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Dark Tourism and the Celebrity Prisoner - [API] Network

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Notes to pp 1–5<br />

<strong>Dark</strong> <strong>Tourism</strong> <strong>and</strong> <strong>the</strong> <strong>Celebrity</strong> <strong>Prisoner</strong>: Front <strong>and</strong> Back Regions in Representations of<br />

an Australian Historical Prison<br />

Jacqueline Zara Wilson<br />

1 Erving Goffman, The Presentation of Self in Everyday Life, Anchor, New York, 1959, pp 106–13.<br />

2 ibid., pp 17–20.<br />

3 Eliot Freidson, ‘Celebrating Erving Goffman’, Contemporary Sociology, vol 12, no 4, July 1983,<br />

p 359.<br />

4 ibid.<br />

5 Mark Br<strong>and</strong>on Read, Chopper: From <strong>the</strong> Inside: The Confessions of Mark Br<strong>and</strong>on Read,<br />

Floradale Productions, Kilmore, Vic., 1991, p 54; Mark Read interview, Andrew Denton:<br />

Enough Rope, ABC [Australian Broadcasting Corporation] Television, broadcast 4 August 2003<br />

(hereafter ‘Denton interview’). Read does not identify <strong>the</strong> character, but it was almost certainly<br />

Chopper <strong>the</strong> bulldog, friend to ‘Yakky Doodle’, a feature character in <strong>the</strong> early 1960s Yogi Bear<br />

series. (But cf. Read’s personal website, where he ra<strong>the</strong>r implausibly contradicts himself,<br />

dismissing his own account as ‘various <strong>the</strong>ories’, <strong>and</strong> attributing <strong>the</strong> nickname to his notorious<br />

lack of ears. [hereafter ‘Read website’])<br />

6 Read, From <strong>the</strong> Inside, op. cit., pp 77–8.<br />

7 ibid., pp 74–5.<br />

8 ibid., pp 54–5.<br />

9 ibid., Editors’ note, p iv.<br />

10 Simon Caterson, ‘Chopping into literature: <strong>the</strong> writings of Mark Br<strong>and</strong>on Read’, Australian<br />

Book Review, no 236, November 2001, p 19.<br />

11 George Orwell, ‘Good Bad Books’ [1945] in The Penguin Essays of George Orwell, Penguin,<br />

London, 1984.<br />

12 Caterson, op. cit., p 20.<br />

13 Read, From <strong>the</strong> Inside, op. cit., pp 6–7, 52–3, 77–86; Read website, op. cit.<br />

14 Caterson, op. cit., p 20.<br />

15 Ian Jones, Ned Kelly: A Short Life, Lothian, Port Melbourne, 1995.<br />

16 Caterson, op. cit., pp 19–20.<br />

17 Jeremy Kelly, ‘State Library buys Chopper art’, Herald Sun, 26 August 2003; see also Hea<strong>the</strong>r<br />

Gallagher, ‘“Chopper” exhibition almost sold out after two days’, Age, 1 August 2003.<br />

18 Read, From <strong>the</strong> Inside, op. cit., pp 71–5.<br />

19 ibid., p 75.<br />

20 Mark Read, interview appended in Andrew Dominik (director), Chopper, motion picture, video<br />

recording, Twentieth Century Fox Home Entertainment, 2001; see also Read in Australian Story:<br />

Inside Out, ABC Television, 3 May 2001.<br />

21 Denton interview, op. cit.<br />

22 See Read interview in Dominik, op. cit.; Australian Story, op. cit.<br />

23 Read website, op. cit.; Denton interview, op. cit.; Australian Story, op. cit.<br />

24 Dominik, op. cit.<br />

25 See MRQE [Movie Review Query Engine] ‘Chopper’ [links]:<br />

; Stacey Bonanno, ‘Chopper: Critical<br />

Review <strong>and</strong> Bibliography’, 2001. Accessed 3 August 2003.<br />

<br />

26 Read, From <strong>the</strong> Inside, op. cit., p 100.<br />

27 C James, ‘Chopper weds his first swee<strong>the</strong>art’, Woman’s Day, 17 February 2003: pp 14–15.<br />

28 See unofficial ‘Chopper’ website, 2002: <br />

(hereafter ‘“Chopper” website’).<br />

29 See Read website, op. cit.<br />

30 See ibid., link to: <br />

31 Read website, op. cit.<br />

32 Read, From <strong>the</strong> Inside, op. cit., for example p 75; also Denton interview, op. cit.<br />

33 Read website, op. cit.<br />

34 J David Brown, ‘The professional ex-: an alternative for exiting <strong>the</strong> deviant career’, Sociological<br />

Quarterly, vol 32, no 2, 1991, pp 219–30; idem, ‘Preprofessional socialization <strong>and</strong> identity<br />

transformation: <strong>the</strong> case of <strong>the</strong> professional ex-’, Journal of Contemporary Ethnography, vol 20,

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