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Abell, Johann 165 Abrahams, P. 35 acrobats, see under - Ashgate

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References to illustrations are in bold<br />

<strong>Abell</strong>, <strong>Johann</strong> <strong>165</strong><br />

<strong>Abrahams</strong>, P. <strong>35</strong><br />

<strong>acrobats</strong>, <strong>see</strong> <strong>under</strong> performance and<br />

spectacle<br />

actors and actresses<br />

actress-servant-master trio, <strong>see</strong> <strong>under</strong><br />

stock roles<br />

actresses<br />

acceptability 219, 251, 257, 258fn15,<br />

260–61<br />

all-female stage, convent<br />

performances 27–8<br />

nuns as educators of actresses 281<br />

retirement to convents of actresses<br />

110; <strong>see</strong> also religious stage<br />

ban in public theatres 11, 212, 255<br />

in Bozen Passion Play (1514) 23–6,<br />

28, <strong>35</strong><br />

British 18, 249, 255–61<br />

Cavendish on 9, 11–12<br />

child 258<br />

in commedia dell’arte 206–7, 213, 215,<br />

230, 231<br />

costumes 231, 2<strong>35</strong>, 240–41, 243<br />

defence of profession 204, 216<br />

denunciation of 212–13, 215<br />

‘English Ladies’ 262fn36<br />

in French troupes 4, 197, 199, 206<br />

in German-speaking Europe 262,<br />

264–6, 268, 277–83<br />

in Italian troupes 9, 11–12, 206–12<br />

<strong>Johann</strong> Beer on 289–90<br />

in masks 233–5, 236<br />

in Le Mystère des Trois Doms 28<br />

non-speaking roles 26<br />

novelty of 211–12<br />

in opera 208<br />

praise of 197<br />

prostitutes, likened to 14, 18, 84,<br />

209–11, 213, 250, 290<br />

quack troupes, as training grounds 18<br />

Index<br />

in religious plays 26–7<br />

roles 240<br />

Samuel Pepys on 257–61<br />

in Shakespeare 210<br />

Sweden, first professionals 262<br />

in veils 233–5<br />

all-male stage 4, 11, 14, 23, 26, 45, 106,<br />

208, 215, 216, 218, 228, 231, 243,<br />

252, 255–7<br />

amateurs 18, 23, 27, <strong>35</strong>, 45, 63, 82, 153,<br />

159, 195, 208, 218, 219, 231, 251–2,<br />

262–4, 295–6<br />

boy, child 76, 92, 98, 113, 155, 160–61,<br />

208, 212, 231, 236, 245, 249, 252,<br />

255, 257, 261–4, 270, 275–6<br />

buffoni, buffoons 14, 205, 215 –19, 226<br />

comici 14, 205, 206, 213, 216–19, 223,<br />

228, 229, 2<strong>35</strong>, 243<br />

English troupes abroad 4, 12, 14, 36,<br />

106, 197, 200, 210–11, 261–4,<br />

267–78, 285, 290–99<br />

histrioni 217<br />

playing healers 194, 199–201<br />

professionals, models of development of<br />

professional stage<br />

consecutive model 218, 221<br />

economic motivation 8, 115, 119, 158,<br />

179, 215, 219, 250, 267, 290<br />

permeable pyramid model 218–19,<br />

221<br />

<strong>see</strong> also costume; cross-dressing;<br />

itinerant performers and healers;<br />

performance and spectacle;<br />

religious stage; stock roles, troupes<br />

Adair, James Makittrick, Medical<br />

Cautions 5fn7, 142n<strong>35</strong>, 191fn52<br />

Adam de la Halle, Jeu de la Feuillée <strong>35</strong><br />

Adhémar, Jean 199<br />

Ady, Thomas, A Candle in the Dark 98<br />

Agricola, <strong>Johann</strong> Georg 140<br />

Agrippa, Cornelius 209


336 Women, Medicine and Theatre 1500–1750<br />

Albani, Decio 209<br />

Alberghini, Angelica 208, 210<br />

Albertinus, Aegidius, Gusman von Alfarche<br />

188fn27<br />

Albrecht, Anna Rosina 167–9<br />

Album Graecum <strong>see</strong> medical and cosmetic<br />

ingredients and products<br />

Alcock, Thomas 170, 172<br />

alcohol, <strong>see</strong> medical and cosmetic<br />

ingredients and products<br />

Alemán, Mateo, Guzmán de Alfarache 157,<br />

187<br />

Alewyn, Richard 123, 285–8<br />

Alexander, Robert J. 275–8<br />

Alfieri, Giovanni Paolo 199<br />

all-female stage; all-male stage <strong>see</strong> <strong>under</strong><br />

actors and actresses<br />

Allen, Charles, Curious Observations 178<br />

Alleyn, Edward 271<br />

Alsfeld, religious play 40<br />

Amann, Klaus 38<br />

amateur performances, <strong>see</strong> <strong>under</strong> actors<br />

and actresses<br />

Amelung, Just-Christian 188<br />

Amman, Jost 129, 176, 179, 225<br />

Amorevoli da Treviso, Battista 212<br />

Amorevoli da Treviso, Vittoria 2<strong>35</strong><br />

Amsterdam<br />

performers from and in 110, 262, 269<br />

Schouwburg Theatre 262<br />

Amstutz, Renate 39<br />

amulets <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

André, Anne 272<br />

Andreini, Francesco 241<br />

Andreini, Giovanni Battista 217<br />

La Florinda 208<br />

Andreini, Isabella 114, 208, 215, 217, 241,<br />

263, 275<br />

images of 2<strong>35</strong><br />

Rime 2<strong>35</strong><br />

Andreson, Paul 128<br />

‘Andrews’s Company’ 12fn18<br />

animals, in performative routines, <strong>see</strong><br />

<strong>under</strong> performance and spectacle<br />

Anna of Denmark, Queen 251<br />

antidotes, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

anti-theatricalism 11, 34, 224, 245–6, 283,<br />

292<br />

Prynne’s treatise 246, 250, 251–2<br />

Antwerp<br />

Cavendish, home of 11<br />

depiction of 76<br />

Fair, Cavendish on 1–16, 115<br />

Italian troupe, expulsion 12, 14<br />

Prince Charles, visit of 257<br />

apothecaries <strong>see</strong> <strong>under</strong> healers<br />

Aquaviva, Claudius 16<br />

Archilei, Antonio 207<br />

‘Aretine’, Peter, Strange Newes from<br />

Bartholomew-Fair 251fn25<br />

Aretino, Dialogues 171, 259<br />

Arlecchino <strong>see</strong> stock roles<br />

Armani, Vincenza 207, 217, 275<br />

Arnold, Lucia 224<br />

Aslan, Ana 150fn67<br />

Astington, John H. 275–6<br />

Atkyns, Arabella, The Family Magazine<br />

142<br />

audience, spectators<br />

all-male 14, 212<br />

appeal, participation 31, <strong>35</strong>, 40, 58,<br />

87–8, 101, 206–7, 213, 264, 293<br />

communication with 73, 294<br />

depicted iv, 6–7, 44, 45, 53, 64–5, 70, 77,<br />

78–9, 90–91, 94, 105, 131, 145, 199,<br />

214, 232, 237, 248, 284<br />

female 14, 107, 267–9, 292<br />

mixed 252<br />

payments by 2, 4, 106, 271<br />

handkerchiefs, money thrown up to<br />

stage in by iv, 73, 91, 114<br />

response 16, 34, 43, 76, 92, 98, 104, 152,<br />

212–13, 217, 228, 259, 287<br />

therapeutic effect on 34–6<br />

viewing from private rooms 12<br />

visibility to 54, 56, 231, 267<br />

<strong>see</strong> also actors and actresses<br />

Augsburg, performers and quacks from<br />

and in 123, <strong>165</strong>, 268–9, 279, 282<br />

August Friedrich, Duke, Bishop of<br />

Lübeck 281<br />

August von Sachsen-Weißenfels, Duke,<br />

286<br />

Avery, Emmett L. 106


Avignon, itinerant quacks and performers<br />

in 73, 76, 78, 84, 97–8, 129, 136, 180,<br />

197, 222–3<br />

Bach, J.S. 184<br />

Bacon, Francis, The Twoo Bookes 143<br />

Bacon, Roger, The Cure of Old Age 97<br />

Baden, performers in 280<br />

Baeck, Elias, An Italian Showman 108, 109<br />

Bakhtin, Mikhail 34–6, 153, 160<br />

Balbirer, Jacob 25, 30<br />

Balbirer, Sigmund 25, 30<br />

Balde, Jakob 81, 101<br />

balms, balsams, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic ingredients and products<br />

Balsamo, Jusepe 129<br />

Bamberg<br />

art in 108<br />

healers from and in <strong>165</strong>, 168<br />

Barbieri, Nicolò, La Supplica 99, 228, 245<br />

Barclay, Alexander, Stultifera nauis 136–7<br />

Bargagli, Girolamo, La pellegrina 208<br />

Bargrave, John 212<br />

Barking 28<br />

Barlow, Thomas 130<br />

Barrett, Stephen 5fn7<br />

Barry, Elizabeth 153<br />

Bartholin, Thomas 4<br />

Bartholomew Fair, <strong>see</strong> <strong>under</strong> London<br />

Baschet, Armand 207<br />

Basle<br />

Augustine monastery 28<br />

Fishmarket 28<br />

performers in and from 27–8, 56, 277–8<br />

Platter family 221–2<br />

Bassano, Leandro, Carnival Scene<br />

(February) 234–5, 236<br />

Baynton, Lady Ann 170<br />

Beatrix, Duchess of Lorraine 153<br />

Beaucaire annual fair 92<br />

Beaumont, Francis<br />

Philaster (co-author) 261<br />

‘The Fair Maid of the Inn’ (co-author)<br />

155fn14<br />

The Scornful Lady (co-author) 258, 259<br />

Beauvais, Epiphany Festival 26<br />

Becher, <strong>Johann</strong> Joachim 132<br />

Bechimerin, Anna 27<br />

Beck, <strong>Johann</strong> Ferdinand 279<br />

Index 337<br />

Beer, <strong>Johann</strong> 123, 158, 161–2, 184–5,<br />

285–98<br />

on actresses 289–90<br />

on stage fools 286, 294<br />

works<br />

Corylo 286<br />

Feuermäuer=kehrer 290<br />

Jucundus Jucundissimus 82, 139fn20<br />

Jungfer=Hobel 188fn29<br />

Kleider=Affe 122, 188fn29<br />

Maul=Affen 147fn55, 285–6, 290–98<br />

English performers in 290–98<br />

Narren=Spital 159, 186, 285, 290<br />

Sein Leben 130, 285–8, 290fn21, 293<br />

Sommer=Täge 290<br />

Teutsche Winternächte 98, 159, 288–90<br />

Ursus Murmurat 286fn7<br />

Verkehrte Staats=Mann 287–8<br />

Weltkucker 159<br />

Begardi, Philipp 130<br />

Index Sanitatis 93, 98, 126–7, 141<br />

Begemann, Nienke 269<br />

Behaim, Magdalena, Briefwechsel 27, 211,<br />

268<br />

Behn, Aphra, The Second Part of the<br />

Rover 84, 97, 148, 153–4, 170, 186<br />

Beijer, Agne 196, 199, 200<br />

Bella di Paija, Donna 163–4<br />

Bendo couple, <strong>see</strong> Wilmot<br />

Benecke, Heinrich Wilhelm 282<br />

Benecke, Victoria Clara 282–3<br />

Benedict XIV, Pope 212–13<br />

Benediktbeuern 38<br />

Bentley, George 275, 290<br />

Bepler, Jill 99, 114, 259, 282<br />

Berlin<br />

Brandenburg, religious play 40<br />

Church opposition to acting 283<br />

Depictions in 68, 71, 75, 220<br />

Easter Plays 40, 121<br />

Eckenbergs’ theatre 279<br />

Haude-Spenersche Zeitung 191<br />

Spandau, quacks in 169<br />

Vossische Zeitung 92fn15, 109fn81, 149,<br />

177<br />

Bernier, Jean, Essais de medecine 84,<br />

123fn24, 170<br />

Bernoin, Charles 120, 168, 286–90<br />

death 286–90


338 Women, Medicine and Theatre 1500–1750<br />

‘flight’ 99, 284, 286–90<br />

literary influence on Beer 288–90<br />

patent from Charles IV 287<br />

patent medicines 287<br />

tightrope skills 287<br />

Bernoin, George-Louis 287<br />

Bertelli, Franco, Il carnevale italiano<br />

mascherato 223<br />

Bertelli, Pietro, Diversarum [m] nationum<br />

habitus: ‘Bragato, Cingana’ 220, 223<br />

Betcher, Gloria J. 50<br />

Bevington, David 26<br />

bezoar stone, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic ingredients and products<br />

Bianca, Queen 163<br />

Bianca, Vittoria 114<br />

Biehner, Siegmund 276<br />

Biller, Alexander 168<br />

Billington, Sandra 124, 166, 228<br />

bills <strong>see</strong> handbills<br />

Binns, J.W. 246<br />

birthing chamber, ‘gossipings’ 10, 160<br />

Blosen, Hans 40<br />

Blümel, Christoph 278<br />

Boccaccio, Giovanni, Decameron 157,<br />

183fn3<br />

Bodenburg, Daniel and wife <strong>165</strong>, 166,<br />

188–90<br />

handbill 182, 183, 189<br />

Bohn, <strong>Johann</strong>es 139<br />

Bologna<br />

licences 101, 125<br />

performers from 207<br />

quacks in 146, 164<br />

Bologna, Marianna 106<br />

Bolte, <strong>Johann</strong>es 160, 265, 270, 272, 279,<br />

275, 281–3<br />

Boltz, Valentin, The Conversion of St Paul<br />

56<br />

Bolzano, Stadtpfarrkirche 28, 52, 54–5<br />

<strong>see</strong> Bozen<br />

Bondeson, Jan 4, 108–10, 133<br />

Boord, Mme. de 157<br />

Borromeo, Carlo 223–4<br />

Bosch, Hieronymous<br />

Christ Purifying the Temple (imitator)<br />

45, 46–7, 50, 56<br />

The Haywain 40, 41<br />

Bottonio, Albertino 227<br />

Bouclon, Mathieu 200<br />

Bovio, Giovanni, Archbishop 148<br />

Bovio, Zefiriele Tomaso, Flagello de’medici<br />

rationali 79fn3<br />

Boyle, Robert 140fn25<br />

Bozen (Bolzano), Passion Play (1514) 40,<br />

45<br />

actresses in 23–6, 28, 33, <strong>35</strong><br />

directors 29<br />

merchant scene 29–31, 33, <strong>35</strong><br />

Palm Sunday performance 29, 48<br />

stage plan, <strong>see</strong> Raber<br />

women quacks in 29–30, 33<br />

Braca, Vincenzo, Sautabanco 84, 104, 152<br />

Brackenhoffer, Elie 4<br />

Bradley, Mrs 255<br />

Bradstreet, John 268, 270<br />

Bragati, Girolamo 223<br />

Bragato, Bragetta, <strong>see</strong> Bertelli; stock roles<br />

Brambilla, Ambrogio, Gamesboard 2<strong>35</strong>,<br />

238<br />

Brandt, George W. 262, 265, 269, 283<br />

Brant, Sebastian, Stultifera nauis,<br />

Narrenschiff 10, 136–7, 216; <strong>see</strong> also<br />

Barclay; folly literature<br />

Brasen, Katharine 270<br />

Brauneck, Manfred 26, 34–5, 55<br />

Braunschweig<br />

court performers 264–5, 281<br />

Duke of, <strong>see</strong> Ferdinand Albrecht I<br />

quacks in 180<br />

Bredero, Gerbrand 268, 269<br />

Breiolt, Hans, wife of 24, 26<br />

Breitinger, <strong>Johann</strong> Jakob 246, 250<br />

Bedencken von Comoedien 246fn18<br />

Breslau (Wrocɫaw), quacks in and from<br />

168, 280<br />

Brian, Thomas, The Pisse-Prophet 80,<br />

89fn10<br />

Brno, <strong>see</strong> Brünn<br />

Brome, Richard 256<br />

The City Wit 140, 155fn14, 263<br />

The Love-sick Court 156<br />

Brown, Pamela Allen, Women Players 255<br />

Brown, Richard Danson 146<br />

Browne, Richard 97<br />

Browne, Robert 268, 271, 272


Bruegel, Pieter 45<br />

Brünn (Brno)<br />

documents in 132, 143, 164, 188, 279–81<br />

Old-Brünn stage 280<br />

performers and healers in 279–81<br />

Brunnschweiler, Thomas 245, 246, 250<br />

Buatier, Françoise 27<br />

Buchinger, Matthias 109<br />

Buchner, Eberhard 92, 109, 149, 177, 191<br />

Buckingham, Duke of 206<br />

Buffon, Georges, Histoire Naturelle 111<br />

buffoni (buffoons) <strong>see</strong> <strong>under</strong> actors and<br />

actresses<br />

Buhler, Johan Bartholomeus 276<br />

Buhlmeyer, <strong>Johann</strong>es <strong>165</strong><br />

Buhlmeyerin, Anna Gertrud <strong>165</strong><br />

Bullein, William, Gouernement of Healthe<br />

122, 189<br />

Buratelli, Claudia 208<br />

Burgundy<br />

Duke of 27<br />

mountebanks from 92<br />

Burke, Peter 62<br />

Burnim, Kalman A. 106<br />

Burton, Dorothy 139<br />

Burton, Robert 139<br />

The Anatomy of Melancholy 122,<br />

140fn21, 228fn27<br />

‘C’, The Two Merry Milke-maids 98,<br />

228fn27<br />

Caccini, Giulio 208<br />

Caccini, Lucia 207<br />

Cadnes, Elisabeth Georg 106–7<br />

Cailleau, Hubert 56<br />

Caius, Jhon, A Boke, or Counseill 126fn40<br />

Calabron, Gallion 250<br />

Cambridge, Trinity College, student play<br />

at 252<br />

Campolongo, Emilio 227<br />

Caravaggio, The Gypsy Fortune-teller 101,<br />

103<br />

Cärer (Hofmann), Maria Ursula 277, 278,<br />

281<br />

Carew, Maria Sophia 259<br />

Carleton, John 258<br />

Carleton, Mary, <strong>see</strong> Moders<br />

Carletto (Carlo) 209fn17<br />

Index 339<br />

Carlsbad (Karlovy Vary), quacks in 130<br />

Carnival and Lent<br />

bull fighting 70, 236<br />

Church opposition 224, 245–6<br />

costume 80–82, 205, 217, 241, 246<br />

depicted 63, 70, 220, 232, 236<br />

herring (Lenten food) 159, 187<br />

mountebanks at 74<br />

pancakes (carnival food) 13<br />

plays, farces, mummers’ plays,<br />

Arztspiele, Fastnachtspiele 33, 37,<br />

42, 147, 151, 158–9, 184, 205, 245–6<br />

pursuits/revels/rituals 62, 218<br />

<strong>see</strong> also Antwerp; Venice<br />

Carter, Mrs 144<br />

Caryll, John, The English Princesse 260<br />

castrati, <strong>see</strong> music<br />

Cauis, John, A Boke 126<br />

Caulery, L., Theatrical Scene 44, 45<br />

Cavendish, Margaret 1–19, 257fn14, 270,<br />

298<br />

on actresses 9, 11–12<br />

on the Antwerp Fair 1–2, 9 –16, 115<br />

on Barbara Urslerin 2, 4<br />

CCXI Sociable Letters 1, 4, 8–16, 92,<br />

205fn3<br />

on cross-dressing 11–12<br />

on itinerant Italian troupe 8–16, 270<br />

marriage, to Duke of Newcastle 11<br />

Cavendish, William, Duke of Newcastle<br />

11, 257<br />

Cecchini, Pier Maria 206, 217<br />

Cellier, Elisabeth 251fn27<br />

Centlivre, Susanna, The Wonder 264<br />

Cerasano, Susan 1<br />

certificates, <strong>see</strong> <strong>under</strong> itinerant performers<br />

and healers<br />

âesky Krumlov (Krumau, Bohemia), <strong>see</strong><br />

Krumau<br />

Cett, Helena and Judith 109–10, 111<br />

Chambers, E.K. 38, 245<br />

charlatans<br />

‘Il Ciarlone’ 104, 121, 152<br />

and comici 205<br />

and commedia dell’arte 221, 226, 229<br />

definition 5<br />

early modern usage 74, 78, 114<br />

Garzoni on 216–19


340 Women, Medicine and Theatre 1500–1750<br />

Guarinonius on 74, 226, 228<br />

Moryson on 74, 80, 114, 129<br />

Sonnet de Courval on 74, 80, 96–7, 104<br />

Soprintendenze sui comici e ciarlatani<br />

217<br />

<strong>see</strong> also itinerant performers and healers<br />

Charles I, King of England 251, 259<br />

Charles II, King of England 141, 170, 257,<br />

259<br />

Charles IV, King of France 287<br />

Châteaudun-sur-Loire Passion 28<br />

Chéreau, A. 138<br />

chest, medicine, <strong>see</strong> <strong>under</strong> itinerant<br />

performers and healerss<br />

Chester, Assumption of the Virgin 26<br />

Chiarini, Madame 119<br />

Chinachine, <strong>see</strong> stock roles<br />

Choke, Major John 144<br />

Christina, Queen of Sweden 212<br />

Christine de Lorraine 207<br />

Chrisutte, Gertraut 110<br />

civic authorities <strong>see</strong> <strong>under</strong> itinerant<br />

performers and healers (licences)<br />

Clarice, La Signore 164<br />

Clemens VIII, Pope 212<br />

Clouet, François 199–200<br />

Clowes, William, A Short and Profitable<br />

Treatise 143<br />

Cocco, Ester 207<br />

Cohn, Albert 275, 277<br />

Coleman, Catherine 256<br />

Colloredo, Lazarus 107, 109<br />

Cologne, healers and performers in and<br />

from 14, 16, 100, 101, 112, 183, 271,<br />

280<br />

Colombani, Apollonia 183, 184<br />

Colombani, Giuseppe 183–4<br />

Colvin, Sarah 265<br />

Combe, Kirk 172<br />

commedia dell’arte<br />

actresses in 206–17, 230, 231, 275<br />

actress-servant-master trio <strong>see</strong> stock<br />

roles<br />

depiction 231–5<br />

development models<br />

consecutive 218–19<br />

permeable pyramid 218, 221<br />

Easter ban, Florence 209<br />

English drama, influence on 155<br />

farces 112, 164<br />

features 205, 218<br />

Garzoni on 216–17<br />

improvisation 36, 205, 210–11, 218, 294<br />

Cavendish on 12<br />

lazzi stage routines 43, 205, 218, 240<br />

Guarinonius’s descriptions 226–9<br />

and merchant scene 36, 43<br />

maid, played by actor 216<br />

masks 233–4, 244<br />

merchant scene, parallels 17, 36, 43<br />

origins 215<br />

scenarios and plays<br />

Corsini Album 234, 240, 241, 244<br />

La Pazzia d’Isabella 208<br />

La Zingara 208<br />

Scala’s 84, 152, 243<br />

signature cast <strong>see</strong> <strong>under</strong> stock roles<br />

(actress-servant-master trio)<br />

troupes 4, 14, 18, 73, 195, 200<br />

<strong>see</strong> also actors and actresses; costume;<br />

stock roles; troupes, Italian<br />

commedia erudita 205, 218, 231<br />

‘commercial breaks’ <strong>see</strong> <strong>under</strong><br />

performance and spectacle<br />

Common, Doll 259<br />

Concarini, Vittoria 207<br />

Confidenti, <strong>see</strong> troupes, Italian<br />

Coniacke, Mme 251<br />

conjoined twins, <strong>see</strong> <strong>under</strong> performance<br />

and spectacle<br />

Contarini, Gasparo, Gouernment of Venice<br />

121fn10<br />

Contini, Gianfranco 43<br />

Contugi, Christophe 164<br />

convent plays, <strong>see</strong> <strong>under</strong> religious stage<br />

Cook, Mrs 143<br />

Cooke, Sir Robert 261<br />

Copenhagen, performers in 4<br />

coral, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Corsini Album, <strong>see</strong> commedia dell’arte,<br />

scenarios<br />

Cortese, Isabella, I Secreti 140<br />

Coryat, Thomas, Coryats Crudities 73fn1,<br />

74, 78, 81fn10, 84, 96–7, 104, 106,<br />

122fn17, 212, 234fn4


cosmetics <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

costume<br />

actresses 231, 240–41, 243, 249<br />

depiction 233–5, 240–41, 243<br />

itinerant healers 79–82, 168, 170<br />

masks<br />

actresses wearing 233–5, 236<br />

carnival 232<br />

commedia dell’arte 233–4, 244<br />

loup 232, 234<br />

vizard 84<br />

nudity 210, 2<strong>35</strong>, 245<br />

perfumed 122<br />

sources 231, 233<br />

sumptuary regulations 63–4, 79<br />

and cross-dressing 245<br />

Turkish 79, 238, 241, 243, 244<br />

veils<br />

actresses 233–5<br />

wise-women 137<br />

<strong>see</strong> also cross-dressing<br />

costume books 223<br />

friendship albums, resemblances 67<br />

Cotta, John, A Trve Discouery of the<br />

Empericke 10<br />

Cotton, Nancy 26<br />

counselling, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic services, patients and<br />

conditions<br />

couples <strong>see</strong> <strong>under</strong> itinerant performers and<br />

healers<br />

Coussemaker, E. de 38<br />

Coventry, itinerant performers in 97, 255<br />

Craig, Hardin <strong>35</strong><br />

Creizenach, Wilhelm 28, 29, 33, 39, 268<br />

Crofts, Cicely 259<br />

Cromwell, Oliver 11, 256<br />

Croon, Daniel 88<br />

Crosch, Hiltgen 183<br />

Cross, T., Loe Here a Woman comes in<br />

Charitie 134<br />

cross-dressing<br />

actors 231, 243, 255<br />

actresses 11–12, 231, 243, 255, 257, 259<br />

Cavendish on 11–12<br />

church condemnation 245–6, 250<br />

commedia dell’arte, stock in trade 243<br />

Index 341<br />

criticism 14<br />

depicted 233, 241, 244, 254<br />

in Dryden 260<br />

in Heywood 147<br />

in Killigrew 259<br />

Milton on 252<br />

Prynne on 250–51<br />

in scenarios (Corsini) 241–2, 244<br />

in scenarios (Scala) 84<br />

in Shakespeare 146<br />

and sumptuary regulations 245<br />

<strong>see</strong> also costume<br />

Curth, Louise 142, 144<br />

Cysat, Renward 56<br />

da Bagnacavallo, Lidia 217<br />

Daffy, Elizabeth 142<br />

Daffy, Revd Thomas 142<br />

Dahlberg, Gunilla 14, 16, 262, 263<br />

dance and dancers <strong>see</strong> <strong>under</strong> performance<br />

and spectacle<br />

‘Dance of Death’ 216<br />

D’Ancona, Alessandro 207, 212, 217<br />

Danzig<br />

Fencing Hall 272<br />

performers in 107, 270–71, 275, 276,<br />

282<br />

St Dominic’s Fair 282<br />

Daston, Lorraine 4, 107<br />

Datini, Margherita 146<br />

Datzin, Lusi 5, 8<br />

Davenant, Charles 276<br />

Davenant, Dame Mary 153, 258, 261<br />

Davenant, Sir William 76, 153<br />

actresses 258<br />

Britannia Trivmphans (co-author)<br />

84fn21<br />

‘The Long Vacation’ 255fn5<br />

mixed gender opera 256<br />

tennis court theatre 76<br />

theatrical patent holder 257–8, 276<br />

Davenport, Hester 258<br />

Davidson, Clifford 26, 51, 88<br />

Davis, Mary 258, 260–61<br />

Day, John<br />

Law Trickes 89<br />

Three English Brothers 210–11<br />

de Boor, Helmut 37, 39


342 Women, Medicine and Theatre 1500–1750<br />

de Courval, Sonnet, <strong>see</strong> Sonnet de<br />

Courval<br />

de Gaufreteau, Jean, Chronique Bordelaise<br />

197<br />

de Gogler, Carl 140<br />

de Gourmont, Jean II 199–200<br />

de Latour, Henri 27<br />

de le Nerle, Waudru 27<br />

de l’Esperonnière, Antoine 206<br />

de Nobili, Cesare 243<br />

de Parthenay, Denise 138<br />

de Roson, Mrs 255<br />

de Rue, John 106<br />

de Vos, Marten, A Feast 237<br />

de Wancourt, Jehanne 197<br />

death<br />

allegorical figure 13 (Doot), 204, 214,<br />

216<br />

dance of 216<br />

defiant ritual laughter 34<br />

funeral wishes of actresses 215<br />

in mountebank crowd 228<br />

quacks’ authority over 87, 96–7, 99, 147,<br />

186<br />

Debs, Benedikt 29<br />

decapitation, simulated, <strong>see</strong> performance<br />

Dédiet family 27<br />

Deierkauf-Holsboer, S. Wilma 196, 199<br />

Dekker, Thomas, The Roaring Girle<br />

(co-author) 164, 254, 256<br />

del Re, Angela 207<br />

del Re, Maphio 207, 223<br />

Delft, midwives in 177<br />

della Scala, Margherita 207<br />

Denner, Leonhard Andreas 264<br />

Denner, Maria Magdalena 264<br />

Denner-Spiegelberg, Elisabeth 160, 265<br />

dental care, <strong>see</strong> <strong>under</strong> healers; medical and<br />

cosmetic ingredients and products;<br />

medical and cosmetic services<br />

Deppre, Mme, 92<br />

Desiosi, <strong>see</strong> <strong>under</strong> troupes, Italian<br />

Dest, Joan 157<br />

Deventer, mystery play 26<br />

Devil 9, 101, 144, 147, 149, 186, 213, 270,<br />

286; <strong>see</strong> also <strong>under</strong> stock roles<br />

Devrient, Eduard 261, 279, 283<br />

d’Ewes, Simonds 252<br />

di Roy, Maria 276<br />

diaries, journals and travel accounts 61<br />

anon Englishman 84<br />

D’Ewes 252<br />

Ferdinand of Bavaria 106<br />

Ferdinand Albrecht I 114<br />

Mundy 107<br />

Wrage 99<br />

<strong>see</strong> also Evelyn; friendship albums;<br />

Pepys; Platter<br />

Diemerbroeck, Ysbrand van, The<br />

Anatomy of Human Bodies 146<br />

Dietz, <strong>Johann</strong> 132<br />

Dijon, quacks in 88, 287<br />

Dil Ulenspiegel, <strong>see</strong> stock roles<br />

(Eulenspiegel)<br />

Dionis, Charles 164<br />

Dionis, Pierre 188<br />

Discret, Agnès and Jehanne 107<br />

Diye, Elizabel 197<br />

doctor, doctoress, <strong>see</strong> <strong>under</strong> healers,<br />

physician<br />

Doherty, Francis 144<br />

Donato, Balthasar 280<br />

Dorsch, Johan Christian 276<br />

Dresden<br />

Jolly in 276<br />

Kuhnau in 184<br />

literary setting 155<br />

drugs, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Dryander, <strong>Johann</strong>es, Artzenei Spiegel 178<br />

Dryden, John, Maiden Queen 260<br />

du Mesniel, Charles 276<br />

du Mesnil, Alexandre 197<br />

du Perron, Cardinal 223<br />

du Soleil, André 275<br />

Dublin, <strong>see</strong> Allen, Charles<br />

Dubuc, Pierre 196<br />

Duchartre, Pierre Louis 196, 200, 234, 241<br />

Dupont, Giovanna 146<br />

D’Urfey, Thomas, The Royalist 183<br />

Duym, Jakob 262<br />

Dyan, Ursula 4 fn6<br />

Eamon, William 140<br />

Earle, John, Micro-cosmographie 143<br />

Easter plays, <strong>see</strong> religious stage


Eaton, Dr Robert, Balsamick Styptick<br />

123<br />

Eck, Adam, friendship album, images 66<br />

Eckenberg, <strong>Johann</strong> Carl 279<br />

Eckenberg troupe 279, 283<br />

Eckenbergin, Cornelia 279<br />

Eckhof, Conrad 265<br />

Edinburgh, performers in 106<br />

Eekhout, Rockus Coenraad 262<br />

Eichmann, <strong>Johann</strong> 178<br />

Eisenach<br />

healers in 189<br />

religious stage 27<br />

Eisenbarth, <strong>Johann</strong> Andreas 84, 120, <strong>165</strong>,<br />

167–9, 289<br />

and Bernoin 289<br />

dental care 128, 179, 188<br />

handbills 128, 168–9, 179, 188<br />

troupe 169<br />

wives, <strong>see</strong> Albrecht; Heinigke<br />

Eisenbarth, Matthias 168<br />

Eisinger, Ralf 265, 281<br />

Eitlin, Maria Francisca 280<br />

Elenson, Andreas 265<br />

Elenson, Catherina Susanna 265<br />

Elenson, Julius Franz 265<br />

Elenson, Margarete 265<br />

Elenson-Haacke, Sophie 265, 282<br />

Elizabeth I, Queen of England 209, 255<br />

Elkeles, Barbara 5, 132, 139<br />

Eller, Alois Karl 29<br />

Emde, Ruth B. 265<br />

Emmen, quacks in 129<br />

Encke, Johan “Hans” Georg 276–7<br />

‘English Ladies’, <strong>see</strong> <strong>under</strong> actors and<br />

actresses<br />

Erasmus of Rotterdam, Ecclesiastes 187<br />

Erlau Easter play<br />

medical duties, gendered division 163<br />

merchant scene 30, 40, 42<br />

quack monologues 42<br />

quack scenes 40, 42<br />

tooth extraction 42<br />

urine diagnosis 42<br />

Ettner, <strong>Johann</strong> Christoph, Der Entlarvte<br />

Marckt=Schreyer 81, 143fn42,<br />

144fn48, 185<br />

Eulenspiegel, Till <strong>see</strong> <strong>under</strong> stock roles<br />

Index 343<br />

Evans, M. Blakemore 45, 51–2, 54, 56<br />

Evelyn, John<br />

Diary 4, 74, 89, 97, 109, 110, 114, 122,<br />

125, 157, 170, 212, 250, 252, 256,<br />

258, 260–61<br />

Numismata 98fn38<br />

Evelyn, Mary 260<br />

eyeglasses <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

exorcism, <strong>see</strong> <strong>under</strong> performance and<br />

spectacle<br />

Faber, August Georg 123, 290<br />

Faber, Joseph <strong>165</strong><br />

fairs 1, 12, 63, 74, 89, 125, 179, 185, 255,<br />

263<br />

The Country Fair, broadsheet 13<br />

depictions of, cover, 6, 7, 13, 77, 145,<br />

248<br />

literary fairs, <strong>see</strong> Beer, Kuhnau, Weise<br />

women as retailers 2, 136, 297<br />

of food and produce 6, 13, 64–5, 91,<br />

145, 236<br />

<strong>see</strong> also Antwerp; Beaucaire; Danzig;<br />

Frankfurt; The Hague; Hamburg;<br />

Leipzig; London; Strasbourg<br />

Faivre, Bernard 197<br />

Falconieri, John V. 206, 209<br />

Farckas, <strong>Johann</strong> 12<br />

Farmer, David Hugh 62<br />

Farquhar, George, The Beaux Stratagem<br />

140<br />

Fasshauer, Catharina 277<br />

Fasshauer, <strong>Johann</strong> 277<br />

Fauchard, Pierre, Tractat von den Zähnen<br />

125fn36, 178–9, 188–9, 191<br />

Fedeli, <strong>see</strong> <strong>under</strong> troupes (Italian)<br />

Federl, Gretl 24, 26<br />

Feinberg, Anat 155<br />

Félicie, Jacobea 138<br />

Ferdinand Albrecht I, Duke of<br />

Braunschweig-Lüneburg 99, 114, 282<br />

W<strong>under</strong>liche Begebnüssen 101fn57<br />

Ferdinand, Archduke of Austria 92<br />

Ferdinand, Duke of Bavaria, Prince 106<br />

Ferdinando, <strong>see</strong> Medici<br />

Ferranti, Girolamo 164<br />

Ferrar, Franciscus <strong>see</strong> Mondor


344 Women, Medicine and Theatre 1500–1750<br />

Ferré, Marie 206<br />

Ferrone, Siro 74, 122, 217, 229<br />

Ferry, Nicolas 110<br />

Fischart, <strong>Johann</strong>, Geschichtklitterung 137,<br />

186, 187, 228fn27<br />

Fischel, Oskar 55<br />

Flaminia, <strong>see</strong> <strong>under</strong> stock roles<br />

Flaminia, Barbara 207, 243<br />

Flaser, <strong>see</strong> Glaser<br />

fleas, <strong>see</strong> performance and spectacle,<br />

animals; medical and cosmetic<br />

services, patients and conditions, pest<br />

control<br />

Flecknoe, Richard, A Treatise of the<br />

Sports of Wit 153<br />

Fletcher, John 156<br />

Philaster (co-author) 261<br />

The Beggar’s Bush (co-author) 257<br />

‘The Fair Maid of the Inn’ (co-author)<br />

155fn14<br />

The Faithfvll Shepheardesse 156fn23<br />

The Loyall Subject 257<br />

The Scornful Lady (co-author) 258, 259<br />

The Widdow (co-author) 155fn18<br />

Florence<br />

healers in 146<br />

Medici wedding of 1589 207–8<br />

mountebank regulations 76, 78, 209<br />

performers from and in 27, 76, 78, 81,<br />

112, 207–9, 211<br />

theatre 211<br />

folly and fools<br />

folly literature (Narrenliteratur) 10, 12,<br />

36–7, 136–7, 162, 216, 227<br />

Parable of the Foolish Virgins 38<br />

and the stage 34–5, 61, 81, 227–8, 287,<br />

289<br />

<strong>see</strong> also stock roles<br />

fortune-telling, <strong>see</strong> gypsies and fortune<br />

telling<br />

Fountaine, Edward La, A Precious<br />

Treasury 180<br />

Fouquet, Jehan, The Martyrdom of St<br />

Apollonia 51, 53<br />

Fourment, Hélène 11<br />

Francken, Elisabeth 270<br />

Franco, Giacomo, Charlatans in the Piazza<br />

San Marco 76, 96, 104, 105, 205<br />

Frangipani, Cornelio, Tragedia 207<br />

Frankfurt 224<br />

Fair, performers and healers at 12, 16,<br />

92, 101, 138, 197, 268–70, 272–3,<br />

276–7, 281<br />

Frankfurter Dirigierrolle 56<br />

Sanduhr Inn 272–3<br />

Fresia, Carol Jean 177<br />

Friedrich Wilhelm I, King of Prussia 169<br />

friendship albums 14, 67, 69<br />

costume books, resemblances 67<br />

Eck’s 66<br />

Grünthaler’s iv<br />

Masked woman between two masked men<br />

242<br />

mountebank images iv, 60, 66, 67, 68,<br />

70, 72, 74, 75, 81–2, 83<br />

origins 67<br />

Ortelius’s 72<br />

Pribil’s 68<br />

prints in and for 60, 67, 71<br />

quacks, image source 69<br />

Trades and Occupations 299<br />

Fries, Christian 133<br />

Friesen, Laurentius, Spiegel der artzney<br />

120<br />

Friesland, quacks in 129<br />

Frith, Mary ‘Moll’ 254, 255–6<br />

Fritzen, Eva Rosina 169<br />

Frölichin, Barbara 27<br />

Fuhrmann, Martin Heinrich 283<br />

Furst, Wolfgang 24, 26<br />

Gäbelkover, Oswald 140<br />

Gager, William 246<br />

Galen 171, 228<br />

Gallici, <strong>Johann</strong> Dominico 110<br />

Gallici twins 110<br />

Galloway, David 109, 255<br />

Galt, Jeronimo 106<br />

Gambaccini, Piero 114, 150, 164, 184,<br />

212<br />

Gambacorta, Caterina <strong>165</strong><br />

Gambelli, Delia 200<br />

García García, Bernardo José 243<br />

Garrick, David 124fn30<br />

Gärtner, Theodor 158<br />

Garway, Mrs 144


Garzoni, Tomaso 157, 216–17<br />

La Piazza Universale 74, 93, 96, 97fn37,<br />

121fn12, 158, 207, 216–17, 263<br />

The Hospitall 106, 121fn10<br />

Gassot, Nicole 197<br />

Gaule, John, The Mag-Astro-Mancer 100<br />

Gaywood, R., The harpsichordist Barbara<br />

Urslerin 3<br />

Gellifus, Gellius, <strong>see</strong> Jolly<br />

Gellye, Radulphus 275<br />

Gelosi, <strong>see</strong> <strong>under</strong> troupes<br />

Gentilcore, David 5, 81, 98, 100, 101, 125,<br />

148, <strong>165</strong><br />

Gentili, Alberico 246<br />

Ghent, performers in 101, 276<br />

Gibson, Richard 251fn29<br />

Gilder, Rosamond 26, 28, 199, 206, 275<br />

Gillot, Claude 223fn9<br />

Gillot, Jacques 223<br />

Glaser, Clauß, wife of 110<br />

Glaser (or Flaser), Fritz, daughter of 24–6<br />

Glasse, Hannah, The Art of Cookery<br />

141–2<br />

Glasse, James 98<br />

Glissenti, Fabio, Discorsi Morali 204, 214,<br />

215–16<br />

Gloucestershire, healers and performers in<br />

and of 144, 206<br />

Goethe, <strong>Johann</strong> Wolfgang<br />

Faust 98fn44<br />

‘Wilhelm Meisters theatralische<br />

Sendung’ 261<br />

Golius, Theophilus 179<br />

Goltschmid, Jochum 24, 26<br />

Goltschmid, Ludl Jan 24, 26<br />

Goltzius, Julius, Venetian Magnifico,<br />

Courtesan and Zanni 2<strong>35</strong>, 239, 241<br />

Gonzaga, Francesco 208<br />

Gordan, Madam 89<br />

Gori, Domenico, ‘Trattato contro alle<br />

commedie lascive’ 213<br />

Gosnell, Winifred 258<br />

Gosson, Stephen, Schoole of Abuse<br />

121fn12, 250<br />

Göttner, Anna Ernestina 278<br />

Göttner, <strong>Johann</strong> Georg 278<br />

Gottsched, <strong>Johann</strong> Christoph 261, 265<br />

Goulet, The ‘Hungarian Twins’ 111<br />

Index 345<br />

Gratiano, <strong>see</strong> <strong>under</strong> stock roles<br />

Graz, John Green (actor) in 268<br />

Greca, Caterina Cattani 125<br />

Greco-Kaufmann, Heidy 147<br />

Green, John (actor), troupe 268, 270, 272<br />

Green, John (writer), A Refvtation of the<br />

Apology for Actors 246fn17, 270fn12,<br />

292fn28<br />

Greene, Josua de 5, 8<br />

Greenfield, John, A Compleat Treatise of<br />

the Stone 120fn5<br />

Greenfield, Peter 206<br />

Greer, Germaine 170<br />

Greg, Walter W. 271<br />

Grenoble<br />

Passion 27<br />

quacks from 287<br />

Grimmelshausen, Hans 1, 92, 123, 162,<br />

185<br />

Continuatio 93fn20, 158, 159<br />

Courasche 100–101<br />

Gauckel-Tasche 93 fn20<br />

Simplicissimus Teutsch 74fn4, 93fn20,<br />

126, 130, 158, 191<br />

Vogelnest II 159<br />

Groningen, quacks in 129<br />

Grünthaler, Erhard, friendship album iv<br />

Gryphius, Andreas, Absurda comica<br />

296fn36<br />

Gstach, Ruth 277<br />

Guagnano, healers in 148<br />

Guarini, Giambattista, L’idropica 208<br />

Guarinonius, Hippolytus 221–9<br />

melancholia 227–8<br />

on quacks 224, 225, 228<br />

works<br />

Grewel (incl lazzi descriptions) 37,<br />

74fn8, 84fn22, 121fn10, 138–9,<br />

178, 190, 221, 223–8<br />

In memoria aeterna 224fn11<br />

Pestilentz Guardien 37, 227<br />

Günther, <strong>Johann</strong> Friedrich, wife of 107<br />

Gurtner, Kuno 285<br />

Gwyn, Eleanor “Nell” 260<br />

gypsies and fortune telling 186<br />

Church and municipal opposition 101<br />

costume 79, 81, 101, 241, 243<br />

as carnival mask 220


346 Women, Medicine and Theatre 1500–1750<br />

depicted 64, 100–101, 102–3, 214, 238<br />

fortune-telling and palmistry 9, 64,<br />

100–101, 102, 103, 120, 146–9, 154,<br />

155fn14, 214, 224, 225, 255–6<br />

and healthcare 100, 1<strong>35</strong>, 142–3, 191<br />

literary and stage 100–101, 208<br />

Haacke, <strong>Johann</strong> Caspar 265, 282<br />

Hagenest, Christian 169<br />

Hague, The<br />

actors in 263, 271–2<br />

depictions of and in 77, 193<br />

Haines, Joseph 124<br />

handbill 166–7<br />

wife 166–7<br />

haircare, <strong>see</strong> medical and cosmetic<br />

ingredients and products<br />

‘hairy Maid’, <strong>see</strong> Urslerin<br />

Hakewill, George, The Vanitie of the Eie<br />

245<br />

Hales, Mrs Stephen’s Medicines 150fn67<br />

Hall (Swabia), quacks from <strong>165</strong><br />

Hall (Tyrol)<br />

healers in 224–5<br />

religious stage 30–31, 39<br />

Hamburg<br />

Fair 110, 119, 1<strong>35</strong>, 168, 280, 282<br />

Guild regulations for performers 12, 14<br />

images in 279<br />

itinerant performers and healers in and<br />

of 128–9, 168, 191, 265, 281<br />

Hammer, Carl 33, 42<br />

Hammes, Fritz 42, 157<br />

Hampe, Theodor 4, 89, 101, 109, 110, 123,<br />

279, 287<br />

handbills and playbills 17, 120, 141,<br />

179–80, 188–90<br />

Andreson 128<br />

Bodenburg <strong>165</strong>–6, 182, 183, 189–90<br />

as documentary source 61<br />

Dupont 146<br />

Eisenbarth 128, 168–9, 179, 188<br />

foreign allusions in 127<br />

Gordan 89<br />

Haines 124, 166–7<br />

Hummel 167<br />

‘Innsbruck Comedians’ 277–8<br />

Jolly 277<br />

Kern 188<br />

Kessling 128, 180<br />

Kohn 280<br />

Kriegsman 128, 180, 189–90<br />

literary and stage 126, 128, 153, 156,<br />

161, 188–90, 291–2<br />

literary conventions of 82<br />

Louvain, Gentleman from 173<br />

Louys 128–9, <strong>165</strong><br />

Maris 173<br />

Meyer, H and J P 128–9, <strong>165</strong>, 190<br />

Nitner 133<br />

Norridge 164<br />

Palm 128<br />

promotional aims of 87, 123<br />

Reithinger 128<br />

and religious stage 42<br />

Rudolphi 188, 190<br />

Schmidt 130, 188<br />

Schreiber 180<br />

Searl 164<br />

Senfft 127–8, 189<br />

Stothard 173<br />

Victor 179, 190<br />

Wilmot (Bendo) 153–4, 170–72, 188<br />

Winter 229<br />

wives, noted as healers in <strong>165</strong>–6<br />

‘Zanini’ 128<br />

<strong>see</strong> also quacks, harangues and<br />

monologues<br />

handkerchief <strong>see</strong> audience<br />

Hanssen, Anna Catharina 272, 273<br />

Hanswurst <strong>see</strong> <strong>under</strong> stock roles<br />

harangues, <strong>see</strong> <strong>under</strong> quacks<br />

Harlequin, <strong>see</strong> <strong>under</strong> stock roles<br />

Harris, Walter, Pharmacologia<br />

Anti-empirica 97, 98fn38<br />

Harsnett, Samuel, A Declaration 99–100,<br />

210<br />

Hart, James, The Anatomie of Vrines 144<br />

Hartl, Eduard 45<br />

Harvey, Gideon, The Disease of London<br />

141<br />

Harvey, John, A Discovrsive Probleme<br />

209–10<br />

Harvey, Sambelain 277<br />

Harvy, Lady 259<br />

Hastaba, Ellen 34


Hattori, Natsu 155, 217<br />

Haymarket Theatre, <strong>see</strong> <strong>under</strong> London<br />

Haxel, Heinrich 160<br />

healers<br />

apothecaries<br />

avoidance of ‘quackery’ 123<br />

containers 46–7, 48, 159<br />

depicted 176<br />

legislation and licensing 120, 138, 143,<br />

164, 166<br />

named 56, 99, 130, 142–3<br />

rivalry with physicians 89, 126, 139,<br />

177–8<br />

rivalry with quacks 130, 280<br />

stage and literary 89, 93, 127–8, 149,<br />

151, 155, 164, 290<br />

supplying quacks 124<br />

widows of 164<br />

astrologer 119, 144, 149, 156, 166, 225,<br />

243<br />

dental surgeons, tooth-drawers 63,<br />

120, 125, 137–8, 166, 168, 177–83,<br />

87–92, 263, 280<br />

entertainers 63<br />

handbill 179–80, 182<br />

images 4, 7, 41, 46–7, 56, 62–3, 64–5,<br />

89, 91, 136, 176, 193–4, 195,<br />

200–201, 225, 297, 299<br />

literary and stage 104, 112, 151–2,<br />

183, 187–92, 290<br />

as medical professionals 179<br />

publications by 178–9<br />

wearing or displaying teeth 41, 46–7,<br />

87, 176, 181, 187, 194, 195, 299<br />

women 183–92, 193–4, 195<br />

herb-seller, <strong>see</strong> medical and cosmetic<br />

ingredients and products (herbs)<br />

herniotomist, lithotomist 42, 89, 121,<br />

143, 168–9, 178–9, 181, 185, 284, 287<br />

midwife 89, 128, 224, 251fn27<br />

alcoholic and garrulous 143, 225<br />

criticism of by physicians 136–7, 141<br />

female healthcare, general 9<br />

in London and Vienna 177<br />

quacks, assisting 10, 144<br />

stage 147, 149, 156<br />

nurse<br />

childcare 9<br />

Index 347<br />

and misbirths 89<br />

number, London 177<br />

physicians, assisting 139, 141, 177<br />

quacks, assisting 10, 144<br />

stage 89, 155, 2<strong>35</strong><br />

wetnursing 9, 178<br />

oculist, ophthalmologist 88–9, 1<strong>35</strong>, 139,<br />

<strong>165</strong>–6, 168–9, 178–80, 185, 280, 290<br />

operator 125, 129, 156, <strong>165</strong>–7, 180, 280,<br />

284<br />

physician, doctor<br />

case notes 9, 146<br />

costume 79–82, 85<br />

depicted 134, 176, 199–200<br />

doctoress, ‘Lady Doctor’ 137, 141–2<br />

education of 177<br />

and female healers<br />

employment of 143<br />

opposition to 134, 1<strong>35</strong>–43<br />

praise for 140–41, 150<br />

physical examination of performers<br />

4<br />

and quacks 80, 180<br />

assisted by 128<br />

avoidance of ‘quackery’ 123–4, 132,<br />

171–2<br />

legislation and licensing of 97, 120,<br />

137–8, 166, 178<br />

opposition to 5, 9, 14, 40, 74, 89,<br />

93, 120, 124–6, 130, 137–8, 143,<br />

178, 185, 187, 189, 191, 209–10,<br />

219, 224–5, 280<br />

toleration of 120<br />

stage and literary 23, 25, 30–31, 33,<br />

40, 42–3, 120, 123, 139–40, 147,<br />

149, 155–7, 160–61, 199<br />

and surgeons 14<br />

wives and widows of 160–61, 163–4<br />

snake-catcher, snake-charmer, Pauliani<br />

46–7, 48, 60, 62, 87, 92–3, 94, 96–8,<br />

105, 119, 130, 131, 159, 287<br />

surgeons, barber surgeons 124, 180, 188,<br />

286<br />

female 139, 143, 164<br />

itinerant 99, 167–8, 179, 287<br />

legislation and licensing 97, 138, 164,<br />

177<br />

in London and Vienna 143, 177


348 Women, Medicine and Theatre 1500–1750<br />

military 128, 180<br />

rivalry with physicians 177–9<br />

rivalry with, criticism of, quacks 14,<br />

30, 189<br />

stage and literary 155, 183, 185<br />

wise women, ‘old wives’<br />

economy of speech 149<br />

healthcare activities 133, 136–9, 141,<br />

143, 146–7, 225<br />

literary and stage 146–8, 152, 156<br />

use of veils and screens 137<br />

women healers 2, 1<strong>35</strong>–50<br />

career options 1<strong>35</strong><br />

depicted 134<br />

lone 144, 146–7, 160–61, 163–5<br />

marginalized 5, 9–10, 18, 133, 138–43<br />

worm-purger 185–6, 190, 192<br />

<strong>see</strong> also itinerant performers and<br />

healers; medical and cosmetic<br />

ingredients and products; medical<br />

and cosmetic services, patients and<br />

conditions<br />

Heidemann, Conrades 272<br />

Heinigke, Catharina Elisabetha 168, 169<br />

Heintz, J., A Mountebank Stage on the<br />

Piazza San Marco 232<br />

Heinzel, Richard 45, 54, 56<br />

Heitmüller, Ferdinand 278<br />

Henke, Robert 78, 84, 112, 114, 209<br />

Henker, Michael 51<br />

Henri III, King of France 207<br />

Henrietta Maria, Queen 11, 251–2, 259<br />

Henry IV, King of England 163<br />

Henry VIII, King of England 142<br />

Henslowe, Agnes 271<br />

Henslowe, Philip 271<br />

Herbert, Edward, Occasional Verses,<br />

‘Satyra Secunda’ 211–12<br />

Herbichin, Eleonora 280<br />

herbs, <strong>see</strong> medical and cosmetic<br />

ingredients and products<br />

herniotomy, <strong>see</strong> medical and cosmetic<br />

services, patients and conditions<br />

Herrad of Landsberg, Hortus Deliciarum<br />

33–4<br />

herring, <strong>see</strong> carnival<br />

Herring, Francis 139<br />

Heßelmann, Peter 101<br />

Heywood, John, ‘The Play Called the Four<br />

PP’ 127, 151–2, 156<br />

Heywood, Thomas<br />

An Apology for Actors 245–6, 250,<br />

269–70<br />

Hogs caracter 210<br />

Wise-woman of Hogsdon 146–8, 156<br />

Hicks, T., A Compleat Treatise of Urines<br />

120<br />

Hieke, Karl 110, 128, 168–9, 179, 188<br />

Hildegard of Bingen 27<br />

Ordo Virtutum, possible participation 28<br />

Hill, Brian150<br />

Himantomus, <strong>Johann</strong> Günther,<br />

Harn=Kunst und Quacksalberey<br />

74fn4, 80fn6, 87fn2, 89fn10, 93, 130,<br />

189<br />

histrioni, <strong>see</strong> actors<br />

Hoffmann, Carl Ludwig 265<br />

Hofmann, Anna 278<br />

Hofmann, <strong>Johann</strong> Christian 278<br />

Hofmann, <strong>Johann</strong> Ernst 277<br />

Hofmann, Sibylla Juliana 278<br />

Hofmann, Ursula, <strong>see</strong> Cärer<br />

Hogarth, William<br />

Southwark Fair 89, 248, 250<br />

Strolling Actresses Dressing in a Barn<br />

249, 250<br />

Hogendoorn, Wiebe 262, 265, 269, 283<br />

Holbein, Hans (the Younger), Bilder des<br />

Todes 216fn3<br />

Holl, Karl <strong>35</strong>, 42<br />

Holländer, Eugen 4, 109<br />

Holloway, John 109<br />

Hoppe, Harry R. 275, 276<br />

Hörnigk, Ludwig von<br />

Medicaster Apella 79–80, 124fn28,<br />

132fn69, 137, 187fn24<br />

Politia medica 89, 100, 132fn69,<br />

179fn13, 225fn16<br />

Hôtel de Bourgogne, <strong>see</strong> Paris<br />

Hov, Live 11, 212, 213<br />

Howard, Henry, Earl of Northampton, A<br />

Defensatiue 209<br />

Howard, Sir Robert 140<br />

Howe, Alan 272<br />

Howe, Elizabeth 252, 256, 257, 258, 261,<br />

293


Hrotsvitha of Gandersheim, Passion plays<br />

27<br />

Hüber, <strong>Johann</strong> Christian 110, 280<br />

Hughes, Charles 9fn9<br />

Hulfeld, Stefan 129<br />

Humeaul, Jacques 88<br />

Hummel, Christoph, handbill 167<br />

Hummel, <strong>Johann</strong> Christoff 168<br />

Hummelen, W.M.H. 63, 78<br />

‘Hungarian Sisters’, <strong>see</strong> Cett<br />

Hus, John, Tractatus de precatione Dei 34<br />

improvisation, <strong>see</strong> <strong>under</strong> performance<br />

Inamorata, <strong>see</strong> <strong>under</strong> stock roles<br />

Ingolstadt, performers and healers from<br />

and in 29, 280<br />

Ingram, Reginald W. 255<br />

Innsbruck<br />

court 277<br />

documents in 223–5, 228<br />

‘Innsbruck Comedians’ 277, 278<br />

itinerant performers and healers in and<br />

from 168–9, 278<br />

religious play 40<br />

intermedi, <strong>see</strong> <strong>under</strong> music<br />

Interregnum, <strong>see</strong> <strong>under</strong> London<br />

Ipocras, <strong>see</strong> <strong>under</strong> religious stage<br />

(merchant scene)<br />

Irsigler, Franz 101, 183<br />

Isham, Elizabeth 142<br />

Istanbul, quacks from and in 125–6, 129<br />

itinerant performers and healers 1–19, 125<br />

costume 79–81<br />

couples and widows cover, 7, 17–19,<br />

160, 163–70, 172–3, 193, 279,<br />

282–3, 299<br />

definition 5n7<br />

depictions cover, iv, 7, 13, 41, 44, 46–7,<br />

60, 62–3, 66, 68, 70, 72, 73, 75, 82,<br />

83, 90, 91, 94, 105, 113, 145, 214,<br />

299<br />

establishment attacks on 14, 120, 133<br />

foreign allusions 125–30<br />

friendship books, image source 69<br />

jargon 121, 126<br />

licences 2, 5, 92, 97, 99, 101, 106–7, 110,<br />

120, 1<strong>35</strong>, 163–4, 168, 177, 183, 208,<br />

212, 255, 276, 280, 282–3<br />

Index 349<br />

certificates 6, 7, 41, 44, 64–5, 73–4, 80,<br />

87, 91, 129, 137, 145, 166–7, 176,<br />

280, 287, 299<br />

civic licensing authorities, magistrates<br />

2, 12, 101, 106, 107, 112, 129,<br />

136, 149, <strong>165</strong>, 217, 246, 250, 267,<br />

276, 282, 289<br />

requirements 2, 12, 267–8<br />

supplications for 88, 106, 112, 125, 163,<br />

197, 267–8, 270–72, 277, 279, 282<br />

unsuccessful 12, 101, <strong>165</strong>, 272,<br />

282–3<br />

unlicenced practitioners, performers<br />

1<strong>35</strong>, 138, 142, <strong>165</strong><br />

literary and stage 81, 84, 92, 112, 151–62<br />

on religious stage 33–40, 42–3<br />

loud voices 190<br />

marketing methods 8, 122<br />

medicine chests iv, 65–6, 68, 70, 73–4,<br />

75, 82, 83, 97, 105, 113, 131, 151,<br />

214, 232<br />

baskets, etc 72, 94, 102, 121<br />

products<br />

criticism of 126–7<br />

fake 124<br />

printed 121–2<br />

<strong>see</strong> also medical and cosmetic<br />

ingredients and products<br />

Prussia, prohibition 169<br />

sedentary rivals<br />

blurring of boundaries with 125, 180,<br />

189<br />

economic threat to 8, 14, 30, 79, 120,<br />

158, 219, 268, 285<br />

sources<br />

iconographic 61<br />

textual 61<br />

in theatre history 8<br />

theology students <strong>35</strong><br />

ubiquity 74<br />

women banned 212<br />

women, documentation of 5, 1<strong>35</strong>–6,<br />

163, 270<br />

<strong>see</strong> also actors and actresses; charlatans;<br />

healers; mountebanks; pedlars;<br />

quacks<br />

Jack Pudding, <strong>see</strong> <strong>under</strong> stock roles


<strong>35</strong>0 Women, Medicine and Theatre 1500–1750<br />

Jacob, Fleury 199<br />

Jacobin, Maria Dorothea 1<strong>35</strong><br />

Jakobson, Roman 34<br />

Jägerdorf und Troppau, Eleanore Maria<br />

Rosalia von 140<br />

Jakens, Claire 84, 96, 104, 121, 152<br />

James I and II, Kings, of England 251<br />

Janetzky, Anna Lisa 282<br />

Janetzky, Christian 282<br />

Janota, <strong>Johann</strong>es 30, 40, 42<br />

Jermyn, Henry 259<br />

Jerusalem, temple, depicted 45, 46, 49, 50,<br />

52, 55, 57<br />

Jesuits 16, 112<br />

school plays 14, 228<br />

Jews<br />

healers 79, 137<br />

performers 287<br />

stage 155, 157<br />

Joan of Lee 163<br />

John Posset, <strong>see</strong> <strong>under</strong> stock roles (Jean<br />

Potage)<br />

Johnston, Alexandra F. 50<br />

Jolly, George 262, 269, 275–8, 282, 290<br />

Jones, Colin 125, 177, 179, 183<br />

Jones, Dr George <strong>165</strong><br />

Jones, Harris 270–71<br />

Jones, Inigo<br />

Britannia Trivmphans (co-author)<br />

84fn21<br />

depictions of quacks 82<br />

Jones, Jane Sijburch, <strong>see</strong> Reynolds, Jane<br />

Jones, John, Preseruing Bodie and Soule<br />

143<br />

Jones, Richard 270, 271<br />

Jones, T., harangue of 124<br />

Jonson, Ben 211<br />

Every Man in his Humor 96<br />

Every Man Ovt of his Hvmor 148fn60<br />

Seianvs 123–4fn27<br />

The Alchemist 156<br />

The Silent Woman 258<br />

The Widdow (co-author) 155fn18<br />

Volpone 73fn1, 74fn4, 78, 80, 104, 121,<br />

140, 152–5, 170, 209–10<br />

Jordan, Anna 144<br />

Joubert, Laurent, Erreurs populaires 141,<br />

191fn48<br />

jugglers, <strong>see</strong> performance<br />

Jurina, Kitti 62, 81, 166, 179<br />

Jütte, Robert 16<br />

Kalbergen, Dirk 262<br />

Kalbergen, Elisabeth 262<br />

Kämpfen, Susanna 1<strong>35</strong><br />

Katherine of Sutton, Visitatio 28<br />

Kaysersberg, <strong>Johann</strong>es Geiler von 137, 190<br />

Keller, Adelbert von 33, 42<br />

Kemp, Carl Christian 1<strong>35</strong><br />

Kemp, William 210<br />

Kempten, performers from 2, 3<br />

Kennix, Margaret 133<br />

Kern, <strong>Johann</strong> Tobias Joseph 188, 280<br />

Kerner, Arnold, Iesus Balsamus vegetabilis<br />

133<br />

Kerr, Rosalind 152<br />

Kerwin, William Joseph 133, 155<br />

Kessling, <strong>Johann</strong> 128<br />

dental care 180<br />

kidney stones, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic services<br />

Killigrew, Charles 276<br />

Killigrew, Robert 259<br />

Killigrew, Thomas<br />

at court 259<br />

‘The Parsons Wedding’ (<strong>see</strong> also Pepys)<br />

140fn25, 259–60<br />

patent holder 76, 257, 276<br />

tennis court theatre 76<br />

‘Thomaso’ 97, 148, 152–4, 156, 170<br />

Kindermann, Heinz <strong>35</strong>, 55, 268<br />

King, Roger 5, 62–3, 124–5, 179, 188–9<br />

Kinzelbach, Annemarie 1<strong>35</strong><br />

Kirke, Anne 259<br />

Kitching, Laurence 88<br />

Klairmont-Lingo, Alison 81, 139, 163, 195<br />

Kleinschmidt, Erich 136<br />

Knauer, M.F. 166<br />

Knepp, Mrs 167, 260<br />

Knepper, J. 81, 101<br />

Knight, Mrs 260<br />

Koblenz, quacks in 168<br />

Koch, Ulrich, Susanna 28<br />

Kohn, <strong>Johann</strong> Balthasar Carl 280<br />

Königsberg (Kaliningrad), actors in 283<br />

Korda, Natasha 256, 271


Kossmann, E.F. 262, 263<br />

Kotelmann, Ludwig 137, 190<br />

Kramer, Hans, wife of 24, 26<br />

Krämer, Jörg 285, 288<br />

Kramerin, Endl 24, 26<br />

Kriegsman, <strong>Johann</strong>es 128<br />

dental care 180, 190<br />

handbill 128, 189, 190<br />

Kröll, Katrin 8, 88, 93, 114, 125, 197, 287<br />

Krumau, performers in 278<br />

Kühbacher, Norbert 27fn5<br />

Kuhlmann, Anna Barbara 282<br />

Kuhlmann, Jacob 282<br />

Kuhnau, <strong>Johann</strong> 158, 162, 184<br />

musical career 184<br />

works<br />

Der musicalische Qvack=Salber<br />

184–8, 190–92<br />

Der Schmid 120fn9, 139, 147, 159,<br />

184, 187<br />

Fünf Sinnen 159, 184–5<br />

Kurtz, <strong>Johann</strong> Georg 166<br />

Kynaston, Edward 257–8<br />

Lacy, John, The Dumb Lady 89, 155fn14<br />

Lallemand, Jean-Baptiste, The Toothdrawer<br />

65<br />

Lanck, Hans 104<br />

Lanck sisters 101, 104<br />

Landgraf, <strong>Johann</strong> Augustin <strong>165</strong><br />

Landshut, <strong>see</strong> Paduano<br />

Laroon, Marcellus, Cryes 121–2, 157,<br />

216<br />

‘The Famous Dutchwoman’ 247, 250<br />

Lassotta, Arnold 101, 183<br />

laughter<br />

and folly <strong>35</strong>, 227, 290<br />

involuntary 226, 228, 291<br />

ritual 34<br />

role 5, 36<br />

of spectators 16, 82, 104, 144, 182, 222,<br />

292<br />

therapeutic <strong>35</strong>–6, 88<br />

lazzi, <strong>see</strong> <strong>under</strong> commedia dell’arte<br />

le Blond, Nicolas 199<br />

Le Grand Thomas 125<br />

le Messier, Judicq 197<br />

le Messier, Pierre 197<br />

Index <strong>35</strong>1<br />

Lea, K.M. 78, 84, 97, 106, 109, 155,<br />

209–10, 217, 223<br />

Lebègue, Raymond 196, 200, 223<br />

Lefebvre, Matthieu 199<br />

Legendre, Isabel 275<br />

Lehmann, Dorothea Magdalena 169<br />

Leiden, actors in 263<br />

Leik, Angelika 200<br />

Leipzig<br />

Fairs 5, 92, 106–7, 109–10, 119, 127,<br />

183, 185, 279–80, 282<br />

Mingottis’ theatre 280<br />

music 185<br />

performers and writers from and in <strong>165</strong>,<br />

184–5<br />

theriac from 130<br />

Leonardis, Giacomo, The Charlatan<br />

Troupe (after Tiepolo) 91<br />

Lepusculus, Sebastian, daughters of 28<br />

Lessing, Gotthold Ephraim, Hamburgische<br />

Dramaturgie 261fn32<br />

‘Lily the Pink’ <strong>see</strong> Pinkham, Lydia Estes<br />

Limoges, Sponsus 38–40, 43<br />

Limon, Jerzy 271, 276, 277<br />

Lindemann, Mary 5<br />

Lindow, Wolfgang, Dil Ulenspiegel 29fn10,<br />

34fn6, 287fn13<br />

Lingo, Alison, <strong>see</strong> Klairmont-Lingo<br />

Linke, Hansjürgen 26, 31, 33, <strong>35</strong>, 38, 125<br />

Lipphardt, Walther 38<br />

lithotomists, <strong>see</strong> <strong>under</strong> healers<br />

(herniotomist, lithotomist)<br />

London:<br />

Bartholomew Fair 250–51, 255<br />

Christ’s Hospital 143<br />

cosmetics 122<br />

court performances 251, 259<br />

depictions in and of 3, 7, 15, 64, 70, 72,<br />

105, 145, 232, 237–8, 247–9, 284<br />

documents in 73, 78, 84, 104, 121, 144,<br />

156, 164, 173, 211, 229<br />

healers in 177<br />

Master of the Revels 276<br />

medical supplies to and from 133, 144<br />

Mist’s Weekly Journal 294fn33<br />

performers and spectacle in and from 4,<br />

106, 109–10, 119, 250, 255–6<br />

actresses before 1642 212


<strong>35</strong>2 Women, Medicine and Theatre 1500–1750<br />

British actors from and in 256–61,<br />

270–71, 275–6<br />

foreign actors 208, 280–81, 294<br />

quacks and pedlars in and from 84, 89,<br />

97, 144, 157, <strong>165</strong>–6, 173, 180, 209,<br />

281<br />

Wilmot’s Bendo episode 169–72<br />

Restoration (1660) 11, 153, 208, 251,<br />

257, 263, 276<br />

Royal College of Physicians 133, 138<br />

Royal College of Surgeons 142<br />

Royal Society 150, 258<br />

Southwark Fair 89, 106, 109, 248, 250<br />

theatres<br />

actresses banned before 1642 11,<br />

255<br />

church opposition and antitheatricalism<br />

211, 246, 251–2<br />

closure (Interregnum, 1642–1660) 11,<br />

246, 252, 255–6<br />

Covent Garden 97, 258<br />

Fortune Theatre 254, 256<br />

Haymarket Theatre 106<br />

King’s Players 257, 259–61<br />

Lincoln’s Inn Fields 76, 106, 261<br />

Duke of York’s Players 257–8,<br />

261<br />

patent holders, <strong>see</strong> Davenant,<br />

Killigrew<br />

Restoration stage 152–3, 251, 257–61<br />

semi-private 256<br />

tennis court 76<br />

Lonsdale, Dame Kathleen 258fn15<br />

López de Ubeda, Francisco, La pícara<br />

Justina 157<br />

Lorraine, <strong>see</strong> Beatrix; Christine<br />

Loudune, nuns of 100<br />

loup, <strong>see</strong> <strong>under</strong> costume (masks)<br />

Louvain, quacks from 173<br />

Louys, Jacob 128, <strong>165</strong><br />

Lucca, performers in 27, 211<br />

Lucerne<br />

quacks in 280<br />

religious stage 26, 39, 45, 56<br />

Lupino family 106<br />

Lupino, Georgina 106<br />

Lusini, Caterina 208fn16<br />

Luther, Martin, Fastenpostille 34<br />

Lyly, John, Mother Bombie 148, 156<br />

Lyon, charlatan in 99<br />

McClure, George W. 216<br />

McManus, Clare 251<br />

MacNeil, Anne, 207–8, 2<strong>35</strong><br />

Mabille, Jeanne 138<br />

Madrid<br />

actors in 208–9<br />

literary setting 153, 188<br />

Maffei, Scipio 212<br />

magicians, <strong>see</strong> <strong>under</strong> performance and<br />

spectacle (jugglers and magicians)<br />

Mâle, Emile 50<br />

Mangoldt, Marx 268<br />

Mansfeld, Dorothea von 140<br />

Mantua,<br />

decrees 122, 217<br />

Palazzo del Te 62<br />

performers in and from 74, 207–9,<br />

228–9<br />

<strong>see</strong> also Martinelli; Romano; Scoto<br />

Margherita of Savoy 208<br />

Maria Magdalena, Archduchess of<br />

Habsburg 268<br />

Mariani, Mlle 12<br />

Maris, Elizabeth 173<br />

Maris, Peter 173<br />

Markham, Gervase<br />

Herod and Antipater (co-author) 155<br />

The English Huswife 139fn19<br />

Marks, Jonathan 114, 164<br />

Marlowe, Christopher, Dr Faustus 98<br />

Marsh, A., The Ten Pleasures of Marriage<br />

141<br />

Marston, John 210<br />

Iacke Drums Entertainment 156fn24,<br />

228fn27<br />

‘Satyre X’ 210fn25<br />

Martinelli, Antonio 108, 109<br />

Martinelli, Caterina 208<br />

Martinelli, Drusiano 208, 210<br />

Martinelli, Tristano “Arlecchino” 74,<br />

122fn16, 198, 200, 208–10, 217fn10,<br />

276<br />

Martino, Alberto 226<br />

Martius, Friedrich 169<br />

Marvell, Andrew, ‘To his worthy friend


Dr Wittie’ 140<br />

Mary of Modena 251<br />

Mary, Antonio Camillo 129<br />

masks, <strong>see</strong> <strong>under</strong> costume<br />

Massaria, Alessandro 227<br />

Massinger, Philip, The Beggar’s Bush<br />

(co-author) 257<br />

Master of the Revels 276<br />

mastickár, <strong>see</strong> <strong>under</strong> religious stage<br />

(merchant scene)<br />

Mathews, Anne 164<br />

Matthews, Leslie 97, 106, 133, <strong>165</strong><br />

Matthioli, Pietro Andrea 92–3, 97<br />

I Discorsi 93<br />

Mazarin, Cardinal 112<br />

mazarinade (1649) 112, 122<br />

medical and cosmetic ingredients and<br />

products<br />

Album græcum 140<br />

alcohol, 141–2, 150, 176, 224–5<br />

amber oil 180<br />

amulets 9, 132, 1<strong>35</strong>, 139, 144, 146, 151,<br />

152<br />

anodyne necklace 144<br />

antidotes 93, 96–7, 121, 124, 129–30,<br />

132–3<br />

terra sigillata 93, 133<br />

antimony 121, 224fn13<br />

Aquam saphiricam 189<br />

‘Atavan’ 287<br />

balm, balsam, wound and burn<br />

ointments 97, 106, 112, 122–4, 126,<br />

129–30, 154, 159, <strong>165</strong>, 179–80<br />

‘Balsamick styptick’ 123<br />

Balsami vitæ 130, 188<br />

Balsamum mundi 185<br />

Balsamum sulphuris compositum 189<br />

‘Jesus vegetable balsam’ 133<br />

‘War balm’ 119<br />

bezoar stone 130, 132, 133<br />

coffee 144, 153<br />

coral 133, 191<br />

Emplastrum Corallum 168<br />

cosmetics 1, 69, 121–3, 128–9, 1<strong>35</strong>,<br />

139–40, 166–7, 180, 190, 222<br />

and dental care 190<br />

literary and stage 42, 122–3, 152, 154,<br />

170, 190<br />

Index <strong>35</strong>3<br />

‘Cowards’ comfort’ 154, 186<br />

‘Croilus’ 287<br />

‘Dafyes Elixir’ 142<br />

dental products 63, 178–81, 182, 183,<br />

189<br />

false teeth 157, 179, 181<br />

powders 122–3, 128, 1<strong>35</strong>, 167, 178–80,<br />

187–8, 190–91<br />

toothbrush 188<br />

distribution networks for 144<br />

dragon water 121<br />

drugs 9, 16, 97, 121–2, 151–2, 156, 164,<br />

178–9<br />

Electuarium vite 126<br />

Elettuario Grimaldi 164<br />

Elixir Fiorauantyne 121<br />

Elixir Proprietatis 144<br />

Elixir Salutis 142<br />

eyeglasses 46–7, 121, 176<br />

‘Famous Pills’ 164<br />

Flux Neptha 127–8, 189<br />

‘Friendly Pills’ 124, <strong>165</strong><br />

‘Gerovital H-3’ 150<br />

green-salve 140<br />

hair products 42, 71, 123, 128, 153,<br />

166–7, 190<br />

hartshorn 133, 191<br />

herbs 23, 88, 121, 130, 132, 1<strong>35</strong>, 137–8,<br />

147, 156, 161, <strong>165</strong>, 186, 280, 290<br />

Angelica 129–30<br />

Cowslip water 121<br />

Lapidis alchimiæ 179, 190<br />

literary and stage 23, 88, 121, 147, 156,<br />

161, 186, 290<br />

Love potions, literary and stage 132,<br />

154–6, 170–71<br />

Medicinal de Germania 129<br />

medicine chests, <strong>see</strong> itinerants<br />

Miraculum mundi 180<br />

mithridate 121, 126, 130<br />

mummia, mummy 132<br />

Oglio del Scoto 121<br />

‘Oil of the Sun’ <strong>165</strong><br />

Oleum Benedictum 126, 128<br />

Oleum Sanctum 126<br />

Oleum Virtutum 126<br />

Opiate 167<br />

Orviétan 164


<strong>35</strong>4 Women, Medicine and Theatre 1500–1750<br />

panacea 97, 129, 144, 224–5<br />

Panacea catholica 188, 190<br />

pearl 126–7, 191<br />

perfume 122–4, 229<br />

phoenix 132, 151, 186<br />

Pilgrims’ salve 97<br />

Pinkham’s Vegetable Compound 150<br />

plasters 121–2, 124, 126, 144, 166–8, 189<br />

Emplastrum miraculosum 166<br />

pomatum 122–3, 166<br />

powders 73–4, 106, 122–3, 126, 128, 141,<br />

179, 192, 210<br />

Arabian, Cyprus 128<br />

literary and stage 122, 153–4<br />

<strong>see</strong> also <strong>under</strong> dental products<br />

purgative 124, 138, 144, 146, 169, 185<br />

rhubarb 126–7, 130, 142<br />

St John’s Wort oil 128<br />

skin products 123, 152–3, 166–7, 171, 190<br />

snake meat 93, 98, 130<br />

soap 121–3, 126, 166–7, 190–91, 226<br />

spices 23, 37–9, 128, 130, 164, 189<br />

Spiritus Mundi 133<br />

syrups 138, 141<br />

theriac (treacle) 62, 73, 80, 96, 126–7,<br />

129, 130, 133, 137, 143, 151, 159,<br />

176, 178–9, 181, 190, 287<br />

tinctures 139, 157<br />

‘Tinctur of the sun’ <strong>165</strong><br />

Tinctura Solaris 188<br />

truss 121, 1<strong>35</strong><br />

unguents 23, 38, 42, 121–2, 126, 140,<br />

152, 192<br />

unicorn horn 130, 132–3<br />

Usnea 132<br />

vermifuge 87, 126, 139, 144, 179<br />

medical and cosmetic services, patients<br />

and conditions<br />

abortions 136, 142, 147<br />

ache, headache 129, 139, 148, 179<br />

bad breath 167, 171, 179–80, 183, 188,<br />

190<br />

bashful women, referred to quack’s wife<br />

<strong>165</strong>–6, 169, 172<br />

cataracts 121, 287<br />

conjoined twins, <strong>see</strong> performance<br />

counselling 9, 42, 147, 150<br />

deafness 164<br />

dental care <strong>see</strong> <strong>under</strong> healers (dental<br />

healers); medical and cosmetic<br />

ingredients and products (dental<br />

products)<br />

dream and mole interpretation 148,<br />

172–3<br />

fever 133, 148, 159, 283<br />

green sickness 171<br />

herniotomy, <strong>see</strong> healers<br />

hypertrichosis, <strong>see</strong> Urslerin<br />

infertility 144, 146, <strong>165</strong>, 169, 171–2<br />

kidney stones, cure 149–50<br />

matchmaking 147, 149<br />

melancholia 63, 159, 227–8<br />

occult healing 9, 132, 153<br />

pest control (fleas, rats, etc) 176, 179<br />

placebo effect 130, 150, 225<br />

plague 14, 28, 126, 141, 184, 224<br />

raising of the dead 87, 97, 99, 154,<br />

185–6<br />

smallpox 141, 171<br />

urine diagnosis 138, 169<br />

depictions 7, 82, 143, 145, 176, 297<br />

female practitioners and assistants 45,<br />

120, 138, 143, 169<br />

performative 89<br />

stage and literary <strong>35</strong>, 42, 44, 45, 48,<br />

146–9, 155<br />

vessels 46–7, 48, 145<br />

venereal disease, ‘French pox’ 121, 124,<br />

132, 171<br />

wound healing 42, 97, 124, 130, 1<strong>35</strong>,<br />

154, 168, 185<br />

<strong>see</strong> also healers; medical and cosmetic<br />

ingredients and products<br />

medical establishment 10, 14, 88, 89, 121,<br />

133, 141, 149, 155, 258fn15; <strong>see</strong> also<br />

healers<br />

Medici, Ferdinando I de’ 207, 2<strong>35</strong><br />

Medici, Ferdinando II de’ 212<br />

medicine and theatre 2, 99, 119<br />

overlap 63, 279–80<br />

performative marketing 1, 87<br />

medieval drama, <strong>see</strong> religious stage<br />

Medina, Josefa 107<br />

Medio, Tommaso, Epirota 96, 121<br />

Meissner, <strong>Johann</strong>es 92, 268, 271<br />

Memling, Hans, Passion of Christ 55, 57<br />

Memmingen, itinerant performers and<br />

healers in 110, 280


Menninger, <strong>Johann</strong> Matthias 281<br />

merchant scene, Mercator, <strong>see</strong> <strong>under</strong><br />

religious stage<br />

Mercurio, Scipione, Errori populari 79,<br />

84fn22, 114, 123fn24, 129, 132–3, 141,<br />

178fn7, 209fn19<br />

Merian, Margareta 28<br />

Merry Andrew, <strong>see</strong> <strong>under</strong> stock roles<br />

Metz, Mystère de Sainte Catherine 27<br />

Meyer, Hermann and wife 129, <strong>165</strong>, 190<br />

Meyer, <strong>Johann</strong> Paul 128, 129<br />

Meyer, Wilhelm 39<br />

Michael, Wolfgang F. 30, 54, 56, 58<br />

Middleton, Thomas<br />

The Roaring Girle (co-author) 164, 254,<br />

256<br />

The Widdow (co-author) 155fn18<br />

midwife, <strong>see</strong> <strong>under</strong> healers<br />

Milan<br />

licensing regulations 114, 217<br />

performers in 4<br />

stage quacks in 40<br />

Milentz, Christina 106<br />

Milton, John, An Apology 252<br />

Mingotti, Angelo 280<br />

Mingotti, Pietro 280fn25<br />

Mingotti, Regina 280fn25<br />

Mist’s Weekly Journal, <strong>see</strong> <strong>under</strong> London<br />

Moders (Carleton), Mary 258–9<br />

Möhrmann, Renate 283<br />

Mohun, Michael 257<br />

Molinari, Cesare 55<br />

Mondor 112, 113, 114<br />

‘Il Monferino’ 99, 228<br />

Monk, James 164<br />

monkeys, <strong>see</strong> <strong>under</strong> performance and<br />

spectacle, animals<br />

Mons Passion (1501) 27<br />

monsters, monstrous births, <strong>see</strong> <strong>under</strong><br />

performance and spectacle<br />

Montagu, Walter, Shepherd’s paradise 251<br />

Montaiglon, Anatole de 96<br />

Monteverdi, Claudio, Arianna 208<br />

Moryson, Fynes, Itinerary 9, 12, 73, 74,<br />

78, 80, 84, 93, 114, 129, 181, 211, 243,<br />

269<br />

Moser, Heinz 224<br />

Mossock, Ann 255<br />

Index <strong>35</strong>5<br />

mountebanks 8–10, 61–115<br />

Cavendish on 1, 8–19<br />

Coryat on 96<br />

early modern usage 97, 124, 143–4, 146,<br />

210<br />

Evelyn on 97, 99, 125<br />

licence-holder 276<br />

literary and stage 81, 100, 153, 155<br />

meaning 5n7, 62<br />

Moryson on 74, 80, 114<br />

Oberndorf on 80<br />

Rastell on 104<br />

Whetstone on 17, 96, 229<br />

<strong>see</strong> also actors and actresses;<br />

itinerant performers and healers;<br />

performance and spectacle; stages<br />

and venues; troupes<br />

Mueller, Joseph Ferdinand 265<br />

Muir, Lynette 26, 38<br />

Mülder, J.J. 276<br />

mummy, <strong>see</strong> medical and cosmetic<br />

ingredients and products<br />

Mundy, Peter 107<br />

Munich<br />

images and documents in 55, 60, 106,<br />

109, 280<br />

performers in and from 107, 279–80,<br />

282<br />

at court 262, 281<br />

Muri Easter Play 30–31, 38<br />

music<br />

castrati 212, 262<br />

and the church 14, 28<br />

and education of girls 260<br />

English troupes 269, 277, 291–2<br />

German troupes 282<br />

instruments 69, 81, 88, 104, 112, 207,<br />

222, 260<br />

bagpipes 41, 90, 185, 248<br />

cello 77<br />

Colascione 104<br />

drum 248<br />

flute 77<br />

guitar 237<br />

harp 104, 105, 222<br />

harpsichord 2, 3, 212<br />

lute iv, 66, 83, 84, 104, 105, 185, 222,<br />

236–7, 239, 256


<strong>35</strong>6 Women, Medicine and Theatre 1500–1750<br />

tambourine 90<br />

trumpet 180<br />

viola, violin, lira di braccia 60, 68, 72,<br />

75, 77, 94, 96, 102, 104, 220, 222<br />

wind 180<br />

intermedi 207–8<br />

mountebank music 81–2, 84, 88, 104,<br />

114, 181, 192, 222<br />

depicted iv, 6, 66, 68, 72, 75, 83, 94,<br />

102, 105<br />

opera 208, 212, 256, 258, 262, 280–81<br />

sinful 217<br />

therapeutic 88, 227–8<br />

<strong>see</strong> also performance and spectacle<br />

mystery plays, <strong>see</strong> religious stage<br />

Nagler, A.M. 51<br />

Nancy<br />

Quacks in 287<br />

St Barbe 27<br />

Naples, healers and legislation in and from<br />

120, 164, 229<br />

Narrenliteratur, <strong>see</strong> <strong>under</strong> folly and fools<br />

(folly literature)<br />

Narrenschiff, <strong>see</strong> Brant<br />

Naseli, Alberto 243<br />

Nash, Thomas<br />

Pierce penilesse 209<br />

The Vnfortvnate Traveller 210fn22<br />

Nelson, Alan H. 55, 252<br />

Neri del Fantasia, Filippo, troupe 280<br />

Neuber, Caroline (Weissenborn) 261,<br />

264–6, 281, 283<br />

Neuber, <strong>Johann</strong> 264–5<br />

Neumann, Bernd 26, 29, 50<br />

Neumeister, Mirjam 45, 62, 63<br />

Newall, Venetia 11fn15<br />

Newcastle, Duke of, <strong>see</strong> Cavendish<br />

Nicolini, Filippo 281<br />

Nicolini, Francis 106, 281<br />

Nicolini, Madelen 281<br />

Nicoll, Allardyce 26, <strong>35</strong>, 39, 52<br />

Niedner, Helmut 31<br />

Niemeyer, Charles 195<br />

Nitner, Andreas 133<br />

Noozeman, Anna 263<br />

Noozeman, Gillis 262, 263<br />

Noozeman, Jan 263<br />

Noozeman, Maria 262<br />

Nordsieck, Reinhold 52, 55–6<br />

Norridge, Mrs 164<br />

Norton, Thomas 211<br />

Norwich, performers in 106, 109, 225<br />

Nuremberg,<br />

documents in 128, 188, 279<br />

itinerant performers in 101, 106, 109,<br />

268, 276, 279<br />

St Martha’s Church, performances in<br />

27, 211<br />

nurse, <strong>see</strong> <strong>under</strong> healers<br />

Oberndorf, <strong>Johann</strong><br />

on mountebanks 80<br />

The Anatomyes 139fn17<br />

occult healing, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic services<br />

O’Day, Rosemary 163, 251<br />

Ogden, Dunbar H. 48, 52<br />

opera, <strong>see</strong> <strong>under</strong> music<br />

Orgel, Stephen 82, 84<br />

Origny St Benoîte, Ludus paschalis 27<br />

Ortelius, Sigmundus, friendship album,<br />

images 72<br />

‘Orvietano’, <strong>see</strong> <strong>under</strong> stock roles<br />

Ottonelli, Giovan Domenico, ‘Della<br />

Cristiana Moderazione del Teatro’<br />

112, 1<strong>35</strong>, 136fn3, 213, 215, 229<br />

Overbeck, Jacob 110<br />

Overbury, Thomas, Characters 100,<br />

138fn12, 143fn36, 163fn1, 216fn6<br />

Ovid, Pyramus and Thisbe 296fn36<br />

Oxford<br />

documents in 9, 12, 62, 73–4, 77, 78, 80,<br />

84, 93, 107, 111, 113, 114, 129, 134,<br />

181, 211, 243, 254, 269<br />

Exeter College, student play at 252<br />

quacks in 97, 170<br />

Pader, Jorg 30<br />

Pader, Marx 25, 30<br />

Pader, Michael 30<br />

Pader, Plasy, daughter of 25, 26, 30<br />

Padua<br />

depictions 242<br />

performers in 76, 223, 225, 227–8<br />

physicians in 227<br />

Paduano, Alessandro, Inamorata and<br />

Zanni 230, 233


Paleotti, Gabriello, Cardinal, ‘Alcune<br />

ragioni’ 213<br />

Palm, W.F. 128<br />

palmistry, <strong>see</strong> <strong>under</strong> gypsies and fortune<br />

telling<br />

Paludan, J. 281, 282<br />

panacea, <strong>see</strong> medical and cosmetic<br />

ingredients and products<br />

Pandolfi, Vito 104, 121, 152, 207, 223<br />

Pantaleon, Heinrich, Zacheus 28<br />

Pantalone, <strong>see</strong> <strong>under</strong> stock roles<br />

Paris,<br />

Cavendish in 11<br />

Confrerie de la Passion 195–6, 199<br />

Hôtel de Bourgogne 112, 195–6, 199,<br />

200<br />

images in and of 103, 194, 198<br />

medical ingredients from 128, 130, 133<br />

performers and healers in and from 4,<br />

40, 92, 104, 112, 114, 125, 138, 164,<br />

177, 195–200, 211–12, 223, 272<br />

Pont Neuf, mountebanks on 125<br />

Royal College of Surgeons 92<br />

Park, Katharine 4, 62, 93, 107, 146, 164<br />

Parker, Triael 262<br />

Pasquati, Giulio 207<br />

Passion plays, <strong>see</strong> <strong>under</strong> religious stage<br />

pastoral plays, <strong>see</strong> <strong>under</strong> performance and<br />

spectacle<br />

patients and clients, <strong>see</strong> audiences; medical<br />

services<br />

Pauliani, <strong>see</strong> <strong>under</strong> healers (snake-catcher)<br />

Paullini, Christian Franz 189<br />

Paulsen, Anna 281<br />

Paulsen, Carl Andreas 281, 282<br />

Paulsen, Elisabeth 281<br />

Paumgartner, Balthasar, Briefwechsel 27,<br />

211, 268<br />

Payne, John 263<br />

Peadle, Jacob 270<br />

pedlars 4, 6, 13, 17, 23, 100, 106, 143, 151,<br />

157, 176, 179, 185, 190, 225, 238<br />

Pelling, Margaret 170<br />

Pellizzari, Isabella 208<br />

Pellizzari, Lucia 208<br />

Pepys, Samuel 110, 167, 257, 260–61<br />

on actresses 257–61<br />

Diary 4, 110, 256–61<br />

Index <strong>35</strong>7<br />

performance and spectacle 87–115<br />

<strong>acrobats</strong>, tumblers 12, 104, 106, 119,<br />

210, 228, 255, 268, 279<br />

bad reputation 250–51<br />

in Cavendish 1<br />

church condemnation 246, 250<br />

costume 79, 240, 250<br />

depicted 77, 88, 108, 109<br />

in Garzoni 216–17<br />

in Platter 76, 197, 222<br />

animals 92, 93, 96<br />

apes, baboons, monkeys iv, 2, 65, 77,<br />

80, 81, 91, 92, 114, 153, 158, 161,<br />

185, 236, 238, 249<br />

baiting 92<br />

bears 92<br />

camels and dromedaries 1, 92, 110<br />

crocodile 93, 96<br />

dogs 90, 92<br />

exceptional 115, 161, 251, 255, 282<br />

fleas 92<br />

lions 1, 89, 92<br />

lizard 93, 96, 98, 161<br />

marmot 92, 161, 185<br />

raven, burning (literary) 288<br />

snake, <strong>see</strong> healer<br />

spider 93, 98, 120, 156<br />

toad 89, 93, 156, 287<br />

anti-masque, masque 36, 82, 84, 251<br />

‘commercial breaks’ 5, 119, 120<br />

conjoined twins 107, 108, 109–10, 111<br />

dance and dancers<br />

in Beer 286<br />

in Cavendish 9, 11, 12<br />

and commedia dell’arte 205<br />

‘Dance of Death’ 216<br />

depicted 6, 13, 90,<br />

English troupes 268<br />

in Garzoni 216–17<br />

gypsies 100<br />

in intermedi of 1589 207<br />

on itinerant stages 9, 11–12, 76, 88,<br />

106, 112, 205, 222, 264, 281<br />

jig 153, 260–61<br />

in Laroon 121<br />

Papal opposition 212–13<br />

in Pepys 258, 260–61<br />

<strong>see</strong> also rope dancers


<strong>35</strong>8 Women, Medicine and Theatre 1500–1750<br />

dangerous stunts 69, 87, 95, 96–100,<br />

284, 287<br />

decapitation 87, 95, 98, 222<br />

dwarfs 106, 110, 251, 280<br />

exorcism, exorcists 99–100, 137<br />

fortune telling, <strong>see</strong> gypsies and fortune<br />

telling<br />

giants 110<br />

horse-riding 101, 119<br />

improvisation<br />

actresses 213<br />

on amateur London stage 263<br />

in Shakespeare 210<br />

stage fools 261, 294, 296–7<br />

<strong>see</strong> also commedia dell’arte; religious<br />

stage (merchant scene)<br />

jugglers and magicians 1, 10, 42, 87–8,<br />

98–101, 104, 107, 132, 137, 140,<br />

146–7, 156, 197, 209, 246, 282<br />

map of locations 22<br />

monsters, misbirths 89, 109<br />

pastoral plays 197, 216, 222, 251, 262,<br />

277<br />

pantomime 106, 114, 280–81, 292<br />

play within a play 30, <strong>35</strong>, 159, 160, 210,<br />

252, 295–6<br />

puppets 65, 88, 93, 101, 125, 157, 261,<br />

279, 283<br />

rope dancing, tight and slack; “flying”<br />

in Beer 287–9<br />

Bernoin 99, 286–7<br />

Calabron 250<br />

in Cavendish 1<br />

Chiarini 119<br />

Church opposition 224, 246<br />

depictions 77, 247–8, 284<br />

Eckenbergin 279<br />

Eulenspiegel 287<br />

Fritzen 169<br />

Hüber 110<br />

Jewish 287<br />

in London 250–51, 276<br />

Mariani 12<br />

Milentz 106<br />

Nicolini 106<br />

in Norwich 106<br />

in Paris 112<br />

Saftry, ‘Famous Dutchwoman’ 247,<br />

250<br />

Violante 106<br />

in Zurich 246, 250<br />

strongmen and –women 106–7, 181, 279<br />

tennis 243<br />

<strong>see</strong> also stages<br />

<strong>see</strong> also actors and actresses; Carnival<br />

and Lent; commedia dell’arte;<br />

mountebanks; music; religious stage<br />

performance map 22<br />

performative<br />

marketing, medicine 1, 8, 87<br />

performative-medical spectrum 4, 8,<br />

115, 119<br />

techniques 5, 36<br />

perfumes, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Pernell, Jane 164<br />

pest control, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic services<br />

Petrioli, Nicola, troupe 280<br />

Pfarrkircher, Lienhard 31<br />

Phialas, P.G. 97, 106<br />

physicians, <strong>see</strong> healers<br />

Pickelhering, <strong>see</strong> <strong>under</strong> stock roles<br />

Picot, Emile <strong>35</strong>, 79, 88, 92, 121<br />

pictures, as historical evidence 45–58,<br />

61–9, 233<br />

Piercy, John 144<br />

Piisimi, Vittoria 207, 208, 217, 263, 275<br />

Pineda, Juan de, ‘Discorso’ 213<br />

Pinkham, Lydia Estes (‘Lily the Pink’)<br />

150fn67<br />

Pistorius, Gottfried 276<br />

placebo effect, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic services<br />

plasters, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Platter, Felix, Felix Platter Tagebuch 28,<br />

56, 222<br />

Platter, Thomas I 222<br />

Platter, Thomas II, Thomas Platter 73–4,<br />

76, 78, 84, 92, 98, 122, 129, 136, 180,<br />

196–7, 200, 205, 221–3, 225, 229, 298<br />

Plattner, Sabine Elisabeth 184<br />

playbills, <strong>see</strong> handbills<br />

plot outlines, <strong>see</strong> commedia dell’arte<br />

(scenarios and plays)<br />

Plummer, Mrs 144<br />

‘Poccetti’ (Bernardino Barbatelli) 2<strong>35</strong>


Pomata, Gianna 125, 146, 164<br />

pomatum, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Ponteus, John 84, 97<br />

Ponti, Diana 212<br />

Porcacchi, Thomaso 207<br />

Portalupo, Giacomo 243<br />

Porter, Roy 5, 126, 150, 163<br />

Posset, John; Povtaige, Ian, <strong>see</strong> <strong>under</strong> stock<br />

roles (Jean Potage)<br />

powders, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Poynting, Sarah 259<br />

Prague<br />

actors in 279–81<br />

documents in 66<br />

St George Convent, Visitatio sepulchri<br />

27<br />

St Vitus Cathedral 34<br />

Prato<br />

healers in 146<br />

religious stage 27<br />

Primrose, James, Popular Errours 97,<br />

124fn29, 130, 132–3, 134, 140–41<br />

Prince of Wales’s Company 272, 276<br />

Printz, Wolfgang Caspar, ‘Autobiographie’<br />

158, 181<br />

Prombli, Humphari 107<br />

prostitutes, <strong>see</strong> <strong>under</strong> actors and actresses<br />

(actresses)<br />

Prunius, <strong>Johann</strong> Heinrich 279<br />

Pruniussin, Anastasia 279<br />

Prynne, William, Histrio-Mastix 246, 250,<br />

251–2<br />

puppets, <strong>see</strong> <strong>under</strong> performance and<br />

spectacle<br />

purgatives, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Puschmann, Claudia 282<br />

quackery, definition 5<br />

quacks, quacksalvers 8, 119–201<br />

in Adair 5, 142<br />

definitions 5, 8, 17, 137, 185, 192<br />

early modern usage 96, 106, 123–4<br />

harangues and monologues<br />

Anon, Harangues 124, 167, 172<br />

in Behn 154<br />

Index <strong>35</strong>9<br />

Il Ciarlone 152<br />

in Heywood 151–2<br />

in Jonson 104, 152<br />

in Killigrew 153<br />

in Kuhnau 187, 190, 192<br />

literary and stage 17, <strong>35</strong>–7, 40, 42, 92,<br />

151, 153, 158<br />

parodied 36, 143<br />

in Platter 222<br />

in Weise 128, 161, 186<br />

in Overbury 138, 163<br />

in Ramesey 138, 144, 148, 256<br />

The character of a Quack-Doctor 10, 153<br />

In Whitlock 141, 143<br />

<strong>see</strong> also handbills; itinerant performers<br />

and healers; pedlars; stage and<br />

venues; troupes<br />

Quarles, Francis 256<br />

The Virgin Widow 148–9, 155–6<br />

Quast, Pieter Jansz, Quack Couple<br />

Treating a Patient 193<br />

Rabelais, François 1, 157<br />

Gargantua and Pantagruel 34, 100,<br />

148–9, 153, 159, 187<br />

Raber, Vigil 29<br />

Bozen Passion Play (1514) 23, 24–5, 28,<br />

33<br />

actresses 26, 29<br />

historiography 51–2<br />

interpretations 48, 50, 52, 54–6<br />

Judas role 29<br />

‘scenic clusters’ theory 54, 55, 58<br />

stage plan 48, 49, 50–58<br />

<strong>see</strong> also Bozen<br />

carnival plays 33<br />

Ludus Pascalis 30<br />

‘Rabers Passion’ 29<br />

merchant scene 31<br />

Zendprecherey 27<br />

widow of 29<br />

Rademin, Carl 279<br />

Rademin, Heinrich 278<br />

Rainolds, John, Th’overthrow of Stageplayes<br />

246<br />

Ramesey, William, Quack-astrologer 138,<br />

144, 148fn60, 256fn7<br />

Ramponi, Virginia 208


360 Women, Medicine and Theatre 1500–1750<br />

Ramsey, Matthew 119, 140, 163, 164<br />

Randolph, Thomas, Aristippvs 98fn44,<br />

133, 155fn14<br />

Rands, Thomas, Pax in Crumena, ‘The<br />

Quack’ 124fn30<br />

Ranke, Friedrich 31<br />

Rastell, John, The Third Booke 74fn4,<br />

76fn11, 78fn18, 79, 88, 104, 121fn14<br />

Ravenscroft, Edward<br />

Dame Dobson 149, 156<br />

Scaramouche a Philosopher 166<br />

Re, Emilio 206<br />

Recueil Fossard, <strong>see</strong> Stockholm<br />

rederijkerkamer, <strong>see</strong> Rhetoricans’<br />

Chambers<br />

REED (Records of Early English Drama)<br />

50, 252fn32, 255fn3<br />

Regensburg<br />

and Beer 286–9<br />

Cathedral 289<br />

depictions of 284<br />

Gymnasium Poeticum 286<br />

performers and healers in and of 109,<br />

128, 168, 180, 281, 284, 286, 288–9<br />

Regnard, Julien 164<br />

Reithinger, <strong>Johann</strong> Georg 128<br />

religious stage, Easter and Passion mystery<br />

plays<br />

actresses in 23–9<br />

convent plays 27–8, 218<br />

depictions 32, 46–7, 49, 50–51, 53<br />

Jesuit school plays 14, 228<br />

map of locations 22<br />

The Martyrdom of St Apollonia 51, 53<br />

merchant (quack) scene<br />

(Salbenkrämerspiel) 37–40, 41–2<br />

Biblical origins 37<br />

Bozen Passion Play (1514) 29–31<br />

as burlesque Resurrection analogue<br />

34<br />

censorship 39<br />

commedia dell’arte, parallels 17, 36, 43<br />

convent performances 27–8<br />

criticism of 33–4<br />

dramatic function 34–5<br />

Erlau Easter play 40, 42, 163<br />

expansion of 40<br />

as folly literature 36<br />

Hall Passion (1511) 31<br />

improvisation 30, 36, 40, 43<br />

Ipocras 31, 33<br />

Latin content <strong>35</strong>, 38–40<br />

mastickár 23, 34<br />

Medica, uxor medici 25, 30–31, 40, 42<br />

Medicus 23, 25, 30–31, 38, 40, 42<br />

Mercator 23, 38<br />

multi-level success <strong>35</strong>–6<br />

origins 37–9<br />

as play within a play <strong>35</strong><br />

as profane contrast <strong>35</strong><br />

quack couple 17–19, 31, 33, 36, 38,<br />

40, 42–3, 48, 63, 191, 206<br />

‘Rabers Passion’ 31<br />

Rubin 17, 30, 31, 33, 36, 40–43, 154<br />

sanitization of 31<br />

Seckau play 38<br />

Spanish origin 39<br />

standardization 40, 42<br />

stock characters 36<br />

Mystère de Sainte Catherine, Metz 27<br />

Le Mystère des Trois Doms, actresses<br />

in 28<br />

Sponsus 38<br />

Visitatio sepulchri 23, 27–8, 37–9, 42–3<br />

Katherine of Sutton 28<br />

possible origin of merchant scene 37<br />

St George Convent, Prague,<br />

performance 27<br />

Rencia, Anna 212<br />

Restoration, <strong>see</strong> London<br />

Reval (Tallinn), itinerant performers and<br />

healers in 88, 263<br />

Reynolds, Jane 271–2<br />

Reynolds, Robert 106, 272<br />

Rhetoricans’ Chambers (rederijkerkamer)<br />

44, 45, 63, 262<br />

Ricchi, Agostino, I tre Tiranni 170<br />

Richards, Kenneth and Laura 114<br />

Richards, Mr, Mrs, and Company 12fn18<br />

Riedler, Wullffgang 280<br />

Riemer, <strong>Johann</strong>es,<br />

‘Der politische Maul=Affe’ 185–6,<br />

190fn47<br />

‘Die politische Colica’ 161<br />

Riewald, J.G. 271, 272, 275, 276<br />

Riga, performers in 263, 283


Rigal, Eugène 196<br />

Rinaldi, Tommaso <strong>165</strong><br />

Rinaldo 207<br />

Ringli, Goffried, Master-Servant-Woman<br />

Trio 71<br />

Rinuccini, Ottavio, Arianna (librettist) 208<br />

Rist, <strong>Johann</strong> 277<br />

Die Aller Edelste Belustigung 263<br />

Rivani, Giovanni 228<br />

Robin, Helena and William 92<br />

Rochester, <strong>see</strong> Wilmot<br />

Roloff, Hans Gert 29, 30, 31, 51<br />

Romano, Giulio, Palazzo del Te,<br />

decoration 62<br />

Romans, religious play 28<br />

Rome,<br />

depictions of 76<br />

documents in 234, 240–41, 244<br />

itinerant performers and healers from<br />

and in 4, 16, 99, 114, 206–7, 210,<br />

212–13, 243<br />

legislation of 98<br />

in the Piazza Navona 99, 114<br />

Rommel, Otto 157, 279, 280<br />

rope dancers, <strong>see</strong> performance<br />

Rosenfeld, Sybil 294<br />

Rossi, Bartolomeo, Fiammella 223<br />

Rothenburg, actors in 271, 277–8<br />

Rotnpuecher, Cristofferus 25, 26<br />

Rowe, William 263, 272, 276<br />

Rowlands, Samuel, Looke to It 138, 216<br />

Rowley, William, A Shoo-maker a<br />

Gentleman 156<br />

Royal Society, <strong>see</strong> London<br />

Rubens, Peter Paul 11fn16<br />

Rubin, <strong>see</strong> religious stage<br />

Rudin, Bärbel 5, 8, 14, 92, 106–10, 119,<br />

1<strong>35</strong>, 168, 183, 265, 277–83<br />

Rudlin, John 78<br />

Rudolphi, Hanna 278<br />

Rudolphi, <strong>Johann</strong>es Andreas, handbill<br />

188, 190<br />

Rueff, Hans 52<br />

ruffiana, <strong>see</strong> <strong>under</strong> stock roles<br />

Ruffin, Estienne 197, 199<br />

Russell, Elizabeth <strong>165</strong><br />

Russell, John <strong>165</strong><br />

Ruster, Jorg 25, 26<br />

Index 361<br />

Ruster, Maria 24, 26<br />

Rutebeuf<br />

De la goutte en l’aine <strong>35</strong>–7<br />

Li diz de l’erberie <strong>35</strong>–7, 79, 88, 121<br />

Miracle de Théophile <strong>35</strong><br />

Sachs, Hans, Eygentliche Beschreibung 176<br />

Sachsen, Anna von 140<br />

Sackville, Thomas 14, 268–70<br />

Saftry, Mrs Cornelius 247, 250<br />

St Apollonia, depictions of 51, 53, 62,<br />

187<br />

St Barbe, <strong>see</strong> Nancy<br />

St Denis, Bishop of Alexandria 62<br />

St Dominic’s Fair, <strong>see</strong> <strong>under</strong> Danzig<br />

St George Convent, <strong>see</strong> <strong>under</strong> Prague<br />

St John’s Wort, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic ingredients and products<br />

St Paul 93<br />

Pauliani 93<br />

The conversion of St Paul 56<br />

Salbenkrämerspiel, <strong>see</strong> religious stage,<br />

merchant scene<br />

Salisbury<br />

conjoined twins in 109<br />

healers in 126<br />

Salmon, William 144; <strong>see</strong> also<br />

Diemerbroeck<br />

Salomona, Angela 208<br />

Salzburg, quacks in and from 128, 288<br />

Sambucus, Ioannis, Emblemata 60<br />

Sampson, William, Herod and Antipater<br />

(co-author) 155fn17<br />

Sanduhr Inn, <strong>see</strong> <strong>under</strong> Frankfurt<br />

Santorelli, Antonio, Il Protomedico<br />

Napolitano 120fn8<br />

Sarat, Agnan 194, 195–7, 200, 201, 198<br />

Saslow, James M. 207, 208<br />

Saubert, <strong>Johann</strong>, Emblematum sacrorum<br />

131<br />

Savino, Marsilio 209<br />

Scala, Flaminio 229<br />

Il Teatro 73fn1, 78fn19, 84, 121fn10,<br />

152, 226fn21, 243fn10<br />

Scarlet, Tomazine 138<br />

Scarron, Paul, Roman Comique 157–8<br />

scenarios (plot outlines), <strong>see</strong> commedia<br />

dell’arte; Scala


362 Women, Medicine and Theatre 1500–1750<br />

‘scenic clusters’, <strong>see</strong> <strong>under</strong> religious stage<br />

‘Schambitasche’, ‘Schampatas’, <strong>see</strong> stock<br />

roles (Jean Potage)<br />

Schenckbecher, Jean, friendship album of<br />

299<br />

Schenda, Rudolf 140, 189<br />

Schindler, Otto 223<br />

Schipke, Renate 31, 40<br />

Schletterer, Daniela 265<br />

Schlosser, Els 25, 26<br />

Schlosser, Oswalt 25, 26<br />

Schmid, Dorothea 110<br />

Schmidt, Matthias, handbill 130, 188<br />

Schnifis, Laurentius von 277<br />

Schoevaerdts, Mathys, Northern<br />

Fairground 6<br />

Scholte, Jan Hendrik 158<br />

Schön, Lucas 181<br />

Schönemann, <strong>Johann</strong> Friedrich 265, 278<br />

Schopfer, Stoffl 29<br />

Schott, Heinz 62, 189<br />

Schouwburg theatre, <strong>see</strong> Amsterdam<br />

Schramm, Petra 123, 128, 132<br />

Schreckin, Juliana <strong>165</strong><br />

Schreiber, <strong>Johann</strong>es 180<br />

Schrickx, Willem 104, 272<br />

Schuch, Franziskus 278<br />

Schuchin, Barbara 278, 279, 280<br />

Schultz, Christian Ferdinand 281<br />

Schultzin, Josepha 281<br />

Schulz, Monika 31<br />

Schupbach, William 63, 187<br />

Schwartz, I.A. 114<br />

Schwarz, <strong>Johann</strong> Friedrich 278<br />

Schwarz, Peter 277<br />

Schwarz, Rebecca 277–8<br />

Scolnicov, Hanna 231<br />

Scoto, Dionisio 209–10<br />

in Johnson’s Volpone 80, 152–3<br />

oglio del scoto 121<br />

Scott, Virginia 197, 206<br />

Scuto, Cristofferus, <strong>Johann</strong>es, Martine<br />

and Sigmundus 25, 26<br />

Searl, Margaret 164<br />

Seckau play, merchant scene 38<br />

Securis, John, A Detection and Querimonie<br />

126<br />

Seelman, Wilhelm 121<br />

Senfft, <strong>Johann</strong> Baptista<br />

handbill 127–8, 189<br />

troupe 127<br />

Sergelin, Mme 183<br />

Seymour, Dorothy 259<br />

Shadwell, Thomas 140, 156<br />

The Humorists 155–7<br />

The Sullen Lovers 140, 229fn33<br />

Shakespeare, William<br />

All’s Well That Ends Well 156–7<br />

Antony and Cleopatra 93<br />

As You Like It 36<br />

Comedy of Errors 100<br />

Hamlet 210, 258, 270<br />

Macbeth 170<br />

Midsummer Night’s Dream 296fn36<br />

Romeo and Juliet 93<br />

The First Part of Henry IV 210<br />

The Merry Wives of Windsor 146<br />

The Winter’s Tale 157<br />

Twelfth Night 146, 224–5<br />

Shapiro, Michael 255<br />

Shepherd, Anne 251<br />

Shesgreen, Sean 121–2, 142, 157, 250<br />

Shirley, Anthony 210<br />

Shirley, James 256<br />

Love Trickes 261<br />

The Bird in a Cage 155fn14, 252<br />

The Sisters 155<br />

Shirley, Robert 210<br />

Shirley, Thomas 210<br />

Sicily<br />

medicine from 127–8<br />

performers in 112, 229<br />

Siebenkees, <strong>Johann</strong> Christian 268<br />

Siena, actors from and in 206, 209<br />

Siena, Kevin P. 163, 173<br />

Silesia<br />

performers in 101, 280–81<br />

Terra sigillata 133<br />

Siller, Max 33, 38<br />

Silvette, Herbert 16, 140, 150, 155<br />

Simm, Teresa 26<br />

Simon, Eckehard 50<br />

Simon of Bologna 207<br />

Sixtus V, Pope 212<br />

skincare, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products (skin<br />

products)


Skinner, Sabrina 187fn24<br />

Smidts, Elisabeth 270<br />

Smith, Jane 255<br />

Smith, Josiah 109<br />

snakes, snake-charmers, <strong>see</strong> <strong>under</strong> healers;<br />

medical and cosmetic ingredients and<br />

products<br />

Snart, Mrs Elizabeth 144<br />

soap, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Sola Pinto, Vivian de 170<br />

Solothurn, itinerant healers in 280<br />

Sonnet de Courval, Satyre contre les<br />

charlatans 74, 80fn6, 96–7, 104, 139<br />

Sorio, Oratio, I Forestieri 223<br />

Souches, Mme 89<br />

Southwark Fair, <strong>see</strong> <strong>under</strong> London<br />

Souvray, Thérèse (‘Mme Bébé) 110<br />

Spandau, <strong>see</strong> <strong>under</strong> Berlin<br />

spectacle, <strong>see</strong> performance and spectacle<br />

spectators, <strong>see</strong> audience<br />

Speede, Nathan 271, 272<br />

Speede, Samuel 272<br />

Spencer, John and wife 269, 271<br />

spices, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Spichtig, Peter, Three Kings 157<br />

Spiegelberg, <strong>Johann</strong> Christian 265<br />

Spiritus Mundi, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic ingredients and products<br />

Sponsler, Claire 115<br />

Sponsus, <strong>see</strong> religious stage<br />

Sprengel, Peter 226<br />

stage fool, <strong>see</strong> stock roles (Fool)<br />

stages and venues<br />

bench or table 62, 65, 74, 76, 78, 114,<br />

152, 155, 213, 215, 222<br />

churches, monasteries 27–8, 30–31,<br />

34,52, 54, 211, 262, 289<br />

curtained booth stage 6, 44, 45, 232<br />

hired rooms 12, 76, 130, 163, 166–7<br />

home visits, private house performances<br />

157, 166, 172, 256, 280<br />

marketplace 28, 51, 56, 74, 76, 112, 114,<br />

125, 128, 154, 160–61, 184–8, 190,<br />

201, 222, 229, 280, 288–9, 297–8;<br />

<strong>see</strong> also fairs<br />

perspective stage 55, 58, 64, 198, 244<br />

Index 363<br />

public inn 10, 14, 144<br />

religious 32, 45–58, 46, 49<br />

tennis court theatres 76, 77, 222, 272<br />

trestle stages iv, 7, 9, 13, 19, 45, 66, 68,<br />

70, 72, 73–4, 75, 76, 78, 82, 83, 91,<br />

94, 96, 100, 102, 105, 114, 123, 201,<br />

213, 214, 215, 229<br />

windows, theatrical significance 12, 185,<br />

267<br />

Stalpert, Jacob 272<br />

Stanislas, King of Poland 110<br />

Stapleton, Thomas, A Fortresse 114<br />

Stapylton, Sir Robert, The Slighted Mayde<br />

258<br />

Starck, Andreas, Harmspiegel 89, 143fn41<br />

Starke, Christian 276<br />

Statz, Carl August 166<br />

Steen, Jan, The Charlatan 145<br />

Steinbach, Rolf <strong>35</strong><br />

Steinertin, Maria 107<br />

Steinmetz, Ludwig Ernst 279<br />

Steinmetzin, Maria Elisabita 279<br />

Steinz, Elisabeth 279–80<br />

Stellberger, <strong>Johann</strong>, wife of 107<br />

Stephens, Joanna 149–50<br />

Stephenson, Marjory 258fn15<br />

Sterzing (Vipiteno)<br />

archival records in 29, 49<br />

Council Chamber 27<br />

‘Osterspiele’ 27<br />

performers, artists and writers from and<br />

in 23, 27, 29<br />

Stevenson, Matthew, The Twelve Moneths<br />

143<br />

Stichler, Carl 129, <strong>165</strong><br />

Stöberin, Catharina Helena 110<br />

stock roles, literary characters, stage<br />

names, carnival masks<br />

actress-servant-master trio 17–18, 36,<br />

43, 66, 68, 71, 85, 206, 209, 215,<br />

2<strong>35</strong>, 236–7, 239, 297–8<br />

Arlecchino, Arlequin, <strong>see</strong> Harlequin<br />

Chinachine 133, 160–61, 191, 225<br />

Colombine 278<br />

Cupid 82, 83,154, 236, 238<br />

devils 34, 53, 81, 227, 286, 289<br />

Eulenspiegel, Till 28–9, 34, 287<br />

Dil Ulenspiegel 28–9, 32, 34, 157, 287


364 Women, Medicine and Theatre 1500–1750<br />

Flaminia 240<br />

Fool 61<br />

Beer on 286, 289, 291–7<br />

Bernoin 289<br />

Carnival 246<br />

Cavendish on 8–12, 14, 16<br />

and commedia dell’arte 67, 81, 206,<br />

209, 227, 261, 264–6<br />

depicted 145, 238, 247<br />

English 210, 261, 264–6, 269–70, 279<br />

Jack Fool 16<br />

Kemp 210<br />

Killigrew 154<br />

and itinerant healers 80–81, 84, 114<br />

and religious stage 36, 42<br />

Shakespeare 36<br />

Franceschina 208–9, 212, 2<strong>35</strong>, 238<br />

Gratian 84, 228, 238<br />

Hanswurst 261, 265, 278–9, 281<br />

Harlequin 36, 64, 74, 81, 84, 97, 124,<br />

153, 166, 198, 200, 209, 248, 261,<br />

264–5, 276, 281, 286, 294<br />

Inamorata 17, 205–14, 231<br />

costumes 234–5, 240–41<br />

depicted iv, 66, 68, 71–2, 105, 230,<br />

236–7, 242, 244<br />

Jack Pudding 114, 269<br />

Jack Tumbler 251<br />

Jean Potage 14, 16, 36, 81, 286, 291–2<br />

Ian Povtaige 13, 14<br />

Sackville ‘John Posset’ 14, 269–70<br />

‘Schambitasche’, ‘Schampatas’ 15, 16<br />

Merry Andrew 81<br />

‘Orvietano’ 97, 112<br />

Pantalone, Magnifico 71, 84, 105, 206–7,<br />

209, 215, 222, 226, 233, 236–9,<br />

240–41<br />

Pasquella 152<br />

Pickelhering 36, 81, 264, 286<br />

Beer’s account of 291–7<br />

Janetzky 282<br />

Jolly 277<br />

quack assistant 289<br />

Vincent 271<br />

ruffiana 227, 233, 2<strong>35</strong>, 238<br />

Schambitasche’, ‘Schampatas’, <strong>see</strong> Jean<br />

Potage<br />

Tabarin, Tabarino 112, 113, 114, 223<br />

Zan Bragato, Bragetta<br />

actresses 98, 197<br />

depicted 220<br />

quack activity 129, 180<br />

reputation 223<br />

troupe 73, 76, 84, 180, 222–3<br />

venues 76, 78<br />

Zan Ganassa 243<br />

Zanini 128<br />

Zanni and derivatives iv, 36, 66, 68,<br />

71–2, 75, 81–2, 83, 84–5, 94, 96,<br />

98, 102, 105, 112, 113, 114, 153,<br />

206, 209, 215, 222, 226–9, 230, 233,<br />

236–7, 239, 240–41, 242, 244<br />

Stockholm<br />

performers in and from 14, 262–3<br />

Recueil Fossard 198, 199–200, 234<br />

Stothard, Mrs 173<br />

Stranitzky, Joseph Anton 157, 279<br />

Stranitzky, Maria Barbara 157<br />

Strasbourg<br />

depictions in 299<br />

Fair 125<br />

performers and healers in 88, 120, 125<br />

Straub, Georg 67, 71<br />

Striggi, Alessandro 74<br />

St Serfe, Thomas, The Coffee House<br />

153fn10<br />

Stubbe, Henry, Rosemary and Bayes<br />

98fn38<br />

Stubbes, Phillip, The Anatomie of Abuses<br />

250, 255fn6, 270fn12, 292fn28<br />

Stuttgart<br />

actors at court of 282<br />

documents in 83, 136fn.4, 242<br />

sumptuary regulations, <strong>see</strong> costume; crossdressing<br />

Suppan, Wolfgang 30, 40, 42<br />

supplications <strong>see</strong> <strong>under</strong> itinerant<br />

performers and healers (licences)<br />

surgeons, <strong>see</strong> <strong>under</strong> healers<br />

Sustris, Friedrich, Inamorata and Zanni<br />

230<br />

Svejkovský, František 34<br />

‘T’, A Plain and Practical Discovery<br />

124fn32, 191fn52<br />

‘Tabarin’, ‘Tabarino’, <strong>see</strong> <strong>under</strong> stock roles<br />

Tallin, <strong>see</strong> Reval


Tambi, Lazzaro 81<br />

Tatham, John, The Distracted State<br />

155fn14, 256<br />

Tayler, Robert 255<br />

Telle, Joachim 140<br />

Templin, Prokop von 101<br />

tennis courts, <strong>see</strong> stages and venues<br />

Terrada, María Luz López 107, 129<br />

theatre<br />

and medicine 2, 99, 119<br />

overlap 63, 279–80<br />

in medieval life 50<br />

<strong>see</strong> also performance and spectacle;<br />

stages and venues<br />

theriac, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Thermot, James 170<br />

Thévenot, Le Mystère des Trois Doms 28<br />

Thirty Years War (1618–48) 101, 272<br />

Thompson, C.J.S. 89, 138, 142, 150, 164,<br />

<strong>165</strong>, 173<br />

Thoran, Barbara 26<br />

Thorian, Johan 276<br />

Thurnher, Eugen 29<br />

Tiepolo, Giovanni Domenico<br />

The Charlatan Troupe (engraving after)<br />

73, 91<br />

Female Mountebank 90<br />

Tilburg, Cornelis à 156<br />

tinctures, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Tissier, André 73, 96, 151<br />

Tolet, Dr Pierre 81<br />

Tomlinson, Sophie 1, 9fn9<br />

tooth-drawers, <strong>see</strong> <strong>under</strong> healers (dental<br />

surgeons)<br />

Topsell, Edward, Historie of Serpents 93<br />

Toursin, Wilhelm, wife of 107<br />

Townshend, Aurelian, Tempe restord<br />

251fn29<br />

Trautmann, Karl 106, 114, 157, 197,<br />

262–3, 269, 271, 277–9, 281, 283<br />

Treadwell, Nina 208<br />

Trépau, Rachel 199<br />

Treu, Maria Clara 281<br />

Treu, Michael Daniel 281<br />

trio, comic stage, <strong>see</strong> actors (actressservant-master<br />

trio)<br />

Index 365<br />

troupes<br />

English<br />

in Beer’s Maul-Affen 290–98<br />

in German regions 106, 261–4, 271–3,<br />

275–8<br />

in London 257<br />

French 99, 196–7, 199–201, 206, 263,<br />

275<br />

German 84, 106, 127, 160, 168–9, 264–6,<br />

267, 277–83<br />

Italian 18, 106, 112, 195, 200, 205–13,<br />

215, 218, 228–9, 252, 264, 267,<br />

280–81, 294<br />

Cavendish on 8–16<br />

Confidenti 209, 212, 218, 2<strong>35</strong><br />

Desiosi 212<br />

expulsion from Antwerp 14<br />

Fedeli 208, 228<br />

Gelosi 195–6, 207, 208, 212, 218, 238<br />

in Padua 225–7<br />

Uniti 229, 2<strong>35</strong><br />

Zan Bragetta’s 73, 76, 84, 180, 222–3<br />

Zan Ganassa’s 243<br />

Netherlandish 246, 261–3<br />

tumblers, <strong>see</strong> performance and spectacle,<br />

<strong>acrobats</strong><br />

‘Tumbling Lassie’ 106<br />

Tylus, Jane 231, 267<br />

Uhlich, Adam Gottfried 278<br />

Ulich, Eleonore Constantia 281<br />

Ulich, <strong>Johann</strong> August 281<br />

Ulm, performers and healers from and in<br />

12, 24, 119, 128, 166, 267–8, 280<br />

Umbach, Jonas 123<br />

Ungerer, Gustav 256<br />

unguents, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

unicorn horn, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic ingredients and products<br />

Uniti, <strong>see</strong> <strong>under</strong> troupes (Italian)<br />

Uphill, Susanna 140<br />

urine diagnosis, <strong>see</strong> <strong>under</strong> medical and<br />

cosmetic services<br />

Urslerin, Barbara 2, 3, 107<br />

descriptions of 4<br />

usnea, <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products


366 Women, Medicine and Theatre 1500–1750<br />

Utrecht, performers in 272, 276<br />

Valencia, performers in and from 107, 129<br />

Valenciennes Passion 27, 28, 56<br />

Valentin, Jean-Marie 226<br />

Valentini, <strong>see</strong> Mingotti<br />

Valeran le Comte troupe 199, 200, 275<br />

performance 196–7<br />

Valerini, Adriano 207<br />

Valmy-Baysse, Jean 196, 197, 206<br />

van Angillis, Pieter, The Quack Stage 64<br />

van Beck, <strong>Johann</strong> Michael 3, 4<br />

van de Velde, Jan, Market Scene 7<br />

van de Venne, Adriaen, Acrobats in the<br />

Tennis Court Theatre. 77<br />

van den Bergh, Adriaen 262<br />

van den Bergh, Ariana 262<br />

van Diemerbroeck, Ysbrand 146<br />

van Fornenbergh, Cornelia, Dorothea and<br />

<strong>Johann</strong>a 263<br />

van Fornenbergh, Jan Baptist 262–3<br />

van Helmont, <strong>Johann</strong>es Baptista 144<br />

van Lee, Susanna 262<br />

van Leyden, Lucas 136<br />

van Oploo, Anna 281<br />

Vanbrugh, John, The Confederacy 157<br />

Vautrel, François 199<br />

veils, <strong>see</strong> costume<br />

Velten, Anna Elisabeth 282<br />

Velten, Catharina Elisabeth 264, 279, 281,<br />

282, 283<br />

Velten, <strong>Johann</strong>es 281<br />

Velten troupe, clerical opposition to 283<br />

Veltruský, Jarmila 33–4<br />

Venice 14, 152<br />

Carnival 70, 74, 232<br />

courtesans 2<strong>35</strong>, 239<br />

depictions of 14, 70, 71, 76, 82, 105,<br />

204, 214, 232, 239, 241<br />

female practitioners in 164, 183<br />

itinerant performers and healers in and<br />

of 74, 78, 84, 96, 122, 158, 206–7,<br />

209, 212, 215–17, 226, 280<br />

medicines and recipes from 126–8, 130,<br />

133, 140<br />

Venier, Colombe 199<br />

Venier, Marie 199<br />

vermifuge <strong>see</strong> <strong>under</strong> medical and cosmetic<br />

ingredients and products<br />

Verrucci, Vergilio, Le Schiave 223<br />

Vetrier, Jean 164<br />

Vettoria 112<br />

Vich religious play 38, 43<br />

Victor, Adam 179, 190<br />

Vienna<br />

Easter Play 40<br />

images in iv, 131<br />

performers and healers in and from 107,<br />

157, 166, 170, 177, 277, 281<br />

Stranitzky’s theatre 157<br />

Turkish occupation (1683) 293<br />

Villiers, Eleanor 259<br />

Villingen (formerly Donaueschingen)<br />

Passion 45<br />

Villon, François 34<br />

Vincent, George 270, 271<br />

Violante, Rosina 106<br />

Violante, Signora 106, 294<br />

Vipiteno, <strong>see</strong> Sterzing<br />

Visitatio, <strong>see</strong> <strong>under</strong> religious stage<br />

Vladislaus of Poland, King 271<br />

Vockerodt, Gottfried 286<br />

Voetius, Gysbertus 269<br />

Vogeln, Günther 189<br />

Vossische Zeitung, <strong>see</strong> <strong>under</strong> Berlin<br />

Wackernell, J.E. 23, 26, 29, 30, 31, 45, 54<br />

Walsh, Martin W. <strong>35</strong>, 37<br />

Walsingham, Sir Francis 133<br />

Waltherin, Margaretha 101<br />

Ward, Mary 262fn36<br />

Ward, Seth, Vindiciae Academiarum<br />

98fn38<br />

Warning, Rainer 34<br />

Warsaw, performers in 270–71<br />

Wasserfuhr, Maria 62, 63<br />

Waterman, Eefelet, Mary and Martha 109<br />

Waterman, Mary 109<br />

Watson, Goody 271<br />

Wayde, John (Waydt) 276, 290<br />

Weinsberg, Drutgin 101<br />

Weise, Christian 133, 158–9, 191, 295<br />

Curiositäten Krähmer 160, 292fn27<br />

‘Der Politische Qvacksalber’ 133, 151,<br />

160–62, 185, 186, 191, 225<br />

Erznarren 128fn49, 132fn71 159, 160,<br />

186<br />

‘Tobias’ 159–60, 162, 184, 295


Weise, Elias 158<br />

Weissenborn, Caroline <strong>see</strong> Neuber,<br />

Caroline<br />

Weissenfels, writers and performers at the<br />

court of 158, 161, 286, 287<br />

Wells, Susan 9<br />

Welsch, Hieronymus 4<br />

Wheeler, Susan 4, 109<br />

Whetstone, George, Heptameron 17fn26,<br />

76fn12, 96, 229<br />

Whitlock, Richard, Observations 78fn19,<br />

87, 121fn10, 126, 141, 143, 187fn21<br />

Wickham, Glynne 26<br />

Wiley, W.L. 196, 199<br />

Williams, Mrs 144<br />

Wilmot, John, 2nd Earl of Rochester 153<br />

handbill 153–4, 170–72, 188<br />

mountebank impersonation 170, 172<br />

Bendo, Alexander 154<br />

Bendo, Mrs 172<br />

Wilson, John, The Cheats 89fn10, 144,<br />

155fn14, 156<br />

windows, <strong>see</strong> <strong>under</strong> stages and venues<br />

Winter, Salvator 229<br />

Winter, William 124<br />

Wirth, Ludwig 42<br />

Wiseman, Sue 212<br />

wise women, <strong>see</strong> <strong>under</strong> healers<br />

witches and witchcraft 9, 10, 14, 18, 101,<br />

120, 137, 143, 146–9, 170, 191, 224<br />

Wolfenbüttel<br />

actors in and from 14, 270<br />

documents in<br />

civic legislation 120, 137–8, 178<br />

depictions 204, 214, 216, 239<br />

diary of Ferdinand Albrecht I 114<br />

Index 367<br />

handbills 112, 123, 128–30, 133,<br />

<strong>165</strong>–6, 179–80, 182, 183, 188–90<br />

Mazarinades 112, 122, 164<br />

religious play 39<br />

Woodward, Daniel 144<br />

Wormius, Olaus 133<br />

Worm-purger, <strong>see</strong> <strong>under</strong> healers<br />

Worms<br />

Act of 1582: 120<br />

Act of 1609: 137, 178<br />

Worp, J.A. 276<br />

Wrage, <strong>Johann</strong>es 99<br />

Wustmann, Gustav 5 fn8, 8 fn<br />

Wyatt, Ioane 255<br />

Wycherley, William, The Country-wife<br />

155fn14<br />

Wyman, A.L. 138, 140, 142, 143, 163, 164,<br />

177<br />

Wynne-Davies, Marion 1<br />

Young, Karl 26, 34, 37–9<br />

Zampelli, Michael A. 217, 262<br />

‘Zanini’, Zanni, <strong>see</strong> <strong>under</strong> stock roles<br />

Zell, quacks in 128, <strong>165</strong><br />

Zeller, Peter 250<br />

Zielske, Harald 48<br />

Zimmermann, Paul 270<br />

Zittau<br />

documents in 158–60, 184, 292<br />

Gymnasium Augusteum 158, 184<br />

<strong>Johann</strong>iskirche 184<br />

<strong>see</strong> also Weise; Kuhnau<br />

Zorn, Gottfried 264<br />

Zurich, itinerant performers and healers in<br />

and from 129, <strong>165</strong>, 245–6, 250, 280

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