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visions of mughal india - The Ashmolean Museum

visions of mughal india - The Ashmolean Museum

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VISIONS OFMUGHAL INDIAfor their disclosure <strong>of</strong> the artist’s first ideas andworkings. It is also – like so many <strong>of</strong> his Indianpictures — a work <strong>of</strong> unusually large size.<strong>The</strong> most gifted Pahari artist <strong>of</strong> the mideighteenthcentury was Nainsukh <strong>of</strong> Guler.For much <strong>of</strong> his career he worked for theminor nobleman Balwant Singh <strong>of</strong> Jasrota,and the unusually close understanding thathe developed with his patron is evident in hismany intimate and psychologically revealingstudies <strong>of</strong> the Raja’s daily life. One <strong>of</strong> the twoworks in the collection certainly attributableto Nainsukh is the elongated hunting scene,in which Balwant Singh and other nobles onhorseback surround a huge and defiant tiger.Other slightly later works, either by Nainsukhor his close followers, are the Disrobing <strong>of</strong>Draupadi, a restrained and elegant rendering <strong>of</strong>a famous scene <strong>of</strong> thwarted sexual humiliationfrom the Mahabharata, set against a boldlystriped durree; and a sensitive fragmentarystudy <strong>of</strong> some Pahari travellers singing by thewayside. Balwant Singh hunts a tigerGuler, Punjab Hills, c.1750. Attributed to Nainsukh9www.ashmolean.org

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