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Dark Tourism and the Celebrity Prisoner - [API] Network

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Notes to pp 9–16<br />

59 Inmate Ro<strong>the</strong>nburg cited in ibid., p 100.<br />

60 Greg Bearup, ‘On <strong>the</strong> inside no-one can hear you scream’, Good Weekend, 19 October 2002;<br />

Read interview in Dominik, op. cit.<br />

61 Read, From <strong>the</strong> Inside, op. cit., pp 65–7; also Read in Dominik, op. cit. Former Pentridge prison<br />

officer Vaughn Ruddick confirms Read’s value as an inmate-management asset, although he<br />

does not explicitly corroborate Read’s account regarding weapons. Interview 7 March 2001.<br />

62 Heilpern, op. cit. p 68; Frank Dunbaugh, brief to US Supreme Court in Farmer v Brennan<br />

(1993), at ‘SPR — Stop <strong>Prisoner</strong> Rape’ website. ;<br />

Katy Richmond, ‘Fear of homosexuality <strong>and</strong> modes of rationalisation in male prisons’,<br />

Australian <strong>and</strong> New Zeal<strong>and</strong> Journal of Sociology: Symposium on Deviance, Crime <strong>and</strong> Legal<br />

Process, vol 14, no 1, February 1978, pp 51–7.<br />

63 Dunbaugh, op. cit.<br />

64 Heilpern, op. cit., pp 5–6, 44.<br />

65 Richmond’s 1978 study was <strong>the</strong> first of its kind in Australia; virtually nothing substantive was<br />

<strong>the</strong>n undertaken until Heilpern’s investigation in <strong>the</strong> 1990s. Richmond, op. cit.<br />

66 Public awareness of prison sexuality, where it does exist, is in fact skewed toward a tacit<br />

acceptance that rape is an ‘appropriate’ part of <strong>the</strong> punishment of jail. Heilpern, op. cit., p 86.<br />

67 I make no claim that <strong>the</strong> (re-)invention is consciously conspiratorial but is more a concordance<br />

of individuals’ <strong>and</strong> stakeholder groups’ motivations.<br />

68 Wilson, ‘Representing Pentridge’, op. cit.; idem, ‘Relics’, op. cit.<br />

69 Andrew Rule, ‘The inside stories from a man who should know’, Age, 1 August 2002; Goya<br />

Bennett, ‘Prison Yields its Terrible Past’, Morel<strong>and</strong> Community News, 2 July 2002.<br />

70 Wilson, ‘Relics’, op. cit.; also, for example, ‘Minardi boss in clink in a blink’, Hume Leader<br />

(Morel<strong>and</strong> edn), 9 March 2004.<br />

71 Ca<strong>the</strong>rine Birmingham [dir.], Pentridge: Some Ghosts <strong>and</strong> Memories from <strong>the</strong> Big House,<br />

videorecording, Pentridge Village Pty Ltd, 2000.<br />

72 ibid.<br />

73 Author’s personal observation; also Wilson, ‘Relics’, op. cit.<br />

74 Ruddick, op. cit.; interview, Pat Burchell (former tour guide, Pentridge), 24 January 2001.<br />

75 See Triple M website.<br />

<br />

76 Goffman, Asylums, op. cit., p 44.<br />

77 J Smith, op. cit.; interview, Maureen Hoffman (former Pentridge educator), 27 February 2001.<br />

78 For example, Boggo Road (Brisbane), Pentridge, <strong>and</strong> Fremantle Gaol (former guards at <strong>the</strong> latter<br />

stated categorically that ‘it never went on here’, even when I pointed out instances of explicit<br />

<strong>and</strong> violent homosexual cell graffiti).<br />

79 For example, Rule, op. cit.<br />

80 Alison Leibling, Suicides in Prison, Routledge, London, 1992, p 84.<br />

81 ibid., p 63.<br />

82 Richard Harding cited in Leonie Lamont <strong>and</strong> Bruce Tobin, ‘Prison suicides in Victoria top o<strong>the</strong>r<br />

states’, Age, 22 September 1990.<br />

83 Richard Harding, Review of Suicide <strong>and</strong> Suicide Attempts in <strong>the</strong> Custody of <strong>the</strong> Office of<br />

Corrections, Victoria: Report, 1990; also Lamont <strong>and</strong> Tobin, op. cit.<br />

84 ‘Chopper’ Read, Get Your Ears Off, Import Generic, 1998.<br />

85 Lennon <strong>and</strong> Foley, op. cit., passim.<br />

The Tempest<br />

Angela Campbell<br />

This article is based on <strong>the</strong> production of The Tempest directed by Simon Phillips <strong>and</strong> produced<br />

by <strong>the</strong> Queensl<strong>and</strong> Theatre Company performed in Brisbane on 23 September 1999.<br />

1 Helen Gilbert <strong>and</strong> Joanne Tompkins, Post-Colonial Drama: Theory, Practice, Politics,<br />

Routledge, London 1996, p 110.<br />

2 Rene de Obaldia, Exobiographie: Memoires [Bernard Grasset, Paris, 1993] cited in John Ralston<br />

Saul, On Equilibrium, Penguin Books, Canada, 2001, p 244.<br />

3 Simon Phillips, personal interview, 16 November 2000.<br />

4 Heiner Muller, ‘Fatzer +- Keuner’, in Margaret Herzfel-S<strong>and</strong>er (ed.), Continuum, New York,<br />

173

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