Biographies - Joyce Theater

Department and a BA in Theater and English Literature from Emory University. She has
been awarded grants from the Lower Manhattan Cultural Council, Puffin Foundation and
Meet the Composer. www.suarezdance.org
Meg Wolfe (choreographer/performer) has presented work on the west coast, nationally
and internationally. In Los Angeles, her work has been presented at the New Original
Works Festival at REDCAT, the CalArts Commuter Festival, Highways Performance Space,
Anatomy Riot, Sea and Space Explorations, Ruse Performance Salon @The Echo, and
others. Her projects have been supported by grants from the Durfee Foundation, Danspace
Project Commissioning Initiative (funded in part by the Jerome Foundation) and Meet the
Composer Fund, and by residencies including the Djerassi Resident Artist’s Program (2005,
2007, 2009) and the Hothouse Residency program at UCLA (2007, 2010).
Active in New York City's downtown dance scene from 1990–2004, her choreography was
presented at venues such as Danspace Project, Dance Theater Workshop/Fresh Tracks, The
Deviant Playground, The Kitchen, Movement Research at Judson Church, Mulberry Street
Theater, Nuyorican Poets Café, and others. She appeared frequently as a performer in the
works of Vicky Shick (1999–2003) as well as with Sigal Bergman, Yoshiko Chuma, Molissa
Fenley, Clarinda Mac Low and Susan Rethorst, among others. In addition to her own
creative work, Wolfe is the artistic director of Show Box LA.
www.myspace.com/dancemegwolfe
Joyce SoHo
Julie Bour, a native of France, trained in ballet and modern dance at the Conservatoire de
Paris where she performed the works of Maguy Marin, Dominique Bagouet and Jennifer
Muller. In 1994 she joined the Ballet Preljocaj, where she danced major roles with the
company and received a Bessie Award for her interpretation of Annonciation. She then
performed for Cave Canem Company in France, Inbal Pinto Dance Company in Tel Aviv
and relocated to North America several years ago. She started exploring the theatrical aspect
of dance through different crossover works like Julie Taymor’s Opera Grendel and started her
own choreographic work. She is the cofounder of The Flying Mammoth, a production
company created in 2006 as a bridge between art worlds, consulting and linking people at
different stages of a creation process. She currently assists Angelin Preljocaj restaging his
repertory and lives in New York City where she choreographs and teaches.
www.juliebour.com
Roger Celedonio and Ester Mayda’s company, Alma Boliviana—which means “Bolivian
Soul” in English—was founded in 1991 in Arlington, VA, under the guidance of Mrs. Maria
DeMartini. Alma Boliviana is an inclusive Bolivian dance organization with members born
in the USA and across the Americas, seeking as its main goal to cultivate and expose the
diverse and rich number of folkloric Bolivian dances to the general population in the DC
metropolitan area and other parts of the country. Alma's participation is exposed through
stage presentations, parades and other venues. www.almaboliviana.org
Alejandro Chavez’s company Ciudad Interior, since its beginning in 2006, has differed for
exhibiting a vision of avant-garde in the choreographic language. The stagings that the