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99857688-Devil-and-the-Jews-the-Medieval-Conception-of-the-Jew

99857688-Devil-and-the-Jews-the-Medieval-Conception-of-the-Jew

99857688-Devil-and-the-Jews-the-Medieval-Conception-of-the-Jew

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Home | TOC | Index“<strong>Devil</strong> Incarnal”23a number <strong>of</strong> mysteries coming from Engl<strong>and</strong>, France, <strong>and</strong> Germany.26This same <strong>the</strong>me is pursued, with many variations, in <strong>the</strong>miracles, plays which portrayed <strong>the</strong> lives <strong>of</strong> <strong>the</strong> saints <strong>and</strong> <strong>the</strong>miraculous deeds accredited to <strong>the</strong>m. When a <strong>Jew</strong> is apprehended<strong>and</strong> condemned for mutilating a host, it is to <strong>the</strong> devil that hecries out for succor; while <strong>the</strong> <strong>Jew</strong> expires in agony at <strong>the</strong> stake,<strong>and</strong> this occurs in several <strong>of</strong> <strong>the</strong> plays, devils rush in upon <strong>the</strong>stage to carry <strong>of</strong>f his soul. 27 Time <strong>and</strong> again <strong>the</strong> <strong><strong>Jew</strong>s</strong> are describedin <strong>the</strong>se plays as “devils from Hell, enemies <strong>of</strong> <strong>the</strong> humanrace.” 28 In <strong>the</strong> Chaumont Christmas play <strong><strong>Jew</strong>s</strong> are introducedupon <strong>the</strong> stage in <strong>the</strong> guise <strong>of</strong> devils, strenuously exerting <strong>the</strong>mselvesto prevent <strong>the</strong> entrance <strong>of</strong> <strong>the</strong> religious procession into <strong>the</strong>city. 29The earliest German version <strong>of</strong> <strong>the</strong> Faust legend pits a <strong>Jew</strong>against <strong>the</strong> devil, to whose wiles, <strong>of</strong> course, <strong>the</strong> <strong>Jew</strong> succumbs.The author does not fail to point his moral: “Thus can <strong>the</strong> devillead into error <strong>the</strong> minds <strong>of</strong> those whose hearts do not cleave toGod’s word.” 30 Here it is <strong>the</strong> <strong>Jew</strong>’s refusal to accept <strong>the</strong> truedoctrine that renders him defenseless against Satan. But <strong>the</strong>Theophilus legend, one <strong>of</strong> <strong>the</strong> most popular in <strong>the</strong> Middle Ages,which occurs in every language <strong>and</strong> in every literary form, <strong>and</strong>which strongly influenced <strong>the</strong> Faust legend if it did not indeedserve as its model <strong>and</strong> source, puts <strong>the</strong> matter in ano<strong>the</strong>r light.There are several dramatic versions <strong>of</strong> this tale, each presenting<strong>the</strong> situation with a somewhat different emphasis but all agreeingon <strong>the</strong> essential point: <strong>the</strong> intimate relations joining devil <strong>and</strong><strong><strong>Jew</strong>s</strong>. If one, <strong>the</strong> Low German version, appears to <strong>of</strong>fer a surprisinglyfavorable picture <strong>of</strong> <strong>the</strong> <strong>Jew</strong>, this may be ascribed to itsanticlerical motivation. Here <strong>the</strong> pious archdeacon, Theophilus,who has suffered disgrace, turns for help to a magician with <strong>the</strong>plea that he direct him to <strong>the</strong> devil; instead <strong>the</strong> magician sendshim to <strong>the</strong> <strong><strong>Jew</strong>s</strong>. But when he enters a synagogue <strong>and</strong> expressesa desire to join <strong>the</strong>m, <strong>the</strong>y decline to accept him, with <strong>the</strong> double-edgedcontention that a bad Christian makes a bad <strong>Jew</strong> <strong>and</strong>

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