27.11.2012 Views

premio europeo de diseño y medio ambiente european - Dimad

premio europeo de diseño y medio ambiente european - Dimad

premio europeo de diseño y medio ambiente european - Dimad

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

PREMIO EUROPEO DE<br />

DISEÑO Y MEDIO AMBIENTE<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD


EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

BEST_ED_1 (1 st Edition)<br />

Jury and Experts’ Committee:<br />

Chairpersons:<br />

Rosa Arce, Scientific Director and<br />

Manuel Estrada, DIMAD’s Chairman<br />

Enrique Jiménez Larrea, IDAE<br />

Alberto Corsín, EOI<br />

Pedro Feduchi<br />

Santiago Miranda<br />

Carlos San José<br />

Antonio Serrano<br />

Elisa Sáinz, ddi<br />

César Ruiz-Larrea, ASA<br />

Felisa Arribas, EOI<br />

Jan Carel Diehl (The Netherlands)<br />

Henrique Cayatte (Portugal)<br />

Alberto Corazón<br />

Carmelo Di Bartolo (Italy)<br />

Javier Díez<br />

Javier Fernán<strong>de</strong>z<br />

Manuel Lecuona<br />

Santiago Miranda<br />

Sophie Thomas (United Kingdom)<br />

Ignacio Valero<br />

Sergio Volturo<br />

DIMAD - CENTRAL DE DISEÑO<br />

organisation team:<br />

Manager:<br />

Concha Moreno<br />

Coordination:<br />

Giorgia Sorarù<br />

Communication:<br />

Paloma Castro<br />

Press:<br />

Valentina Volpato<br />

BEST_ED_1 team:<br />

Technical Coordination:<br />

Kateleine van <strong>de</strong>r Maas<br />

Teresa Fernán<strong>de</strong>z<br />

Exhibition <strong>de</strong>sign:<br />

Ignacio Valero<br />

José Miguel Celestino<br />

Graphic Design:<br />

David Pérez Medina<br />

Typesetting:<br />

Margarita Hernán<strong>de</strong>z Omar<br />

Andrés José Gómez<br />

Page setting:<br />

Pablo Díaz<br />

Translated by:<br />

Paloma González<br />

Text Editors:<br />

Gloria Escribano<br />

Javier Fernán<strong>de</strong>z<br />

Printing:<br />

Gráficas Muriel<br />

Paper:<br />

Cyclus Print,<br />

100% post-use recycled paper,<br />

un<strong>de</strong>r RAL UZ-14 Blue Angel<br />

standards, distributed by Antalis,<br />

and Escudo Grey recycled<br />

cardboard, distributed by<br />

Torraspapel.<br />

Acknowledgements:<br />

To the stu<strong>de</strong>nts at Escuela <strong>de</strong> Arte<br />

4 in Madrid: Stephany Bermú<strong>de</strong>z,<br />

Laura Fominaya, Patricia Garrido<br />

Tapia, Carlos Guisasola Suárez,<br />

Andrea Places Suárez and Adrián<br />

Prieto, for their cooperation with<br />

their proposals on the exhibition<br />

assembly.<br />

Organisers:<br />

Sponsors:<br />

The European Social Fund, with its aim of<br />

contributing towards sustainable <strong>de</strong>velopment,<br />

takes into account in a crossdisciplinary<br />

way the support given to<br />

actions such as this, which foster respect<br />

for environmental care. This particular<br />

action falls within the scope of the Adaptability<br />

and Employment Multi-regional Operational<br />

Programme, giving momentum to<br />

the culture of sustainability in business and<br />

the use of the environment’s potential as a<br />

source of creating employment.<br />

With cooperation from:<br />

With the support of:<br />

PREMIO EUROPEO DE<br />

DISEÑO Y MEDIO AMBIENTE<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD


Throughout the centuries human beings have greatly <strong>de</strong>veloped their capacity<br />

to use Nature for their own benefit in or<strong>de</strong>r to achieve a more comfortable,<br />

pleasant life. But at the same time their activity is becoming more and more of<br />

a risk for nature, which so generously guarantees their survival. It is no longer<br />

questionable that climatic change is clear proof that this risk is near.<br />

Design is one of the exponents of humans’ transforming and creative capacities,<br />

and it also represents a first class cultural and economic value. Creative factors<br />

contribute to boost economic life and may play an essential role in the improvement<br />

and protection of the environment.<br />

But <strong>de</strong>sign and creative capacity may become a horse running on behalf of irresponsible<br />

consumption and industries or, on the contrary, may be of invaluable<br />

help to contribute towards human activities more in line with preserving life on<br />

Earth as we have known it up to now.<br />

From the beginnings of <strong>de</strong>sign as a project discipline, the concern for the effects of<br />

industrial activities on our environment has been constant among many <strong>de</strong>signers.<br />

From Breuer’s writings in the Bauhaus in 1927 on a rational use of green materials,<br />

or Buckminster’s Dymaxion as a paradigm for sustainable materials. To the<br />

increasingly common concern of young architects and <strong>de</strong>signers in search of new<br />

more sustainable materials to reduce the environmental impact of their <strong>de</strong>signs.<br />

The time has come to move from good i<strong>de</strong>as to good <strong>de</strong>eds. Looking for the best<br />

examples and practices to spread them among society, companies, universities,<br />

institutions and the professional <strong>de</strong>signers themselves. In or<strong>de</strong>r to turn what today<br />

is an exceptional practice into an essential requirement to promote, request<br />

or carry out <strong>de</strong>sign.<br />

To put <strong>de</strong>sign at the service of people and at the service of society is one of <strong>Dimad</strong>’s<br />

power i<strong>de</strong>as since its origins and it has also been one of the reasons for the<br />

establishment of this European Environmental Design Award, promoted by outstanding<br />

public figures and institutions in the fields of architecture, <strong>de</strong>sign, training<br />

and the environment. An award that has been born with four basic goals:<br />

I. To value and foster actions carried out in Europe by companies, institutions<br />

or <strong>de</strong>signers which are particularly outstanding examples of good <strong>de</strong>sign<br />

from an environmental viewpoint.<br />

II. To raise awareness among companies, public institutions, <strong>de</strong>signers and society<br />

of the importance of allocating sustainability values to their <strong>de</strong>signs and<br />

products.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

III. To make society at large and productive sectors in particular aware of the importance<br />

of conceiving <strong>de</strong>sign as a welfare and wealth trigger and as carrier of<br />

cultural values and a utility.<br />

IV. To turn Madrid into a benchmark for sustainable <strong>de</strong>sign. To place the Central <strong>de</strong><br />

Diseño and Mata<strong>de</strong>ro Madrid at the centre of the <strong>de</strong>sign values inclu<strong>de</strong>d in the<br />

three previous goals.<br />

These objectives have managed to bring together such different entities as the Madrid<br />

Designers’ Association (DIMAD), the Institute for Energy Diversification and Saving<br />

(IDAE) of the Ministry of Industry, Tourism and Tra<strong>de</strong>, the Association Sustainability<br />

and Architecture (ASA), the Foundation Arte y Derecho (Art and Law) and the<br />

European Social Fund through the Business School EOI, Escuela <strong>de</strong> Negocios. All the<br />

above institutions contribute with their means, i<strong>de</strong>as and human resources to select<br />

and acknowledge every year the best projects that:<br />

• Promote improvements in the field of architectural <strong>de</strong>sign and sustainable building.<br />

• Introduce new products or changes in existing products, to improve our daily life.<br />

• Foster the publishing of books and publications with innovations in their elaboration<br />

and with environmentally-related contents.<br />

• Develop graphic <strong>de</strong>sign campaigns or actions promoting environmental values.<br />

• Lead business, institutional or private initiatives than inclu<strong>de</strong> <strong>de</strong>sign and the environment<br />

among their main elements.<br />

All the actions are precisely covered within the five categories of this Award: Building,<br />

Industrial Design, Graphic Design, Communication Campaigns and Initiatives.<br />

In this first edition, 146 projects from all over Europe have taken part in the above<br />

categories. This can be consi<strong>de</strong>red a reasonable success, taking into account the<br />

number and quality of the projects registered.<br />

This first edition, covered and organised from DIMAD by an enthusiastic group of<br />

<strong>de</strong>sign practitioners who have ma<strong>de</strong> the Scientific Committee’s work possible, and<br />

the Jury who have selected 4 projects as absolute First Prizes and have awar<strong>de</strong>d Special<br />

Mentions to other 7 projects.<br />

Combining aesthetic values, innovation, usefulness and viability, environmental protection<br />

and social values. We are convinced that the projects registered and the final<br />

selection of winners are in themselves good exponents of the significance our society<br />

already places on environmental concerns. The quality of the work speaks of how<br />

Design can transmit this concern to industries, improving aspects of our everyday life<br />

that may contribute towards a better future.<br />

Rosa Arce<br />

Scientific Director<br />

Manuel Estrada<br />

DIMAD’s Chairman<br />

5


BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_AWARDS<br />

Category: Sustainable Building<br />

First Prize<br />

“WWF Netherlands Head Office”<br />

carried out by RAU (The Netherlands)<br />

Special Mention<br />

“Wikado”<br />

carried out by 2012Architekten (The Netherlands)<br />

Special Mention<br />

“Spanish Pavilion for the Expo Zaragoza 2008”<br />

carried out by Mangado y Asociados S.L. (Spain)<br />

Category: Industrial Design<br />

Special Mention<br />

“W+W (Washbasin+Watercloset)”<br />

carried out by Gabriele and Oscar Buratti for Innovation Lab Roca,<br />

Roca Sanitarios S.A. (Spain)<br />

Category: Publishing<br />

First Prize<br />

“The eco <strong>de</strong>sign handbook”<br />

carried out by Alastair Fuad-Luke (United Kingdom)<br />

Special Mention<br />

“Éco<strong>de</strong>sign, chemins vertueux”<br />

carried out by P’Reference (Francia)<br />

Category: Graphic Design Campaigns or Actions<br />

First Prize<br />

“Ecofont”<br />

carried out by SPRANQ (The Netherlands)<br />

Special Mention<br />

“Reinicia” (logo and applications)<br />

carried out by Eduardo <strong>de</strong> Fraile (Spain)<br />

Special Mention<br />

“WWF paper dispenser”<br />

carried out by Saatchi&Saatchi CPH (Denmark)<br />

Category: Business, Individual or Institutional Initiatives<br />

First Prize<br />

“Eco by Cosentino”<br />

carried out by Cosentinogroup (Spain)<br />

Special Mention<br />

“Trash<strong>de</strong>sign”<br />

carried out by Trash<strong>de</strong>signmanufactory (Austria)<br />

7


For the last few years IDAE has upheld the strategy of managing to have energy<br />

efficiency unavoidably integrated with <strong>de</strong>sign as a further attribute, ad<strong>de</strong>d to the<br />

<strong>de</strong>fining ones relating to aesthetics, functionality or the senses.<br />

Behind every <strong>de</strong>sign product there lies a reflection and a need to meet. Exactly<br />

the same lies behind efficiency, and probably the same renewed way of looking<br />

at the world, i.e., life.<br />

Energy is a scarce, precious resource, and wasting it goes against common sense,<br />

intelligence, aesthetics and, I would even say, ethics. We must turn the energy<br />

efficiency motto –i.e., get more with less- into a paradigm of our way of life,<br />

and a question, as I said before, of common sense, intelligence and opportunity<br />

to carry on progressing, achieve a better quality of life and build up a common<br />

future for everybody.<br />

Thus, the concept of ECODESIGN comes in, in all its power; i.e., the optimisation<br />

and <strong>de</strong>sign of products, both regarding efficiency in energy consumption<br />

when it refers to products requiring power to work, and life cycle.<br />

If the concept of <strong>de</strong>sign is new, so is that of energy efficiency. Energy efficiency<br />

policies and the promotion of renewable sources of energy enjoy today –both<br />

internationally and certainly in Spain- a strategic value which was unthinkable<br />

only three <strong>de</strong>ca<strong>de</strong>s ago; environmental concern seemed then to affect only those<br />

consi<strong>de</strong>red naïve who had started to theorise on the need to strike a balance<br />

between economic growth, energy consumption and respect for Nature.<br />

I would like to point out here that, in any case, it is no longer a question of<br />

willingness or awareness. Everything related to ecological <strong>de</strong>sign requirements<br />

applicable to products that use power has been laid down in Royal Decree<br />

1369/2007, transposing in Spain the European Directive on Eco<strong>de</strong>sign (Directive<br />

2005/32/EC), later amen<strong>de</strong>d by Directive 2008/28/EC.<br />

These two directives have recently been recast into Directive 2009/125/EC [1],<br />

establishing eco<strong>de</strong>sign requirements for energy-related products; not just those<br />

for consumption as it was up to now. Later on, Regulation (EC) 66/2010 [2]<br />

ensures coordination between the <strong>de</strong>sign of these products and their ecological<br />

label of the European Union.<br />

The aim is to create a single framework for the ecological <strong>de</strong>sign of products related<br />

to energy that ensures efficiency and coherence, with a common approach<br />

for the whole EU. Besi<strong>de</strong>s laying down the minimum requirements to market the<br />

products, their environmental benchmarks are established regarding the most<br />

ecological products on the market.<br />

Un<strong>de</strong>r the existing Directive on ecological <strong>de</strong>sign, this is already feasible for<br />

products relating to energy, which may enjoy public employment and/or ten<strong>de</strong>r<br />

and tax benefits.<br />

The current publication presents the European Environmental Design Awards,<br />

envisaging them as a cultural value affecting the economy. In times of crisis we<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

need to build creative factors into production in or<strong>de</strong>r to increase productivity. All<br />

this, directly addressing the severe environmental challenges while at the same time<br />

maintaining our welfare standards.<br />

The search for practical solutions that turn our life habits and our productive ways<br />

into more efficient, environmentally-friendly patterns is a social and economic need.<br />

And if we do find them, we must disseminate them as much as possible to serve as<br />

mo<strong>de</strong>ls; this is the main aim of the awards.<br />

One of the essential goals of IDEA is to carry out awareness-raising actions targeting all<br />

sectors, thus contributing to building up a new energy culture based on sustainability.<br />

We want to shake both the consumers’ and the manufacturers’ consciences, move<br />

them so that energy is appropriately <strong>de</strong>alt with, giving it priority in those aspects<br />

in which it is present in our lives, which are almost all of them. For this reason,<br />

and because <strong>de</strong>sign, creativity and art are means, like no other, to shake consciences<br />

through reflection and emotion, we are proud to take part in this initiative which<br />

rewards ECODESIGN.<br />

Finally, I would particularly like to stress the need to incorporate <strong>de</strong>sign into so-called<br />

sustainable building. That is, the significant role architectural and space <strong>de</strong>sign may play in<br />

this process of the search for new solutions to achieve sustainable, bioclimatic buildings.<br />

At IDAE, we think it is essential to foster measures that act on energy consumption<br />

in buildings, that help to achieve energy sustainability.<br />

Buildings are constant energy consumers, right from the moment they are built, during<br />

their life cycle until they are <strong>de</strong>molished, in very significant amounts, while producing<br />

at the same time polluting emissions.<br />

Just as a point of information, the building sector in Spain –per use and exploitation-<br />

represents around 20% of end-user energy consumption.<br />

This energy consumption and the environmental impact related to it can and must<br />

be dramatically reduced, through a series of measures connected on the one hand<br />

with urban town planning and on the other, through the articulation of a series of<br />

strategies that contribute to consi<strong>de</strong>ring energy as a starting point criterion when<br />

<strong>de</strong>signing projects.<br />

If everything in project is still ma<strong>de</strong> following conventional views, the city of tomorrow<br />

will still have to face the challenge of preserving quality of life and being committed<br />

to our future. However, it is possible nowadays to plan and <strong>de</strong>sign introducing in<br />

the processes and projects, concepts and criteria that allow for a more rational use of<br />

energy and for urban environments more in line with sustainable <strong>de</strong>velopment.<br />

It is also possible, and I would say essential nowadays, to think that energy may<br />

become an essential part of project <strong>de</strong>sign criteria and of their conditioning consi<strong>de</strong>rations,<br />

gearing the dynamics of land use towards sustainability and a better use of<br />

resources.<br />

Enrique Jiménez Larrea<br />

Chairman of IDAE<br />

February 2009<br />

[1] DIRECTIVE 2009/125/EC OF THE EUROPEAN PARLIAMENT AND COUNCIL, of 21 October 2009, establishing a framework for the setting of eco<strong>de</strong>sign<br />

requirements for energy-related products. Recast of Directive 2005/32/EC and Directive 2008/28/EC, which amen<strong>de</strong>d and expan<strong>de</strong>d its scope<br />

to allow the Community eco<strong>de</strong>sign requirements to inclu<strong>de</strong> energy-related products, not just those using energy.<br />

[2] Regulation (EC) 66/2010, of 25 November 2009, on the EU ecolabel, which ensures coordination between the EU ecolabel system and the establishment<br />

of requirements within the scope of Directive 2009/125/EC.<br />

9


CATEGORY<br />

SUSTAINABLE BUILDING<br />

INDUSTRIAL DESIGN<br />

PUBLISHING<br />

GRAPHIC DESIGN CAMPAIGNS<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUCIONAL INITIATIVE<br />

10<br />

CATEGORY AND AWARD / PROJECT > PAGE<br />

SUSTAINABLE BUILDING<br />

OUTSTANDING<br />

WWF HEAD OFFICE NETHERLANDS<br />

> 12<br />

SUSTAINABLE BUILDING MERIT<br />

WIKADO<br />

> 14<br />

SUSTAINABLE BUILDING MERIT<br />

SPANISH PAVILION FOR EXPO ZARAGOZA<br />

2008<br />

> 16<br />

INDUSTRIAL DESIGN MERIT<br />

W+W (WASHBASIN + WATER CLOSET)<br />

> 18<br />

PUBLISHING OUTSTANDING<br />

THE ECO DESIGN HANDBOOK<br />

> 20<br />

PUBLISHING MERIT<br />

ÉCODESIGN, CHEMINS VERTUEUX<br />

(ECODESIGN, VIRTUOUS ROADS)<br />

> 22<br />

GRAPHIC DESIGN CAMPAIGNS<br />

OUTSTANDING<br />

ECOFONT PROFESSIONAL<br />

> 00<br />

GRAPHIC DESIGN CAMPAIGNS MERIT<br />

RESTART (REINICIA)<br />

> 24<br />

GRAPHIC DESIGN CAMPAIGNS MERIT<br />

WWF PAPER DISPENSER<br />

> 26<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUTIONAL INITIATIVE<br />

OUTSTANDING<br />

ECO BY COSENTINO ®<br />

> 28<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUTIONAL INITIATIVE<br />

MERIT<br />

TRASHDESIGN<br />

> 30<br />

PROJECT > PAGE<br />

6 SOCIAL-RENT-HOUSES IN ZELHEM THE<br />

NETHERLANDS<br />

> 34<br />

60BAG.COM<br />

> 34<br />

ARKA ECOPOD<br />

> 34<br />

ARTICULADO BOOK. OPINIONS AND<br />

REFLECTIONS ABOUT THE DESIGN<br />

> 35<br />

BAKUS<br />

> 35<br />

BELLOCH CHAIR - 100% RECYCLED AND<br />

RECYCLABLE<br />

> 35<br />

BILLBIRDHOUSE<br />

> 36<br />

BILLDOGHOUSE<br />

> 36<br />

BIOCLIMATIC COMMUNITY<br />

> 36<br />

BIONICTILE: DESIGN OF GLAZED<br />

CERAMIC PRODUCTS FOR THE SELECTIVE<br />

REDUCTION OF ENVIROMENTAL NO X<br />

> 37<br />

BOBHANGER (THE ECOLOGICAL HANGER)<br />

> 37<br />

BOLD CHAIR – BENCH<br />

> 37<br />

BONA DUST CARE SYSTEM<br />

> 38<br />

BONA THINK DO GREEN<br />

> 38<br />

BOOK LAMP<br />

> 38<br />

CAVALLUM<br />

> 39<br />

CC8. CLIMATE CONFERENCE. CLIMATE<br />

CONCERT<br />

> 39<br />

CENTRE FOR ECOLOGICAL ACTIVITIES<br />

“SLUNÁKOV”<br />

> 39<br />

PROJECT > PAGE<br />

CENTRE FOR ENVIROMENTAL EDUCATION,<br />

ARCHAEOLOGY AND SUSTAINABILITY IN<br />

ZUTPHEN, THE NETHERLANDS<br />

> 40<br />

CINEMA BOOK<br />

> 40<br />

CITY GARDEN MODEL<br />

> 40<br />

COMBOX, THE NEW GENERATION OF<br />

COMPOSTERS<br />

> 41<br />

CROSSWAY<br />

> 41<br />

DESIGN ACTIVISM: BEAUTIFUL<br />

STRANGENESS FOR A SUSTAINABLE<br />

WORLD<br />

> 41<br />

DESIGNERS, VISIONARIES AND OTHER<br />

STORIES: A COLLECTION OF SUSTAIN-<br />

ABLE DESIGN ESSAYS<br />

> 42<br />

DEUTSCHLAND IM HERBST. A PROJECT<br />

BY ROTOR<br />

> 42<br />

DOG POO BAGS<br />

> 42<br />

DONATE YOUR MOBILE<br />

> 43<br />

DUCHI<br />

> 43<br />

DVELAS<br />

> 43<br />

ECOALF, FABRICS FOR A NEW GENERATION<br />

> 44<br />

ECO-BULEVAR DE VALLECAS. MADRID<br />

> 44<br />

ECOHOSTEL<br />

> 44<br />

ECOLOGICAL DESIGN: TOWARDS DESIGN<br />

AND PRODUCTION IN HARMONY WITH<br />

NATURE<br />

> 45<br />

ECONO<br />

> 45<br />

PROJECT > PAGE<br />

ECOPACK’S ATTITUDE AT THE DESIGN-<br />

PACK GALLERY<br />

> 45<br />

ECOPÉRGOLA MODEL TAO<br />

> 46<br />

ECOPROYECTA<br />

> 46<br />

EL-RECETARIO.NET. CONSTRUCTIVE<br />

SOLUTIONS FROM WASTE<br />

> 46<br />

EMBELL SYSTEM, FIRST MOPPING KIT<br />

USING CLEAN WATER<br />

> 47<br />

EMOTIONALLY DURABLE DESIGN: OB-<br />

JECTS, EXPERIENCES AND EMPATHY<br />

> 47<br />

EPHEMERAL RESTAURANT CASSIA<br />

> 47<br />

ERGONOMIC BONA MINI EDGER<br />

> 48<br />

EXPOSITION XPOELDER: CLIMATE<br />

CHANGE<br />

> 48<br />

F. H. I. F. F.<br />

> 48<br />

FAT BOB ROCKER<br />

> 49<br />

FUJY SOSTENIBLE HOUSE<br />

> 49<br />

GARDENY<br />

> 49<br />

GOOD FOR ENVIRONMENT! (G4E!)<br />

> 50<br />

GREEN BOX<br />

> 50<br />

GREEN SPOT “CEMEX LIMPIO”<br />

> 50<br />

HEADBOARD PALLET<br />

> 51<br />

HOM, AUTONOMOUS SOLAR STREET<br />

LIGHT<br />

> 51<br />

PROJECT > PAGE<br />

HOUSE AND SUSTAINABILITY IN SPAIN<br />

> 51<br />

I’M NOT JUST A BOX<br />

> 52<br />

IMPULSE COLLECTION<br />

> 52<br />

INTERNATIONAL GREEN ROOF CON-<br />

GRESS<br />

> 52<br />

ARTEMATICA VITRUM BASE<br />

> 53<br />

ISER<br />

> 53<br />

KYOTO HOUSE<br />

> 53<br />

LAUREANA HOUSE<br />

> 54<br />

LUCE LAMP<br />

> 54<br />

MADE IN GREEN LABEL<br />

> 54<br />

NEOROMÁNTICO SUSTAINABLE BENCH<br />

> 55<br />

NEW BRIDGE OVER THE HENARES RIVER<br />

NEXT TO THE ARABIC BRIDGE IN GUAD-<br />

ALAJARA, SPAIN<br />

> 55<br />

NEW PACKAGING<br />

> 55<br />

OKO BUILDING<br />

> 56<br />

PARC DEL PINAR DE PERRUQUET<br />

> 56<br />

PENMAN<br />

> 56<br />

PNEU_FABRIC COVER TO MAKE A SEAT<br />

OUT OF TWO OLD TIRES<br />

> 57<br />

POSITIVE DEVELOPMENT: FROM VICIOUS<br />

CIRCLES TO VIRTUOUS CYCLES THROUGH<br />

BUILT ENVIRONMENT DESIGN<br />

> 57<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_CONTENTS<br />

PROJECT > PAGE<br />

POSTERS<br />

> 57<br />

PRET A PORTER<br />

> 58<br />

R4 HOUSE<br />

> 58<br />

RECYCLOOP<br />

> 58<br />

REFUNC<br />

> 59<br />

RELAJA (SUSTAINABLE URBAN FURNI-<br />

TURE)<br />

> 59<br />

RESSENY<br />

> 59<br />

RICICLANTICA<br />

> 60<br />

SEAM CHAIR<br />

> 60<br />

SHELL SCENARIOS POSTERS<br />

> 60<br />

SOLAR COOKER<br />

> 61<br />

SOLIDARY ROUTE TO MAURITANIA<br />

> 61<br />

SOLTAG, ENERGY HOUSING<br />

> 61<br />

SPUD RAINCOAT<br />

> 62<br />

STARS<br />

> 62<br />

SUPERUSE THE BOOK<br />

> 62<br />

SUPERUSE.ORG<br />

> 63<br />

SUSTAINABLE BY DESIGN: EXPLORA-<br />

TIONS IN THEORY AND PRACTICE<br />

> 63<br />

SUSTAINABLE FASHION AND TEXTILES:<br />

DESIGN JOURNEYS<br />

> 63<br />

PROJECT > PAGE<br />

TABLE BOARD<br />

> 64<br />

TABLE TELEPHONE BOOTH<br />

> 64<br />

TAMAGO<br />

> 64<br />

NEWLY DESIGNED WOOD FLOORING<br />

> 65<br />

THE B&W HOUSE (THE BLACK & WHITE<br />

HOUSE)<br />

> 65<br />

TOT HOUSE<br />

> 65<br />

TRÄD<br />

> 66<br />

TRASH?<br />

> 66<br />

TUEJAR ARMCHAIR<br />

> 66<br />

TYPO CHAIR<br />

> 67<br />

VILLA UH1<br />

> 67<br />

VITRO HOUSE<br />

> 67<br />

WHOLE SYSTEM DESIGN. AN INTE-<br />

GRATED APPROACH TO SUSTAINABLE<br />

ENGINEERING<br />

> 68<br />

X DAYS PROJECT<br />

> 68<br />

ZECOCHAIR<br />

> 68<br />

ZEYRON TECHNOLOGIES, PIONEERS IN<br />

DOMOTICS OF WATER<br />

> 69<br />

ZEYRON THERMO<br />

> 69<br />

ZICLA. INNOVATION IN RECYCLING<br />

WASTE: NEW MATERIALS-NEW PROD-<br />

UCTS FOR SUSTAINABLE BUILDING<br />

> 69<br />

11


TITLE / YEAR<br />

WWF NETHERLANDS HEAD OFFICE / 2006<br />

AUTHOR / COMPANY<br />

RAU<br />

CLIENT<br />

WWF, THE NETHERLANDS<br />

COLLABORATORS<br />

BBN, RAU (BUILDING MANAGEMENT) / ARUP, ÁMSTERDAM (INSTALLATION CONSULTANT) / ABT,<br />

ARNHEM (STRUCTURAL CONSULTANT) / DGMR, DRACHTEN (ACOUSTICS-BUILDING PHYSICS) /<br />

VAN ZOELEN, UTRECHT (BUILDING CONTRACTOR) / ULC, UTRECHT (MECHANICAL CONTRACTOR)<br />

/ VERWEY, UTRECHT (ELECTRICAL CONTRACTOR)<br />

Rau transformed a former 1950’s agricultural laboratory into the first CO 2 neutral<br />

and (almost entirely) energy autonomous office in the Netherlands. By breaking<br />

through the rigidity of the existing structure and adding an organic blob at<br />

the centre, the rejuvenated building got a friendly appearance that blends in with<br />

the surrounding nature reserve.<br />

Rau’s intervention did not only give the building a new face, but fundamentally<br />

changed the user experience. Natural ventilation and the use of natural materials<br />

offer a balanced and healthy indoor environment.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

SUSTAINABLE BUILDING<br />

OUTSTANDING<br />

It is not often that so many qualities converge to award a first prize as is the case<br />

now: The team of architects and their long commitment to sustainability, the<br />

customer and his pioneering effort towards nature preservation, the commission<br />

itself and the <strong>de</strong>cision to maintain a previous building that would be recycled<br />

into a new one with substantial reforms to achieve a balance with the environment<br />

as is achieved here.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_SUSTAINABLE BUILDING<br />

12 13


TITLE / YEAR<br />

WIKADO / 2008<br />

AUTHOR / COMPANY<br />

CÉSARE PEEREN, JEROEN BERGSMA AND JOS DE KRIEGER / 2012ARCHITECTEN<br />

CLIENT<br />

STICHTING KINDERPARADIJS DE MEIDOORN<br />

COLLABORATORS<br />

GEBROEDERS KRAAIJEVELD<br />

Wikado is a <strong>de</strong>sign for a playground in Rotterdam ma<strong>de</strong> out of windmill pieces.<br />

Five (discar<strong>de</strong>d) rotor bla<strong>de</strong>s are used to create a maze-like space with a panna<br />

–a type of ball game– court in the centre, placed on the existing concrete circle.<br />

Four towers are placed around it, each with a distinctive character. Between the<br />

towers there hangs a net which works as a climbing structure, but also prevents<br />

balls from ending up in the neighbours’ gar<strong>de</strong>ns.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

SUSTAINABLE BUILDING<br />

MERIT<br />

Holland is a country in which the <strong>de</strong>sign of urban areas for children’s games<br />

has a long tradition linked to both social and plastic art experimentation. So<br />

the 2012Architecten proposal to use for one of them recycled pieces from windpower<br />

generators comes as no surprise. The outcome is both novel and stimulating.<br />

A path that is beginning to be used and that is offered here as an example of<br />

great formal and creative value.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_SUSTAINABLE BUILDING<br />

14 15


TITLE / YEAR<br />

SPANISH PAVILION FOR EXPO ZARAGOZA 2008 / 2005-2006 (PROJECT), 2006-2008 (CONSTRUCTION)<br />

AUTHOR / COMPANY<br />

FRANCISCO JOSÉ MANGADO / MANGADO Y ASOCIADOS, S.L.<br />

COLLABORATORS<br />

JOSÉ Mª GASTALDO, RICHARD KRÁLOVI, CRISTINA CHU, HUGO MÓNICA AND CÉSAR MARTÍN<br />

GÓMEZ (ARCHITECTURE) / NB 35, S.L. (STRUCTURAL ENGINEERING) / FUNDACIÓN CENER-CIE-<br />

MAT (ENERGY-EFFICIENCY) / ALS LIGHTING, ARQUITECTOS CONSULTORES DE ILUMINACIÓN<br />

(LIGHTING) / CARLOS RIVEIRO, ANTONIO IGNACIO FRAMIÑAN AND CARLOS PAZ (SITE MANAG-<br />

ERS-CONSTRUCTORA SAN JOSÉ) (CONTRACTOR) / FERNANDO OLIVÁN AND VICENTE DE LUCAS<br />

(QUANTITY SURVEYOR)<br />

The <strong>de</strong>sire to reproduce the space of a forest, or of a group of bamboos on a<br />

layer of water, has formed the subconscious basis of the project. On the one<br />

hand there is the creation of a mechanism able to generate extraordinary possibilities<br />

from the point of view of energy logic and environmental awareness,<br />

an essential and symbolic aspect for the Spanish Pavilion. On the other hand,<br />

one of the most attractive spaces one may encounter is transferred to the field<br />

of architecture.<br />

Changing spaces, full of hints and nuances, in which concepts such as verticality<br />

and <strong>de</strong>pth play an essential role.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

SUSTAINABLE BUILDING<br />

MERIT<br />

Spain’s Pavilion at the Zaragoza World Expo 2008 is one of the buildings that<br />

has received most awards in the last few years. Nevertheless, we did not wish to<br />

fail to highlight here how its formal values have come to the service of i<strong>de</strong>as of<br />

sustainability and respect for the environment. An example to follow and one<br />

that opens up paths to dispel the misconception that plastic art and environmental<br />

creativity cannot go hand in hand along the same path.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_SUSTAINABLE BUILDING<br />

16 17


TITLE / YEAR<br />

W+W (WASHBASIN + WATER CLOSET) / 2009<br />

AUTHOR / COMPANY<br />

ROCA INNOVATION LAB (CONCEPT) AND BURATTI + BATTISTON ARCHITECTS (DESIGN) / ROCA<br />

SANITARIO S.A.<br />

W+W combines functionality and water-saving benefits fusing Washbasin and<br />

WC.<br />

The project W+W intends to fuse both appliances.<br />

Through the new Roca “water-reuse” technology, washbasin waste water fills<br />

the toilet cistern, reducing water usage by up to 25% compared with the standard<br />

toilet. An automatic cleaning system avoids bad smells and flushing bacteria<br />

into the cistern.<br />

W+W is the choice when sustainability and good <strong>de</strong>sign are top priorities.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

INDUSTRIAL DESIGN<br />

MERIT<br />

An interesting product joining excellent execution quality and a smart solution<br />

to re-use washbasin water in the toilet cistern. Roca has managed to tune in<br />

with the increasing environmental awareness of Northern European markets<br />

by providing a very interesting solution, which, no doubt, will influence future<br />

conceptualisations for this type of product.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_INDUSTRIAL DESIGN<br />

18 19


TITLE / YEAR<br />

THE ECO DESIGN HANDBOOK / FIRST EDITION 2002, SECOND EDITION 2004, THIRD EDITION 2009<br />

AUTHOR / COMPANY<br />

ALASTAIR FUAD-LUKE / THAMES AND HUDSON, LONDON, UK (PUBLISHERS)<br />

CLIENT<br />

THAMES AND HUDSON, LONDON, UK (PUBLISHERS)<br />

COLLABORATORS<br />

MULTI-LANGUAGE EDITIONS WITH CO-PUBLISHERS: 2002 - CARTAGO, SPAIN / LOGOS, ITALY /<br />

DUMONT, GERMANY / CHRONICLE BOOKS, USA / 2003 - RIKUYOSHA CO, JAPAN / 2004 - CHRONI-<br />

CLE BOOKS, USA / 2010 - CHRONICLE BOOKS, USA<br />

Three international multi-language editions of The Eco-Design Handbook<br />

(2002, 2004 and 2009) have become a benchmark for celebrating the global<br />

state of the art of eco-<strong>de</strong>sign.<br />

Each edition has documented the leading <strong>de</strong>signers, <strong>de</strong>signer-makers and manufacturers<br />

breathing a new eco-consciousness into their products, raising the<br />

expectations of consumers for fresh aesthetics, functionality and responsibility.<br />

Clear for all to see are the legion opportunities to <strong>de</strong>sign a better, more equable<br />

world where society and nature become partners.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

PUBLISHING<br />

OUTSTANDING<br />

The Eco<strong>de</strong>sign Handbook stands out both for the neat <strong>de</strong>sign of its edition and<br />

for its content, and is a gui<strong>de</strong> of daily use objects which have been conceived<br />

with environmental protection and user friendly criteria. It covers a list of 570<br />

products, 125 selected materials, information on a great number of <strong>de</strong>signers,<br />

manufacturers and ecology organisations and 140 references to eco-<strong>de</strong>sign strategies.<br />

Its publication has contributed to the dissemination of eco<strong>de</strong>sign among<br />

<strong>de</strong>signers and consumers and opened the road for other books and other publications,<br />

and for the spread of opportunities linked to sustainability challenges.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_PUBLISHING<br />

20 21


TITLE / YEAR<br />

ÉCODESIGN, CHEMINS VERTUEUX (ECODESIGN, VIRTUOUS ROADS) / 2007<br />

AUTHOR / COMPANY<br />

FABRICE PELTIER AND HENRI SAPORTA / P’REFERENCE- DESIGNPACKGALLERY<br />

The book Éco<strong>de</strong>sign, Chemins Vertueux draws up a panorama of packaging’s<br />

ecological footprint. It explores the axes of progress inherent to this issue and<br />

offers innovative solutions in packaging ecoconception.<br />

Conceiving packaging that pollutes less all along its life cycle, helps consumers<br />

get rid of it in a better way and limits their environmental impact, including during<br />

recycling, this is the new global challenge.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

PUBLISHING<br />

MERIT<br />

Éco<strong>de</strong>sign, Chemins Vertueux is a great book, both in <strong>de</strong>sign and content. Its<br />

<strong>de</strong>sign inclu<strong>de</strong>s many excellent photos, and its content, related to waste and<br />

packaging, their history, recycling, ecological impact, resources, energy, air and<br />

water, materials, etc. is also an analysis of responsible attitu<strong>de</strong>s to the environment<br />

and packaging.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_PUBLISHING<br />

22 23


TITLE / YEAR<br />

ECOFONT / 2009<br />

AUTHOR / COMPANY<br />

GERJON ZOMER, ALEXANDER KRAAIJ AND RICK VAN DEN BOS / SPRANQ CREATIVE COMMUNI-<br />

CATIONS / ECOFONT B.V.<br />

How much of a letter can be removed while maintaining readability? After long<br />

hours of research and work, the author managed to get a font that uses up to<br />

20% less ink. To do so, extensive tests were carried out, which showed that the<br />

best results were achieved using small circles. The type selected had to be based<br />

on a wi<strong>de</strong>ly used type face. Therefore the Vera Sans was chosen –a Verdana<br />

look-a-like un<strong>de</strong>r GNU license– as the basis of the Ecofont.<br />

A communication website around it was set up which offered the Ecofont<br />

“Free to download, free to use”. Within two months after launch, the font was<br />

downloa<strong>de</strong>d over 700,000 times!<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

GRAPHIC DESIGN CAMPAIGNS<br />

OUTSTANDING<br />

Ecofont is, first of all, a robust graphic proposal. A type face that keeps its careful,<br />

legible stroke in small bodies and large formats.<br />

With this award to Ecofont, we are rewarding an i<strong>de</strong>a’s efficiency. An i<strong>de</strong>a that<br />

shows how some simple actions may translate into significant savings in our<br />

daily habits, a more sound use of raw materials and more rational consumption<br />

of manufactured products.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_GRAPHIC DESIGN CAMPAIGNS<br />

24 25


TITLE / YEAR<br />

REINICIA (RESTART) / 2008-2009<br />

AUTHOR / COMPANY<br />

EDUARDO DEL FRAILE<br />

CLIENT<br />

REINICIA<br />

Reinicia is a project of electronic waste management that provi<strong>de</strong>s the citizen<br />

with a collection system for useless <strong>de</strong>vices. Some of these <strong>de</strong>vices can later be<br />

reused in other areas or institutions.<br />

The plug is a symbol that unifies most electronic <strong>de</strong>vices. The name “Reinicia”<br />

provi<strong>de</strong>s new life to <strong>de</strong>vices that looked like having a single use.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

GRAPHIC DESIGN CAMPAIGNS<br />

MERIT<br />

Reinicia has a great fundamental quality. It says everything it has to say, nothing<br />

else. Neatly and clearly. What comes out of one end of the plug, goes into the<br />

other, restarting the process.<br />

Ecology and communication also means avoiding unnecessary noise.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_GRAPHIC DESIGN CAMPAIGNS<br />

26 27


TITLE / YEAR<br />

WWF PAPER DISPENSER / 2007<br />

AUTHOR / COMPANY<br />

CLIFF KAGAWA HOLM AND SILAS JANSSON (ART DIRECTORS) / SAATCHI&SAATCHI CPH<br />

CLIENT<br />

WWF<br />

To make people realize that saving the planet starts with them saving paper, the<br />

authors have used standard public paper dispensers, making a simple modification<br />

with green paper foil and the silhouette of South America.<br />

This has allowed them to prove that the survival of the forest is directly connected<br />

to what people consume in everyday life.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

GRAPHIC DESIGN CAMPAIGNS<br />

MERIT<br />

This Paper Dispenser has an innovative <strong>de</strong>sign suggesting that saving the planet<br />

is directly connected to individual paper savings. By using a standard paper dispenser<br />

with a slight modification, green foil and the silhouette of South America,<br />

it manages to challenge people and transmit that the survival of the forests is<br />

directly related to what people consume in their daily lives. This product unites<br />

creativity and the dissemination of the concept of environmental protection.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_GRAPHIC DESIGN CAMPAIGNS<br />

28 29


TITLE / YEAR<br />

ECO BY COSENTINO ® / 2008-2009<br />

AUTHOR / COMPANY<br />

I+D DEPARTMENT AND PRODUCT AND INNOVATION DEPARTMENT / COSENTINOGROUP<br />

CLIENT<br />

LOWE´S FROM USA<br />

COLLABORATORS<br />

COSENTINO NORTH AMERICA<br />

Eco by Cosentino ® is a new revolutionary surfacing product. It is composed of<br />

75% post-industrial and post-consumer recycled raw material, including glass,<br />

mirrors, porcelain and stone scrap bound together with an eco-friendly corn-oil<br />

based resin.<br />

Eco by Cosentino ® offers a hard durable surface that has high stain, scratch<br />

and scorch performance. It is non-porous and does not require sealers. Available<br />

in ten sophisticated <strong>de</strong>signer colours.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUTIONAL INITIATIVE<br />

OUTSTANDING<br />

The philosophy behind pre- and post-production material recycling, the concept<br />

and implementation of a type of material non-existent in Nature and as such<br />

with innovative, far from false-natural perception aesthetics, turn this product<br />

into an excellent example of how compatibility and industrial production should<br />

proceed.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_BUSINESS, INDIVIDUAL OR INSTITUCIONAL INITIATIVE<br />

30 31


TITLE / YEAR<br />

TRASHDESIGN / 2007<br />

AUTHOR / COMPANY<br />

MAGDALENA HÖLLER / TRASHDESIGNMANUFACTORY<br />

Trash<strong>de</strong>sign unites <strong>de</strong>sign and social awareness. Long-term unemployed and<br />

disabled people craft elegant and high-quality jewellery, furniture, accessories<br />

and trophies out of washer drums, PC cases, circuit boards and so on. These<br />

leftovers of society are the resources used to produce creative and outstanding<br />

objects –each piece is handma<strong>de</strong> and therefore unique.<br />

Acquiring one of these products means supporting both a social and an environmental<br />

i<strong>de</strong>a.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUTIONAL INITIATIVE<br />

MERIT<br />

Trash<strong>de</strong>sign brings together <strong>de</strong>sign, environment protection and social awareness.<br />

Long-term unemployed and disabled people craft smart, high-quality<br />

jewellery, furniture, accessories and other products with recycled materials.<br />

The objects thus ma<strong>de</strong> are unique, creative, contribute to the protection of the<br />

environment and promote social integration.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_BUSINESS, INDIVIDUAL OR INSTITUCIONAL INITIATIVE<br />

32 33


TITLE / YEAR<br />

6 SOCIAL-RENT-HOUSES IN ZELHEM THE NETHERLANDS / 2005<br />

AUTHOR / COMPANY<br />

GROTENBREG ARCHITECTEN<br />

CLIENT<br />

PRO WONEN CORPORATION FOR SOCIAL HOUSES<br />

This project won the first prize in a national competition of sustainable buildings.<br />

The houses have the following features: Extreme low-energy-use, photovoltaic-cells<br />

on the south-si<strong>de</strong> of the houses, sun-warmed-water-collectors on the<br />

south-si<strong>de</strong>, high-tech-sun-gaz-combi-boiler for room heating and warm-water,<br />

warmth-winning out of the ventilation-air, green-house at the south-si<strong>de</strong> of the<br />

house, grass-sedum-roof to keep the rainwater, small windows at the north-si<strong>de</strong><br />

of the house, day-light-concept and wood-frame-high-isolation.<br />

SUSTAINABLE BUILDING<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

60BAG.COM / 2008<br />

AUTHOR / COMPANY<br />

REMIGIUSZ TRUCHANOWICZ AND KATARZYNA OKINCZYC / DEVON VISUAL GROUP REMIGIUSZ<br />

TRUCHANOWICZ<br />

CLIENT<br />

HSBC BANK SWITZERLAND, POLISH INSTITUTE IN SWITZERLAND AND CENTER OF MODERN<br />

ART (WARSAW)<br />

60Bags are bio<strong>de</strong>gradable carrier bags that are manufactured using the natural<br />

flax based non-woven fabric. The fabric is produced with flax fibre industrial<br />

waste so as not to exploit natural resources. Once a bag is discar<strong>de</strong>d it <strong>de</strong>composes<br />

naturally within just 60 days. This means 60Bag can be used and stored as<br />

long as <strong>de</strong>sired and then thrown away without polluting the environment.<br />

60Bag.com is the natural answer to the environmental needs of today.<br />

INDUSTRIAL DESIGN<br />

TITLE<br />

ARKA ECOPOD<br />

AUTHOR / COMPANY<br />

HAZEL SELENA / ARKA ECOPOD LTD.<br />

Inspired by the process of regeneration and new life, the authors wanted to give<br />

the Ecopod coffin a unique shape and make it from bio<strong>de</strong>gradable materials.<br />

By finishing it in brightly coloured papers, the Ecopod helps to move funerals<br />

away from their more sombre tradition, towards a more inspiring celebration<br />

of the life that has passed.<br />

Ma<strong>de</strong> by hand from recycled newspapers and hand finished with paper ma<strong>de</strong><br />

from mulberry pulp, the Ecopod is available in a range of colours with screenprinted<br />

motifs, plain white, or gold.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ARTICULADO BOOK. OPINIONS AND REFLECTIONS ABOUT DESIGN / 2009<br />

AUTHOR / COMPANY<br />

ANA YAGO AND JOSÉ ANTONIO JIMÉNEZ / SANSERIF CREATIUS, S.L.<br />

CLIENT<br />

ADCV (DESIGNERS’ ASSOCIATION FROM THE VALENCIA A. REGION)<br />

COLLABORATORS<br />

IMPIVA (SMALL AND MEDIUM VALENCIAN ENTERPRISE INSTITUTE)<br />

A not-for-profit publication featuring opinions from leading names in international<br />

<strong>de</strong>sign –Ana Yago, Karim Rashid, Milton Glaser...– and other experts<br />

–A. Rawsthorn, J. Errea…– on the relationship between <strong>de</strong>sign, the environment<br />

and the economy.<br />

It has been conceived to transmit values like sustainable growth, recycling, low<br />

impact production processes. Printed in one colour on ecological paper, it is a<br />

portable book-product Coordinated by José A. Giménez, with the support of<br />

ADCV and Impiva.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

34 35<br />

PUBLISHING<br />

TITLE / YEAR<br />

BAKUS / 2008<br />

AUTHOR / COMPANY<br />

TATI GUIMARÃES AND NIKOLINE ARNS / CICLUS<br />

CLIENT<br />

CICLUS<br />

Bakus is a table mat <strong>de</strong>signed for Ciclus, a sustainable <strong>de</strong>sign studio in Barcelona.<br />

The concept was to make an object that had an interaction with the user<br />

and pushed him into the i<strong>de</strong>a of reusing his daily garbage, in this case, the wine<br />

corks.<br />

The result is a functional, emotive simple, elegant piece with a stainless steel<br />

finish, which is a long-lasting material.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BELLOCH CHAIR - 100% RECYCLED AND RECYCLABLE / 2009<br />

AUTHOR / COMPANY<br />

LAGRANJA / SANTA & COLE<br />

The 100% recycled and recyclable Belloch Chair is Santa & Cole and Lagranja’s<br />

joint bid to achieve a product committed with the environment.<br />

The result is a contemporary and economical chair, suitable either for indoor<br />

(with natural beech wood legs) or outdoor (with matt anodized aluminium legs)<br />

use, manufactured with an innovative material composed by 60% of recycled<br />

polypropylene from post-consumer agricultural plastic waste, and 40% of recycled<br />

dust from sawmills.<br />

INDUSTRIAL DESIGN


TITLE / YEAR<br />

BILLBIRDHOUSE / 2005<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

The Billbirdhouse is a birdhouse ma<strong>de</strong> from used billboards. Mostly boards<br />

with typographic, artistic prints have been used. The handles for the birds to<br />

perch on come from markets, pieces of furniture thrown onto the street or broken<br />

umbrellas lying in the street after a windy day.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BILLDOGHOUSE / 2008<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

Billdoghouse is a dog kennel ma<strong>de</strong> from the typical used billboards of a “For<br />

Rent” or “For Sale” sign used in The Netherlands. The number of billboards<br />

used <strong>de</strong>pends on the size of the dog, but in most cases, just a billboard is required<br />

for the complete kennel.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BIOCLIMATIC COMMUNITY / 2008<br />

AUTHOR / COMPANY<br />

LUCÍA ARRANZ AND MIGUEL ORDÓÑEZ<br />

CLIENT<br />

BIOCLIMÁTICOS<br />

The logo represents the Bioclimatic Community, a meeting place for people interested<br />

in bioclimatic architecture and the environment.<br />

The figure is a house because it is the base of architectural activity, the main<br />

discipline in which the project <strong>de</strong>veloper, Edwin Rodriguez, works. The leaf<br />

instead of the chimney symbolizes the renewable energies and photosynthesis,<br />

a fundamental process for life. The colours, brown and green, are a reference<br />

to the Earth.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

BIONICTILE: DESIGN OF GLAZED CERAMIC PRODUCTS FOR THE SELECTIVE REDUCTION OF<br />

ENVIROMENTAL NO X / 2009<br />

AUTHOR / COMPANY<br />

FRANCISCO RAYA, FELIPE SIERRA AND JOSE LUÍS ROS / CERACASA, S.A.<br />

COLLABORATORS<br />

FMC FORET AND THE CHEMICAL TECHNOLOGY INSTITUTE OF THE VALENCIA POLYTECHNIC UNI-<br />

VERSITY<br />

Bionictile ® is a ceramic product <strong>de</strong>signed after a process of microscopic observation<br />

of plant leaves that imitates their pattern to increase the specific surface of<br />

the ceramic piece that is in contact with air.<br />

This <strong>de</strong>sign makes the enamel photocatalyst that, along with the sun’s UV rays,<br />

breaks down the pollution in cities in large quantities. Bionictile ® is able to break<br />

down NO X air at a rate of 31.2 mg per m 2 per hour. Values which make this<br />

product a continuous <strong>de</strong>contamination tool and very inexpensive.<br />

SUSTAINABLE BUILDING<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BOBHANGER (THE ECOLOGICAL HANGER) / 2007<br />

AUTHOR / COMPANY<br />

JOAN NADAL / ZECODESIGN<br />

Bobhanger is ma<strong>de</strong> from recycled cardboard and needs two reused bottles to<br />

function. The clothes hanger and PET bottles are two small objects with a large<br />

environmental footprint. The proposed solution is to make recyclable hangers<br />

from just one material, and recycle bottles along the way. The middle object is a<br />

cardboard <strong>de</strong>sign that folds into the main structure, to which two reused water<br />

bottles are attached. A rolled up magazine can also be stuck through the holes.<br />

INDUSTRIAL DESIGN<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

BOLD CHAIR – BENCH / 2009<br />

AUTHOR / COMPANY<br />

ANA YAGO AND JOSÉ ANTONIO JIMÉNEZ / SANSERIF CREATIUS, S.L.<br />

Chair or bench in 100% bio<strong>de</strong>gradable corrugated cardboard. Functional and<br />

unexpensive. Auxiliary processes are reduced to the production of the assembly<br />

unit. Also reduced are costs, environmental impact and the collateral energy<br />

consumption. Its assembly and handling are carried out exclusively in special<br />

employment centres to reinforce values of integration and respect, not just environmental,<br />

but also social.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

36 37<br />

INDUSTRIAL DESIGN


TITLE / YEAR<br />

BONA DUST CARE SYSTEM / 2005<br />

AUTHOR / COMPANY<br />

BONA / BONA IBERICA<br />

Bona DCS 70 has a long-lasting Hepa filter and a patented 2-step cyclone system.<br />

These two features enable drastically longer running times. The totally<br />

sealed system prevents any dust from escaping when changing the bag, guaranteeing<br />

a dust-free process at all stages.<br />

The new Bona DCS 70 is also easier to transport thanks to the ergonomic<br />

handles and big wheels.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BONA THINK DO GREEN / 2009<br />

AUTHOR / COMPANY<br />

BONA / BONA IBERICA<br />

The firm’s mission is to bring out the best in woo<strong>de</strong>n floors. Bona is a familyowned<br />

company foun<strong>de</strong>d in 1919. A long-term ownership has enabled them to<br />

work with a long-term commitment to innovation based on concern and respect,<br />

always with a sustainable outlook and taking floor, craftsman and indoor outdoor<br />

environment in mind. Bona strives to continuously launch better products<br />

with less environmental impact.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

BOOK LAMP / 2006<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

Michael Bom has always been interested in books and this inspired him to make<br />

a lamp out of a used book. A source of inspiration was also how books are<br />

constructed. The “architecture” of a book makes it really strong and durable.<br />

With this in mind, he carried through his <strong>de</strong>sign.<br />

INDUSTRIAL DESIGN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

38 39<br />

TITLE / YEAR<br />

CAVALLUM / 2007<br />

AUTHOR / COMPANY<br />

TATI GUIMARÃES / CICLUS<br />

CLIENT<br />

HERA HOLDING<br />

Cavallum is a box of wine that becomes a lamp. It has been <strong>de</strong>signed by Ciclus,<br />

a sustainable <strong>de</strong>sign studio in Barcelona foun<strong>de</strong>d by Tati Guimarães.<br />

Originally created as a corporate gift for Hera Holding, the box is ma<strong>de</strong> of<br />

recycled cardboard and certified wood. Hera, a Barcelona firm that manages<br />

waste, asked Tati for a surprising gift that had a powerful ecological message.<br />

The unusual lamp was approved with honours and that drove its commercialization<br />

to a wi<strong>de</strong>r branch of consumers.<br />

INDUSTRIAL DESIGN<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

CC8. CLIMATE CONFERENCE. CLIMATE CONCERT / 2008<br />

AUTHOR / COMPANY<br />

COMMANDO GROUP<br />

CLIENT<br />

HAFSLUND BY APPOINTMENT OF KITCHEN AD AGENCY<br />

The i<strong>de</strong>ntity is based on a typographic composition of “CC” and “8”. The system<br />

is <strong>de</strong>signed to be used in future Conferences. The symbol communicates the<br />

circulatory system. The i<strong>de</strong>a is that the symbol can be used alone or together<br />

with the Signature “CC8 Climate Concert & Climate Conference”.<br />

The paper used is grey recycled which, against the black and white used in the<br />

tra<strong>de</strong>mark symbol, reflects an environmentally friendly stance, in addition to the<br />

pure visual qualities and characteristics.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

CENTRE FOR ECOLOGICAL ACTIVITIES “SLUNÁKOV” / 2006<br />

AUTHOR / COMPANY<br />

ROMAN BRYCHTA (MGR. AKAD. ARCH.), ADAM HALÍ AND PETR LEŠEK (ING. ARCH.) AND ONDREJ<br />

HOFMEISTER (ING.) / PROJEKTIL ARCHITEKTI S.R.O.<br />

CLIENT<br />

CITY OLOMOUC, NATIONAL FOUND OF THE CZECH REPUBLIC FOR ENVIRONMENT<br />

COLLABORATORS<br />

KATERINA HORÁKOVÁ, KATARÍNA JÄGROVÁ AND LENKA SLÍVOVÁ (ING. ARCH.) / WWW.KULTI-<br />

VAR.CZ (GRAPHIC DESIGNERS)<br />

Centre “Slunákov” has been <strong>de</strong>signed for full yearlong operation. The heat <strong>de</strong>mand<br />

is covered using a combination of renewable energy sources –biomass and<br />

solar energy. Ventilation and warm air heating are ensured by fresh air and by<br />

warm air circulation ventilation with heat recovery from outgoing air. The earth<br />

heat exchanger serves mainly to bring cooler air insi<strong>de</strong> in the summer months.<br />

Two automatic wood pellet furnaces provi<strong>de</strong> the main source of heat for heating<br />

and are a supplementary source for heating the hot water.<br />

SUSTAINABLE BUILDING


TITLE / YEAR<br />

CENTRE FOR ENVIROMENTAL EDUCATION, ARCHAEOLOGY AND SUSTAINABILITY IN ZUTPHEN,<br />

THE NETHERLANDS / 2006<br />

AUTHOR / COMPANY<br />

GROTENBREG ARCHITECTEN<br />

CLIENT<br />

GOVERNMENT OF THE CITY OF ZUTPHEN<br />

The Centre for Enviromental Education, Archaeology and Sustainability in<br />

Zutphen bore the following aspects in mind: Life Cycle Assesment; renewable<br />

resource concept; low energy-day-light-approach; industrial, prefabricated, flexible<br />

use and disassembling-building-techniques; healthy working-conditions; accurate<br />

selection of the right kind of wood for the right function; green roofs<br />

against dust and to keep rainwater; low-temperature-wall and floor-heating;<br />

central cableduct for infrastructure for electricity and data; and self-regulating<br />

air-grid for fresh-air ventilation.<br />

SUSTAINABLE BUILDING<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

CINEMA BOOK / 2007<br />

AUTHOR / COMPANY<br />

EDUARDO DEL FRAILE<br />

CLIENT<br />

GENERAL DIRECTORATE FOR ENVIRONMENTAL CONTROL OF MURCIA A. REGION<br />

COLLABORATORS<br />

JUAN JIMENEZ (DESIGN ASSISTANT) / JAVIER UROSAS (PHOTOGRAPHY)<br />

Cinema-Book was <strong>de</strong>signed with the aim of increasing people’s awareness to<br />

take part in a humanitarian project of cultural exchange with Spanish-speaking<br />

countries.<br />

The book shows a photographic sequence in which, making use of a visual<br />

metaphor, the act of distributing culture can be seen.<br />

PUBLISHING<br />

TITLE / YEAR<br />

CITY GARDEN MODEL / 2006<br />

AUTHOR / COMPANY<br />

ÁNGEL ARAGONÉS / DODECAEDRO, S.A.<br />

CLIENT<br />

ALCORCÓN TOWN COUNCIL<br />

This gar<strong>de</strong>n mo<strong>de</strong>l creates passages and locations with seating-containing elements<br />

necessary to conform to an environment punctuated by a sha<strong>de</strong> of vegetation.<br />

Its visitors are graced with floral fragrances in locations that could not<br />

naturally sustain the planting of trees.<br />

The seats and armrests have been ergonomically <strong>de</strong>signed. Its self-irrigation<br />

system saves and reduces water consumption. It needs very limited maintenance.<br />

The whole mo<strong>de</strong>l, carried out with a diversity of materials, stands for low cost,<br />

high aesthetic <strong>de</strong>sign, a perfect link between nature and sustainability.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

COMBOX, THE NEW GENERATION OF COMPOSTERS / 2008-2009<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

40 41<br />

AUTHOR / COMPANY<br />

COMPOSTADORES<br />

Combox is a new generation of composters which are eco-<strong>de</strong>signed, locally<br />

manufactured, high-quality, adaptable, modular, compartmentable, extendable,<br />

versatile and accessible to everyone. The Combox are unique because they allow<br />

the incorporation of a base that makes them suitable for paved floors.<br />

They help stop climate change and are transported efficiently and packed with<br />

recyclable and reusable packaging.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

CROSSWAY / 2009<br />

AUTHOR / COMPANY<br />

MR RICHARD HAWKES / HAWKES ARCHITECTURE LTD.<br />

CLIENT<br />

MR & MRS HAWKES<br />

COLLABORATORS<br />

ECOLIBRIUM SOLUTIONS<br />

Crossway is a sustainable home nestled quietly within the English countrysi<strong>de</strong>,<br />

floo<strong>de</strong>d with daylight beneath a soaring terracotta Timbrel vault handma<strong>de</strong><br />

from clay dug within 6 km of the site. The vault is exposed throughout the<br />

house, soaring as though somehow <strong>de</strong>fying gravity. The layout is simple, spacious<br />

and airy. Every room has a unique joy. The sun is harnessed to provi<strong>de</strong> all<br />

energy needs.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

DESIGN ACTIVISM: BEAUTIFUL STRANGENESS FOR A SUSTAINABLE WORLD / 2009<br />

AUTHOR / COMPANY<br />

ALASTAIR FUAD-LUKE / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

This is a comprehensive synthesis of emerging expressions of <strong>de</strong>sign activism<br />

which aim to <strong>de</strong>liver positive social, environmental and ethical impacts. Its aim<br />

is to bring to life the diverse nature of <strong>de</strong>sign activism by examining its history,<br />

<strong>de</strong>sign approaches and methods, and providing contemporary examples.<br />

Design Activism challenges professional, pro-am and citizen <strong>de</strong>signers to contribute<br />

to new processes of participatory engagement that enable improved social<br />

capacity to transit to more sustainable ways of living and working.<br />

PUBLISHING


TITLE / YEAR<br />

DESIGNERS, VISIONARIES AND OTHER STORIES: A COLLECTION OF SUSTAINABLE DESIGN<br />

ESSAYS / 2007<br />

AUTHOR / COMPANY<br />

JONATHAN CHAPMAN AND NICK GANT / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

This book unpacks the complex and crucial <strong>de</strong>bates surrounding sustainable<br />

<strong>de</strong>sign to <strong>de</strong>liver a compelling manifesto for change, at a time of looming ecological<br />

crisis, mounting environmental legislation and limited progress. This is<br />

a book about sustainable <strong>de</strong>sign, by the leading sustainable <strong>de</strong>sign thinkers, for<br />

creative practitioners, professionals, stu<strong>de</strong>nts and aca<strong>de</strong>mics and which provi<strong>de</strong>s<br />

the rea<strong>de</strong>r with a rich resource of future visions, critical propositions, creative<br />

i<strong>de</strong>as and <strong>de</strong>sign strategies for working towards a sustainable tomorrow, today.<br />

PUBLISHING<br />

TITLE / YEAR<br />

DEUTSCHLAND IM HERBST. A PROJECT BY ROTOR / 2008<br />

AUTHOR / COMPANY<br />

LIONEL DEVLIEGER, MAARTEN GIELEN, TRISTAN BONIVER AND MICHAËL GHYOOT / ROTOR<br />

CLIENT<br />

URSULA BLICKLE STIFTUNG (COMMISSIONER)<br />

The Brussels based collective Rotor <strong>de</strong>fines itself as a platform for the endorsement<br />

of industrial waste re-use. Deutschland im Herbst was both an exhibition<br />

(at the Ursula Blickle Stiftung in Kraichtal, Germany), and a publication.<br />

The aim of the project was to reflect upon the very moment an industrial<br />

waste-product comes into being. The catalogue provi<strong>de</strong>s text and image to such<br />

origination processes, through a series of eleven specific study-cases.<br />

The photograph, by Ccil Michel and François De Herdt shows the “Drooling<br />

of white foamed polyurethane from a boots factory”.<br />

PUBLISHING<br />

TITLE / YEAR<br />

DOG POO BAGS / 2008<br />

AUTHOR / COMPANY<br />

NINA DAUTZENBERG AND ANDREA GADESMANN / JUNGESCHACHTEL<br />

These humorous paper bags for the stylish and practical disposal of dog poo<br />

turn the less attractive moments in the life of a dog owner into an original happening.<br />

The 16 recyclable paper bags mean a simple, clean and practical disposal<br />

of dog poo. Funny prints, such as “Doggy bag”, “Don’t blame me” or “Size<br />

matters” make the walk to the next garbage bin an easy task. The i<strong>de</strong>a for dog<br />

poo bags was born out of the authors’ passion for dogs and <strong>de</strong>sign.<br />

The daily walks with Cuno, the agency’s dog, served as a source of inspiration.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

DONATE YOUR MOBILE / 2008<br />

AUTHOR / COMPANY<br />

210 PUBLICIAD, FUNDACIÓN ENTRECULTURAS AND SPANISH RED CROSS / 210 PUBLICIDAD<br />

Everything seems to be perishable in the society we live in today. Everything<br />

quickly becomes obsolete, whether or not it is still useful”. With this in mind the<br />

Spanish Red Cross and “Entreculturas” have launched the Donate your Mobile<br />

campaign, a social action aimed at mobile phone users with a double purpose:<br />

using the income generated for re-using mobiles for humanitarian and education<br />

actions in the least favoured countries, and helping protect the environment by<br />

collecting mobiles no longer in use.<br />

All this by fostering their re-use and recycling.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

DUCHI / 2004<br />

AUTHOR / COMPANY<br />

CÉSARE PEEREN / 2012ARCHITECTEN<br />

CLIENT<br />

DUCHI SHOESTORE<br />

COLLABORATORS<br />

JAN KORBES AND MARCO BROEDERS<br />

Shoestore Duchi has been built out of surplus materials. The central element is a<br />

shoe fitting island, ma<strong>de</strong> from surplus wood. Two ergonomic couches have been<br />

ma<strong>de</strong> with a footrest at working height for the employees. The back of the couch<br />

functions as a support for customers trying out new shoes, which they can do by<br />

walking on the conveyor belt from a supermarket. The circular shelves around<br />

the seating island give shape to the fitting area. This way the shop stays one<br />

entity, spatially and functionally.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

DVELAS / 2009<br />

AUTHOR / COMPANY<br />

ENRIQUE KAHLE, ARRAITZ KOCH, BORJA FUENTES, ESPERANZA KAHLE AND CARLOS MARTÍNEZ<br />

/ DVELAS REUSAIL PROYECT<br />

Dvelas <strong>de</strong>signs and manufactures contemporary furnishings reutilising old<br />

used sails. The spontaneous i<strong>de</strong>a of converting used sails into useful objects,<br />

acquires a bigger complexity when it evolves into an ethical initiative based on<br />

four fundamental strategic lines: Econversion (simple transformation processes<br />

that insist on the material’s smooth quality), Excellence (unique products with a<br />

precise i<strong>de</strong>ntification of their history and origins), Responsibility (an active and<br />

voluntary contribution to the improvement of the social, working and ecological<br />

environments) and Promotion (of the ecology, sailing and <strong>de</strong>sign).<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

42 43


TITLE / YEAR<br />

ECOALF, FABRICS FOR A NEW GENERATION / 2008<br />

AUTHOR / COMPANY<br />

GRUPO FUN&BASICS S.A.<br />

COLLABORATORS<br />

CATALAN CENTRE FOR RECYCLING, CATALAN AGENCY FOR WASTE TREATMENT, DEPARTMENT<br />

OF ENVIRONMENT AND HOUSIN / JULIO RODRIGO, HEAD OF THE ENVIRONMENTAL ENGINEER-<br />

ING DEPARTMENT<br />

Fun&basics has managed to bring creativity and environmental commitment<br />

together, and has created the first 100% recyclable collection. The components<br />

of these mo<strong>de</strong>ls have been selected so that they can be recycled. The collection<br />

can therefore be 100% recyclable using Ecoalf 1.0.<br />

Ecoalf is an exclusive fabric ma<strong>de</strong> with two polyester threads that are 100%<br />

recycled using PET plastic bottles, recyclable TPE backing, PVC free.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

ECO-BULEVAR DE VALLECAS. MADRID / 2004-2005 (FASE I), 2006-2007 (FASE II)<br />

AUTHOR / COMPANY<br />

BELINDA TATO, JOSE LUIS VALLEJO AND DIEGO GARCÍA-SETIÉN / ECOSISTEMA URBANO<br />

CLIENT<br />

MUNICIPAL URBAN LAND AND HOUSING COMPANY. MADRID CITY COUNCIL<br />

COLLABORATORS<br />

I. PRIETO, M. E. LACARRA, D. DELGADO, D. BENITO, J. EIZAGUIRRE, P. LUCAS, A. LOPEZ, A.<br />

BARREDO, L. CASAS, F. PEPE AND M. MORADIELLOS / TECTUM INGENIERÍA, S.L. (STRUCTURE) /<br />

IP INGENIERÍA (INSTALLATIONS) / I. LÓPEZ (BOTANICAL ITEMS) / C. AMORÓS AND M. GONZÁLEZ<br />

(SURVEYORS) / GRUPO ENTORNO, S.A. (CONSTRUCTORS).<br />

The Eco-Boulevard Of Vallecas can be <strong>de</strong>fined as an operation of urban recycling:<br />

an installation of three socially revitalizing air-trees. Placed along the<br />

existing housing complex, it reduces and re-arranges asymmetric traffic routes<br />

and the superficial area within the existing housing complex, thus achieving the<br />

reconfiguration of the executed urban <strong>de</strong>velopment.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

ECOHOSTEL / 2009<br />

AUTHOR / COMPANY<br />

MAARTEN VERBRUGGHE AND LISELOT CLAEYS / ECOHOSTEL ANDROMEDA<br />

Ecohostel originates from the need for budget accommodation in a city with<br />

growing sustainability awareness. Adaptive reuse of an old barge combined with<br />

ecological techniques provi<strong>de</strong>s the guests the opportunity to travel with a lower<br />

ecological footprint, without compromising comfort.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

ECOLOGICAL DESIGN: TOWARDS DESIGN AND PRODUCTION IN HARMONY WITH NATURE / 2005<br />

AUTHOR / COMPANY<br />

JOAQUÍM VIÑOLAS MARLET / EDITORIAL BLUME<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

44 45<br />

CLIENT<br />

EDITORIAL BLUME<br />

COLLABORATORS<br />

LYIDIA CARRASCO RODRÍGUEZ (GRAPHIC DESIGN)<br />

This book seeks to explore into what is un<strong>de</strong>rstood by ecological <strong>de</strong>sign from a<br />

number of different points of view, including those of biology, history, sociology,<br />

philosophy, technology and methodology. It is as much concerned with theoretical<br />

aspects as it is with practical ones and hence it tries to set out information,<br />

tools and principles which may be useful when implementing social and environmental<br />

projects in the human-ma<strong>de</strong> environment.<br />

PUBLISHING<br />

TITLE / YEAR<br />

ECONO / 2006<br />

AUTHOR / COMPANY<br />

IVÁN MARTÍN / EQUILICUÁ<br />

COLLABORATORS<br />

GOODFORE S.L. / MURRAY (PACKAGING DESIGN)<br />

Econo is a small greenhouse for plants in flowerpots or vegetable gar<strong>de</strong>ns that<br />

protects and optimizes the use of water. Taking advantage of the combination<br />

of evaporation (sun heat) and con<strong>de</strong>nsation (afternoon cooling) it traps water<br />

evaporating from the soil and returns it to the pot. As such, the amount of water<br />

necessary for the survival of the plant is reduced.<br />

Econo helps preserve a natural resource, while educating and communicating<br />

about environmental commitment.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ECOPACK’S ATTITUDE AT THE DESIGNPACK GALLERY / 2009<br />

AUTHOR / COMPANY<br />

FABRICE PELTIER / P’REFERENCE-DESIGNPACKGALLERY<br />

The Designpack Gallery is a space <strong>de</strong>dicated to the art of packaging <strong>de</strong>sign.<br />

This exhibition draws up a panorama of packaging’s ecological footprint and<br />

presents innovative solutions in ecoconception. A type of packaging that pollutes<br />

less all along its life cycle helps consumers get rid of it in a better way. That<br />

is the new global challenge.<br />

Along with the exhibition, a conference was held around the same topic.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE


TITLE / YEAR<br />

ECOPÉRGOLA MODEL TAO / 2006<br />

AUTHOR / COMPANY<br />

ÁNGEL ARAGONÉS / DODECAEDRO, S.A.<br />

CLIENT<br />

ALCORCÓN TOWN COUNCIL<br />

This pergola creates sha<strong>de</strong> and shelter and a floating vegetable gar<strong>de</strong>n to be used<br />

in areas where it is impossible to plant trees. This creates a balanced equilibrium<br />

between industrial <strong>de</strong>sign and a high level of natural sustainability.<br />

The Ecopergola has capacity to cover 25 m 2 surface area per unit and is supported<br />

by one mast. Its self-irrigation system saves and reduces water consumption<br />

and needs limited maintenance. Ma<strong>de</strong> with a diversity of materials and<br />

fabrication methods.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ECOPROYECTA / 2007<br />

AUTHOR / COMPANY<br />

F33<br />

CLIENT<br />

ECOPROYECTA / PABLO CARBONELL ALONSO<br />

Ecoproyecta is a sustainable architecture company and its corporate i<strong>de</strong>ntity had<br />

to transmit its work philosophy and foundation values. The self-promotional<br />

element represents one of this company’s aspirations: to reduce CO 2 emissions<br />

with its activity, a <strong>de</strong>cisive factor in climate change.<br />

This element is a cardboard mini-box, which contains a pot and oregano, mint<br />

or basil seeds of the Laminaceae family, one of the most important Mediterranean<br />

species –from the ethnobotanical and economic point of view. Furthermore,<br />

the box is <strong>de</strong>signed to be reused as a pencil case.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

EL-RECETARIO.NET. CONSTRUCTIVE SOLUTIONS FROM WASTE / 2007<br />

AUTHOR / COMPANY<br />

FLOU FLOU / ASOCIACIÓN MAKEA TU VIDA<br />

CLIENT<br />

ASOCIACIÓN MAKEA TU VIDA<br />

El-Recetario.Net is an online platform of knowledge exchange, which allows<br />

the cataloguing, consultation and management of constructive recipes for the<br />

household. El-Recetario.Net is an open co<strong>de</strong> project, with free access and free<br />

consultation.<br />

The recipes are furniture solutions from the creative reuse of waste, with <strong>de</strong>tailed<br />

instructions for assembly with the materials and the steps for users to<br />

build their own furniture and spaces.<br />

PUBLISHING<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

EMBELL SYSTEM, FIRST MOPPING KIT USING CLEAN WATER / 2008<br />

AUTHOR / COMPANY<br />

EMBELL EQUIPMENT / DESARROLLO INDUSTRIAL EMBELL, S.L.<br />

Embell System is specially-<strong>de</strong>signed to increase cleaning quality with its unmatched<br />

clean water supply system. Its internal <strong>de</strong>sign is entirely mechanical, so<br />

it requires no maintenance and no external power source.<br />

To use it, the tank must be filled with water so that every time the mop is<br />

used, it is done in fresh, clean water, with no refilling requirements. The system<br />

automatically supplies itself with clean water, making mopping more effective,<br />

as well as avoiding the accumulation of residual filth on the floor. It reduces the<br />

number of refills, thus reducing the amount of water, time and cleaning products<br />

nee<strong>de</strong>d to mop.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

46 47<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

EMOTIONALLY DURABLE DESIGN: OBJECTS, EXPERIENCES AND EMPATHY / 2005<br />

AUTHOR / COMPANY<br />

JONATHAN CHAPMAN / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

Emotionally Durable Design is a call to arms for professionals, stu<strong>de</strong>nts and<br />

aca<strong>de</strong>mic creatives. The publication proposes the emergence of a new genre of<br />

sustainable <strong>de</strong>sign that reduces consumption and waste by increasing the durability<br />

of relationships established between users and products. In this provocative<br />

text, Jonathan Chapman pioneers a radical <strong>de</strong>sign about-face to reduce the<br />

impact of mo<strong>de</strong>rn consumption without compromising commercial viability or<br />

creative edge.<br />

PUBLISHING<br />

TITLE / YEAR<br />

EPHEMERAL RESTAURANT CASSIA / 2008<br />

AUTHOR / COMPANY<br />

DIEGO AND PEDRO SERRANO / INNOVA::DESIGNERS<br />

The sustainable project Cassia champions recycling at DecorHabitat 2008, the<br />

<strong>de</strong>coration, art and <strong>de</strong>sign fair of the city of Lerida. In this edition, the Serrano<br />

Brothers have <strong>de</strong>signed a space for a café-restaurant, constructed un<strong>de</strong>r the<br />

motto of sustainability.<br />

The project consists of re-using all the discar<strong>de</strong>d materials generated by the<br />

construction of the fair itself, during the week before the opening date, so that<br />

it becomes the raw material used for the <strong>de</strong>coration and construction of the café<br />

and restaurant of the same fair.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE


TITLE / YEAR<br />

ERGONOMIC BONA MINI EDGER / 2003<br />

AUTHOR / COMPANY<br />

BONA / BONA IBERICA<br />

Bona Mini Edge is the handy, lightweight edger for sanding not just the edges<br />

of rooms but also stair-steps and landings. It has a dust-free system and comes<br />

equipped with an integrated halogen spotlight. Bona Mini Edge won the “Red<br />

Dot Design Award” in 2004 –one of the most prestigious industrial <strong>de</strong>sign competitions<br />

worldwi<strong>de</strong>.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

EXHIBITION XPOELDER: CLIMATE CHANGE / 2009<br />

AUTHOR / COMPANY<br />

OCEANOGRÁFICA: DIVULGACIÓN, EDUCACIÓN Y CIENCIA, S.L.<br />

CLIENT<br />

ELDER MUSEUM OF SCIENCE AND TECHNOLOGY<br />

Xpoel<strong>de</strong>r: Climate Change is part of a collection of itinerant exhibitions whose<br />

motto is “the museum where you are”. Their purpose is to move science directly<br />

to schools and stimulate the curiosity of stu<strong>de</strong>nts towards various scientific issues<br />

and the importance of science in life.<br />

Ma<strong>de</strong> by the El<strong>de</strong>r and the Publishing Company Oceanográfica, it raises<br />

awareness, through comics characters, to climate change and encourages visitors<br />

to find solutions to it.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

F. H. I. F. F. / 2008<br />

AUTHOR / COMPANY<br />

JODY BARTON<br />

F. H. I. F. F. –“Fuckin’ Hell It’s Fuckin’ Fucked” consists of a booklet, T-shirt and<br />

Screenprint. It is part of a personal project to examine the climate change <strong>de</strong>bate<br />

from a new position. The <strong>de</strong>signer imagines what the <strong>de</strong>bate may look like from<br />

various points of view: somebody from thousands of years in the future, from<br />

ancient Greece, from another planet, or from the position of a bacteria. Does the<br />

humanist vision exist outsi<strong>de</strong> of space and time?<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

FAT BOB ROCKER / 2009<br />

AUTHOR / COMPANY<br />

FRANÇOIS ROYER / STANKER<br />

Fat Bob Rocker is a rocking chair with adjustable swing, refined lines and impeccable<br />

finishings. Creative recycling meets neo-retro <strong>de</strong>sign in the Stanker Collection,<br />

one <strong>de</strong>signer’s reaction to a culture of relentless consuming and waste.<br />

French <strong>de</strong>signer Francois Royer’s part-time hobby has evolved into a full-blown<br />

expression of both the economy of re-use and the creation of functional art from<br />

industrial <strong>de</strong>bris.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

FUJY SOSTENIBLE HOUSE / 2005<br />

AUTHOR / COMPANY<br />

LUCA LANCINI<br />

CLIENT<br />

MAYTE ARIZA DE ALBERTY<br />

Fujy House is an initiative whose objective is to show through an example<br />

done to scale, that sustainability is possible “here and now” and that it can be<br />

achieved on the one hand by using existing constructive and technological elements<br />

that can be found on the Spanish market, and on the other hand by raising<br />

awareness amongst the leading companies of the sector.<br />

The housing has been <strong>de</strong>signed in accordance with the rules of bioclimatic architecture,<br />

using materials of low environmental impact and via the installation<br />

of various technological systems that guarantee maximum efficiency.<br />

SUSTAINABLE BUILDING<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

GARDENY / 2009<br />

AUTHOR / COMPANY<br />

FELIP PICH-AGUILERA BAURIER, TERESA BATLLE PAGÉS AND JOSÉ MARIA PUIGDEMASA<br />

HOSPITAL / PICH AGUILERA AND ARQUITECTOS S.P.L.<br />

CLIENT<br />

CONSORTIUM OF THE SCIENTIFIC AND TECHNOLOGICAL AGRO-INDUSTRY CENTRE<br />

COLLABORATORS<br />

A. SENDARRUBIAS, J. MILANÉS, P. CASALDALIGA, B. ROS, J. CAMPS, M. DOLCET, J. GOMEZ,<br />

BOMA-SALA, EINESA, SOCIETAT ORGANICA, F. SOLSONA AND CIMNE-BEE-GROUP<br />

Gar<strong>de</strong>ny is an architectural proposal which consists of rehabilitating three “H<br />

buildings” (military quarters of Lerida city) and reconverting them into big containers<br />

of multiple usage, for industrial research and the agro-food university.<br />

The buildings are going to be formalized into a single building through modular<br />

umbrageous greenhouses originating directly from the innovative agricultural<br />

world, thus generating a thermal space that, together with other bioclimatic<br />

strategies, allow for the use of the existing natural resources in an efficient way.<br />

SUSTAINABLE BUILDING<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

48 49


TITLE / YEAR<br />

GOOD FOR ENVIRONMENT! (G4E!) / 2004<br />

AUTHOR / COMPANY<br />

MAITE CANTÓN, VICTOR ARCE, SANTIAGO RISCO, JENNA WATSON, MARIANO SANZ AND IVÁN<br />

MARTÍN / GOODFORE, S.L.<br />

The eco<strong>de</strong>sign platform Good For Environment! (G4E!) is a business project<br />

that seeks to contribute to sustainable <strong>de</strong>velopment in its three dimensions: social,<br />

economic and environmental. It provi<strong>de</strong>s the necessary values and solutions,<br />

mediating in the process of conception and production and acting as a link<br />

between the principal actors in society.<br />

G4E! looks to provi<strong>de</strong> sustainable criteria and solutions starting from the early<br />

stages of conceptualization, when it is possible to efficiently reduce the impact<br />

of a product or service.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

GREEN BOX / 2009<br />

AUTHOR / COMPANY<br />

LUIS DE GARRIDO<br />

CLIENT<br />

ANAVIF - ANAS (SPANISH NATIONAL ASSOCIATION TOWARDS SUSTAINABLE ARCHITECTURE)<br />

Green Box is the first modular building prefabricated, reusable, transportable,<br />

bioclimatic, with an infinite life cycle, with zero energy consumption, and without<br />

waste generation.<br />

Luis <strong>de</strong> Garrido was inspired by natural and emergent shapes in land, sea and<br />

sky and discovered that triangles are the most natural shapes in Nature. These<br />

triangles enable one of the aims of Green Box ’s <strong>de</strong>sign to be reached: to give the<br />

home a landscaped roof that can be passed by as if it were continuing the land.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

GREEN SPOT “CEMEX LIMPIO” / 2009<br />

AUTHOR / COMPANY<br />

RAÚL RODRÍGUEZ DE TORRES, JUAN ANTONIO ALONSO GARCÍA AND SORIANO PLATAS /<br />

CEMEX, S.A. AND SP ARQUITECTURA E INGENIERIA, S.L.<br />

CLIENT<br />

CEMEX, S.A.<br />

Cemexlimpio by concrete company Cemex is a green spot. Its vocation for flexibility<br />

creates a system through modular elements linked where standard waste<br />

containers are placed. Each “L” shaped module is leaned upon the previous one<br />

allowing for different lengths and flexible lay-outs. A slight disor<strong>de</strong>r is kept to<br />

remind people of what waste looks like. The colours are the current waste co<strong>de</strong>s,<br />

to be easily recognized and help the critical moment, just when waste is split up.<br />

It is ma<strong>de</strong> with a recycled material: return waste concrete.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

HEADBOARD PALLET / 2008<br />

AUTHOR / COMPANY<br />

PABLO MACÍAS AND BELÉN SÁNCHEZ / CUATRO TUERCAS<br />

A sustainable <strong>de</strong>sign would be a <strong>de</strong>sign that not only doesn’t generate any but<br />

also diminishes existing waste. A <strong>de</strong>sign that, at a glance, shows its intention and<br />

invites people to change their habits. An excellent sustainable <strong>de</strong>sign would be<br />

one in which the only energy that is consumed is the creative type. The Headboard<br />

Pallet points to that direction.<br />

Its aim is sustainability and functionality, without giving up aesthetic values.<br />

The pallet adapts perfectly to its new function only by changing its context.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

HOM, AUTONOMOUS SOLAR STREET LIGHT / 2008<br />

AUTHOR / COMPANY<br />

ALESSANDRO CAVIASCA / STUDIO ITINERANTE ARQUITECTURA, S.L.<br />

Hom, Autonomous Solar Street Light is mo<strong>de</strong>rn, functional and full performing<br />

all in one. A LED programmable system allows huge autonomy and high<br />

efficiency, does not generate heat or need maintenance, and lights all night even<br />

in winter months. Its stand alone system makes it unnecessary to dig trenches<br />

to connect it and makes it possible to light isolated areas. It has a useful life of<br />

50,000 hours (LED system).<br />

Hom esthetical, technical and specific energy aspects make it an element with<br />

high performance and low environmental impact.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

HOUSE AND SUSTAINABILITY IN SPAIN / 2008<br />

AUTHOR / COMPANY<br />

TONI SOLANAS / TONI SOLANAS’ ARCHIQUECTURE STUDIO<br />

CLIENT<br />

EDITORIAL GUSTAVO GILI<br />

The quality of Spanish architecture is valued throughout the world. However,<br />

the <strong>de</strong>gree of sustainability of the buildings is still poor. This is why it is worth<br />

getting acquainted with some examples by those who are starting their way towards<br />

managing building resources which are friendlier with the environment:<br />

bioclimatic buildings, changes or improvements in the industry, ecological constructions<br />

and restoration among others.<br />

This publication is a reference for sustainable architecture in which thirty-two<br />

architects express their concerns and show us forty buildings where solutions<br />

that will soon be wi<strong>de</strong>ly used are applied.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

50 51<br />

PUBLISHING


TITLE / YEAR<br />

I’M NOT JUST A BOX / 2007<br />

AUTHOR / COMPANY<br />

GUILLEM FERRAN<br />

CLIENT<br />

CAMPER<br />

COLLABORATORS<br />

FASCINATION PROJECT, CAMPER<br />

The author’s proposal is that costumers may re-use the Camper cardboard shoebox.<br />

By using a belt with it, the box can turn into a rucksack to be used for a<br />

certain period of time.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

IMPULSE COLLECTION / 2009<br />

AUTHOR / COMPANY<br />

MICHIEL VAN DER KLEY / UNSEEN PRODUCTS<br />

CLIENT<br />

UNSEEN PRODUCTS<br />

In 2007 the author won a prize with the <strong>de</strong>sign of paper lights at a contest<br />

organised by a group of paper producing companies from Nepal. While getting<br />

the prototypes ready, he researched into the possibility of making 3 dimensional,<br />

organically curved shapes with paper. After a lot of experiments and tests, using<br />

very thin layers of the local paper (lokta paper) and a special kind of glue ma<strong>de</strong><br />

it possible.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

INTERNATIONAL GREEN ROOF CONGRESS / 2009<br />

AUTHOR / COMPANY<br />

WOLFGANG ANSEL / IGRA - INTERNATIONAL GREEN ROOF ASSOCIATION<br />

Un<strong>de</strong>r the banner of “Bringing Nature Back to Town”, almost 300 green roof<br />

professionals from around the world got together for 3 intensive days of experience<br />

transfer. Participants from 40 countries and 5 continents substantiated very<br />

clearly that rooftop greening has become a “global player” in the field of sustainable<br />

building concepts. Sustainable urban <strong>de</strong>velopment places high <strong>de</strong>mand<br />

on the technical, ecological and aesthetic quality of construction.<br />

The goal is to build in harmony with nature and, thanks to green roof architecture,<br />

to create attractive living spaces and habitats.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

ARTEMATICA VITRUM BASE / 2009<br />

AUTHOR / COMPANY<br />

GABRIELE CENTAZZO / VALCUCINE<br />

A perfect synthesis of sense of beauty, high quality and technology, all Artematica<br />

Vitrum Base arrangements have unique features that are the result of<br />

extremely innovative techniques, such as <strong>de</strong>materialisation. This construction<br />

method makes the door extremely resistant to humidity, heat and impact as well<br />

as making it lighter, with consequent longer hinge life and more silent closing<br />

movements.<br />

All these features result in less consumption of materials and energy and thus<br />

in an eco-compatible approach to production.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ISER / 2009<br />

AUTHOR / COMPANY<br />

DAVID RODRIGUEZ / ISER<br />

Based in Valencia, Spain, Iser (Renewable Energy Systems And Integration) is<br />

a company specialised in <strong>de</strong>veloping studies on energy efficiency, engineering,<br />

promotion, planning, <strong>de</strong>velopment and construction of projects for solar, wind,<br />

geothermal and biomass energy. Iser has implemented more than 100 installations<br />

all over Spain, including ground-breaking projects ranging from natural<br />

parks to international collaborations focused on implementing systems such as<br />

solar air-conditioning or spatial solar technology for terrestrial applications.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

KYOTO HOUSE / 2008<br />

AUTHOR / COMPANY<br />

FELIPE PICH-AGUILERA AND TERESA BATLLE / PICH AGUILERA, ARQUITECTOS S.P.L. AND PMP, S.L.<br />

CLIENT<br />

PMP, S.L. PROMOCIONES<br />

Kyoto House is a single-family house ma<strong>de</strong> of concrete, based on sustainability<br />

criteria. Thanks to a rational and repeatable scheme, this project aims to introduce<br />

all the aspects to which sustainable architecture must answer: good passive<br />

behaviour (bioclimatic <strong>de</strong>sign), integrating intermediate spaces and constructive<br />

systems that help reduce energy and resource <strong>de</strong>mand; building-integrated renewable<br />

energy systems and finally, materials and construction proposals that<br />

take recycling, reutilization and the environment into account.<br />

The building structure has been commercially <strong>de</strong>signed jointly by the company<br />

Prefabricados Pujol and Promotions Montse Pujol (PMP SL).<br />

SUSTAINABLE BUILDING<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

52 53


TITLE / YEAR<br />

LAUREANA HOUSE / 2003-2007<br />

AUTHOR / COMPANY<br />

AURELIO CALDERÓN AND ANA MARÍA GONZÁLEZ / LAUREANA ARQUITECTURA SOSTENIBLE<br />

This single family home is set within a vault, which unites the structure, enclosure,<br />

insulation and roof in this element. Bioclimatic <strong>de</strong>sign and the use of bioconstruction<br />

materials and constructive solutions, passive natural ventilation<br />

systems and clean energies converge in this construction. The water used in the<br />

home is cycled through a natural purifier. This building’s <strong>de</strong>sign is a reflection of<br />

the landscape, allowing true integration into its surroundings.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

LUCE LAMP / 2005<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

The Luce Lamp is ma<strong>de</strong> from a used book Mikael Bom found in secondhand<br />

shops. It is multifunctional as it can be used as a wall sconce as well as a table<br />

lamp.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

MADE IN GREEN LABEL / 2005<br />

AUTHOR / COMPANY<br />

AITEX (TECNOLOGICAL TEXTILY INSTITUTE)<br />

The “Ma<strong>de</strong> in Green” label has three fundamental concepts: Health (the textiles<br />

article contains no substances that are harmful to health), respect for the environment<br />

(the article has been manufactured in production centres with an externally<br />

audited and certified environmental management standard), and respect<br />

for workers’ human rights according to the ILO in the production centres where<br />

the article is manufactured.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

NEOROMÁNTICO SUSTAINABLE BENCH / 2009<br />

AUTHOR / COMPANY<br />

MIGUEL MILÁ / SANTA & COLE<br />

The Neoromántico Sostenible Bench is the result of a revision of the classical<br />

NeoRomántico bench, an icon in <strong>de</strong>sign in the European public space, <strong>de</strong>signed<br />

by Miguel Milá in 1995. Composed of a structure with a recycled polypropylene<br />

injection arm with 30% long fibreglass and PVC extrusion slats blen<strong>de</strong>d with<br />

50% recycled plant fibres, the Neoromántico Sostenible Bench is created as an<br />

urban element committed to the environment and attentive to the new technologies<br />

and trends of the public space.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

NEW BRIDGE OVER THE HENARES RIVER NEXT TO THE ARABIC BRIDGE IN GUADALAJARA,<br />

SPAIN / 2002-2003 (PROJECT), 2006-2008 (WORK)<br />

AUTHOR / COMPANY<br />

MAITE AGUADO ROCA AND XAVIER CARRASCAL FRÍAS / CMKM ARQUITECTURA<br />

CLIENT<br />

GUADALAJARA CITY COUNCIL<br />

COLLABORATORS<br />

ESTEYCO<br />

The main objective of this new bridge was to split the Arabic Bridge into two in<br />

or<strong>de</strong>r to support the increasing traffic between the two river banks. The Arabic<br />

Bridge is a building dated from the 10 th Century and <strong>de</strong>clared Historic Heritage.<br />

The objective of the project editor team is to take the split of the Arabic Bridge<br />

as a reciprocal dialogue relationship between the two bridges. The result is<br />

un<strong>de</strong>rstood as a performance that unites the historical presence of the Arabic<br />

Bridge, the new infrastructure and the environment.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

NEW PACKAGING / 2009<br />

AUTHOR / COMPANY<br />

JOAN RIPOLLES ARRUFAT / NEW PACKAGING, S.A<br />

CLIENT<br />

NEW PACKAGING, S.A<br />

This packaging is manufactured un<strong>de</strong>r the Cradle to Cradle philosophy: recycled<br />

and recyclable products for life. Eco-<strong>de</strong>sign is applied to the whole process:<br />

<strong>de</strong>coration, transport system, re-use, recycling, in or<strong>de</strong>r to achieve eco-efficiency<br />

in the process and in the products.<br />

The result is packaging with high technical properties and also adapted to the<br />

clients’ needs. It has both the advantages of plastic and the price and operative<br />

characteristics of compact cardboard.<br />

INDUSTRIAL DESIGN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

54 55


TITLE / YEAR<br />

OKO BUILDING / 2009<br />

AUTHOR / COMPANY<br />

JAVIER SEGARRA SANCHIS / BIOTECTURA, S.L.<br />

COLLABORATORS<br />

PATRICIA VILAR AND VERÓNICA VEGA (INTERIOR DESIGN) / SETSOLAR ECOENERGIAS, S.L.<br />

(SOLAR PANNELS) / SISTEM CUBIERTAS IBERICA, S.L. (FSC WOOD BOARDS)<br />

The building incorporates the first <strong>de</strong>ck of Spain with great lights and great<br />

height ma<strong>de</strong> from FSC plywood and photovoltaic solar panels with a power of<br />

210 KW. It is self-financing up to 88%, with the production and sale of photovoltaic<br />

electricity. Through a combination of biomass, geothermal, solar thermal<br />

and LED lighting, the building achieves 77% maintenance savings over a conventional<br />

building of the same characteristics. The building is the headquarters<br />

of the network of sustainable entrepreneur “Oko” and houses the centre for<br />

innovation and <strong>de</strong>velopment for bio-sustainable buildings.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

PARC DEL PINAR DE PERRUQUET / 2008<br />

AUTHOR / COMPANY<br />

GERARD VECIANA & ELISABET FAURA ARCHITECTS / ARTEKS ARQUITECTURA<br />

CLIENT<br />

VILA-SECA TOWN COUNCIL AND GENERALITAT DE CATALUNYA PTOP ( DIRECTORATE OF<br />

ARCHITECTURE AND LANDSCAPE)<br />

COLLABORATORS<br />

AMATRIA INGENIERIA, JAVIER PENALBA, URSSA FIBERLINE AND MYJ GRUAS<br />

In Mediterranean peri-urban littoral, the pollution of maritime aerosol affects the<br />

survival and the growth of pines and other plants. In this situation, creating an extension<br />

forest like the existing one is not viable. The coastal pine groves of “piñonero”<br />

(pine-nut) pine have both great landscape and ecological value, and are habitats<br />

worth preserving for their broa<strong>de</strong>r public interest. Since it is not possible to replant<br />

a pine grove as the existing one, the proposal here is to generate an artificial sha<strong>de</strong><br />

by means of a pergola that is reminiscent of the semidarkness of the pine grove.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

PENMAN / 2006<br />

AUTHOR / COMPANY<br />

MICHAEL BOM AND ANTOINET DEURLOO / BOMDESIGN<br />

The Penman is a penhol<strong>de</strong>r ma<strong>de</strong> from a used vinyl record. It is moul<strong>de</strong>d by the<br />

four hands of the <strong>de</strong>signers and Each piece has a unique shape.<br />

It is a very stable object and can hold a consi<strong>de</strong>rable amount of pencils and other<br />

stationary items.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

PNEU_FABRIC COVER TO MAKE A SEAT OUT OF TWO OLD TIRES / 2006<br />

AUTHOR / COMPANY<br />

GABRIELA CHANG VALDOVINOS / DAY DREAMING, S.L..<br />

The end of a product life may become the beginning of a new one. Discar<strong>de</strong>d<br />

tyres become a new object when they are given a new use.<br />

Pneu is a fabric circumference with a cord inserted in its brim, to allow for<br />

a tyre insi<strong>de</strong>. It creates a tense and hammock-like surface to sit on, in a simple<br />

wrap and tighten system. By piling up two tyres, a comfortable height for a seat<br />

is achieved. It is also a simple way to solve basic furniture needs in urban and<br />

rural areas. Its interior can be used as storage space.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

POSITIVE DEVELOPMENT: FROM VICIOUS CIRCLES TO VIRTUOUS CYCLES THROUGH BUILT EN-<br />

VIRONMENT DESIGN / 2008<br />

AUTHOR / COMPANY<br />

JANIS BIRKELAND / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

In this book Janis Birkeland presents the innovative new paradigm in which<br />

the built environment provi<strong>de</strong>s greater life quality, health, amenity and safety<br />

for all, without sacrificing resources or money. With a different form of <strong>de</strong>sign,<br />

<strong>de</strong>velopment itself can become a “sustainability solution”. A cornerstone of this<br />

new paradigm is the ecoretrofitting of the vast urban fabric we already inhabit.<br />

The author presents a revolutionary new tool called SmartMo<strong>de</strong> to achieve this<br />

end.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

56 57<br />

PUBLISHING<br />

TITLE / YEAR<br />

POSTERS / 2006-2009<br />

AUTHOR / COMPANY<br />

ELZBIETA CHOJNA<br />

The posters here presented are ma<strong>de</strong> of cut-out pieces of paper. The work is<br />

ecological as the materials used are utilized very economically. Cut pieces of<br />

paper which remain after making a poster are stored and used in further works.<br />

The pieces that are too small to use are recycled.<br />

Ecology should be like nature, full of forms and colours. This is the reason why<br />

loud colours are chosen for the ecoposters. The topics the author is most interested<br />

in, in relation to natural environment are concerned with the problems of<br />

animals –both domestic and wild– and the uneven fight between man and the<br />

animal world.<br />

GRAPHIC DESIGN CAMPAIGNS


TITLE / YEAR<br />

PRET A PORTER / 2002<br />

AUTHOR / COMPANY<br />

ROCA CERÁMICA TECHNICAL DEPARTMENT / ROCA CERAMICA<br />

The tile range Roca’s Pret a Porter porcelain is an innovative and sustainable<br />

system whose most notable feature is that it can be laid 100% dry and instantly,<br />

without the need for cement or pointing.<br />

This highly versatile system, exclusive to Roca, is very clean, generates no<br />

waste or rubble at all and allows for complete removal for subsequent reuse.<br />

Moreover, the pieces are easy to replace and can be used from the moment of<br />

laying.<br />

Roca places itself in the forefront of the permanent search for solutions that<br />

combine quality, <strong>de</strong>sign and sustainable <strong>de</strong>velopment.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

R4 HOUSE / 2007<br />

AUTHOR / COMPANY<br />

LUIS DE GARRIDO<br />

CLIENT<br />

ANAVIF - ANAS (SPANISH NATIONAL ASSOCIATION TOWARDS SUSTAINABLE ARCHITECTURE)<br />

R4House are the two sprucest transportable and bioclimatic houses in the world<br />

to be built entirely from recycled, reused and recuperated materials, with zero<br />

net energy consumption and no waste generation during construction or <strong>de</strong>construction.<br />

They have an infinite life cycle and strictly comply with all recognised<br />

sustainable indicators.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

RECYCLOOP / 2007-2009<br />

AUTHOR / COMPANY<br />

JAN JONGERT AND JEROEN BERGSMA / 2012ARCHITECTEN<br />

CLIENT<br />

FESTIVAL A/D WERF, HANS VENHUIZEN, HET BLAUWE HUIS AND CBK DORDRECHT<br />

COLLABORATORS<br />

PIETER SCHEER, JOHN BOSMA, DIRK OVERDUIN AND LOUISA VERMOERE<br />

The Recycloop temporarily unites two waste flows, sinks and water, in a shiny<br />

structure. Sinks from <strong>de</strong>molished buildings are the walls of multifunctional<br />

space. The sinks can appear in different shapes and are easy to mount and dismount<br />

due to a skilful fastening system. When the sun shines Recycloop reflects<br />

light like a disco ball. On the insi<strong>de</strong>, the sun shines through the holes, but when<br />

it rains the sinks give shelter. Rainwater is collected through the gray water<br />

circuit.<br />

SUSTAINABLE BUILDING<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

58 59<br />

TITLE / YEAR<br />

REFUNC / 2003<br />

AUTHOR / COMPANY<br />

DENIS OUDENDIJK AND JAN KORBES / REFUNC.NL<br />

COLLABORATORS<br />

MANTAS LESAUSKAS, ISIS HOOS, THIJS MASTHOF, KAY KLOP, BART GROENEWEGEN, JOB<br />

SALTZHER, DIRK OVERDUIN, JOEP DE GROOT, THOMAS TRUM, TJEU DONDERS AND BORIS<br />

DUIJNEVELD<br />

Garbage architecture provi<strong>de</strong>s a second life for found or thrown-away objects<br />

and operates on the bor<strong>de</strong>rs of architecture, art and <strong>de</strong>sign, creating new products<br />

from old materials. Origin for <strong>de</strong>signs is found in the object itself, by listening<br />

to its own composition, history, or local and social context. The authors do<br />

not start from a <strong>de</strong>sign, they need a problem to play with, 3D troubleshooting,<br />

and creative improvisation with whatever is locally available.<br />

Waste materials lead the way to often unpredictable results. Wherever there is<br />

garbage, this work team can do research and workshops on creative recycling.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

RELAJA (SUSTAINABLE URBAN FURNITURE) / 2007<br />

AUTHOR / COMPANY<br />

JON MARÍN AND ÁLEX JIMÉNEZ / NUTCREATIVES<br />

The project concept “Relaja” was <strong>de</strong>veloped in the Canary Islands to improve<br />

the local situation. The waste treatment of stone slabs from a construction company<br />

was the starting point. This waste was recovered through the <strong>de</strong>sign of<br />

a modular outdoor bench due to the local <strong>de</strong>mand for non-imported public<br />

furniture. Furthermore, the simple production of Relaja might support the integration<br />

of people at risk of social exclusion, giving a solution to a diagnosed<br />

problem in the Local Agenda 21. Thus, this product is a transposable example<br />

of how <strong>de</strong>sign can help the local economy, ecology and society.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

RESSENY / 2007<br />

AUTHOR / COMPANY<br />

JON MARÍN<br />

Resseny (www.resseny.blogspot.com) is an online platform from which to spread<br />

good practices whereby <strong>de</strong>sign in its wi<strong>de</strong>st sense has an important role for the<br />

promotion of sustainable values. Regularly updated, the author of Resseny reviews<br />

from a refreshing and rigorous perspective many different examples of<br />

products, services, systems or strategies related to <strong>de</strong>sign and its environment.<br />

The website was born three years ago with the aim of being an informational<br />

and educational tool, a channel for communication and popularization of <strong>de</strong>sign<br />

for sustainability.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE


TITLE / YEAR<br />

RICICLANTICA / 2007<br />

AUTHOR / COMPANY<br />

GABRIELE CENTAZZO / VALCUCINE<br />

Valcucine’s research has created a method to give the door surface a feeling of<br />

organic <strong>de</strong>formation. Riciclantica, the first door in the world to be 2 mm thick,<br />

is distinguished by new shapes and volumes inspired by nature. It almost looks<br />

as if life is pulsating within the material of which the front is ma<strong>de</strong>. The use<br />

of special materials such as carbon, aluminium, steel, layered laminate and the<br />

novelty of glass (2008) also contributes to making the Riciclantica door unique<br />

in the furniture sector.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

SEAM CHAIR / 2009<br />

AUTHOR / COMPANY<br />

CHRIS KABEL<br />

COLLABORATORS<br />

DROOGDESIGN AND LANKHORST PURE COMPOSITES<br />

This chair has been <strong>de</strong>veloped with the help of the Aerospace Material Research<br />

Department of the Technical University Delft and Lankhorst Indutech, the <strong>de</strong>veloper<br />

of the Pure material. Pure is a 100% polypropylene (PP). A bag is sewed<br />

in the shape of a chair and filled with sand so that it gets its shape. After around<br />

an hour baking on 130°C (this is less than an apple pie!!!) the fibres are impregnated<br />

and fixed together. A hole lets the sand come out and what is left is an<br />

ultra light piece of furniture that does not need resin and glass or carbon fibres<br />

to create superlight (using little material) and super strong constructions that are<br />

100% recyclable.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

SHELL SCENARIOS POSTERS / 2008<br />

AUTHOR / COMPANY<br />

PETER GRUNDY<br />

CLIENT<br />

SHELL INTERNATIONAL LTD.<br />

COLLABORATORS<br />

SHELL SCENARIOS TEAM<br />

Peter Grundy has <strong>de</strong>signed three generations of publications with three respective<br />

MDs. Scenarios are tools that help people un<strong>de</strong>rstand how the future may<br />

affect the present. As part of Shell Energy Scenarios 2008, the author has <strong>de</strong>signed<br />

two presentations (posters).<br />

Poster 1 shows a set of visual tools called anchors used in Power Point shows<br />

to highlight the main energy topics.<br />

Poster 2 <strong>de</strong>picts the various global components of the message.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

SOLAR COOKER / 2008<br />

AUTHOR / COMPANY<br />

DR. DIETER SEIFERT AND MANOLO VILCHEZ / ALSOL TECNOLOGÍAS SOLARES S.L.<br />

Domestic solar cooker of pre-cut aluminium plates (structure) and high reflection<br />

flexible aluminium mirrors for the parabolic concentrator. In flat box with<br />

all materials and visual gui<strong>de</strong>, it’s easy to set up. The materials are of very high<br />

durability, ensuring a future of high value recycling. It cooks all kind of dishes<br />

without consuming fossil energy resources. Boils 1 litre of water in 8 minutes!<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

SOLIDARY ROUTE TO MAURITANIA / 2008<br />

AUTHOR / COMPANY<br />

EDUARDO DEL FRAILE<br />

CLIENT<br />

NGO AMAMI AND GENERAL DIRECTORATE FOR ENVIRONMENTAL CONTROL OF MURCIA REGION<br />

COLLABORATORS<br />

JUAN JIMENEZ AND ANTONIO MARQUEZ (DESIGN ASSISTANT) / EDUARDO DEL FRAILE (COLOR<br />

PHOTOGRAPHY) / GABRIEL PASAMONTES (BLACK&WHITE PHOTOGRAPHY) / ANA LEAL (TEX)<br />

This book came about from a solidarity expedition to Mauritania, arranged to<br />

reuse medical material from different hospitals.<br />

The creative proposal was to portray the current situation of Mauritania in<br />

parallel to the expedition itself. The result was a book to raise awareness and<br />

serve as a documentary reference for the purpose of the route, which later on<br />

would be used to raise economic funds for the NGO Amami, located in one of<br />

the poorest areas of Nouakchott, capital city of Mauritania.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

60 61<br />

PUBLISHING<br />

TITLE / YEAR<br />

SOLTAG, ENERGY HOUSING / 2005<br />

AUTHOR / COMPANY<br />

NIELSEN & RUBOW A/S, CENERGIA APS, KUBEN BYFORNYELSE DENMARK A/S AND VELUX A/S<br />

(DENMARK) / RUBOW ARCHITECTS<br />

CLIENT<br />

EU “DEMOHOUSE”<br />

Soltag Enery Housing is a system for houses which produces energy and healthy<br />

indoor living conditions without “polluting” its surroundings thanks to the installation<br />

of solar thermal collectors in its roof, which allows the house to be<br />

self-sufficient in terms of energy.<br />

It also uses high performance insulation materials, efficient ventilation systems<br />

and solar heating systems.<br />

SUSTAINABLE BUILDING


TITLE / YEAR<br />

SPUD RAINCOAT / 2009<br />

AUTHOR / COMPANY<br />

MAITE CANTÓN AND MARIANO SANZ / EQUILICUÁ<br />

COLLABORATORS<br />

GOODFORE S.L.<br />

This raincoat is ma<strong>de</strong> entirely using bioplastic <strong>de</strong>rived from potato starch and<br />

other natural resources, resulting in a 100% bio<strong>de</strong>gradable and compostable<br />

product. This implies that at the end of its life cycle it returns entirely to the biosphere,<br />

transformed into organic matter and thus, closing the loop. To reinforce<br />

this concept, every raincoat contains a small clay ball with seeds in it. As such,<br />

the users know that they have to plant the raincoat when it becomes useless.<br />

This way it won’t only return to a natural cycle, but will also help to cultivate<br />

the seeds insi<strong>de</strong>.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

STARS / 2008<br />

AUTHOR / COMPANY<br />

STUDIO VOLLAERSZWART<br />

CLIENT<br />

CITY OF ROTTERDAM<br />

Stars is a light sculpture by studio Vollaerszwart. It sparkles on the Rotterdam<br />

skyline. In the city the stars are barely ever visible. Stars is an artificial starry sky,<br />

visible every night. The Delftse Poort, the Nationale Ne<strong>de</strong>rlan<strong>de</strong>n offices building,<br />

has been dressed with thousands of LED-lights, across a total length of 150<br />

metres. These lights have been placed on the building’s faca<strong>de</strong> at random, thus<br />

creating a natural pattern.<br />

This monumental light sculpture functions completely without electricity. The<br />

durable LED-lights use solar cells to charge themselves during the day, and remain<br />

lit for eight hours during the night. They blink at four different frequencies.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

SUPERUSE THE BOOK / 2006<br />

AUTHOR / COMPANY<br />

JAN JONGERT AND CÉSARE PEEREN / 2012ARCHITECTEN<br />

CLIENT<br />

010 PUBLISHERS<br />

COLLABORATORS<br />

ED VAN HINTE<br />

Superuse is a practical and inspiring book about constructing new buildings<br />

with surplus materials. It presents i<strong>de</strong>as for tools and methods for architects such<br />

as the harvest map. The book is illustrated with 15 clearly and concisely presented<br />

examples from 2012Architecten in the Netherlands and elsewhere. It also<br />

consi<strong>de</strong>rs the subject from the ecological and methodological points of view.<br />

Superuse.org is the accompanying online community about reuse and <strong>de</strong>sign.<br />

PUBLISHING<br />

TITLE / YEAR<br />

SUPERUSE.ORG / 2006<br />

AUTHOR / COMPANY<br />

JAN JONGERT, CÉSARE PEEREN AND JEROEN BERGSMA / 2012ARCHITECTEN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

62 63<br />

COLLABORATORS<br />

SUITE 75<br />

Superuse.org is an online community of <strong>de</strong>signers, architects and anyone interested<br />

in inventive ways of recycling. The site allows anybody to post items of<br />

various scales within a variety of reuse categories. All examples of products,<br />

furniture, interiors, buildings and reuse on a urban scale are welcome. As well as<br />

exhibiting applications, the website promotes the <strong>de</strong>velopment of knowledge on<br />

the subject by promoting discussion, user interaction and comment.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

SUSTAINABLE BY DESIGN: EXPLORATIONS IN THEORY AND PRACTICE / 2006<br />

AUTHOR / COMPANY<br />

STUART WALKER / EARTHSCAN PUBLICATIONS LTD. / JAMES & JAMES SCIENTIFIC PUBLISHERS<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

To advance the subject of <strong>de</strong>sign one has to engage in the activity of <strong>de</strong>signing.<br />

This book offers an innovative, <strong>de</strong>sign-centred approach that explores both<br />

the meaning and practice of sustainable <strong>de</strong>sign. The author explores the <strong>de</strong>sign<br />

process in the context of sustainability, and challenges conventional ways of<br />

<strong>de</strong>fining, <strong>de</strong>signing and producing functional objects. He discusses the personal<br />

<strong>de</strong>sign process, tacit knowledge, ephemeral <strong>de</strong>sign, experimental <strong>de</strong>sign, and the<br />

relationship between intellectual <strong>de</strong>sign criteria, physical expression and aesthetic<br />

experience.<br />

PUBLISHING<br />

TITLE / YEAR<br />

SUSTAINABLE FASHION AND TEXTILES: DESIGN JOURNEYS / 2008<br />

AUTHOR / COMPANY<br />

KATE FLETCHER / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

This book brings together for the first time information about lifecycle sustainability<br />

impacts of fashion and textiles, practical alternatives, <strong>de</strong>sign concepts<br />

and social innovation. It challenges existing i<strong>de</strong>as about the scope and potential<br />

of sustainability issues in fashion and textiles, and sets out a more pluralistic,<br />

engaging and forward-looking picture, drawing on i<strong>de</strong>as of systems thinking,<br />

human needs, local products, slow fashion and participatory <strong>de</strong>sign, as well as<br />

knowledge of materials.<br />

PUBLISHING


TITLE / YEAR<br />

TABLE BOARD / 2009<br />

AUTHOR / COMPANY<br />

SONIA SIMON MATEO / U_ MÖBEL<br />

COLLABORATORS<br />

MARKUS LASSAN / IGNACIO BISBAL (PHOTOGRAPHER)<br />

The project Table Board <strong>de</strong>rives out of the interest in using and recycling timber.<br />

Knots, cracks, stains, <strong>de</strong>fects of wood that make them not usable, represent the<br />

main objective of the project.<br />

Traditional methods of craftsmanship are used when carving each piece to apply<br />

the finishes. The methods and techniques used such as gilding, engraving or<br />

tempera over gilding, intend to recover the tradition of Arts and Crafts.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

TABLE TELEPHONE BOOTH / 2007<br />

AUTHOR / COMPANY<br />

GÜNTHER SPATZ / RE-INDESIGN<br />

In 1976 new telephone booths ma<strong>de</strong> of Aluminium started to be installed in<br />

Austria, been out in the weather in cities and urban areas for about 30 years.<br />

The <strong>de</strong>signer recovers this first-class material from the scrap to <strong>de</strong>velop new<br />

products, thus connecting the now and then. At present the old telephone booths<br />

have reincarnated into tables, available with drawers, in various heights and<br />

colours.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

TAMAGO / 2009<br />

AUTHOR / COMPANY<br />

INDRA MERCA AND JANIS MERCS / MERCIDESIGN<br />

CLIENT<br />

MERCIDESIGN<br />

Tamago invites to give the “first steps forward with letters and numbers”. With<br />

this multi-function, 100% recycled, children’s piece of furniture, the little ones<br />

can shape their environment, building up literacy and numeracy through creative<br />

play.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

NEWLY DESIGNED WOOD FLOORING / 2009<br />

AUTHOR / COMPANY<br />

FERNANDO SUBIRATS / DURA TARIMAS FLOTANTES, S.L.<br />

In Dura warehouse, pre-cut wood sheets which have not passed the quality parameters<br />

are stacked. After assessing the material and mixing the different layers,<br />

the edge shows a new product: balanced and symmetrical boards for wood<br />

flooring. The 100 pallets stored and rejected can now produce over 25,000 m 2<br />

of wood flooring of various mo<strong>de</strong>ls.<br />

The wood so far kept in factories, may finally have a new use.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

THE B&W HOUSE (THE BLACK & WHITE HOUSE) / 2009<br />

AUTHOR / COMPANY<br />

JOSEP ADELL - TEAM SPAIN / POLYTECHNIC UNIVERSITY OF MADRID<br />

COLLABORATORS<br />

AIA ARQUITECTURA S.XXI<br />

The Black & White House (55 m 2 ) is a prototype clad with photovoltaic modules<br />

to maximise the energy capture surface area.<br />

A key concept for this housing is its portability and easy assembly anywhere.<br />

On the other hand, the self-orientating solar roof captures the maximum energy<br />

offered by the Sun, providing 10.3% extra energy compared with a static south<br />

facing roof.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

TOT HOUSE / 2007<br />

AUTHOR / COMPANY<br />

FERNANDO OÍZA, MICHEL ARAUZO AND ENRIQUE KAHLE / KAHLE OÍZA ARAUZO ARQUITECTURA, S.L.<br />

CLIENT<br />

IBÓN LABORDE AND BELÉN AYALA<br />

COLLABORATORS<br />

MARÍA AMEZCUA (FINANCIAL CONTROL AND EFFECTIVE IMPLEMENTATION DEPARTMENT) /<br />

DANIEL LARRALDE (PROJECT DEVELOPMENT) / FS ESTRUCTURAS, JORGE GARCÍA (INSTALA-<br />

TIONS) / CONTRUCCIONES EGARFE (CONTRACTORS)<br />

Tot House originated in the <strong>de</strong>sign of economical housing for a middle class<br />

family in the Cintruenigo’s urban periphery, a small town in inland Spain with<br />

one of the major in<strong>de</strong>xes of sun hours per year. Despite it being a usual standard<br />

concerning type, plan and dimensions, the authors tried to avoid common clichés<br />

by consi<strong>de</strong>ring the different functional, typological and technological possibilities<br />

currently on offer based on sustainable construction criteria.<br />

SUSTAINABLE BUILDING<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

64 65


TITLE / YEAR<br />

TRÄD / 2008<br />

AUTHOR / COMPANY<br />

VICENTE PORRES AND JOSUÉ GAMONAL / NOVIEMBRE ESTUDIO<br />

Träd is not only a storage system, Träd is a shelter, a personal space where the<br />

children can carry out their fantasies and games. A place that allows them to<br />

feel safe, to learn and to imagine. That enchanted wood where one can dream of<br />

heroes and princesses...and live a thousand and one adventures.<br />

The tree as an icon of wisdom, shelter and playground. Symbol of life and<br />

growth. Approach to an increasingly absent nature, as a comeback to traditional<br />

games towards imagination <strong>de</strong>velopment, with no artifices, as a basis for the<br />

growth of the child’s personal world.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

TRASH? / 2006<br />

AUTHOR / COMPANY<br />

VICENTE PORRES AND JOSUÉ GAMONAL / NOVIEMBRE ESTUDIO<br />

How much trash do humans throw away every day? Is trash really all we throw<br />

away? What if we could extend the life cycle of the objects we use in our dairy<br />

life? With Trash? the authors want people to think about the life of the objects,<br />

telling them that this cycle could be longer in a society that generates more and<br />

more garbage everyday.<br />

Trash? is a garbage bag that can be used as a puff. It can be used indoors or<br />

outdoors, just fill it up with garbage and enjoy the seat.<br />

Buy, enjoy, throw away and buy again seems to be all that mo<strong>de</strong>rn society<br />

does. With Trash? one buys, enjoys, enjoys again and, to end the cycle, recycles<br />

the bag.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

TUEJAR ARMCHAIR / 2008<br />

AUTHOR / COMPANY<br />

MARIO PEDRET / ESTUDIO VERDEMALAQUITA<br />

The Tuejar armchair is constructed from salvaged wood pallets and it has been<br />

<strong>de</strong>signed ergonomically to achieve maximum comfort and practicality.<br />

It is ma<strong>de</strong> by carpenters in a semi-industrial process, assembled individually.<br />

Furthermore, the imperfect form of the wood pallets gives the chair a unique<br />

finish and adds character. It is a new product that does not exploit natural resources,<br />

more specifically finite wood resources, providing functionality while<br />

being environmentally responsible.<br />

INDUSTRIAL DESIGN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

66 67<br />

TITLE / YEAR<br />

TYPO CHAIR / 2008<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

The abstract typographic Typo Chair is ma<strong>de</strong> from re-used billboards of Finnish<br />

Birch multiplex. It is impressive through its graphic presence and is well formed<br />

and comfortable. The Typo Chair is a real eye catcher for any space. Because<br />

each board is printed differently each chair has a unique typographic <strong>de</strong>sign.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

VILLA UH1 / 2008<br />

AUTHOR / COMPANY<br />

RB ARKITEKTUR<br />

CLIENT<br />

UNIKA HEM SKANDINAVIEN<br />

Villa Uh1 grows out of the surrounding slope and interacts with the landscape<br />

eliminating the bor<strong>de</strong>r between building and landscape. The i<strong>de</strong>a was to minimize<br />

the impact of the construction while at the same time creating a new typology.<br />

While <strong>de</strong>signing the house the authors <strong>de</strong>ci<strong>de</strong>d to create a patio so that<br />

questions of privacy and full access to the evening sun would easily be solved.<br />

The sedum roof drains rain water and provi<strong>de</strong>s good thermal insulation to the<br />

house which uses geothermal heating.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

VITRO HOUSE / 2005<br />

AUTHOR / COMPANY<br />

LUIS DE GARRIDO<br />

CLIENT<br />

ANAVIF - ANAS (SPANISH NATIONAL ASSOCIATION TOWARDS SUSTAINABLE ARCHITECTURE)<br />

The main objective of Vitrohouse is to <strong>de</strong>monstrate that real sustainable architecture<br />

should be ma<strong>de</strong> only by means of dry-assembled components. This will<br />

optimize the best use of resources, reduce waste to the maximum (or remove<br />

it completely), and <strong>de</strong>crease, also to the maximum, the energy consumed in its<br />

construction. At the same time, buildings may consi<strong>de</strong>rably extend their life<br />

cycle, since their components can be easily disassembled, repaired and reused<br />

as many times as one likes. In fact, Vitrohouse has an infinite life cycle.<br />

SUSTAINABLE BUILDING


TITLE / YEAR<br />

WHOLE SYSTEM DESIGN. AN INTEGRATED APPROACH TO SUSTAINABLE ENGINEERING / 2008<br />

AUTHOR / COMPANY<br />

PETER STASINOPOULOS, MICHAEL H. SMITH, KARLSON “CHARLIE” HARGROVES AND CHERYL<br />

DESHA / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

COLLABORATORS<br />

THE NATURAL EDGE PROJECT, THE WORLD FEDERATION OF ENGINEERING ORGANIZATIONS,<br />

UNESCO AND THE AUSTRALIAN GOVERNMENT<br />

Whole System Design provi<strong>de</strong>s a clear <strong>de</strong>sign methodology, supported by<br />

worked examples that <strong>de</strong>monstrate how advances in energy, materials and water<br />

productivity can be achieved through applying an integrated approach to<br />

sustainable engineering.<br />

PUBLISHING<br />

TITLE / YEAR<br />

X DAYS PROJECT / 2008<br />

AUTHOR / COMPANY<br />

OSCAR LHERMITTE<br />

The concept of this project is to turn free daily newspapers into a sustainable<br />

product, <strong>de</strong>signed by the consumer. The proposal is to make one’s own piece of<br />

furniture by collecting day by day these free papers. The “334” bench and “89”<br />

stool are ma<strong>de</strong> of 3 parallel bars of metal and many newspapers fol<strong>de</strong>d and<br />

stacked next to each other.<br />

The challenge of this series is to recycle a product, but also to <strong>de</strong>sign furniture<br />

without using any screw, glue, sol<strong>de</strong>ring, etc. Making this furniture costs around<br />

5 pounds, and some spare time.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ZECOCHAIR / 2009<br />

AUTHOR / COMPANY<br />

JOAN NADAL / ZECODESIGN<br />

The Zeco Chair is routed out of one sheet of 1x1 metres Medite Ecologique<br />

(MDF panel with Zero ad<strong>de</strong>d Formal<strong>de</strong>). The excess wood is its own packaging<br />

and the chair can be easily assembled by the consumer using a mallet. No glues,<br />

screws, or fixings are nee<strong>de</strong>d.<br />

When an or<strong>de</strong>r is placed it is manufactured to or<strong>de</strong>r, obviating the need for a<br />

big warehouse, extra transportation or excessive packaging. This system allows<br />

a wi<strong>de</strong> range of sizes with a variety of finishes.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ZEYRON TECHNOLOGIES, PIONEERS IN DOMOTICS OF WATER / 2009<br />

AUTHOR / COMPANY<br />

ZEYRON TECHNOLOGIES<br />

Zeyron Technologies provi<strong>de</strong>s the solution for the control and management of<br />

water and energy resources in buildings. Environmentally aware and specialized<br />

in electronic engineering applied to energy efficiency, the authors have <strong>de</strong>veloped<br />

two innovative technologies for controlling the water in flow-rate, temperature<br />

and consumption. This is an example of how <strong>de</strong>sign and technology can join<br />

together for maximum comfort, energy saving and health control because of<br />

controlled cleansing against legionella.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

ZEYRON THERMO / 2009<br />

AUTHOR / COMPANY<br />

ZEYRON TECHNOLOGIES AND PUIGFALCÓ / ZEYRON TECHNOLOGIES<br />

Zeyron Thermo is laying the foundations for the bathroom of the future by<br />

replacing the thermostatic tap.<br />

The full-colour, 3.5”, touch-sensitive screen is intuitively interactive.<br />

Its technology guarantees perfect, immediate, precise, continuous control of all<br />

water variables: flow-rate, temperature and consumption. It also enables adjustment<br />

of another 2 variables, i.e., lighting or ambiance. The product coherently<br />

combines Image, comfort, safety and energy efficiency.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ZICLA. INNOVATION IN RECYCLING WASTE: NEW MATERIALS-NEW PRODUCTS FOR SUSTAINABLE<br />

BUILDING / 2005<br />

AUTHOR / COMPANY<br />

VERÓNICA KUCHINOW AND ALFREDO BALMACEDA / ZICLA<br />

Zicla is a company specialized in recycled products and in waste valorisation<br />

where innovation and commercial viability are the basis of all their activity.<br />

Zicla’s project consists of transforming what one throws into new products<br />

technically and economically viable with an important environmental ad<strong>de</strong>d<br />

value. Their proposals try to make quality products out of waste, with new<br />

processes where the differential fact in using waste materials makes attractive<br />

products with a very high environmental message.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

68 69


2012ARCHITECTEN<br />

www.2012Architecten.nl<br />

THE NETHERLANDS<br />

210 PUBLICIDAD<br />

www.210publicidad.com<br />

SPAIN<br />

AITEX<br />

www.ma<strong>de</strong>ingreen.com/ imico@aitex.es<br />

SPAIN<br />

ALASTAIR FUAD LUKE<br />

www.fuad-luke.com / info@fuad-luke.com<br />

UNITED KINGDOM (UK)<br />

ALSOL TECNOLOGÍAS SOLARES S.L.<br />

www.alsol.es / info@alsol.es<br />

SPAIN<br />

ARKA ECOPOD<br />

www.ecopod.co.uk / info@ecopod.co.uk<br />

UNITED KINGDOM<br />

ARQUITECTURA PICH AGUILERA<br />

www.picharchitects.com / info@picharchitects.com<br />

SPAIN<br />

ARTEKS ARQUITECTURA<br />

www.arteksarquitectura.com<br />

ANDORRA<br />

ASOCIACIÓN MAKEA TU VIDA<br />

www.flouflou.es<br />

SPAIN<br />

BOMDESIGN<br />

www.bom<strong>de</strong>sign.nl<br />

THE NETHERLANDS<br />

BONA IBERICA<br />

www.bona.com / bonaiberica@bona.com<br />

SUECIA<br />

CEMEX, S.A. / SP ARQUITECTURA E INGENIERIA, S.L.<br />

raul@rodriguez<strong>de</strong>torres.es / jaalonso@sparquitectura.com<br />

SPAIN<br />

CERACASA S.A.<br />

www.ceracasa.com / marketing@ceracasa.com<br />

SPAIN<br />

CHRIS KABEL<br />

www.chriskabel.com<br />

THE NETHERLANDS<br />

CICLUS<br />

www.ciclus.com<br />

SPAIN<br />

CMKM ARQUITECTURA<br />

www.cmkmarquitectura.com<br />

SPAIN<br />

COMMANDO GROUP<br />

www.commandogroup.com<br />

NORWAY<br />

COMPOSTADORES<br />

www.compostadores.com<br />

SPAIN<br />

COSENTINOGROUP<br />

www.cosentinogroup.net / info@cosentinogroup.net<br />

SPAIN<br />

CUATRO TUERCAS<br />

www.cuatrotuercas.com<br />

SPAIN<br />

DESARROLLO INDUSTRIAL EMBELL S.L<br />

www.sistemaembell.com<br />

SPAIN<br />

DEVON VISUAL GROUP REMIGIUSZ TRUCHANOWICZ<br />

www.60bag.com / contact@60bag.com<br />

POLAND<br />

DODECAEDRO S.A.<br />

www.do<strong>de</strong>caedro.net<br />

SPAIN<br />

DVELAS REUSAIL PROYECT<br />

www.dvelas.com / dvelas@dvelas.com /<br />

arraitzkoch@dvelas.com / enriquekahle@dvelas.com<br />

SPAIN<br />

EARTHSCAN PUBLICATIONS LTD.<br />

www.earthscan.co.uk<br />

UNITED KINGDOM<br />

ECOFONT B.V. / SPRANQ CREATIVE COMMUNICATIONS<br />

www.ecofont.com<br />

THE NETHERLANDS<br />

ECOHOSTEL ANDROMEDA<br />

andromeda@ecohostel.be<br />

BELGIUM<br />

ECOSISTEMA URBANO<br />

www.ecosistemaurbano.com<br />

SPAIN<br />

EDUARDO DEL FRAILE<br />

www.eduardo<strong>de</strong>lfraile.com<br />

SPAIN<br />

ELZBIETA CHOJNA<br />

www.chojna.net / e@chojna.net<br />

POLAND<br />

ESTUDIO DE ARQUITECTURA TONI SOLANAS<br />

tonisol@coac.net<br />

SPAIN<br />

ESTUDIO DIV504<br />

www.duratarimas.com / fernandosubirats@yahoo.es<br />

SPAIN<br />

ESTUDIO VERDEMALAQUITA<br />

www.ver<strong>de</strong>malaquita.es / mario@ver<strong>de</strong>malaquita.es<br />

SPAIN<br />

F33<br />

www.f33.es<br />

SPAIN<br />

GABRIELE E OSCAR BURATTI / INNOVATION LAB ROCA<br />

www.burattibattiston.it<br />

SPAIN / ITALY<br />

GOODFORE<br />

www.goodfore.com / www.equilicua.com /<br />

www.holamurray.com<br />

SPAIN<br />

GROTENBREG.ARCHITECTEN<br />

grotenbreg.architect@kpnplanet.nl<br />

THE NETHERLANDS<br />

GRUPO FUN&BASICS S.A.<br />

www.ecoalf.com<br />

SPAIN<br />

GUILLEM FERRAN<br />

buenas@guillemferran.com<br />

SPAIN<br />

HAWKES ARCHITECTURE LTD.<br />

www.hawkesarchitecture.co.uk<br />

UNITED KINGDOM<br />

IGRA - INTERNATIONAL GREEN ROOF ASSOCIATION<br />

www.igra-world.com<br />

GERMANY<br />

INNOVA::DESIGNERS<br />

www.innova<strong>de</strong>signers.com<br />

SPAIN<br />

ISER<br />

www.iser.es / d.rodriguez@iser.es<br />

SPAIN<br />

JAVIER SEGARRA SANCHIS / BIOTECTURA, S.L.<br />

www.oko.es<br />

SPAIN<br />

JOAQUÍM VIÑOLAS MARLET<br />

solar_<strong>de</strong>sign@hotmail.com<br />

SPAIN<br />

JODY BARTON<br />

www.jodybarton.co.uk<br />

UNITED KINGDOM<br />

JUNGESCHACHTEL<br />

www.jungeschachtel.<strong>de</strong> / www.poopoobags.com<br />

GERMANY<br />

KAHLE OÍZA ARAUZO ARQUITECTURA<br />

www.koarquitectura.com / estudio@koarquitectura.com<br />

SPAIN<br />

LAUREANA ARQUITECTURA<br />

www.laureana.es<br />

SPAIN<br />

LUCA LANCINI<br />

www.lucalancini.com<br />

SPAIN<br />

LUCÍA ARRANZ AND MIGUEL ORDÓÑEZ<br />

luciarranz@gmail.com / estudio@miguelordonez.es<br />

SPAIN<br />

LUIS DE GARRIDO<br />

www.luis<strong>de</strong>garrido.com / <strong>de</strong>garrido@ono.com<br />

SPAIN<br />

MANGADO Y ASOCIADOS, S.l.<br />

www.fmangado.com<br />

SPAIN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_DIRECTORY<br />

70 71<br />

MERCIDESIGN<br />

www.tamago.lv<br />

LATVIA<br />

NEW PACKAGING, S.A<br />

www.newpackaging.net<br />

SPAIN<br />

NOVIEMBRE ESTUDIO<br />

www.noviembreestudio.com / www.pinkelephant.es<br />

SPAIN<br />

NUTCREATIVES<br />

www.nutcreatives.com / www.resseny.blogspot.com /<br />

jon@nutcreatives.com<br />

SPAIN<br />

OCEANOGRÁFICA<br />

www.oceanografica.com ·<br />

SPAIN<br />

OSCAR LHERMITTE<br />

www.oscarlhermitte.com<br />

FRANCE/ENGLAND<br />

P’REFERENCE<br />

www.<strong>de</strong>signpackgallery.fr / www.p-reference.fr<br />

FRANCE<br />

PETER GRUNDY<br />

www.grundini.com<br />

UNITED KINGDOM<br />

PNEU<br />

www.daydreaming.es<br />

SPAIN<br />

PROJEKTIL ARCHITEKTI<br />

www.projektil.cz<br />

CZECH REPUBLIC<br />

RAU<br />

www.rau.eu<br />

THE NETHERLANDS<br />

RB ARKITEKTUR<br />

www.rbarkitektur.se / info@rbarkitektur.se<br />

SWEDEN<br />

REFUNC<br />

www.refunc.nl<br />

THE NETHERLANDS<br />

REINDESIGN<br />

www.spatz-rein<strong>de</strong>sign.at<br />

AUSTRIA<br />

ROCA CERAMICA<br />

www.pretaporter.roca.com / www.rocatile.com/<br />

info.tiles@rocatile.com/ pret.a.porter@roca.net<br />

SPAIN<br />

ROTOR<br />

www.rotordb.org<br />

BELGIUM<br />

RUBOW ARCHITECTS<br />

www.rubowarkitekter.dk<br />

DENMARK<br />

SAATCHI&SAATCHI CPH<br />

www.saatchi.dk<br />

DENMARK<br />

SANSERIF CREATIUS SL<br />

www.sanserif.es<br />

SPAIN<br />

SANTA & COLE<br />

www.santacole.com / info@santacole.com<br />

SPAIN<br />

STANKER<br />

www.stanker.fr / stanker.<strong>de</strong>sign@free.fr<br />

FRANCE<br />

STUART WALKER<br />

www.earthscan.co.uk / s.walker@lancaster.ac.uk<br />

UNITED KINGDOM<br />

STUDIO ITINERANTE ARQUITECTURA, SL<br />

www.siarq.net / info@siarq.net.<br />

Spain<br />

STUDIO MICHIEL VAN DER KLEY / UNSEEN PRODUCTS<br />

www.michielvan<strong>de</strong>rkley.nl<br />

THE NETHERLANDS<br />

STUDIO VOLLAERSZWART<br />

www.vollaerszwart.com<br />

THE NETHERLANDS<br />

TRASHDESIGNMANUFACTORY<br />

www.trash<strong>de</strong>sign.at<br />

AUSTRIA<br />

U_ MÖBEL<br />

u_lab@yahoo.com<br />

SPAIN<br />

UNIVERSIDAD POLITÉCNICA DE MADRID<br />

www.solar<strong>de</strong>cathlon.es / josep.a<strong>de</strong>ll@upm.es<br />

SPAIN<br />

VALCUCINE<br />

www.valcucine.it<br />

ITALY<br />

ZECODESIGN<br />

www.zeco<strong>de</strong>sign.com / zeco<strong>de</strong>sign@gmail.com<br />

ANDORRA<br />

ZEYRON TECHNOLOGIES<br />

www.zeyron.com / www.puigfalco.com<br />

SPAIN<br />

ZICLA<br />

www.zicla.com<br />

SPAIN

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!