Old Master, Modern & Contemporary Prints - Doyle New York

141Pierre Soulages (b. 1919)LITHOGRAPH NO. 7A (RIVIERE 70)Color lithograph, on Rives BFK, signed and inscribedépreuve d’artiste in pencil, lightstain and matstain,affixed with linen tape along parts of sheet edgesverso to top mat, a few pieces of old tape residueverso (some associated light skinning), handlingcreases (some with associated small ink loss), foxingverso, otherwise in good condition, with full margins,framed.21 3/8 x 16 3/4 inches; 543 x 425 mm.Sheet 25 3/4 x 20 inches; 654 x 508 mm.C Estate of Shirley Baerwald$2,000-3,000Peter Bartlett: Quiet Gentleman CollectorPeter Bartlett began collecting Toulouse-Lautrec artwork in the early1990s. What started as a hobby quickly became a true passion. As alifelong patron of the arts, Peter’s enthusiasm for late 19th century artistsand their artwork was well founded.Peter took great pride in learning about, not only the artistsand their works, but also the history, economy and all thingsrelated to the life and times of the post-impressionist artistsand the artwork they created. Over time though, Peter’spassion became focused on the life and works of Toulouse-Lautrec. Peter thoroughly enjoyed his travels to France wherehe had an opportunity to visit some of Lautrec’s ‘old haunts.Peter also loved the experience of art auctions. He wouldspend considerable time learning about the pieces beingoffered and plotting out his bidding strategy. While his resultswere mixed, he was successful in a great number of his efforts.Over his years of collecting, Peter also developed many strongand lasting friendships in the art world.141142As his interest and knowledge of Henri de Toulouse-Lautrecgrew, his collection expanded to include lithographs anddrawings. Peter took great joy in sharing his ever-expanding knowledgewith anyone willing to listen, most especially his three children andsix grandchildren.143142Donald Sultan (b. 1951)QUINCES (WALKER 47)Color screenprint, 1988, on Arches 88, signed with initials, datedSept. 7, 1988 and numbered 66/100 in pencil, published by theMetropolitan Museum of Art, New York and with their blindstamp,pale lightstain, some darker staining at image and sheet edges,otherwise in apparently good condition, with full margins, framed(unexamined out of the frame).12 1/4 x 12 1/4 inches; 311 x 311 mm.Sheet 22 7/8 x 22 inches; 581 x 559 mm.C$800-1,200143Rufino Tamayo (1899-1991)FEMME AUX BAS MAUVESColor lithograph, 1969, on Rives BFK, signed in pencil, numberedX/XXV, from the Mujeres suite, published by Touchstone Publishers,Inc., New York, pale lightstain and matstain, matstain line, affixedwith tape along sheet edges verso to top mat, rippling, a fewhandling creases, some unobtrusive foxing and soiling in themargins and verso, otherwise in good condition, with full margins.27 5/8 x 21 1/8 inches; 702 x 537 mm.Sheet 29 7/8 x 22 1/2 inches; 759 x 572 mm.C$800-1,200Peter’s love of artwork wasn’t limited to just works by Lautrec. He was arenowned collector of 19th and 20th century hand-carved duck, gooseand shorebird decoys and related wildlife oil and watercolor paintings.Peter also had and extensive collection of fine silver and gold coins.Peter split his time between homes in New York City, Bay Head,New Jersey and Kiawah Island, South Carolina. All those who knewPeter will truly miss his enthusiasm, passion and knowledge of life’sfiner collections.Property from the Estate of Peter Bartlett comprises lots 144 through162 in the sale.66 DOYLE NEW YORK • April 29, 2013view the fully illustrated catalogue and BID online at doylenewyork.com 67