Bärenreiter The Programme New Publications Sheet Music 1/2010
Bärenreiter The Programme New Publications Sheet Music 1/2010
Bärenreiter The Programme New Publications Sheet Music 1/2010
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Solo Voice<br />
Jean-Philippe Rameau<br />
Musique vocale profane, volume 2<br />
Secular Vocal <strong>Music</strong>, volume 2<br />
Cantates pour voix de basse et en duo, Airs<br />
Cantatas for Low Voice and for two Voices, Airs<br />
Volume 2 Contents<br />
l Cantatas<br />
Les Amants trahis<br />
Aquilon et Orithie<br />
Thétis<br />
l Airs<br />
L’Amante préoccupée<br />
Lucas, pour se gausser (duo bachique)<br />
Lucas, pour se gausser (trio bachique)<br />
Non, non le dieu qui sait aimer<br />
Un Bourbon ouvre sa carrière<br />
Jean-Philippe Rameau<br />
Musique vocale profane, volume 2<br />
Cantatas for Low Voice and for two Voices, Airs<br />
Edited by Jean-Paul C. Montagnier (Cantatas)<br />
and Sylvie Bouissou (Airs)<br />
BA 8948 E 46.95<br />
Folder with score and parts (Soprano; Counter tenor;<br />
Bass; Violin I; Violin II; Basso continuo)<br />
In addition to a continuo accompaniment, five of the cantatas<br />
require two “obbligato dessus” (high obbligato instrumental<br />
parts). <strong>The</strong> choice of instruments (violin and/or flute and/or<br />
oboe) is free and furthermore, the scoring can be several<br />
instruments to a part. L’Impatience, Les Amants trahis and<br />
Orphée are intended to have a bass viol whose function<br />
changes between a concertato and a continuo instrument.<br />
In a chamber music context, the (figured) continuo part is<br />
simply played by bass stringed instruments.<br />
Already published<br />
33
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