FEATURE | MUSICBACK TOCONTENTSLet’s make musicMany children and young people with profound disabilities have a natural and sophisticated understandingof sound and music. But how do you get them involved?By Mark Hildred and Andrew CleatonI’m not a musician – I’m a drummer! I make this confessionnot just to reinforce an old joke (we drummers areoften the butt of musicians’ humour) but to illustrate animportant point. Give me pair of sticks and somethingto hit and I can express myself freely and musically, usingtechnique acquired through years of practice. However,give me a violin or sit me down at a piano keyboard and Iwill struggle to communicate anything with any coherence.I believe that everyone is inherently musical. Anecdotalevidence (and a great deal of research) shows that manychildren and young people with the most profound disabilitieshave a natural and sophisticated understandingof sound and music. They have the capacity to respond tomusical stimulus and are often motivated to reach out andattempt to express themselves through sound even whenother forms of communication (eg language) are nonexistent.It’s often just a case of finding the right tools forthe job – the drum sticks instead of the violin.In this respect, music technology can be an enormouslyuseful resource. This article is meant as a starting pointon a road of exciting possibilities. I’m joined on this byAndrew Cleaton, a ‘proper’ musician who also works extensivelywith children with a range of additional needs to helpthem make music. His experience in workshops and withmusic making is balanced by my more technical overview.Between us we hope to provide some inspiration.One thing to make absolutely clear is that this is neitheran exhaustive list of devices or a competition with a single16WWW.SPECIALWORLD.NET | ISSUE 1 | SEPTEMBER 2014
BACK TOCONTENTSFEATURE | MUSICwinner. No one instrument will suit everybody – there isn’ta single magic controller that will enable everyone.Also, rather like having an orchestra made of just oneinstrument (apologies to the ukulele orchestras out there),the interesting music is made when you mix acoustic and avariety of electronic instruments together.Soundbeam This instrument is a veteran of the musictechnology <strong>world</strong>, having been around since the late 80sin various forms. Using a method similar to the way thatbats can ‘see’ in the dark, the basic controller (a red ‘torch’)sends out an ultrasonic pulse that when broken by movementis turned into musical sounds.Soundbeam isn’t just about beams. The system alsohas a switch box to which you can attach standard assistivetechnology switches. These switches can also be usedto trigger sounds, allowing several people to make musictogether.Although a great deal of customisation is available,one of the great things about Soundbeam is that it comeswith a well-chosen palette of preset activities. This meansthat it’s possible to immediately start making interestingmusic, secure in the knowledge that everything played willfit together and sound ‘right’ without the need for a crashcourse in music theory.The latest Soundbeam (version 5) needs only a pairof speakers to get up and running, with a built-in soundmodule, sampler and amplifier. This comes at a hefty cost,but you’re buying over 20 years of design refinement andeducational evidence.Before you rush off and buy one though, check yourstorerooms. Many older Soundbeams are to be found languishingat the back of cupboards and can be up and runningwith the addition of a few cables and a bit of training.Skoog By contrast, Skoog is a quirky newcomer. Visuallydistinctive, Skoog is an attractively simple and tactile controllerthat plugs (via USB) into any Apple Mac or WindowsPC computer. The user plays the Skoog by hitting, pushingor squeezing the cube’s sides while the work of producingthe actual sounds is done by <strong>special</strong>ist software on thecomputer.The main selling point is the sensitivity of the controlleritself, which can respond to the slightest touch or turn onits surface. Each side of the cube can be allocated a differentnote or chord, meaning that tunes can be played andsimple colour-coded scores (or Skores!) produced. Youcan use it with MIDI instruments or with its own ‘virtual’instruments which provide an additional level of musicalcontrol.The downside is the USB lead that keeps it tethered tothe computer. It’s also our experience that the soft, spongySkoog, whilst ideal for its intended use, can prove tootempting to children wanting to explore it orally. We wouldtherefore not recommend its use with children prone toputting things in their mouths.Beamz The new kid on the block? Well, not really. It’s beenaround in various forms for quite a few years but it hasrecently relaunched in the UK and been aimed squarely atthe <strong>special</strong> needs market.For those of us brought up watching Jean Michel Jarrewith his laser harp, this is the 21st Century reality. Fourlaser beams intersect the trident shaped controller, whichcan be broken to trigger sounds and loops. Like the Skoog,the Beamz is a USB controller which relies on software runningon a computer to do all the work.From a musical point of view the Beamz software keepseverything in time, meaning that pretty much everythingyou do sounds right. This makes it an extremely encouragingtool for engaging children in active music making.However, when everything is so easy we would questionwhat potential such a device offers for learning and progressionin the longer term.Although the controller is the main selling point, thesoftware can be used on its own; with switches; and (via the<strong>special</strong> version sold by Tobii) with eye gaze. There is also aniPad app for download from the Apple App Store.BeamzThere are several different Beamz packages, includingan ‘Education and Health Care’ version that comes withsuitable content, so you can be up and playing in a veryshort space of time.You’ll need to watch that heads (and specifically eyes)don’t get too close to those lasers. We also found that theplastic was quite flexible and sometimes the lasers went outof alignment. It’s easy to bend it back, but with childrensometimes grabbing the Beamz unit this ended up happeningmore than we would have liked.WWW.SPECIALWORLD.NET | ISSUE 1 | SEPTEMBER 201417