />
udao favoritia Zvirfas liTonebSi, mas<br />
liTon-aristokrats uwodeben. magaliTad cnobili<br />
brendi “kartie” mxolod platinas iyenebs.<br />
vercxlisgan gansxvavebiT igi ar icvlis fers<br />
da saocari bzinvarebiT gamoirCeva.<br />
rac Seexeba Zvirfasi qvebiT moWedil samkaulebs,<br />
pirvel adgilze udaod briliantia.<br />
briliantis SemTxvevaSi Zalian didi mniSvneloba<br />
aqvs imas, Tu rogor aris is damagrebuli.<br />
dRes Zalian popularulia samkauli “pave” damagrebiT<br />
e.w. daTesili qvebiT, rodesac patara<br />
zomis briliantebi mWidrod zis gverdi-gverd<br />
da liToni saerTod ar Cans. am meTodiT qvebis<br />
damagreba mxolod mikroskopis qveS aris Sesa-<br />
Zlebeli. “zarafxanam” ukve aiTvisa es teqnologia<br />
da uaxloes momavalSi Cven axal, seriozul<br />
koleqcias SevTavazebT Cvens momxmarebels, agreTve<br />
siaxlis saxiT vTavazobT iseT bunebriv<br />
qvebs, rogorebicaa akvamarini da turmalini. akvamarini<br />
Ria cisferi qvaa, kamkama da gamWvirvale,<br />
turmalinis feris speqtri farToa: momwvano,<br />
movardisfro, mocisfro.<br />
- rogor ibadeba Tqveni nakeTobebis mxatvruli<br />
saxe? ra process gadis samkauli sanam saboloo<br />
saxes miiRebdes?<br />
- rac Seexeba mxatvruli gadawyvetilebebis<br />
gaCenas, minda giTxraT, rom es Zalian Sromatevadi<br />
procesia. Cven gvyavs mxatvar-dizainerTa<br />
jgufi, romlebic dakavebuli arian axali<br />
eskizebis SeqmniT. dRes-dReobiT modas karnaxoben<br />
evropisa da amerikis wamyvani brendebi.<br />
Cven vanxorcielebT modis tendenciebis kont
ols, ar gamogvitovebia arc erTi mniSvnelovani<br />
gamofena, romelic Catarebula am erTi wlis<br />
manZilze evropasa Tu aziaSi. es Zalian kargi<br />
Sansia gaecno siaxleebs saiuveliro modaSi da<br />
amave dros ikvebo axali ideebiT. eskizebis didi<br />
nakadidan irCeva yvelaze Rirseuli, iqmneba<br />
modeli da ukve Zvirfas liTonSi xorcieldeba.<br />
magram modelma maRaziebSi gamoCenamde unda<br />
gaiaros samxatvro sabWos Sefaseba da daimsaxuros<br />
mowoneba.<br />
- rogoria Cveni myidveli? ra rCevebs miscemdiT<br />
maT?<br />
- Cveni myidveli samkaulis SeZenisas did sifrTxiles<br />
iCens da upiratesobas aniWebs klasikuri<br />
stilis modelebs. samkaulis arCevisas<br />
mTavaria ar dakargoT individualuroba, samkauli<br />
xazs unda usvamdes Tqvens stils da xasiaTs,<br />
uxdebodes saxes, tansacmels, makiaJs, da<br />
rac yvelaze mTavaria - dros da adgils.<br />
Txel beWdebs rogorc wesi ikeTeben usaxelo<br />
TiTze. ramodenime beWdis erT TiTze gake-<br />
Teba, Tu es ar aris gaTvaliswinebuli dizainiT,<br />
cud tonad iTvleba. beWdebi, mokazmuli er-<br />
Ti didi qviT an piriqiT bevri patara qvebisgan<br />
Semdgari, umjobesia ataroT Sua an saCvenebel<br />
TiTze. qalbatonebs, romlebsac wvrili Ti-<br />
Tebi aqvT urCevdi Tavi Seikavon did qvebiani<br />
beWdebisagan. igive rCevas mivcemdi qalbatonebs,<br />
romlebsac mokle TiTebi aqvT.<br />
grZeli sayureebi rekomendirebulia qalbatonebisTvis,<br />
romlebsac grZeli kiseri aqvT. msuqan<br />
qalbatonebs urCevdi masiur samkaulebs.<br />
uqvo samajurebs atareben Tavisuflad, majis<br />
gaswvriv. Tu samajuri morTulia qvebiT,<br />
is dafiqsirebuli unda iyos majis zeviT.<br />
gulsakidebi umjobesia ataroT dekolteze,<br />
an erTferovan, Txel qsovilian tansacmelze. kolie<br />
ki aucileblad moiTxovs mxolod dekoltes.<br />
- rogoria Tqveni momavali gegmebi? ra koleqciaze<br />
muSaobT amJamad?<br />
- Cven exla vmuSaobT ramodenime koleqciaze<br />
erTdroulad. “zarafxanam” mcxeTis saxelmwifo<br />
muzeumTan erTad daiwyo muSaoba proeqtze,<br />
romelic iTvaliswinebs arsebuli muzeumis<br />
oqros fondis eqsponatebis motivebze axali<br />
koleqciis Seqmnas. es iqneba uprecendento<br />
SemTxveva, rodesac Cven gavacocxlebT unikalur,<br />
miZinebul artifakebs. koleqcia Sesrulebuli<br />
iqneba oqroSi, gamoyenebuli iqneba iseTi<br />
masalebi, rogoricaa Zowi, giSeri, marjani, margaliti<br />
da minanqari. ase rom uaxloes momavlSi<br />
arqauli stilis moyvarulebs elodebaT metad<br />
saintereso koleqcia.<br />
meore xazi iTvaliswinebs bazris moTxovnas<br />
da mas daerqmeva “giSris koleqcia”, vinaidan<br />
produqcia Sesrulebuli iqneba giSerSi, gamdidrebuli<br />
oqros inkrustaciebiT. Cven, axlaxans<br />
kompaniaSi moviwvieT giSris damuSavebis ostatebi<br />
da CamovayalibeT giSris ubani. migvaCnia<br />
rom giSeri saintereso masalaa, vinaidan is<br />
kargad eqvemdebareba damuSavebas, lamazi da msubuqia.<br />
giSers kidev is upiratesoba aqvs, rom moipoveba<br />
saqarTveloSi da misi popularizacia<br />
erovnuli saqmea.<br />
didi madloba saintereso informaciisaTvis,<br />
warmatebebs gisurvebT saqmianobaSi, davelodebiT<br />
siaxleebs, darwmunebuli varT momaval-<br />
Si Seqmnili koleqciebi kidev ufro Tanamedrove<br />
da daxvewili dizainiT moxiblaven momxmarebels.<br />
esaubra lali baxtaZe<br />
stili #23. 2007<br />
139
26 ivniss, Tbilisis saxelmwifo samxatvro<br />
akademiaSi, mediaxelovnebis fakultetis<br />
grafikuli dizainis specialobis, III kursis<br />
studentTa namuSevrebis (sagani - `vizualuri<br />
komunikaciebi~) gamofena Sedga. naxazebisa<br />
da maketebis saxiT, warmodgenili<br />
iqna mcire arqiteqturul formaTa dizaini.<br />
gamofenaze miwveulni iyvnen samxatvro<br />
akademiis profesor-maswavleblebi: xelovnebaTmcodne<br />
nino zaaliSvili, akademiis xarisxis<br />
uzrunvelyofis samsaxuris xelmZRvaneli<br />
nino RaRaniZe, profesorebi, oTar<br />
CakvetaZe, nodar sumbaZe, kote jinWaraZe (sakurso<br />
namuSevrebis xelmZRvaneli), masmediis<br />
warmomadgenlebi. damswre sazogadoebam<br />
maRali Sefaseba misca axalgazrdebis mier<br />
warmoCenil eqspozicias.<br />
msgavsi gamofenebis mowyoba, ukve fakultetis<br />
tradiciadaa qceuli. studentebi<br />
TavianTi semestruli SedegebiT, sistematurad,<br />
erTgvar angariSgebas axdenen sazoga-<br />
140<br />
stili #23. 2007<br />
inteleqtualuri<br />
fantaziebis vizualizacia<br />
doebis winaSe, rac mxolod akademiis kedlebiT<br />
ar Semoifargleba. amis dasturia, 9<br />
ivliss, Sardenis quCaze mowyobili, amave fakultetis<br />
studentTa namuSevrebis gamofena.<br />
axalgazrda dizainerebi farTo auditoriis<br />
winaSe wardgnen sakuTari SemoqmedebiT.<br />
es ki, mediaxelovnebis fakultetis specifikidan<br />
gamomdinare, axalgazrdebis sazogadoebasTan<br />
kontqtis yvelaze aqtiuri<br />
saSualebaa - studenti I kursidan akontrolebs<br />
sakuTari `moRvaweobis~ Sedegs da Sesabamisad,<br />
TandaTanobiT xvews mas. miwveuli<br />
Tu Sardenze SemTxveviT moxvedrili qalaqis<br />
stumrebi didi interesiT da mowonebiT<br />
aRiqvamdnen naxuls.<br />
amgvari aqciebi, rogorc wesi, SemoqmedebiTi<br />
energiis gaTavisuflebis Taviseburi sa-<br />
Sualebaa. inteleqtualuri fantaziebi, di-<br />
zaineruli utopiebi, hiperbolebi metaforebi,<br />
WeSmariti xelovanis mudmivi Tanamgzavri<br />
unda iyos. es, uTuod, keTil gavlenas<br />
moaxdens mTlianad dizainerul praqtikaze.<br />
aseTi egzersisebi xels Seuwyobs, ara<br />
mxolod profesionalisa da ostatis,<br />
aramed xelovanis Camoyalibebas.<br />
gamofenebi kvlav gagrZeldeba da<br />
kidev ufro saintereso, Tamam, Tanamedrove<br />
mignebebs da koncepciebs warmoaCens.<br />
nana iaSvili<br />
profesori, mediaxelovnebis<br />
fakultetis dekani<br />
foto gia javeliZisa
`baia galerea~ agrZelebs proeqts `koleqciidan koleqciamde~. 18 aprils galereaSi, am proeqtis<br />
axali me-8 gamofena gaixsna romelic elene axvledianis dabadebis dRes mieZRvna. proeqti<br />
iTvaliswinebda saqarTvelos kulturuli memkvidreobidan dRemde ucnobi masalis aRmoCenas<br />
da popularizacias. gamofenaze warmodgenili iyo elene axvledianis suraTebi kerZo koleqciebidan,<br />
1920 –1970 ww. Sesrulebuli 30 ferweruli da grafikuli namuSevari. gamofenis<br />
ramdenime eqsponati gaiyida.<br />
Baia Gallery continues its project “From Collection to<br />
Collection”. On April 18, the Gallery opened the 8th project exhibition,<br />
dedicated to the birthday of Helene Akhvlediani. The project<br />
aims at discovering and promotion of formerly unknown<br />
materials, related to Georgian cultural heritage. The exhibition<br />
comprised Helene Akhvlediani’s works – 30 paintings and drawings,<br />
created between 1920 and 1970 and stored in private collections.<br />
Several pieces were sold during the exhibition.<br />
18 maiss, Sardenis quCaze, `baia galereaSi~ gaixsna<br />
mxatvar goCa kakabaZis personaluri gamofena,<br />
saxelwodebiT _ `miniatura~.<br />
stili #23. 2007<br />
vernisaJi<br />
VERNISAGE<br />
"elene axvlediani -<br />
suraTebi da fotoebi<br />
kerZo koleqciebidan"<br />
Helene Akhvlediani –<br />
Paintings And Photographs<br />
From Private Collections<br />
miniatura<br />
141
142<br />
stili #23. 2007<br />
mSeneblobis,<br />
arqiteqturi, dizainisa<br />
da rekonstruqciis me-12<br />
saerTaSoriso gamofena<br />
ama wlis 16-19 maiss, gamofenebis centr `eqspo<br />
jorjias~ terotoriaze, #4, 5, 6, da 11 pavilionebSi,<br />
Catarda me-12 saerTaSoriso mSeneblobis,<br />
arqiteqturis, dizainisa da rekonstruqciis<br />
gamofena `kaukazus bild 2007~.<br />
gamofenis organizatoria kompania `eqspo<br />
jorjia~.<br />
gamofena Catarda qalaqis meriis mxardaWeriT.<br />
gamofenaze warmodgenili iyo produqcia 17<br />
qveynidan: azerbaijani, aSS, germania, emiratebi,<br />
TurqeTi, iaponia, indonezia, italia, irani,kanada,<br />
latvia, ruseTi, saqarTvelo, ukraina,<br />
Sveicaria, CexeTi, CineTi.<br />
110 sagamofeno stendze warmodgenili iyo<br />
150-ze meti kompania.<br />
monawile kompaniebi momxmareblebs sTavazobdnen<br />
Semdeg saqmianobasa da produqcias: graniti,<br />
bazalti, marmarilo, saRebavi, laqi, gluvi<br />
ficari, metaloplastmasis kar-fanjara, Jaluzebi,<br />
farda-roletebi, saZirkvlebis gamosayvani<br />
masala, Tixis kramiti, fasadis aguri,<br />
gaTboba-kondicireba, hidrosaizolacio saSualebebi,<br />
hidrokvanZebis kapitaluri remonti,<br />
betonisa da cementis danamatebi, plastmas-nakeTobebi,<br />
Termuli keramikuli milebi, saizolacio<br />
masalebi, ganaTebis axali sistemebi, eleqtrogayvaniloba,<br />
teqnika betonis zedapirebis<br />
mosworebisa da misi CasxmisaTvis, miwisa da<br />
asfaltis satkepni, satvirTo da saxanZro avtomanqanebi<br />
da mravali sxva.<br />
gamofenis paralelurad Catarda dagegmili<br />
RonisZiebebi: 17 maiss mcire sakonferencio<br />
darbazSi Catarda kompania `kalmatronmSenis~<br />
produqciis prezentacia.<br />
amave dRes did sakonferencio darbazSi Jurnalma<br />
`stilma~ gamarTa prezentacia konkursis<br />
`arqiteqturuli premia 2007~ Sesaxeb.<br />
qarTuli droSa<br />
ama wlis 3 Tebervals erovnuli biblioTekis<br />
sagamofeno darbazSi gaixsna arqiteqtor merab<br />
abesaZis proeqtebisa da mxatvrul namuSevarTa<br />
personaluri gamofena. avtori moskovSi<br />
ganaTlebis miRebis Semdeg 1985 wels daubrunda<br />
mSobliur qveyanas da uSualod arqiteqturuli<br />
moRvaweobis garda mxatvrobisa da qandakebis<br />
dargSi Seqmna mravali namuSevari. am xnis<br />
ganmavlobaSi agrZelebs ra proeqtirebasa da mecnierul<br />
kvlevas, arqiteqturis kandidatma merab<br />
abesaZem, moawyo 8 personaluri gamofena.<br />
amJamindel eqspoziciaze iyo warmodgenili<br />
arqiteqturuli novaciebi, orderTa axali sistema,<br />
bunebriv masalaSi Sesrulebuli<br />
portretebi, qarTuli damwerlobis memoriali<br />
da mravali sxva. amitom winamdebare statia<br />
yuradRebas gaamaxvilebs im aspeqtebze, Tu ra<br />
gadamwyvet mniSvnelobas aniWebs avtori qarTul<br />
damwerlobas.<br />
kerZod. darbazSi gansakuTrebuli adgili<br />
ukavia sarkovan karkasSi moqceul cvilisa da<br />
parafinis naerT masalaSi Sesrulebul qan-<br />
dakebas. qandakeba aris moTavsebuli foladis<br />
1 m3-is moculobis karkasSi. sami mxridan mas<br />
Tan axlavs sarke, sadac airekleba ori qalis<br />
profili da erTi mamakacis uku anfasi.<br />
garkveuli fokusidan mzerisas es oTxive<br />
gamosaxuleba erT wertilSi iyris Tavs da<br />
Zalze STambeWdav triada-kvadrosistemas hqmnis.<br />
TviT karkasi, romelSidac es qandakeba aris<br />
moTavsebuli Semkulia tyavis fardagebiT,<br />
romelzedac sistematizirebuli saxiT aris<br />
warmodgenili asomTavruli, nusxa-xucuri da<br />
mxedruli anbani ise, rogorc es mocemulia<br />
qvemoT sqemebSi.<br />
ase magaliTad, Tu ganvalagebT asomTavrul<br />
anbans klebad mwkrivSi un-is da vie-s gamoyofiT<br />
aRmoCndeba, rom is aso-niSnebi, romlebic<br />
SemdgomSi amovarda xmarebidan anu 8, 15, 34, 37<br />
ganlagdebian ganapira marjvena svetSi mwkrivis<br />
damabolovebel niSnad.<br />
gansxvavebuli viTareba gvaqvs Tanamedvove<br />
mxedrul anbanSi. saxeldobr, Tu ganvalagebT<br />
arsebul 28 Tanxmovan bgeras mzard 7 mwkrivSi<br />
da Semdgom rigrigobis mixedviT CavsvavT 5<br />
xmovan aso-niSans, isini aRmoCndebian erT ganapira<br />
marcxena svetSi 7-dan 5 horizontalur<br />
mwkrivSi.<br />
rac Seexeba nusxa-xucuri anbanis agebulebas,<br />
igi identuria asomTavrulTan, magram<br />
gamoyofilia erTis mxriv xmovani asoniSnebiT,<br />
romelTa erToblioba, qmnis swor kuTxes, meores<br />
mxriv rae-s centraluri mdebareoba, romlis<br />
mimarTac igeba peplisebri `an-hoe~-uri<br />
kriptografiuli sistemis simetria.<br />
imisaTvis, rom TvalnaTliv davinaxoT warmodgenili<br />
droSis Sinaarsobrivi datvirTva<br />
mcireoden istorias mivmarTod am kuTxiT.<br />
retrospeqciuli analizi gvaZlebs safuZvels<br />
gamoiTqvas mosazreba imis Taobaze, rom<br />
saqarTvelos saxelmwifo sefe droSebis<br />
umravlesobis buni mewamulis, anu muqi wiTeli<br />
feris, xolo masze Sebmuli alami TeTri feris<br />
iyo. alamze sxvadasxva saukuneSi gamoisaxeboda<br />
wminda giorgi, jvari, mze. xolo sardlis<br />
droSa _ TeTr bunze wiTeli almiT iyo warmodgenili.<br />
warmodgenil droSaze mewamulis feris<br />
bunze Sebmul eqvsi kvadratis farTobis (2X3)<br />
TeTr alamze gamosaxulia oqrosferi, xolo
titanis bunze Sebmul Calisfer tyavze<br />
gamosaxulia TeTri sxivebiani mze, mTvare da<br />
jvari.<br />
mzis agebuleba damyarebulia qarTuli anbanis<br />
transformaciis (mxedvelobaSia epoqebis<br />
ganmavlobaSi rogorc aso-niSanTa cvalebadoba<br />
an gauqmeba aseve saerTod asomTavruli<br />
damwerlobis mxedruliT Secvla) safuZvelze.<br />
centrSi moTavsebuli wre Sedgenilia<br />
mTavari da Semavsebi nawilebisagan anu rogorc<br />
mze da misi anarekli mTvare, romelic gamosaxulia<br />
ara Zvel `(~ rogorc gvxvdeba muslimanuli<br />
qveynebis droSebze, aramed axal `)~ ciklSi.<br />
es ori ideografiuli Semadgeneli nawili<br />
anbanur sistemaSi e(unis da vies) monacvleobiT<br />
SeiZleba iqnes aRqmuli. centralur wres<br />
irgvliv axlavs 36 sxivi, rac saerTo jamSi 38<br />
udris, anu imdens, ramdenic qarTul<br />
asomTavrulSia. sxivebis gamomxatvel isrebs<br />
Soris 4 gamorCeulia sigrZiT da maTi<br />
erToblioba jvars Seadgens. am gamorCeul<br />
aso-niSnebad SeiZleba iqnes miCneuli swored<br />
es oTxi: -he meore, -ia, -xari, hoe. amrigad<br />
1+sxivebi = 33 _ anu Tanamedrove mxedrulSi<br />
mocemul aso-niSanTa raodenoba +4 (jvari)+0=38,<br />
anu srulad asomTavruli anbanis Semadgeneli<br />
raodenoba.<br />
droSaze asaxuli mzis arqiteqtonikaSi sistematizirebulia<br />
agreTve aso-niSanTa ganlageba<br />
maTi ricxobrivi mniSvnelobiTac. ase<br />
magaliTad, wriulad sxivebi dayofilia 9<br />
erTeulis, 9 aTeulis, 9 aseulis, 9 aTaseulis<br />
safuZvelze. aRsaniSnavia, rom am seqtorTa<br />
gamyof aso-niSnebad aRebulia ara damabolovebeli<br />
aso niSnebi 9,90,900,9000, aramed<br />
erTeulebi _ he-meore-8, aTeulebSi _ ia-60,<br />
aseulebis gamyofi Secvlilia noliT centrSi,<br />
aTaseulebSi _ xari-7000, da cikls asrulebs _<br />
hoe-10000. amgvarad arc erT gamyof aso-niSanTa<br />
pirveli cifri ar meordeba da saerTo jamSi<br />
17068 Seadgens jvaris gamosaxulebiT. amis<br />
garda, wris 36 erTeulad dayofa miesadageba<br />
dedamiwis 360 graduss 1/10 koeficientiT.<br />
daskvnis saxiT SeiZleba iTqvas, rom arqiteqtor<br />
merab abesaZis mier warmodgenili rogorc<br />
qarTuli anbanis sistematizirebuli agebuleba,<br />
ise droSis anbanuri karkasi Tvisobrivad<br />
axal, maRal safexurze ayenebs mravalsaukunovani<br />
sulier-inteleqtualuri mSeneblobis<br />
sakiTxs. igi iTvaliswinebs axal, arsebulze<br />
bevrad ufro Rrma fesvebze dayrdnobil `karkasis~<br />
`ConCxis~ dafuZnebas, rac SemdgomSi mravalsaukunovani<br />
samSeneblo gamocdilebis `kedlebis<br />
amoyvanas~ Tu kulturuli memkvidreobis<br />
`xorcSesxmis~ saSualebas iZleva qarTuli anbanis<br />
agebulebaSi epoqebis ganmavlobaSi aprobirebuli<br />
faseulobebiT.<br />
indoTa abesalomi<br />
gamofena<br />
sastumro „metexi-palasis“ darbazSi Tengiz<br />
maxaraSvilis ferweruli da grafikuli namuSevrebis<br />
gamofena gaixsna.<br />
Tengiz maxaraSvili mravalmxrivi Semoqmedia.<br />
profesiiT arqiteqtors, ara erTi mniSvnelovani<br />
Senoba, landSafturi dizainis, dekoratiuli<br />
baRebis sakulto nagebobebi aqvs aSenebuli.<br />
gadaRebuli aqvs dokumenturi filmic,<br />
aris mravali samecniero da publicisturi<br />
naSromis avtoric.<br />
amasTan, misTvis ara nakleb mniSvnelovania<br />
saxviTi xelovneba. amis dasturi misi mravalricxovani<br />
personaluri gamofenebia saqarTveloSi,<br />
safrangeTSi (parizi), germaniaSi (berlini,<br />
zaarbriukeni, karlsrue, kaizerslauterni),<br />
italiaSi (romi), avstriaSi (vena), ruseTSi (moskovi),<br />
luqsemburgSi da a.S.<br />
Tengiz maxaraSvilis ferweruli namuSevrebi<br />
inaxeba msoflios 35 qveynis kerZo Tu sxva<br />
koleqciebSi, maT Soris aSS, kanada, CineTi, TurqeTi,<br />
irani, saberZneTi, SvedeTi da a.S.<br />
50-mde namuSevridan naxevarze meti metex-<br />
Si pirvelad aris warmodgenili. mxatvris ZiriTad<br />
SemoqmedebiT prioritetad kvlav rCeba<br />
miniaturuli ferwera, romlis ganviTarebas<br />
igi ramdenime aTeuli welia warmatebiT anxorcielebs.<br />
misi namuSevrebi mowmobs rogori<br />
mxatvruli simaRleebis miRweva SeiZleba, roca<br />
gyofnis ostatoba, fantazia da gemovneba,<br />
roca gaqvs saTqmeli, TviTgamoxatvis survili.<br />
Tavisi Semoqmedebis fesvebs mxatvari saqarTvelos<br />
wiaRSi eZebs da poulobs kidec, istoriuli,<br />
folkloruli, nacionaluri yofiT Tu<br />
Tanamedrove siuJetebiT. ase rom, mis namuSevrebSi<br />
erTdroulad igrZnoba warsul saukuneTa<br />
qrolvac, dRevandeli dRec da momavalic.<br />
bolo wlebSi Tengiz maxaraSvili aqtiurad<br />
muSaobs grafikul ferweraSi. es aris Sereuli<br />
teqnikiT Sesrulebuli kompoziciebi (tu-<br />
Si, zeTis pasteli, tempera). Tanamedrove formebiT,<br />
mkafio naxatiT daxvewili dinamiuri xazebiT<br />
da Sekruli, gawonasworebuli kompoziciebiT,<br />
gamorCeuli figurebi erTis mxriv gansxvavebulicaa,<br />
magram xasiaTiT misi ferweris<br />
gagrZelebas warmoadgens.<br />
mxatvris TiTqmis yvela namuSevarSi igrZnoba<br />
simbolikis naxevradzRapruli siuJetebi,<br />
mTavari simbolo ki kudmakratela mercxlebia,<br />
romlebic xSirad kompoziciis gamaerTianebel<br />
an damamTavrebel figurebs warmoadgenen.<br />
stili #23. 2007<br />
143
stili #23. 2007<br />
`kontrapunqti~<br />
a.w. 27 ivniss Tbilisis istoriis muzeumSi<br />
`qarvasla~, Sedga sagamofeno proeqtis `kontrapunqtis~<br />
prezentacia.<br />
saqarTvelos erovnuli muzeumi, Tbilisis<br />
istoriis muzeumi da radio `Tavisufleba”<br />
gvTavazobs sagamofeno proeqtebis cikls.<br />
pirveli amgvari proeqtia `kontrapunqti”.<br />
... asaxos realoba... is, rac Cvens garSemo<br />
xdeba... maqsimalurad zustad da maqsimalurad<br />
obieqturad. rogor axerxebs amas dRevandeli<br />
media...<br />
Tanamedrove Jurnalizmis gamomsaxvelobiTi<br />
saSualebebi, multimedia, amisaTvis sruliad<br />
axal SesaZleblobebs iZleva.<br />
radio, magaliTad _ dRes aRar aris mxolod<br />
xma.<br />
radio - es aseve aris teqsti, foto da<br />
video...<br />
counterpoint<br />
PHOTO/AUDIO/TEXT<br />
`axali samSeneblo<br />
kompania~<br />
ISO 9001:2000<br />
serTifikatis mqone<br />
organizacia gaxda<br />
19 ivniss `axalma samSeneblo kompaniam”<br />
(NCC) xarisxis menejmentis sistemaSi ISO 9001:2000<br />
serTifikati oficialurad miiRo, rac kompaniis<br />
mxridan kidev erTi warmatebuli nabijia<br />
qveynis samSeneblo bazarze. sertifikatis gadacemis<br />
ceremoniali kompaniis mier ganaxlebul<br />
`mwvane SenobaSi” Sedga. RonisZiebas uamravi<br />
adamiani stumrobda, maT Soris iyvnen cnobili<br />
biznesmenebi, developeruli kompaniebisa<br />
da bankebis, saerTaSoriso organizaciebis<br />
warmomadgenlebi da sxva oficialuri pirebi.<br />
`axali samSeneblo kompania” erTaderTi<br />
kompaniaa saqarTveloSi, romelsac am xarisxis<br />
damamtkicebeli sabuTi gaaCnia miwisqveSa da<br />
miwiszeda mSeneblobis sferoSi. `es aRiareba<br />
uzrunvelyofs kompaniis ganviTarebas, moqnilobas,<br />
bazarze cnobadobis amaRlebas, aqcionerebTan<br />
urTierTobebis gaumjobesebas TanamSromelTa<br />
motivaciis amaRlebas da rac um-<br />
Tavresia sazogadoebis keTilganwyobas” _ mi-<br />
pirveli qarTveli<br />
mesuraTxate<br />
a.w. 20 ivniss saqarTvelos erovnul muzeumSi,<br />
Tbilisis istoriis muzeumSi gaimarTa me-<br />
19 saukunis pirveli qarTveli fotografis<br />
aleqsandre roinaSvilis gamofena da misi meo-<br />
144<br />
am gamomsaxvelobiTi saSualebebis SerwymiT,<br />
xerxdeba sinamdvilis sruliad axleburi asaxva,<br />
rac maqsimalurad aaxloebs msmenels,<br />
mkiTxvels da mayurebels obieqtur realobasTan.<br />
proeqtma warmoadgina dokumenturi foto,<br />
am imijebTan asociaciurad dakavSirebuli<br />
audiosiuJetebi, romlebic radio Tavisuflebis<br />
eTeriT gadaicema da teqsturi failebi,<br />
romelTa gacnobac mkiTxvels radio<br />
Tavisuflebis vebgverdis saSualebiT SeuZlia.<br />
ai, amgvarad iqmneba erTgvari kontrapunqti,<br />
sadac paralelurad viTardeba Tema _ fotos,<br />
xmisa da teqstis saSualebiT. erToblivad ki,<br />
es yvelaferi, dRevandeli saqarTvelos cxovrebas<br />
asaxavs.<br />
aCnia kompaniis generalur menejers erjan giuneSs<br />
da arcTu usafuZvlod.<br />
SegaxsenebT rom NCC, axali samSeneblo kompania<br />
2005 wels dafuZnda, romlis mizania ganaxorcielos<br />
proeqtebis struqturuli, industriuli<br />
(sawarmoo), sacxovrebeli (raionebis)<br />
da infrastruqturis mSenebloba saqarTveloSi.<br />
axali samSeneblo kompania dafuZnebis<br />
dRidan `jiardisis” da `Tibisi bankis” proeqtebis<br />
ganxorcielebas/obieqtebis mSeneblobas<br />
asrulebs. kompaniis gundma warmatebiT ga-<br />
naxorciela sxva ramdenime mniSvnelovani proeqti<br />
saqarTveloSi, maT Soris amerikis sael-<br />
Cos axali kompleqsis mSenebloba, batoni erjani<br />
swored am proeqts xelmZRvanelebda, da<br />
misi dasrulebis Semdeg gadawyvita axal sam-<br />
Seneblo kompaniaSi (NCC) darCena.<br />
NCC wminda samSeneblo kompaniaa da ara developeri.<br />
am faqtze kompaniis generaluri me-<br />
re wignis prezentacia.<br />
proeqtisa da wignis<br />
avtoria lika mamacaSvili.<br />
pirveli qarTveli mesuraTxatis<br />
aleqsandre<br />
roinaSvilis (1843-1898)<br />
Semoqmedebis amsaxvel meore<br />
wignSi Tavmoyrilia<br />
portretebi Tematuri saxelwodebebiT“aristokratia”<br />
da “sxvadasxva”. agreTve<br />
me-19 saukunis presa<br />
aleqsandre roinaSvilis<br />
Sesaxeb da fotografis piradi arqivi.<br />
unda aRiniSnos, rom meore wignSi warmodgenili<br />
masalis umTavresi nawili pirvelad ibeWdeba.<br />
nejeric mianiSnebs: `Cveni gegmebi ZiriTadad<br />
orientirebulia mSeneblobis maRal xarisxsa<br />
da klienetis moTxovnis dakmayofilebaze. kompaniis<br />
win gadadgmuli TiToeuli nabiji swored<br />
am miznebidan gamomdinareobs”. kompaniis<br />
gamorCeulobas, Sesrulebuli saqmianobis xarisxsa<br />
da mis unikalur xedvas axlaxans miRebuli<br />
ISO 9001:2000 serTifikatic adasturebs.<br />
gamofenis msvlelobis dros ekranze warmodgenili<br />
iyo or wignSi Tavmoyrili fotoebisa<br />
da gamouqveynebeli masalis eleqtronuli versia.<br />
agreTve aleqsandre roinaSvilis portretis<br />
dagerotipi, romelic 2005 wels Zveli<br />
teqnologiis gamoyenebiT daamzada niderlandebis<br />
foto restavracia-konservaciis laboratoriis<br />
direqtorma batonma hans kristian de<br />
herderma.
serTificirebulia
serTificirebulia
Change language