GETTING THE MOST FROM - medialink - Sweetwater.com

GETTING THE MOST FROMYOUR CPUUniversal AudioUAD2 Solo/LaptopBy Danielle TeagardenThe idea of limitation strikes two-fold in creativepeople. On one hand, impending deadlinesseem to magically give rise to productivity— but, on the other hand, when you’remidproject, in the throes of creativity, and about toexecute a stroke of pure genius, having your computerreach its limit and run out of processing power can beenough to derail even the most focused of creators.And, sure, we can creatively compromise and still get agreat result, but a computer is supposed to be a tool tobring our visions to life, right? It’s meant to respond towhat we say — and not the other way around.But, for many of us, replacing our computer right now just isn’t in thecards. For a close-to-home example, I try to think of my computer ashaving a 3-year life span — that mental line is both for the purpose of“I-want-that” self-restraint and for plain-old budgetary reasons. And, ifmy trusty old computer’s in middle age and still kicking, then I’m going tohold off on my upgrade — even if they show off the coolest thing ever atthe latest computer trade show (dang it).So, what should you do in the face of a maxed-out CPU and a bubblingovercreative wellspring? I’ll give you two words: don’t compromise.Lucky for us, it’s a great time to be in the fi eld, as there are amazingsolutions coming out all of the time to address this very seemingconundrum. Today, you can rest assured knowing that whether you havea just-off-the-shelf laptop or a time-tested tower, there are easy ways foryou to squeeze in more plug-ins, more tracks, and more of your ideas —without having to buy a brand-new machine.Addressing Your Interface Part I —Choosing a Connection TypeIf we take one step outside of our computer, we reach our audio interface— and, if you’re really hurting for processing power, then, outside of yourCPU setup, this is the best place to begin the CPU-optimization process.To start, your “port” of choice plays the biggest role in how you’re gettingin tracks. Are you connecting your interface system via USB 1.1, USB2.0, or FireWire — or, are youconnecting via an ExpressCardor PCIe slot? The previous listwas roughly in order of speed(although, know that thereare good argumentson either side thatmake USB2.0 andMOTU 896mk3Apple MacBook 2.0GHz AluminumFireWire performance-competitive with one another). Ultimately, though,which connectivity solution is best for you depends largely on what portsyou have available on your computer. Nearly all computers feature USB,so going with a USB 2.0 audio interface is a safe bet if you’re optimizinga system that may see different computers from time to time — maybeif you’re bringing gear over to a friend’s house for recording a jam.Alternatively, FireWire offers up the benefi t of daisy-chaining in otherinterfaces and hard drives, without a performance hit.For the absolute best performance possible, though, you’ll want tochoose an ExpressCard system for your laptop or a PCIe system for yourdesktop computer. In terms of future expandability and power, nothingcompares to a PCIe-based setup — and, if you’re designing the ultimaterig for your project or professional studio setup, then that’s reasonenough to put a desktop computer at its heart. In this case, what you willsacrifi ce in portability, you will absolutely make up in forward compatibilityand expandability.Addressing Your Interface Part II —Today’s Boon of DSP InterfacesTo dovetail into the conversation about audio interface connections, it’swell worth noting that many of today’s interfaces offer up additionalDSP (Digital Signal Processing) power — beyond the performance you’llget through their connectivity methods. Still, you’ll fi nd that the mosthorsepower available is through the ExpressCard and PCIe systems. But,those systems aren’t always in the budget — or practical for basic homerecording and composing. So, if you’re tackling a band demo or handlinga singer/songwriter-type recording, then you may be well served to gowith an interface that features onboard DSP.An interface’s DSP capabilities can come in a few different fl avors. Someinterfaces offer up handy DSP-mixing fl exibility. With it, you can use anincluded software program to set up the mixes on the hardware, thenfl exibly route any input (or combination of inputs) to any output — andyou can control how much of each input goes into each output. This isparticularly useful when you’re recording a full band. You can give thelead singer a vocal-heavy mix, blending in the right amount of drumand guitar parts to inspire a tight performance. You can also route aclick track to the drummer and dial in the perfect blend of the otherinstruments in the band. Another bonus is that many of these interfaces

SWEETWATER’S ESSENTIAL GUIDESGlyph GT 050Qlet you save the setups and return to them, so it’s easy to get up andworking — without putting the mixing strain on your computer.Taking that one step further, many DSP interfaces also offer uponboard DSP effects. These can include reverb, delay, equalization,compression, and models of famous preamps — and more robustoptions are being released all of the time. When tracking with theseDSP interfaces, instead of using up your CPU power with a reverbplug-in, you can just dial in the onboard DSP effect to enjoy aheadphone mix that sounds great —without any pesky latency issues.You also usually have the option to record that mix “dry” (withoutthe effects) or “wet” (with the effects), which can help fi ll the roleof outboard gear in a budget-minded home studio or a portabilityconsciousmobile rig.Accelerate Your Plug-ins and Virtual InstrumentsOptimizing your interface setup can make a big difference whenyou’re tracking and routing raw audio. But, what about those of uslayering in virtual instruments or using plug-ins during mixdown?There’s no getting around the fact that many of the best-soundingplug-ins and virtual instruments are CPU-hungry giants — andthat makes sense, as software developers are always pushing theirprojects to the edge, making our virtual selection sound even betteras each generation of more capable computers comes out. Luckily,though, the industry is also on the ball with this one — and manyplug-in makers are teaming up with hardware developers to createDSP-driven versions of these plug-ins.The selection of DSP-powered plug-ins and virtual instruments isgrowing all of the time. And, like the DSP capabilities of interfaces,the options come in a few different varieties. Some versions run onactual external hardware. With the hardware, you can get your handson a plug-in’s parameters and tweak them to your liking, just like youwould with a dedicated control surface. Other DSP options come in theform of PCIe cards. Akin to PCIe-based audio interfaces, these cardsinstall right into your desktop computer and offer up an impressivegirth of processing power.Once you’ve offloaded much of your signal-processing needs, you mayfind that you have enough power to run your favorite virtual instrumentsor plug-ins without issues. But, if you’re looking to free up the mostnative power possible, there are modules available that can run astaggering amount of VST-compatible plug-ins or virtual instruments.A secondary benefit to these systems is that they’re also optimized forstage use — so, if you’re actively working both on the stage and in thestudio, then this may be the most cost-effective option for enjoying yourfavorite plug-ins and instrument sounds in both arenas.Finally, if you’re still wanting even more power, it’s worth quickmention that investing in a piece or two of great outboard gear cango a long way toward cutting down your CPU plug-in load. True,having a massive collection of virtual gear to choose from canmake a gearhead’s heart beat faster — and that virtual collectionis still more than worth having available in your tool box — butachieving your core sound through a few pieces of gear that youreally “know” can be just the trick for achieving a more polishedsound. And, after all, having a bit of eye candy in the studio racknever hurt anyone.The Nuts and the Bolts: Your Hard Drive and RAMUpgrading the guts of your computer may not be nearly as exciting asFocusrite Liquid Mixadding a slick new interface to your rig. But, if you haven’talready maxed out your inside-the-computer potential, then you’remissing out on a signifi cant system boost.Let’s startwith the hard drive. No matter the kind of work you’redi doing, you’ll want to be sure you have a dedicated hard drive forrecording. With off-the-shelf computers getting more and morebeefy, a common mistake is to use your computer’s system drivefor everything — from running your DAW software to streaming thevirtual instrument samples to accepting the newly recorded information— and that’s a lot to ask of one drive. Instead, you’ll enjoy aperformance boost by using a separate recording hard drive — and toreally make the most out of your system, it’s worth having yet anotherhard drive to handle the streaming of all of your samples. In any event,having an extra drive isn’t going to help if it’s not up to par.Today, you’ll want to be sure you’re streaming samples from andrecording to at least a 7200RPM drive. You’ll also want to make surethat the drive has the Oxford 924 bridging chip. This will ensure thatthe drive is capable of handling audio production’s high demands —and it will also qualify the drive for use with today’s most popular andprofessional DAWs.Another vital system element is the amount of RAM (Random AccessMemory) you have installed in your computer. Make sure you have atleast 2GB of RAM — and, if you’re at 2GB, then think about movingup to 4GB — if your computer allows it. Adding RAM is one of themost effective ways to boost your computer’s effi ciency when runningapplications, and you’ll be amazed by how much more smoothly yoursystem runs. Also, remember that you get a slight performance boostwhen you upgrade your RAM in pairs (i.e., upgrade with two 2GBsticks, instead of two 1GB sticks and one 2GB stick).Simple Roads Less TraveledEven before you add any new gear to help speed up your system,consider taking a few minutes to double check your system settings.Sometimes, even slight adjustments — such as shutting off yourwireless card — can make drastic improvements to your computer’sperformance. To help you with this, our SweetCare service crewhas put together really useful computer-optimization guides — forboth Mac and PC — which you can access online. Just visit www.sweetwater.com/sweetcare and search for either “Mac optimization”or “PC optimization.”Saying Goodbye to the BottleneckLet’s face it; as creatively and technologically inclined people, we’realways going to want a little bit more — whether that means moresounds, more gadgets, more from ourselves, or more processingpower to see our ideas through to fully realized projects. So, here’sto snagging a few pieces of gear; getting over that CPU-limit hurdle;and getting up and running into the smooth, creative straightaway —hopefully with the wind of inspirationat your back.

84Computer Audio HardwareMOTU Audio Interfaces896mk328x32, 24-bit/192kHz Audio InterfaceHere’s a compact centerpiece for your desktop studiothat’s robust and feature-packed enough to take with you for live recordings! The MOTU 896mk3 provides eightmic preamps, pristine 192kHz analog I/O, 16 channels of 48kHz ADAT digital I/O (eight channels of 96kHz S/MUX),TOSLink, word clock I/O, S/PDIF, and stereo AES/EBU. Use the included CueMix FX console software to send a real-timemix back to the 896mk3’s main outs or headphones for zero-latency monitoring, and add additional send and returnloops without the need for an external mixer or patch bay. The 896mk3 provides 28 inputs and 32 outputs, includingseparate main outs and a headphone output. Need to hit the road? Program the 896mk3 with the CueMix FX software,and then take it with you for mixing/monitoring without a computer. MOTU is including its amazing new reverbplug-in, 7-band British EQ on every channel, and a spot-on emulation of the legendary LA-2A limiter.Specs: FireWire • 24-bit/192kHz • In: 8 x XLR/TRS (combo) • Out: 10 x XLR,headphone • Dig I/O: AES/EBU, S/PDIF, TOSLink, ADAT lightpipe & sync, 96kHzSMUX lightpipe • word clock896mk3 192kHz FireWire Audio Interface ....List $ 1295 00Traveler-mk3Portable 192kHz Interface with DSP Mixingand EffectsNow that many laptop computers are capable of runningstudio-quality recording applications, it’s about time yourmobile rig had studio-quality sound and I/O options tomatch. MOTU’s Traveler-mk3 gives you astounding28-in/30-out capability via its combination of XLR/TRS,1/4", and digital inputs and outputs — all from a chassisthat’s compact enough to fit right under your laptop! Thisimproved interface gives you up to 16-channels of ADATand stellar effects. The Traveler-mk3 can also be used as a28-input/16-bus standalone mixer, complete with CueMixFX software and DSP effects. A hardware limiter lets youtake control of input signals . Powered by your computeror via an optional external battery pack, this unit is athome in the studio, on the road with a laptop, and evenon its own in the field!Call us today at (800) 222-4700“The addition of DSP to the CueMix engineis a godsend to home studios. Finally, youcan have low-latency headphone mixes withnoncommitted effects. Absolutely awesome!”ONLY $30/mo.— Nick Schenkel, Sales Engineer, Ext. 1399$995 97Specs: FireWire • 24-bit/192kHz • In: 4 x XLR/TRS (combo), 4 x TRS• Out: 8 x TRS, headphone • Dig I/O: ADAT, 96kHz SMUX, S/PDIF, AES/EBU• Sync I/O: word clock, SMPTE • MIDITravelerMk3 FireWire Audio Interface ...List $ 895 00ONLY $26/mo.$849 97828mk328x30, 24-bit/192kHz FireWire Audio InterfaceMOTU comes through again! The 828mk3 FireWire interface provides 28 inputs and 30 outputs, including 10 channelsof analog recording and playback, combined with 16 channels of ADAT digital I/O, stereo S/PDIF and TOSLink I/O, andonboard SMPTE synchronization. The two mic/line/instrument inputs have preamplified sends that allow you to insertyour favorite outboard effects before the signal goes digital. The real show-stopper here isn’t the impressive amountof I/O; it’s the built-in digital mixing and effects. All I/O is routed via the onboard 16-bus digital mixer, with 32-bitfloating-point precision. The 828mk3’s onboard effects include reverb, two compressors (including a modeled LA-2A),and British-style EQ.828mk3 192kHz FireWire Interface ...............List $ 795 00ONLY $23/mo.$749 978pre FireWire Audio Interface w/8 Pres ........List $ 595 00 $549 97ONLY $17/mo.Specs: FireWire • 24-bit/192kHz • In: 2 x XLR/TRS combo (front), 8 x TRS •Out: 10 x TRS, 2 x headphone • Dig I/O: S/PDIF, ADAT lightpipe, 96kHz SMUX •Sync I/O: word clock, ADAT sync, SMPTE • MIDI I/O8pre16x12, 24-bit/96kHz FireWire Audio InterfaceMOTU’s 8pre packs an incredible amount of flexibility and connectivity into its single-rackspace chassis, giving youa high-quality interface with eight great preamps onboard. This 16-channel FireWire interface features eight mic/linepreamps with phantom power, a 20dB pad switch, and a front-panel trim knob. The 8pre features two banks of ADAToptical ports, which give you an additional eight channels at up to 96kHz (16 channels at 48kHz). MOTU designedthe 8pre to be expandable up to four I/Os; two FireWire ports allow for daisy-chaining. The 8pre also offers MIDI I/O;AudioDesk recording software; and of course, MOTU’s great sound!Specs: FireWire • 24-bit/96kHz • 8 x preamp • 48V phantom • In: 8 x XLR/TRS combo • Out: 2 x TRS, headphone • Dig I/O: 2 x ADAT • Sync I/O: SMPTE •MIDI I/OUltraLite-mk310x14, 24-bit/192kHz FireWire InterfaceLaptop friendly, the MOTU UltraLite-mk3 updatesMOTU’s famous UltraLite, making it more powerful thanever! This half-rackspace, bus-powered FireWire audiointerface turns your laptop or desktop computer into amobile recording studio, with an impressive 10 inputsand 14 outputs. MOTU also updated the UltraLite-mk3 to24-bit/192kHz resolution, even better than the original’s96kHz. Though this unit is ultra-compact, it’s got thefeatures you need to make pro-quality recordings,including a built-in 8-bus mixer that’s loaded withdifferent monitoring options; CueMix FX software thatcan be controlled directly from the UltraLite’s frontpanel; and two high-quality mic/instrument inputsequipped with preamps, pad switches, and phantompower. You even get a host of top-notch onboard DSPeffects, including EQ, compression, and reverb. TheUltraLite-mk3 delivers the same high level of innovativedesign, proven reliability, and award-winning sound asMOTU’s other high-end FireWire audio interfaces, in arugged, compact package made to go wherever you do.Specs: FireWire • 24-bit/192kHz • 2 x preamp • 48V phantom• In: 2 x XLR/TRS combo, 6 x TRS • Out: 10 x TRS, headphone • Dig I/O:S/PDIF • Sync I/O: SMPTE • MIDI I/OUltraLitemk3 FW Audio Interface ...........List $ 595 00ONLY $17/mo.$549 97

86Computer Audio HardwareHD192Core 12-ch 192kHz Interface ... List $ 1895 00 $ 1799 97 Specs: PCI/PCIe • 24-bit/192kHz • In: 12 x XLR • Out: 12 x XLR • DigHD192io 192kHz 12-ch Expandr ..... List $ 1595 00 $ 1519 97 Call us today at (800) 222-4700MOTU Audio InterfacesMOTU —Desktop Studio Recording Done RightFlexible, Expandable High-definition Audio Interfaces — for the Ultimate in Studio Integration24I/ODigital Audio Interface with24 High-quality 24-bit/96kHzAnalog Inputs and OutputsHere’s an affordable way to get 24 channels ofHD192high-quality 24-bit/96kHz audio into your computer.192kHz Audio InterfaceAvailable in both PCI and PCIe varieties, the MOTUTake advantage of a powerful low-latency PCIcard-basedsystem, alongside MOTU-signaturePCI-424 card. On the 24I/O, a front-panel 5-segment24I/O consists of a single-rackspace interface and apremium sound quality, with an HD192. ThisLED display gives you activity information for every one12-channel interface offers up to 24-bit/192kHzof its 24 rear-panel TRS inputs and outputs. Should youconversions and is available in both PCI and PCIe versions to suit both Mac and PC setups. All inputs and outputs on need additional channels of I/O, you can easily expandthe rear panel support 44.1, 48, 88.2, 96, 176.4, and 192kHz operation, and the 12 analog inputs boast a signal-to-noise your system with the 24I/O Expander, which givesratio of just over 120dB, for incredible performance. You also get AES/EBU digital I/O at samples rates up to 96kHz plus you 24 more channels. In fact, the PCI-424 card thatindependent, real-time sample rate conversion on the digital I/O. In addition, an “AES word in” BNC connector lets you comes included with the 24I/O is compatible with upclock the AES/EBU section independently from the rest of the system, though system word clock input/output is provided to four interfaces at the same time — and it’s not juston standard BNC connectors.limited to the 24I/O interface. You can mix and matchmany MOTU interfaces, including the HD192 (left),At the heart of the HD192 system is its PCI-424 card, which comes included — it’s the same card used by MOTU’s to bring in various kinds of I/O. The card also offersacclaimed 2408mk3 and 24I/O and is fully compatible with legacy MOTU interfaces, such as the 1296, 1224, 24i, and MOTU’s flexible CueMix DSP for near-zero latency.308. The card also adds MOTU’s famous CueMix DSP system, a processor that’s dedicated to creating custom monitorSpecs: PCI/PCIe • 24-bit/96kHz • In: 24 x TRS • Out: 24 x TRS • Syncmixes using up to 96 channels and can provide up to 48 separate stereo mixes in a 96-channel system. What’s more, all I/O: word clockONLY $43/mo.the processing happens on the card itself, freeing up the power of your computer for your other essential tasks, such asONLY $29/mo.$2408CorePCIe PCIe Digital Recording System ....List $ 995 949 97 Specs: PCI/PCIe • 24-bit/96kHz • In: 8 x TRS • Out: 10 x TRS, headphoneFIND OUT MORE ABOUT THE PCI-424!00• Dig I/O: 3 x ADAT, 3 x TDIF, S/PDIF • Sync I/O: ADAT sync, word clocksweetwater.com/2408mk3running plug-ins. And should you require even more I/O, you can add 12-channel HD192io expansion interfaces to 24ioCorePCIe 24-bit/96kHz PCIe Interface ....List $ 1495 00ONLY $54/mo.$HD192CorePCIe 12-ch 192kHz Interface ... List $ 1895 1799 97either PCI or PCI-e systems, for up to 48 channels of 24ioCore PCI-424 Recording Sys ........... List $ 1495 00simultaneous 192kHz recording and playback.0024ioExpander 24-bit/96kHz I/O Expansion ... List $ 1195 00 $ 1420 971135 972408ioMk3 24-ch I/O Expansion ..................List $ 695 00 $ 679 97 “The 2408 has been my go-to PCI-based2408mk3interface for native systems for years. ThePCIe (or PCI Express) architecture is the bus technology24-channel 24-bit/96kHz Audio Interfacecombination of high-bandwidth connection,that will likely dominate the personal computer for theextremely flexible digital I/O, and MOTU’sMOTU’s popular 2408mk3 is a PCI/PCIe card and interfaceforeseeable future, and now MOTU is equipping all ofrock-solid drivers make it hard to beat forsolution for bringing 24 channels of audio into yourmany, many applications!”their super-popular audio interfaces with PCIe-424computer, across a diverse set of I/O. You get eight channels— Ryan Sloan, Sales Engineer, Ext. 1306cards for compatibility with PCIe-equipped computers.of analog 24-bit/96kHz recording and playback, whilePCIe, unlike older parallel technologies, offers eachthe 2408mk3’s extensive digital I/O allows up to a total ofdevice dedicated bandwidth to transfer audio data to32 channels. The connections include built-in video and SMPTE time synchronization, and both ADAT lightpipe andTASCAM TDIF at any sample rate up to 96kHz.and from the system controller. The new PCIe-424card can be installed in any PCI Express slot andThe PCI or PCIe card included with the 2408mk3 system, the 424, is the same card employed by the other interfacesensures that other PCI devices won’t “steal” busfeatured on this page. To create an incredibly flexible I/O setup, you can mix and match MOTU interfaces to suit yourcustom needs — the card can support up to four MOTU interfaces simultaneously. In addition, the 424 card alsocycles from the audio streams. PCIe means morefeatures MOTU’s CueMix DSP mixing and monitoring matrix. This DSP-driven technology functions much like anbandwidth, improved high-speed data transfer, andexternal mixer, except it performs with near-zero monitoring latency and keeps your computer’s processing powerless inherent noise, to ensure the highest qualitypreserved, so you can put it to work on your other essential tasks.recording possible. We have the PCIe-equippedThe 2408mk3 I/O Expansion is one option to expand your system — it’s the same interface that comes bundled2408mk3 Core, 24I/O Core, and HD192 Core systemswith the 2408mk3, just without the card.in stock and ready to ship!2408CoreMk3 PCI Dig Recording System...........List $ 995 00 $ 949 97$1420 97

1979 2009Fireface 80056-channel FireWire 800Audio InterfaceComputer Audio HardwareVisit us online at www.sweetwater.comFireface400 36-ch FW Interface .......List $ 1499 00 $ 1299 97 FireWire Audio InterfacesFireface800 56-ch FW Interface ......List $ 1999 00 ONLY $51/mo.The Fireface 800 provides an impressiveamount of I/O and sound quality that surpasses itsmoderate price point while managing to fit into a singlerackspace. Four Class A mic preamps with separateXLR and TRS inputs can be coupled with eight TRSback-panel inputs, a pair of ADAT inputs, S/PDIF, or the hi-Z input, for a staggeringamount of flexibility. Signal integrity is maintained, thanks to RME’s SteadyClock technology,which refreshes clock signals and removes jitter for optimum conversion quality. Itslittle brother, the Fireface 400 offers the same active jitter suppression, as well as a648-channel matrix router, in a portable half-rackspace package. Capable of workingwith sample rates up to 192kHz, both units are perfect for any number of recordingapplications, from recording rock bands live in the club to capturing the nuances of astring quartet, with audiophile quality.Specs: Fireface 800 FireWire • 24-bit/192kHz • In: 8 x TRS, 4 x XLR, 4 x TS • Out: 8 x TRS, phones • Dig I/O:ADAT, S/PDIF • MIDI I/O Fireface 400 FireWire •24-bit/192kHz • In: 2 x XLR/line combo, 4 x TRS, 2 xTS • Out: 6 x TRS, phones • Dig I/O:ADAT, S/PDIF • MIDI I/OFireface 40087Fireface 800$1699 97 FA66 FireWire Audio Interface .............List $ 499 00 $ 279 97Liquid Saffire 5628x28 FireWire Audio InterfaceNeed plenty of I/O options from your interface? How about a unit that’s capable ofdelivering an array of different preamp characteristics? Check out the Liquid Saffire56, an incredible new 24-bit/192kHz FireWire audio interface from Focusrite. Not onlydoes it boast a staggering amount of I/O at an affordable price — 28-in/28-out — butFocusrite also managed to pack in their famous Liquid technology. On this interface’sfirst two microphone channels (it has eight total), you can dial in your favorite soundsusing your choice of 10 famous preamplifier models, based on gear from Neve, Manley,Avalon, API, and Universal Audio — to name just a few! The Focusrite Liquid Saffire 56also includes onboard DSP-mixing functionality.SaffirePro40 20x20 FW Interface .............List $ 699 95FA-101High-definition 10x10 Audio InterfaceDo you find yourself frequently recording and mixing on the go, along with working athome on a desktop system? The FA-101 lets you do both — with the same interface!Plug the FA-101 into your laptop (which provides power via a FireWire port), and you’vegot hi-res recording anywhere. Back at home, the FA-101 becomes a great front end for ahome studio, capable of capturing audio at sample rates up to 192kHz. You’ve got accessto 10 simultaneous recording tracks at 96kHz, and there are plenty of inputs onboard(six TRS inputs, two mic/line inputs , MIDI, and S/PDIF). The more compact, streamlinedFA-66 gives you two mic/line inputs, four line outs, S/PDIF, and MIDI.FA101 FireWire Audio Interface ............List $ 599 00Specs: FA-101 FireWire • 24-bit/192kHz • In: 2 x XLR/TRS, 6 x TRS • Out: 8 x TRS, phones • Dig I/O: S/PDIF optical •Specs: FireWire • 24-bit/192kHz • In: 8 x TRS, 8 x XLR, 2x1/4" hi-Z • Out: 8 x TRS, 1 x TRS (unbalanced) • Dig I/O:MIDI I/O FA-66 24-bit/192kHz • In:ONLY $30/mo. ADAT, S/PDIF • MIDI I/O • word2 x XLR/TRS, 2 x RCA • Out: 4 x TRS,$SaffireLQ56 28-in/28-out FW Intfc w/ Lqd .List $ 1299 999 99clockphones • Dig I/O: S/PDIF optical •MIDI I/O99ONLY $12/mo.$379 97Specs: 24-bit/96kHz • In: 8 x XLR/TRS • Out: 10 x TRS, 2 x phones • Dig I/O: ADAT, S/MUX, S/PDIF • MIDISpecs: Saffire FireWire • 24-bit/192kHz • In: 2 x XLR • Out: Saffire LEONLY $11/mo.8 x TRS, headphone • Dig I/O: S/PDIF Saffire LE FireWire •ONLY $15/mo.$$499 99 24-bit/96kHz • In: 2 x XLR, 2 x TRSSaffire 2x8 FireWire Interface ...............List $ 499 349 9999customer RAVES!Saffire“I would like to commend Sweetwater for the most trouble-free ordering process I24-bit/192kHz Interface with Powered Plug-inshave ever had! I will be moving all my business to the company from now on and lookWith Focusrite’s history of great-sounding boards and preamps, it’s noforward to a long and trouble-free relationship.”wonder that Saffire, a FireWire-based computer audio interface,— Francesca Mathewsprovides the essential components found in professional recordingdesks, at a price that makes them available to anyone— with performance that rivals top-of-the-lineinterfaces. Saffire offers four inputs with twoFocusrite pres, eight balanced outputs, andS/PDIF I/O, providing the ability to monitorSaffire PRO 407.1 surround. Saffire acts as a low-latency24-bit/96kHz 20x20 FireWire InterfaceDSP engine, thanks to software from thesame team that produced the innovativeFocusrite’s Saffire PRO 40 is steeped in the company’s heritage, yet it’s equipped to LiquidControl and the Forte Suite. Thehandle modern digital needs. The Saffire PRO 40 gives you 18 inputs (plus two loop back more affordable Saffire LE features twochannels) and 20 outputs, with eight mic preamps, ADAT, S/PDIF, and MIDI. It also ships Focusrite preamps, two balanced line inputs,with an impressive suite of Focusrite plug-ins. This unit serves as a great front end for six balanced outputs, and S/PDIF, but it doesdigital music production.not include onboard DSP.Saffire• Out: 6 x TRS • Dig I/O: S/PDIF• MIDI I/OSaffireLE FireWire Interface .......................List $ 399 99 $ 299 99

88Computer Audio HardwareCall us today at (800) 222-4700FireWire Audio InterfacesEnsembleDuet2-channel24-bit/192kHz Audio Interface24-bit/96kHzThe Ensemble multi-channel audio interface can be controlled natively within Apple’s FireWireLogic software (page 28), creating a complete, fully integrated professional hardware Interfaceand software system for audio production on a Mac. This unique FireWire audioApogee’s Duet puts the technology of Ensemble (left) into ainterface not only gives you top-quality performance, but it’s also a natural extensionportable 2-channel unit that’s both elegant and packed withof Logic Pro. Important hardware functions, such as mic preamp gain and sample andfeatures. Thanks to assignable MIDI and selective mutingbit rates, are controllable from within Logic’s Apogee Control Panel. Included Maestrooptions available in Maestro, Duet’s control knob becomes asoftware gives you all of the control functions you have in Logic’s Apogee Control Panelone-touch manager of all your I/O functions while drasticallyplus multiple low-latency mixers and an input and output routing matrix. Ensemblesimplifying the process of recording and listening. Thefeatures 36 channels of simultaneous audio, including eight channels of AD/DAcontrol knob lets you seamlessly bounce between speaker andconversion, four digitally controlled preamps, eight channels of ADAT I/O, two channelsheadphone monitoring, making it easy to keep an ear on yourof S/PDIF coax and optical I/O, and FireWire connectivity . Also included: Apogee ’smix. Duet integrates seamlessly with Logic Pro, SoundtrackSoftLimit , UV22HR dither , and ultra-low-jitter Intelliclock.Pro, and GarageBand software, for the ultimate in stability.Specs: FireWire • 24-bit/192kHz • 8-channel AD/DA • 8 x ADAT I/O • S/PDIF I/O (coax, optical) • 4 x preamps with75dB gain, balanced inserts • OS Specs: FireWire • 24-bit/96kHz • In: 2 x XLR, 2 x instrument • Out: 1 x headphone,ONLY $59/mo. X Core Audio • 2-, 6-, or 8-channel 2 x 1/4"MR816 CSX16x16 FireWire Audio Interface with DSP Channel Strip and ReverbIf you use Cubase music-production software, then you’ll love the MR Series. TheseFireWire interfaces are designed to deliver much more than just clean I/O — they’redesigned to enhance your workflow. Both the MR816 CSX and the MR816 X have the Desktop Konnekt 6same basic I/O configurations — 16-in/16-out — but the magic lies in the “CSX” and 2-in/4-out Desktop FireWire Interface“X” in their names, which relate to the DSP-powered effects built into the units. The“CS” stands for the MR816 CSX’s exclusive channel plug-in — when engaged, the twoknobs on the front panel put you in charge of compression and EQ. The “X” — on both— stands for a REV-X reverb plug-in. You can run up to eight instances of the CS plug-inand one of the X plug-in, to create inspiring headphone mixes, without taxing your CPUand causing latency. Both interfaces also feature Quick Connect, for deep Cubase integration.You can route inputs, arm tracks for recording, create new tracks, and more — allfrom the front panel! DSP mixing adds more functionality.ONLY $36/mo. Specs: MR816 CSX, MR$MR816CSX 16-in/16-out FW Intrfce w/ DSP .....List $ 1499 1199 99 816 X FireWire • In: 8 x XLR/ Specs: FireWire • 24-bit/192kHz • In: 1 x XLR, 2 x line/instrument • Out: 2 x TRS, phones00TRS • Out: 8 x TRS, 2 x phonesMR816X FW Audio Intrfce w/ DSP Reverb .... List $ 1249 00 $ 999 99 • Dig I/O: S/PDIF, ADAT •word clock“Apogee has a true winner with the Duet! My clientswho are on-the-go recording engineers and artists areloving it! Like the Ensemble, the Duet gives you top-classconverters, tight integration, and super stability withmost any Core Audio application. These are awesomefeatures for such a small and affordable FireWire interface.”— Mike Hammond,Sales Engineer, Ext. 1359$Ensemble 24/192 FireWire Interface .......List $ 1995 1949 97 monitor outputs • 2 x headphone00Duet 2-ch FireWire Interface ..............................Studio Konnekt 4824-bit/192kHz Audio Interface with Effects and RemoteTC Electronic’s Studio Konnekt 48 gives you an array of professional features and a Konnekt 24Dstaggering amount of I/O that make recording, mixing, and monitoring a breeze, with FireWire Interface with DSP EffectsTC DSP-powered plug-ins from System 6000 and PowerCore thrown in for additionalpower! The front panel of this single-rackspace unit features four quality mic preampsKonnekt 24D gives you great preamps, switchable mic/hi-Z instrument inputs, and TCwith XLR/line combo jacks. The back panel has eight TRS line inputs, word clock I/O,effects from the PowerCore line! A software control panel provides flexible routing andMIDI I/O, S/PDIF digital I/O, and a pair of ADAT I/O banks . Studio Konnekt 48 supportseffects options, and Konnekt can also run as a standalone mixer and effects processor.sample rates of up to 192kHz, with 96kHz ADAT (eight channels SMUX), putting multichannelaudiophile-quality sound within your grasp. The Studio Konnekt 48’s includedEQ, dynamics, and reverb processors are onboard, as well as Assimilator Konnekt, whichactually “learns” frequency curves to apply to other audio. The Konnekt 8 offers theremote boasts a built-in guitar tuner, and also has a monitor controller to handle suchsame stellar sound, with streamlined I/O and no DSP. Both ship with Cubase LE.studio tasks such as talkback and speaker management.Specs: Konnekt 24D FireWire • 24-bit/192kHz • In: 2 x XLR/inst combo,4 x 1/4" • Out: 4 x 1/4" • S/PDIF/optical/ADAT • MIDI I/O Konnekt 8 FireWire • 24-bit/192kHz • In: 2 x XLR/instSpecs: FireWire • 24-bit/192kHz • In: 4 x XLR, 8 x TRS • Out: 2 x XLR, 8 x TRS, 2 x phones • Dig I/O: 2 x ADAT, S/PDIF • combo, 2 x 1/4" • Out: 2 x 1/4"• S/PDIF • MIDI I/OONLY $12/mo.word clock • MIDI I/OONLY $36/mo.$Konnekt24D FW Interface w/TC FX ...........List $ 495 399 97$ 00KonnektStu48 FW Interface w/TC FX ....List $ 1395 1199 97 00Konnekt8 FW Interface ..........................List $ 375 00 $ 299 97Konnekt6desk FW Interface/Monitor Control ...List $ 295 00ONLY $15/mo.$495 00The FireWire Desktop Konnekt 6 audio interface and monitor controller gives youthe tools you need to concentrate on making great recordings easily! The compactdesktop Konnekt 6 features an intuitive layout with a large volume knob, easy-to-readmeters, and useful controls right at hand. As a front end, Desktop Konnekt 6 incorporatesan IMPACT microphone preamp for incredibly clear sonic results, along with a pair ofselectable line/hi-Z instrument inputs for line-level and direct recording. The built-inM40 reverb adds ambience, while the included Cubase LE audio production software letsyou get started recording.ONLY $10/mo.$249 97

1979 2009Visit us online at www.sweetwater.comComputer Audio HardwareFireWire Audio InterfacesFireStudio“Amazing! Pristine sound quality meets incredibleusability. Right out of the box, you’ve got aphenomenal interface with eight quality preamps2626and converters. Add the remote, and you can26x26 24-bit/96kHzhandle all your monitor management and haveAudio Interfacetalkback, as well.”— Joe Gilder, Sales Engineer, Ext. 1300PreSonus has built quitea reputation for craftinggear that defies logic when it comes to the bang-for-the-buck factor, and the FireStudio2626 fits squarely into that category. The FireStudio is a complete 24-bit/96kHzprofessional recording system, combining eight Class A PreSonus microphonepreamplifiers, up to 16 channels of optical ADAT I/O, and S/PDIF and MIDI I/O with a36x36x18 zero-latency mixer/router for setting up headphone monitor mixes or anynumber of other studio tasks. The FireStudio also comes with award-winning recordingand production software; virtual instruments; plug-ins; drum loops; and samples,including Cubase LE 4 and the PreSonus ProPak, which includes plug-ins and 2GB ofloops and samples to get you started making music immediately.The MSR (Monitor Station Remote) is an optional surround-capable remote controldelivering input switching, speaker switching, talkback, dim, mute, mono, and more, togive you complete professional control of your FireStudio.Specs: FireWire • 24-bit/96kHz • In: 8 x XLR/TRS 2 x RCA • Out: 10 x TRS • Dig I/O: 2 x ADAT, S/PDIF • MIDI I/O Specs: FireWire • 24-bit/96kHz • In: 10 x XLR, 16 x TRS • Out: 6 x TRS • MIDI I/OONLY $21/mo.FireStudio 24-bit/96kHz 26x26 FW Int ......List $ 869 00MSR Remote for FireStudio .................List $ 299 95 $ 199 95FireStudio Tube24-bit/96kHz FireWire Interface with Two Tube Channels, EightXMAX Preamps, and Six TRS InputsIt seems that the “tube versus solid-state” argument has raged for as long as there hasbeen recording equipment. With the FireStudio Tube, PreSonus continues to expandtheir successful FireStudio line while offering a “best-of-both-worlds” approach toaudio interfaces. The FireStudio Tube is packed with 16 simultaneous analog inputs —two tube-based channels on the front panel, with eight XMAX preamps and six balancedTRS inputs. The tube channels sport combo jacks, so any direct-injected instrumentscan benefit from the tube circuitry, with limiters and LED meters to help keep theincoming signal under control.But there’s more to the FireStudio Tube than the great-sounding and flexible analogfront end. The digital converters provide an impressive 114dB of dynamic range, witha JetPLL low-jitter clock keeping the signal sounding its best. An internal 34x4 mixermatrix makes setting up zero-latency monitor mixes a snap. You’ve also got accessto MIDI I/O, for connecting the FireStudio Tube to your favorite virtual instruments.Ultimately, with the large number of simultaneous inputs available and the flexibilityto add tube warmth to your tracks, the FireStudio Tube is a superb centerpiece to anydigital studio.FireStuProj FireWire Interface/Software ....List $ 599 00ONLY $20/mo.Specs: FireWire • 24-bit/96kHz • In:$FireStuLP FireWire/Lightpipe Interface ......List $ 799 649 95 Specs: FireWire • 24-bit/96kHz •00• word clock • MIDI I/O1/4" • Dig I/O: S/PDIF, • MIDI I/OONLY $15/mo.$499 95$699 95 ONLY $24/mo.$FireStuTube 24-bit/96kHz FireWire Intrfce..... List $ 969 799 9500FireStudio LightpipeFireStudio Project32x32 FireWire Lightpipe Interface24-bit/96kHz FireWire Audio Interface with Music ProductionThe FireStudio Lightpipe is a 24-bit/96kHz lightpipe interface that uses FireWireSoftware and Plug-insto connect lightpipe-equipped multi-channel preamps, converters, or mixers toIf you’re serious about making great recordings but don’t have a big-time budget,your computer. This allows you to mix and match any of your favorite digital gear FireStudio Project fits the bill nicely. Starting with a premium FireWire interfacewith lightpipe and to easily transfer them to your computer and into your DAW. The with eight Class A XMAX mic preamps, 24-bit/96kHz sample rate conversion, low-latencyFireStudio Lightpipe features JetPLL jitter-elimination technology, for ultra-tightmonitoring, and an array of I/O options, the FireStudio Project’s quality hardware issynchronization and improved imaging and clarity, along with a 34x4 DSP matrix mixer, only the beginning. You also get flexible mixer/router software to control studio tasks,which allows you to create dual zero-latency monitor mixes. Plus, there’s support for such as headphone mixes for the artists, plus the PreSonus ProPak software suite, withdual S/MUX built in, so there’s no reason not to gravitate toward higher sample rates and Cubase 4 LE 48-track music production software, over 25 real-time processing plug-ins,the benefits of recording at higher resolutions. With all this functionality, the FireStudio and over 2GB of drum loops and samples. Everything you need to begin creating greatLightpipe is a multi-purpose tool for any studio!music is in one box, with the FireStudio Project.ONLY $10/mo. Specs: FireWire • 24-bit/96kHz • Specs: 2 x FireWire • 24-bit/96kHzONLY $10/mo.$ $FireBox Inspire1394 4x4 FireWire Interface ..........List $ 249 199 9524-bit/96kHz FireWire Intrfce ....List $ 359 299 97 00 • Out: 2 x RCA, 1 x 1/8", headphone00Inspire 13944-channel 24-bit/96kHzFireWire Audio InterfaceA perfect companion piece to a largerPreSonus interface, the portableInspire 1394 gives you four channelsFireBoxof professional-quality 24-bit/96kHzPortable 24-bit/96kHz FireWire Interfaceanalog-to-digital conversion. You canWith six simultaneous recording tracks and 8-track playback, the FireBox boasts daisy-chain up to four Inspire 1394s, forthe highest track capacity for a unit of its size. Offering two high-quality PreSonus 16 channels of recording and recall allmicrophone/instrument preamplifiers, 24-bit/96kHz sample rate, and Cubase LEof your settings. This means four band members can each have an Inspire to work out48-track recording software, FireBox includes a stereo headphone output for monitoring parts at home, then all get together to record, while cue mix and track settings are savedplus 2-channel S/PDIF I/O and MIDI I/O via a breakout cable.for each session. A built-in RIAA filter also makes it great for DJs.In: 2 x XLR/TRS (front), 2 x TRS(rear), Out: 6 x TRS, headphone •Dig I/O: S/PDIF • MIDI I/O89

90Computer Audio HardwareFireWire Audio InterfacesCall us today at (800) 222-4700I•ONIX FW810S8x10 FireWire Audio Interface with Software BundleThanks to the Lexicon I•ONIX FW810S’s eight mic/line combo inputs, you can bringa variety of sources into your DAW via one fast FireWire connection. The interface’seight high-voltage, low-noise dbx mic preamps — two of which are on the front panel— ensure you achieve excellent-quality sound. And the FW810S’s built-in dbx Type IVAD conversion system is designed to preserve the essence of your analog signals whilebringing them into the digital domain, instead of putting a cap on your headroom andhard-clipping signals. Once your signals are in your computer, you can use the includedsoftware to integrate dbx dynamics (EQ, compression/limiting, gate), to route signalsthrough the eight inputs and ten outputs, and to take advantage of the included LexiconPantheon II reverb plug-in to add interest to your tracks and to monitor mixes. You alsoget copies of Cubase LE 4 music production software and Toontrack EZ Drummer Lite.FW810S 8-ch FW Interface ...................List $ 1099 97 $799 97ONLY $24/mo.Specs: 24-bit/96kHz • In: 8 x TRS/XLR Out: 8 x TRS, headphones DigI/O: S/PDIF • MIDIOnyx 400F10-channel 192kHz FireWire InterfaceThe Mackie Onyx 400F features premium Onyx microphone preamps, 64-bit internalDSP for outstanding sound quality, and 10x10 matrix mixing. Front-panel controlsinclude control-room-output level, dual independent headphone outputs with dedicatedlevel control, and dual instrument inputs. The Onyx 400F offers tons of I/O: four combomic/line inputs with sends and returns, four line inputs, eight line outputs, control roomoutputs, word clock, MIDI, S/PDIF I/O, and two FireWire ports. In standalone mode, themixer remembers its settings, so it’s great for monitor mixes, keyboard rigs, and more.It’s also bundled with a software package, including Tracktion 2 and Mackie Final Mixmastering tool kit.Specs: 10-ch • solid state • 192kHz • In: 4 x mic/line, 4 x line, 4 x TRS insert • Out: 8 x line • Dig I/O: word clock,S/PDIF, • MIDI I/OOnyx400F 4-ch Preamp/FireWire Intrfce ....List $ 999 99ONLY $24/mo.$779 99FireWire Solo6x4 FireWire Audio InterfaceThe FireWire Solo, combined with Pro ToolsM-Powered software (see page 14-15), offers one of theeasiest ways for you to start up your Pro Tools studio!This compact bus-powered unit is small enough togo anywhere you want to take your music. Designedprimarily for guitarists, the FireWire Solo features a 1/4"guitar input on the front panel and an XLR mic input.Each has its own level control and clipping indicator,so you can simultaneously mix and record a vocaland an instrument. Plus, there are dual line inputs forkeyboards, drum machines, and other outboard gear. TheSolo also features an output level knob that controls bothline outputs and headphones. FireWire connectivity, up to24-bit/96kHz sample rate, and S/PDIF digital I/O all addup to an outstanding performer. A Kensington lock portkeeps the FireWire Solo secure.FireWire Specs: FireWire • 24-bit/96kHz • In: 1 x XLR, 1 x TRS (front), 2 xTRS (back) • Out: 2 x TS, headphone • S/PDIF I/OProFire Lightbridge32-channel Lightpipe Interface with FireWireEquipped with four banks of ADAT I/O, M-Audio’sProFire Lightbridge gives you up to 32 tracks of48kHz audio (16 tracks at 96kHz via SMUX) that can beoutput to a single FireWire cable. This provides amazingflexibility, as you can now custom-build a front end oflightpipe-equipped preamps and send the signal to yourDAW on a single FireWire cable.There’s also S/PDIF I/O, MIDI I/O, and word clock,along with a pair of balanced TRS analog outputswith a dedicated output control. All digital and analogoutputs can be used simultaneously. Coupled with ProTools M-Powered, you can build an amazing DAW with avariety of tonal colors!Specs: FireWire • 24-bit/96kHz • Out: 2 x TRS • Dig I/O: ADAT, S/PDIF, wordclock • MIDI I/OProFire 6106x10 FireWire Audio/MIDI InterfaceM-Audio lets you turn your laptop or desktop computerinto a studio, with the feature-packed ProFire 610interface! This unit is small enough for making mobileand field recordings with your laptop, while its plentifulanalog and digital I/O options and onboard DSP mixermake it a great studio tool. The ProFire 610 is compatiblewith most major audio software, and its two ultra-highqualitypreamps (using M-Audio’s Octane technology)function as a 2-channel standalone AD/DA converter anda mic preamp!Specs: FireWire • 24-bit/192kHz • In: 2 x XLR/TRS, 2 x TRS Out: 8 x TRS, 2x headphones • Dig I/O: S/PDIF • MIDI I/OFirewireSolo FireWire Audio Interface .....List $ 249 95TubeFire88-channel Microphone Preamp with FireWireTubeFire8 8-ch Mic Pre w/Dig Out ............List $ 699 00ONLY $10/mo.ONLY $12/mo.ONLY $12/mo.$199 97 $ $ProFireLB ProFire610 FW Audio/MIDI Intrfc w/ DSP....List $ 499 399 97FireWire Aud/MIDI Intrfc............List $ 499 399 979595 io|2624-bit/192kHz FireWireAudio InterfaceAlesis ramps up the I/O with theio|26. The io|26 is a FireWire audio/MIDI interface with support for 26 channelsof audio, S/PDIF, and ADAT digital inputs, plusthere’s a built-in 16-channel MIDI interface. Thetabletop-friendly io|26 offers eight analog mic/line inputson combo connectors, with phantom power, a high-impedanceinput, and a switchable phono preamp for excellent audio capture fromturntables. Insert jacks make it easy to add external gear into the signal chain.Specs: FireWire • 24-bit/44.1-192kHz • In: 8 x XLR/TRS, 2 x RCA • Out: 8 x TRS (bal), 2 x headphone • DigONLY $17/mo. Specs: In: 8 x XLR/TRS • Out: 8 TS • Dig I/O: I/O: S/PDIF, ADATONLY $13/mo.$559 97 FireWire, word clock • 12Hz-60kHz • Imp: 6.4kohms • Gain range: 70dB$io26 26-channel FW Interface ..................List $ 599 429 9700The TubeFire8 from ART uses eight discrete Class A vacuum tube microphone preamps ina single rackspace unit, with balanced I/O and FireWire connectivity. Ideal for any recordingapplication, this quality and compact preamp gives you eight tube-driven mic/line inputs andeight balanced outputs, to add a little warmth to your FireWire-equipped Mac or PC. You can alsobe sure you’ll get a very clean, quiet, transparent signal — essential for today’s recording formats.Each of the inputs on the TubeFire 8 features a highpass filter, a phase invert, a clip indicator, andan LED meter for preamp level monitoring. Also included is Steinberg’s Cubase LE (Mac/PC).

1979 2009Visit us online at www.sweetwater.comComputer Audio Hardware91USB Audio InterfacesFast Track Ultra 8R8x8 USB Audio Interface with DSP Mixer and Eight Octane PreampsFastTrackU8R USB Interface w/FX .......List $ 629 95If you need to record an entire band and quality is of the utmost importance, the M-Audio Fast Track Ultra 8R is an excellent choice, capable of recording all the way upto 24-bit/96kHz resolution, with a host of digital and analog inputs. It offers eight preamps powered by acclaimed Octane technology, which double as combo jacks, so you canchoose between mic and line-level inputs, depending on your needs. There are also a 20dB pad and selectable 48V phantom power, so you can use any mic. You’ll enjoy flexiblerouting using the Fast Track Ultra 8R’s onboard MX Core DSP mixer, which expands your Fast Track Ultra 8R’s mixing I/O to a 16x8 configuration for larger projects and evenlets you monitor with effects while you’re recording, giving you a richer headphone mix to inspire stronger performances. In fact, this Fast Track is equipped with two headphoneoutputs, so you and a bandmate can quickly monitor the mix at the same time. The Fast Track Ultra 8R is fully compatible with Pro Tools M-Powered (see page 14-15)and comes with a copy of Ableton Live Lite recording software, so you can get started on your projects right away.Specs: USB • 24-bit/96kHz • In: 8 x XLR/TRS • 2 inserts • Out: 8 x TRS, 2 x headphone • Dig I/O: S/PDIFONLY $15/mo.$499 97FastTrkUltra 24-bit USB Interface ...........List $ 449 95ONLY $11/mo.$349 97 FastTrackPro USB Intrfce/Software ........List $ 249 95ONLY $10/mo.$199 97ONLY $10/mo.$MobilePre USB Interface w/Preamp ...........List $ 179 149 9795Fast Track Ultra Fast Track Pro MobilePre USB8x8 USB Audio Interface with DSP MixerUSB Audio InterfaceUSB Bus-powered Interfaceand Four PreampsThe Fast Track Pro offers a pair of mic preamps/Built to make it easy to take your recording on the road,instrument inputs, along with insert points for externalM-Audio’s Fast Track Ultra gives you the features andMobilePre USB is a compact bus-powered preampgear, to facilitate a variety of recording applications.portability of the Fast Track Pro and adds more I/O andwith a built-in 16-bit/48kHz audio interface that’s just asSinger/songwriters will appreciate the straightforwardfunctionality — it can record up to eight tracks at once.suited for field recording and sampling expeditions as itand intuitive user interface, and MIDI I/O lets you easilyFour premium, low-noise onboard preamps maintainis for singer/songwriters. Three different types of audioadd virtual instruments to the mix. S/PDIF connectorshigh sound quality , and you can be sure your signalinputs and outputs provide maximum flexibility for anyon the back panel are great for bringing digital signalswill sound great all the way to your recording program,application — including two onboard preamps within and out of the Fast Track Pro. Phantom power isthanks to the Fast Track Ultra’s 24-bit/96kHz fidelity.phantom power — so you can use any of your favoriteavailable on both mic preamps, so condenser mics cancondenser mics, as well as hi-Z instrument inputs forThe onboard MX Core DSP mixer gives you ultraflexiblesignal routing, complete with delay and reverb guitars and vocals. As an added bonus, the Fast Trackbe used for more nuanced sources, such as acousticconnecting guitar or bass. The MobilePre USB is theinterface to use when you have a remote recordingfor headphone mixes, as well as ultra-low latency. The Pro is compatible with Pro Tools M-Powered, providinggig. Just toss it into your laptop bag and go! Plus, theFast Track Ultra works great with most popular audio an affordable gateway into the industry’s leading musicMobilePre works with Pro Tools M-Powered, so you canproduction applications, and it ships with Ableton Live production software.work on your tracks in any Pro Tools-equipped studio.Lite software included.Specs: USB • 24-bit/44.1kHz • In: 2 x XLR/TRS • Out: 2 x TRS, 4 x RCA,Specs: USB • 24-bit/96kHz • In: 2 x XLR, 2 x XLR/TRS, 6 x TRS • Out: 6 xheadphone • MIDI I/OSpecs: USB • 16-bit/48kHz • In: 2 x XLR, 1 x TS (front), 1 x TS, 1 x 1/8" •Out: 2 x TS, 1 x 1/8", headphoneTRS, 2 x headphone • Dig I/O: S/PDIF • MIDI I/O$FastTrackUSB USB Interface w/FX .........List $ 129 99 97 95Fast Track USBTransitUSB Audio Interface with Guitar Effects SoftwareMini USB InterfaceRecording audio withTransit may just be the most affordableM-Audio’s Fast Track USBand compact way to get into the world ofis easy — just connect a USBPro Tools. The bare-bones feature set simplycable and you’re set to go. Itconsists of a single stereo 1/8" jack paired withhas an input for instrumentsS/PDIF, to accommodate both analog or digitalsuch as guitar, bass, andsignals with support for sample rates up to 96kHz!keyboards, plus a microphone inputSpecs: USB • 24-bit/96kHz • In: 1 x 1/8" (stereo) • Out: 1 x 1/8" (stereo/headphone)for vocals or acoustic instruments, delivering 24-bit/48kHz digital audio• Dig I/O: S/PDIF opticalto your sequencer or recording software. The included GT Player Expresssoftware gives you killer guitar effects and virtual stompboxes. It also plays AAC, MP3,Transit 24-bit/96kHz USB Interface .........List $ 99 95 $79 97and WAV files, with variable-speed capability, which makes learning riffs much easier.You can gradually add speed until you can shred with the best of them. Use the stereo“This piece is a good place to start if you want to use your computer to turn old tapesheadphone output for those late-night practice sessions!or records into CDs.”— Jeff Rodgers, Tech Support, Ext. 1427Specs: USB • 24-bit/48kHz • In: 1x TRS/hi-Z, 1 x XLR • Out: 2 x RCA,headphone

92IO|2Portable24-bit/48kHz USBInterfaceComputer Audio HardwareUSB Audio InterfacesUA-101USB 24-bit/192kHz Audio InterfaceThe Edirol UA-101 puts your USB 2.0 port to work, pumping a full 10 inputs and 10outputs at 24-bit/96kHz resolution. You can expect low latency and stellar stability, aswell as UA-series signature high-quality audio. Two XLR/TRS combo inputs are on thefront panel of the UA-101, for convenient access, and pro-grade mic preamps give youthe clean signal and headroom you need. What’s more, there are phantom power anda 5-LED level indicator, so you can keep an eye on your audio. There’s even a built-inanalog limiter and indicator to prevent clipping — a feature that’s sure to save arecording or two. MIDI, S/PDIF, and TRS I/O (6/8) round out the UA-101.Specs: USB • 24-bit/96kHz • In: 2x XLR/TRS, 6 x TRS • Out: 8 x TRS •Dig I/O: S/PDIF (optical) • MIDIUA-4FXUSB Audio/MIDIInterfacewith Built-inEffectsCall us today at (800) 222-4700UA-25EXUSB 24-bit/96kHz Audio Interface$149 97With the UA-25EX, you get two front-panel XLR/TRS combo inputs with improvedpreamps and phantom power, for quickly connecting up two sources. Level controls helpyou conveniently dial in your sound, and a built-in analog compressor/limiter ensuresthat you don’t lose crucial recordings to sudden clipping. You can adjust the limiter via afront-panel dial or toggle/bypass different settings via a rear switch. Audio is captured atexcellent 24-bit/96kHz resolution, though sample rates are also rear switchable to 48kHzor 44.1kHz. RCA and TRS outputs, optical I/O, and MIDI I/O give enough routing to suitvirtually every small-format recording setup.ONLY $15/mo. Specs: USB • 24-bit/96kHz • In: 2ONLY $10/mo.$UA101 10x10 USB Interface .............List $UA25EX 24-bit USB Audio Interface ........List $ 279 239 97$ 599 499 97 x XLR/TRS, 6 x TRS • Out: 2 x TRS,00 RCA • Dig I/O: optical • MIDI00customer RAVES!“I normally do not buy anything over the Internet. It was a leap of faith to try Sweetwater forthe first time last summer, but I was impressed with your professionalism and promptness.”— David TownsendUA-1EXCompact USB Audio InterfaceWhen you need to bring high-quality audiointo your computer but space is the utmost concern, theEdirol UA-1EX is just the device for you. This ASIOcompatible24-bit/96kHz USB audio interface offers superiorsound and versatility — and its tiny size is perfect to completeyour laptop-based recording rig. Once you’ve recorded, you can use theUA-1EX’s complement of outputs as a fast way to show off your tracksthrough a home stereo system.ONLY $10/mo.Specs: USB • 24-bit/96kHz • In: 1 x1/8" TRS, RCA • Out: RCA, 1 x 1/8" •$UA4FX UA1EX USB Cable/ Audio Interface ......List $ 99 79 97USB Audio Interface w/FX .....List $ 229 00 Dig I/O: S/PDIF00 AudioBox USBCompact 2-channel USB Audio InterfaceWith an exceptionally small footprint, the PreSonus AudioBox USB puts two channelsof audio straight into your computer — and it couldn’t be easier to use. Front-panelXLR/TRS combo inputs offer switchable phantom power, so you can use any mic in yourcollection, and there are separate volume controls for your headphones and your mainoutputs. Plus, clip meters help you determine where to dial in each of your inputs. Onthe back, MIDI I/O makes it easy to connect up any of your crucial MIDI gear, and theAudioBox USB’s rear-panel TRS outputs feed your studio monitors with ease. You’ll alsobe glad to know that the AudioBox USB has no need for any additional wall warts — itreceives all the power it needs via your computer’s USB connection.Specs: USB • 24-bit/48kHz • In: 2 x XLR,/TRS combo • Out: 2 x TRS, headphones • Dig I/O: MIDIONLY $10/mo.ONLY $10/mo.$ $io2 AudioBoxUSB USB Interface .................List $ 179 149 952-ch 24-bit/48kHz USB Int ........List $ 299 159 97 00 00If there were ever a listof audio interfaces thatdefined the word “value,” the UA-4FX would be at or near the top of it. The UA-4FXportable USB audio/MIDI interface delivers ultra-fast performance, 24-bit/96kHz audio,a phantom-powered XLR mic input, built-in effects, Cakewalk’s SONAR LE, and Edirol’sVirtual Sound Canvas plug-in (PC). The 14 onboard effects include the impressive COSMtube mic preamp simulator, reverb, chorus, delay, and more. The UA-4FX is Windows andMac compatible, and Vista drivers are available for download.Specs: USB • 24-bit/96kHz • In: 1 xXLR, 1/4" hi-Z, 1/8", RCA • Out: RCA• Dig I/O: S/PDIF • MIDIThe Alesis IO|2 makes it fast, easy,and convenient to get two channels ofaudio into your computer via USB. This slimlineaudio interface fits neatly on your desktop andputs the I/O and controls you’ll likely need most often right on top, so you won’t have tospin it around to switch out your cables. Two XLR mic inputs with 48V phantom powerare on each channel, or you can use TRS inputs instead. The TRS inputs are actuallyhi-Z, so you can connect up your guitar without any impedance issues. Four-segmentsignal/clip LED meters keep you aware of what’s happening to your audio on eachchannel, while S/PDIF I/O and MIDI I/O give you a ton of flexibility. You can also use atop-panel knob to dial in your headphone monitor mix.Specs: USB • 24-bit/48kHz • In: 2x XLR, 2 x TRS, 2 x insert • Out: 2 xXLR, headphones • Dig I/O: S/PDIF• MIDI I/O

Computer Audio HardwareVisit us online at www.sweetwater.comAlpha Desktop Recording Bundle...........List $ 139 95 $ 79 97 — Carson McClain, Sales Engineer, Ext. 1302USB Audio InterfacesTonePort UX88-channel USB Interface with Amp and Mic Preamp ModelsLine 6 consistently leads the pack whenPOD Studio UX2it comes to modeling technology —2-channel USB Audio Interfacetheir modeling amps set the standardPOD Studio combines the stunning soundfor spot-on emulation of classic ampsof the POD Farm plug-in with an excellentPOD Studio UX1and axes. The latest edition of theguitar-recording interface. In addition, exclusive Line 6TonePort series expands that modelingToneDirect monitoring eliminates latency when you’reexpertise into larger multi-channeltracking guitar, bass, or vocals with amp and effectsUSB interfaces. The stage- and studiofriendlyLine 6 TonePort UX8 buildsphantom-powered mic preamps, guitar/ bass instrumentprocessing. POD Studio UX2 features two high-qualityon the legacy of the earlier TonePort boxes andinputs, and stereo line inputs and outputs. POD StudioPOD Studio GXraises the bar, upping the channel count to eight.KB37 delivers the I/O of POD Studio UX2, with theIt gives you a staggering array of guitar tones inaddition of a 3-octave keyboard controller. PODone handy rackmountable enclosure!Studio UX1 offers a single guitar/ bass input andThanks to eight microphone preamps withan XLR input without phantom power, while PODcorresponding line inputs, eight TRS outputs, S/Studio GX delivers a single guitar/bass input in aPDIF I/O, two 1/4" footswitch inputs, and an expression pedal input, the TonePort portable package.UX8 is equipped to handle a wide variety of input sources and will be a perfect fit in Specs: UX2 USB • 2 x XLR, 2 x TRS • Dig I/O: S/PDIF UX1 USB • 24-bit/48kHzPOD Studio KB37• In: 1 x XLR, 2 x TRS, 1 x TS • Out: 2 x TRS, phones GX USB • 24-bit/48kHz •any guitarist’s home studio. Of course, Line 6 includes a pair of front-panel DI inputs. In: 1 x TRS • Out: 1 x TRS/phonesONLY $10/mo.Specs: USB • 24-bit/96kHz • In: 8 x XLR, 8 x TRS, 2 x DI • Out: 8 x TRS • Dig I/O: S/PDIFKB37 USB • 24-bit/48kHz • In: 2$PodStuUX2 5-ch USB Intrfce, Mdlng Soft ......List $ 279 199 99x XLR, 2 x 1/4", 1 x DI • Out: 2 x99TRS, headphone • Dig I/O: S/PDIFPodStuUX1 3-ch USB Intrfce, Mdlng Soft .......ListONLY $15/mo.209 99 $ 149 99$TonePortUX8 8-ch USB Audio Interface ...List $ 699 499 99 PODStuGX 1-ch USB Intrfce, Mdlng Soft .......List $ 139 99 $ 99 9999PODStuKB37 USB Interface/Key Controllr ........List $ 419 99 $ 349 99$ ...............List 199 97 (Traktor), a vintage-style keyboard collection, amp emulators, and Cubase LE. If youLambda Omega USB Recording Bundle $ 279 are confused as to which inexpensive, high-quality interface to get, look no furtherONLY $10/mo.in, balanced out, and one mic preamp if you need it, and it comes with DJ softwareOmega StudioAudio Kontrol 14x2 USB Audio Interface with Lexicon24-bit/192kHz USB Audio Interface with Bundled SoftwareReverb Plug-in and Cubase LERenowned for incredibleTransform your computer into a 24-bit recordingsoftware instruments, Nativestudio, with Omega Studio! This “in-the-box”Instruments now gives you arecording package includes Steinberg’s Cubasegreat piece of hardware, withLE audio/MIDI recording and editing suite andAudio Kontrol 1 . This USBthe Omega 8x4x2 USB I/O mixer. The Omega USBinterface packs audiophilequalitymixer provides a total of nine inputs and allows24-bit/192kHz soundyou to record four tracks at once. Based on theinto a very compact andOmega, the Lambda Studio features two XLReasy-to-use box.microphone inputs by dbx with TRS inserts andThe Audio Kontrol 1 includesswitchable +48V phantom power. Connectivity isa pair of balanced XLR/supplied by TRS balanced 1/4" line inputs, twoTRS inputs and a single hi-ZTRS balanced line outputs, an 1/8" front-panelmountedhigh-power headphone output jack, ainstrument input. NI designedAudio Kontrol 1 to be an all-encompassingfront-panel ultra-high-impedance instrumentinterface for musicians, producers, and DJs, and it ships it with a batch of great software,input, and MIDI I/O. Cubase LE and Lexiconincluding Guitar Rig 3 LE, Traktor 3 LE, Cubase LE 4, and KORE Player (complete withPantheon Reverb are also included. The buspoweredAlpha Desktopthe KORE Selection Soundpack). Audio Kontrol 1’s top panel sports three buttons anda large knob, all of which are freely assignable to functions in your software. It’s NativeRecording Studio includesInstruments’ quality and attention to detail — in a hardware unit!the Alpha Studio 2x2 USBSpecs: USB • 24-bit/192kHz • In: 2 x XLR/TRS, 1 x hi-Z • Out: 4 x TRS, headphone • MIDI I/OI/O mixer, Cubase LE, and the Pantheon VST plug-in.Specs: Alpha USB • 24-bit/48kHz • In: 1 x XLR, 2 x TRS, 1 x hi-Z • Out: 2 x TRS, 1 xONLY $10/mo.RCA Lambda USB • 24-bit/48kHz • In: 2 x XLR, 2 x TRS, 1 x hi-Z 2 x insert • Out: 2 xTRS • Dig I/O: S/PDIF • MIDI I/O Omega USB • 24-bit/48kHz • In: 2 x XLR, 1 x hi-Z, 2$AudioKont1 24-bit/192kHz USB Intrfce ....List $ 299 249 97xinsert, 4 x TS • Out: 2 x TRS, headphones • Dig I/O: S/PDIF • MIDI I/O00Alpha“The guys at Native Instruments have always known the deepest desires of theircustomers. The Audio Kontrol 1 is an example of that. This box is simple: balancedLambda USB Audio/MIDI Interface ...........List $ 209 95 $ 149 97than the Audio Kontrol 1 — the knob and buttons are MIDI capable, too.”1979 200993

94Computer Audio HardwareUSB Audio InterfacesI•ONIX U82S8x2, 24-bit/96kHz Desktop InterfaceCall us today at (800) 222-4700The I•ONIX U82S 8x2 USB audio interface is builtfrom the ground up to function well within yourdesktop environment. This great-sounding 24-bit/96kHzinterface has plenty of inputs, and it’s made to fit your setupwhere you need it — between the computer screen and thekeyboard. High-quality dbx preamps provide a great front end,while excellent AD/DA converters ensure that pristine digitalaudio goes into your DAW. If you don’t need as many inputs, the moreaffordable and even more compact 4x2 I•Onix U42S will fit thebill nicely. It contains all the great features and functionality of itsbig sibling in a 4-channel configuration. Looking for an ideal homestudio interface? Check out the I•ONIX U22, a 2x2 version. All threeI•ONIX units include Lexicon’s fantastic Pantheon II VST/AU reverb plug-in, as well as Cubase LE4 and ToontrackEZdrummer Lite software. If you want to get the most out of your desktop recording rig without taking up preciousspace, start at the front end with these great-sounding interfaces from Lexicon!Specs: I•ONIX U82S USB • 24-bit/96kHz • In: 8 x XLR/TRS, 2 x 1/4" hi-Z • Out: 2 x TRS, 2 x headphone • S/PDIF • MIDI I•ONIX U42S USB •24-bit/96kHz • In: 4 x XLR/TRS, 2 x 1/4” hi-Z • Out: 2 x TRS, 2 x headphone• S/PDIF • MIDI I•ONIX U22 USB • 24-bit/96kHz • In: 2 x XLR/TRS, 1 x1/4” hi-Z • Out: 2 x TRS, 1 x headphone • MIDIIonixU82S 8x2 USB Audio/MIDI Interface ...List $ 849 95ONLY $18/mo.$599 97MicPortPro Mic Pre/Interface .............List $ 19995 Specs: USB • 16-bit/44.1kHz • In: 1 x XLRSpecs: USB • 16-bit/48kHz • In: 1 x XLR$Icicle USB Interface - Mic Pre ............................. 59 99 MicMate Mic Pre/Interface ........................List $ 99 00 $49 97ONLY $10/mo.$149 97IonixU42S 4x2 USB Audio/MIDI Interface ....List $ 549 95 $ 399 97IonixU22 2x2 USB Audio/MIDI Interface ....List $ 399 95 $ 299 97US-122LUSB Audio/MIDIInterfaceTASCAM’sUS-1641US-122L24-bit/96kHz 16x4 USB Audio Interfaceincludes twoThe US-1641 gives musicians and home recording enthusiasts a great and affordable way to get up to 16 channels of mic inputs,audio into a computer via a single USB connection. Among the features on the US-1641 are eight phantom-powered line-level inputs ,mic/line inputs with an additional four back-panel line inputs, two balanced/unbalanced line/instrument front-panel zero-latency directUS-122Linputs, and S/PDIF I/O. There are also 16 channels of MIDI available.monitoring , and MIDI I/O . Thebus-powered US-144 adds digital I/O. BothThe US-1641 can handle audio up to 24-bit/96kHz without sacrificing track count, making it a great solution forunits come complete with GigaStudio 3 LE US-144high-fidelity full-band recording, live or in the studio. The 1U design allows the US-1641 to be rackmounted, making it and Cubase LE software.easy to take pro-level recording capability on the road.Specs: US-122L USB • 24-bit/48kHz • In: 2 xThe hardware delivers zero-latency monitoring, so you can hear what’s going on in real time. To complete the package, XLR, 2 x line in (1 switchable to hi-Z) 2 x insert• Out: 1 x XLR, 2 x RCA • MIDI I/O US-144the US-1641 comes bundled with Steinberg Cubase LE 4 audio production software (Mac and PC) and TASCAM’sUSB • 24-bit/48kHz • In: 2 x XLR, 2 x line inContinuous Velocity Piano virtual instrument (PC only).(1 switchable to hi-Z) • 2 x insert • Out: 1 xXLR, 2 x RCA • Dig I/O: S/PDIF • MIDI I/OSpecs: US-1641 USB • 24-bit/96kHz • In: 8 x XLR, 6 x line in (2 switchable to hi-Z) • Out: 4 x TRS • S/PDIF I/O • MIDI I/OONLY $12/mo.$US122L USB 2.0 Audio Interface.............List $ 199 129 9700US1641 USB 2.0 Audio Interface.............List $ 499 00 US144 USB Audio Interface....................List $ 269 00 $ 149 97ONLY $10/mo.IcicleMicPort ProUSB Microphone A/DUSB Microphone Preamp/InterfaceConverter/PreampThe MicPort ProBlue’s Icicle is just Mic Matemay well be the mostas cool as its USB Microphone A/D Converter/Preamp stripped-down interfacename implies.out there, but thatThis affordable MXL’s straightforward, streamlined MicMate preamp doesn’t mean it won’tdevice is a USB and A/D converter allows you to plug any mic in and get perform! This tubular deviceconverter and mic preamp all in one, so you can connect high-quality digital sound straight to your computer’s offers a mic input, a USB port, 48Vany XLR microphone directly into your computer via USB port. It’s ideal for portable recording as well as for phantom power, and a headphone jack,USB. The Icicle requires no complicated drivers and no desktop DAW setups where space is at a premium. The with a dial for zero-latency monitoring. Itclunky I/O boxes, and it includes onboard 48V phantom MicMate uses your computer’s USB power to provide operates at 24-bit/96kHz resolution and can bepower and a 6' USB cable for streamlined connectivity phantom power, allowing you to use condenser mics powered entirely by bus power, for plug-and-playwith your Mac or PC. Built with Blue quality and offered without the hassle of an additional interface. Theconvenience. It’s compatible with both Windows (XP andat an amazing price, the low-noise Icicle gives you great MicMate includes a balanced, low-noise analog input, Vista) and Mac OS X and includes a 6' USB cable.sound anywhere.analog gain control, and 16-bit A/D conversio n.Specs: USB • 24-bit/96kHz • In: 1 x XLR

Pure Genius.Don’t sacrifice your desktop or your music.You care intensely about your music. It’s more than a pastime –it’s your passion. Brilliantly designed, the I·ONIX Desktop RecordingSeries fits where it makes the most sense, between your keyboardand monitor. Performance driven A/D - D/A converters ensurepristine 24bit/96kHz audio, while high-stability, ultra-low noisedbx ® mic preamps provide for a superior recording. The full,rich sound of the Pantheon II VST/AU reverb plug-in completesyour mix. The I·ONIX series furthers Lexicon’s legacy of innovation.No compromise performance – ergonomic brilliance. Pure genius.For more information,contact your SweetwaterSales Engineer today!www.sweetwater.com1.800.222.4700

96Computer Audio Hardware$ 00 24-bit/192kHz • Dig I/O D-SubCall us today at (800) 222-4700PCI Audio InterfacesHDSPe RayDATHDSP 963236x36 PCIe Audio Interface32x32 PCI Audio InterfaceWith 32 channels of audio I/O, theIf you’re looking to give your PCIeequippedcomputer a performanceHDSP 9632 offers stellar digital connectivity,complete sync capabilities,boost, look to the HDSPe RayDATand virtually zero-latency monitoring.to handle your I/O needs. TheBalanced stereo analog I/O withRayDAT provides four banks of ADAT24-bit/192kHz conversion, ADAT digitaloptical I/O — totaling 32 channelsI/O, S/PDIF digital I/O, and available add-on cards for even more— plus S/PDIF I/O and AES/EBU I/O,inputs make the HDSP 9632 practically limitless. Its 192kHz AD/DA converters have morefor a total of 36-in/36-out. S/PDIF (phono) and AES/than a 110dB signal-to-noise ratio, and all inputs and outputs can operate simultaneously.A new internal clock suppresses jitter from external signals. Also available is theEBU are available at the same time. You’ll enjoy flexible routingacross these channels and clocking stability, thanks to TotalMix, RME’s DSP-based52-channel HDSP 9652, with three banks of ADAT input and two channels of S/PDIF.real-time mixer and router, and RME’s SteadyClock clocking technology.Specs: HDSP 9632 PCI • 24-bit/192kHz • In: 2 x RCA • Out: 2 x RCA • Dig I/O: ADAT, S/PDIF • MIDI I/O • Mac/PCSpecs: PCIe • 192kHz • Dig I/O: ADAT, AES, S/PDIF • MIDI I/OHDSP 9652 PCI • 24-bit/96kHz • Dig I/O: 3 x ADAT, S/PDIF • ADAT syncONLY $15/mo.ONLY $26/mo.$HDSP9632 24-bit/192kHz PCI Audio Card ...List $ 549 499 97$ 00HDSPeRayDAT PCIe Interface ...............List $ 949 849 97 00HDSP9652 24-bit/96kHz PCI Audio Card ......List $ 799 00 $ 699 97Specs: PCI • 24-bit/192kHz • In: 2 x TRS • Out: 2 x TRS • Dig I/O:S/PDIF • MIDI I/O$0404 4x4 PCI Interface - PC ............................... 99 99AES16 Interfacescustomer RAVES!16x16 PCI/PCIe Audio InterfacesEasily bring all of your digital gear into your software DAW, with a Lynx Studio“Thanks again for many years of excellent service and for having professionals onboard.It’s beenggreat reatddoing oingbbusiness nesswswwithyou utthusfar, and I lookfforward to thennextdecade cadeoorttwo.”Technology AES16 multi-channel interface. You get up to 16 channels of 24-bit/192kHz— Ed WellsI/O in a single-card format, and you can install up to four AES16s, for even the mostextensive channel needs. All AES16 interfaces boast Lynx’s exclusive SynchroLocktechnology, for excellent jitter tolerance across all of your inputs, regardless of longcable lengths. Plus, this technology also acts as an accurate word clock source for yourother gear, adding even deeper value to the system. The AES16 is available inboth PCI and PCIe varieties. You can also choose the AES16 SRC option witheight channels of mastering-quality sample rate conversion. In addition, youcan get an AES16 PCI or PCIe bundled with two 6' D-sub to XLR cable sets, forconnectivity straight out ofONLY $21/mo.$AES16e 16-ch AES/EBU Intrfc ................List $ 795 699 97the box. All offer an onboard oard32-channel/32-bit mixer.00AES16eSRC 16-ch AES/EBU Intrfc .................List $ 895 00 $ 799 97 Specs: AES16XLR/AES16 PCIAES16XLR 16-ch AES/EBU Intrfc .................List $ 795 00 $ 699 97• 24-bit/192kHz • Dig I/O: D-SubAES16e/AES16eSRC PCI-eAES16 16-ch AES/EBU Intrfc .................List 695 $ 625 97040424-bit/192kHz PCI Audio Interface with 32-bit Multi-effectsE-MU’s 0404 PCI Digital Audio System is an ideal way to dive into digital audio on your Windows computer. Highdefinition24-bit/192kHz converters deliver quality audio, and the onboard DSP delivers mixing, zero-latencymonitoring, and over 600 hardware-accelerated effects . The 0404 PCI comes with SONAR LE, Cubase LE,Wavelab Lite, Live Lite for E-MU, AmpliTube LE, SFX Machine LT, and E-MU Proteus X LE.1212M v21616M PCI24-bit/192kHz PCI Audio Interface24-bit/192kHz Audio Interfacewith 32-bit Multi-effectsE-MU’s PCI digital audio systems give youE-MU’s 1212M v2 gives you everything youeverything you need to turn your PCneed to capture professional-grade audio oninto a total production center, alongyour PC. With the 1212M, you get masteringgradewith enough bundled software to keep24-bit/192kHz converters, a plethora ofyou busy! The 1616 PCI features thehardware-accelerated VST plug-in effects withMicroDock desktop breakout box with 16no CPU overhead, and zero-latency hardwareinputs and 16 outputs, plus 32 channels of MIDI I/O and two E-MU XTC Class A ultralow-noisemixing and monitoring with a super-flexiblemic/line/hi-Z preamps with 48V phantom power and analog soft limiting. Thepatch bay — no external mixer needed. The 1212M offers 12 inputs and 12 outputs, 1616M PCI ups the ante with 120dB SNR mastering-quality 24-bit/192kHz converters.plus S/PDIF, ADAT, and MIDI I/O, as well as a power software bundle to edit and mix Both ship with a huge software bundle, including SONAR LE, Cubase LE, Live Lite foryour audio into a finished product, including SONAR LE, Ableton Live Lite for E-MU, E-MU, and more.Steinberg’s Cubase LE and WaveLab Lite, SFX Machine LT, and more.Specs: 1616M/1616 PCI PCI • 24-bit/192kHz • In: 4 x TRS, RIAA preamp in • Out: 6 x TRS, ONLY $14/mo.Specs: PCI •24-bit/192kHz • In: 2 xONLY $10/mo.2 x 1/8" (speaker) headphone • Dig$1616MPCI PCI Recording System ................................ 449 99TRS • Out: 2 x TRS • Dig I/O: ADAT, S/$1212Mv2 12x12 PCI Recording System ..................... 149 99I/O: S/PDIF, ADATPDIF • MIDI I/O1616PCI PCI Recording System ................................ $349 99

98Computer Audio HardwarePCI Audio InterfacesAudiophile 19224-bit/192kHz PCI Audio CardBring high-definition audio to your computer recordingsystem, with M-Audio’s Audiophile 192. This PCIaudio card gives you stereo analog I/O, S/PDIF digitalI/O, and a MIDI interface, all in one package. TheAudiophile 192 is ready for the next generation ofDVD audio, providing 24-bit/192kHz resolution. Itsbalanced/unbalanced analog I/O makes connectingto a whole range of pro and consumer gear possible,and monitoring your recording is easy, thanks tothe Audiophile 192’s zero-latency hardware inputmonitoring support. Get an Audiophile 192 for anaffordable introduction to high-definition audio!Specs: PCI • 4x4 • 24-bit/192kHz • In: 2 x TRS (balanced) • Out: 2 xTRS (balanced) • Dig I/O: S/PDIF • MIDI I/OAudiophile192 4x4 PCI Card ............List $ 199 95ONLY $10/mo.Audiophile 24964-in/4-out PCI Audio Card with S/PDIFand MIDIHere’s a high-performance PCI card that’s as friendlyto your wallet as it is to your audio! M-Audio’sAudiophile 2496 uses the same pro-grade24-bit/96kHz converters as the Delta 44 and 66 cardsdo (right). The Audiophile 2496 also providesS/PDIF and MIDI I/O for connecting to digital audiodevices and MIDI instruments.This 4-in/4-out interface delivers quality audioperformance, with a frequency response of22Hz-22kHz and a dynamic range of 104dB, so you’llhear the nuances of even the most delicate recordings.The built-in MIDI interface gives you 16 channels ofI/O and eliminates the added expense of an additionalhardware interface for the task.Specs: PCI • 24-bit/96kHz • In: 2 x RCA • Out: 2 x RCA • Dig I/O: S/PDIF • MIDI I/OAudiophile2496 4x4 PCI Card ..........List $ 129 95 $99 97customer RAVES!“Your catalog is the best around! The sales staff isawesome. e. Service viceaafter rtthesalewwastop notch!”— BrettMolaisononDelta 1010LT10x10 24-bit/96kHz PCI Audio CardM-Audio’s Delta 1010LT packs in a lot of I/O for its small price! This10-in/10-out PCI recording system gives you two XLR inputs, complete withpreamps as well as six RCA inputs for all your gear. You also get digitalS/PDIF I/O and word clock I/O for high-level synchronization down the line,plus there’s MIDI I/O for your control surface or keyboard controller.Best yet, the Delta 1010LT is Pro Tools M-Poweredcompatible, for the ultimate in pro recordings.Specs: PCI • 24-bit/96kHz • In: 2 XLR, 6 x RCA • Out: 8 x RCA• Dig I/O: S/PDIF • word clock • MIDI I/ODelta1010LT 10-in/10-out PCI Rec Sys ....List $ 249 95Delta 66“Combined with M-Audio’s Pro Tools M-Powered,the Delta 1010 offers an ultra-stable, highbandwithPCI native Pro Tools solution. ”— Ryan Sloan, Sales Engineer, Ext. 1306Delta66 6-in/6-out PCI Rec System ........List $ 239 95 $189 97ONLY $10/mo.Call us today at (800) 222-4700ONLY $10/mo.$199 97PCI Audio Card with Analog I/O Breakout BoxM-Audio’s Delta 66 offers incredible performance to go withits amazingly low price. This PCI card’s zero-latency hardwaremonitoring, 24-bit/96kHz sonic fidelity, and 36-bit internal DSP letyou capture high-quality audio. The flexible Delta 66 system includes a PCIcard with S/PDIF I/O, connected to a sturdy breakout box containing fouranalog inputs and outputs that are compatible with balanced or unbalanced+4dBu or -10dBV signals. Included Delta Control Panel software providescomprehensive routing, monitoring, and mixing capabilities. This card is agreat value!Specs: PCI • 24-bit/96kHz • In: 4 x TRS • Out: 4 x TRS • Dig I/O: S/PDIFDelta 44Delta 101024-bit/96kHz PCI Audio Interface with MIDIand Word Clock I/OExperience the high bandwidth and ultra-low latencythat this PCI-based audio interface system provides! TheDelta 1010 is an extremely affordable way to bring10 channels in and 10 channels out of your computer— with S/PDIF, MIDI, and word clock to boot. Allchannels are capable of 24-bit/96kHz resolution. What’smore, the Delta card contains a 36-bit embedded DSPsoftware-driven patch bay/router for both digital andanalog I/O, allowing extremely fast throughput. AbletonLive Lite is included, and it’s M-Powered compatible.Specs: 1010 PCI • 24-bit/96kHz • In: 8 x TRS (bal/unbal) • Out: 8 x TRS(bal/unbal) • Dig I/O: S/PDIF, word clock • MIDI I/ODelta1010 10-in/10-out PCI Rec Sys .........List $ 799 95ONLY $18/mo.$599 974-channel PCI Audio Card with Breakout BoxWant to tap into the power and performance of the Delta 66 but don’t need S/PDIFdigital I/O? The amazingly affordable Delta 44 fits the bill. Delta 44 includes a PCIcard connected to a sturdy analog breakout box.You get 4x4 I/O jacks and an excellent 24-bit/96kHz converter section. There’salso Delta control panel software that configures the card and controls digitalmixing and routing. The Delta 44 is an approved Pro Tools M-Poweredinterface, giving you a very high-quality entry into the wonderful world ofdigital audio!Specs: PCI • 24-bit/96kHz • In: 4 x TRS • Out: 4 x TRS$149 97$179 97 Delta44 4-in/4-out PCI Rec System ........List $ 199 95 ONLY $10/mo.

Invaluable technical adviceyou can trust — 24/7!Professional Online Advice Before You BuyOur exclusive online buying guides offer the professional information you deserve when searching for the right pro audio ormusic technology gear for your specific needs. Sweetwater Buying Guides provide insight into the ins and outs of purchasingsoftware, hardware, mixers, and microphones. Searching for the right piece of gear and aren’t sure what to look for? Check outone of our buying guides first.Instructive Pro Tools Articles and VideosAt Sweetwater, we’ve helped thousands of people get started with Pro Tools|HD, Pro Tools LE, and M-Powered systems. We’vedeveloped the Pro Tools Resource Center so that our customers can have access to the answers to the most common Pro Toolsquestions, from the convenience of their web browsers. No matter which version of Pro Tools you’re using, look here for informationabout compatible hardware and software, setting up your first Pro Tools session, or anything else you need to make your ProTools experience positive and productive.15,000 Answers at Your FingertipsWhen you have a question about using the gear you’ve purchased at Sweetwater — a question that only a tech supportguru could answer — turn to SweetCare! Featuring over 15,000 helpful articles written by our award-winning Tech SupportDepartment, SweetCare is the #1 online resource for today’s most-asked technical questions. It’s like having the best technicalminds in the business on call — day and night.Check out these URLs to get started!sweetwater.com/expert-center/buying-guidessweetwater.com/feature/ptresourcest t / tsweetwater.com/sweetcaret tSweetCare ® is a registered trademarkof Sweetwater Sound, Inc.

100Computer Audio HardwarePodcast SolutionsCall us today at (800) 222-4700What is Podcasting?Podcasts are an amazing platform for artists of all kinds to attract interested listeners. At its base, a podcast is an audio file posted to the web in sucha way that anyone can subscribe to hear your new content regularly. Whether you want to flex your radio know-how, get your music out there, or justfind a new outlet for your creativity, there’s no better way than podcasting — and fortunately, it’s something everyone from beginners to pros can do!Check out these all-in-one packages and special mics toget started!Track Pack T1USB Interface with Dynamic Mic and HeadphonesStart recording quality tracks now! TASCAM’s Track Pack T1 includes the compact US-122L USB 2.0interface, which gives you up to 24-bit/96kHz sound quality. This interface provides two XLR inputs withphantom power, two analog line inputs, and MIDI I/O. You also get a MC-VT1 dynamic mic, headphones, andCubase LE 4 48-track audio production software. The Track Pack T2’s USB interface adds digital I/O andMIDI to its dual XLR and line inputs. Thispackage also includes a TM-78 vocal micand Cubase LE 4 software.ONLY $10/mo.$179 97US122TrackPk USB Interface Bundle .........................List $ 299 00US144TrackPk USB Audio Interface, Mic, & Softwr .....List $ 369 00 $ 199 97PodcasterDynamic Mic with Built-in USB InterfaceHere’s a professional-sounding microphone for podcasters that’s veryeasy to use. RØDE’s Podcaster end-address dynamic USB mic featuresa built-in A/D converter and a 3-meter USB cable for easy connection toa computer. The Podcaster is tailored specifically for voice , and the tightcardioid pickup pattern provides excellent rejection of off-axis sounds.An integrated headphone amplifier allows you to monitor directly at themicrophone. This great-sounding microphone’s all-in-one approach torecording and monitoring makes it an incredible value.USB MicPodcasting KitUSB Mic and SoftwareThe USB Mic Podcasting Kit from Alesis allows eventhe most inexperienced users to quickly record audio intoa computer and publish their podcasts on the Internet. Themicrophone is a plug-and-play device, so there are no driversto install, and a desktop stand and headphones are included.The kit includes Audacity recording and editing software.Podcaster USB Dynamic Mic......................List $ 369 00AT2020 USBUSB Cardioid Condenser MicAudio-Technica’s AT2020 USB provides great sound, in acardioid condenser mic that connects directly to your computer!The AT2020 USB (based on the AT2020’s great design) gives youthe clean, clear performance you want, with the convenience ofUSB connectivity. It provides classic A-T sound quality at a priceanyone can afford! The AT2020 USB’s low-mass diaphragm istailored for extended frequency response and outstandingtransient response.AT2020USB USB Mic ...................................List $ 249 00ONLY $10/mo.$229 97 PodcastMicKit USB Dynamic Mic.....List $ 199 00 $99 97ONLY $10/mo.$149 97Recording Podcasting PaksSoftware and USB MicSamson’s C01U Recording/Podcasting Pak comes bundledwith a C01U large-diaphragm USB mic, SONAR LE software , a micstand, a clip, a shockmount, a USB cable, and a case. Also available:the C03U Recording/Podcasting Pak, which features themulti-pattern C03U mic.ONLY $10/mo.$149 97C01USBPak USB Cond Mic w/Software ..........List $ 234 99C03USBPak Multi-pat Cond Mic w/Softwr ...... List $ 309 99 $ 199 97SnowballUSB Condenser MicThe Snowball’s design is idealfor mobile-laptop and desktopstudiouse. This plug-and-playmic works easily with both Macsand PCs . Boasting a dual-capsuledesign and a unique 3-patternswitch (cardioid, cardioid with10dB pad, and omni), the Snowballcan handle everything fromvocals to full bands, and it’sideal for podcasting. It includes a tabletop tripodand a USB cable.SnowflakePortable USB Condenser MicBlue’s Snowflake is a great tool for everything frompodcasting and online chatting to recording lecturesor music out in the field. This little USB condenser isattached to its own stand/clip combination, allowingfor easy desktop or computermountedoperation. The BlueSnowflake is also amazinglyeasy to set up; just plug it intoyour Mac or PC — no softwareis needed. The Snowflake comeswith a USB cable.EyeballWebcam/USB Condenser MicLeave it to Blue to come up with an elegantand distinctive solution to your webcasting needs. TheEyeball pairs the integrated mic/stand/clip design asBlue’s Snowflake USB mic (left)with a compact 2 Megapixelcamera. You get HD-qualityvideo, high-performancecondenser mic quality, andplug-and-play USB convenience,all in one affordablepackage!Snowball USB Dual-cap Condenser Mic .....................$99 99Snowflake USB Condenser Mic ...................................$69 99Eyeball USB Webcam/Mic .....................................$99 99

Computer Audio HardwareVisit us online at www.sweetwater.commicrolite 5x5 USB MIDI Interface ..............List $ 149 00 $ 139 97 MIDI InterfacesMIDI Express 1288x8 USB MIDI Interface1979 2009Here’s a great interface that’s ideal for larger MIDI-based productions. MOTU’s MIDI Express 128 features 128 independent MIDI channels , giving you plenty of potential to takeyour projects to stunning new heights. Employing MOTU’s flagship MIDI technology, the MIDI Express 128 provides plug-and-play connectivity to any USB-equipped Macintoshor Windows computer, making setup a snap. Plus, it takes full advantage of USB, giving you high-speed MIDI throughput, highly accurate timing, support for hot swapping, andplug-and-play expansion. The more affordable, bus-powered microlite provides 5-in/5-out channels, for a total of 80 MIDI channels, and offers the same USB connectivity as theMIDI Express 128.ONLY $10/mo.$MidiExp128 8x8 USB MIDI Interface ......List $ 249 235 9700FastLane USB2x2 USB MIDI InterfaceUSB MIDI interfaces don’t get much easier to use than this! TheMOTU FastLane USB gives you 2-in/2-out power for 32channels of MIDI and connects quickly to your Windowsor Mac USB port. It installs in seconds and workswith virtually all music software. FastLane’s USBimplementation means increased MIDI throughput,better timing accuracy, support for hot swappingMIDI devices, and plug-and-play expansion. You alsohave the option to play your instruments without usingthe computer, via an onboard MIDI bypass button.FastlaneUSB 2x2 USB MIDI Interface ......List $ 79 00 $74 97MIDISport 4x4Uno 1x1 MIDI USB Interface ...............List $ 49 95 $39 97MIDISport 4x4Anniversary Edition4x4 MIDI Interface$149 97 UM3EX 3x3 USB MIDI Interface ...............List $ 89 00 $69 97XMIDI1x1 1x1 MIDI Interface.....................................$29 99101UM-3EX3x3 MIDI InterfaceThe compact Edirol UM-3EX uses a 3-in/3-out design,allowing you to control up to 48 channels of MIDI gear.It’s a great solution for smaller studios, thanks to itssmall footprint, bus-powered design, reliable operation,and low price — and when your studio grows, theexpandable UM-3EX is made to grow with it. You candaisy-chain up to three of these units together for stellar9x9 operation! Onboard Fast Processing Technology(FPT) means low-latency, low-jitter MIDI transmission,for great results. Also available are the UM-2EX, a 1x2version, and the UM-1EX, a 1x1 version.The MIDISport 4x4 Anniversary Edition celebrates M-Audio’s20th anniversary of providing excellent, affordable audio recordingsolutions! This compact device is a multi-port MIDI interface witheasy USB connection for fast, reliable MIDI transfer. And, bestof all, it’s incredibly easy to install and operate. If you’re after aMIDISport 1x1sleek and affordable MIDI solution, take home the MIDISport 4x4MIDISport 2x2 Anniversary Edition! Alternatively, for smaller studios or MIDI-driven UM-2EXUM-1EXONLY $10/mo. situations, check out the bus-powered MIDISport 2x2Anniversary Edition and MIDISport 1x1 interfaces.MIDISport4AE 4x4 USB MIDI Interface ...List $ 199 95MIDISport2AE 2x2 USB MIDI Interface .....List $ 89 95 $ 69 97UM2EX 1x2 USB MIDI Interface ................List $ 69 00 $ 49 97MIDISport1x1 1x1 USB MIDI Interface .....List $ 69 95 $ 39 97 UM1EX 1x1 USB MIDI Interface ................List $ 49 00 $ 39 97UnoIn-line MIDI Interface with9-foot CableThe bus-powered Uno USB interfaceoffers plug-and-play convenience andLED activity indicators, so you canmonitor what’s coming in and goingout your MIDI port. Uno comes withits own USB and MIDI cables built in,so you’ll never lose them, and its 1-in/1-out configuration gives you quick access to 16MIDI channels.Xmidi 1x1USB MIDI InterfaceUM-3EXLooking for a plug-and-play USBMIDI interface that gives you speedand portability at a great price?Meet the E-MU Xmidi 1x1!Bus-powered for portability, thecompact Xmidi 1x1 gives yourcomputer super-fast MIDI I/O(16 channels) and includes status indicators for input/output signal and power. Xmidiinterfaces let you get connected without breaking the bank!

102Computer Audio HardwareControl SurfacesMC ControlTouchscreen Control Surfacefor MacThe MC Control — designed to be theediting and mixing nerve center of your studio— incorporates some of the great featuresthat make the larger, more expensive MC ProMCcontrol Touchscreen Controller .............List $ 1999 99FaderPort USB Control Surface ..................List $ 249 00Call us today at (800) 222-4700“When Euphonix came to Sweetwater and showedus these units, I was blown away. Not only is the MC ControlMC Miximpressive to look at, but its functionality and affordability 8-fader Control Surface for Macalso make it a must for any DAW owner. The best part about The streamlined MC Mix sports eight motorized 100mmthis unit is that you can link up to four MC Mix controllers touch-sensitive ALPS faders and eight touch-sensitive rotaryand one MC Control for a monster control surface. With encoders, to handle your audio-mixing needs. Touchingthe MC Control and the MC Mix, Euphonix has exceeded our a fader automatically selects the corresponding track. Aexpectations. Absolutely brilliant!”high-resolution 128x64-pixel OLED display provides tracknamingand metering information (everything from mono— Trent Thompson, Sales Engineer, Ext. 1393to 5.1 surround), parameter name/value that’s modifiedby its corresponding rotary encoder, current automationmode, and more. Since both the MC Control and MC Mixare compatible with virtually every popular DAW out there,they’ll easily fit into any studio. Their compact size lets themeasily sit between a computer monitor and keyboard, and upto four MC Mix units and one MC Control can be connectedto create a larger integrated control surface.Specs: 8 faders • 100mm/touch-sensitive/motorized • 8 touch-sensitive rotaryencoders • EthernetONLY $30/mo.$MCmix 8-fader Control Surface.................List $ 1399 999 9999AlphaTrackUSB DAW Control Surface with FaderAlphaTrack gives you much more control over your mix than astandard mouse/keyboard setup can provide. AlphaTrack offers a set ofintuitive tactile controls in a compact and attractive package. A 100mmtouch-sensitive fader, 22 customizable buttons, and three encodersprovide all the controls you need to mix effectively . To let you easilymaneuver through your tracks, the AlphaTrack has a touch-sensitive jogand shuttle strip .Specs: 1 fader • 100mm/touch-sensitive/motorized • 3 encoders • 22 buttons • USB • 1/4"footswitch jackONLY $10/mo.$AlphaTrack USB Control Surface ..................List $ 249 199 9700TranzPortWireless DAW Remote ControlThe TranzPort wireless DAW controller allows you to run yourfavorite DAW software from anywhere you want to be! Insteadof being stuck in front of your computer to compose andrecord, TranzPort gives you control overyour DAW from anywhere in your studio.Unlike infrared remotes, you don’t need alineof sight between the TranzPort and yourcomputer. TranzPort is bidirectional, so you canget feedback from your DAW on signal levels, time code position, andtrack names. It’s a very effective studio tool!Specs: 21 buttons • wireless • 1/4" footswitch jackONLY $10/mo.$199 95so sought after. Twelve Smart Key buttons can be mapped to handle your favorite commands, from the most basickeyboard shortcuts to complex custom macros — and there’s no limit to how many you can map! Of course, there’sno shortage of hands-on multi-function controls, and the touch-sensitive faders are very smooth and responsive.A large customizable color touchscreen lets you get around on the MC Control’s functions incredibly easily; itshigh-resolution 800x480-pixel touchscreen interface displays important project information, such as track names/numbers, metering, fader/pan values, automation mode, and more, while letting you quickly access all plug-in andEQ parameters. Both the MC Control and MC Mix (right) are Mac-compatible and operate on the EuCon system, ahigh-speed protocol that provides simultaneous control of multiple applications and workstations over an Ethernetcable, at speeds and resolutions that far outshine similar MIDI-controlled devices.Specs: 4 faders • 100mm/touch-sensitive/motorized • 8 touch-sensitive rotary encoders/12 Smart Keys • EthernetONLY $45/mo.$1499 99FaderPortDesktop USB DAW Automation andTransport ControllerStreamline your workflow! The FaderPort single-fadercontroller offers true bidirectional communication withyour DAW. Loaded with an ultra-fast and smooth Alpsfader, the FaderPort delivers accurate automation.Compatible with virtually every DAW on the market today,the FaderPort also delivers complete transport control, aswell as pan and mute automation, solo, record enable,and quick window selection (edit, mix, transport) . TheFaderPort is perfect for those of us who want the feel andaccuracy of a high-quality fader but don’t have room fora mixer .Specs: 1 fader • 100mm/touch-sensitive/motorized • 1 encoder • 24 buttons• USB • 1/4" footswitch jackTranzPort Remote DAW Controller .............List $ 249 00ONLY $10/mo.$199 97

Power TrioApogeeAppleEuphonixApogee Ensemble. Legendary converters and world-class mic preamps.Apple Logic Studio. Cutting-edge music production and performance tools.Euphonix MC Control and MC Mix. Seamless software and hardware control....all perfectly integrated into a single package for music production.Now available at Sweetwater - call a Sales Engineer today...(800) 222 – 4700www.sweetwater.com/powertrio©2009 EUPHONIX INC. ALL RIGHTS RESERVED. MC CONTROL, MC MIX, & EUCON ARE TRADEMARKS OF EUPHONIX INC. LOGIC STUDIO, MAC AND MAC LOGO ARE TRADEMARKS OF APPLE COMPUTER INC., REGISTERED IN THE U.S. AND OTHER COUNTRIES.ENSEMBLE IS A TRADEMARK OF APOGEE DIGITAL INC. ALL OTHER TRADEMARKS ARE PROPERTY OF THEIR RESPECTIVE OWNERS.

104Computer Audio HardwareCall us today at (800) 222-4700Control SurfacesProjectMixI/O18x14 FireWire Interfaceand Control SurfaceFW-188418x18 FireWireThe perfect front end for a Interface and ControlPro Tools M-Powered rig or Surfacea great add-on to an LE rig,ProjectMix I/O combines a The FW-1884 and thecontrol surface and an audio FW-1082 provide the feelinterface into a device that turns of an analog board, butyour computer into a complete with digital convenience.digital production station. With The larger FW-1884 providestactile control over its nine touch-sensitive motorized faders, channel strip functions, eight XLR analog mic/line inputs with 24-bit/96kHz AD/DA converters. Along with itsilluminated transport controls, and encoder operations, you can access and manipulate FireWire port, it has eight channels of ADAT optical I/O as well as stereo S/PDIF I/O. Andeverything from parameters to editing functions, with accuracy and ease. This translates its eight 100mm motorized touch-sensitive channel faders and one master fader giveinto a more efficient workflow, so you can spend more time creating, recording, mixing, you responsive level control. The smaller FW-1082 sports nine motorized touch-sensitiveand editing, instead of hunting down menus and wrestling with commands. The integral 60mm faders. Its inputs include 4 x XLR/TRS and 4 x TRS, plus S/PDIF. Both offer tactile18x14 FireWire audio interface includes eight high-quality phantom-powered mic/line control for four bands of parametric EQ, a weighted jog wheel, and shortcuts for popularinputs, a hi-Z instrument input, 8x8 ADAT , and 2x2 S/PDIF coaxial I/O. ProjectMix I/O DAWs.supports Mackie Control, Logic Control, and HUI protocols.Specs: FW-1884 FireWire • 9 faders • 100mm/touch-sensitive/motorized • In: 8 x XLR, 8 x TRS • Out: 8 x TRS,headphones • Dig I/O: ADAT, S/PDIF • word clock, MIDI I/O • 24-bit/96kHz FW-1082 FireWire • 9 faders • 60mm/Specs: 9 faders • 100mm/touch-sensitive/motorized • 1 rotary/ch • FireWire • In: 8 x XLR, 8 x TRS, (1 x DI) • Out: 4 x touch-sensitive/motorized • In: 4 xTRS, 2 x headphones • Dig I/O: ADAT,ONLY $38/mo. XLR/TRS, 4 x TRS • Out: 2 x 1/4",ONLY $39/mo.S/PDIF • word clock • MIDI I/O •24-bit/96kHz$ $ProjectMixIO FW1884 FireWire Cntrl Surface w/I/O ...List $ 1599 1299 97FW Intrfc/Cntrl Srfc .......List $ 1599 1249 97 headphones • Dig I/O: S/PDIF •95MIDI I/O • 24-bit/96kHz00FW-1082MasterControl10-channel Audio/MIDI26x6 FireWire Interface andInterface and ControlControl SurfaceSurfaceThe Alesis MasterControlCombining audio and MIDIaudio interface andinterfacing with an automatedcontrol surface provides ancontrol surface, TASCAM’sall-in-one solution for desktopFireWire FW-1082 supportsrecording and mixing. The MasterControl24-bit recording and playbackcan feed your audio directly to your computer viaat sampling rates up to 96kHz.a low-latency FireWire connection with support for sample ratesOther features include a 2 x 2up to 192kHz. On the front end, MasterControl sports a pair of phantom poweredMIDI interface, nine motorizedmic inputs and six line inputs. It has six analog outputs for 5.1 surround or for threefaders, four premium phantom-powered mic preamps, and eight TRS line ins — prettyseparate stereo mixes. MasterControl can be used as a control surface for DAWs and MIDImuch all the I/O you need for virtually any project is built in. It also includes Cubasedevices via its jog wheel, dedicated transport control section with two banks of eightLE professional 48-track, 96kHz recording and mixing software and GigaStudio 3 LEbuttons, nine motorized faders, and eight rotary encoders.sampling software. It works with all popular DAW software and also as a HUI-compatiblecontrol surface and MIDI interface for Digidesign Pro Tools.Specs: 9 faders • 100mm/motorized • 8 rotary encoders • 8 buttons • FireWire • In: 2 x XLR, 6 x TRS, 2 x insert • Specs: 9 faders • 60mm/touch-sensitive/motorized • 2 rotary/ch • FireWire • In: 4 x XLR, 8 x TRS, 2 x insert, 1 x DI •Out: 6 x 1/4" • Dig In: S/PDIF, dual S/MUX ADAT • 24-bit/192kHzOut: 4 x TRS, headphones • Dig I/O: S/PDIF2 x MIDI I/O • 24-bit/96kHzONLY $27/mo.ONLY $18/mo.$MasterCont FireWire Audio Interface/Contrl Surface ... List $FW1082 FireWire Control Surface ............List $ 999 599 97$ 1099 899 970000Mackie Control Mackie Control C4 Pro32-encoder Parameter Control SurfaceUniversal Pro Series Get your hands inside your favorite plug-ins and virtualExpandable Professional Controlinstruments and dial in that right sound, with the MackieSurfaceControl C4 Pro! This control surface offers 32 V-Pot rotaryThe Mackie Control Universal Pro features encoders, so you can manipulate a host of parameters at onenine touch-sensitive faders, 50 buttons, assignable time. The Mackie Control C4 Pro integrates easily with popularrotary encoders for easy adjustments, a backlit LCD programs, such as Logic, Reason, SONAR, and Tracktion. Anddisplay, and an expandable format. Each channel its four huge backlit LCDs give you visual feedback in real time.strip includes a fader with mute, solo, and record Plus, the Mackie Control C4 Pro comes with C4 Commander Proarm buttons, and every channel has an assignable rotary V-Pot to control pan, send software, so you can control external MIDI-enabled hardware,levels, EQ, dynamics, and other parameters.effects, and instruments all from the same sleek control surface. Whether you’re workingSpecs: Control Universal Pro with lush instrument orchestrations or just wanting to nail your EQ settings withoutONLY $39/mo.$MCUpro Expandable Control Surface ......List $ 1689 1299 999 faders • 100mm/touch-sensitive/clicking and dragging, this is a perfect fit in any studio.motorized • 1 rotary/ch • USB •99 ONLY $33/mo.MIDI I/O Extender Pro 8 faders •MCUproXT Expansion Board for MCU ............List $MCUproC4 DAW Control Surface ..................... List $ 1399 1099 99$ 999 99 $ 779 99 Specs: 32 knobs • MIDI I/O99100mm/touch-sensitive/motorized• 8 knobs

1979 2009Visit us online at www.sweetwater.comComputer Audio Hardware105Control SurfacesReMOTE ZeRO SLKeyless MIDI Control Surface with AutomapFor nearly a quarter-century, MIDI technology has been expanding, giving MIDI composers more and more hands-oncontrol at the keyboard. Novation raised the bar on MIDI technology with the addition of Automap to their lineof controllers, which greatly simplified the setting up of a MIDI project by automatically routing your MIDI controlsto the software. But what if you already own a controller that you’re comfortable with? Or maybe your controller isa little on the older side, still functioning fine, but lacking the newer modulation functions that come standard oncurrent controllers. Here’s an astounding control surface that’s ideal for desktop setups! The keyless ReMOTE ZeROSL provides an amazingly affordable way to bring Novation’s stellar Automap technology to your DAW or to addmodulation controls to an existing controller. ReMOTE ZeRO SL offers a huge number of assignable controls (includingeight musically responsive trigger pads) and works with the most popular software instruments. The ReMOTE ZeRO SLcurrently supports automapping for Pro Tools, Reason 4, Nuendo, Logic 8, and Ableton Live 7 among others.Bitstream3x MIDI Control Surface ..........List $ 499 99$299 99 UC-33eUSB Control SurfacenanoKONTROLSlim Desktop USB Controller withFour ScenesDesktop space is often quite limited in the projectstudio environment, which means that you need tofind a controller that both fits your needs and doesn’tSpecs: 9 faders • 9 encoders • transport buttons • USBReason, Live, Reaktor, Traktor, Absynth, Cakewalk, andCubase.nanoKONTROLblk Mini Fader USB Controller, Blk ... List $ 72 00 $ 59 99ONLY $12/mo.$399 99NocturnUSB MIDI Control Surface with AutomapNocturn USB MIDI Cntrl Surface ..............List $ 249 99Novation’s Nocturn gives you an ultra-compact, affordablecontrol surface designed for managing your plugins,and delivers a whopping nine touch-sensitive rotaryencoders and one touch-sensitive fader, for an extremelylow price. Great for portable laptop DJ performances anddesktop recording environments alike, its low-profiledesign and side-mounted USB socket make it handy forONLY $10/mo. Specs: 8 sliders • 16 knobs • 8 trigger pads • USB • MIDI I/O/Tuse anywhere, and a unique “speed dial” encoder takesinstant control of whatever instrument or effect you’veReMOTEslZeRO USB MIDI Cntrl Surface ..... List $ 499 99selected. The secret weapon behind Nocturn is its use ofNovation’s Automap Universal 2.0 mapping software,which provides seamless, instant, intuitive controlover all automatable plug-ins inside every major DAWsequencer out there. It includes a “heads-up transparentcontrol GUI,” which puts a recallable transparent controlmap onscreen for easy monitoring and assignment ofcontrol parameters.Evolution’s UC-33e gives you easy control over Specs: 1 slider • 9 rotary encoders • USByour soft synths. This USB hardware controllerworks with just about any computer musicONLY $10/mo.$199 99ONLY $10/mo.$UC33e USB MIDI Control Surface ..........List $ 249 199 97 Specs: 9 faders • 24 rotary knobs • 14 buttons • USB95setup, giving you easy control over yoursoft synths. The UC-33e can be used as astandalone controller for your live MIDI rack,with instant control over as many as 47 differentMIDI parameters, and you can quickly change setups as you changeinstruments. The UC-33e comes with preset configurations for immediate control over virtualinstruments and host applications. All of the UC-33e’s assignable real-time controllers are easily programmed via thenumeric keypad for creating custom configurations. Each of the UC-33e’s 47 controllers can transmit pre-programmedsysex messages and can also be configured to transmit on individual MIDI channels. Store your custom setups in anyof 33 memory locations for easy recall. It also features a drawbar mode for the sliders — great for controlling virtualorgans. A mute function lets you reposition all the controllers without risk of “jumping” filters or levels during yourperformance.Bitstream 3xMIDI Hardware Controllerwith DAW ControlCapabilities and USBAs today’s desktop instrumentand recording setups offermore and more features andoperations that were considered“pro-only” just a few shortyears ago. Due to their nature, these setups require a combination of functionality, tactile control surfaces, andcompact designs that fit into the environment without hogging precious space. The Bitstream 3x is a unique MIDIhardware controller with the capability of handling DAW control functions, as well. “3x” stands for “3 axis” becausethe Bitstream 3X features full control over three different axes: X, Y, and Z. A joystick allows control over two axes (Xand Y), while an infrared controller is used for the Z axis. With 35 knobs, eight sliders, and 16 buttons, you have totalhands-on control over any DAW software. Plus, it comes with an astounding 13,000 presets for applications includingSpecs: 8 faders • 35 rotary knobs • MIDI I/O • USBtake up much real estate. The nanoKontrol doesboth while putting serious tactile control beneath yourfingertips in an extremely slim USB device — slimmer,in fact, than the base of most computer keyboards.With the nanoKontrol, you get nine faders, nine knobs,18 switches, and a complete transport section — plus,everything’s MIDI programmable, so you can set it up tocontrol parameters in your DAW to best complement yourworkflow. And, nanoKontrol offers four different MIDIscenes, giving you fast access to a total of 168 controls.Available in both white and black.nanoKONTROL Mini Fader USB Controller ........ List $ 72 00 $59 99

106Computer Audio HardwareDigital Audio Converterscustomer RAVES!“I am very impressed, totally satisfied, and very pleased with the service I got from Sweetwater.I would highly recommend Sweetwater to my friends and business acquaintances.”— Bennie ShipleyeCall us today at (800) 222-4700Aurora 8/FW219224-bit/192kHz AD/DA with Class A Analog CircuitryThe 2192 sets out to let those of us in the digital world get a taste of the UA analoglegacy, in an AD/DA converter no less. The 2192 marries distinctive analog sound to a24-bit/192kHz AD/DA converter. It delivers an uncompromising DC-coupled matched-FET discrete Class A analog signal path that contains no capacitors to degrade soundquality or introduce phase distortion. Additional digital features include real-timestandalone conversion between AES/EBU, S/PDIF, and 2-channel ADAT S/MUX formats,as well as support for single- and dual-wire AES/EBU modes. A selectable output monitorallows you to check any of the digital outputs or the analog inputs, with no interruptionof the conversion. Included word clock I/O means the 2192 can lock up to your studioclock source. As the front end for a native workstation, the 2192 provides two channels ofsterling sound quality for tracking, monitoring, and mastering.Specs: 24-bit/192kHz • In: 2 x XLR • Out: 2 x XLR • Dig I/O: 2 x AES/EBU XLR, S/PDIF coax, 2-ch ADAT (SMUX) •Sync I/O: word clock (2-in, 4-out)ONLY $90/mo.2192 Dual AD/DA Converter .............List $ 3599 00Aurora 8/FW8-channel AD/DA Converter/Interface with FireWireAurora 16The Lynx Aurora 8/FW AD/DA converter with FireWire interface makes a greatproduct even better and more functional! The Aurora 8/FW provides up to 192kHzresolution, eight input and output channels, AES/EBU and word clock I/O, plus anonboard 32-channel digital mixer for easy signal routing. The installed LT-FW FireWireL-slot interface allows up to 32 channels of digital and analog I/O at up to 96kHzsample rates (16 channels at 192kHz). Now, you can get pristine audio for everythingfrom desktop studio projects to surround applications, right out of the box!All analog I/O is handled on DB-25 connectors, to easily integrate into any systemwith off-the-shelf cables and connectors. As it should be in an AD/DA converter,maintaining signal integrity is a top priority. In fact, Lynx’s proprietary SynchroLockjitter-reduction technology from the AES16 is included, as it provides extreme jitterreduction of up to 3000:1, allowing Aurora to output an extremely clean clock outputfor driving your entire digital audio system. A 16-channel non-FireWire version— theAurora 16 — is also available.Specs: Aurora 8/FW 24-bit/192kHz • Analog I/O: 8 on DB-25 • Sync I/O: AES/EBU on DB-25, word clock • MIDI I/O• FireWire Aurora 16 24-bit/192kHz • Analog I/O: 16 analog on DB-25 • Sync I/O: AES/EBU on DB-25, word clock• MIDI I/OONLY $69/mo.$2295 00Aurora8FW 8-ch FW AD/DA Convertor..............................Aurora16 16-ch AD/DA Converter ............List $ 3295 00 $ 2995 97$2999 97 141 ADAT-to-Analog Convertor ..........List $ 449 00 $ 399 97ADI-22-channel 24-bit/192kHz AD/DA ConverterOffering exceptional AD/DA conversion in a half-rack unit, the ADI-2 puts RME qualityin professional and project studios, at a price that’s very manageable. The ADI-2 boastssample rates up to 192kHz, with balanced XLR/TRS combo jacks handling the analoginputs, while S/PDIF, AES, and ADAT allow for digital inputs. The analog I/O uses thesame circuit design as RME’s fabled ADI-8, guaranteeing amazingly low noise and lowdistortion. The ADI-2 features RME’s SteadyClock, which offers highly efficient jittersuppression to refresh and clean up any clock signal and to provide the clock signal as areference clock....themeasureofexcellence!DAC124-bit/192kHz StereoD/A ConverterThe Benchmark DAC1 reveals detailthat was previously masked by jitter-induced artifacts and distortion, with support for192kHz sample rates and playback with an amazing 55kHz audio bandwidth. The DAC1uses Benchmark’s jitter-free UltraLock technology to deliver smear-free audio and isavailable with or without USB. The companion ADC1 USB offers 24-bit/192kHz A/Dconversion, with the same jitter-free performance and USB capability. The ADC1 willfit perfectly into any situation where pristine audio conversion is a necessity, includinghome studio, broadcast, location work, or mastering.Specs: DAC1/DAC1 USB 2-ch D/A • 24-bit/192kHz • Dig in: AES/EBU (XLR & coax), S/PDIF(XLR, coax, & TOSlink) • Out: 2 xSpecs: 2-ch • 24-bit/192kHz • In: 2 XLR, 2 x RCA ADC1 USB 2-ch A/D •DAC1 2-ch D/A Converter ...................................ONLY $24/mo.$ADI2 2-ch 24-bit/192kHz AD/DA .......List $ 899 799 97 x XLR/TRS • Out: 2 x XLR, 2 x TRS 24-bit/192kHz • Analog in: 2 x XLR • DAC1usb D/A Converter with USB ............................• Dig I/O: S/PDIF, AES, ADATDig in: AES/EBU (XLR & coax), ADAT,00 ADC1usb A/D Converter with USB ............................S/PDIF (XLR, coax, & TOSlink)ONLY $30/mo.$995 00$1295 00$1795 00ADI-8 DS24-bit/96kHz AD/DA ConverterAn A/D converter is only as good as the gain compensation at the input. The ADI-8 DShas three gain levels, making it compatible with a wide range of studio equipment —loss is avoided before the signal gets to the A/D converter, to preserve signal integrity.The ADI-8 DS uses 24-bit converters with 128-times oversampling to achieve more than110dB of real dynamic range, and all digital inputs and outputs operate at full 24-bitresolution. The quality of your mixes rely on your conversion, and the ADI-8 DS providespristine conversion, whether you’re going from analog to digital or vice versa.Specs: 8-ch • 24-bit/96kHz • In: 8 x TRS, DB-25 • Out: 8 x TRS, DB-25 • Dig I/O: ADAT, TDIF • Sync I/O: word clockADI8ProDS 24-bit/96kHz AD/DA ...............List $ 2299 00ONLY $57/mo.$1899 97142Analog to ADATConverterAphex’s 142 is anefficient, high-qualityanalog to ADAT converter. If you have unused ADAT inputs on your audio interface,then you can use the Aphex 142 to take advantage of those eight additional channelsat 48kHz. The device accepts anything with an analog line output, so you’re good to go.Plus, if you want to convert an ADAT signal to analog, Aphex makes another exceptionalpiece of gear for your need, with the 141.Specs: 142 8-ch analog/ADAT •word clock • In: DB-25 • Out: ADAT• 48kHz 141 8-ch ADAT/analog • In:ADAT • Out: DB-25142 A/ADAT Converter .....................List $ 449 00 $399 97ONLY $12/mo.

Aurora from LynxThe Clear Choice for AD/DA ConversionAs the Sales Engineers at Sweetwater will tell you, the three primary features of a high-endconverter are its sound quality, connectivity and stability.Aurora converters are well known for their clear, pristine, open-image sound quality. We have added no EQ, limiting orcompression to color the sound, so the sound you put into Aurora is the sound you get out of Aurora.Connectivity is the second crucial factor – you must be able to use Aurora in your system. With the industry-standard AES16and new PCI Express model AES16e, you’re good to go with nearly any Windows or Mac computer. Our affordable L-Slot cardsprovide connectivity via ADAT, FireWire or for connection into a ProTools|HD ® system.Aurora’s stability centers on Lynx’s exclusive SynchroLock sample clock generator. SynchroLock acts as a stable low-jitterclock source for Aurora and other devices, providing up to 3000:1 jitter reduction for the cleanest audio possible.All of this is available in Aurora’s one-rack space format, with full channel count up to 192 kHz and the industry’sbest customer support.Finally, with Aurora 8 and Aurora 16’s unbelievable prices, your converter choice is clear.To get your Aurora, call Sweetwater today(800) 222-4700 www.sweetwater.com© 2008 Lynx Studio Technology, Inc. Aurora 6, Aurora 16, AES16, AES16e, and SynchroLock are trademarks of Lynx Studio Technology Inc. All other trademarks are property of their respective owners.

108Computer Audio HardwareCall us today at (800) 222-4700Digital Audio ConvertersAD-16X16-channel A/D Converter with 192kHz SamplingSymphony 6464-channel PCI Express Card for MacintoshApogee’s Symphony 64 is the key to the powerfulSymphony system. Doubling the original Symphony’schannel count of 32 to an astounding 64 channels of I/OONLY $95/mo.per card (up to 128 channels with two cards installed),$AD16X 16-ch A/D Converter ...............List $ 3495 3149 97Symphony 64 connects Apogee’s X-Series and Rosetta00 DA16X 16-ch D/A Converter ................List $ 3495 00 $ 3199Series converters to Apple’s Mac Pro for perhaps the97lowest latency available in a native audio system (1.6milliseconds at 96k) . Symphony hardware also featuresApogee’s Maestro, for extensive routing capabilitiesbetween Mac OS X applications and Apogee’s hardwaredigital system .Specs: PCI Express • 32-channel (with external I/O) • 24-bit/192kHzRosetta 8008-channel 24-bit/192kHz AD/DA Converter“I just upgraded my new studio to Logic Pro andthe Apogee Symphony System. This is the fastest,most powerful native DAW on the planet. Myclients are amazed at the track and plug-incount I get, and the audio quality is secondto none!”— Dennis Konicki, Sales Engineer, Ext. 1356ONLY $30/mo.$Symphony64 24-bit/192kHz PCIe Card ..................... 995 00 ONLY $81/mo.$Rosetta800192 8-ch 24-bit/192kHz ADC/DAC ....List $ 2995 2695 9700Rosetta 2002-channel 24-bit/192kHz AD/DA ConverterX-Series CardsExpansion CardsONLY $54/mo.If you want to take advantage of Apogee’s acclaimed$converters in your studio setup, then all you need is the Rosetta200 24-bit/192kHz A/D-D/A .........List $ 1995 1795 9700right card, and you’ll be ready to go.For a PCIe-equipped Mac, look to the X-SymphonyMini-DAC— or, for your FireWire-equipped system, you’ll need2-channel 24-bit/192kHz D/A Converterthe X-FireWire card. Alternatively, if you’re currentlyrunning Pro Tools|HD and would like to use Apogee convertersfor a best-of-both-worlds software and conversionsetup, then check out the X-HD Card. It has a primaryHD port for connecting to HD Core or Accel Cards.All of these cards — the X-Symphony, the X-HD, andthe X-FireWire — also boast an expansion port fordaisy-chaining multiple Apogee devices.Specs: X-Symphony PCI-e • primary and thru ports • X-HD Primary HDport and expansion port • X-FireWire 2 FireWire connectorsONLY $10/mo.Specs: 2-ch D/A • 24-bit/192kHz • Out: 2 x XLR, 1 x 1/8", 1 x 1/4" • Dig In: AES/EBU, S/$ ONLY $25/mo.XSymphony Symphony I/O Card ...............List $ 200 179 97 PDIF, Optical Mini-DAC FireWire adds FireWire00$MiniDAC 2-ch 24-bit/192 DAC ................List $ 895 805 97XHDCard Digi HD Expansion Card .........List $ 595 00 $ 539 9700XFirewire FireWire 400 Card ................List $ 395 00 $ 355 97 MiniDacFW FW 2-ch 24-bit/192 DAC .........List $ 1095 00 $ 985 97Apogee converters are of legendary status, and at the top of Apogee’s offerings sit the 16-channel AD-16X and DA-16X.Boasting the same renowned clocking technology found in Apogee’s Big Ben, you can expect premium jitter-freeperformance from these pieces. What’s more, their Synchronous Switching power supplies are state of the art. Eachconverter features 24-bit/192kHz standard sampling rates for studio-grade sound, and each works in conjunction withthe X-Series cards (see below left), so you can integrate them easily into your native or HD system.Specs: AD-16X 16-ch A/D • 24-bit/192kHz • In: 16-ch bal on D-sub • Out:16-ch bal on D-sub • Dig I/O: ADAT • Sync I/O: word clock DA-16X 16-ch D/A• In: 16-ch dig in on D-sub • Out: 16-ch bal out on D-sub • Dig I/O: ADAT •Sync I/O: word clockFor eight channels of superb AD/DA conversion, Apogee’s Rosetta 800 is the professional’s choice, offering samplerates all the way up to 24-bit/192kHz. What’s more, the ultra-low-jitter Intelliclock signal onboard the Rosetta 800 actsmuch like two clocks in one — the “read” clock features a wide locking range and its own buffer, while a low-jitter“write” clock writes the data out of the buffer and clocks the converters for superior performance. In addition, Apogeehas added a SoftLimit feature, so you can maximize digital output without clipping. Plus, onboard industry-standardUV22HR dithering technology assists in reducing the word length of high-resolution digital signals to 16 bits, resultingin dramatically improved content for the Internet and for CD mastering. It works with Apogee’s X-series cards.Specs: 8-ch AD/DA • 24-bit/192kHz • In: 8-ch on D-sub• Out: 8-chon D-sub• Dig I/O: 4-ch AES/EBU on D-sub, ADAT • Sync I/O: WCSporting Apogee’s famous converters, the Rosetta 200 delivers two channels of crystal-clear audio. Plus, it offers upthe legendary Intelliclock clock stability to guarantee the lowest jitter rates possible. For even more flexibility with yourRosetta 200, you can use the optional X-HD card to connect the Rosetta 200 directly to your Pro Tools system, withoutrequiring any other interface! Or, you can select the X-FireWire card for super-fast direct 400Mbps connection to yourcomputer. Connections include balanced XLR analog I/O, AES/EBU and S/PDIF I/O, ADAT/SMUX optical I/O, and MIDIand word clock I/O.Specs: 2-ch AD/DA • 24-bit/192kHz • In: 2 x XLR • Out: 2 x XLR • Dig I/O:AES/EBU, S/PDIF ADAT • Sync I/O: word clock • MIDI I/ODelivering pro-grade performance in a compact form factor, Apogee’s Mini-DAC offers premium 192kHz D/Aconversions at an extremely affordable price. You can expect an astounding level of detail with exceptional stereoimaging from the portable Mini-DAC. Put the Mini-DAC before your monitors and really hear what you’re trackingbefore you commit to disc, then experience mixdown with more clarity than ever before. A flexible I/O set makes theMini-DAC integrable into virtually any existing studio setup — there are single- and double-wide AES/EBU, S/PDIF, andADAT, plus ADAT S/MUX II and S/MUX IV. Two XLR outputs are onboard for your monitors,while an 1/8" jack’s available to feed your home stereo or basic headphones. A 1/4"output is also included. If you want FireWire connectivity, then go withApogee’s Mini-DAC FireWire.

Buying your gear from Sweetwaterjust got even smarter!Introducing!It’s Simple...It’s Free...It Rocks!Free 2-Year Warranty on nearly every product we sell.We’re excited to introduce Total Confidence Coverage, our exclusive FREE 2-year warranty,which comes “in the box” with nearly every product we offer! This means your purchase isautomatically protected for a minimum of two years.(800) 222-4700 • www.sweetwater.com/warrantySweetwater’sAward-winningService DepartmentWe back up ourwarranty with anaward-winning,factory-certifiedServiceDepartment,authorized torepair virtuallyevery piece of gear we sell. OurService Technicians have the trainingand expertise to do the job right,and our turnaround time is superfast.We want you to enjoy your gearwith peace of mind — that’s just partof the “Sweetwater Difference!”

110Computer Audio HardwareIsochrone OCXFEATURES Isochrone DAFEATURESHigh-resolution Master Clock Generator • 192kHzClock Distribution System• Uses advancedDesigned to be the most accurate word clock around, • Ultra-low jitterAntelope’s Isochrone DA uses acclaimed Acoustically technology tothe Antelope Isochrone OCX uses an ovencontrolled,discrete-transistor crystal oscillator for theFiltering, and a DSP-based multistage IIR filter, todigital studioFocused Clocking technology (AFC), Adaptive Loop• 192kHz operationstabilize the entireleast amount of jitter imaginable. The OCX can even be • AES and S/PDIF I/O effectively stabilize the entire studio. What’s more, itslocked to the Atomic Clock — it’s the only word clockFreewheel Protection gives you peace of mind — in the • 30kHz to 200kHz• 8 word clock outputson the planet with that capability. If you’re lookingevent of a potentially crippling master clock dropout,• Allows continuedfor the ultimate in accuracy, then you can’t beat that! • Superclock output for the DA automatically allows continued distribution as adistribution in theAntelope also made the Isochrone OCX incredibly Pro Tools systems safeguard. Warning lights display any critical errors, andevent of master clockeasy to use, with straightforward controls plus highlyan accurate frequency display lets you stay on top of thedropoutvisible warning lights and frequency displays. It’s alsoDA’s operating statistics, at a glance. In addition, a wealthavailable as a video-enabled master clock .of I/O options makes the Isochrone DA ready to handle allyour studio needs.ONLY $36/mo.Specs: 192kHz + Superclock • Out: 2 x$OCX Master Clock ...........................List $ 1495 1195 97XLR AES, 2 x S/PDIF, 8 x BNC WCSpecs: 30kHz-200kHz • In: 1 x00 BNC • Out: 8 x BNC, 2 x AES/EBU,OCXV Video-enabled Master Clock ....List $ 2295 00 $ 1995 97 2 x S/PDIFCall us today at (800) 222-4700SynchronizersFEATURESBig Ben• 192kHz192kHz Master Word Clock• AES/EBU, S/PDIF, and If you’ve never heard your gear with a master clock in the signal chain, it’s fair to say that you’ve never really heard your gear. Clicks, pops, and overallBNC I/O“harshness” are simply inevitable results of improper clocking — and just as you want the band you’re tracking to sync together in time, it’s also vital• DSP-based fi ltering for your gear to behave the same way. Apogee’s Big Ben, our most popular master clock, takes that digital jitter out of the equation. It’s an extremelyfor clean soundhigh-quality device that employs Apogee’s most advanced Direct Digital Synthesis technology alongside DSP-based digital filtering. The end result isclearer, cleaner sound. The Big Ben can also convert between digital formats in real time — AES to ADAT, ADAT to S/PDIF, and more. When it’s time to• Convert between step up your sound, before spending the budget on gear upgrades, add a Big Ben — and“When using multiple digital devices in your DAWdigital formats in hear the difference.environment, the Big Ben is a must. Apogee has gonereal timeSpecs: 192kHz • In: 2 x AES/EBU, S/PDIF (coax & optical), 1 x video/word clock • Out: 2 x AES/EBU, S/PDIF,to great lengths in power supply and clock design to6 x BNC WCmake this the most stable master clock ever designed.Say goodbye to stereo-imaging issues, clicks, andpops, and listen to it. You won’t believe you’reONLY $41/mo.$BigBen 192kHz Master Word Clock ......List $ 1495 1345 97listening to your gear.”00 — Arend Raby, Sales Engineer, Ext. 1276Isochrone 10M FEATURESRubidium Clock for OCX• Super-accurate Isochrone TRINITY FEATURESDigital clocking is the key to maintaining audio purity rubidium coreHigh-res Master Clock• 384kHzin today’s modern studio. Antelope Audio has emerged • Atomic oscillator with Boasting a host of impressive features including three • Superclock output foras a true leader in this field, with their clocks boasting stability of 1 second independent Audio Generators that operate at up toPro Tools systemsaccuracy that sets an amazing standard — the Atomic in 1,000 years384kHz — complete with Varispeed Control and threeoscillator offers stability of one second in 1,000 years• Fourth generation— that’s pretty darned reliable! The Isochrone 10M • Dual redundant powerindependent HD Generators with 16 formats to choosefrom — you can be sure that the Isochrone TRINITY acoustically focusedis the new answer in audio master clocks and clock supplywill make an impressive improvement upon yourclocking withdistribution, incorporating a rubidium clock for less jitter• Easy to usesound quality. Other notable features include Antelope’s 64-bit DSPand stunning digital accuracy. Every digital device inacclaimed Atomic Clock, with better than ± 0.02PPMyour chain will benefit from this amazing technology.• ± 0.02PPM accuracyaccuracy and 64-bit DSP.Specs: Out: 8 x BNC WCSpecs: 384kHz • In: 1 x AES/EBU, 2 x BNC, 1 x S/PDIF • Out: 4 x AES/EBU,Isochrone10M Rubidium Clock for OCX ....List $ 6495 00 $5995 97ONLY $180/mo.4 x S/PDIF, 16 x BNCTrinity Video-enabled Master Clock ...List $ 4750 00 $3995 97ONLY $120/mo.DA Master Clock Distributor...........List $ 1295 00 $1095 97ONLY $33/mo.