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One of two living areas<br />

on ei<strong>the</strong>r side of <strong>the</strong><br />

dining room leads out<br />

on<strong>to</strong> <strong>the</strong> long front<br />

terrace overlooking<br />

<strong>the</strong> Patrick Watsonlandscaped<br />

forest.<br />

Throughout <strong>the</strong> house,<br />

<strong>the</strong> upholstery is by<br />

Ralph Lauren available<br />

at <strong>St</strong> <strong>Leger</strong> & <strong>Viney</strong>.<br />

The white slipcovered<br />

sofa is from Petite<br />

Upholsterers. On <strong>the</strong><br />

table behind it are two<br />

Blackmore candelabra<br />

from Guinevere<br />

Antiques in London.<br />

The round side table is<br />

from Ralph Lauren and<br />

<strong>the</strong> San Lorenzo-s<strong>to</strong>ne<br />

coffee table is from<br />

Michael Taylor<br />

Rhapsody in Blue<br />

1 0 6 1 1 3<br />

In SAndhURST, BUSIneSS MAGnATe dOUW STeyn’S hOMe<br />

IS A GRAnd-ScALe VILLA. decORATOR STePhen FALcke<br />

deScRIBeS hIS WORk TheRe, WhIch BROUGhT TOGeTheR The<br />

BeST OF AMeRIcAn And eUROPeAn FURnITURe TRAdITIOnS<br />

pho<strong>to</strong>graphs<br />

elsa young


1 1 4<br />

A collection of antique <strong>to</strong>bacco jars stands<br />

on a round hall table. The blue-and-white<br />

porcelain collection is from <strong>the</strong> clignacourt<br />

Flea market, Paris, which is where <strong>the</strong> best<br />

large-scale examples of this pattern are<br />

found. Behind is a carved-s<strong>to</strong>ne ‘Lion’ chair,<br />

which is a Michael Taylor trademark<br />

LeFT An original<br />

Aubuson rug hangs<br />

behind a table from<br />

<strong>the</strong> decorative<br />

Antiques & Textiles<br />

Fair in London.<br />

Beside it are two<br />

Michael Taylor ‘diana’<br />

armchairs. ‘Michael<br />

Taylor produces<br />

museum-quality<br />

reproductions with<br />

exceptionally good<br />

proportions and<br />

patina. As it’s so<br />

difficult <strong>to</strong> get antique<br />

pairs, I use this source<br />

a lot’ RIGhT An<br />

understated Venetian<br />

mirror from Michael<br />

Taylor hangs on <strong>the</strong><br />

back wall. In front of it<br />

a Ralph Lauren ‘dukes<br />

host’ gilt armchair<br />

‘<br />

We have done quite a few houses of<br />

different styles <strong>to</strong>ge<strong>the</strong>r and for this<br />

one, which is not far up <strong>the</strong> road<br />

from <strong>the</strong> Saxon in Sandhurst, Douw<br />

said that he’d like an American Ralph<br />

Lauren House. Architecturally it was<br />

appropriate. I ironed out a few creases, but <strong>the</strong>re was a good classicism<br />

that was very workable. I painted it a sort of Milo brown outside<br />

and limed all <strong>the</strong> woodwork inside, which was previously very dark.<br />

‘While all that was happening, I said <strong>to</strong> Douw that we ought <strong>to</strong><br />

go <strong>to</strong> New York <strong>to</strong> buy furniture. He hates travelling, so I ended up<br />

going on my own. And, of course, I got a lot of wonderful things at<br />

Ralph Lauren: chairs, lamps, beds, lanterns, not everything. In fact<br />

I got as much from Michael Taylor, a San Franciscan designer whose<br />

legacy of furniture – still in production – is an indispensable source.<br />

‘Quite simply, I decided on a look and carried it through <strong>the</strong> whole<br />

house. Ralph Lauren covers a lot of styles so I thought I’d look at<br />

<strong>the</strong> classics, <strong>the</strong> favourites of all time that for me are <strong>the</strong> blue-andwhite<br />

fabrics, and, of course, <strong>the</strong> stripes. There are about 10 fabrics<br />

The scale of <strong>the</strong><br />

house and classical<br />

detailing is evident<br />

in <strong>the</strong> double-volume<br />

dining room. The<br />

vaulted ceiling’s<br />

height has been<br />

emphasised with<br />

circular mirrors hung<br />

high at ei<strong>the</strong>r end<br />

of <strong>the</strong> room, a large<br />

lantern above <strong>the</strong><br />

table and striped<br />

roman blinds at <strong>the</strong><br />

tall windows. Telford<br />

chairs from Ralph<br />

Lauren are covered in<br />

indigo ‘Resort Batik’.<br />

The table is from G2<br />

1 1 5


A large s<strong>to</strong>ne-<strong>to</strong>pped<br />

table on <strong>the</strong> terrace,<br />

surrounded by dining<br />

chairs from Michael<br />

Taylor, overlooks <strong>the</strong><br />

pool and garden. here,<br />

consistent hues of blue<br />

in different patterns<br />

create drama against an<br />

epic, architectural stage.<br />

Similarly, <strong>the</strong> s<strong>to</strong>ne<br />

coffee table (right) and<br />

console table (below<br />

right) have <strong>the</strong> same<br />

gravitas and scale as<br />

<strong>the</strong> architecture, which<br />

engenders a seamless<br />

sense of belonging<br />

of this style that I used, which is more than enough <strong>to</strong> create variety<br />

yet keep <strong>the</strong> scheme cohesive in a house of this size.<br />

‘On <strong>the</strong> ground floor alone, <strong>the</strong>re are two living rooms, a 10-seater<br />

dining-room table, two outdoor living areas and a 14-seater dining<br />

table, which is a lot of upholstery. The answer was <strong>to</strong> keep <strong>the</strong> colour<br />

(indigo blue) consistent but vary <strong>the</strong> pattern. It’s sophisticated,<br />

always interesting and a very good base for big scale going on in <strong>the</strong><br />

background, be it architecture, furniture or art.<br />

‘The house is set in a forest of white stinkwood trees landscaped<br />

by Patrick Watson, and from <strong>the</strong> terrace you can see <strong>the</strong> skyscrapers<br />

of Sand<strong>to</strong>n between <strong>the</strong> slender trunks. It’s a very African moment.<br />

Some of <strong>the</strong> blue-and-white fabrics and <strong>the</strong> indigo African-inspired<br />

weaves are of artisanal origin and feel organic, and as American villa<br />

as <strong>the</strong> house has turned out, I think it was important <strong>to</strong> include this<br />

African and exotic tradition of textile prints. They’re a counterpoint<br />

<strong>to</strong> <strong>the</strong> European-inspired refinement elsewhere, but <strong>the</strong>y’re robust<br />

and work with <strong>the</strong> scale of this building.’<br />

<strong>St</strong>ephen Falcke Interior Design % 011 327 5368; <strong>St</strong> <strong>Leger</strong> & <strong>Viney</strong> % 011<br />

444 6722 or % 021 683 5233<br />

The colours of grey<br />

chinese porcelain<br />

and a pair of english<br />

paintings provide<br />

a calm note in <strong>the</strong><br />

bedroom wing. The<br />

vessels were bought<br />

at Guinevere Antiques<br />

and <strong>the</strong> dresser is<br />

from Ralph Lauren<br />

1 1 6 1 1 7


cLOckWISe FROM TOP The main suite with an upholstered<br />

Ralph Lauren ‘duchess’ bed and linens. Throughout <strong>the</strong> house, an<br />

extensive collection of original oils and contemporary etchings has<br />

been edited and added <strong>to</strong>, including a black-and-white bullfi ghting<br />

series by Picasso that complements <strong>the</strong> monochrome scheme; <strong>the</strong><br />

white-stinkwood forest and terrace; at <strong>the</strong> entrance <strong>to</strong> <strong>the</strong> main suite,<br />

a chair and matching ot<strong>to</strong>man are upholstered in indigo ‘Resort Batik’,<br />

a cushion in ‘koi Porcelain’ and curtains in ‘Beach Side Matelasse’<br />

The covered terrace feels like a loggia, with rolling blinds<br />

between <strong>the</strong> pillars that can be lowered as <strong>the</strong> setting sun<br />

streams in. The trees create a magical sense of distance from<br />

<strong>the</strong> urban world. The iron furniture is by Michael Taylor, <strong>the</strong><br />

loungers by dedon and Plaisir du Jardin. cushions in ‘Lagos<br />

Indigo’, an artisanal print from Ralph Lauren’s explorer range.<br />

Ralph Lauren Fabrics available at <strong>St</strong> <strong>Leger</strong> & <strong>Viney</strong><br />

1 1 8 1 1 9

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