ARTColleen Nash Becht’s meticulously rendered watercolorssplashed with the color and subject matterof the tropics show the gift and focus of an artistwho has worked a lifetime to hone her work.But Becht, who just turned 50, will tell you thatit took her longer than most to find her way to painting andalthough she knew she had artistic talent, it took more than anudge, and many years, to get her going in the right direction.The fourth in a family of six children, Becht, who is marriedto Fort Pierce City Commissioner Eddie Becht, grew up inChicago and moved to Fort Pierce with her family in 1976.>>SEASON OF THE ARTSBecht’s attention to detail, keen observation and control of her medium andsense of humor are exemplified in this painting of spiny lobsters, “Eye forD-tail.”Becht began painting full time a decade ago. She stands in front of a paintingin her Second Street studio.POP ART REVISITED:A 21st Century PerspectiveSeptember 29, 2012 – January 2, 2013LANDSCAPE PAINTINGSOF ADAM STRAUSSeptember 15, 2012 – January 6, 2013NORMAN ROCKWELL:Behind the CameraOctober13, 2012 – January 13, 2013Adam Straus,The Next to the Last Iceberg, 2006-7, oil on canvas encased inlead, 29 1/4 x 31 1/4 x 2 inches, Collection of Mrs. Georgia E. WellesRobert Rauschenberg, Signs (detail), 1970, color serigraph, 44 5/8 x 35 1/4inches, Collection of University of South Florida, Museum PurchaseNorman Rockwell, Art Critic, 1955, tearsheet, cover illustration for The SaturdayEvening Post, April 16, 1955, Norman Rockwell Museum Archival Collections.Exhibition Hours:Mon. to Sat. 10am - 4:30pm; Sun. 1pm - 4:30pm– admission fees apply –3001 <strong>River</strong>side Park DriveVero Beach Florida 32963(772) 231-0707www.verobeachmuseum.orgThe Museum Café / Catering by Adrienne DrewMon. – Sat. 11am to 2:30 pm– sandwiches • salads • soups • sweets –67
SEASON OF THE ARTSART“She captures Florida’s natural beauty with its spectacularcolors and light. Her work reminds me to be aware of theglorious environs I might otherwise take for granted.”It wasn’t that her artistic talent wasn’t noticed. “For sixkids, the highlight of the winter in Chicago was getting thatnew box of 64 Crayola crayons,” she says. “I would alwaystake out the magenta crayon and hide it. Nobody could use itbut me.”When Becht was a sophomore at John Carroll HighSchool, her art teacher, Sister Imelda Eckhoff, recognizedthat she could benefit from art classes beyond what theschool could offer.She began taking classes with noted local artist Helen Terry.“I was 16, and I would go with much older people to takefigure drawing in Palm Beach on Worth Avenue,” she recalls.She had no plans for college, but without her knowledge, hermother, Alice, and Sister Imelda put together a portfolio ofher work. She was accepted into the fine arts program at East>>—Virginia Moens, collectorBecht at work using the natural light coming through the window of her studio.“Want Wasabi” displays not only the artist’s sense of humor, but her use of subjects that have tropical appeal.68