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Chicago Symphony and Lyric Opera orchestras play at Millennium ...

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position until he retired in the 80s. He had a gre<strong>at</strong> rapport with theother musicians, unless you <strong>play</strong>ed out of tune! Over his career as a pitmusician, he <strong>play</strong>ed over 100 shows. He <strong>play</strong>ed for stars such as CarolChanning & Pearl Bailey (Hello Dolly), Robert Guillaume (Purlie),Margaret Hamilton (A Little Night Music), Jim Belushi (Pir<strong>at</strong>esof Penzance), <strong>and</strong> a young Joe Montegna (Hair). Mr. Tootelian’smusicianship also carried over to repairing his own instruments <strong>and</strong>mastering the art of reed making for the Bassoon & Contrabassoon aswell as for the Oboe & English Horn. After arriving home <strong>at</strong> aroundmidnight, he would h<strong>and</strong> make the double reeds for his instruments.Making a suitable reed is an art form <strong>and</strong> a multi-day process. Hisrel<strong>at</strong>ive pitch dem<strong>and</strong>ed th<strong>at</strong> the reeds he <strong>play</strong>ed, whether for a singleor double reed instrument, met his high st<strong>and</strong>ards, <strong>and</strong> by making thereeds himself, shaping <strong>and</strong> shaving them down with precision, he wasable to ensure th<strong>at</strong> his instruments were <strong>play</strong>ed with the highest qualitytone producing reeds.In 1976, when the Shubert was between shows, Mr. Tootelian touredwith Frank Sin<strong>at</strong>ra. During the tour, “Toots” required, on every flight,a second airplane ticket for his instruments, which Sin<strong>at</strong>ra gladlysupplied, <strong>and</strong> in turn, “Toots” assisted Sin<strong>at</strong>ra in warming up beforeeach performance. Anyone who knew “Toots” would not have beensurprised by his dem<strong>and</strong>ing an extra se<strong>at</strong> on the plane because theyknew th<strong>at</strong> his instruments never left his side. In addition to <strong>play</strong>ingprofessionally, Mr. Tootelian taught woodwinds priv<strong>at</strong>ely from home<strong>and</strong> <strong>at</strong> many area high schools. While he taught music theory <strong>at</strong>Northwestern, he also taught music theory <strong>at</strong> De Paul University forover 14 years. In the early 1950s, he commuted weekly by plane toteach <strong>at</strong> the University of West Virginia. He also did a lot of recordinggigs <strong>and</strong> jingle work around <strong>Chicago</strong>. His most memorable grouprecording was <strong>play</strong>ing Bari Sax on the Number 1 Hit song “Sh-Boom” by The Crew Cuts, recorded in 1954. While he recorded manytelevision <strong>and</strong> radio commercials over the years, he is best known forthe Jolly Green Giant jingle’s 3 descending notes on the bassoon.Mr. Tootelian lived his life surrounded by some gre<strong>at</strong> musicians whowere his friends. When his daughter went to Indiana University Schoolof Music, “Toots” gave his friends the heads-up. Those gre<strong>at</strong>s includedthe l<strong>at</strong>e bassoonist, Lennie Sharrow (one of the few people “Toots”lent an instrument to), the l<strong>at</strong>e oboist Jerry Sirucek, the l<strong>at</strong>e harpistPete Eagle, <strong>and</strong> let us not forget his classm<strong>at</strong>e from Northwestern,the l<strong>at</strong>e Ethel Merker. Other friends of his included the l<strong>at</strong>e RudyFahsbender, the l<strong>at</strong>e Hobie Grimes, <strong>and</strong> many more, too numerous tolist, many frequenting his home after the shows for after show parties.In the 1980s, he was fe<strong>at</strong>ured in the <strong>Chicago</strong> Tribune Magazine’sFirst Person Section which you can read <strong>at</strong> the following site: articles.chicagotribune.com/1986-01-03/news/8601020572_1_music-teacherc<strong>at</strong>s-<strong>play</strong>ing.ObituariesMay they rest in peaceHis family constantly meetspeople <strong>at</strong> all age levels whohave heard of “Toots” or <strong>play</strong>edwith him. His musical legacycan be currently seen throughthe talents of his gr<strong>and</strong>son,Michael, who <strong>play</strong>s multipleinstruments himself.After retiring from the the<strong>at</strong>re,Mr. Tootelian gave up music todevote his time <strong>and</strong> energy tomastering golf. While he hadn’t<strong>play</strong>ed more than a few roundsof golf since his high schooldays caddying <strong>at</strong> Edgew<strong>at</strong>erCountry Club in Rogers Park,he quickly brought his scores into the low 80s. He became an avidgolfer. It wasn’t unusual for him to <strong>play</strong> golf six days a week, <strong>and</strong> onsome days, <strong>play</strong> 36 holes. For a few years, he <strong>play</strong>ed in professionaltournaments. Even in his 70s, he could <strong>play</strong> a round of golf in a littleover two hours, not bothering with practice swings. He also spent timeteaching <strong>and</strong> <strong>play</strong>ing with his two oldest gr<strong>and</strong>sons, Tom <strong>and</strong> Joe,taking them golfing <strong>and</strong> to the driving range. “Toots” insisted the boysbe right-h<strong>and</strong>ed golfers, even though they were lefties, so th<strong>at</strong> he couldpass down his golf clubs to the kids as they got better, <strong>and</strong> then, ofcourse, upgrade his set!Even into his 80s, Mr. Tootelian continued to drive, go to the the<strong>at</strong>re<strong>and</strong> shop. When his daughter brought his youngest gr<strong>and</strong>son, Eddie,home from Gu<strong>at</strong>emala, he was right there <strong>at</strong> the house ready towelcome him into the family. He loved having his family over for theholidays, or just over for a visit. Even though Mr. Tootelian sloweddown as the years progressed, “Toots” accepted his aging with grace<strong>and</strong> dignity. He will be dearly missed by his wife of almost 60 years,Elayne Tootelian, his children, Robert James Tootelian Jr. <strong>and</strong> NancyTootelian Wagner, his four gr<strong>and</strong>sons, Thomas Sheehan, JosephSheehan, Michael Wagner, <strong>and</strong> Edward Wagner, <strong>and</strong> his youngerbrother Richard Tootelian.While Mr. Tootelian lost his fight just 10 days shy of his 90th birthday,his tenacity <strong>and</strong> drive to enjoy life never stopped. While he is notphysically with us, as someone once said, “To live in the hearts weleave behind is not to die.” And lastly, for all those CFM the<strong>at</strong>remusicians out there who trained <strong>at</strong> the “Shubert Academy of Poker”,leave a se<strong>at</strong> empty <strong>at</strong> the table, light a stogie, <strong>and</strong> ante up for him!Last First Instrument Died Born ElectedGleistein Arthur Piano 06/30/12 06/05/15 04/22/37Schneck Walter E. Piano 06/24/12 10/01/15 10/09/6342028 Crosson, Gail A.4453 W. Peterson<strong>Chicago</strong>, IL 60646773-286-6883773-243-7292CLARINET56176 Lopas, Jeff A.N68W7098 Clevel<strong>and</strong> St.Cedarburg, WI 53012773-396-2991GUITAR46428 McKenny-S<strong>and</strong>ers, Phyllis5046 N. Ashl<strong>and</strong> Ave., Apt. 1<strong>Chicago</strong>, IL 60640773-784-5448773-610-1530VIOLIN56297 Oldberg, Colin J.6206 N. Lakewood Ave.<strong>Chicago</strong>, IL 60660719-510-0416TRUMPET2012-2013 Membership Directory Corrections• 54773 McNamara, Timothy1415 Wisconsin Ave.Berwyn, IL 60402773-454-6694SAXOPHONEtimmcnamaramusic@gmail.com50693 Shannon, Brian J.1210 Edmer Ave.Oak Park, IL 60302708-386-5268SAXOPHONE44175 Soukup, Marion L.5546 S. StoughHinsdale, IL 60521630-297-9036VIOLIN56400 Weber, Benjamin J.2741 W. Winnemac Ave., Apt. G<strong>Chicago</strong>, IL 60625708-289-0025773-942-7363VIOLA53406 Wunder, Richard A.10405 S. Wavel<strong>and</strong> RoadWavel<strong>and</strong>, IN 47989765-435-2154847-942-7022TROMBONE12 Intermezzo September 2012September 2012 Intermezzo 13

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