International Interest in the SetConsideration of plans for next yearsFleadh Nua may well be somethingthose hard working organisers, underChairman, Seamus b Lideadha wouldprefer to forget about for the present.They deserve a well earned rest.However, when they set about their programme,they will surely give veryserious consideration to the workshopsaspect of the Fleadh and in particularthe set dancing. In so doing, they canbe very confident that whatever theylay on will be appreciated and will beamong the items that will be moreavidly sought by visitors.Saturday was a revelation as far asthe workshops were concerned. It was afacet of the Fleadh which hadn't capturedthe imagination of the ordinaryvisitor up to now but when placed inthe very capable hands of Sean McDermott,its organisation took on a new dimensionthat was reflected in the verybig attendance of deeply interested andcommitteed people.The harp (Brendan McMahon), thefiddle and banjo (Frank Custy), thebodhran (Frank McTigue), the whistle,Geraldine Cotter) and singing (GerryCronin), all found a most responsive andreceptive audience but it was the setdancing under the tutelage of Pat Liddythat 'took the biscuit' in terms of participation.Set dancing was given a cursory trialat the Queen' s Hotel during last year'sFleadh. It worked very well and agreater publicity campaign was carriedout this year by Sean McDermottresulting in 'pupils' from New York,Chicago, Denver, Paris, Great Britain,Australia and several Irish counties, devotingthe entire day to the intricatesteps of the Clare step and finishing upafter several hours of intense 'grilling'with the ability to take their place atany Ceili. Indeed so well did the sessiongo , that public demand ordained that anextra session be held in Cois na hAbhnaon Sunday night before the Ceili.Throughout Saturday the banquetroom at the Old Ground Hotel was ahive of activity . Over one hundredpeople assembled with 'plants' amongeach group, passing on the steps underthe overall tutorship of Pat Liddy.Some, especially the Americans, hadPAT LIDDY and MARY O'HALLORANteach the McRory Family from Donegal the"Oare Set" at the Dancing Workshop at theFleadh Nua, Ennis.The Liverpool CI~ili Band are no strangers toFleadh Nua, Ennis.At the informal sessions in the Leabharlann,Cois na hAbhna, SONNY MURRA Y (concertina)and friends exchange tunes .... "the RealSpirit of the Fleadh".done some kind of dancing, probablysquare dancing, and this helped enormouslyin getting to grips with the set.Others were there to see it all for thefirst time but were not content to beviewers. They wanted, eagerly, tosample it and were more than willmg todevote the entire day to becoming atleast adequate set dancers.As the day progressed, one could seethe confidence rising. Repetition ofvarious steps didn't seem to botherthem. They wanted to become proficientand it didn't matter one bit, howlong it took them.Pat Liddy is, of course, the man todo the job well. Interspersing friendlychatter with his instructions, he soonhad the 'pupils' in the palm of his hand,and he received marvelous assistancefrom Mary O'Hailoran, Quin, andConnie Ryan, Dublin, while SonnyMurray and his team of musicians respondedalso, all helping to make theexercise both enjoyable and well worthwhile.The basics about dancing andespecially about the set with particularreference to the local context of the setwere lucidly explained to all and helpedthe participants to a greater grasp of thescene. His object in taking on the workchopwas to make the dancers competentdancers, with no reference to competitionor public display and it wasplain to see the enjoyment each andeveryone derived from their intensiveprogramme.BOOK & TAPE ON SETDANCINGA new joint <strong>Comhaltas</strong> CeoltoiriEireann • Cumann Luthchleas Gaelcommittee has been established atNational level to produce a bookletand an accompanying video ontraditional set dancing. As part ofthis project, the committee are collectingbackground information onthe sets in each area. The type ofinformation we require would referto:• the area in which the set isdanced;• historical information about theset;• information on lesser knownsets;• press cuttings, old photographsand articles of interest on setsand set dacning in your area willbe welcome.Any information will be gratefullyreceived and can be sent to:Eamonn b hArgain, CCE, CearnogBelgrave, Baile na Manach, Co.Atha Cliath or Tadhg de Bhulbh,An Cumann Luthchleas Gael, Paircan Chrocaigh, Baile Atha Claith, 3.12
Colour Abounds in ParadeAt 1 p.m. on Sunday the rain came down so heavily and it was inconceivablethat a parade of the magnitude normally associated with the Fleadh Nua, couldbe held. There were consultations held and strong consideration given to callingit off. Was a great tradition about to be broken? Opinions were divided butweighing heavily on the side of the 'go ahead' brigade was the fact that going onpast records, a host of floats would have been prepared. People were alreadycoming in to the town, the atmosphere was rising, irrespective of the weather.The rain ceased, the skies became brighter and fmgers were crossed that it wouldremain so, at least until the parade was over.It worked out precisely in that way.The cultural parade, always the peakpoint. of Fleadh Nua got under way, anda colourful exposition of tasteful floatswended their way through the narrowstreets of the town returning to theplace from which they set off, theCourthouse, to be reviewed by politicaland Cornhaltas Dignatories, led byLimerick, T.D., Tom O'Donnell, M.E .P.The Ennis Brass band led the paradewhich comprised forty eight items in all.There were bands from Fermoy,Nenagh, Limerick, Templemore, Loughreaand several school bands from allparts of Clare. Irish dancing schools,scouts, majorettes were there too andthe interest shown by a host of industrialand commercial firms was reflectedin the magnificent floats prepared. Allavailable vantage points were taken upby eager onlookers as the parade madeRecreating the Old Forge in the Fleadh NuaCultural Parade were Cloughleigh CCEmembers (left to right) THOMAS BROOKS,TOM COFFEY, JlM JONES, JIMMY FRAWLEY and DICK O'CONNELL.its way along the route. It was an occasionto be savoured - especially soas the weather had made a miraculousrecovery.When all floats had returned to base,the attendance was addressed byDeputy O'Donnell and the CornhaltasDirector General, Labhnis b Murchuand then it was the turn of the LiverpoolCeili band to mount the stand andpresent a concert in their own inimitablestyle to a most appreciativeaudience. Robbie McMahon joinedthem too and his "Spancilhill" broughtthe inevitable cheers from the enthusiasticassembly.DANCE CHAMPIONSThose renowned set dancers from 0'Callaghan's Mills proved their peerlessnesswhen coming out on top in theNational championships held in Cois nahAbhna on Saturday at the Fleadh Nua.Their senior set took first prize fromvery stiff opposition, with another Claregroup, Dysart, as runners-up, andGrange (Limerick) in third place.The Ryan duet, Tipperary, performing at theAos Og Concert in theDanlann at the FleadhNua, Ennis.The senior half set title also stayed inClare with the Sixrnilebridge G .A.A.group. Emerald (Ballinasloe) wererunners up and Wexford CCE camethird.The first competition of a long dayagain brought the top award to Clarewith St. Mary's, Lissycasey, winningthe U/ 14 category. Killorglin and Tullafilled the minor places.The only set title to leave Clare wasthe half set (0/ 18) the winners herebeing Emerald, Inish Oir and Gort weresecond and thrid respectively. Bodykewon the U/ 18 set competition from St.J oseph's (Doora/ Barefield) and Ard naRi.Both figure dancing titles went toCork, Cumann Locha winning the eighthand dance from Oriel (Clones) andAthlone repeating that win in the fourhand dance, from Oriel and SixmilebridgeG.A.A.Under Padraig MacMathuna's directionand guidance, these competitionswhich attracted a very large gatheringthroughout the day , proved to be mostenjoyable. Very keen competition ofa high standard made adjudication extremelydifficult.mGH STANDARDSThe standard of the stageshow, pro-10