Conville & Walsh Ltd
Conville & Walsh Ltd
Conville & Walsh Ltd
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BOTTLES<br />
Sarah Hall<br />
Praise for THE ELECTRIC MICHELANGELO<br />
Shortlisted for the Man Booker Prize 2004<br />
Longlisted for the Orange Prize for Fiction 2004<br />
Shortlisted for the Prix Femina 2004<br />
Here is a writer of heart-stopping genius<br />
– GUARDIAN<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Hall is a writer to indulge, and her sensuous, poetic prose is every bit as evocative as sand poured from a pocket<br />
at the end of a holiday<br />
– DAILY MAIL<br />
Influenced by the paintings of Giorgio Morandi and the early writings of Camus, and written with a<br />
passionate understanding for the grand artistic follies and small-scale, un-catalogued triumphs of men<br />
and women, this novel is a wise exploration of the existential, of human emotion and endeavour.<br />
Italy, in the early 1960s: a reclusive painter dying from lung cancer considers the sacrifices and losses<br />
that have made him an enigma, both to strangers and those closest to him. He begins his last Still-Life<br />
painting, using the same objects that he has for the entire span of his career – a small group of<br />
bottles.<br />
Not long afterwards a local blind girl tends his grave, trying to understand the world that she can no<br />
longer see, and wondering whether the presence she feels nearby is God or the Devil.<br />
In Cumbria, 30 years later, a young art student – who received letters from the Italian recluse – is a<br />
painter and eccentric himself, as well as a husband and father, but he has reached a point in life<br />
where reality and imagination have begun to bleed together.<br />
And in London, now, a woman struggles to cope with the sudden loss of her twin brother as she<br />
curates an exhibition of artists’ personal effects.<br />
Covering half a century, collecting together several unusual narratives, portraits and ideas, and<br />
tracking the strange journey of one of the original still-life bottles, this fierce novel is about people<br />
and art, about how we are consoled and draw meaning from our lives, and about the legacies we<br />
choose to make.<br />
Sarah Hall was born in Cumbria in 1974 and lived there until she left home at the age of 18 to study<br />
for a degree in English and art history at Aberystwyth University. She took a master’s degree in<br />
creative writing a few years later at St Andrews University and stayed on for a year to teach in the<br />
university’s undergraduate creative-writing programme. Her first novel, HAWESWATER, was published<br />
by Faber in 2002 and won the Commonwealth Writers Prize for Best First Novel. Her second novel,<br />
THE ELECTRIC MICHELANGELO, also published by Faber, was shortlisted for the 2004 Man Booker<br />
Prize.<br />
UK Publisher Faber<br />
Delivery Autumn 2006<br />
UK Publication Spring 2007<br />
Length 80,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
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