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'Vagina Monologues' to stay off campus

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Marquee PAGE 12THURSDAY,The Marquete TribuneMARCH 4, 2010Hinterlands experiment in MilwaukeeFirst show ‘one partsensual science experiment,one part rave’By Matthew Reddinmatthew.reddin@marquette.eduIf you’ve always wanted <strong>to</strong> see a playthat frantically combines New<strong>to</strong>n’s lawsof motion with romance, dance partiesand general mania, you’re probably not inthe majority.But, if now that you’ve heard of it,you’re more excited for a play than you’vebeen in a long time, it might be worthyour while <strong>to</strong> check out “Isaac New<strong>to</strong>n isour DJ,” the first show of the season fornew Milwaukee-based experimental theatergroup The Hinterlands.The group, founded by co-artistic direc<strong>to</strong>rsRichard Newman and Marquettealumnus Brian Moore, made its Milwaukeedebut with “New<strong>to</strong>n” in early Januaryat Moct Bar, 240 E. Pittsburgh Ave., andperformed <strong>to</strong> a sold-out crowd.The play, described promotionally as“one part sensual science experiment, onepart rave, and a couple slices of cake,”tells the s<strong>to</strong>ry of two scientists battlingover different interpretations of New<strong>to</strong>n’slaws — one believes they pull peopleapart, while the other believes the lawspush people <strong>to</strong>gether.Over the course of the performance, thetwo scientists, through dance and experiments,try <strong>to</strong> win overthe audience. Mooresaid the play’s actionsurrounds the viewers,creating a vibrant, ravelikeatmosphere.“It’s not a straightforwardperformance, it’s aparty,” Moore said.However, since the show was only performedonce, Moore said the group decided<strong>to</strong> <strong>off</strong>er two encore performances, both<strong>to</strong>night and March 11.“Because we only had one performance,lots of people didn’t get a chance <strong>to</strong> seethe show,” Moore said.He said the two performances will alsohelp bridge the gap between this showand their next, “The Dead Road,” whichwon’t open until early May.In addition, The Hinterlands will be<strong>off</strong>ering monthly theater workshops attheir practice space at Bucketworks, 706S. 5th St., where interested visi<strong>to</strong>rs canlearn improv and physical theater. Thethree-hour workshops are partly designed<strong>to</strong> help The Hinterlands create a two-wayinvestment with the people of Milwaukee,which Moore says is one of The Hinterlands’ultimate goals.“We want <strong>to</strong> be directly involved in acommunity,” Moore said.Moore said“It became really obviousreally quickly that this wasthe place <strong>to</strong> come back <strong>to</strong>. ...Milwaukee is our home.”Members of The Hinterlands performing their inaugural show, “Isaac New<strong>to</strong>n is our DJ,” at Moct Bar in January.it was this desire <strong>to</strong> create communitythrough theater that led him and The Hinterlandsback <strong>to</strong> Milwaukee. A 2004 graduateof Marquette’s theater departmentand former winner of the Chris FarleyBR I A N MO O R ECo-founder of The Hinterlandsscholarship, Moore saidhe <strong>stay</strong>ed in Milwaukeeafter graduation andperformed with the nowclosedTheatre X groupbefore attending graduateschool in Blue Lake,Calif., at The Dell’ArteInternational School ofPhysical Theater.It was there he met Newman and someof the other members. Moore said he andNewman decided <strong>to</strong> put a company <strong>to</strong>getherafter Newman spent a year as anitinerant performer. The pair spent mos<strong>to</strong>f a year looking for just the right place <strong>to</strong>start The Hinterlands, a group which nowincludes six members, including Mooreand Newman.It turned outMilwaukee wasat the <strong>to</strong>p oftheir list.“It becamereally obviousreally quicklythat this wasthe place <strong>to</strong>come back<strong>to</strong>,” Mooresaid.Moore said The Hinterlands’ workwill be designed around the improvisationaland physical theater skills learnedat Dell’Arte. He said the group’s generalmethod for coming up with shows is <strong>to</strong>start with a central image and then conductresearch <strong>to</strong> explore that idea.For example, for their next performance,“The Dead Road,” the ensemble is focusingon the central image of the western,and watching westerns like “The Good,the Bad, and the Ugly” and “El Topo”(The Mole) <strong>to</strong> get a sense of the concept.After that, the ensemble repeatedly performsimprov based on that <strong>to</strong>pic <strong>to</strong> identifyrecurring themes.“Slowly but surely, things start <strong>to</strong> stick,”Moore said.Ironically, while The Hinterlands are inMilwaukee for the long haul, Moore saidthey have no interest in finding a permanentspace for performances. Currently,they practice at Bucketworks, a facilitythat <strong>off</strong>ers creative organizations workspace,and plan <strong>to</strong> take their shows <strong>to</strong>other venues.Pho<strong>to</strong> courtesy Brian Moore“We’d need a space that can transformas much as our performances do,” Mooresaid.Moore added that the other venues theyplan <strong>to</strong> travel <strong>to</strong> require trips outside Milwaukee.The troupe has plans <strong>to</strong> perform“The Dead Road” at Toron<strong>to</strong>’s CookingFire Festival in June, and <strong>to</strong> perform streettheater in Kosovo with Kosovar, Albanianand Roma youths in September.Regardless of where The Hinterlandstravel, Moore says Milwaukee will remaintheir point of origin.“Milwaukee is our home,” Moore said.The Hinterlands will be performing twoencores of “Isaac New<strong>to</strong>n is our DJ” atMoct Bar, <strong>to</strong>night and Thursday, March11 at 7:30 p.m. Tickets are $10 <strong>to</strong> $15,and the show is 21+. The Hinterlands willalso be <strong>off</strong>ering their monthly workshopat Bucketworks March 6 from 11 a.m. <strong>to</strong>2 p.m.The workshop costs $15, and the grouprecommends calling ahead <strong>to</strong> reserve aspot by phone at 1-414-208-4237 or via e-mail at info@thehinterlandsensemble.org.Pho<strong>to</strong> courtesy Brian MooreThe characters of “New<strong>to</strong>n” make the audience part of the performance.

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