Abell, Johann 165 Abrahams, P. 35 acrobats, see under - Ashgate
Abell, Johann 165 Abrahams, P. 35 acrobats, see under - Ashgate
Abell, Johann 165 Abrahams, P. 35 acrobats, see under - Ashgate
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
References to illustrations are in bold<br />
<strong>Abell</strong>, <strong>Johann</strong> <strong>165</strong><br />
<strong>Abrahams</strong>, P. <strong>35</strong><br />
<strong>acrobats</strong>, <strong>see</strong> <strong>under</strong> performance and<br />
spectacle<br />
actors and actresses<br />
actress-servant-master trio, <strong>see</strong> <strong>under</strong><br />
stock roles<br />
actresses<br />
acceptability 219, 251, 257, 258fn15,<br />
260–61<br />
all-female stage, convent<br />
performances 27–8<br />
nuns as educators of actresses 281<br />
retirement to convents of actresses<br />
110; <strong>see</strong> also religious stage<br />
ban in public theatres 11, 212, 255<br />
in Bozen Passion Play (1514) 23–6,<br />
28, <strong>35</strong><br />
British 18, 249, 255–61<br />
Cavendish on 9, 11–12<br />
child 258<br />
in commedia dell’arte 206–7, 213, 215,<br />
230, 231<br />
costumes 231, 2<strong>35</strong>, 240–41, 243<br />
defence of profession 204, 216<br />
denunciation of 212–13, 215<br />
‘English Ladies’ 262fn36<br />
in French troupes 4, 197, 199, 206<br />
in German-speaking Europe 262,<br />
264–6, 268, 277–83<br />
in Italian troupes 9, 11–12, 206–12<br />
<strong>Johann</strong> Beer on 289–90<br />
in masks 233–5, 236<br />
in Le Mystère des Trois Doms 28<br />
non-speaking roles 26<br />
novelty of 211–12<br />
in opera 208<br />
praise of 197<br />
prostitutes, likened to 14, 18, 84,<br />
209–11, 213, 250, 290<br />
quack troupes, as training grounds 18<br />
Index<br />
in religious plays 26–7<br />
roles 240<br />
Samuel Pepys on 257–61<br />
in Shakespeare 210<br />
Sweden, first professionals 262<br />
in veils 233–5<br />
all-male stage 4, 11, 14, 23, 26, 45, 106,<br />
208, 215, 216, 218, 228, 231, 243,<br />
252, 255–7<br />
amateurs 18, 23, 27, <strong>35</strong>, 45, 63, 82, 153,<br />
159, 195, 208, 218, 219, 231, 251–2,<br />
262–4, 295–6<br />
boy, child 76, 92, 98, 113, 155, 160–61,<br />
208, 212, 231, 236, 245, 249, 252,<br />
255, 257, 261–4, 270, 275–6<br />
buffoni, buffoons 14, 205, 215 –19, 226<br />
comici 14, 205, 206, 213, 216–19, 223,<br />
228, 229, 2<strong>35</strong>, 243<br />
English troupes abroad 4, 12, 14, 36,<br />
106, 197, 200, 210–11, 261–4,<br />
267–78, 285, 290–99<br />
histrioni 217<br />
playing healers 194, 199–201<br />
professionals, models of development of<br />
professional stage<br />
consecutive model 218, 221<br />
economic motivation 8, 115, 119, 158,<br />
179, 215, 219, 250, 267, 290<br />
permeable pyramid model 218–19,<br />
221<br />
<strong>see</strong> also costume; cross-dressing;<br />
itinerant performers and healers;<br />
performance and spectacle;<br />
religious stage; stock roles, troupes<br />
Adair, James Makittrick, Medical<br />
Cautions 5fn7, 142n<strong>35</strong>, 191fn52<br />
Adam de la Halle, Jeu de la Feuillée <strong>35</strong><br />
Adhémar, Jean 199<br />
Ady, Thomas, A Candle in the Dark 98<br />
Agricola, <strong>Johann</strong> Georg 140<br />
Agrippa, Cornelius 209
336 Women, Medicine and Theatre 1500–1750<br />
Albani, Decio 209<br />
Alberghini, Angelica 208, 210<br />
Albertinus, Aegidius, Gusman von Alfarche<br />
188fn27<br />
Albrecht, Anna Rosina 167–9<br />
Album Graecum <strong>see</strong> medical and cosmetic<br />
ingredients and products<br />
Alcock, Thomas 170, 172<br />
alcohol, <strong>see</strong> medical and cosmetic<br />
ingredients and products<br />
Alemán, Mateo, Guzmán de Alfarache 157,<br />
187<br />
Alewyn, Richard 123, 285–8<br />
Alexander, Robert J. 275–8<br />
Alfieri, Giovanni Paolo 199<br />
all-female stage; all-male stage <strong>see</strong> <strong>under</strong><br />
actors and actresses<br />
Allen, Charles, Curious Observations 178<br />
Alleyn, Edward 271<br />
Alsfeld, religious play 40<br />
Amann, Klaus 38<br />
amateur performances, <strong>see</strong> <strong>under</strong> actors<br />
and actresses<br />
Amelung, Just-Christian 188<br />
Amman, Jost 129, 176, 179, 225<br />
Amorevoli da Treviso, Battista 212<br />
Amorevoli da Treviso, Vittoria 2<strong>35</strong><br />
Amsterdam<br />
performers from and in 110, 262, 269<br />
Schouwburg Theatre 262<br />
Amstutz, Renate 39<br />
amulets <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
André, Anne 272<br />
Andreini, Francesco 241<br />
Andreini, Giovanni Battista 217<br />
La Florinda 208<br />
Andreini, Isabella 114, 208, 215, 217, 241,<br />
263, 275<br />
images of 2<strong>35</strong><br />
Rime 2<strong>35</strong><br />
Andreson, Paul 128<br />
‘Andrews’s Company’ 12fn18<br />
animals, in performative routines, <strong>see</strong><br />
<strong>under</strong> performance and spectacle<br />
Anna of Denmark, Queen 251<br />
antidotes, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
anti-theatricalism 11, 34, 224, 245–6, 283,<br />
292<br />
Prynne’s treatise 246, 250, 251–2<br />
Antwerp<br />
Cavendish, home of 11<br />
depiction of 76<br />
Fair, Cavendish on 1–16, 115<br />
Italian troupe, expulsion 12, 14<br />
Prince Charles, visit of 257<br />
apothecaries <strong>see</strong> <strong>under</strong> healers<br />
Aquaviva, Claudius 16<br />
Archilei, Antonio 207<br />
‘Aretine’, Peter, Strange Newes from<br />
Bartholomew-Fair 251fn25<br />
Aretino, Dialogues 171, 259<br />
Arlecchino <strong>see</strong> stock roles<br />
Armani, Vincenza 207, 217, 275<br />
Arnold, Lucia 224<br />
Aslan, Ana 150fn67<br />
Astington, John H. 275–6<br />
Atkyns, Arabella, The Family Magazine<br />
142<br />
audience, spectators<br />
all-male 14, 212<br />
appeal, participation 31, <strong>35</strong>, 40, 58,<br />
87–8, 101, 206–7, 213, 264, 293<br />
communication with 73, 294<br />
depicted iv, 6–7, 44, 45, 53, 64–5, 70, 77,<br />
78–9, 90–91, 94, 105, 131, 145, 199,<br />
214, 232, 237, 248, 284<br />
female 14, 107, 267–9, 292<br />
mixed 252<br />
payments by 2, 4, 106, 271<br />
handkerchiefs, money thrown up to<br />
stage in by iv, 73, 91, 114<br />
response 16, 34, 43, 76, 92, 98, 104, 152,<br />
212–13, 217, 228, 259, 287<br />
therapeutic effect on 34–6<br />
viewing from private rooms 12<br />
visibility to 54, 56, 231, 267<br />
<strong>see</strong> also actors and actresses<br />
Augsburg, performers and quacks from<br />
and in 123, <strong>165</strong>, 268–9, 279, 282<br />
August Friedrich, Duke, Bishop of<br />
Lübeck 281<br />
August von Sachsen-Weißenfels, Duke,<br />
286<br />
Avery, Emmett L. 106
Avignon, itinerant quacks and performers<br />
in 73, 76, 78, 84, 97–8, 129, 136, 180,<br />
197, 222–3<br />
Bach, J.S. 184<br />
Bacon, Francis, The Twoo Bookes 143<br />
Bacon, Roger, The Cure of Old Age 97<br />
Baden, performers in 280<br />
Baeck, Elias, An Italian Showman 108, 109<br />
Bakhtin, Mikhail 34–6, 153, 160<br />
Balbirer, Jacob 25, 30<br />
Balbirer, Sigmund 25, 30<br />
Balde, Jakob 81, 101<br />
balms, balsams, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic ingredients and products<br />
Balsamo, Jusepe 129<br />
Bamberg<br />
art in 108<br />
healers from and in <strong>165</strong>, 168<br />
Barbieri, Nicolò, La Supplica 99, 228, 245<br />
Barclay, Alexander, Stultifera nauis 136–7<br />
Bargagli, Girolamo, La pellegrina 208<br />
Bargrave, John 212<br />
Barking 28<br />
Barlow, Thomas 130<br />
Barrett, Stephen 5fn7<br />
Barry, Elizabeth 153<br />
Bartholin, Thomas 4<br />
Bartholomew Fair, <strong>see</strong> <strong>under</strong> London<br />
Baschet, Armand 207<br />
Basle<br />
Augustine monastery 28<br />
Fishmarket 28<br />
performers in and from 27–8, 56, 277–8<br />
Platter family 221–2<br />
Bassano, Leandro, Carnival Scene<br />
(February) 234–5, 236<br />
Baynton, Lady Ann 170<br />
Beatrix, Duchess of Lorraine 153<br />
Beaucaire annual fair 92<br />
Beaumont, Francis<br />
Philaster (co-author) 261<br />
‘The Fair Maid of the Inn’ (co-author)<br />
155fn14<br />
The Scornful Lady (co-author) 258, 259<br />
Beauvais, Epiphany Festival 26<br />
Becher, <strong>Johann</strong> Joachim 132<br />
Bechimerin, Anna 27<br />
Beck, <strong>Johann</strong> Ferdinand 279<br />
Index 337<br />
Beer, <strong>Johann</strong> 123, 158, 161–2, 184–5,<br />
285–98<br />
on actresses 289–90<br />
on stage fools 286, 294<br />
works<br />
Corylo 286<br />
Feuermäuer=kehrer 290<br />
Jucundus Jucundissimus 82, 139fn20<br />
Jungfer=Hobel 188fn29<br />
Kleider=Affe 122, 188fn29<br />
Maul=Affen 147fn55, 285–6, 290–98<br />
English performers in 290–98<br />
Narren=Spital 159, 186, 285, 290<br />
Sein Leben 130, 285–8, 290fn21, 293<br />
Sommer=Täge 290<br />
Teutsche Winternächte 98, 159, 288–90<br />
Ursus Murmurat 286fn7<br />
Verkehrte Staats=Mann 287–8<br />
Weltkucker 159<br />
Begardi, Philipp 130<br />
Index Sanitatis 93, 98, 126–7, 141<br />
Begemann, Nienke 269<br />
Behaim, Magdalena, Briefwechsel 27, 211,<br />
268<br />
Behn, Aphra, The Second Part of the<br />
Rover 84, 97, 148, 153–4, 170, 186<br />
Beijer, Agne 196, 199, 200<br />
Bella di Paija, Donna 163–4<br />
Bendo couple, <strong>see</strong> Wilmot<br />
Benecke, Heinrich Wilhelm 282<br />
Benecke, Victoria Clara 282–3<br />
Benedict XIV, Pope 212–13<br />
Benediktbeuern 38<br />
Bentley, George 275, 290<br />
Bepler, Jill 99, 114, 259, 282<br />
Berlin<br />
Brandenburg, religious play 40<br />
Church opposition to acting 283<br />
Depictions in 68, 71, 75, 220<br />
Easter Plays 40, 121<br />
Eckenbergs’ theatre 279<br />
Haude-Spenersche Zeitung 191<br />
Spandau, quacks in 169<br />
Vossische Zeitung 92fn15, 109fn81, 149,<br />
177<br />
Bernier, Jean, Essais de medecine 84,<br />
123fn24, 170<br />
Bernoin, Charles 120, 168, 286–90<br />
death 286–90
338 Women, Medicine and Theatre 1500–1750<br />
‘flight’ 99, 284, 286–90<br />
literary influence on Beer 288–90<br />
patent from Charles IV 287<br />
patent medicines 287<br />
tightrope skills 287<br />
Bernoin, George-Louis 287<br />
Bertelli, Franco, Il carnevale italiano<br />
mascherato 223<br />
Bertelli, Pietro, Diversarum [m] nationum<br />
habitus: ‘Bragato, Cingana’ 220, 223<br />
Betcher, Gloria J. 50<br />
Bevington, David 26<br />
bezoar stone, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic ingredients and products<br />
Bianca, Queen 163<br />
Bianca, Vittoria 114<br />
Biehner, Siegmund 276<br />
Biller, Alexander 168<br />
Billington, Sandra 124, 166, 228<br />
bills <strong>see</strong> handbills<br />
Binns, J.W. 246<br />
birthing chamber, ‘gossipings’ 10, 160<br />
Blosen, Hans 40<br />
Blümel, Christoph 278<br />
Boccaccio, Giovanni, Decameron 157,<br />
183fn3<br />
Bodenburg, Daniel and wife <strong>165</strong>, 166,<br />
188–90<br />
handbill 182, 183, 189<br />
Bohn, <strong>Johann</strong>es 139<br />
Bologna<br />
licences 101, 125<br />
performers from 207<br />
quacks in 146, 164<br />
Bologna, Marianna 106<br />
Bolte, <strong>Johann</strong>es 160, 265, 270, 272, 279,<br />
275, 281–3<br />
Boltz, Valentin, The Conversion of St Paul<br />
56<br />
Bolzano, Stadtpfarrkirche 28, 52, 54–5<br />
<strong>see</strong> Bozen<br />
Bondeson, Jan 4, 108–10, 133<br />
Boord, Mme. de 157<br />
Borromeo, Carlo 223–4<br />
Bosch, Hieronymous<br />
Christ Purifying the Temple (imitator)<br />
45, 46–7, 50, 56<br />
The Haywain 40, 41<br />
Bottonio, Albertino 227<br />
Bouclon, Mathieu 200<br />
Bovio, Giovanni, Archbishop 148<br />
Bovio, Zefiriele Tomaso, Flagello de’medici<br />
rationali 79fn3<br />
Boyle, Robert 140fn25<br />
Bozen (Bolzano), Passion Play (1514) 40,<br />
45<br />
actresses in 23–6, 28, 33, <strong>35</strong><br />
directors 29<br />
merchant scene 29–31, 33, <strong>35</strong><br />
Palm Sunday performance 29, 48<br />
stage plan, <strong>see</strong> Raber<br />
women quacks in 29–30, 33<br />
Braca, Vincenzo, Sautabanco 84, 104, 152<br />
Brackenhoffer, Elie 4<br />
Bradley, Mrs 255<br />
Bradstreet, John 268, 270<br />
Bragati, Girolamo 223<br />
Bragato, Bragetta, <strong>see</strong> Bertelli; stock roles<br />
Brambilla, Ambrogio, Gamesboard 2<strong>35</strong>,<br />
238<br />
Brandt, George W. 262, 265, 269, 283<br />
Brant, Sebastian, Stultifera nauis,<br />
Narrenschiff 10, 136–7, 216; <strong>see</strong> also<br />
Barclay; folly literature<br />
Brasen, Katharine 270<br />
Brauneck, Manfred 26, 34–5, 55<br />
Braunschweig<br />
court performers 264–5, 281<br />
Duke of, <strong>see</strong> Ferdinand Albrecht I<br />
quacks in 180<br />
Bredero, Gerbrand 268, 269<br />
Breiolt, Hans, wife of 24, 26<br />
Breitinger, <strong>Johann</strong> Jakob 246, 250<br />
Bedencken von Comoedien 246fn18<br />
Breslau (Wrocɫaw), quacks in and from<br />
168, 280<br />
Brian, Thomas, The Pisse-Prophet 80,<br />
89fn10<br />
Brno, <strong>see</strong> Brünn<br />
Brome, Richard 256<br />
The City Wit 140, 155fn14, 263<br />
The Love-sick Court 156<br />
Brown, Pamela Allen, Women Players 255<br />
Brown, Richard Danson 146<br />
Browne, Richard 97<br />
Browne, Robert 268, 271, 272
Bruegel, Pieter 45<br />
Brünn (Brno)<br />
documents in 132, 143, 164, 188, 279–81<br />
Old-Brünn stage 280<br />
performers and healers in 279–81<br />
Brunnschweiler, Thomas 245, 246, 250<br />
Buatier, Françoise 27<br />
Buchinger, Matthias 109<br />
Buchner, Eberhard 92, 109, 149, 177, 191<br />
Buckingham, Duke of 206<br />
Buffon, Georges, Histoire Naturelle 111<br />
buffoni (buffoons) <strong>see</strong> <strong>under</strong> actors and<br />
actresses<br />
Buhler, Johan Bartholomeus 276<br />
Buhlmeyer, <strong>Johann</strong>es <strong>165</strong><br />
Buhlmeyerin, Anna Gertrud <strong>165</strong><br />
Bullein, William, Gouernement of Healthe<br />
122, 189<br />
Buratelli, Claudia 208<br />
Burgundy<br />
Duke of 27<br />
mountebanks from 92<br />
Burke, Peter 62<br />
Burnim, Kalman A. 106<br />
Burton, Dorothy 139<br />
Burton, Robert 139<br />
The Anatomy of Melancholy 122,<br />
140fn21, 228fn27<br />
‘C’, The Two Merry Milke-maids 98,<br />
228fn27<br />
Caccini, Giulio 208<br />
Caccini, Lucia 207<br />
Cadnes, Elisabeth Georg 106–7<br />
Cailleau, Hubert 56<br />
Caius, Jhon, A Boke, or Counseill 126fn40<br />
Calabron, Gallion 250<br />
Cambridge, Trinity College, student play<br />
at 252<br />
Campolongo, Emilio 227<br />
Caravaggio, The Gypsy Fortune-teller 101,<br />
103<br />
Cärer (Hofmann), Maria Ursula 277, 278,<br />
281<br />
Carew, Maria Sophia 259<br />
Carleton, John 258<br />
Carleton, Mary, <strong>see</strong> Moders<br />
Carletto (Carlo) 209fn17<br />
Index 339<br />
Carlsbad (Karlovy Vary), quacks in 130<br />
Carnival and Lent<br />
bull fighting 70, 236<br />
Church opposition 224, 245–6<br />
costume 80–82, 205, 217, 241, 246<br />
depicted 63, 70, 220, 232, 236<br />
herring (Lenten food) 159, 187<br />
mountebanks at 74<br />
pancakes (carnival food) 13<br />
plays, farces, mummers’ plays,<br />
Arztspiele, Fastnachtspiele 33, 37,<br />
42, 147, 151, 158–9, 184, 205, 245–6<br />
pursuits/revels/rituals 62, 218<br />
<strong>see</strong> also Antwerp; Venice<br />
Carter, Mrs 144<br />
Caryll, John, The English Princesse 260<br />
castrati, <strong>see</strong> music<br />
Cauis, John, A Boke 126<br />
Caulery, L., Theatrical Scene 44, 45<br />
Cavendish, Margaret 1–19, 257fn14, 270,<br />
298<br />
on actresses 9, 11–12<br />
on the Antwerp Fair 1–2, 9 –16, 115<br />
on Barbara Urslerin 2, 4<br />
CCXI Sociable Letters 1, 4, 8–16, 92,<br />
205fn3<br />
on cross-dressing 11–12<br />
on itinerant Italian troupe 8–16, 270<br />
marriage, to Duke of Newcastle 11<br />
Cavendish, William, Duke of Newcastle<br />
11, 257<br />
Cecchini, Pier Maria 206, 217<br />
Cellier, Elisabeth 251fn27<br />
Centlivre, Susanna, The Wonder 264<br />
Cerasano, Susan 1<br />
certificates, <strong>see</strong> <strong>under</strong> itinerant performers<br />
and healers<br />
âesky Krumlov (Krumau, Bohemia), <strong>see</strong><br />
Krumau<br />
Cett, Helena and Judith 109–10, 111<br />
Chambers, E.K. 38, 245<br />
charlatans<br />
‘Il Ciarlone’ 104, 121, 152<br />
and comici 205<br />
and commedia dell’arte 221, 226, 229<br />
definition 5<br />
early modern usage 74, 78, 114<br />
Garzoni on 216–19
340 Women, Medicine and Theatre 1500–1750<br />
Guarinonius on 74, 226, 228<br />
Moryson on 74, 80, 114, 129<br />
Sonnet de Courval on 74, 80, 96–7, 104<br />
Soprintendenze sui comici e ciarlatani<br />
217<br />
<strong>see</strong> also itinerant performers and healers<br />
Charles I, King of England 251, 259<br />
Charles II, King of England 141, 170, 257,<br />
259<br />
Charles IV, King of France 287<br />
Châteaudun-sur-Loire Passion 28<br />
Chéreau, A. 138<br />
chest, medicine, <strong>see</strong> <strong>under</strong> itinerant<br />
performers and healerss<br />
Chester, Assumption of the Virgin 26<br />
Chiarini, Madame 119<br />
Chinachine, <strong>see</strong> stock roles<br />
Choke, Major John 144<br />
Christina, Queen of Sweden 212<br />
Christine de Lorraine 207<br />
Chrisutte, Gertraut 110<br />
civic authorities <strong>see</strong> <strong>under</strong> itinerant<br />
performers and healers (licences)<br />
Clarice, La Signore 164<br />
Clemens VIII, Pope 212<br />
Clouet, François 199–200<br />
Clowes, William, A Short and Profitable<br />
Treatise 143<br />
Cocco, Ester 207<br />
Cohn, Albert 275, 277<br />
Coleman, Catherine 256<br />
Colloredo, Lazarus 107, 109<br />
Cologne, healers and performers in and<br />
from 14, 16, 100, 101, 112, 183, 271,<br />
280<br />
Colombani, Apollonia 183, 184<br />
Colombani, Giuseppe 183–4<br />
Colvin, Sarah 265<br />
Combe, Kirk 172<br />
commedia dell’arte<br />
actresses in 206–17, 230, 231, 275<br />
actress-servant-master trio <strong>see</strong> stock<br />
roles<br />
depiction 231–5<br />
development models<br />
consecutive 218–19<br />
permeable pyramid 218, 221<br />
Easter ban, Florence 209<br />
English drama, influence on 155<br />
farces 112, 164<br />
features 205, 218<br />
Garzoni on 216–17<br />
improvisation 36, 205, 210–11, 218, 294<br />
Cavendish on 12<br />
lazzi stage routines 43, 205, 218, 240<br />
Guarinonius’s descriptions 226–9<br />
and merchant scene 36, 43<br />
maid, played by actor 216<br />
masks 233–4, 244<br />
merchant scene, parallels 17, 36, 43<br />
origins 215<br />
scenarios and plays<br />
Corsini Album 234, 240, 241, 244<br />
La Pazzia d’Isabella 208<br />
La Zingara 208<br />
Scala’s 84, 152, 243<br />
signature cast <strong>see</strong> <strong>under</strong> stock roles<br />
(actress-servant-master trio)<br />
troupes 4, 14, 18, 73, 195, 200<br />
<strong>see</strong> also actors and actresses; costume;<br />
stock roles; troupes, Italian<br />
commedia erudita 205, 218, 231<br />
‘commercial breaks’ <strong>see</strong> <strong>under</strong><br />
performance and spectacle<br />
Common, Doll 259<br />
Concarini, Vittoria 207<br />
Confidenti, <strong>see</strong> troupes, Italian<br />
Coniacke, Mme 251<br />
conjoined twins, <strong>see</strong> <strong>under</strong> performance<br />
and spectacle<br />
Contarini, Gasparo, Gouernment of Venice<br />
121fn10<br />
Contini, Gianfranco 43<br />
Contugi, Christophe 164<br />
convent plays, <strong>see</strong> <strong>under</strong> religious stage<br />
Cook, Mrs 143<br />
Cooke, Sir Robert 261<br />
Copenhagen, performers in 4<br />
coral, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Corsini Album, <strong>see</strong> commedia dell’arte,<br />
scenarios<br />
Cortese, Isabella, I Secreti 140<br />
Coryat, Thomas, Coryats Crudities 73fn1,<br />
74, 78, 81fn10, 84, 96–7, 104, 106,<br />
122fn17, 212, 234fn4
cosmetics <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
costume<br />
actresses 231, 240–41, 243, 249<br />
depiction 233–5, 240–41, 243<br />
itinerant healers 79–82, 168, 170<br />
masks<br />
actresses wearing 233–5, 236<br />
carnival 232<br />
commedia dell’arte 233–4, 244<br />
loup 232, 234<br />
vizard 84<br />
nudity 210, 2<strong>35</strong>, 245<br />
perfumed 122<br />
sources 231, 233<br />
sumptuary regulations 63–4, 79<br />
and cross-dressing 245<br />
Turkish 79, 238, 241, 243, 244<br />
veils<br />
actresses 233–5<br />
wise-women 137<br />
<strong>see</strong> also cross-dressing<br />
costume books 223<br />
friendship albums, resemblances 67<br />
Cotta, John, A Trve Discouery of the<br />
Empericke 10<br />
Cotton, Nancy 26<br />
counselling, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic services, patients and<br />
conditions<br />
couples <strong>see</strong> <strong>under</strong> itinerant performers and<br />
healers<br />
Coussemaker, E. de 38<br />
Coventry, itinerant performers in 97, 255<br />
Craig, Hardin <strong>35</strong><br />
Creizenach, Wilhelm 28, 29, 33, 39, 268<br />
Crofts, Cicely 259<br />
Cromwell, Oliver 11, 256<br />
Croon, Daniel 88<br />
Crosch, Hiltgen 183<br />
Cross, T., Loe Here a Woman comes in<br />
Charitie 134<br />
cross-dressing<br />
actors 231, 243, 255<br />
actresses 11–12, 231, 243, 255, 257, 259<br />
Cavendish on 11–12<br />
church condemnation 245–6, 250<br />
commedia dell’arte, stock in trade 243<br />
Index 341<br />
criticism 14<br />
depicted 233, 241, 244, 254<br />
in Dryden 260<br />
in Heywood 147<br />
in Killigrew 259<br />
Milton on 252<br />
Prynne on 250–51<br />
in scenarios (Corsini) 241–2, 244<br />
in scenarios (Scala) 84<br />
in Shakespeare 146<br />
and sumptuary regulations 245<br />
<strong>see</strong> also costume<br />
Curth, Louise 142, 144<br />
Cysat, Renward 56<br />
da Bagnacavallo, Lidia 217<br />
Daffy, Elizabeth 142<br />
Daffy, Revd Thomas 142<br />
Dahlberg, Gunilla 14, 16, 262, 263<br />
dance and dancers <strong>see</strong> <strong>under</strong> performance<br />
and spectacle<br />
‘Dance of Death’ 216<br />
D’Ancona, Alessandro 207, 212, 217<br />
Danzig<br />
Fencing Hall 272<br />
performers in 107, 270–71, 275, 276,<br />
282<br />
St Dominic’s Fair 282<br />
Daston, Lorraine 4, 107<br />
Datini, Margherita 146<br />
Datzin, Lusi 5, 8<br />
Davenant, Charles 276<br />
Davenant, Dame Mary 153, 258, 261<br />
Davenant, Sir William 76, 153<br />
actresses 258<br />
Britannia Trivmphans (co-author)<br />
84fn21<br />
‘The Long Vacation’ 255fn5<br />
mixed gender opera 256<br />
tennis court theatre 76<br />
theatrical patent holder 257–8, 276<br />
Davenport, Hester 258<br />
Davidson, Clifford 26, 51, 88<br />
Davis, Mary 258, 260–61<br />
Day, John<br />
Law Trickes 89<br />
Three English Brothers 210–11<br />
de Boor, Helmut 37, 39
342 Women, Medicine and Theatre 1500–1750<br />
de Courval, Sonnet, <strong>see</strong> Sonnet de<br />
Courval<br />
de Gaufreteau, Jean, Chronique Bordelaise<br />
197<br />
de Gogler, Carl 140<br />
de Gourmont, Jean II 199–200<br />
de Latour, Henri 27<br />
de le Nerle, Waudru 27<br />
de l’Esperonnière, Antoine 206<br />
de Nobili, Cesare 243<br />
de Parthenay, Denise 138<br />
de Roson, Mrs 255<br />
de Rue, John 106<br />
de Vos, Marten, A Feast 237<br />
de Wancourt, Jehanne 197<br />
death<br />
allegorical figure 13 (Doot), 204, 214,<br />
216<br />
dance of 216<br />
defiant ritual laughter 34<br />
funeral wishes of actresses 215<br />
in mountebank crowd 228<br />
quacks’ authority over 87, 96–7, 99, 147,<br />
186<br />
Debs, Benedikt 29<br />
decapitation, simulated, <strong>see</strong> performance<br />
Dédiet family 27<br />
Deierkauf-Holsboer, S. Wilma 196, 199<br />
Dekker, Thomas, The Roaring Girle<br />
(co-author) 164, 254, 256<br />
del Re, Angela 207<br />
del Re, Maphio 207, 223<br />
Delft, midwives in 177<br />
della Scala, Margherita 207<br />
Denner, Leonhard Andreas 264<br />
Denner, Maria Magdalena 264<br />
Denner-Spiegelberg, Elisabeth 160, 265<br />
dental care, <strong>see</strong> <strong>under</strong> healers; medical and<br />
cosmetic ingredients and products;<br />
medical and cosmetic services<br />
Deppre, Mme, 92<br />
Desiosi, <strong>see</strong> <strong>under</strong> troupes, Italian<br />
Dest, Joan 157<br />
Deventer, mystery play 26<br />
Devil 9, 101, 144, 147, 149, 186, 213, 270,<br />
286; <strong>see</strong> also <strong>under</strong> stock roles<br />
Devrient, Eduard 261, 279, 283<br />
d’Ewes, Simonds 252<br />
di Roy, Maria 276<br />
diaries, journals and travel accounts 61<br />
anon Englishman 84<br />
D’Ewes 252<br />
Ferdinand of Bavaria 106<br />
Ferdinand Albrecht I 114<br />
Mundy 107<br />
Wrage 99<br />
<strong>see</strong> also Evelyn; friendship albums;<br />
Pepys; Platter<br />
Diemerbroeck, Ysbrand van, The<br />
Anatomy of Human Bodies 146<br />
Dietz, <strong>Johann</strong> 132<br />
Dijon, quacks in 88, 287<br />
Dil Ulenspiegel, <strong>see</strong> stock roles<br />
(Eulenspiegel)<br />
Dionis, Charles 164<br />
Dionis, Pierre 188<br />
Discret, Agnès and Jehanne 107<br />
Diye, Elizabel 197<br />
doctor, doctoress, <strong>see</strong> <strong>under</strong> healers,<br />
physician<br />
Doherty, Francis 144<br />
Donato, Balthasar 280<br />
Dorsch, Johan Christian 276<br />
Dresden<br />
Jolly in 276<br />
Kuhnau in 184<br />
literary setting 155<br />
drugs, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Dryander, <strong>Johann</strong>es, Artzenei Spiegel 178<br />
Dryden, John, Maiden Queen 260<br />
du Mesniel, Charles 276<br />
du Mesnil, Alexandre 197<br />
du Perron, Cardinal 223<br />
du Soleil, André 275<br />
Dublin, <strong>see</strong> Allen, Charles<br />
Dubuc, Pierre 196<br />
Duchartre, Pierre Louis 196, 200, 234, 241<br />
Dupont, Giovanna 146<br />
D’Urfey, Thomas, The Royalist 183<br />
Duym, Jakob 262<br />
Dyan, Ursula 4 fn6<br />
Eamon, William 140<br />
Earle, John, Micro-cosmographie 143<br />
Easter plays, <strong>see</strong> religious stage
Eaton, Dr Robert, Balsamick Styptick<br />
123<br />
Eck, Adam, friendship album, images 66<br />
Eckenberg, <strong>Johann</strong> Carl 279<br />
Eckenberg troupe 279, 283<br />
Eckenbergin, Cornelia 279<br />
Eckhof, Conrad 265<br />
Edinburgh, performers in 106<br />
Eekhout, Rockus Coenraad 262<br />
Eichmann, <strong>Johann</strong> 178<br />
Eisenach<br />
healers in 189<br />
religious stage 27<br />
Eisenbarth, <strong>Johann</strong> Andreas 84, 120, <strong>165</strong>,<br />
167–9, 289<br />
and Bernoin 289<br />
dental care 128, 179, 188<br />
handbills 128, 168–9, 179, 188<br />
troupe 169<br />
wives, <strong>see</strong> Albrecht; Heinigke<br />
Eisenbarth, Matthias 168<br />
Eisinger, Ralf 265, 281<br />
Eitlin, Maria Francisca 280<br />
Elenson, Andreas 265<br />
Elenson, Catherina Susanna 265<br />
Elenson, Julius Franz 265<br />
Elenson, Margarete 265<br />
Elenson-Haacke, Sophie 265, 282<br />
Elizabeth I, Queen of England 209, 255<br />
Elkeles, Barbara 5, 132, 139<br />
Eller, Alois Karl 29<br />
Emde, Ruth B. 265<br />
Emmen, quacks in 129<br />
Encke, Johan “Hans” Georg 276–7<br />
‘English Ladies’, <strong>see</strong> <strong>under</strong> actors and<br />
actresses<br />
Erasmus of Rotterdam, Ecclesiastes 187<br />
Erlau Easter play<br />
medical duties, gendered division 163<br />
merchant scene 30, 40, 42<br />
quack monologues 42<br />
quack scenes 40, 42<br />
tooth extraction 42<br />
urine diagnosis 42<br />
Ettner, <strong>Johann</strong> Christoph, Der Entlarvte<br />
Marckt=Schreyer 81, 143fn42,<br />
144fn48, 185<br />
Eulenspiegel, Till <strong>see</strong> <strong>under</strong> stock roles<br />
Index 343<br />
Evans, M. Blakemore 45, 51–2, 54, 56<br />
Evelyn, John<br />
Diary 4, 74, 89, 97, 109, 110, 114, 122,<br />
125, 157, 170, 212, 250, 252, 256,<br />
258, 260–61<br />
Numismata 98fn38<br />
Evelyn, Mary 260<br />
eyeglasses <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
exorcism, <strong>see</strong> <strong>under</strong> performance and<br />
spectacle<br />
Faber, August Georg 123, 290<br />
Faber, Joseph <strong>165</strong><br />
fairs 1, 12, 63, 74, 89, 125, 179, 185, 255,<br />
263<br />
The Country Fair, broadsheet 13<br />
depictions of, cover, 6, 7, 13, 77, 145,<br />
248<br />
literary fairs, <strong>see</strong> Beer, Kuhnau, Weise<br />
women as retailers 2, 136, 297<br />
of food and produce 6, 13, 64–5, 91,<br />
145, 236<br />
<strong>see</strong> also Antwerp; Beaucaire; Danzig;<br />
Frankfurt; The Hague; Hamburg;<br />
Leipzig; London; Strasbourg<br />
Faivre, Bernard 197<br />
Falconieri, John V. 206, 209<br />
Farckas, <strong>Johann</strong> 12<br />
Farmer, David Hugh 62<br />
Farquhar, George, The Beaux Stratagem<br />
140<br />
Fasshauer, Catharina 277<br />
Fasshauer, <strong>Johann</strong> 277<br />
Fauchard, Pierre, Tractat von den Zähnen<br />
125fn36, 178–9, 188–9, 191<br />
Fedeli, <strong>see</strong> <strong>under</strong> troupes (Italian)<br />
Federl, Gretl 24, 26<br />
Feinberg, Anat 155<br />
Félicie, Jacobea 138<br />
Ferdinand Albrecht I, Duke of<br />
Braunschweig-Lüneburg 99, 114, 282<br />
W<strong>under</strong>liche Begebnüssen 101fn57<br />
Ferdinand, Archduke of Austria 92<br />
Ferdinand, Duke of Bavaria, Prince 106<br />
Ferdinando, <strong>see</strong> Medici<br />
Ferranti, Girolamo 164<br />
Ferrar, Franciscus <strong>see</strong> Mondor
344 Women, Medicine and Theatre 1500–1750<br />
Ferré, Marie 206<br />
Ferrone, Siro 74, 122, 217, 229<br />
Ferry, Nicolas 110<br />
Fischart, <strong>Johann</strong>, Geschichtklitterung 137,<br />
186, 187, 228fn27<br />
Fischel, Oskar 55<br />
Flaminia, <strong>see</strong> <strong>under</strong> stock roles<br />
Flaminia, Barbara 207, 243<br />
Flaser, <strong>see</strong> Glaser<br />
fleas, <strong>see</strong> performance and spectacle,<br />
animals; medical and cosmetic<br />
services, patients and conditions, pest<br />
control<br />
Flecknoe, Richard, A Treatise of the<br />
Sports of Wit 153<br />
Fletcher, John 156<br />
Philaster (co-author) 261<br />
The Beggar’s Bush (co-author) 257<br />
‘The Fair Maid of the Inn’ (co-author)<br />
155fn14<br />
The Faithfvll Shepheardesse 156fn23<br />
The Loyall Subject 257<br />
The Scornful Lady (co-author) 258, 259<br />
The Widdow (co-author) 155fn18<br />
Florence<br />
healers in 146<br />
Medici wedding of 1589 207–8<br />
mountebank regulations 76, 78, 209<br />
performers from and in 27, 76, 78, 81,<br />
112, 207–9, 211<br />
theatre 211<br />
folly and fools<br />
folly literature (Narrenliteratur) 10, 12,<br />
36–7, 136–7, 162, 216, 227<br />
Parable of the Foolish Virgins 38<br />
and the stage 34–5, 61, 81, 227–8, 287,<br />
289<br />
<strong>see</strong> also stock roles<br />
fortune-telling, <strong>see</strong> gypsies and fortune<br />
telling<br />
Fountaine, Edward La, A Precious<br />
Treasury 180<br />
Fouquet, Jehan, The Martyrdom of St<br />
Apollonia 51, 53<br />
Fourment, Hélène 11<br />
Francken, Elisabeth 270<br />
Franco, Giacomo, Charlatans in the Piazza<br />
San Marco 76, 96, 104, 105, 205<br />
Frangipani, Cornelio, Tragedia 207<br />
Frankfurt 224<br />
Fair, performers and healers at 12, 16,<br />
92, 101, 138, 197, 268–70, 272–3,<br />
276–7, 281<br />
Frankfurter Dirigierrolle 56<br />
Sanduhr Inn 272–3<br />
Fresia, Carol Jean 177<br />
Friedrich Wilhelm I, King of Prussia 169<br />
friendship albums 14, 67, 69<br />
costume books, resemblances 67<br />
Eck’s 66<br />
Grünthaler’s iv<br />
Masked woman between two masked men<br />
242<br />
mountebank images iv, 60, 66, 67, 68,<br />
70, 72, 74, 75, 81–2, 83<br />
origins 67<br />
Ortelius’s 72<br />
Pribil’s 68<br />
prints in and for 60, 67, 71<br />
quacks, image source 69<br />
Trades and Occupations 299<br />
Fries, Christian 133<br />
Friesen, Laurentius, Spiegel der artzney<br />
120<br />
Friesland, quacks in 129<br />
Frith, Mary ‘Moll’ 254, 255–6<br />
Fritzen, Eva Rosina 169<br />
Frölichin, Barbara 27<br />
Fuhrmann, Martin Heinrich 283<br />
Furst, Wolfgang 24, 26<br />
Gäbelkover, Oswald 140<br />
Gager, William 246<br />
Galen 171, 228<br />
Gallici, <strong>Johann</strong> Dominico 110<br />
Gallici twins 110<br />
Galloway, David 109, 255<br />
Galt, Jeronimo 106<br />
Gambaccini, Piero 114, 150, 164, 184,<br />
212<br />
Gambacorta, Caterina <strong>165</strong><br />
Gambelli, Delia 200<br />
García García, Bernardo José 243<br />
Garrick, David 124fn30<br />
Gärtner, Theodor 158<br />
Garway, Mrs 144
Garzoni, Tomaso 157, 216–17<br />
La Piazza Universale 74, 93, 96, 97fn37,<br />
121fn12, 158, 207, 216–17, 263<br />
The Hospitall 106, 121fn10<br />
Gassot, Nicole 197<br />
Gaule, John, The Mag-Astro-Mancer 100<br />
Gaywood, R., The harpsichordist Barbara<br />
Urslerin 3<br />
Gellifus, Gellius, <strong>see</strong> Jolly<br />
Gellye, Radulphus 275<br />
Gelosi, <strong>see</strong> <strong>under</strong> troupes<br />
Gentilcore, David 5, 81, 98, 100, 101, 125,<br />
148, <strong>165</strong><br />
Gentili, Alberico 246<br />
Ghent, performers in 101, 276<br />
Gibson, Richard 251fn29<br />
Gilder, Rosamond 26, 28, 199, 206, 275<br />
Gillot, Claude 223fn9<br />
Gillot, Jacques 223<br />
Glaser, Clauß, wife of 110<br />
Glaser (or Flaser), Fritz, daughter of 24–6<br />
Glasse, Hannah, The Art of Cookery<br />
141–2<br />
Glasse, James 98<br />
Glissenti, Fabio, Discorsi Morali 204, 214,<br />
215–16<br />
Gloucestershire, healers and performers in<br />
and of 144, 206<br />
Goethe, <strong>Johann</strong> Wolfgang<br />
Faust 98fn44<br />
‘Wilhelm Meisters theatralische<br />
Sendung’ 261<br />
Golius, Theophilus 179<br />
Goltschmid, Jochum 24, 26<br />
Goltschmid, Ludl Jan 24, 26<br />
Goltzius, Julius, Venetian Magnifico,<br />
Courtesan and Zanni 2<strong>35</strong>, 239, 241<br />
Gonzaga, Francesco 208<br />
Gordan, Madam 89<br />
Gori, Domenico, ‘Trattato contro alle<br />
commedie lascive’ 213<br />
Gosnell, Winifred 258<br />
Gosson, Stephen, Schoole of Abuse<br />
121fn12, 250<br />
Göttner, Anna Ernestina 278<br />
Göttner, <strong>Johann</strong> Georg 278<br />
Gottsched, <strong>Johann</strong> Christoph 261, 265<br />
Goulet, The ‘Hungarian Twins’ 111<br />
Index 345<br />
Gratiano, <strong>see</strong> <strong>under</strong> stock roles<br />
Graz, John Green (actor) in 268<br />
Greca, Caterina Cattani 125<br />
Greco-Kaufmann, Heidy 147<br />
Green, John (actor), troupe 268, 270, 272<br />
Green, John (writer), A Refvtation of the<br />
Apology for Actors 246fn17, 270fn12,<br />
292fn28<br />
Greene, Josua de 5, 8<br />
Greenfield, John, A Compleat Treatise of<br />
the Stone 120fn5<br />
Greenfield, Peter 206<br />
Greer, Germaine 170<br />
Greg, Walter W. 271<br />
Grenoble<br />
Passion 27<br />
quacks from 287<br />
Grimmelshausen, Hans 1, 92, 123, 162,<br />
185<br />
Continuatio 93fn20, 158, 159<br />
Courasche 100–101<br />
Gauckel-Tasche 93 fn20<br />
Simplicissimus Teutsch 74fn4, 93fn20,<br />
126, 130, 158, 191<br />
Vogelnest II 159<br />
Groningen, quacks in 129<br />
Grünthaler, Erhard, friendship album iv<br />
Gryphius, Andreas, Absurda comica<br />
296fn36<br />
Gstach, Ruth 277<br />
Guagnano, healers in 148<br />
Guarini, Giambattista, L’idropica 208<br />
Guarinonius, Hippolytus 221–9<br />
melancholia 227–8<br />
on quacks 224, 225, 228<br />
works<br />
Grewel (incl lazzi descriptions) 37,<br />
74fn8, 84fn22, 121fn10, 138–9,<br />
178, 190, 221, 223–8<br />
In memoria aeterna 224fn11<br />
Pestilentz Guardien 37, 227<br />
Günther, <strong>Johann</strong> Friedrich, wife of 107<br />
Gurtner, Kuno 285<br />
Gwyn, Eleanor “Nell” 260<br />
gypsies and fortune telling 186<br />
Church and municipal opposition 101<br />
costume 79, 81, 101, 241, 243<br />
as carnival mask 220
346 Women, Medicine and Theatre 1500–1750<br />
depicted 64, 100–101, 102–3, 214, 238<br />
fortune-telling and palmistry 9, 64,<br />
100–101, 102, 103, 120, 146–9, 154,<br />
155fn14, 214, 224, 225, 255–6<br />
and healthcare 100, 1<strong>35</strong>, 142–3, 191<br />
literary and stage 100–101, 208<br />
Haacke, <strong>Johann</strong> Caspar 265, 282<br />
Hagenest, Christian 169<br />
Hague, The<br />
actors in 263, 271–2<br />
depictions of and in 77, 193<br />
Haines, Joseph 124<br />
handbill 166–7<br />
wife 166–7<br />
haircare, <strong>see</strong> medical and cosmetic<br />
ingredients and products<br />
‘hairy Maid’, <strong>see</strong> Urslerin<br />
Hakewill, George, The Vanitie of the Eie<br />
245<br />
Hales, Mrs Stephen’s Medicines 150fn67<br />
Hall (Swabia), quacks from <strong>165</strong><br />
Hall (Tyrol)<br />
healers in 224–5<br />
religious stage 30–31, 39<br />
Hamburg<br />
Fair 110, 119, 1<strong>35</strong>, 168, 280, 282<br />
Guild regulations for performers 12, 14<br />
images in 279<br />
itinerant performers and healers in and<br />
of 128–9, 168, 191, 265, 281<br />
Hammer, Carl 33, 42<br />
Hammes, Fritz 42, 157<br />
Hampe, Theodor 4, 89, 101, 109, 110, 123,<br />
279, 287<br />
handbills and playbills 17, 120, 141,<br />
179–80, 188–90<br />
Andreson 128<br />
Bodenburg <strong>165</strong>–6, 182, 183, 189–90<br />
as documentary source 61<br />
Dupont 146<br />
Eisenbarth 128, 168–9, 179, 188<br />
foreign allusions in 127<br />
Gordan 89<br />
Haines 124, 166–7<br />
Hummel 167<br />
‘Innsbruck Comedians’ 277–8<br />
Jolly 277<br />
Kern 188<br />
Kessling 128, 180<br />
Kohn 280<br />
Kriegsman 128, 180, 189–90<br />
literary and stage 126, 128, 153, 156,<br />
161, 188–90, 291–2<br />
literary conventions of 82<br />
Louvain, Gentleman from 173<br />
Louys 128–9, <strong>165</strong><br />
Maris 173<br />
Meyer, H and J P 128–9, <strong>165</strong>, 190<br />
Nitner 133<br />
Norridge 164<br />
Palm 128<br />
promotional aims of 87, 123<br />
Reithinger 128<br />
and religious stage 42<br />
Rudolphi 188, 190<br />
Schmidt 130, 188<br />
Schreiber 180<br />
Searl 164<br />
Senfft 127–8, 189<br />
Stothard 173<br />
Victor 179, 190<br />
Wilmot (Bendo) 153–4, 170–72, 188<br />
Winter 229<br />
wives, noted as healers in <strong>165</strong>–6<br />
‘Zanini’ 128<br />
<strong>see</strong> also quacks, harangues and<br />
monologues<br />
handkerchief <strong>see</strong> audience<br />
Hanssen, Anna Catharina 272, 273<br />
Hanswurst <strong>see</strong> <strong>under</strong> stock roles<br />
harangues, <strong>see</strong> <strong>under</strong> quacks<br />
Harlequin, <strong>see</strong> <strong>under</strong> stock roles<br />
Harris, Walter, Pharmacologia<br />
Anti-empirica 97, 98fn38<br />
Harsnett, Samuel, A Declaration 99–100,<br />
210<br />
Hart, James, The Anatomie of Vrines 144<br />
Hartl, Eduard 45<br />
Harvey, Gideon, The Disease of London<br />
141<br />
Harvey, John, A Discovrsive Probleme<br />
209–10<br />
Harvey, Sambelain 277<br />
Harvy, Lady 259<br />
Hastaba, Ellen 34
Hattori, Natsu 155, 217<br />
Haymarket Theatre, <strong>see</strong> <strong>under</strong> London<br />
Haxel, Heinrich 160<br />
healers<br />
apothecaries<br />
avoidance of ‘quackery’ 123<br />
containers 46–7, 48, 159<br />
depicted 176<br />
legislation and licensing 120, 138, 143,<br />
164, 166<br />
named 56, 99, 130, 142–3<br />
rivalry with physicians 89, 126, 139,<br />
177–8<br />
rivalry with quacks 130, 280<br />
stage and literary 89, 93, 127–8, 149,<br />
151, 155, 164, 290<br />
supplying quacks 124<br />
widows of 164<br />
astrologer 119, 144, 149, 156, 166, 225,<br />
243<br />
dental surgeons, tooth-drawers 63,<br />
120, 125, 137–8, 166, 168, 177–83,<br />
87–92, 263, 280<br />
entertainers 63<br />
handbill 179–80, 182<br />
images 4, 7, 41, 46–7, 56, 62–3, 64–5,<br />
89, 91, 136, 176, 193–4, 195,<br />
200–201, 225, 297, 299<br />
literary and stage 104, 112, 151–2,<br />
183, 187–92, 290<br />
as medical professionals 179<br />
publications by 178–9<br />
wearing or displaying teeth 41, 46–7,<br />
87, 176, 181, 187, 194, 195, 299<br />
women 183–92, 193–4, 195<br />
herb-seller, <strong>see</strong> medical and cosmetic<br />
ingredients and products (herbs)<br />
herniotomist, lithotomist 42, 89, 121,<br />
143, 168–9, 178–9, 181, 185, 284, 287<br />
midwife 89, 128, 224, 251fn27<br />
alcoholic and garrulous 143, 225<br />
criticism of by physicians 136–7, 141<br />
female healthcare, general 9<br />
in London and Vienna 177<br />
quacks, assisting 10, 144<br />
stage 147, 149, 156<br />
nurse<br />
childcare 9<br />
Index 347<br />
and misbirths 89<br />
number, London 177<br />
physicians, assisting 139, 141, 177<br />
quacks, assisting 10, 144<br />
stage 89, 155, 2<strong>35</strong><br />
wetnursing 9, 178<br />
oculist, ophthalmologist 88–9, 1<strong>35</strong>, 139,<br />
<strong>165</strong>–6, 168–9, 178–80, 185, 280, 290<br />
operator 125, 129, 156, <strong>165</strong>–7, 180, 280,<br />
284<br />
physician, doctor<br />
case notes 9, 146<br />
costume 79–82, 85<br />
depicted 134, 176, 199–200<br />
doctoress, ‘Lady Doctor’ 137, 141–2<br />
education of 177<br />
and female healers<br />
employment of 143<br />
opposition to 134, 1<strong>35</strong>–43<br />
praise for 140–41, 150<br />
physical examination of performers<br />
4<br />
and quacks 80, 180<br />
assisted by 128<br />
avoidance of ‘quackery’ 123–4, 132,<br />
171–2<br />
legislation and licensing of 97, 120,<br />
137–8, 166, 178<br />
opposition to 5, 9, 14, 40, 74, 89,<br />
93, 120, 124–6, 130, 137–8, 143,<br />
178, 185, 187, 189, 191, 209–10,<br />
219, 224–5, 280<br />
toleration of 120<br />
stage and literary 23, 25, 30–31, 33,<br />
40, 42–3, 120, 123, 139–40, 147,<br />
149, 155–7, 160–61, 199<br />
and surgeons 14<br />
wives and widows of 160–61, 163–4<br />
snake-catcher, snake-charmer, Pauliani<br />
46–7, 48, 60, 62, 87, 92–3, 94, 96–8,<br />
105, 119, 130, 131, 159, 287<br />
surgeons, barber surgeons 124, 180, 188,<br />
286<br />
female 139, 143, 164<br />
itinerant 99, 167–8, 179, 287<br />
legislation and licensing 97, 138, 164,<br />
177<br />
in London and Vienna 143, 177
348 Women, Medicine and Theatre 1500–1750<br />
military 128, 180<br />
rivalry with physicians 177–9<br />
rivalry with, criticism of, quacks 14,<br />
30, 189<br />
stage and literary 155, 183, 185<br />
wise women, ‘old wives’<br />
economy of speech 149<br />
healthcare activities 133, 136–9, 141,<br />
143, 146–7, 225<br />
literary and stage 146–8, 152, 156<br />
use of veils and screens 137<br />
women healers 2, 1<strong>35</strong>–50<br />
career options 1<strong>35</strong><br />
depicted 134<br />
lone 144, 146–7, 160–61, 163–5<br />
marginalized 5, 9–10, 18, 133, 138–43<br />
worm-purger 185–6, 190, 192<br />
<strong>see</strong> also itinerant performers and<br />
healers; medical and cosmetic<br />
ingredients and products; medical<br />
and cosmetic services, patients and<br />
conditions<br />
Heidemann, Conrades 272<br />
Heinigke, Catharina Elisabetha 168, 169<br />
Heintz, J., A Mountebank Stage on the<br />
Piazza San Marco 232<br />
Heinzel, Richard 45, 54, 56<br />
Heitmüller, Ferdinand 278<br />
Henke, Robert 78, 84, 112, 114, 209<br />
Henker, Michael 51<br />
Henri III, King of France 207<br />
Henrietta Maria, Queen 11, 251–2, 259<br />
Henry IV, King of England 163<br />
Henry VIII, King of England 142<br />
Henslowe, Agnes 271<br />
Henslowe, Philip 271<br />
Herbert, Edward, Occasional Verses,<br />
‘Satyra Secunda’ 211–12<br />
Herbichin, Eleonora 280<br />
herbs, <strong>see</strong> medical and cosmetic<br />
ingredients and products<br />
herniotomy, <strong>see</strong> medical and cosmetic<br />
services, patients and conditions<br />
Herrad of Landsberg, Hortus Deliciarum<br />
33–4<br />
herring, <strong>see</strong> carnival<br />
Herring, Francis 139<br />
Heßelmann, Peter 101<br />
Heywood, John, ‘The Play Called the Four<br />
PP’ 127, 151–2, 156<br />
Heywood, Thomas<br />
An Apology for Actors 245–6, 250,<br />
269–70<br />
Hogs caracter 210<br />
Wise-woman of Hogsdon 146–8, 156<br />
Hicks, T., A Compleat Treatise of Urines<br />
120<br />
Hieke, Karl 110, 128, 168–9, 179, 188<br />
Hildegard of Bingen 27<br />
Ordo Virtutum, possible participation 28<br />
Hill, Brian150<br />
Himantomus, <strong>Johann</strong> Günther,<br />
Harn=Kunst und Quacksalberey<br />
74fn4, 80fn6, 87fn2, 89fn10, 93, 130,<br />
189<br />
histrioni, <strong>see</strong> actors<br />
Hoffmann, Carl Ludwig 265<br />
Hofmann, Anna 278<br />
Hofmann, <strong>Johann</strong> Christian 278<br />
Hofmann, <strong>Johann</strong> Ernst 277<br />
Hofmann, Sibylla Juliana 278<br />
Hofmann, Ursula, <strong>see</strong> Cärer<br />
Hogarth, William<br />
Southwark Fair 89, 248, 250<br />
Strolling Actresses Dressing in a Barn<br />
249, 250<br />
Hogendoorn, Wiebe 262, 265, 269, 283<br />
Holbein, Hans (the Younger), Bilder des<br />
Todes 216fn3<br />
Holl, Karl <strong>35</strong>, 42<br />
Holländer, Eugen 4, 109<br />
Holloway, John 109<br />
Hoppe, Harry R. 275, 276<br />
Hörnigk, Ludwig von<br />
Medicaster Apella 79–80, 124fn28,<br />
132fn69, 137, 187fn24<br />
Politia medica 89, 100, 132fn69,<br />
179fn13, 225fn16<br />
Hôtel de Bourgogne, <strong>see</strong> Paris<br />
Hov, Live 11, 212, 213<br />
Howard, Henry, Earl of Northampton, A<br />
Defensatiue 209<br />
Howard, Sir Robert 140<br />
Howe, Alan 272<br />
Howe, Elizabeth 252, 256, 257, 258, 261,<br />
293
Hrotsvitha of Gandersheim, Passion plays<br />
27<br />
Hüber, <strong>Johann</strong> Christian 110, 280<br />
Hughes, Charles 9fn9<br />
Hulfeld, Stefan 129<br />
Humeaul, Jacques 88<br />
Hummel, Christoph, handbill 167<br />
Hummel, <strong>Johann</strong> Christoff 168<br />
Hummelen, W.M.H. 63, 78<br />
‘Hungarian Sisters’, <strong>see</strong> Cett<br />
Hus, John, Tractatus de precatione Dei 34<br />
improvisation, <strong>see</strong> <strong>under</strong> performance<br />
Inamorata, <strong>see</strong> <strong>under</strong> stock roles<br />
Ingolstadt, performers and healers from<br />
and in 29, 280<br />
Ingram, Reginald W. 255<br />
Innsbruck<br />
court 277<br />
documents in 223–5, 228<br />
‘Innsbruck Comedians’ 277, 278<br />
itinerant performers and healers in and<br />
from 168–9, 278<br />
religious play 40<br />
intermedi, <strong>see</strong> <strong>under</strong> music<br />
Interregnum, <strong>see</strong> <strong>under</strong> London<br />
Ipocras, <strong>see</strong> <strong>under</strong> religious stage<br />
(merchant scene)<br />
Irsigler, Franz 101, 183<br />
Isham, Elizabeth 142<br />
Istanbul, quacks from and in 125–6, 129<br />
itinerant performers and healers 1–19, 125<br />
costume 79–81<br />
couples and widows cover, 7, 17–19,<br />
160, 163–70, 172–3, 193, 279,<br />
282–3, 299<br />
definition 5n7<br />
depictions cover, iv, 7, 13, 41, 44, 46–7,<br />
60, 62–3, 66, 68, 70, 72, 73, 75, 82,<br />
83, 90, 91, 94, 105, 113, 145, 214,<br />
299<br />
establishment attacks on 14, 120, 133<br />
foreign allusions 125–30<br />
friendship books, image source 69<br />
jargon 121, 126<br />
licences 2, 5, 92, 97, 99, 101, 106–7, 110,<br />
120, 1<strong>35</strong>, 163–4, 168, 177, 183, 208,<br />
212, 255, 276, 280, 282–3<br />
Index 349<br />
certificates 6, 7, 41, 44, 64–5, 73–4, 80,<br />
87, 91, 129, 137, 145, 166–7, 176,<br />
280, 287, 299<br />
civic licensing authorities, magistrates<br />
2, 12, 101, 106, 107, 112, 129,<br />
136, 149, <strong>165</strong>, 217, 246, 250, 267,<br />
276, 282, 289<br />
requirements 2, 12, 267–8<br />
supplications for 88, 106, 112, 125, 163,<br />
197, 267–8, 270–72, 277, 279, 282<br />
unsuccessful 12, 101, <strong>165</strong>, 272,<br />
282–3<br />
unlicenced practitioners, performers<br />
1<strong>35</strong>, 138, 142, <strong>165</strong><br />
literary and stage 81, 84, 92, 112, 151–62<br />
on religious stage 33–40, 42–3<br />
loud voices 190<br />
marketing methods 8, 122<br />
medicine chests iv, 65–6, 68, 70, 73–4,<br />
75, 82, 83, 97, 105, 113, 131, 151,<br />
214, 232<br />
baskets, etc 72, 94, 102, 121<br />
products<br />
criticism of 126–7<br />
fake 124<br />
printed 121–2<br />
<strong>see</strong> also medical and cosmetic<br />
ingredients and products<br />
Prussia, prohibition 169<br />
sedentary rivals<br />
blurring of boundaries with 125, 180,<br />
189<br />
economic threat to 8, 14, 30, 79, 120,<br />
158, 219, 268, 285<br />
sources<br />
iconographic 61<br />
textual 61<br />
in theatre history 8<br />
theology students <strong>35</strong><br />
ubiquity 74<br />
women banned 212<br />
women, documentation of 5, 1<strong>35</strong>–6,<br />
163, 270<br />
<strong>see</strong> also actors and actresses; charlatans;<br />
healers; mountebanks; pedlars;<br />
quacks<br />
Jack Pudding, <strong>see</strong> <strong>under</strong> stock roles
<strong>35</strong>0 Women, Medicine and Theatre 1500–1750<br />
Jacob, Fleury 199<br />
Jacobin, Maria Dorothea 1<strong>35</strong><br />
Jakobson, Roman 34<br />
Jägerdorf und Troppau, Eleanore Maria<br />
Rosalia von 140<br />
Jakens, Claire 84, 96, 104, 121, 152<br />
James I and II, Kings, of England 251<br />
Janetzky, Anna Lisa 282<br />
Janetzky, Christian 282<br />
Janota, <strong>Johann</strong>es 30, 40, 42<br />
Jermyn, Henry 259<br />
Jerusalem, temple, depicted 45, 46, 49, 50,<br />
52, 55, 57<br />
Jesuits 16, 112<br />
school plays 14, 228<br />
Jews<br />
healers 79, 137<br />
performers 287<br />
stage 155, 157<br />
Joan of Lee 163<br />
John Posset, <strong>see</strong> <strong>under</strong> stock roles (Jean<br />
Potage)<br />
Johnston, Alexandra F. 50<br />
Jolly, George 262, 269, 275–8, 282, 290<br />
Jones, Colin 125, 177, 179, 183<br />
Jones, Dr George <strong>165</strong><br />
Jones, Harris 270–71<br />
Jones, Inigo<br />
Britannia Trivmphans (co-author)<br />
84fn21<br />
depictions of quacks 82<br />
Jones, Jane Sijburch, <strong>see</strong> Reynolds, Jane<br />
Jones, John, Preseruing Bodie and Soule<br />
143<br />
Jones, Richard 270, 271<br />
Jones, T., harangue of 124<br />
Jonson, Ben 211<br />
Every Man in his Humor 96<br />
Every Man Ovt of his Hvmor 148fn60<br />
Seianvs 123–4fn27<br />
The Alchemist 156<br />
The Silent Woman 258<br />
The Widdow (co-author) 155fn18<br />
Volpone 73fn1, 74fn4, 78, 80, 104, 121,<br />
140, 152–5, 170, 209–10<br />
Jordan, Anna 144<br />
Joubert, Laurent, Erreurs populaires 141,<br />
191fn48<br />
jugglers, <strong>see</strong> performance<br />
Jurina, Kitti 62, 81, 166, 179<br />
Jütte, Robert 16<br />
Kalbergen, Dirk 262<br />
Kalbergen, Elisabeth 262<br />
Kämpfen, Susanna 1<strong>35</strong><br />
Katherine of Sutton, Visitatio 28<br />
Kaysersberg, <strong>Johann</strong>es Geiler von 137, 190<br />
Keller, Adelbert von 33, 42<br />
Kemp, Carl Christian 1<strong>35</strong><br />
Kemp, William 210<br />
Kempten, performers from 2, 3<br />
Kennix, Margaret 133<br />
Kern, <strong>Johann</strong> Tobias Joseph 188, 280<br />
Kerner, Arnold, Iesus Balsamus vegetabilis<br />
133<br />
Kerr, Rosalind 152<br />
Kerwin, William Joseph 133, 155<br />
Kessling, <strong>Johann</strong> 128<br />
dental care 180<br />
kidney stones, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic services<br />
Killigrew, Charles 276<br />
Killigrew, Robert 259<br />
Killigrew, Thomas<br />
at court 259<br />
‘The Parsons Wedding’ (<strong>see</strong> also Pepys)<br />
140fn25, 259–60<br />
patent holder 76, 257, 276<br />
tennis court theatre 76<br />
‘Thomaso’ 97, 148, 152–4, 156, 170<br />
Kindermann, Heinz <strong>35</strong>, 55, 268<br />
King, Roger 5, 62–3, 124–5, 179, 188–9<br />
Kinzelbach, Annemarie 1<strong>35</strong><br />
Kirke, Anne 259<br />
Kitching, Laurence 88<br />
Klairmont-Lingo, Alison 81, 139, 163, 195<br />
Kleinschmidt, Erich 136<br />
Knauer, M.F. 166<br />
Knepp, Mrs 167, 260<br />
Knepper, J. 81, 101<br />
Knight, Mrs 260<br />
Koblenz, quacks in 168<br />
Koch, Ulrich, Susanna 28<br />
Kohn, <strong>Johann</strong> Balthasar Carl 280<br />
Königsberg (Kaliningrad), actors in 283<br />
Korda, Natasha 256, 271
Kossmann, E.F. 262, 263<br />
Kotelmann, Ludwig 137, 190<br />
Kramer, Hans, wife of 24, 26<br />
Krämer, Jörg 285, 288<br />
Kramerin, Endl 24, 26<br />
Kriegsman, <strong>Johann</strong>es 128<br />
dental care 180, 190<br />
handbill 128, 189, 190<br />
Kröll, Katrin 8, 88, 93, 114, 125, 197, 287<br />
Krumau, performers in 278<br />
Kühbacher, Norbert 27fn5<br />
Kuhlmann, Anna Barbara 282<br />
Kuhlmann, Jacob 282<br />
Kuhnau, <strong>Johann</strong> 158, 162, 184<br />
musical career 184<br />
works<br />
Der musicalische Qvack=Salber<br />
184–8, 190–92<br />
Der Schmid 120fn9, 139, 147, 159,<br />
184, 187<br />
Fünf Sinnen 159, 184–5<br />
Kurtz, <strong>Johann</strong> Georg 166<br />
Kynaston, Edward 257–8<br />
Lacy, John, The Dumb Lady 89, 155fn14<br />
Lallemand, Jean-Baptiste, The Toothdrawer<br />
65<br />
Lanck, Hans 104<br />
Lanck sisters 101, 104<br />
Landgraf, <strong>Johann</strong> Augustin <strong>165</strong><br />
Landshut, <strong>see</strong> Paduano<br />
Laroon, Marcellus, Cryes 121–2, 157,<br />
216<br />
‘The Famous Dutchwoman’ 247, 250<br />
Lassotta, Arnold 101, 183<br />
laughter<br />
and folly <strong>35</strong>, 227, 290<br />
involuntary 226, 228, 291<br />
ritual 34<br />
role 5, 36<br />
of spectators 16, 82, 104, 144, 182, 222,<br />
292<br />
therapeutic <strong>35</strong>–6, 88<br />
lazzi, <strong>see</strong> <strong>under</strong> commedia dell’arte<br />
le Blond, Nicolas 199<br />
Le Grand Thomas 125<br />
le Messier, Judicq 197<br />
le Messier, Pierre 197<br />
Index <strong>35</strong>1<br />
Lea, K.M. 78, 84, 97, 106, 109, 155,<br />
209–10, 217, 223<br />
Lebègue, Raymond 196, 200, 223<br />
Lefebvre, Matthieu 199<br />
Legendre, Isabel 275<br />
Lehmann, Dorothea Magdalena 169<br />
Leiden, actors in 263<br />
Leik, Angelika 200<br />
Leipzig<br />
Fairs 5, 92, 106–7, 109–10, 119, 127,<br />
183, 185, 279–80, 282<br />
Mingottis’ theatre 280<br />
music 185<br />
performers and writers from and in <strong>165</strong>,<br />
184–5<br />
theriac from 130<br />
Leonardis, Giacomo, The Charlatan<br />
Troupe (after Tiepolo) 91<br />
Lepusculus, Sebastian, daughters of 28<br />
Lessing, Gotthold Ephraim, Hamburgische<br />
Dramaturgie 261fn32<br />
‘Lily the Pink’ <strong>see</strong> Pinkham, Lydia Estes<br />
Limoges, Sponsus 38–40, 43<br />
Limon, Jerzy 271, 276, 277<br />
Lindemann, Mary 5<br />
Lindow, Wolfgang, Dil Ulenspiegel 29fn10,<br />
34fn6, 287fn13<br />
Lingo, Alison, <strong>see</strong> Klairmont-Lingo<br />
Linke, Hansjürgen 26, 31, 33, <strong>35</strong>, 38, 125<br />
Lipphardt, Walther 38<br />
lithotomists, <strong>see</strong> <strong>under</strong> healers<br />
(herniotomist, lithotomist)<br />
London:<br />
Bartholomew Fair 250–51, 255<br />
Christ’s Hospital 143<br />
cosmetics 122<br />
court performances 251, 259<br />
depictions in and of 3, 7, 15, 64, 70, 72,<br />
105, 145, 232, 237–8, 247–9, 284<br />
documents in 73, 78, 84, 104, 121, 144,<br />
156, 164, 173, 211, 229<br />
healers in 177<br />
Master of the Revels 276<br />
medical supplies to and from 133, 144<br />
Mist’s Weekly Journal 294fn33<br />
performers and spectacle in and from 4,<br />
106, 109–10, 119, 250, 255–6<br />
actresses before 1642 212
<strong>35</strong>2 Women, Medicine and Theatre 1500–1750<br />
British actors from and in 256–61,<br />
270–71, 275–6<br />
foreign actors 208, 280–81, 294<br />
quacks and pedlars in and from 84, 89,<br />
97, 144, 157, <strong>165</strong>–6, 173, 180, 209,<br />
281<br />
Wilmot’s Bendo episode 169–72<br />
Restoration (1660) 11, 153, 208, 251,<br />
257, 263, 276<br />
Royal College of Physicians 133, 138<br />
Royal College of Surgeons 142<br />
Royal Society 150, 258<br />
Southwark Fair 89, 106, 109, 248, 250<br />
theatres<br />
actresses banned before 1642 11,<br />
255<br />
church opposition and antitheatricalism<br />
211, 246, 251–2<br />
closure (Interregnum, 1642–1660) 11,<br />
246, 252, 255–6<br />
Covent Garden 97, 258<br />
Fortune Theatre 254, 256<br />
Haymarket Theatre 106<br />
King’s Players 257, 259–61<br />
Lincoln’s Inn Fields 76, 106, 261<br />
Duke of York’s Players 257–8,<br />
261<br />
patent holders, <strong>see</strong> Davenant,<br />
Killigrew<br />
Restoration stage 152–3, 251, 257–61<br />
semi-private 256<br />
tennis court 76<br />
Lonsdale, Dame Kathleen 258fn15<br />
López de Ubeda, Francisco, La pícara<br />
Justina 157<br />
Lorraine, <strong>see</strong> Beatrix; Christine<br />
Loudune, nuns of 100<br />
loup, <strong>see</strong> <strong>under</strong> costume (masks)<br />
Louvain, quacks from 173<br />
Louys, Jacob 128, <strong>165</strong><br />
Lucca, performers in 27, 211<br />
Lucerne<br />
quacks in 280<br />
religious stage 26, 39, 45, 56<br />
Lupino family 106<br />
Lupino, Georgina 106<br />
Lusini, Caterina 208fn16<br />
Luther, Martin, Fastenpostille 34<br />
Lyly, John, Mother Bombie 148, 156<br />
Lyon, charlatan in 99<br />
McClure, George W. 216<br />
McManus, Clare 251<br />
MacNeil, Anne, 207–8, 2<strong>35</strong><br />
Mabille, Jeanne 138<br />
Madrid<br />
actors in 208–9<br />
literary setting 153, 188<br />
Maffei, Scipio 212<br />
magicians, <strong>see</strong> <strong>under</strong> performance and<br />
spectacle (jugglers and magicians)<br />
Mâle, Emile 50<br />
Mangoldt, Marx 268<br />
Mansfeld, Dorothea von 140<br />
Mantua,<br />
decrees 122, 217<br />
Palazzo del Te 62<br />
performers in and from 74, 207–9,<br />
228–9<br />
<strong>see</strong> also Martinelli; Romano; Scoto<br />
Margherita of Savoy 208<br />
Maria Magdalena, Archduchess of<br />
Habsburg 268<br />
Mariani, Mlle 12<br />
Maris, Elizabeth 173<br />
Maris, Peter 173<br />
Markham, Gervase<br />
Herod and Antipater (co-author) 155<br />
The English Huswife 139fn19<br />
Marks, Jonathan 114, 164<br />
Marlowe, Christopher, Dr Faustus 98<br />
Marsh, A., The Ten Pleasures of Marriage<br />
141<br />
Marston, John 210<br />
Iacke Drums Entertainment 156fn24,<br />
228fn27<br />
‘Satyre X’ 210fn25<br />
Martinelli, Antonio 108, 109<br />
Martinelli, Caterina 208<br />
Martinelli, Drusiano 208, 210<br />
Martinelli, Tristano “Arlecchino” 74,<br />
122fn16, 198, 200, 208–10, 217fn10,<br />
276<br />
Martino, Alberto 226<br />
Martius, Friedrich 169<br />
Marvell, Andrew, ‘To his worthy friend
Dr Wittie’ 140<br />
Mary of Modena 251<br />
Mary, Antonio Camillo 129<br />
masks, <strong>see</strong> <strong>under</strong> costume<br />
Massaria, Alessandro 227<br />
Massinger, Philip, The Beggar’s Bush<br />
(co-author) 257<br />
Master of the Revels 276<br />
mastickár, <strong>see</strong> <strong>under</strong> religious stage<br />
(merchant scene)<br />
Mathews, Anne 164<br />
Matthews, Leslie 97, 106, 133, <strong>165</strong><br />
Matthioli, Pietro Andrea 92–3, 97<br />
I Discorsi 93<br />
Mazarin, Cardinal 112<br />
mazarinade (1649) 112, 122<br />
medical and cosmetic ingredients and<br />
products<br />
Album græcum 140<br />
alcohol, 141–2, 150, 176, 224–5<br />
amber oil 180<br />
amulets 9, 132, 1<strong>35</strong>, 139, 144, 146, 151,<br />
152<br />
anodyne necklace 144<br />
antidotes 93, 96–7, 121, 124, 129–30,<br />
132–3<br />
terra sigillata 93, 133<br />
antimony 121, 224fn13<br />
Aquam saphiricam 189<br />
‘Atavan’ 287<br />
balm, balsam, wound and burn<br />
ointments 97, 106, 112, 122–4, 126,<br />
129–30, 154, 159, <strong>165</strong>, 179–80<br />
‘Balsamick styptick’ 123<br />
Balsami vitæ 130, 188<br />
Balsamum mundi 185<br />
Balsamum sulphuris compositum 189<br />
‘Jesus vegetable balsam’ 133<br />
‘War balm’ 119<br />
bezoar stone 130, 132, 133<br />
coffee 144, 153<br />
coral 133, 191<br />
Emplastrum Corallum 168<br />
cosmetics 1, 69, 121–3, 128–9, 1<strong>35</strong>,<br />
139–40, 166–7, 180, 190, 222<br />
and dental care 190<br />
literary and stage 42, 122–3, 152, 154,<br />
170, 190<br />
Index <strong>35</strong>3<br />
‘Cowards’ comfort’ 154, 186<br />
‘Croilus’ 287<br />
‘Dafyes Elixir’ 142<br />
dental products 63, 178–81, 182, 183,<br />
189<br />
false teeth 157, 179, 181<br />
powders 122–3, 128, 1<strong>35</strong>, 167, 178–80,<br />
187–8, 190–91<br />
toothbrush 188<br />
distribution networks for 144<br />
dragon water 121<br />
drugs 9, 16, 97, 121–2, 151–2, 156, 164,<br />
178–9<br />
Electuarium vite 126<br />
Elettuario Grimaldi 164<br />
Elixir Fiorauantyne 121<br />
Elixir Proprietatis 144<br />
Elixir Salutis 142<br />
eyeglasses 46–7, 121, 176<br />
‘Famous Pills’ 164<br />
Flux Neptha 127–8, 189<br />
‘Friendly Pills’ 124, <strong>165</strong><br />
‘Gerovital H-3’ 150<br />
green-salve 140<br />
hair products 42, 71, 123, 128, 153,<br />
166–7, 190<br />
hartshorn 133, 191<br />
herbs 23, 88, 121, 130, 132, 1<strong>35</strong>, 137–8,<br />
147, 156, 161, <strong>165</strong>, 186, 280, 290<br />
Angelica 129–30<br />
Cowslip water 121<br />
Lapidis alchimiæ 179, 190<br />
literary and stage 23, 88, 121, 147, 156,<br />
161, 186, 290<br />
Love potions, literary and stage 132,<br />
154–6, 170–71<br />
Medicinal de Germania 129<br />
medicine chests, <strong>see</strong> itinerants<br />
Miraculum mundi 180<br />
mithridate 121, 126, 130<br />
mummia, mummy 132<br />
Oglio del Scoto 121<br />
‘Oil of the Sun’ <strong>165</strong><br />
Oleum Benedictum 126, 128<br />
Oleum Sanctum 126<br />
Oleum Virtutum 126<br />
Opiate 167<br />
Orviétan 164
<strong>35</strong>4 Women, Medicine and Theatre 1500–1750<br />
panacea 97, 129, 144, 224–5<br />
Panacea catholica 188, 190<br />
pearl 126–7, 191<br />
perfume 122–4, 229<br />
phoenix 132, 151, 186<br />
Pilgrims’ salve 97<br />
Pinkham’s Vegetable Compound 150<br />
plasters 121–2, 124, 126, 144, 166–8, 189<br />
Emplastrum miraculosum 166<br />
pomatum 122–3, 166<br />
powders 73–4, 106, 122–3, 126, 128, 141,<br />
179, 192, 210<br />
Arabian, Cyprus 128<br />
literary and stage 122, 153–4<br />
<strong>see</strong> also <strong>under</strong> dental products<br />
purgative 124, 138, 144, 146, 169, 185<br />
rhubarb 126–7, 130, 142<br />
St John’s Wort oil 128<br />
skin products 123, 152–3, 166–7, 171, 190<br />
snake meat 93, 98, 130<br />
soap 121–3, 126, 166–7, 190–91, 226<br />
spices 23, 37–9, 128, 130, 164, 189<br />
Spiritus Mundi 133<br />
syrups 138, 141<br />
theriac (treacle) 62, 73, 80, 96, 126–7,<br />
129, 130, 133, 137, 143, 151, 159,<br />
176, 178–9, 181, 190, 287<br />
tinctures 139, 157<br />
‘Tinctur of the sun’ <strong>165</strong><br />
Tinctura Solaris 188<br />
truss 121, 1<strong>35</strong><br />
unguents 23, 38, 42, 121–2, 126, 140,<br />
152, 192<br />
unicorn horn 130, 132–3<br />
Usnea 132<br />
vermifuge 87, 126, 139, 144, 179<br />
medical and cosmetic services, patients<br />
and conditions<br />
abortions 136, 142, 147<br />
ache, headache 129, 139, 148, 179<br />
bad breath 167, 171, 179–80, 183, 188,<br />
190<br />
bashful women, referred to quack’s wife<br />
<strong>165</strong>–6, 169, 172<br />
cataracts 121, 287<br />
conjoined twins, <strong>see</strong> performance<br />
counselling 9, 42, 147, 150<br />
deafness 164<br />
dental care <strong>see</strong> <strong>under</strong> healers (dental<br />
healers); medical and cosmetic<br />
ingredients and products (dental<br />
products)<br />
dream and mole interpretation 148,<br />
172–3<br />
fever 133, 148, 159, 283<br />
green sickness 171<br />
herniotomy, <strong>see</strong> healers<br />
hypertrichosis, <strong>see</strong> Urslerin<br />
infertility 144, 146, <strong>165</strong>, 169, 171–2<br />
kidney stones, cure 149–50<br />
matchmaking 147, 149<br />
melancholia 63, 159, 227–8<br />
occult healing 9, 132, 153<br />
pest control (fleas, rats, etc) 176, 179<br />
placebo effect 130, 150, 225<br />
plague 14, 28, 126, 141, 184, 224<br />
raising of the dead 87, 97, 99, 154,<br />
185–6<br />
smallpox 141, 171<br />
urine diagnosis 138, 169<br />
depictions 7, 82, 143, 145, 176, 297<br />
female practitioners and assistants 45,<br />
120, 138, 143, 169<br />
performative 89<br />
stage and literary <strong>35</strong>, 42, 44, 45, 48,<br />
146–9, 155<br />
vessels 46–7, 48, 145<br />
venereal disease, ‘French pox’ 121, 124,<br />
132, 171<br />
wound healing 42, 97, 124, 130, 1<strong>35</strong>,<br />
154, 168, 185<br />
<strong>see</strong> also healers; medical and cosmetic<br />
ingredients and products<br />
medical establishment 10, 14, 88, 89, 121,<br />
133, 141, 149, 155, 258fn15; <strong>see</strong> also<br />
healers<br />
Medici, Ferdinando I de’ 207, 2<strong>35</strong><br />
Medici, Ferdinando II de’ 212<br />
medicine and theatre 2, 99, 119<br />
overlap 63, 279–80<br />
performative marketing 1, 87<br />
medieval drama, <strong>see</strong> religious stage<br />
Medina, Josefa 107<br />
Medio, Tommaso, Epirota 96, 121<br />
Meissner, <strong>Johann</strong>es 92, 268, 271<br />
Memling, Hans, Passion of Christ 55, 57<br />
Memmingen, itinerant performers and<br />
healers in 110, 280
Menninger, <strong>Johann</strong> Matthias 281<br />
merchant scene, Mercator, <strong>see</strong> <strong>under</strong><br />
religious stage<br />
Mercurio, Scipione, Errori populari 79,<br />
84fn22, 114, 123fn24, 129, 132–3, 141,<br />
178fn7, 209fn19<br />
Merian, Margareta 28<br />
Merry Andrew, <strong>see</strong> <strong>under</strong> stock roles<br />
Metz, Mystère de Sainte Catherine 27<br />
Meyer, Hermann and wife 129, <strong>165</strong>, 190<br />
Meyer, <strong>Johann</strong> Paul 128, 129<br />
Meyer, Wilhelm 39<br />
Michael, Wolfgang F. 30, 54, 56, 58<br />
Middleton, Thomas<br />
The Roaring Girle (co-author) 164, 254,<br />
256<br />
The Widdow (co-author) 155fn18<br />
midwife, <strong>see</strong> <strong>under</strong> healers<br />
Milan<br />
licensing regulations 114, 217<br />
performers in 4<br />
stage quacks in 40<br />
Milentz, Christina 106<br />
Milton, John, An Apology 252<br />
Mingotti, Angelo 280<br />
Mingotti, Pietro 280fn25<br />
Mingotti, Regina 280fn25<br />
Mist’s Weekly Journal, <strong>see</strong> <strong>under</strong> London<br />
Moders (Carleton), Mary 258–9<br />
Möhrmann, Renate 283<br />
Mohun, Michael 257<br />
Molinari, Cesare 55<br />
Mondor 112, 113, 114<br />
‘Il Monferino’ 99, 228<br />
Monk, James 164<br />
monkeys, <strong>see</strong> <strong>under</strong> performance and<br />
spectacle, animals<br />
Mons Passion (1501) 27<br />
monsters, monstrous births, <strong>see</strong> <strong>under</strong><br />
performance and spectacle<br />
Montagu, Walter, Shepherd’s paradise 251<br />
Montaiglon, Anatole de 96<br />
Monteverdi, Claudio, Arianna 208<br />
Moryson, Fynes, Itinerary 9, 12, 73, 74,<br />
78, 80, 84, 93, 114, 129, 181, 211, 243,<br />
269<br />
Moser, Heinz 224<br />
Mossock, Ann 255<br />
Index <strong>35</strong>5<br />
mountebanks 8–10, 61–115<br />
Cavendish on 1, 8–19<br />
Coryat on 96<br />
early modern usage 97, 124, 143–4, 146,<br />
210<br />
Evelyn on 97, 99, 125<br />
licence-holder 276<br />
literary and stage 81, 100, 153, 155<br />
meaning 5n7, 62<br />
Moryson on 74, 80, 114<br />
Oberndorf on 80<br />
Rastell on 104<br />
Whetstone on 17, 96, 229<br />
<strong>see</strong> also actors and actresses;<br />
itinerant performers and healers;<br />
performance and spectacle; stages<br />
and venues; troupes<br />
Mueller, Joseph Ferdinand 265<br />
Muir, Lynette 26, 38<br />
Mülder, J.J. 276<br />
mummy, <strong>see</strong> medical and cosmetic<br />
ingredients and products<br />
Mundy, Peter 107<br />
Munich<br />
images and documents in 55, 60, 106,<br />
109, 280<br />
performers in and from 107, 279–80,<br />
282<br />
at court 262, 281<br />
Muri Easter Play 30–31, 38<br />
music<br />
castrati 212, 262<br />
and the church 14, 28<br />
and education of girls 260<br />
English troupes 269, 277, 291–2<br />
German troupes 282<br />
instruments 69, 81, 88, 104, 112, 207,<br />
222, 260<br />
bagpipes 41, 90, 185, 248<br />
cello 77<br />
Colascione 104<br />
drum 248<br />
flute 77<br />
guitar 237<br />
harp 104, 105, 222<br />
harpsichord 2, 3, 212<br />
lute iv, 66, 83, 84, 104, 105, 185, 222,<br />
236–7, 239, 256
<strong>35</strong>6 Women, Medicine and Theatre 1500–1750<br />
tambourine 90<br />
trumpet 180<br />
viola, violin, lira di braccia 60, 68, 72,<br />
75, 77, 94, 96, 102, 104, 220, 222<br />
wind 180<br />
intermedi 207–8<br />
mountebank music 81–2, 84, 88, 104,<br />
114, 181, 192, 222<br />
depicted iv, 6, 66, 68, 72, 75, 83, 94,<br />
102, 105<br />
opera 208, 212, 256, 258, 262, 280–81<br />
sinful 217<br />
therapeutic 88, 227–8<br />
<strong>see</strong> also performance and spectacle<br />
mystery plays, <strong>see</strong> religious stage<br />
Nagler, A.M. 51<br />
Nancy<br />
Quacks in 287<br />
St Barbe 27<br />
Naples, healers and legislation in and from<br />
120, 164, 229<br />
Narrenliteratur, <strong>see</strong> <strong>under</strong> folly and fools<br />
(folly literature)<br />
Narrenschiff, <strong>see</strong> Brant<br />
Naseli, Alberto 243<br />
Nash, Thomas<br />
Pierce penilesse 209<br />
The Vnfortvnate Traveller 210fn22<br />
Nelson, Alan H. 55, 252<br />
Neri del Fantasia, Filippo, troupe 280<br />
Neuber, Caroline (Weissenborn) 261,<br />
264–6, 281, 283<br />
Neuber, <strong>Johann</strong> 264–5<br />
Neumann, Bernd 26, 29, 50<br />
Neumeister, Mirjam 45, 62, 63<br />
Newall, Venetia 11fn15<br />
Newcastle, Duke of, <strong>see</strong> Cavendish<br />
Nicolini, Filippo 281<br />
Nicolini, Francis 106, 281<br />
Nicolini, Madelen 281<br />
Nicoll, Allardyce 26, <strong>35</strong>, 39, 52<br />
Niedner, Helmut 31<br />
Niemeyer, Charles 195<br />
Nitner, Andreas 133<br />
Noozeman, Anna 263<br />
Noozeman, Gillis 262, 263<br />
Noozeman, Jan 263<br />
Noozeman, Maria 262<br />
Nordsieck, Reinhold 52, 55–6<br />
Norridge, Mrs 164<br />
Norton, Thomas 211<br />
Norwich, performers in 106, 109, 225<br />
Nuremberg,<br />
documents in 128, 188, 279<br />
itinerant performers in 101, 106, 109,<br />
268, 276, 279<br />
St Martha’s Church, performances in<br />
27, 211<br />
nurse, <strong>see</strong> <strong>under</strong> healers<br />
Oberndorf, <strong>Johann</strong><br />
on mountebanks 80<br />
The Anatomyes 139fn17<br />
occult healing, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic services<br />
O’Day, Rosemary 163, 251<br />
Ogden, Dunbar H. 48, 52<br />
opera, <strong>see</strong> <strong>under</strong> music<br />
Orgel, Stephen 82, 84<br />
Origny St Benoîte, Ludus paschalis 27<br />
Ortelius, Sigmundus, friendship album,<br />
images 72<br />
‘Orvietano’, <strong>see</strong> <strong>under</strong> stock roles<br />
Ottonelli, Giovan Domenico, ‘Della<br />
Cristiana Moderazione del Teatro’<br />
112, 1<strong>35</strong>, 136fn3, 213, 215, 229<br />
Overbeck, Jacob 110<br />
Overbury, Thomas, Characters 100,<br />
138fn12, 143fn36, 163fn1, 216fn6<br />
Ovid, Pyramus and Thisbe 296fn36<br />
Oxford<br />
documents in 9, 12, 62, 73–4, 77, 78, 80,<br />
84, 93, 107, 111, 113, 114, 129, 134,<br />
181, 211, 243, 254, 269<br />
Exeter College, student play at 252<br />
quacks in 97, 170<br />
Pader, Jorg 30<br />
Pader, Marx 25, 30<br />
Pader, Michael 30<br />
Pader, Plasy, daughter of 25, 26, 30<br />
Padua<br />
depictions 242<br />
performers in 76, 223, 225, 227–8<br />
physicians in 227<br />
Paduano, Alessandro, Inamorata and<br />
Zanni 230, 233
Paleotti, Gabriello, Cardinal, ‘Alcune<br />
ragioni’ 213<br />
Palm, W.F. 128<br />
palmistry, <strong>see</strong> <strong>under</strong> gypsies and fortune<br />
telling<br />
Paludan, J. 281, 282<br />
panacea, <strong>see</strong> medical and cosmetic<br />
ingredients and products<br />
Pandolfi, Vito 104, 121, 152, 207, 223<br />
Pantaleon, Heinrich, Zacheus 28<br />
Pantalone, <strong>see</strong> <strong>under</strong> stock roles<br />
Paris,<br />
Cavendish in 11<br />
Confrerie de la Passion 195–6, 199<br />
Hôtel de Bourgogne 112, 195–6, 199,<br />
200<br />
images in and of 103, 194, 198<br />
medical ingredients from 128, 130, 133<br />
performers and healers in and from 4,<br />
40, 92, 104, 112, 114, 125, 138, 164,<br />
177, 195–200, 211–12, 223, 272<br />
Pont Neuf, mountebanks on 125<br />
Royal College of Surgeons 92<br />
Park, Katharine 4, 62, 93, 107, 146, 164<br />
Parker, Triael 262<br />
Pasquati, Giulio 207<br />
Passion plays, <strong>see</strong> <strong>under</strong> religious stage<br />
pastoral plays, <strong>see</strong> <strong>under</strong> performance and<br />
spectacle<br />
patients and clients, <strong>see</strong> audiences; medical<br />
services<br />
Pauliani, <strong>see</strong> <strong>under</strong> healers (snake-catcher)<br />
Paullini, Christian Franz 189<br />
Paulsen, Anna 281<br />
Paulsen, Carl Andreas 281, 282<br />
Paulsen, Elisabeth 281<br />
Paumgartner, Balthasar, Briefwechsel 27,<br />
211, 268<br />
Payne, John 263<br />
Peadle, Jacob 270<br />
pedlars 4, 6, 13, 17, 23, 100, 106, 143, 151,<br />
157, 176, 179, 185, 190, 225, 238<br />
Pelling, Margaret 170<br />
Pellizzari, Isabella 208<br />
Pellizzari, Lucia 208<br />
Pepys, Samuel 110, 167, 257, 260–61<br />
on actresses 257–61<br />
Diary 4, 110, 256–61<br />
Index <strong>35</strong>7<br />
performance and spectacle 87–115<br />
<strong>acrobats</strong>, tumblers 12, 104, 106, 119,<br />
210, 228, 255, 268, 279<br />
bad reputation 250–51<br />
in Cavendish 1<br />
church condemnation 246, 250<br />
costume 79, 240, 250<br />
depicted 77, 88, 108, 109<br />
in Garzoni 216–17<br />
in Platter 76, 197, 222<br />
animals 92, 93, 96<br />
apes, baboons, monkeys iv, 2, 65, 77,<br />
80, 81, 91, 92, 114, 153, 158, 161,<br />
185, 236, 238, 249<br />
baiting 92<br />
bears 92<br />
camels and dromedaries 1, 92, 110<br />
crocodile 93, 96<br />
dogs 90, 92<br />
exceptional 115, 161, 251, 255, 282<br />
fleas 92<br />
lions 1, 89, 92<br />
lizard 93, 96, 98, 161<br />
marmot 92, 161, 185<br />
raven, burning (literary) 288<br />
snake, <strong>see</strong> healer<br />
spider 93, 98, 120, 156<br />
toad 89, 93, 156, 287<br />
anti-masque, masque 36, 82, 84, 251<br />
‘commercial breaks’ 5, 119, 120<br />
conjoined twins 107, 108, 109–10, 111<br />
dance and dancers<br />
in Beer 286<br />
in Cavendish 9, 11, 12<br />
and commedia dell’arte 205<br />
‘Dance of Death’ 216<br />
depicted 6, 13, 90,<br />
English troupes 268<br />
in Garzoni 216–17<br />
gypsies 100<br />
in intermedi of 1589 207<br />
on itinerant stages 9, 11–12, 76, 88,<br />
106, 112, 205, 222, 264, 281<br />
jig 153, 260–61<br />
in Laroon 121<br />
Papal opposition 212–13<br />
in Pepys 258, 260–61<br />
<strong>see</strong> also rope dancers
<strong>35</strong>8 Women, Medicine and Theatre 1500–1750<br />
dangerous stunts 69, 87, 95, 96–100,<br />
284, 287<br />
decapitation 87, 95, 98, 222<br />
dwarfs 106, 110, 251, 280<br />
exorcism, exorcists 99–100, 137<br />
fortune telling, <strong>see</strong> gypsies and fortune<br />
telling<br />
giants 110<br />
horse-riding 101, 119<br />
improvisation<br />
actresses 213<br />
on amateur London stage 263<br />
in Shakespeare 210<br />
stage fools 261, 294, 296–7<br />
<strong>see</strong> also commedia dell’arte; religious<br />
stage (merchant scene)<br />
jugglers and magicians 1, 10, 42, 87–8,<br />
98–101, 104, 107, 132, 137, 140,<br />
146–7, 156, 197, 209, 246, 282<br />
map of locations 22<br />
monsters, misbirths 89, 109<br />
pastoral plays 197, 216, 222, 251, 262,<br />
277<br />
pantomime 106, 114, 280–81, 292<br />
play within a play 30, <strong>35</strong>, 159, 160, 210,<br />
252, 295–6<br />
puppets 65, 88, 93, 101, 125, 157, 261,<br />
279, 283<br />
rope dancing, tight and slack; “flying”<br />
in Beer 287–9<br />
Bernoin 99, 286–7<br />
Calabron 250<br />
in Cavendish 1<br />
Chiarini 119<br />
Church opposition 224, 246<br />
depictions 77, 247–8, 284<br />
Eckenbergin 279<br />
Eulenspiegel 287<br />
Fritzen 169<br />
Hüber 110<br />
Jewish 287<br />
in London 250–51, 276<br />
Mariani 12<br />
Milentz 106<br />
Nicolini 106<br />
in Norwich 106<br />
in Paris 112<br />
Saftry, ‘Famous Dutchwoman’ 247,<br />
250<br />
Violante 106<br />
in Zurich 246, 250<br />
strongmen and –women 106–7, 181, 279<br />
tennis 243<br />
<strong>see</strong> also stages<br />
<strong>see</strong> also actors and actresses; Carnival<br />
and Lent; commedia dell’arte;<br />
mountebanks; music; religious stage<br />
performance map 22<br />
performative<br />
marketing, medicine 1, 8, 87<br />
performative-medical spectrum 4, 8,<br />
115, 119<br />
techniques 5, 36<br />
perfumes, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Pernell, Jane 164<br />
pest control, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic services<br />
Petrioli, Nicola, troupe 280<br />
Pfarrkircher, Lienhard 31<br />
Phialas, P.G. 97, 106<br />
physicians, <strong>see</strong> healers<br />
Pickelhering, <strong>see</strong> <strong>under</strong> stock roles<br />
Picot, Emile <strong>35</strong>, 79, 88, 92, 121<br />
pictures, as historical evidence 45–58,<br />
61–9, 233<br />
Piercy, John 144<br />
Piisimi, Vittoria 207, 208, 217, 263, 275<br />
Pineda, Juan de, ‘Discorso’ 213<br />
Pinkham, Lydia Estes (‘Lily the Pink’)<br />
150fn67<br />
Pistorius, Gottfried 276<br />
placebo effect, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic services<br />
plasters, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Platter, Felix, Felix Platter Tagebuch 28,<br />
56, 222<br />
Platter, Thomas I 222<br />
Platter, Thomas II, Thomas Platter 73–4,<br />
76, 78, 84, 92, 98, 122, 129, 136, 180,<br />
196–7, 200, 205, 221–3, 225, 229, 298<br />
Plattner, Sabine Elisabeth 184<br />
playbills, <strong>see</strong> handbills<br />
plot outlines, <strong>see</strong> commedia dell’arte<br />
(scenarios and plays)<br />
Plummer, Mrs 144<br />
‘Poccetti’ (Bernardino Barbatelli) 2<strong>35</strong>
Pomata, Gianna 125, 146, 164<br />
pomatum, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Ponteus, John 84, 97<br />
Ponti, Diana 212<br />
Porcacchi, Thomaso 207<br />
Portalupo, Giacomo 243<br />
Porter, Roy 5, 126, 150, 163<br />
Posset, John; Povtaige, Ian, <strong>see</strong> <strong>under</strong> stock<br />
roles (Jean Potage)<br />
powders, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Poynting, Sarah 259<br />
Prague<br />
actors in 279–81<br />
documents in 66<br />
St George Convent, Visitatio sepulchri<br />
27<br />
St Vitus Cathedral 34<br />
Prato<br />
healers in 146<br />
religious stage 27<br />
Primrose, James, Popular Errours 97,<br />
124fn29, 130, 132–3, 134, 140–41<br />
Prince of Wales’s Company 272, 276<br />
Printz, Wolfgang Caspar, ‘Autobiographie’<br />
158, 181<br />
Prombli, Humphari 107<br />
prostitutes, <strong>see</strong> <strong>under</strong> actors and actresses<br />
(actresses)<br />
Prunius, <strong>Johann</strong> Heinrich 279<br />
Pruniussin, Anastasia 279<br />
Prynne, William, Histrio-Mastix 246, 250,<br />
251–2<br />
puppets, <strong>see</strong> <strong>under</strong> performance and<br />
spectacle<br />
purgatives, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Puschmann, Claudia 282<br />
quackery, definition 5<br />
quacks, quacksalvers 8, 119–201<br />
in Adair 5, 142<br />
definitions 5, 8, 17, 137, 185, 192<br />
early modern usage 96, 106, 123–4<br />
harangues and monologues<br />
Anon, Harangues 124, 167, 172<br />
in Behn 154<br />
Index <strong>35</strong>9<br />
Il Ciarlone 152<br />
in Heywood 151–2<br />
in Jonson 104, 152<br />
in Killigrew 153<br />
in Kuhnau 187, 190, 192<br />
literary and stage 17, <strong>35</strong>–7, 40, 42, 92,<br />
151, 153, 158<br />
parodied 36, 143<br />
in Platter 222<br />
in Weise 128, 161, 186<br />
in Overbury 138, 163<br />
in Ramesey 138, 144, 148, 256<br />
The character of a Quack-Doctor 10, 153<br />
In Whitlock 141, 143<br />
<strong>see</strong> also handbills; itinerant performers<br />
and healers; pedlars; stage and<br />
venues; troupes<br />
Quarles, Francis 256<br />
The Virgin Widow 148–9, 155–6<br />
Quast, Pieter Jansz, Quack Couple<br />
Treating a Patient 193<br />
Rabelais, François 1, 157<br />
Gargantua and Pantagruel 34, 100,<br />
148–9, 153, 159, 187<br />
Raber, Vigil 29<br />
Bozen Passion Play (1514) 23, 24–5, 28,<br />
33<br />
actresses 26, 29<br />
historiography 51–2<br />
interpretations 48, 50, 52, 54–6<br />
Judas role 29<br />
‘scenic clusters’ theory 54, 55, 58<br />
stage plan 48, 49, 50–58<br />
<strong>see</strong> also Bozen<br />
carnival plays 33<br />
Ludus Pascalis 30<br />
‘Rabers Passion’ 29<br />
merchant scene 31<br />
Zendprecherey 27<br />
widow of 29<br />
Rademin, Carl 279<br />
Rademin, Heinrich 278<br />
Rainolds, John, Th’overthrow of Stageplayes<br />
246<br />
Ramesey, William, Quack-astrologer 138,<br />
144, 148fn60, 256fn7<br />
Ramponi, Virginia 208
360 Women, Medicine and Theatre 1500–1750<br />
Ramsey, Matthew 119, 140, 163, 164<br />
Randolph, Thomas, Aristippvs 98fn44,<br />
133, 155fn14<br />
Rands, Thomas, Pax in Crumena, ‘The<br />
Quack’ 124fn30<br />
Ranke, Friedrich 31<br />
Rastell, John, The Third Booke 74fn4,<br />
76fn11, 78fn18, 79, 88, 104, 121fn14<br />
Ravenscroft, Edward<br />
Dame Dobson 149, 156<br />
Scaramouche a Philosopher 166<br />
Re, Emilio 206<br />
Recueil Fossard, <strong>see</strong> Stockholm<br />
rederijkerkamer, <strong>see</strong> Rhetoricans’<br />
Chambers<br />
REED (Records of Early English Drama)<br />
50, 252fn32, 255fn3<br />
Regensburg<br />
and Beer 286–9<br />
Cathedral 289<br />
depictions of 284<br />
Gymnasium Poeticum 286<br />
performers and healers in and of 109,<br />
128, 168, 180, 281, 284, 286, 288–9<br />
Regnard, Julien 164<br />
Reithinger, <strong>Johann</strong> Georg 128<br />
religious stage, Easter and Passion mystery<br />
plays<br />
actresses in 23–9<br />
convent plays 27–8, 218<br />
depictions 32, 46–7, 49, 50–51, 53<br />
Jesuit school plays 14, 228<br />
map of locations 22<br />
The Martyrdom of St Apollonia 51, 53<br />
merchant (quack) scene<br />
(Salbenkrämerspiel) 37–40, 41–2<br />
Biblical origins 37<br />
Bozen Passion Play (1514) 29–31<br />
as burlesque Resurrection analogue<br />
34<br />
censorship 39<br />
commedia dell’arte, parallels 17, 36, 43<br />
convent performances 27–8<br />
criticism of 33–4<br />
dramatic function 34–5<br />
Erlau Easter play 40, 42, 163<br />
expansion of 40<br />
as folly literature 36<br />
Hall Passion (1511) 31<br />
improvisation 30, 36, 40, 43<br />
Ipocras 31, 33<br />
Latin content <strong>35</strong>, 38–40<br />
mastickár 23, 34<br />
Medica, uxor medici 25, 30–31, 40, 42<br />
Medicus 23, 25, 30–31, 38, 40, 42<br />
Mercator 23, 38<br />
multi-level success <strong>35</strong>–6<br />
origins 37–9<br />
as play within a play <strong>35</strong><br />
as profane contrast <strong>35</strong><br />
quack couple 17–19, 31, 33, 36, 38,<br />
40, 42–3, 48, 63, 191, 206<br />
‘Rabers Passion’ 31<br />
Rubin 17, 30, 31, 33, 36, 40–43, 154<br />
sanitization of 31<br />
Seckau play 38<br />
Spanish origin 39<br />
standardization 40, 42<br />
stock characters 36<br />
Mystère de Sainte Catherine, Metz 27<br />
Le Mystère des Trois Doms, actresses<br />
in 28<br />
Sponsus 38<br />
Visitatio sepulchri 23, 27–8, 37–9, 42–3<br />
Katherine of Sutton 28<br />
possible origin of merchant scene 37<br />
St George Convent, Prague,<br />
performance 27<br />
Rencia, Anna 212<br />
Restoration, <strong>see</strong> London<br />
Reval (Tallinn), itinerant performers and<br />
healers in 88, 263<br />
Reynolds, Jane 271–2<br />
Reynolds, Robert 106, 272<br />
Rhetoricans’ Chambers (rederijkerkamer)<br />
44, 45, 63, 262<br />
Ricchi, Agostino, I tre Tiranni 170<br />
Richards, Kenneth and Laura 114<br />
Richards, Mr, Mrs, and Company 12fn18<br />
Riedler, Wullffgang 280<br />
Riemer, <strong>Johann</strong>es,<br />
‘Der politische Maul=Affe’ 185–6,<br />
190fn47<br />
‘Die politische Colica’ 161<br />
Riewald, J.G. 271, 272, 275, 276<br />
Riga, performers in 263, 283
Rigal, Eugène 196<br />
Rinaldi, Tommaso <strong>165</strong><br />
Rinaldo 207<br />
Ringli, Goffried, Master-Servant-Woman<br />
Trio 71<br />
Rinuccini, Ottavio, Arianna (librettist) 208<br />
Rist, <strong>Johann</strong> 277<br />
Die Aller Edelste Belustigung 263<br />
Rivani, Giovanni 228<br />
Robin, Helena and William 92<br />
Rochester, <strong>see</strong> Wilmot<br />
Roloff, Hans Gert 29, 30, 31, 51<br />
Romano, Giulio, Palazzo del Te,<br />
decoration 62<br />
Romans, religious play 28<br />
Rome,<br />
depictions of 76<br />
documents in 234, 240–41, 244<br />
itinerant performers and healers from<br />
and in 4, 16, 99, 114, 206–7, 210,<br />
212–13, 243<br />
legislation of 98<br />
in the Piazza Navona 99, 114<br />
Rommel, Otto 157, 279, 280<br />
rope dancers, <strong>see</strong> performance<br />
Rosenfeld, Sybil 294<br />
Rossi, Bartolomeo, Fiammella 223<br />
Rothenburg, actors in 271, 277–8<br />
Rotnpuecher, Cristofferus 25, 26<br />
Rowe, William 263, 272, 276<br />
Rowlands, Samuel, Looke to It 138, 216<br />
Rowley, William, A Shoo-maker a<br />
Gentleman 156<br />
Royal Society, <strong>see</strong> London<br />
Rubens, Peter Paul 11fn16<br />
Rubin, <strong>see</strong> religious stage<br />
Rudin, Bärbel 5, 8, 14, 92, 106–10, 119,<br />
1<strong>35</strong>, 168, 183, 265, 277–83<br />
Rudlin, John 78<br />
Rudolphi, Hanna 278<br />
Rudolphi, <strong>Johann</strong>es Andreas, handbill<br />
188, 190<br />
Rueff, Hans 52<br />
ruffiana, <strong>see</strong> <strong>under</strong> stock roles<br />
Ruffin, Estienne 197, 199<br />
Russell, Elizabeth <strong>165</strong><br />
Russell, John <strong>165</strong><br />
Ruster, Jorg 25, 26<br />
Index 361<br />
Ruster, Maria 24, 26<br />
Rutebeuf<br />
De la goutte en l’aine <strong>35</strong>–7<br />
Li diz de l’erberie <strong>35</strong>–7, 79, 88, 121<br />
Miracle de Théophile <strong>35</strong><br />
Sachs, Hans, Eygentliche Beschreibung 176<br />
Sachsen, Anna von 140<br />
Sackville, Thomas 14, 268–70<br />
Saftry, Mrs Cornelius 247, 250<br />
St Apollonia, depictions of 51, 53, 62,<br />
187<br />
St Barbe, <strong>see</strong> Nancy<br />
St Denis, Bishop of Alexandria 62<br />
St Dominic’s Fair, <strong>see</strong> <strong>under</strong> Danzig<br />
St George Convent, <strong>see</strong> <strong>under</strong> Prague<br />
St John’s Wort, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic ingredients and products<br />
St Paul 93<br />
Pauliani 93<br />
The conversion of St Paul 56<br />
Salbenkrämerspiel, <strong>see</strong> religious stage,<br />
merchant scene<br />
Salisbury<br />
conjoined twins in 109<br />
healers in 126<br />
Salmon, William 144; <strong>see</strong> also<br />
Diemerbroeck<br />
Salomona, Angela 208<br />
Salzburg, quacks in and from 128, 288<br />
Sambucus, Ioannis, Emblemata 60<br />
Sampson, William, Herod and Antipater<br />
(co-author) 155fn17<br />
Sanduhr Inn, <strong>see</strong> <strong>under</strong> Frankfurt<br />
Santorelli, Antonio, Il Protomedico<br />
Napolitano 120fn8<br />
Sarat, Agnan 194, 195–7, 200, 201, 198<br />
Saslow, James M. 207, 208<br />
Saubert, <strong>Johann</strong>, Emblematum sacrorum<br />
131<br />
Savino, Marsilio 209<br />
Scala, Flaminio 229<br />
Il Teatro 73fn1, 78fn19, 84, 121fn10,<br />
152, 226fn21, 243fn10<br />
Scarlet, Tomazine 138<br />
Scarron, Paul, Roman Comique 157–8<br />
scenarios (plot outlines), <strong>see</strong> commedia<br />
dell’arte; Scala
362 Women, Medicine and Theatre 1500–1750<br />
‘scenic clusters’, <strong>see</strong> <strong>under</strong> religious stage<br />
‘Schambitasche’, ‘Schampatas’, <strong>see</strong> stock<br />
roles (Jean Potage)<br />
Schenckbecher, Jean, friendship album of<br />
299<br />
Schenda, Rudolf 140, 189<br />
Schindler, Otto 223<br />
Schipke, Renate 31, 40<br />
Schletterer, Daniela 265<br />
Schlosser, Els 25, 26<br />
Schlosser, Oswalt 25, 26<br />
Schmid, Dorothea 110<br />
Schmidt, Matthias, handbill 130, 188<br />
Schnifis, Laurentius von 277<br />
Schoevaerdts, Mathys, Northern<br />
Fairground 6<br />
Scholte, Jan Hendrik 158<br />
Schön, Lucas 181<br />
Schönemann, <strong>Johann</strong> Friedrich 265, 278<br />
Schopfer, Stoffl 29<br />
Schott, Heinz 62, 189<br />
Schouwburg theatre, <strong>see</strong> Amsterdam<br />
Schramm, Petra 123, 128, 132<br />
Schreckin, Juliana <strong>165</strong><br />
Schreiber, <strong>Johann</strong>es 180<br />
Schrickx, Willem 104, 272<br />
Schuch, Franziskus 278<br />
Schuchin, Barbara 278, 279, 280<br />
Schultz, Christian Ferdinand 281<br />
Schultzin, Josepha 281<br />
Schulz, Monika 31<br />
Schupbach, William 63, 187<br />
Schwartz, I.A. 114<br />
Schwarz, <strong>Johann</strong> Friedrich 278<br />
Schwarz, Peter 277<br />
Schwarz, Rebecca 277–8<br />
Scolnicov, Hanna 231<br />
Scoto, Dionisio 209–10<br />
in Johnson’s Volpone 80, 152–3<br />
oglio del scoto 121<br />
Scott, Virginia 197, 206<br />
Scuto, Cristofferus, <strong>Johann</strong>es, Martine<br />
and Sigmundus 25, 26<br />
Searl, Margaret 164<br />
Seckau play, merchant scene 38<br />
Securis, John, A Detection and Querimonie<br />
126<br />
Seelman, Wilhelm 121<br />
Senfft, <strong>Johann</strong> Baptista<br />
handbill 127–8, 189<br />
troupe 127<br />
Sergelin, Mme 183<br />
Seymour, Dorothy 259<br />
Shadwell, Thomas 140, 156<br />
The Humorists 155–7<br />
The Sullen Lovers 140, 229fn33<br />
Shakespeare, William<br />
All’s Well That Ends Well 156–7<br />
Antony and Cleopatra 93<br />
As You Like It 36<br />
Comedy of Errors 100<br />
Hamlet 210, 258, 270<br />
Macbeth 170<br />
Midsummer Night’s Dream 296fn36<br />
Romeo and Juliet 93<br />
The First Part of Henry IV 210<br />
The Merry Wives of Windsor 146<br />
The Winter’s Tale 157<br />
Twelfth Night 146, 224–5<br />
Shapiro, Michael 255<br />
Shepherd, Anne 251<br />
Shesgreen, Sean 121–2, 142, 157, 250<br />
Shirley, Anthony 210<br />
Shirley, James 256<br />
Love Trickes 261<br />
The Bird in a Cage 155fn14, 252<br />
The Sisters 155<br />
Shirley, Robert 210<br />
Shirley, Thomas 210<br />
Sicily<br />
medicine from 127–8<br />
performers in 112, 229<br />
Siebenkees, <strong>Johann</strong> Christian 268<br />
Siena, actors from and in 206, 209<br />
Siena, Kevin P. 163, 173<br />
Silesia<br />
performers in 101, 280–81<br />
Terra sigillata 133<br />
Siller, Max 33, 38<br />
Silvette, Herbert 16, 140, 150, 155<br />
Simm, Teresa 26<br />
Simon, Eckehard 50<br />
Simon of Bologna 207<br />
Sixtus V, Pope 212<br />
skincare, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products (skin<br />
products)
Skinner, Sabrina 187fn24<br />
Smidts, Elisabeth 270<br />
Smith, Jane 255<br />
Smith, Josiah 109<br />
snakes, snake-charmers, <strong>see</strong> <strong>under</strong> healers;<br />
medical and cosmetic ingredients and<br />
products<br />
Snart, Mrs Elizabeth 144<br />
soap, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Sola Pinto, Vivian de 170<br />
Solothurn, itinerant healers in 280<br />
Sonnet de Courval, Satyre contre les<br />
charlatans 74, 80fn6, 96–7, 104, 139<br />
Sorio, Oratio, I Forestieri 223<br />
Souches, Mme 89<br />
Southwark Fair, <strong>see</strong> <strong>under</strong> London<br />
Souvray, Thérèse (‘Mme Bébé) 110<br />
Spandau, <strong>see</strong> <strong>under</strong> Berlin<br />
spectacle, <strong>see</strong> performance and spectacle<br />
spectators, <strong>see</strong> audience<br />
Speede, Nathan 271, 272<br />
Speede, Samuel 272<br />
Spencer, John and wife 269, 271<br />
spices, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Spichtig, Peter, Three Kings 157<br />
Spiegelberg, <strong>Johann</strong> Christian 265<br />
Spiritus Mundi, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic ingredients and products<br />
Sponsler, Claire 115<br />
Sponsus, <strong>see</strong> religious stage<br />
Sprengel, Peter 226<br />
stage fool, <strong>see</strong> stock roles (Fool)<br />
stages and venues<br />
bench or table 62, 65, 74, 76, 78, 114,<br />
152, 155, 213, 215, 222<br />
churches, monasteries 27–8, 30–31,<br />
34,52, 54, 211, 262, 289<br />
curtained booth stage 6, 44, 45, 232<br />
hired rooms 12, 76, 130, 163, 166–7<br />
home visits, private house performances<br />
157, 166, 172, 256, 280<br />
marketplace 28, 51, 56, 74, 76, 112, 114,<br />
125, 128, 154, 160–61, 184–8, 190,<br />
201, 222, 229, 280, 288–9, 297–8;<br />
<strong>see</strong> also fairs<br />
perspective stage 55, 58, 64, 198, 244<br />
Index 363<br />
public inn 10, 14, 144<br />
religious 32, 45–58, 46, 49<br />
tennis court theatres 76, 77, 222, 272<br />
trestle stages iv, 7, 9, 13, 19, 45, 66, 68,<br />
70, 72, 73–4, 75, 76, 78, 82, 83, 91,<br />
94, 96, 100, 102, 105, 114, 123, 201,<br />
213, 214, 215, 229<br />
windows, theatrical significance 12, 185,<br />
267<br />
Stalpert, Jacob 272<br />
Stanislas, King of Poland 110<br />
Stapleton, Thomas, A Fortresse 114<br />
Stapylton, Sir Robert, The Slighted Mayde<br />
258<br />
Starck, Andreas, Harmspiegel 89, 143fn41<br />
Starke, Christian 276<br />
Statz, Carl August 166<br />
Steen, Jan, The Charlatan 145<br />
Steinbach, Rolf <strong>35</strong><br />
Steinertin, Maria 107<br />
Steinmetz, Ludwig Ernst 279<br />
Steinmetzin, Maria Elisabita 279<br />
Steinz, Elisabeth 279–80<br />
Stellberger, <strong>Johann</strong>, wife of 107<br />
Stephens, Joanna 149–50<br />
Stephenson, Marjory 258fn15<br />
Sterzing (Vipiteno)<br />
archival records in 29, 49<br />
Council Chamber 27<br />
‘Osterspiele’ 27<br />
performers, artists and writers from and<br />
in 23, 27, 29<br />
Stevenson, Matthew, The Twelve Moneths<br />
143<br />
Stichler, Carl 129, <strong>165</strong><br />
Stöberin, Catharina Helena 110<br />
stock roles, literary characters, stage<br />
names, carnival masks<br />
actress-servant-master trio 17–18, 36,<br />
43, 66, 68, 71, 85, 206, 209, 215,<br />
2<strong>35</strong>, 236–7, 239, 297–8<br />
Arlecchino, Arlequin, <strong>see</strong> Harlequin<br />
Chinachine 133, 160–61, 191, 225<br />
Colombine 278<br />
Cupid 82, 83,154, 236, 238<br />
devils 34, 53, 81, 227, 286, 289<br />
Eulenspiegel, Till 28–9, 34, 287<br />
Dil Ulenspiegel 28–9, 32, 34, 157, 287
364 Women, Medicine and Theatre 1500–1750<br />
Flaminia 240<br />
Fool 61<br />
Beer on 286, 289, 291–7<br />
Bernoin 289<br />
Carnival 246<br />
Cavendish on 8–12, 14, 16<br />
and commedia dell’arte 67, 81, 206,<br />
209, 227, 261, 264–6<br />
depicted 145, 238, 247<br />
English 210, 261, 264–6, 269–70, 279<br />
Jack Fool 16<br />
Kemp 210<br />
Killigrew 154<br />
and itinerant healers 80–81, 84, 114<br />
and religious stage 36, 42<br />
Shakespeare 36<br />
Franceschina 208–9, 212, 2<strong>35</strong>, 238<br />
Gratian 84, 228, 238<br />
Hanswurst 261, 265, 278–9, 281<br />
Harlequin 36, 64, 74, 81, 84, 97, 124,<br />
153, 166, 198, 200, 209, 248, 261,<br />
264–5, 276, 281, 286, 294<br />
Inamorata 17, 205–14, 231<br />
costumes 234–5, 240–41<br />
depicted iv, 66, 68, 71–2, 105, 230,<br />
236–7, 242, 244<br />
Jack Pudding 114, 269<br />
Jack Tumbler 251<br />
Jean Potage 14, 16, 36, 81, 286, 291–2<br />
Ian Povtaige 13, 14<br />
Sackville ‘John Posset’ 14, 269–70<br />
‘Schambitasche’, ‘Schampatas’ 15, 16<br />
Merry Andrew 81<br />
‘Orvietano’ 97, 112<br />
Pantalone, Magnifico 71, 84, 105, 206–7,<br />
209, 215, 222, 226, 233, 236–9,<br />
240–41<br />
Pasquella 152<br />
Pickelhering 36, 81, 264, 286<br />
Beer’s account of 291–7<br />
Janetzky 282<br />
Jolly 277<br />
quack assistant 289<br />
Vincent 271<br />
ruffiana 227, 233, 2<strong>35</strong>, 238<br />
Schambitasche’, ‘Schampatas’, <strong>see</strong> Jean<br />
Potage<br />
Tabarin, Tabarino 112, 113, 114, 223<br />
Zan Bragato, Bragetta<br />
actresses 98, 197<br />
depicted 220<br />
quack activity 129, 180<br />
reputation 223<br />
troupe 73, 76, 84, 180, 222–3<br />
venues 76, 78<br />
Zan Ganassa 243<br />
Zanini 128<br />
Zanni and derivatives iv, 36, 66, 68,<br />
71–2, 75, 81–2, 83, 84–5, 94, 96,<br />
98, 102, 105, 112, 113, 114, 153,<br />
206, 209, 215, 222, 226–9, 230, 233,<br />
236–7, 239, 240–41, 242, 244<br />
Stockholm<br />
performers in and from 14, 262–3<br />
Recueil Fossard 198, 199–200, 234<br />
Stothard, Mrs 173<br />
Stranitzky, Joseph Anton 157, 279<br />
Stranitzky, Maria Barbara 157<br />
Strasbourg<br />
depictions in 299<br />
Fair 125<br />
performers and healers in 88, 120, 125<br />
Straub, Georg 67, 71<br />
Striggi, Alessandro 74<br />
St Serfe, Thomas, The Coffee House<br />
153fn10<br />
Stubbe, Henry, Rosemary and Bayes<br />
98fn38<br />
Stubbes, Phillip, The Anatomie of Abuses<br />
250, 255fn6, 270fn12, 292fn28<br />
Stuttgart<br />
actors at court of 282<br />
documents in 83, 136fn.4, 242<br />
sumptuary regulations, <strong>see</strong> costume; crossdressing<br />
Suppan, Wolfgang 30, 40, 42<br />
supplications <strong>see</strong> <strong>under</strong> itinerant<br />
performers and healers (licences)<br />
surgeons, <strong>see</strong> <strong>under</strong> healers<br />
Sustris, Friedrich, Inamorata and Zanni<br />
230<br />
Svejkovský, František 34<br />
‘T’, A Plain and Practical Discovery<br />
124fn32, 191fn52<br />
‘Tabarin’, ‘Tabarino’, <strong>see</strong> <strong>under</strong> stock roles<br />
Tallin, <strong>see</strong> Reval
Tambi, Lazzaro 81<br />
Tatham, John, The Distracted State<br />
155fn14, 256<br />
Tayler, Robert 255<br />
Telle, Joachim 140<br />
Templin, Prokop von 101<br />
tennis courts, <strong>see</strong> stages and venues<br />
Terrada, María Luz López 107, 129<br />
theatre<br />
and medicine 2, 99, 119<br />
overlap 63, 279–80<br />
in medieval life 50<br />
<strong>see</strong> also performance and spectacle;<br />
stages and venues<br />
theriac, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Thermot, James 170<br />
Thévenot, Le Mystère des Trois Doms 28<br />
Thirty Years War (1618–48) 101, 272<br />
Thompson, C.J.S. 89, 138, 142, 150, 164,<br />
<strong>165</strong>, 173<br />
Thoran, Barbara 26<br />
Thorian, Johan 276<br />
Thurnher, Eugen 29<br />
Tiepolo, Giovanni Domenico<br />
The Charlatan Troupe (engraving after)<br />
73, 91<br />
Female Mountebank 90<br />
Tilburg, Cornelis à 156<br />
tinctures, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Tissier, André 73, 96, 151<br />
Tolet, Dr Pierre 81<br />
Tomlinson, Sophie 1, 9fn9<br />
tooth-drawers, <strong>see</strong> <strong>under</strong> healers (dental<br />
surgeons)<br />
Topsell, Edward, Historie of Serpents 93<br />
Toursin, Wilhelm, wife of 107<br />
Townshend, Aurelian, Tempe restord<br />
251fn29<br />
Trautmann, Karl 106, 114, 157, 197,<br />
262–3, 269, 271, 277–9, 281, 283<br />
Treadwell, Nina 208<br />
Trépau, Rachel 199<br />
Treu, Maria Clara 281<br />
Treu, Michael Daniel 281<br />
trio, comic stage, <strong>see</strong> actors (actressservant-master<br />
trio)<br />
Index 365<br />
troupes<br />
English<br />
in Beer’s Maul-Affen 290–98<br />
in German regions 106, 261–4, 271–3,<br />
275–8<br />
in London 257<br />
French 99, 196–7, 199–201, 206, 263,<br />
275<br />
German 84, 106, 127, 160, 168–9, 264–6,<br />
267, 277–83<br />
Italian 18, 106, 112, 195, 200, 205–13,<br />
215, 218, 228–9, 252, 264, 267,<br />
280–81, 294<br />
Cavendish on 8–16<br />
Confidenti 209, 212, 218, 2<strong>35</strong><br />
Desiosi 212<br />
expulsion from Antwerp 14<br />
Fedeli 208, 228<br />
Gelosi 195–6, 207, 208, 212, 218, 238<br />
in Padua 225–7<br />
Uniti 229, 2<strong>35</strong><br />
Zan Bragetta’s 73, 76, 84, 180, 222–3<br />
Zan Ganassa’s 243<br />
Netherlandish 246, 261–3<br />
tumblers, <strong>see</strong> performance and spectacle,<br />
<strong>acrobats</strong><br />
‘Tumbling Lassie’ 106<br />
Tylus, Jane 231, 267<br />
Uhlich, Adam Gottfried 278<br />
Ulich, Eleonore Constantia 281<br />
Ulich, <strong>Johann</strong> August 281<br />
Ulm, performers and healers from and in<br />
12, 24, 119, 128, 166, 267–8, 280<br />
Umbach, Jonas 123<br />
Ungerer, Gustav 256<br />
unguents, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
unicorn horn, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic ingredients and products<br />
Uniti, <strong>see</strong> <strong>under</strong> troupes (Italian)<br />
Uphill, Susanna 140<br />
urine diagnosis, <strong>see</strong> <strong>under</strong> medical and<br />
cosmetic services<br />
Urslerin, Barbara 2, 3, 107<br />
descriptions of 4<br />
usnea, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products
366 Women, Medicine and Theatre 1500–1750<br />
Utrecht, performers in 272, 276<br />
Valencia, performers in and from 107, 129<br />
Valenciennes Passion 27, 28, 56<br />
Valentin, Jean-Marie 226<br />
Valentini, <strong>see</strong> Mingotti<br />
Valeran le Comte troupe 199, 200, 275<br />
performance 196–7<br />
Valerini, Adriano 207<br />
Valmy-Baysse, Jean 196, 197, 206<br />
van Angillis, Pieter, The Quack Stage 64<br />
van Beck, <strong>Johann</strong> Michael 3, 4<br />
van de Velde, Jan, Market Scene 7<br />
van de Venne, Adriaen, Acrobats in the<br />
Tennis Court Theatre. 77<br />
van den Bergh, Adriaen 262<br />
van den Bergh, Ariana 262<br />
van Diemerbroeck, Ysbrand 146<br />
van Fornenbergh, Cornelia, Dorothea and<br />
<strong>Johann</strong>a 263<br />
van Fornenbergh, Jan Baptist 262–3<br />
van Helmont, <strong>Johann</strong>es Baptista 144<br />
van Lee, Susanna 262<br />
van Leyden, Lucas 136<br />
van Oploo, Anna 281<br />
Vanbrugh, John, The Confederacy 157<br />
Vautrel, François 199<br />
veils, <strong>see</strong> costume<br />
Velten, Anna Elisabeth 282<br />
Velten, Catharina Elisabeth 264, 279, 281,<br />
282, 283<br />
Velten, <strong>Johann</strong>es 281<br />
Velten troupe, clerical opposition to 283<br />
Veltruský, Jarmila 33–4<br />
Venice 14, 152<br />
Carnival 70, 74, 232<br />
courtesans 2<strong>35</strong>, 239<br />
depictions of 14, 70, 71, 76, 82, 105,<br />
204, 214, 232, 239, 241<br />
female practitioners in 164, 183<br />
itinerant performers and healers in and<br />
of 74, 78, 84, 96, 122, 158, 206–7,<br />
209, 212, 215–17, 226, 280<br />
medicines and recipes from 126–8, 130,<br />
133, 140<br />
Venier, Colombe 199<br />
Venier, Marie 199<br />
vermifuge <strong>see</strong> <strong>under</strong> medical and cosmetic<br />
ingredients and products<br />
Verrucci, Vergilio, Le Schiave 223<br />
Vetrier, Jean 164<br />
Vettoria 112<br />
Vich religious play 38, 43<br />
Victor, Adam 179, 190<br />
Vienna<br />
Easter Play 40<br />
images in iv, 131<br />
performers and healers in and from 107,<br />
157, 166, 170, 177, 277, 281<br />
Stranitzky’s theatre 157<br />
Turkish occupation (1683) 293<br />
Villiers, Eleanor 259<br />
Villingen (formerly Donaueschingen)<br />
Passion 45<br />
Villon, François 34<br />
Vincent, George 270, 271<br />
Violante, Rosina 106<br />
Violante, Signora 106, 294<br />
Vipiteno, <strong>see</strong> Sterzing<br />
Visitatio, <strong>see</strong> <strong>under</strong> religious stage<br />
Vladislaus of Poland, King 271<br />
Vockerodt, Gottfried 286<br />
Voetius, Gysbertus 269<br />
Vogeln, Günther 189<br />
Vossische Zeitung, <strong>see</strong> <strong>under</strong> Berlin<br />
Wackernell, J.E. 23, 26, 29, 30, 31, 45, 54<br />
Walsh, Martin W. <strong>35</strong>, 37<br />
Walsingham, Sir Francis 133<br />
Waltherin, Margaretha 101<br />
Ward, Mary 262fn36<br />
Ward, Seth, Vindiciae Academiarum<br />
98fn38<br />
Warning, Rainer 34<br />
Warsaw, performers in 270–71<br />
Wasserfuhr, Maria 62, 63<br />
Waterman, Eefelet, Mary and Martha 109<br />
Waterman, Mary 109<br />
Watson, Goody 271<br />
Wayde, John (Waydt) 276, 290<br />
Weinsberg, Drutgin 101<br />
Weise, Christian 133, 158–9, 191, 295<br />
Curiositäten Krähmer 160, 292fn27<br />
‘Der Politische Qvacksalber’ 133, 151,<br />
160–62, 185, 186, 191, 225<br />
Erznarren 128fn49, 132fn71 159, 160,<br />
186<br />
‘Tobias’ 159–60, 162, 184, 295
Weise, Elias 158<br />
Weissenborn, Caroline <strong>see</strong> Neuber,<br />
Caroline<br />
Weissenfels, writers and performers at the<br />
court of 158, 161, 286, 287<br />
Wells, Susan 9<br />
Welsch, Hieronymus 4<br />
Wheeler, Susan 4, 109<br />
Whetstone, George, Heptameron 17fn26,<br />
76fn12, 96, 229<br />
Whitlock, Richard, Observations 78fn19,<br />
87, 121fn10, 126, 141, 143, 187fn21<br />
Wickham, Glynne 26<br />
Wiley, W.L. 196, 199<br />
Williams, Mrs 144<br />
Wilmot, John, 2nd Earl of Rochester 153<br />
handbill 153–4, 170–72, 188<br />
mountebank impersonation 170, 172<br />
Bendo, Alexander 154<br />
Bendo, Mrs 172<br />
Wilson, John, The Cheats 89fn10, 144,<br />
155fn14, 156<br />
windows, <strong>see</strong> <strong>under</strong> stages and venues<br />
Winter, Salvator 229<br />
Winter, William 124<br />
Wirth, Ludwig 42<br />
Wiseman, Sue 212<br />
wise women, <strong>see</strong> <strong>under</strong> healers<br />
witches and witchcraft 9, 10, 14, 18, 101,<br />
120, 137, 143, 146–9, 170, 191, 224<br />
Wolfenbüttel<br />
actors in and from 14, 270<br />
documents in<br />
civic legislation 120, 137–8, 178<br />
depictions 204, 214, 216, 239<br />
diary of Ferdinand Albrecht I 114<br />
Index 367<br />
handbills 112, 123, 128–30, 133,<br />
<strong>165</strong>–6, 179–80, 182, 183, 188–90<br />
Mazarinades 112, 122, 164<br />
religious play 39<br />
Woodward, Daniel 144<br />
Wormius, Olaus 133<br />
Worm-purger, <strong>see</strong> <strong>under</strong> healers<br />
Worms<br />
Act of 1582: 120<br />
Act of 1609: 137, 178<br />
Worp, J.A. 276<br />
Wrage, <strong>Johann</strong>es 99<br />
Wustmann, Gustav 5 fn8, 8 fn<br />
Wyatt, Ioane 255<br />
Wycherley, William, The Country-wife<br />
155fn14<br />
Wyman, A.L. 138, 140, 142, 143, 163, 164,<br />
177<br />
Wynne-Davies, Marion 1<br />
Young, Karl 26, 34, 37–9<br />
Zampelli, Michael A. 217, 262<br />
‘Zanini’, Zanni, <strong>see</strong> <strong>under</strong> stock roles<br />
Zell, quacks in 128, <strong>165</strong><br />
Zeller, Peter 250<br />
Zielske, Harald 48<br />
Zimmermann, Paul 270<br />
Zittau<br />
documents in 158–60, 184, 292<br />
Gymnasium Augusteum 158, 184<br />
<strong>Johann</strong>iskirche 184<br />
<strong>see</strong> also Weise; Kuhnau<br />
Zorn, Gottfried 264<br />
Zurich, itinerant performers and healers in<br />
and from 129, <strong>165</strong>, 245–6, 250, 280