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<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Iqbal Ahmed Maria Alvarez Anil Ananthaswamy<br />
Will Ashon The Estate of Francis Bacon Helen<br />
Batten Mike Barfield Neil Barrett Francesca<br />
Beauman Belle de Jour Marcus Berkmann Tess<br />
Berry Hart Sarah Bilston Piers Bizony Neil<br />
Boorman Carrie-Anne Brackstone Ken Bray<br />
Charlotte Brontë Martin Brookes Michael Brooks<br />
John Burningham Laura Bushell Alex<br />
Butterworth Colin Butts Michael Bywater<br />
Warwick Cairns Kate Cann John Carbone Rita<br />
Carter Helen Castor Timothy Chappell Lucinda<br />
Clare Stuart Clark Matthew Cobb Kevin Conroy<br />
Scott Lewis Crofts Mark Collier Gerry Cottle<br />
Judith Cook Michael Cordy Jane Cumberbatch<br />
Debra Daley Tom Darling Mike Dash Tom<br />
Dewe Matthews Ben Donald Matt Dunn Kevin<br />
Dutton John Emsley Steve Erikson Edzard Ernst<br />
Amanda Eyre Ward Benoit Faucon Pedro<br />
Ferreira Thomas Fink Kitty Fitzgerald Saul<br />
Frampton David Friend Jill Fullerton-Smith Katy<br />
Gardner Christine Garwood John Geiger Emma<br />
Gieben-Gamal Misha Glenny Salena Godden<br />
Brendan Grant Colin Grant Matthew Green Siski<br />
Green Emma Griffin Amanda Groom Sarah Hall<br />
Martin Harrison Chris Hart Alastair Hazell<br />
Dermot Healy Sandra Hempel Michael Hodges<br />
Tom Holland James Holland Leo Hollis Carl<br />
Honoré Sebastian Horsley Simon Ings Delia<br />
Jarrett Macauley Brett Kahr Richard T Kelly<br />
Daren King Paul Kingsnorth Stephanie Klein<br />
Lutz Kleveman Timothy Knapman Erich Krauss<br />
Askold Krushnelnycky Manjit Kumar Peter<br />
Lamont Chris Lavers Jill Lewis PJ Lynch Celia<br />
Lyttleton Adrian Maddox Andrew G Marshall<br />
Paul Mason Hisham Matar Mark Medish Robert<br />
Mighall Adrienne Miller Arthur I Miller Harland<br />
Miller Joshua Mowll Kay MacCauley Hector<br />
Macdonald Wendy Moore Russell Myrie John<br />
Naish William Napier John Niven Peadar<br />
O'Guilin Jerry Oppenheimer Ruth Padel<br />
Douglas Palmer Sophie Parkin Paul Parsons<br />
Katie Pearson DBC Pierre Matthew Polly Gavin<br />
Pretor-Pinney Rebecca Ray Gill Reavill Candace<br />
Robb Philip Robinson Mark Sanderson Pamela<br />
Satran Nicolas Saunders Saira Shah Tahir Shah<br />
Colin Sharp Niamh Sharkey Brian Schofield<br />
Nicky Singer Simon Singh Alan Smith Michael<br />
Smith Vince Smith Ian Stewart Simon Stoddart<br />
Bruna Surfistinha Steve Taylor David Thomas<br />
Ana Tortajada Catherine Townsend Tim<br />
Tzouladis Ian Urbina Katherine Vaz Harriet<br />
Vyner Steve Voake Amanda Eyre Kathy Watson<br />
Mark Watson John Whitfield Ben Wilson<br />
Richard Wiseman Adam Wishart Tod Wodicka<br />
Isabel Wolff Andrea Wulf Patrick Wright Adam<br />
Zeman<br />
2 Ganton Street, London W1F 7QL<br />
++44 (0) 20 7287 3030 ++44 (0) 20 7287 4545
AUTUMN 2006 RIGHTS LIST<br />
Contents<br />
Fiction 2<br />
Non-fiction 31<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Frankfurt Book Fair 2006<br />
For further information about all clients and titles in this catalogue, please contact any of the book<br />
agents below during the fair in the agents’ centre at B1 and B2, Hall 6 or afterwards at:<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
2 Ganton Street<br />
London<br />
W1F 7QL<br />
United Kingdom<br />
Tel: +44 (0) 20 7287 3030<br />
Fax: +44 (0) 20 7287 4545<br />
Directors<br />
Clare <strong>Conville</strong> (CBC) – clare@convilleandwalsh.com<br />
Peter Tallack (PT) – peter@convilleandwalsh.com<br />
Patrick <strong>Walsh</strong> (PW) – patrick@convilleandwalsh.com<br />
Finance Director<br />
Alan Oliver – alan@convilleandwalsh.com<br />
Agents<br />
Ed Jaspers (EJ) – ed@convilleandwalsh.com<br />
Kevin Conroy Scott (KCS) – kevin@convilleandwalsh.com<br />
Film & Television Rights<br />
Sam North (film and television) – sam@samnorth.co.uk<br />
Assistant Agents<br />
Sue Armstrong – sue@convilleandwalsh.com<br />
Jake Smith-Bosanquet – jake@convilleandwalsh.com<br />
1
FICTION<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Frankfurt Book Fair 2006<br />
2
MIRROR MIRROR<br />
Maria Alvarez<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Patrick Highsmith meets David Lynch in this psychological thriller<br />
Christabel is the wife of a wealthy but absentee surgeon and she suffers from an unidentifiable neuropsychological<br />
disorder which means she is unable to continue her work in an art gallery. Feeling<br />
alienated as a result of her unhappy childhood and unable to connect with her distant father she hides<br />
away in her half-finished house where she is becoming increasingly and dangerously isolated. So<br />
when an apparently chance encounter with Tina, a younger woman who works at the local bar,<br />
triggers the start of an unusual friendship, their growing bond appears to offer Christabel the chance<br />
to re-connect with the world around her.<br />
As Christabel and Tina’s friendship develops into a haze of forbidden substances and unsettling<br />
desires, more and more boundaries are broken between them. When events finally begin to spiral out<br />
of control Christabel’s hidden past and lack of insight into the decisions she has made about her life<br />
finally collide, with devastating results.<br />
In MIRROR, MIRROR Alvarez explores the nature of sexuality, friendship and betrayal and offers fresh<br />
insights into how our identities are forged and how dangerous it can be to give oneself up to 'the<br />
other'.<br />
Maria Alvarez has written for the Telegraph, Guardian, Sunday Times, Vogue, Tatler and TLS. She is<br />
currently working on a second novel and a non-fiction project.<br />
UK Publisher Fig Tree/Penguin<br />
UK Publication June 2007<br />
Status Manuscript<br />
Length 80,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
3
GENOPOLIS<br />
Tess Berry Hart<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Set some four hundred years from now, this novel opens with the secret birth of a baby boy, a<br />
‘Natural’, in the destitute wastelands outside the city of Genopolis. Abducted at birth, Arlo is brought<br />
to live among the ‘Citizens’ of the city at an academic institution: the Inns of the Court of Chancery.<br />
Throughout his early childhood, he is submitted to a number of complex and often painful<br />
experiments by the doctors who live within its precincts.<br />
Arlo is a very ordinary boy, but he is soon made aware that somehow he is different, strange and – to<br />
some of the Citizens – repulsive. We quickly learn that the Citizens have managed to eradicate the<br />
ability to feel emotional and physical pain, in the belief that if they can’t change the world – by<br />
eliminating poverty, wars, famine and death – they can at least change their response to it. In so<br />
doing they have claimed control of the planet, but with disastrous consequences.<br />
As Arlo grows up it becomes clear that forces outsides the city – some human, some ecological – are<br />
threatening the planet’s existence. There are growing fears among the more liberal sections of society<br />
that pain must somehow be re-introduced into their world, so that the Citizens can become alive to<br />
the world’s problems, many of which they have helped create. Genopolis’s very survival hangs on this.<br />
Arlo is amazed to discover that, as the ‘Project’, he himself may hold the key to the city’s future, and<br />
there begins an action-packed but truly emotional journey to discover who he really is and whether he<br />
can save Genopolis from impending doom.<br />
A fairy tale set in a wholly believable futuristic world, GENOPOLIS explores urgent contemporary<br />
issues, such as genetic engineering, the prospect of ecological disaster, and the division of society by<br />
money and power, in an accessible and vivid way.<br />
Tess Berry Hart is 30 and writer-in-residence at the Blue Elephant Theatre, London. She is also<br />
director of the Long Shot Screenwriting Company, and was the British representative at the Young<br />
European Playwrights Interplay Festival in Warsaw in September 2000 and a student in the prestigious<br />
Royal Court Young Writers Programme.<br />
UK Publisher Scholastic<br />
UK Publication September 2007<br />
Status Manuscript<br />
Length 80,000 words<br />
Agent CBC<br />
World Rights (Scholastic)<br />
4
BED REST<br />
Sarah Bilston<br />
I laughed out loud and I couldn’t put it down<br />
– Marion Keyes<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Even if you’ve never been pregnant you’ll be as instantly hooked on this addictive novel as I was<br />
– Plum Sykes<br />
Prescribe yourself some of the same, so that you can bask in the humour, poignancy and warmth of this<br />
gorgeous novel<br />
– Elizabeth Sykes<br />
Did you know that every year nearly three-quarters of a million women are confined to their beds<br />
because of complications with their pregnancy? In fact, according to an article in The New York<br />
Times, a fifth of all pregnant women will spend some time on bed rest.<br />
In this humorous and touching debut, Sarah Bilston examines what happens to a first-time mother<br />
who becomes imprisoned owing to prenatal complications. Q is a young English lawyer married to an<br />
American and living in New York City. She’s ticked off most of the boxes on her list of things-to-dobefore-I’m-30<br />
and her busy working life has been relatively painless. But when her doctor tells her<br />
that she must spend the last three months of her pregnancy lying in bed, Q is thrown into a tailspin –<br />
her manic life must stop and the inertia that follows plunges her relationship with her friends, family<br />
and husband into murky despair. Can she overcome her doubts about her husband and deliver her<br />
baby into what is an increasingly uncertain world?<br />
Sarah Bilston was born and educated in England but now lives with her husband and their daughter<br />
in Connecticut. Sarah taught women’s studies at Yale University and is now assistant professor of<br />
English literature at Trinity College, Cambridge. She has been published academically and is now<br />
working on the sequel to BED REST, entitled SLEEPLESS NIGHTS. Check out Sarah’s BED REST blog:<br />
http://sarahbilston.typepad.com/.<br />
UK Publisher Time Warner<br />
US Publisher HarperCollins<br />
UK Publication March 2007<br />
Status Proofs<br />
Length 80,000 words<br />
Agent KCS<br />
All rights available excluding UK & Commonwealth, US, Brazil (Record), Germany (Rowohlt), Italy (Piemme),<br />
Japan (Softbank), Netherlands (De Boekerij), Spain (Salamandra), Sweden (Norstedts)<br />
5
THE GOOD GUY<br />
John Carbone<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
A thirty year epic spanning America and Europe, this is the story of New York’s unlikely first cocaine<br />
dealers.<br />
Marco is the youngest of seven young men who wanted to get into the mafia. But that door was<br />
closed to them, because even though mafia wise guys populated their neighbourhood, the boys were<br />
not allowed to join. They were meant to go to college, live normal lives, pay taxes. So Marco’s best<br />
buddy, T.C. formed a gang to sell marijuana. The boys became successful and avoided trouble. But<br />
Uncle Tony changed all of that…<br />
And so Marco tells us how he tries to keep his gang safe and how he tap dances around his hero,<br />
Uncle Tony, who everyone knows is the smartest man in the room and also the most violent.<br />
This is a rollicking page turner which will appeal to anyone who loves The Sopranos or enjoyed<br />
Sleepers or Blow. But the real appeal of this book will come to the reader as they are grabbed by the<br />
Marco’s confession and keep asking themselves: is this really a novel? There is an authenticity to the<br />
narrative that is hard to ignore. Was Mrs. Dagastino real? Does Uncle Tony exist? And where might<br />
T.C. be hiding after all this time?<br />
John Carbone is a fisherman and lives in France. He grew up on the Eastern seaboard of America.<br />
This is his first novel.<br />
UK Publisher Headline<br />
Delivery November 2006<br />
UK Publication Summer 2007<br />
Status Manuscript<br />
Length 100,000 words<br />
Agent KCS<br />
All rights available excluding UK & Commonwealth, Italy (Newton & Compton)<br />
6
THE SOURCE<br />
Michael Cordy<br />
Praise for Michael Cordy<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
An all-singing, all-dancing cover-to-cover thrills and spills action adventure with a thought-provoking idea at its<br />
core. What more could you ask for?<br />
– DAILY MIRROR on TRUE<br />
Sheer entertainment… Delivers from initial concept through fast action to explosive finale. A masterclass in how<br />
it’s done.<br />
– OBSERVER on TRUE<br />
A taut, gripping thriller<br />
– THE TIMES on THE MESSIAH CODE<br />
Explosive… An entertaining tale of non-stop action<br />
– TORONTO STAR on THE MESSIAH CODE<br />
All life on Earth today stems from one spark, one place…<br />
Ambitious geologist Ross Kelly has it all: a lucrative career as an oil search consultant and a beautiful<br />
wife, Lauren, a brilliant Yale language academic, who has just translated the most mysterious<br />
document in the world, the legendary 400-year-old Voynich cipher manuscript (a genuine manuscript<br />
which resides in Yale’s Beinecke Library and has confounded experts for centuries).<br />
Then an attempt to steal the translation leaves Lauren in a coma, hovering between life and death.<br />
In the depths of despair, Ross is approached first by a sinister priest and then by a mysterious nun.<br />
Their obsession with the Voynich manuscript forces him to re-examine the mysterious document,<br />
which dates back to the conquest of the New World and chronicles the discovery of an ancient place<br />
so miraculous and terrible that it rewrites the beginning of the bible. To save Lauren he decides to<br />
abandon everything else in his life and seek out this mythical El jardin del Dios – the garden of god.<br />
Racing against time and a fanatical priest desperate to claim the garden for his church, Ross’s journey<br />
leads him to discover one of science’s most holy grails: the source of all life on Earth, an Eden so<br />
magical and potent that it shatters the certainties of both science and religion.<br />
Michael Cordy worked for ten years in marketing before giving it all up to write his first novel, THE<br />
MIRACLE STRAIN (re-titled as THE MESSIAH CODE), which became an international bestseller and<br />
sold in 25 languages. He is also the author of LUCIFER (retitled as THE LUCIFER CODE), TRUE<br />
(retitled as THE VENUS CONSPIRACY) and CRIME ZERO.<br />
UK Publisher Bantam/Transworld<br />
Delivery December 2006<br />
UK Publication July 2007<br />
Status Manuscript<br />
Length 110,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, Turkey (Bilge)<br />
7
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
THE PORNOGRAPHER OF VIENNA<br />
Lewis Crofts<br />
Based on and inspired by the life of the Austrian painter, Egon Schiele. Portrayed here as a young<br />
hedonist with a burning talent, Schiele is equally remembered in THE PORNOGRAPHER OF VIENNA for<br />
the raw sexuality of his painting and drawings as he is for the short and fierce life he led. This is also<br />
a convincing depiction of a crumbling Vienna, just before the First World War changed the city<br />
forever.<br />
So this is not only a portrait of a creative genius, but also a view into what life was like for artist in the<br />
Empire at that time. The novel is people with characters of the time like Gustav Klimt. And Schiele’s<br />
popularity remains alive today, the recent sale of Sunflowers by Schiele in an auction at Christie’s for<br />
£11.3 million confirms that he is still very topical indeed.<br />
Lewis Crofts is 28 years old and lives in Brussels, working as journalist in EU affairs. Lewis grew up<br />
in Somerset, England, and studied at Oxford and then left the UK to work as a linguist. Since then,<br />
he’s lived in Germany, Prague, Brussels, and Paris. He translates from French, German and Czech.<br />
UK Publisher Old Street<br />
Delivery November 2006<br />
UK Publication November 2007<br />
Status Manuscript<br />
Length 80,000 words<br />
Agent KCS<br />
All rights available excluding world English (Old Street Publishing)<br />
8
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
THE EX-BOYFRIEND'S HANDBOOK<br />
Matt Dunn<br />
Praise for BEST MAN<br />
Fast-paced, insightful, and very, very funny<br />
– HEAT<br />
Full of great one-liners<br />
– COMPANY<br />
A warm, open, and damn funny book<br />
– LADSMAG<br />
When Jane, Edward Middleton’s girlfriend of ten years, announces that she’s dumping him to go off<br />
travelling to ‘find herself’, his world is turned upside down. ‘It’s not me, it’s you,’ she tells him. ‘You’ve<br />
let yourself go. So I’m letting you go too.’<br />
Edward’s shocked by the fact that Jane’s gone, but stunned by the fact that she’s right. Whatever<br />
happened to the good-looking man-about-town he used to be? Determined to win her back, he knows<br />
he’s got to do something, and fast. Jane’s back in three months, so it’s time to stop moping, and start<br />
coping.<br />
It’s not that women don’t like Edward. Quite the opposite, in fact, but just not in that way. He has to<br />
find out how to make women fancy him again – if he’s to be Jane’s Mr Right, he needs to turn himself<br />
into a bit of all right.<br />
Advised along the way by best friend and serial womanizer Dan, Edward struggles to get to grips with<br />
the twenty-first-century dating scene, discovering pretty soon that the battle of the sexes isn’t a fair<br />
fight. And so begins his self-improvement odyssey; through Atkins, Botox, cosmetic dentistry,<br />
exercise...<br />
Finally, the three months are up. Has Edward managed the transformation from cuddly Teddy to sexy<br />
Eddie, and if so, will he be able to win Jane back? Or has his journey of self-discovery taken him in a<br />
different direction entirely?<br />
Matt Dunn recently returned to live in the UK from Malaga, where, having sold a recruitment agency,<br />
he wrote a weekly humour column for the main English-language newspaper in Spain. As a young<br />
man he was the UK National Lifesaving Champion and a member of the English Swimming Squad.<br />
Great fun, eloquent, good-looking, Matt Dunn is set to be an exciting new voice in the commercial<br />
fiction arena.<br />
UK Publisher Simon & Schuster<br />
UK Publication 2 October 2006<br />
Length 320 pages<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
9
HIDDEN<br />
Katy Gardner<br />
Praise for Katy Gardner<br />
A rip-roaring, page-turning psychological drama<br />
– SUNDAY EXPRESS<br />
A menacing study of friendship and self-knowledge<br />
– SUNDAY MIRROR<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
A devourable first novel… about the promises and perils of friendship<br />
– LADSMAG<br />
Melanie Sykes is in crisis. In the middle of a game of ‘hide and seek’, her seven-year-old daughter<br />
Poppy has suddenly disappeared. So, she quickly realizes, has Si, her estranged husband. But this is<br />
no ordinary domestic mix-up. Only a day earlier Si was arrested on suspicion of the murder of one<br />
woman and the abduction of another. And now, it seems, he has taken Poppy.<br />
Moving between the present (the police’s search for Poppy) and the past (narrated by Mel as she<br />
desperately attempts to remember everything that may have contributed to her daughter’s<br />
disappearance), HIDDEN is both a fast-paced thriller and a study of trust, love and deception, set in<br />
the melancholic landscape of the East Kent marshes.<br />
We witness Mel’s attempt to start a new life with the dishevelled and artistic Si in the dilapidated<br />
warehouse that they are attempting to renovate. Si insists that all they need to do to be happy is put<br />
the past behind them, but after the birth of their baby son, their relationship rapidly deteriorates. As<br />
Si becomes increasingly withdrawn and moody, Mel is convinced that he remains involved with Rosa,<br />
the ex-girlfriend whom he refuses to discuss. Even more disturbingly, the police are circling:<br />
questioning Si about the recent disappearance of Rosa from her cottage, and the inexplicable murder<br />
of a young prostitute a year earlier.<br />
Night sets in. As the police search for Poppy intensifies, Mel is increasingly drawn to the derelict loft<br />
space at the top of the warehouse. The door at the top is always securely locked, but as she climbs<br />
the ladder and opens it, the shocking scene that she discovers changes everything. As the novel<br />
reaches its climax, we realize that, at its heart, the story is less about betrayal than it is about<br />
revenge.<br />
Katy Gardner is the author of LOSING GEMMA, which became a publishing sensation, and has sold<br />
in 18 countries to date. Katie lives with her husband and children in Sussex, where she is a reader in<br />
anthropology at the University of Sussex.<br />
UK Publisher Michael Joseph/Penguin<br />
UK Publication 3 August 2006<br />
Length 280 pages<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, Germany (Droemer), Netherlands (De Boekerij)<br />
10
BOTTLES<br />
Sarah Hall<br />
Praise for THE ELECTRIC MICHELANGELO<br />
Shortlisted for the Man Booker Prize 2004<br />
Longlisted for the Orange Prize for Fiction 2004<br />
Shortlisted for the Prix Femina 2004<br />
Here is a writer of heart-stopping genius<br />
– GUARDIAN<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Hall is a writer to indulge, and her sensuous, poetic prose is every bit as evocative as sand poured from a pocket<br />
at the end of a holiday<br />
– DAILY MAIL<br />
Influenced by the paintings of Giorgio Morandi and the early writings of Camus, and written with a<br />
passionate understanding for the grand artistic follies and small-scale, un-catalogued triumphs of men<br />
and women, this novel is a wise exploration of the existential, of human emotion and endeavour.<br />
Italy, in the early 1960s: a reclusive painter dying from lung cancer considers the sacrifices and losses<br />
that have made him an enigma, both to strangers and those closest to him. He begins his last Still-Life<br />
painting, using the same objects that he has for the entire span of his career – a small group of<br />
bottles.<br />
Not long afterwards a local blind girl tends his grave, trying to understand the world that she can no<br />
longer see, and wondering whether the presence she feels nearby is God or the Devil.<br />
In Cumbria, 30 years later, a young art student – who received letters from the Italian recluse – is a<br />
painter and eccentric himself, as well as a husband and father, but he has reached a point in life<br />
where reality and imagination have begun to bleed together.<br />
And in London, now, a woman struggles to cope with the sudden loss of her twin brother as she<br />
curates an exhibition of artists’ personal effects.<br />
Covering half a century, collecting together several unusual narratives, portraits and ideas, and<br />
tracking the strange journey of one of the original still-life bottles, this fierce novel is about people<br />
and art, about how we are consoled and draw meaning from our lives, and about the legacies we<br />
choose to make.<br />
Sarah Hall was born in Cumbria in 1974 and lived there until she left home at the age of 18 to study<br />
for a degree in English and art history at Aberystwyth University. She took a master’s degree in<br />
creative writing a few years later at St Andrews University and stayed on for a year to teach in the<br />
university’s undergraduate creative-writing programme. Her first novel, HAWESWATER, was published<br />
by Faber in 2002 and won the Commonwealth Writers Prize for Best First Novel. Her second novel,<br />
THE ELECTRIC MICHELANGELO, also published by Faber, was shortlisted for the 2004 Man Booker<br />
Prize.<br />
UK Publisher Faber<br />
Delivery Autumn 2006<br />
UK Publication Spring 2007<br />
Length 80,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
11
CARHULLAN ARMY<br />
Sarah Hall<br />
Praise for THE ELECTRIC MICHELANGELO<br />
Shortlisted for the Man Booker Prize 2004<br />
Longlisted for the Orange Prize for Fiction 2004<br />
Shortlisted for the Prix Femina 2004<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
In this stunning novella Sarah Hall draws on the work of Margaret Atwood and George Orwell to<br />
imagine a new dystopia set in the not too distant future. England is in a state of depression after<br />
global economic collapse: oil and bio-fuels are rationed, electricity is metered, and tinned food is<br />
shipped over from Christian charities in America. There has been a census and all citizens have now<br />
been herded into the urban centers. Terrifying new systems of control are in place; not only has the<br />
government created a military police force to monitor the population, but reproduction has become a<br />
lottery, with contraceptive coils fitted to every female of child-bearing age.<br />
The Carhullan Army is a final bastion of the seventies feminist ideal. A girl who will become known<br />
only as ‘Sister’ escapes the confines of her increasingly repressive marriage to find an isolated group<br />
of women living as ‘un-officials’ in Carhullan, a remote northern farm. Run by Jackie Nixon, an exsoldier<br />
now turned libertarian, the organization, once considered sexually eccentric and cult-like, has<br />
now become something else altogether, and Sister must find out whether she has it in herself to<br />
become an active insurgent.<br />
This fascinating novella poses very pertinent questions about 'feminine instincts and capabilities', and<br />
in a brutalized world it considers what lengths women will go to in order to resist their oppressors,<br />
what tactics they must employ to survive and remain free. But the story asks a wider and more<br />
difficult question; under what circumstances might you become a terrorist?<br />
The Carhullan Army promises to be both a reminder of the early days of great feminist theory and a<br />
fascinating account of What If…<br />
Sarah Hall was born in Cumbria in 1974 and lived there until she left home at the age of 18 to study<br />
for a degree in English and art history at Aberystwyth University. She took a master’s degree in<br />
creative writing a few years later at St Andrews University and stayed on for a year to teach in the<br />
university’s undergraduate creative-writing programme. Her first novel, HAWESWATER, was published<br />
by Faber in 2002 and won the Commonwealth Writers Prize for Best First Novel. Her second novel,<br />
THE ELECTRIC MICHELANGELO, also published by Faber, was shortlisted for the 2004 Man Booker<br />
Prize.<br />
UK Publisher Faber<br />
Delivery December 2006<br />
UK Publication Summer 2008<br />
Length 50,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
12
CHILDSBOOK<br />
Dermot Healy<br />
Ireland’s finest living novelist<br />
– Roddy Doyle<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
CHILDSBOOK takes place in an unnamed country, devastated by a series of natural disasters that lead<br />
to the breakdown of law and order and all the physical and emotional certainties that go with them.<br />
The story follows the life of a young boy as he grows up. Forced to leave his home, he joins up with<br />
others as they cross a destitute landscape where they endure hunger and hallucinations and deal with<br />
the hatred and violence of the people they meet.<br />
When he loses these companions, he struggles to survive alone and returns home. He also mourns a<br />
particular friend: an older man who has helped and protected him. The boy is desperate to connect<br />
with him again.<br />
He finally finds his lost friend and experiences a revelation about the connections between past,<br />
present and future.<br />
Their next parting marks the beginning of the boy’s journey, both physical and spiritual, back into the<br />
partly remembered world of his childhood, which while recognizable, has been transformed into<br />
something new.<br />
Dermot Healy is a writer, dramatist, poet and actor. He is the author of BANISHED MISFORTUNE, A<br />
GOATSONG, FIGHTING WITH SHADOWS, THE BEND FOR HOME (a memoir) and most recently<br />
SUDDEN TIMES. He lives on the West Coast of Sligo. Ireland. He was the winner of the 2002 America<br />
Ireland Literary Award, which was funded by the America Ireland Fund and given in recognition of his<br />
contribution to Irish letters.<br />
UK Publisher Faber<br />
Delivery Spring 2007<br />
UK Publication tbc<br />
Length tbc<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, Canada (MacArthur)<br />
13
THE VERITY SERIES<br />
James Holland<br />
Commissioned by Bantam as a four book deal<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Set throughout the Second World War, the VERITY novels trace the fortunes of Joe Verity and his<br />
close friend and sidekick, Stan Sykes. This was a confilct unrivalled in terms of human drama, and the<br />
VERITY series sweeps accross whole continents – from the snowy mountains and fjords of Norway, to<br />
the sun-scorched deserts of North Africa; from the rocky outcrops of the Apennines to the islands of<br />
the Mediterranean; and from the bocage of Normandy to the jungles of Burma. As well as these<br />
different campaigns and theatres offering a variety of landscapes and conditions in which Verity finds<br />
himself, the fortunes of the British Army through the war are played out in the background.<br />
Despite the cutbacks, complacency and reversion to colonial-style fighting, which had meant that by<br />
1939 Britain’s Army was in a parlous state; and despite defeats in Norway, Dunkirk, Singapore and the<br />
Mediterranean, gradually – painfully – she learnt her lessons. Tactics, equipment and technology all<br />
improved through the long and bitter years of war. This progress is charted through the fortunes of<br />
Verity’s King’s Royal London Guards – a classic infantry regiment.<br />
Appealing to the same Bernard Cornwell, Andy McNab, Allan Mallinson and HORNBLOWER market, the<br />
series is also inspired by classic Second World War films: Where Eagles Dare, The Guns of Navarone,<br />
and other Alistair Maclean adaptations. Brimming with Jamie Holland's scrupulous attention to<br />
historical detail and accuracy, the VERITY series is a fast-paced mixture of action, intrigue and<br />
derring-do.<br />
James Holland is the author of two novels: THE BURNING BLUE, which is set against the backdrop<br />
of the Battle of Britain, and A PAIR OF SILVER WINGS, both published by Heinemann. In 2003, he<br />
published his first work of history, FORTRESS MALTA, which became a Sunday Times top 10<br />
bestseller. The sequel, TOGETHER WE STAND: North Africa 1942-1943, was published this year.<br />
James has also been working for three years on his most ambitious non-fiction book to date: a<br />
panoramic account of the last year of the Second World War in Italy. Provisionally entitled ITALY'S<br />
SORROW, it will be published in Spring 2008 by HarperCollins UK. He is 36.<br />
UK Publisher Bantam<br />
Delivery September 2007<br />
UK Publication April 2008<br />
Status Proposal<br />
Length 100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
14
CRUSADERS<br />
Richard T. Kelly<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
A remarkable first novel from the film journalist behind Sean Penn’s authorized biography<br />
Set largely in Newcastle upon Tyne during the autumn and winter of 1996/1997, CRUSADERS<br />
chronicles the intertwined lives of four disparate individuals drawn together by circumstance… and<br />
with tragic consequences.<br />
With its strong narrative involving the Church, organized crime and politics, the novel paints a detailed<br />
portrait of the northeast of England, its industrial heritage and its distinctive social and political<br />
character – and in doing so says something of where we are today.<br />
Richard T. Kelly was born in Newcastle upon Tyne in 1970, and grew up in Northern Ireland. He is<br />
the author of two well-regarded books on television and film history, ALAN CLARKE and THE NAME OF<br />
THIS BOOK IS DOGME 95, and of the highly acclaimed SEAN PENN: His Life and Times (Faber, 2004).<br />
UK Publisher Faber<br />
Delivery November 2006<br />
UK Publication Summer 2007<br />
Length 120,000 words<br />
Agent KCS<br />
All rights available excluding UK & Commonwealth<br />
15
MOUSE NOSES ON TOAST<br />
Daren King<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Acclaimed cult novelist Daren King’s first work for children<br />
Paul the mouse is allergic to cheese. Whenever he visits his mouse friends under the human<br />
restaurant, he refuses to sit on their cheese furniture because it makes the fur on his bottom fall off.<br />
When Paul and his friends Tinby and Angela go out for a meal they discover that the humans are<br />
enjoying a new delicacy: mouse noses on toast. Paul gathers together some friends and protests<br />
against this mouse abuse, ultimately journeying to the factory where the delicacies are made, with<br />
unexpected results.<br />
Knowing, naive and charming, this is King at his most imaginative and hilarious. Fans of Philip<br />
Ardagh’s books will be delighted to know that his distinctive illustrator, David Roberts, worked on this<br />
title too.<br />
Daren King was born in 1972 in Harlow, Essex. He was educated at Bath Spa University College,<br />
Bath, where he graduated in creative studies. He is the author of three novels: BOXY AN STAR, which<br />
was shortlisted for the 1999 Guardian First Book Award; JIM GIRAFFE; and TOM BOLER, which was<br />
published in May 2005.<br />
UK Publisher Faber<br />
UK Publication September 2006<br />
Length 96 pages with b/w illustrations<br />
Agent KCS<br />
All rights available excluding UK & Commonwealth<br />
16
A CHRISTMAS CAROL<br />
Illustrated by P.J. Lynch<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
P.J. Lynch is one of the most talented and revered illustrators working today. He has won many<br />
awards, including the Mother Goose Award; the Irish Bisto Award twice; and the Kate Greenaway<br />
Medal twice, in 1995 for The Christmas Miracle of Jonathan Toomey and again in 1997 for When Jesse<br />
Came Across the Sea. ‘I’ve been thinking of illustrating A CHRISTMAS CAROL for many years’, says<br />
P.J. ‘When I lived in Brighton, I used to walk daily past a gravestone belonging to a man named<br />
Ebenezer Robbins, who died on Christmas Day, 1842. In my mind, I felt sure that this man must have<br />
in some way inspired Dickens to create Ebenezer Scrooge in 1843. And I knew that one day I would<br />
illustrate this extraordinary story’.<br />
UK Publisher Walker Books<br />
UK Publication October 2006<br />
Length 159 pages<br />
Agent CBC<br />
World rights: Walker Books <strong>Ltd</strong><br />
17
THE STORM PROPHET<br />
Hector Macdonald<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
In the time I knew the boy called Moses, he made three terrible predictions. The first was his own death; the<br />
last was something personal to me. But the prediction everyone still talks about is the Sydney Hobart storm.<br />
– Extract from THE STORM PROPHET<br />
Planned as the first title of a series of female adventure thrillers based around a main character called<br />
Petra – an incredibly competent but emotionally vulnerable off-shore coastguard – THE STORM<br />
PROPHET takes place against the backdrop of the Boxing Day Sydney to Hobart yacht race, and the<br />
terrifying prediction concerning it made by a young 'precognitive' boy from South Africa.<br />
As the race looms ever closer, Petra finds herself drawn into it both profesionally, as a lifeguard, and<br />
emotionally – for her best friend of many years, Kirsten, is both sponsoring and crewing a competing<br />
boat, The Sentinel.<br />
How seriously must the boy's prediction be taken, with so many lives at stake? Does Kirsten have<br />
ulterior motives in her insistence on continuing with the race? And can Petra trust her boyfriend, Billy,<br />
who himself has started working for Kirsten? In its wake Petra is forced to question everything she<br />
has ever believed about people and how and why they act.<br />
With its nail-biting central scene – the race itself – THE STORM PROPHET is a pacey, psychological<br />
thriller that asks questions about faith, trust and human motives.<br />
Hector Macdonald wrote two novels whilst in his mid-twenties: THE MIND GAME, which sold into 23<br />
languages and caused quite a stir when published by Penguin UK in 2000; and then in 2003, THE<br />
HUMMINGBIRD SAINT, rights to which again sold widely. Now 33, Hector began the research for THE<br />
STORM PROPHET back in December 2002, when he lived in Sydney, discovered Pittwater and<br />
watched the Sydney to Hobart race from afar. He lives and works in London as a freelance<br />
management consultant.<br />
Australian Publisher Penguin Australia<br />
Australian Publication September 2007<br />
Status Manuscript<br />
Length 105,000 words<br />
Agent PW<br />
All rights available excluding ANZAC (Penguin)<br />
18
IN THE COUNTRY OF MEN<br />
Hisham Matar<br />
Shortlisted for the 2006 Booker Prize<br />
Longlisted for the Guardian First Book Award<br />
Sold in 19 lanuages<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
A poignant story of a child exposed too early to the brutalities of Libyan politics<br />
– J.M. Coetzee<br />
IN THE COUNTRY OF MEN understands that love - despite betrayal, grief, mistrust, rage, political terror -<br />
nevetheless remains love<br />
– Anne Michaels, author of FUGITIVE PIECES<br />
A coming-of-age story, IN THE COUNTRY OF MEN is narrated by Sulieman, nine years old and living<br />
peacefully in a Tripoli neighbourhood with his mother and father. But in Libya during the late 1970s<br />
Qaddafi is known less as a revolutionary liberator and more as a cold-blooded dictator. Sulieman’s<br />
father, a successful merchant, is often away on business. During these periods his mother drinks<br />
heavily and tells Suleiman stories about how she was married as a teenager, against her will. It is at<br />
those moments that Sulieman thinks that he can protect his mother and save her from her ‘illness’.<br />
When the family’s neighbour is taken by the secret police, Sulieman discovers that the student-led<br />
revolt is closer to home than he was led to believe by his parents. Soon thereafter his father is taken,<br />
with disastrous consequences for his family and their friends.<br />
In an Arab country governed by stifling religious traditions and an oppressive dictatorship, this is the<br />
story of a family coming face to face with its own powerlessness in the world. Hisham Matar’s real<br />
achievement here is the restraint and humanity of his writing, something that is at once both powerful<br />
and moving.<br />
Hisham Matar was born in New York in 1970 to Libyan parents and spent his childhood first in<br />
Tripoli and then in Cairo. He has lived in London since 1986 and is currently at work on his second<br />
novel.<br />
UK Publisher Viking<br />
US Publisher Dial Press/Random House<br />
UK Publication 6 July 2006<br />
Length 245 pages<br />
Agent KCS<br />
All rights available excluding UK & Commonwealth, US, Arab (Dar Al-Muna), Brazil (Companhia das Letras),<br />
Canada (Penguin), Catalan (RBA), Croatia (Algoritam), Denmark (Gyldendal), France (Denoël), Germany<br />
(Bertelsmann/Goldman), Iceland (JPV), Israel (Keter), Italy (Einaudi), Japan (Poplar), Netherlands (Meulenhoff),<br />
Norway (Cappelen), Portugal (Civilizacao Editora), Slovenia (Ucila International), Spain (Salamandra), Slovenia<br />
(Ucilia International), Sweden (Forum)<br />
Offers pending: Turkey<br />
19
THE GREAT SPACE RACE<br />
Joshua Mowll<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
"Kids, that’s one small bid on the Internet, and one giant leap for the Crankshaws." And with that<br />
terrible proclamation, our troubles really began.'<br />
Arthur Crankshaw, father of 6 uncontrollable children, bids his last £1 for an archaic British rocket<br />
called the ‘Ginger Arrow’. His plan – to enter a space competition run by the Zircon corporation for<br />
the first amateur satellite launch. The prize is a staggering $10 million, enough to save Crankshaw<br />
from prison for financial crimes he didn’t commit, and his family from destitution. In doing so, he also<br />
inadvertently launches his family on an adventure of truly global proportions, something none of<br />
children are particularly thankful for.<br />
The Ginger Arrow is at first ridiculed but ultimately lauded, as the world realises the competition is<br />
merely a cover for Zircon’s evil intentions and the elderly British rocket is their only viable chance of<br />
salvation. From a caravan park in Gravesend to 10 Downing Street, the Oval Office, and ultimately<br />
space itself, this is a David and Goliath story whereby 12 year old Ace, with the help or hindrance of<br />
his brothers and sisters, triumphs against the odds: to save the world, keep his family together and<br />
his father out of prison.<br />
Joshua Mowll began his career as a graphic artist for the Mail on Sunday in 1994. Since then he has<br />
illustrated and drawn everything from space flights, medical procedures and aircraft crashes to ancient<br />
pyramid theories, invasions, SAS assaults and laser-guided weaponry. Joshua's first novel,<br />
OPERATION RED JERICHO, was published to much fanfare by Walker Books in 2005, and is to be<br />
followed by two sequels, TYPHOON SHORE and STORM CITY.<br />
UK Publisher Walker Books<br />
Delivery Spring 2008<br />
UK Publication tbc<br />
Length tbc<br />
Agent CBC<br />
All rights available excluding [offer pending]<br />
20
OPERATION TYPHOON SHORE<br />
The Guild Trilogy – Book Two<br />
Joshua Mowll<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Praise for OPERATION RED JERICHO: The Guild Trilogy – Book One<br />
A ripping yarn, artfully told with amazing maps and designs<br />
– MAIL ON SUNDAY<br />
Mowll’s genius is in his clever use of mixing old and new storytelling devices in a story that should appeal to both<br />
boys and girls<br />
– SOUTH CHINA MORNING POST<br />
Captain MacKenzie and the crew of the Honourable Guild of Specialist’s research ship Expedient battle<br />
through a savage storm in pursuit of their sworn enemy Julius Pembleton-Crozier who is hard at work<br />
excavating on an archipelago in the Celebes Sea, east of Borneo. Our heroes, Rebecca and Douglas<br />
MacKenzie, are still aboard and hell-bent on uncovering the fate of their parents, explorers lost in the<br />
desert wastes of eastern China. This archipelago lies at the heart of the mystery and reveals clues to<br />
the past of both the Guild and the Sujing Quantou, the Chinese fighting order allied to the captain.<br />
As Becca and Doug uncover vital information about their parents’ missing expedition, they encounter<br />
vast tunneling machines, seaplanes, a Greek trireme, volcanoes and a terrifying generator based on<br />
the design of the enigmatic ‘gyrolabe’ seen in Book One. With the Expedient stranded and in need of<br />
urgent repairs, it is a shock for the captain to discover that Pembleton-Crozier is in league with the<br />
Kalaxx, the miscreant northern chapter of the Sujing, shunned by their brotherhood after the bloody<br />
internecine war of AD 1720. The islands are the ancient source of the potent element zoridium which<br />
the Kalaxx are intent on using to power a new scientific dawn for mankind. Zoridium is the ancient<br />
secret both the Guild and the Sujing Quantou have sworn to protect and guard from the world, such is<br />
its terrifying potential for both good and evil…<br />
Resplendent with plans, cutaway drawings, photographs and artefacts, this book builds on the<br />
foundations laid down in OPERATION RED JERICHO, the first part of The Guild Trilogy.<br />
Joshua Mowll began his career as a graphic artist for the Mail on Sunday in 1994. Since then he has<br />
illustrated and drawn everything from space flights, medical procedures and aircraft crashes to ancient<br />
pyramid theories, invasions, SAS assaults and laser-guided weaponry. The sequel to TYPHOON SHORE<br />
will be STORM CITY, to be published in autumn 2007.<br />
UK Publisher Walker Books<br />
US Publisher Candlewick<br />
UK Publication 2 October 2006<br />
Status Manuscript<br />
Length 280 pages (with illustrations)<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, US (Candlewick), Australia (Walker Books), Belgium<br />
(Standaard), Croatia (Biovega), Educational Rights (Longman), France (Flammarion), French Canadian (Editions<br />
Imagine), Hungary (Orlando Studio), Italy (RCS), Japan (Sony), Netherlands (Standaard), Poland (Muchomor)<br />
World rights: Walker Books. For further information please contact Véronique Kirchhoff:<br />
veronique.kirchhoff@walker.co.uk or Caroline Muir: caroline.muir@walker.co.uk<br />
For film rights contact Bob Bookman or Richard Green at Creative Artists Agency (tel: +1 310 288 4545)<br />
20
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
THE INFERIOR<br />
Being Book I of THE BONE TRILOGY<br />
Peadar O'Guilin<br />
Every so often something very original, apparently simple and special comes along. That quality of originality is so<br />
rare and so vital that the only thing a publisher has to do is to recognise it and act! These are the books you<br />
must, must publish. You never know what it is going to be, NORTHERN LIGHTS, THE CURIOUS INCIDENT OF<br />
THE DOG IN THE NIGHT TIME, THE VARIOUS, THE BOY IN THE STRIPED PYJAMAS and now THE INFERIOR...<br />
– David Fickling, Publisher<br />
Alien races are hunting mankind to extinction through the ruins of a vast city. Poisons are everywhere,<br />
but a simple rule keeps the survivors going: if it's intelligent, it's food – the same species that savour<br />
human flesh make good eating themselves.<br />
And then one day, a girl falls out of the sky and lands amongst the tribe. Can she save them from<br />
destruction? Or has she brought it with her? One young man, seen by his people as little more than a<br />
stuttering imbecile, aims to find out. First, he'll have to guide the stranger through a fascinating world<br />
teeming with ravenous aliens.<br />
The Inferior is the first title in an action packed trilogy for young adults. The story's setting cries out<br />
to be explored and the struggles and triumphs of its hero and heroine will fill the reader's daydreams<br />
for years to come.<br />
Books II and II of THE BONE TRILOGY are due for delivery in June 2007 and June 2008 respectively.<br />
Peadar O'Guilin grew up in Donegal on the beautiful West Coast of Ireland. His strange short stories<br />
have been appearing for years in Speculative Fiction magazines and anthologies around the world.<br />
UK Publisher David Fickling/Random House<br />
Delivery November 2006<br />
UK Publication September 2007<br />
Status Manuscript<br />
Length 80,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, Denmark (Sesam/Aschehoug), France (Panama), Germany<br />
(Bertlesmann), Italy (RCS), Korea (BIR), Russia (Tarna)<br />
21
HAMDRYAD<br />
Ruth Padel<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
HAMDRYAD takes place in the six months around the London bombings of July 2005. Alan, a field<br />
zoologist in south Asia, is married to a successful UK actress, Irena, but has always fantasized about<br />
her friend Rosamund, married to London music promoter and serial philanderer Tyler, who is himself<br />
having a secret affair with a Greek singer.<br />
Brought up in a Greek village, the singer sees clearly the international perspective and consequences<br />
of the war in Iraq for London. But, locked into her affair, she sees everything through the lens of her<br />
own pain. After the failed bombings, she is upset the terrorists were children of asylum seekers,<br />
because emotionally she sought asylum in the UK too. She’s never let her village family know she has<br />
an illegitimate child.<br />
Rosamund and Tyler’s teenage son is the book’s symbolic centre. Unbeknown to them, he lives<br />
dangerously, threatened by drugs and gangs, and as the narrative unfolds we follow the journey to<br />
rescue him.<br />
As a backdrop to the story, the perspectives of wild animals form a vital unconsidered presence, from<br />
a fox and an owl in an English back garden to a leopard and a king cobra in India. The watching<br />
animals deepen our perspectives of the story’s human characters, who believe that the world they live<br />
in is their own…<br />
Ruth Padel is one of Britain’s leading poets. She has won the UK National Poetry Competition and<br />
published five poetry collections; three have been a Poetry Book Society Choice or Recommendation.<br />
VOODOO SHOP was published by Chatto & Windus and shortlisted for two of the UK’s three major<br />
poetry prizes: the Whitbread and the T. S. Eliot Prize. Her sixth collection, THE SOHO LEOPARD,<br />
appeared in spring 2004. Also a well-known critic and journalist, Ruth writes arts and wildlife features<br />
as well as book reviews for The Times, Daily Telegraph, Financial Times, Sunday Times, New York<br />
Times, Independent on Sunday, Independent, Literary Review and Prospect. For three years she<br />
wrote a weekly poetry discussion column in the Independent on Sunday; which was collected in the<br />
book 52 WAYS OF LOOKING AT A POEM. She now writes a monthly wildlife column, ‘Wild Thing’, in<br />
the Saturday Times. Her first work of narrative non-fiction, TIGERS IN RED WEATHER, was published<br />
by Time Warner in June 2005.<br />
UK Publisher Time Warner<br />
Delivery June 2007<br />
UK Publication March 2008<br />
Length 80,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
22
LUDMILA'S BROKEN ENGLISH<br />
DBC Pierre<br />
Praise for VERNON GOD LITTLE<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Winner of the Man Booker Prize 2003<br />
Winner of the Bollinger Everyman Woodhouse Award for Comic Fiction 2003<br />
Winner of the Whitbread First Novel Award 2003<br />
Not since reading John Kennedy O’Toole’s masterpiece A CONFEDERACY OF DUNCES twenty years ago have I<br />
laughed so much or felt such sheer delight at the discovery of a wholly fresh comic voice<br />
– Craig Brown, MAIL ON SUNDAY<br />
Assured, impassioned and chilling… a dark masterpiece<br />
– SUNDAY TELEGRAPH<br />
[Vernon is] not just a rebel for the Eminem generation, but a boy of such sweetness he makes death row a<br />
respectable address<br />
– INDEPENDENT<br />
As Russia’s Caucuses fall into bloody chaos, a separatist conflict takes hold of the tiny Special<br />
Administrative Region of Ublilsk. With its agricultural land spoiled and its only factory abandoned, the<br />
death of the Barzukov family patriarch means one of its children must leave to secure the family’s<br />
future. Only brazen, battle-hardened young Ludmila has any education. She even speaks a little<br />
English.<br />
Britain’s privatization is almost complete. As the darkest crannies of the National Health Service are<br />
scrubbed and readied for new ownership, the last handful of unfortunates from the Empire House<br />
Institution is prepared for integration into the community. Of these, Ray and Claud-Marie are the last<br />
to emerge. They have much living to catch up on. For Ray, this means finding a woman – a soft,<br />
servile girl to share his newfound love of himself. None such exist in New Britain. But there’s always<br />
the Web…<br />
Irreverently symbolic of the affluent West’s search of endorsement and satisfaction among the world’s<br />
hungry, LUDMILA’S BROKEN ENGLISH is a tragic romance in the age of globalization.<br />
DBC Pierre has worked as a designer and cartoonist, and currently lives in Ireland. His first novel,<br />
VERNON GOD LITTLE, won the 2003 Bollinger Everyman Woodhouse Award, the 2003 Whitbread<br />
Prize for Best First Novel, and the 2003 Man Booker Prize, and is sold in 43 countries.<br />
UK Publisher Faber<br />
US Publisher Norton<br />
UK Publication 2 March 2006<br />
Length 318 pages<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, US (Norton), Brazil (Record), Czech Rep (Euromedia),<br />
Denmark (Hr. Ferdinand), France (Editions du Panama), Germany (Aufbau), Greece (Ellinika Grammata), Israel<br />
(Matar), Italy (Giulio Einaudi), Latvia (Zvaigzne), Netherlands (Podium), Norway (Cappelen), Russia (Tarna<br />
Enterprises), Sweden (Alfabeta)<br />
23
VERNON GOD LITTLE<br />
DBC Pierre<br />
Praise for VERNON GOD LITTLE<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Winner of the Man Booker Prize 2003<br />
Winner of the Bollinger Everyman Woodhouse Award for Comic Fiction 2003<br />
Winner of the Whitbread First Novel Award 2003<br />
Not since reading John Kennedy O’Toole’s masterpiece A CONFEDERACY OF DUNCES twenty years ago have I<br />
laughed so much or felt such sheer delight at the discovery of a wholly fresh comic voice<br />
– Craig Brown, MAIL ON SUNDAY<br />
Assured, impassioned and chilling… a dark masterpiece<br />
– SUNDAY TELEGRAPH<br />
[Vernon is] not just a rebel for the Eminem generation, but a boy of such sweetness he makes death row a<br />
respectable address<br />
– INDEPENDENT<br />
Set in the barbecue-sauce capital of Texas in the aftermath of a high-school massacre, VERNON GOD<br />
LITTLE is peopled by a cast of grotesques, freaks, cold-blooded chattering housewives (all<br />
mysteriously widowed) and one very special adolescent with an unfortunate talent for being in the<br />
wrong place at the wrong time. It is a riotous adventure story which cuts a satirical swathe through<br />
the heart of contemporary America.<br />
DBC Pierre has worked as a designer and cartoonist, and currently lives in Ireland. His first novel,<br />
VERNON GOD LITTLE, won the 2003 Bollinger Everyman Woodhouse Award, the 2003 Whitbread<br />
Prize for Best First Novel, and the 2003 Man Booker Prize, and is sold in 43 countries.<br />
UK Publisher Faber<br />
US Publisher Canongate US<br />
UK Publication 20 January 2003<br />
Length 277 pages<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, US (Canongate), Bangladesh (Sandesh), Brazil (Record),<br />
Bulgaria (Iztok-Zapok), China (Ten Points Publishing, complex characters; Yilin, simplified characters), Croatia<br />
(Marjan Sare), Czech Republic (Euromedia), Denmark (Hr Ferdinand), Estonia (Pegasus), France (Editions du<br />
Seuil), Georgia (Bakur Sulakauri), Germany (Aufbau), Greece (Ellinika Grammata), Hungary (Ulpius Haz), Iceland<br />
(Bjatur), Indonesia (Fresh Book), Israel (Matar), Italy (Einaudi), Japan (Sony), Korea (Daehan), Latvia (Zvaigzne),<br />
Lithuania (Tyto Alba), Macedonia (Terra Magica-Skopje), Netherlands (Podium), Norway (Cappelen), Poland<br />
(Muza), Portugal (Gradiva), Romania (Humanitas), Russia (Rosmen), Serbia & Montenegro (Alfa Narodna),<br />
Slovenia (Ucila International), Spain (Destino; Catalan), Sweden (Alphabeta), Thailand (Poema), Turkey (Plan B),<br />
Yugoslavia (Alfa-Narodna)<br />
Film rights: Aimee Peyronet, Wild Child Films<br />
Abridged audio rights: Faber/Penguin; unabridged audio rights: F. W. Howes; World stage rights (excluding<br />
Germany): Cuba Pictures <strong>Ltd</strong><br />
24
THE GUILT OF INNOCENTS<br />
Candace Robb<br />
Book Nine in the Owen Archer Series<br />
Praise for Candace Robb<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
It's... the Machiavellian intrigue that makes this such an enjoyable read. When the iron curtain came down people<br />
said the spy-thriller genre was dead. They were wrong. This is as full of intrigue as a Deighton or a Le Carré<br />
– GUARDIAN<br />
A gripping whodunnit full of colour and atmosphere<br />
– TIME OUT<br />
Set in the winter of 1372, in York, a man has drowned in the Ouse after a skirmish with some boys<br />
from St Peter's School. It soon becomes clear that his death was not an accident – he has been<br />
poisoned. But why would a humble pilot on the river be killed for possessing a young boy's purse?<br />
Suspicion falls on Father Nicholas Ferriby – Vicar of Weston and master of a small grammar school –<br />
who has already offended many with his unpopular beliefs. But is he really a murderer? One-eyed spy,<br />
Owen Archer, Captain of Archbishop Thoresby's guard and noted for solving many crimes, is quickly<br />
brought to the scene by his adoptive son, Jasper. Clear that the pilot has been killed for more than a<br />
purse, an increasingly cantankerous Thoresby reluctantly agrees to let Owen investigate the man's<br />
murder. Torn between solving the crime and looking after his wife, Lucy, who is expecting their longawaited<br />
third child, Owen is soon taken away from home. When another man is found dead in the<br />
river and Owen and Jasper get nearer to the truth, they find their own lives in jeopardy...<br />
Candace Robb studied for a PhD in Medieval and Anglo-Saxon literature and has continued to read,<br />
research and lecture on medieval history and literature ever since. Her first collection of novels, the<br />
Owen Archer series, grew out of a fascination with the city of York and the tumultuous fourteenth<br />
century; the first in the series, THE APOTHECARY ROSE, was published in 1994, at which point she<br />
began to write full time. There are now nine Owen Archer novels.<br />
UK Publisher Heinemann<br />
UK Publication 4 January 2007<br />
Status Proofs<br />
Length 304 pages<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
25
GEMX<br />
Nicky Singer<br />
Praise for FEATHER BOY<br />
Winner of the Blue Peter Book Award<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
Each copy should come with a torch for a spellbinding midnight conclusion<br />
– DAILY TELEGRAPH<br />
BAFTA Award 2004 Best Children’s Drama – television series<br />
Set in a future where the city of Polis is divided into the genetic elite (the Enhanced) and those less<br />
fortunate (the Naturals or the Dreggies, depending on your point of view), GEMX tells the story of two<br />
teenage boys who live on opposites sides of the tracks. Maxo Strang is a GemX (the latest version of<br />
the Enhanced). He lives a protected life of perfection and food pills, ambi-suits and virtual date<br />
palaces. Stretch is an angry young man from a Dreggie estate. He owns nothing, not even a proper<br />
name. But what’s really gnawing at him is the loss of his father who went ‘missing’ after responding to<br />
the call for ‘clean genes’ to support the city’s Clodrone programme.<br />
Between the two boys is Gala, a young girl from the estates whose mother is dying of a disease that<br />
those with genetic protection no longer die from – so there are few available drugs, and what drugs<br />
there are, are prohibitively expensive. Gala has no money.<br />
One day Maxo Strang sees something strange on his perfectly formed GemX face – a sort of line at<br />
the edge of his right eye. The only place he’s seen something so horrible before is on old Naturals<br />
(the Enhanced have a life expectancy of 130 years) – and he thinks these cracks are called ‘wrinkles’.<br />
What can be happening to him? It soon becomes clear it’s not just Maxo’s problem: MediAlert has<br />
logged 11,000 Web hits from concerned GemXs. And it’s not just physical degradation the GemXs are<br />
suffering: something is also beginning to happen to their minds, something that makes Enhanced<br />
Maxo fall helplessly in love with a Dreggie face that he sees on a securi-screen. The face is Gala’s…<br />
At one level GEMX is a fast-paced futuristic adventure story. What is really happening to Maxo? Will<br />
Gala be able to save her mother? Can Stretch find his father? Who is going to fall in love with whom?<br />
At another level it’s about whether our technological capabilities are about to outstrip our morality and<br />
cause an unbridgeable gulf between Haves and Have-Nots – and what really makes us human.<br />
Nicky Singer has published four adult novels, two works of non-fiction and two highly acclaimed<br />
children’s novels, FEATHER BOY and DOLL. She lives in Sussex with her husband and three children.<br />
UK Publisher Oxford University Press<br />
US Publisher Holiday House<br />
UK Publication 5 October 2006<br />
Status Manuscript<br />
Length 70,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, US (Holiday House)<br />
World English rights: Oxford University Press<br />
26
THE STARLIGHT CONSPIRACY<br />
Steve Voake<br />
Praise for THE DREAMWALKER'S CHILD<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
An ingenious and fast-paced thriller… [Voake's] book buzzes and hums with ideas<br />
– THE TIMES<br />
Ingenious premise, relentless pace and a sprinkling of thought-provoking philosophy – I loved it<br />
– Herbie Brennan<br />
You must do it, Berry. You must believe me when I tell you that the safety of the world depends on you returning<br />
this item. So please. Just say that you’ll do it.<br />
– Extract from THE STARLIGHT CONSPIRACY<br />
Alone and on the run from Social Services, 14-year-old Berry has nowhere to go. Until she meets an<br />
old man who entrusts her with a package containing a mysterious item that has unbelievable powers.<br />
It is a meeting that will change her life, for other people also want the item and will stop at nothing to<br />
get it. Pursued by the FBI and a vicious terrorist group, Berry hides out at the Glastonbury music<br />
festival, where she meets fellow outcast, Elliott. Escaping over the Atlantic, they soon find themselves<br />
dodging bullets in a desperate race across America. But what is in the package? And why is it so<br />
important?<br />
Hunted through cities and deserts, Berry knows that she must stay alive long enough to find the<br />
item’s rightful owner – whoever, or whatever, they may be.<br />
In his third book for Faber & Faber, Steve Voake departs from the Highly successful Aurobon setting<br />
of THE DREAMWALKER’S CHILD and its sequel, THE WEB OF FIRE, to pen this fast-paced stand-alone<br />
YA thriller. The two teenagers at its core share the ultimate road trip – with Berry saddling up a Harley<br />
Davidson as soon as the pair hit US soil – and must use all their resourcefulness and inner strength to<br />
complete the mysterious task entrusted to them. With the deftness that made his first two novels so<br />
memorable, Voake balances a high-octane plot with a sensitive meditation on friendship, belonging<br />
and finding ones place in the world.<br />
Steve Voake was formerly headmaster of Kilmersdon Primary School in Somerset, before recently<br />
leaving to focus on writing full time. He lives near Bath with his wife and two children.<br />
UK Publisher Faber<br />
UK Publication March 2007<br />
Status Proofs<br />
Length 388 pages<br />
Agent EJ<br />
All rights available excluding UK & Commonwealth<br />
27
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
A LIGHT-HEARTED LOOK AT MURDER<br />
Mark Watson<br />
Praise for BULLET POINTS<br />
unnervingly accomplished<br />
– OBSERVER<br />
a fledgling Nabokov for the era of Big Brother<br />
– Boyd Tonkin in his roundup of 2004’s best books for the INDEPENDENT<br />
When German student, Andreas Hönig, arrives to study late-Romantic literature at Cambridge in the<br />
mid 1980s, he hopes to discover what kind of man he wants to be. Leaving behind in Berlin a father<br />
who has never recovered from his wife’s sudden death and a younger brother who is becoming<br />
increasingly involved with right-wing causes, Andreas has no idea that before a year is out he will be<br />
earning his living as a Hitler impersonator. Uncomfortable at first, he begins to reason that, by demystifying<br />
Hitler through comedy, he can help Germans to come to terms with their guilt and help the<br />
British to understand better the German mentality.<br />
Andreas meets and falls in love with Rose, an improbably tall fellow student, and after graduation they<br />
set up a look-alike agency – supplying performers who resemble celebrities for corporate<br />
entertainment and comedy clubs. Andreas’ Hitler act is the most successful of them all, but sickened<br />
that Rose increasingly expects to be dominated by ‘Hitler’ in bed and confronted by his brother’s neonazism,<br />
he decides to hang up the moustache at the height of his success. It proves to be a<br />
disastrous move, culminating in a final, drunken bout of violent love-making which leaves Rose dead<br />
and Andreas imprisoned for manslaughter.<br />
It is not until the present day that Andreas is able to tell his story to Alexandra, a young literacy<br />
assistant at the prison where he lives out a life sentence. Alexandra has her own complicated personal<br />
life to come to terms with but teams up with her flatmate and reluctant love-interest, Gareth, to<br />
translate and unpick the bizarre story. As they get closer to the truth, they discover that the gap<br />
between impersonation and emulation, between role-play and real-life, between comedy and<br />
something far darker, is all to easily crossed.<br />
Mark Watson is a phenomenally successful stand-up comedian in the UK who has won numerous<br />
awards and is a cornerstone of the Edinburgh International Comedy Festival, where this year he<br />
stunned critics with a marathon 36-hour comedy show. At the same time as forging a career as a<br />
performer, Mark has established himself as a serious literary voice with his debut novel, BULLET<br />
POINTS, in 2004, which attracted highly impressive reviews across the board. Now 26, Mark is<br />
researching his third novel – a portrait of a professor obsessed with cryogenics and of the quasireligious<br />
cult he builds around himself in the quest to live forever.<br />
UK Publisher Chatto & Windus<br />
Delivery November 2006<br />
UK Publication July 2007<br />
Status Manuscript<br />
Length 86,000 words<br />
Agent EJ<br />
All rights available excluding UK & Commonwealth<br />
28
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
ALL SHALL BE WELL; AND ALL SHALL BE WELL; AND ALL<br />
MANNER OF THINGS SHALL BE WELL<br />
Tod Wodicka<br />
ALL SHALL BE WELL... is the story of a 63 year-old American widower who finds dealing with the<br />
modern world and the demands of its people very difficult.<br />
The selfish but vulnerable Burt Hecker retreats into a world of his own, a world represented by the<br />
timeless pursuit of medieval re-enactment. As he attends a workshop in Germany with a group of<br />
middle-aged chant workshop women, we learn that Burt has recently sold the family’s Mansion Inn<br />
back in New York and that his ticket to Europe is one way: Burt is bent on finding his beloved son,<br />
Tristan, in Prague. As he travels east we go back in time to see how his family came together and<br />
how it fell apart.<br />
In this ambitious debut, Wodicka places himself at the forefront of the great young American stylists<br />
working today and has drawn favorable comparisons to Jonathan Safran Foer.<br />
Tod Wodicka is 30, an American living in Berlin who attended the University of Manchester. He is<br />
currently in the planning stages of his semi-autobiographical second novel, THE HOUSEHOLD SPIRIT,<br />
about a failed songwriter in his early thirties who moves home with his gay father, a paranormal<br />
investigator.<br />
UK Publisher Jonathan Cape<br />
US Publisher Pantheon/Knopf<br />
Delivery November 2006<br />
UK Publication August 2007<br />
Status Manuscript<br />
Length 70,000 words<br />
Agent KCS<br />
All rights available excluding UK & Commonwealth, US, Netherlands (Nieuw Amsterdam)<br />
29
FORGET-ME-NOT<br />
Isabel Wolff<br />
Anna Temple is about to start a new life…<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Fiction<br />
It’s just not quite the one she had in mind. After the sudden death of her mother, Anna realises she<br />
must live for the moment. Swapping hedge funds for herbaceous borders, and shares for scented<br />
stocks, she leaves the City to fulfil her dream of becoming a garden designer, a tribute to her greenfingered<br />
mother.<br />
But on the eve of her sparkling new future, she meets Xan. Their chance encounter changes her world<br />
in more ways that she can have ever imagined – enter baby Milly, nine months later. Juggling her new<br />
business with new motherhood is a struggle, especially alone.<br />
Meanwhile, Anna’s father has moved to London to escape his memories. But he’s begun acting rather<br />
strangely. Neither Anna nor her incorrigible younger sister Cassie can figure out what he’s up to.<br />
Then Anna discovers a long-buried family secret - and some news about the new man in her life - and<br />
skeletons tumble from the closet and the past rears its ugly head. Suddenly nothing is as it seems,<br />
past or present…<br />
Isabel Wolff is the author of five internationally bestselling novels, THE TRIALS OF TIFFANY TROTT,<br />
THE MAKING OF MINTY MALONE, OUT OF THE BLUE, RESCUING ROSE and BEHAVING BADLY, which<br />
have sold in over 15 territories worldwide. She is also a journalist and broadcaster. She lives in<br />
London.<br />
UK Publisher HarperCollins<br />
Delivery November 2006<br />
UK Publication June 2007<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
30
NON-FICTION<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Frankfurt Book Fair 2006<br />
31
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
TO THE EDGE OF REASON<br />
Dispatches from the Frontiers of Cosmology<br />
Anil Ananthaswamy<br />
This is the story of extreme physics – both intellectually and physically. In it, the science writer Anil<br />
Ananthaswamy takes readers on a tour de horizon of the sites of some of the most extraordinary<br />
detectors and telescopes ever assembled. By reporting on work going on in the coldest, most arid<br />
deserts, on remote mountain tops or thousands of metres underground, he builds up a unique portrait<br />
of the universe and our quest to understand it.<br />
At the heart of his portrait are profiles of the scientists who work in these extreme environments to<br />
unravel the secrets of the cosmos. While reflecting on what it is that drives them in their quest to<br />
construct a complete picture of the universe, Anil Ananthaswamy presents an insider’s view of the<br />
lives, works and personalities of legendary figures in the history of astronomy as well as of the<br />
researchers who are formulating the latest cosmological theories. Reporting back from some of the<br />
most inhospitable and dramatic research sites on our planet (from, for example, the Atacama Desert<br />
in Chile, the Indian Observatory in the Himalayas, and deep within abandoned iron mines in<br />
Minnesota), he weaves together stories that are as much about the science and technology as they<br />
are about the people and places that make such research possible – and, in so doing, provides a<br />
unique up-to-date primer on the frontiers of modern physics.<br />
Drawing on interviews and personal anecdotes, the writing is atmospheric, engaging and illuminating,<br />
depicting science as a human process and, in a sense, bringing cosmology with all of its rarefied<br />
concepts down to earth.<br />
Anil Ananthaswamy is deputy news editor at New Scientist in London. He has worked at the<br />
magazine since 2000, during which time he has contributed more than 160 news and features articles.<br />
He also writes fiction (he has a novel under commission from Penguin India), and has published a<br />
short story. He studied electronics, electrical and computer engineering at the Indian Institute of<br />
Technology, Madras (Bachelor of Technology) and the University of Washington, Seattle (Master of<br />
Science), and worked as a software engineer in Silicon Valley before training as a journalist in the<br />
University of California Santa Cruz’s renowned science-writing programme.<br />
US Publisher Houghton Mifflin<br />
Delivery Spring 2008<br />
US Publication Autumn 2008<br />
Status Proposal and sample chapter<br />
Length 80,000-90,000 words<br />
Agent PT<br />
All rights available excluding US (Houghton Mifflin)<br />
32
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
EVERYTHING BUT THE KITCHEN SINK<br />
A Woman's Guide<br />
Francesca Beauman<br />
EVERYTHING BUT THE KITCHEN SINK: A Woman's Guide is a definitive new handbook of women’s<br />
customs, habits and pursuits. A witty distillation of current wisdom relating to twenty-first century life,<br />
its key is the visually attractive manner in which the information is presented. Crammed with facts,<br />
figures, diagrams, lists, tables, flow charts, pie charts, Venn diagrams, multiple choice questionnaires,<br />
charts, columns of pros vs. cons, point systems, quotes, barometers of ‘going up/going down’ and so<br />
on, the approach is very much a systematic one.<br />
Complementing this is the book’s often left-field perspective. The words ‘maybe’, ‘perhaps’ or<br />
‘probably’ do not feature; rather, this is about taking a view on the many and varied cultural reference<br />
points that constitute our everyday existence – each of which is treated with exactly the same degree<br />
of seriousness.<br />
By summarising only the most useful tips and information from books like How to Be a Domestic<br />
Goddess, He’s Just Not That Into You, The Shops, Why Men Don’t Listen and Women Can’t Read<br />
Maps, Smart Women Get Rich, A Short History of Nearly Everything by Bill Bryson and the Guinness<br />
Book of Records, magazines like Glamour, Vanity Fair, Good Housekeeping and The Economist, and<br />
websites like dailycandy.com and salon.com, EVERYTHING BUT THE KITCHEN SINK: A WOMAN'S<br />
GUIDE highlights the wisdom of generations of historians, scientists, cooks and couturiers to provide a<br />
fascinating insight into the psychology of women’s everyday life.<br />
Francesca Beauman gained a first-class honours degree in history from the University of<br />
Cambridge. Born in 1978, she works as a television presenter in the UK. Recent projects include<br />
presenting Bring It On, an entertainment show for BBC1, as well as Comic Relief (BBC1) and Oblivious<br />
(ITV).<br />
UK Publisher Weidenfeld & Nicolson<br />
Delivery May 2007<br />
UK Publication<br />
Length 60,000-70,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
33
SHAPELY ANKLE PREFERRED<br />
A History of Lonely Hearts Ads<br />
Francesca Beauman<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
Are you one of the millions of people every week who advertise for love either in newspapers,<br />
magazines or online? Think you’re the first? Well, think again. Because it turns out that people have<br />
been advertising for love for over three centuries.<br />
Cheapside, London, a warm Friday in July 1695. Nestled on page three of a weekly pamphlet called A<br />
Collection for Improvement of Husbandry and Trade, surrounded by ads for a cobbler’s apprentice, an<br />
Arabian stallion and a second-hand bed, was this brave plea:<br />
A Gentleman about 30 Years of Age, that says he had a Very Good Estate, would willingly Match<br />
himself to some Good Young Gentlewoman, that has a Fortune of 3000l. or thereabouts, and he will<br />
make Settlement to Content.<br />
This was the country’s first Lonely Heart ad. It was, however, only the beginning. SHAPELY ANKLE<br />
PREFERRED: a history of Lonely Hearts Ads traces the development of Lonely Hearts ads from the late<br />
seventeenth century right up until their ubiquitous presence in today’s media. Each chapter (‘Men<br />
Seeking Women’, ‘Men Seeking Women’, ‘Once Seen’ and so on) features some of the most hilarious,<br />
and the most heart-breaking, of the multitude of ads that have been placed by the lonely over the<br />
centuries. These are then used to provide a fascinating insight into the history of courtship, love and<br />
marriage. From consumerism to contraception, from the industrial revolution to gay rights, there is a<br />
Lonely Hearts ad to illuminate a great many of the transformations that British society has undergone<br />
over the past three hundred years.<br />
Francesca Beauman gained a first-class honours degree in history from the University of<br />
Cambridge. Born in 1978, she works as a television presenter in the UK. Recent projects include<br />
presenting Bring It On, an entertainment show for BBC1, as well as Comic Relief (BBC1) and Oblivious<br />
(ITV).<br />
UK Publisher Chatto & Windus<br />
Delivery Spring 2008<br />
UK Publication Winter 2008<br />
Length 60,000-70,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
34
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE FURTHER ADVENTURES OF BELLE DE JOUR<br />
Belle de Jour<br />
The follow-up to the bestseller THE INTIMATE ADVENTURES OF A LONDON CALL GIRL<br />
Whether she's describing peculiar fetishes or handing out agony aunt style advice, it's Belle's witty, stylish writing,<br />
rather than her salacious subject matter, that really stands out. Although more Bridget Jones in a brothel than<br />
Catherine Deneuve in Chanel, this tongue-in-cheek delight will nonetheless leave a smile on your face<br />
– HEAT<br />
Her writing [is] full of refreshing comedy and eye-watering advice...Belle's candid humour is compulsive<br />
– Katy Guest, INDEPENDENT<br />
full of frank humour and even more frank action<br />
– DAILY MIRROR<br />
Continuing on from the international success of THE INTIMATE ADVENTURES…, Belle de Jour returns<br />
with a new diary – and plenty of new adventures up her sleeve.<br />
Commenting on everything from how to get out of the sex industry to negotiating the shark-infested<br />
waters of straight jobs and single-partner sex, Belle records the changes in her life with the same wit,<br />
insight and personality that made her first book so notorious.<br />
Will she stay straight, or is the pull of being a former sex worker too strong? Is dating an ex-hooker<br />
too much for her long-suffering boyfriend? Is it ever the right time to tell family and friends exactly<br />
what she’s been up to since university? And if she comes clean, what on earth will the neighbours<br />
think?<br />
In this much anticipated companion volume, Belle deals with how to handle infidelity without being a<br />
hypocrite, how to gloss over the Grand Canyon gaps in her CV, and how to juggle the pressure of<br />
success with the desire for a normal life. From exotic holidays to family weddings, Belle records it all<br />
with a voice that is still as funny and frank as when she was turning tricks.<br />
Belle de Jour and her Internet diary came to widespread popular attention in the UK when she won<br />
the Guardian’s Best-Written Site Award. Her witty and frank observations of working in the sex trade<br />
and also of the common concerns of many young women living in the metropolis – dating, shopping,<br />
parents, partners, career – struck a chord with readers who flocked to the website. Even before the<br />
frantic media interest in the anonymous author’s identity, the site was registering around 20,000 hits<br />
every day. With the publication of THE INTIMATE ADVENTURES OF A LONDON CALL GIRL, her<br />
anecdotal memoirs of sex clients and family lunches, of bondage and home decorating, of perverts<br />
and boyfriends became a fully fledged book, and Belle de Jour the Bridget Jones for the post-Sex and<br />
the City generation.<br />
UK Publisher Weidenfeld & Nicolson<br />
UK Publication 14 September 2006<br />
Length 288 pages<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
35
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE PRINCE OF WALES (HIGHGATE) QUIZ BOOK<br />
Marcus Berkmann<br />
The Prince of Wales Pub in Highgate, north London, has held a weekly Tuesday night pub quiz for as<br />
long as anyone can remember. Its reputation precedes it: the quiz is widely acknowledged as one of<br />
the best in London, if not the country.<br />
Now the team who set the quizzes bring you the PRINCE OF WALES (HIGHGATE) QUIZ BOOK. Even if<br />
you're stumped by some of the questions, this book is as much about the answers, which will<br />
enlighten and astonish readers in equal measure.<br />
The exquisitely designed PRINCE OF WALES (HIGHGATE) QUIZ BOOK promises to do for pub quizzes<br />
what Ben Schott did for lists.<br />
Marcus Berkmann writes regularly for Private Eye, the Spectator and the Oldie. He has competed in<br />
the Prince of Wales (Highgate) pub quiz for longer than he cares to think about, and appeared on<br />
University Challenge in 2005 as part of the Private Eye team.<br />
UK Publisher Hodder & Stoughton<br />
UK Publication November 2006<br />
Status Proofs<br />
Length Approximately 40 quizzes and 5,000 word introduction<br />
Agent PW<br />
All rights available excluding world English (Hodder & Stoughton)<br />
36
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE MAN WHO RAN THE MOON<br />
James E. Webb, Nasa and the Secret History of Project Apollo<br />
Piers Bizony<br />
Bizony's excellent corrective to Nasa's mythologised history takes an unflinching look… A firebrand of a book<br />
– PUBLISHER'S WEEKLY<br />
Most people would say that President John F. Kennedy championed America’s space agency Nasa, but<br />
this isn’t strictly correct. He didn’t care about space, and saw rocket exploration as little more than a<br />
Cold War contingency. It was a government administrator, James E. Webb, who steered the<br />
expansion of Nasa from a minor collection of research labs into one of the grandest enterprises the<br />
world had ever seen.<br />
If we had gone to the Moon Kennedy’s way, it would have been even more of a short-term adventure<br />
than it actually was. Nasa would not have survived as a major organization beyond the 1970s. It<br />
wouldn’t still be despatching robot probes to Mars, Jupiter and Saturn. It wouldn’t have built the<br />
Hubble Space Telescope that has so astonished the public imagination with its images of cosmic<br />
creation. And it wouldn’t be building the International Space Station, the most expensive civilian<br />
engineering project in world history. For all its recent travails, Nasa still commands influence today<br />
because a quick-thinking, fast-talking, smooth-operating man from North Carolina held all the cards<br />
throughout the 1960s.<br />
Webb knew how to persuade not one, but two presidents in succession to give him exactly what he<br />
wanted. Aided by a cadre of southern-born businessmen and politicians, he established a colossal<br />
network of influence in the service of space. THE MAN WHO RAN THE MOON is the first popular<br />
account of the man who ensured that America won the Space Race – and would keep on winning it,<br />
even today. Under Webb’s leadership, everything that we now take for granted about America’s preeminence<br />
in space was consolidated. No one in the past thirty-five years has achieved half as much<br />
for space exploration as did Webb.<br />
As much the story of the making of modern America as it is of a great innovator, THE MAN WHO RAN<br />
THE MOON is a remarkable tale that until now has been hidden from public view – the story of a<br />
powerful, combative, manipulative, driven man that encompasses Mafia influence, a ‘whistleblower’<br />
suicide, an aptly named Mr Black facilitating many of the most questionable deals, and an exciting trail<br />
of big-money skulduggery… as well as an infamous launch-pad disaster.<br />
Piers Bizony has written about space exploration and cosmology for a wide variety of magazines in<br />
the UK and the US, including Focus, Omni, Wired and the Independent. He is the author of several<br />
acclaimed books including 2001: Filming the Future, about the making of Stanley Kubrick’s famous<br />
film; THE RIVERS OF MARS: Searching for the Cosmic Origins of Life; ISLAND IN THE SKY: Building<br />
the International Space Station; DIGITAL DOMAIN: The Leading Edge of Visual Effects; and<br />
STARMAN, produced as a book and a BBC film in partnership with the producer Jamie Doran, which<br />
told for the first time the real story of the life of the Soviet cosmonaut Yuri Gagarin.<br />
UK Publisher Icon<br />
US Publisher Thunder’s Mouth<br />
UK Publication 5 October 2006<br />
US Publication 10 May 2006<br />
Length 242 pages<br />
Agent PT<br />
All rights available excluding UK & Commonwealth, US<br />
37
BONFIRE OF THE BRANDS<br />
Neil Boorman<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
In this riveting memoir reminiscent of SUPER SIZE ME, the young journalist and fashion insider Neil<br />
Boorman will chart a very personal journey towards his date with destiny. What are brands? What do<br />
they say about our identity? Can we live without them? In an effort to understand the wider context<br />
of how brands have dominated every waking hour and led him to make a number of vital life choices,<br />
Boorman will embark on a programme of extensive research, experiment and analysis to come to<br />
grips with how brands influence our lives. When he finishes, he will burn every branded possession he<br />
owns, revealing how brands “brand”, the means by which they have become so powerful and why,<br />
like it or not, we are all “branded” individuals. BONFIRE OF THE BRANDS promises to be both a<br />
fascinating personal journey and a remarkable and timely social document.<br />
Whether Neil can live without brands, or indeed whether any of us, his audience, can begin to<br />
contemplate it, remains to be seen. But in the post No Logo world where Nike, to name but one, has<br />
seen its profits soar from 9.5 billion to 13.5 billion in the last five years, Bonfire Of The Brands<br />
promises to be both a fascinating personal journey and a remarkable and timely social document.<br />
Neil Boorman has forged a career as a style pundit, journalist, deejay, magazine publisher of<br />
publications such as Good For Nothing, Sleazenation and Shoreditch Twat, and most recently as a<br />
brand advisor. He currently writes a satirical film column for News International's London paper.<br />
UK Publisher Canongate<br />
Delivery December 2006<br />
UK Publication June 2007<br />
Status Manuscript<br />
Length 80,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, German (Ullstein), Italy (Guanda) and Netherlands<br />
(Meulenhoff).<br />
38
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
HOW TO SCORE<br />
Science and the Beautiful Game<br />
Ken Bray<br />
How exactly does Beckham bend it? Why don’t top strikers look precisely where they’re shooting? Is<br />
there a difference in the playing styles of international teams? What are the best tactics to use in a<br />
penalty shoot-out? Is position more important than anticipation when it comes to goalkeeping? Is<br />
heading harmful? And how far on average does a forward run during a game?<br />
HOW TO SCORE tackles these and many other intriguing questions – questions that over the past few<br />
years have become important topics in the burgeoning field of soccer science. Drawing on legendary<br />
events and matches across the globe and throughout the history of football, the book provides a fresh<br />
and timely perspective on the world’s most popular game, revealing many surprising facts and figures<br />
and debunking many cherished myths.<br />
Ken Bray has a longstanding passion for football and is an honorary researcher in the Sport and<br />
Exercise Biomechanics Group at the University of Bath. A pioneer of soccer science, he has published<br />
and lectured on such aspects as the aerodynamics of a spinning ball in a free kick and the tactics of<br />
the penalty shoot-out. During Euro 2004, his Guardian article about penalty shoot-outs that appeared<br />
on the eve of the England–Portugal game received tremendous public attention – but was completely<br />
ignored by England on the day… to their peril.<br />
UK Publisher Granta<br />
UK Publication 1 May 2006<br />
Length 229 pages<br />
Agent PT<br />
All rights available excluding UK and Commonwealth, France (JC Lattes), Greece (Travlos), Italy (Sonzogno/RCS),<br />
Japan (NHK), Netherlands (De Bezige Bij), Serbia & Montenegro (Plato IK)<br />
39
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THIRTEEN THINGS THAT DON’T MAKE SENSE<br />
A Journey through the Strangest Anomalies in Science<br />
Michael Brooks<br />
Ninety-six per cent of the universe is missing. The effects of homeopathy don't go away under<br />
rigorous scientific conditions. The speed of light isn't what it used to be. Thirty years on, no one has<br />
an explanation for a seemingly intelligent signal received from outer space. The US Department of<br />
Energy is re-examining cold fusion because the experimental evidence seems too solid to ignore.<br />
Doctors are admitting that the placebo effect is real – and extremely useful.<br />
In an age when science is supposed to be king, scientists are beset by experimental results they<br />
simply can't explain. But, if the past is anything to go by, these anomalies contain the seeds of future<br />
scientific revolutions.<br />
While taking readers on an entertaining tour of the strangest of scientific results, Michael Brooks<br />
argues in 13 THINGS THAT DON'T MAKE SENSE that the things we don't understand are the key to<br />
what we are about to discover.<br />
Michael Brooks has a PhD in quantum physics and is a senior features editor at New Scientist, which<br />
has more than three-quarters of a million readers worldwide. The book stems from a cover story he<br />
wrote for the magazine. The feature became the sixth most circulated story on the internet that year,<br />
and provoked enormous amounts of (often very complimentary) comments (Google '13 things that do<br />
not make sense' ).<br />
UK Publisher Profile<br />
US Publisher Broadway<br />
Delivery 1 July 2007<br />
UK Publication Spring 2008<br />
Status Proposal<br />
Length 70,000 words<br />
Agent PT<br />
All rights available excluding UK & Commonwealth, US & Canada, Brazil (Record), China (ANA Beijing), Germany<br />
(Ullstein), Italy (Longanesi), Japan (Soshisha)<br />
40
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE SCORPION'S SWEET VENOM<br />
Bruna Surfistinha<br />
Today, I can say that there's no fantasy that scares me because I've already done and seen everything. Some of<br />
them were pretty strange, I admit<br />
– Extract from THE SWEET VENOM OF THE SCORPION<br />
In 2001, aged just 17, and from a middle class Brazilian family, Rachel Pacheco ran away from home,<br />
and in desperation became a call girl. Working under the name of Bruna Surfinstinha from a brothel in<br />
Rio – the name means 'Bruna, the Surfer Chick' – she also began a web diary at<br />
www.brunasurfistinha.com which soon became Brazil's leading blog, averaging 15,000 hits a day and<br />
detailing her experiences with over 1,000 male and female clients.<br />
Three years later, and with the blog having received so much attention, Bruna decided to turn it into a<br />
book, and so was born THE SWEET VENOM OF THE SCORPION. With its candid mixture of sex advice<br />
for women – specifically so they can avoid their men becoming the clients of prostitutes – and stories<br />
of what her three years as a working girl entailed, the book rocketed into the Brazilian bestseller lists,<br />
going on to sell a quarter of a million copies. And at much the same time as this, Bruna was thankfully<br />
able to quit her working life to settle down with a 30 year-old businessman. She has quickly become<br />
one of Brazil's leading celebrities, appearing regularly on television and in Brazil's print media.<br />
Bruna Surfistinha is 21 years old and lives with her partner in Sao Paolo.<br />
UK Publisher Bloomsbury<br />
US Publisher Bloomsbury<br />
UK Publication 6 November 2006<br />
Length 170 pages<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US (Bloomsbury), Australia and New Zealand (Macmillan),<br />
Estonia (Tammerraamat), France (Michel Lafon), Germany (Ullstein paperback), Italy (RCS), Netherlands<br />
(Uniboek), Latin American Portuguese (Panda), European Spanish (Ediciones Maeva), Latin American Spanish<br />
(Planeta Argentina), Turkey (Tramvay), Vietnam (Vinabook)<br />
41
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
LOST LIBRARIES OF THE RENAISSANCE<br />
Alex Butterworth<br />
In the spring of 1417, the papal secretary Poggio Bracciolini could no longer bear the stifling<br />
atmosphere of the Council of Constance, as it struggled to decide between the competing claimants to<br />
the title of Pope. Packing his bags, he set out to explore the nearby Alpine monasteries for lost Latin<br />
manuscripts. Poggio’s discovery of an unknown book by Quintilian in the library of St Gall was the first<br />
of his many in the decades to come. The combined impact of Poggio, his friends and his rivals would<br />
change European civilization in the most profound ways.<br />
THE LOST LIBRARIES OF THE RENAISSANCE is the story of the tireless fifteenth-century book hunters<br />
who scoured Europe, the Middle East and far beyond for forgotten works of ancient wisdom, and of<br />
the princes, popes and sultans who funded their expeditions and competed to<br />
recreate the greatest libraries of the past. It is also the history of the world of ruins, superstition and<br />
violent vendettas, and how it was changed for ever by the discoveries of the book hunters and the<br />
intellectual daring of those who interpreted their finds.<br />
Quarrelsome, seditious and libidinous, the letters and memoirs of these men are filled with passion<br />
and bawdy humour. There is the infamous forger Annio of Viterbo; Niccolo Niccoli, who mortgaged his<br />
life to continue collecting rare books; Ciriac of Ancona, who drew on the classics to offer image<br />
consultancy to Mehmet II; and Flavio Biondi who was the first to excavate the remains of ancient<br />
Rome. Poggio himself even found time to compile the world’s first book of jokes.<br />
Famous in their own day for their political and cultural influence, there is rarely a dull moment in the<br />
company of the early humanists. This book revives their reputations and re-examines their<br />
achievements: in doing so, it recounts a history of the Renaissance that is unlike any other.<br />
Alex Butterworth is a writer, dramatist and broadcaster. The joint author of POMPEII: The Living<br />
City (Weidenfeld & Nicolson, 2005) and the author of the British Film Institute’s NEW SCREEN MEDIA,<br />
he is a frequent contributor to publications including the Observer, History Today and BBC History. He<br />
holds degrees from the University of Oxford and the Royal College of Art, studied screenwriting at the<br />
National Film School, and is currently an honorary research fellow at the University of Birmingham. He<br />
is married with two children and lives in North London.<br />
UK Publisher Cape/Random House<br />
Delivery April 2008<br />
UK Publication June 2009<br />
Status Proposal<br />
Length 100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
42
THE WORLD THAT NEVER WAS<br />
Alex Butterworth<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
The last years of the nineteenth century saw international terrorism make its first, furious appearance.<br />
Anarchist cells carried out a wave bombings and assassinations across Europe and in America – or so,<br />
at least, the governments of France, Britain and especially Russia liked their populations to believe.<br />
The truth, however, was far murkier. Infiltration and surveillance comprised one part of the armoury<br />
of the security services, but equally important was the use of agents provocateurs and black<br />
propaganda. Under Pyotr Rachkovsky, head of the Paris station of the Tsar’s overseas intelligence<br />
agency, the policing methods of Russian despotism spread to the West and the line between<br />
incitement and prevention became blurred. Only now is it possible to gauge the dangerous depths of<br />
their deceptions, and the terrible extent of their impact on the history of the twentieth century.<br />
During the fin de siècle, the popular imagination was filled with fantasies of militant Anarchism: of<br />
airborne attack and viral plagues. THE MAP OF UTOPIA examines the human stories that lie behind<br />
this hysteria. Taking the form of a group biography of eight key figures in the radical movement – two<br />
Russian, two British, two French, a German and an Italian – it tells the story of their interweaving lives<br />
during the period between the collapse of the Paris Commune in 1871 and the failed Russian<br />
Revolution of 1905. Epic in scope, the book traces its protagonists’ movements from the furthest<br />
reaches of Siberia to the Metropolitan Opera House in New York; from the wastes of a New<br />
Caledonian penal colony to the watchmaker communities of Switzerland. And, all along, the agents of<br />
the police are in their midst, trying to manipulate events to their own ends.<br />
THE MAP OF UTOPIA will pose the question of whether secret servants of the state who abandon the<br />
principles of the society they serve improve the security of their populations or exacerbate the danger.<br />
It will consider how the oppressed are radicalized, how violence begets violence and whether a<br />
tolerant, open and just society is its own best defence against terrorism.<br />
Alex Butterworth is a writer, dramatist and broadcaster. The joint author of POMPEII: The Living<br />
City (Weidenfeld & Nicolson, 2005) and the author of the British Film Institute’s NEW SCREEN MEDIA,<br />
he is a frequent contributor to publications including the Observer, History Today and BBC History. He<br />
holds degrees from the University of Oxford and the Royal College of Art, studied screenwriting at the<br />
National Film School, and is currently an honorary research fellow at the University of Birmingham. He<br />
is married with two children and lives in North London.<br />
UK Publisher Cape/Random House<br />
Delivery February 2007<br />
UK Publication May 2008<br />
Status Proposal<br />
Length 100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
43
LIKE BROTHERS<br />
Men & Friendship<br />
Michael Bywater<br />
Praise for Michael Bywater<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
Bywater’s book LOST WORLDS is the best thing about — better than iPods, the first rime of winter, salty<br />
porridge, Paula Rego, chocolate bars dusted with cinnamon and the Dandy annual... [he] writes so well it makes<br />
you want to cut your throat with a butter-knife, and yet so enticingly that you keep putting off the fatal act until<br />
you’ve finished the page, and the next one too...<br />
– Andrew Marr, DAILY TELEGRAPH<br />
A magnificent companion... playful, gruff, intemperate, eloquent... exuberantly spilling over into footnotes,<br />
parentheses and jokes... It’s where stand-up comedy meets sit-down thought... Bywater proves himself to be a<br />
member of an exclusive, intellectually reckless and restless club that would also include Jorge Luis Borges,<br />
Laurence Sterne and E.L.Wisty<br />
– David Flusfeder, SUNDAY TELEGRAPH<br />
Four years after his best friend of twenty years, Douglas Adams, had died, Michael Bywater tried for<br />
the last time to call him. The questions that this event raised form the central theme to LIKE<br />
BROTHERS, which will interweave with the crucial friendships of Michael's life – such as his friendship<br />
with Douglas – the story of men and their friendships in general: how we feel about them, how they<br />
work, how ideas of friendship have changed over time and between cultures and how it is that, now,<br />
friendships between men go almost unspoken-of, even though they are often among the most<br />
nourishing and long-lasting relationships of their lives, weathering storms which can destroy marriages<br />
and wreck lives.<br />
Like love affairs, male friendships seem to those involved to be unique, yet, to the onlooker, most if<br />
not all are fundamentally the same. From the voluble, tactile, demonstrative friendships between<br />
Greek men, to the terribly English friendship which has been described as “beginning with a careful<br />
avoidance of personal confidences, and ending in complete silence”; from the religious ceremonies of<br />
mediaeval sworn-brotherhood and the Greek Orthodox adelphopoiesis which persists even today, to<br />
the waspish but inseparable academic brothers-in-arms at an Oxbridge High Table; from the pairs of<br />
spiffily-dressed youths leaning on their motorcycles in the back streets of Rome to the elderly Arabs<br />
strolling hand-in-hand through the suq of Manama, and taking in the two nonagenarian Jewish<br />
gentlemen playing chess in a shirt-pocket-sized square of dusty Manhattan “park”, and the pair of<br />
poplin-suited lawyers drinking tall skinny corporaccinos (hold the Sweet-’n’-Lo) in Beverly Hills... all of<br />
these friendships have far more in common than they have differences.<br />
Michael Bywater is the acclaimed author of LOST WORLDS (2004), and BIG BABIES (2006), both<br />
published by Granta. Aside from his career as a writer and broadcaster – including spending ten years<br />
on the staff of Punch, and being the long-running columnist for the Independent on Sunday and<br />
cultural critic for the New Statesman – he also teaches the tragedy paper at Cambridge, and in 2006<br />
has been writer-in-residence at Magdalen College. Michael lives in Gloucestershire and has one<br />
daughter. He is a certified pilot and plays the harpsichord.<br />
UK Publisher Granta<br />
Delivery March 2008<br />
UK Publication<br />
Status Proposal<br />
Length 100,000-110,000 words<br />
Agent PW<br />
World rights (Granta)<br />
For all rights enquiries please contact David Graham: dgraham@granta.com<br />
44
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
ABOUT THE SIZE OF IT<br />
A Serious Book About Weights and Measures<br />
Warwick Cairns<br />
Fun and fascinating – the secrets and tricks of how we measure the world around us<br />
– Conn Iggulden, author of THE DANGEROUS BOOK FOR BOYS<br />
On the face of it, this book is about a subject that the author would be the first to admit is about as<br />
dull a subject as they come – duller, even, than punctuation, and duller by far than lists of random<br />
facts. But it takes a very particular and unusual approach to its subject, and never fails to provoke<br />
heated debate.<br />
THE COMMON MEASURE is – to cut to the quick – a serious (and seriously funny) book about weights<br />
and measures. It explains what they are, how they come about and how they are formed and shaped<br />
by the one guiding principle of measurement that no one ever mentions: that most of us have better<br />
things to think about, and better things to carry around with us, than rulers, balances and measuringjugs.<br />
So if you’ve ever wanted to know how to convert an ordinary Wellington boot into a precision<br />
measuring-instrument for use in the building trade, or if you’ve ever found yourself faced with the<br />
task of estimating the weight of a pile of loose apples but are too mean to buy yourself a set of<br />
scales, then the one thing you need to get (apart from a life, obviously) is this book. In fact it is the<br />
only compendium devoted to the mishmash of bodges, estimates and rules-of-thumb that makes up<br />
the ‘system’ of measurement used by the average person in the street, and the only book to explain<br />
why this system is not naturally meant to be metric.<br />
What’s more, the book will attract the written endorsement of an absolutely stellar list of names,<br />
which includes – but is not limited to – many of Britain’s biggest-selling authors. Examples include Jilly<br />
Cooper, Ranulph Fiennes, Edward Fox, Dick Francis, Peter Hitchens, Jools Holland, Alexander McCall<br />
Smith, Richard Mabey, Andrew Roberts, J.K. Rowling and Anthony Worrall Thompson. What unites<br />
these disparate names is that they are all members of an organization concerned with weights and<br />
measures, and all of them subscribe, broadly, to the philosophy behind this little book. The<br />
organization in fact commissioned the author to conduct a series of opinion polls about people’s<br />
attitudes to the metric system – and it was this research that got him thinking about the subject from<br />
first principles and spurred him to write the book.<br />
Warwick Cairns studied English and psychology at Keele, and then English at Yale under Professor<br />
Harold Bloom. Apart from a bit of travelling, he has spent most of the years since working in<br />
advertising and is now head of planning and strategy at a small brand consultancy. Throughout his<br />
career he has commissioned research into the way people think and act, and concentrated on big but<br />
unfashionable groups that don’t tend to get looked at by other researchers. His travelling included a<br />
stint drilling wells on a Sioux reservation in Dakota with Operation Raleigh, and a trip to Africa with<br />
the explorer Wilfred Thesiger. He lives in Windsor with his wife and two daughters. He has been<br />
commissioning research for the British Weights & Measures Association since 1997, and acted as an<br />
expert witness in several trials of traders charged with defying the compulsory metrication laws.<br />
UK Publisher Macmillan<br />
UK Publication Autumn 2007<br />
Status Manuscript<br />
Length 40,000 words<br />
Agent PT<br />
All rights available excluding world English (Macmillan)<br />
45
CROWDED MIND<br />
Rita Carter<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
A groundbreaking book that redefines the nature of personality<br />
Why should there be just one ‘self’ per body? Recent advances in neuroscience have demonstrated<br />
that a ‘self’ is only a construct of the human brain – a closely woven idea. So why should a brain not<br />
weave two selves – or more? This is precisely what seems to happen in people with multiple<br />
personality disorder. In this bizarre condition, a single person has several entirely different characters,<br />
some of whom seem to be unaware of the existence of the others.<br />
THE CROWDED MIND is not about these extreme cases of ‘split personality’, however. It is about<br />
normal people – and the many characters who inhabit them. The book presents an entirely new way<br />
of looking at our selves. Its central thesis is that every person is a ‘collective’ of personalities, each<br />
one of which can be identified as a ‘self’. Findings in the burgeoning area of ‘psychoneurology’ show<br />
how the brain tricks us into thinking this collective is a single entity. The only difference between<br />
people with multiple personality disorder and others is that in the latter the different selves share a<br />
common memory, and so believe they are part of a single entity.<br />
As with all tight-knit groups, the various selves within each of us sometimes co-exist in perfect<br />
harmony, and sometimes clash – which explains why people often report that they feel they are<br />
‘falling apart’ or ‘acting out of character’. In presenting this novel scientific view of personality, the<br />
acclaimed science writer Rita Carter shows us how we can recognize these inner characters and<br />
weave them together for the benefit of all. THE CROWDED MIND is rooted in mainstream brain<br />
science but written in a way that makes it comprehensible and relevant to everyone: one of those rare<br />
works that says something new and important about who and what we are.<br />
Rita Carter is an award-winning science and medical writer. She contributes to a wide range of<br />
newspapers and magazines, including the New Scientist, The Times, Independent and Daily Mail.<br />
Before specializing in science she worked for six years as a television news presenter (Thames<br />
Television) and radio host and producer. She continues to appear and be heard regularly on television<br />
and radio as a medical and science commentator, and gives frequent talks and lectures throughout<br />
Europe and the US. She has written two books about the workings of the human mind, MAPPING THE<br />
MIND (1998) and CONSCIOUSNESS (2002), both published by Weidenfeld & Nicolson in the UK and<br />
the University of California Press in the US. MAPPING THE MIND has sold in 18 territories and 11<br />
languages and is still selling strongly.<br />
UK Publisher Little, Brown<br />
US Publisher Little, Brown<br />
Delivery Autumn 2006<br />
UK Publication Autumn 2007<br />
Status Manuscript<br />
Length 80,000 words<br />
Agent PT<br />
All rights available excluding UK & Commonwealth, US, Brazil (Editora Rocco), Italy (Ponte Alle Grazie), Japan<br />
(Random House Kodansha), Korea (Gyoyangin), Poland (Amber)<br />
46
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE SUN KINGS<br />
The Unexpected Tragedy of Richard Carrington and the Tale of<br />
How Modern Astronomy Began<br />
Stuart Clark<br />
I found myself captivated by the characters, the colossal problems they tackled, and the stunning conclusions<br />
they finally reached. I commend Clark for combining so many interesting ideas into a single, fast-paced,<br />
beautifully crafted story<br />
– Dava Sobel, author of LONGITUDE<br />
Undoubtedly the most gripping and brilliant popular science history account that I have ever read. It is<br />
informative, accurate, and relevant. The author’s ability to write so vividly makes me seethe with jealousy<br />
– Owen Gingerich, Professor of Astronomy and of the History of Science, Harvard University, and author of THE<br />
BOOK THAT NOBODY READ<br />
In September of 1859, the entire Earth was engulfed in a gigantic cloud of seething gas, and a bloodred<br />
aurora erupted across the planet from the poles to the tropics. Around the world, telegraph<br />
systems crashed, machines burst into flames, and electric shocks rendered operators unconscious.<br />
Compasses and other sensitive instruments reeled as if struck by a massive magnetic fist. For the first<br />
time, human beings began to suspect that the Earth was not isolated from the rest of the universe.<br />
But nobody knew what could have released such strange forces upon the Earth – nobody, that is,<br />
except the English amateur astronomer Richard Carrington.<br />
In this riveting account, Stuart Clark tells for the first time the full story behind Carrington’s<br />
observations of a mysterious explosion on the surface of the Sun and how his brilliant insight – that<br />
the Sun’s magnetism directly influences the Earth – helped to usher in the modern era of astronomy.<br />
Clark vividly brings to life the scientists who roundly rejected the significance of Carrington’s discovery<br />
of solar flares, as well as those who took up his struggle to prove the notion that the Earth could be<br />
touched by influences from space. Clark also reveals new details about the sordid scandal that<br />
destroyed Carrington’s reputation and led him from the highest echelons of science to the very lowest<br />
reaches of love, villainy and revenge.<br />
THE SUN KINGS transports us back to Victorian England, into the very heart of the great nineteenthcentury<br />
scientific controversy about the Sun’s hidden influence over our planet.<br />
Stuart Clark is the former editor of the UK’s bestselling astronomy magazine, Astronomy Now. He<br />
has a PhD in astrophysics and until 2001 was director of public astronomy education at the University<br />
of Hertfordshire. In 2001 the Independent placed him alongside Stephen Hawking and Sir Martin<br />
Rees, the Astronomer Royal, as one of the ‘stars’ of British astrophysics teaching. The author of<br />
several overviews of modern astronomy, including one successful children’s book, Stuart currently<br />
writes for the European Space Agency and is a regular contributor to such magazines as New Scientist<br />
and BBC Focus. He is the author of several books, including JOURNEY TO THE STARS and UNIVERSE<br />
IN FOCUS: The Story of the Hubble Telescope.<br />
US Publisher Princeton University Press<br />
US Publication May-07<br />
US Publication May 2007<br />
Status Proofs<br />
Length 256 pages<br />
Agent PT<br />
All rights available excluding world English (Princeton University Press), Italy (Giulio Einaudi)<br />
47
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE EGG AND SPERM RACE<br />
The Seventeenth-Century Scientists Who Unravelled the<br />
Secrets of Sex, Life and Growth<br />
Matthew Cobb<br />
A fascinating subject, full of arresting material and personalities<br />
– Lisa Jardine, SUNDAY TIMES<br />
Lively… You can almost smell the formaldehyde on the page<br />
– FINANCIAL TIMES<br />
For millennia, humanity has wondered where life comes from. At different times and in different<br />
places, people have discussed what the mother and father each contribute, how the miracle of<br />
conception takes place, and why offspring sometimes look like one parent, sometimes like another<br />
and sometimes like neither. Until the beginning of the twentieth century, this combination of<br />
reproduction, conception and embryonic development was wrapped up in a single term: ‘generation’.<br />
Amazingly, the decisive step in understanding generation, in revealing how sex works and in outlining<br />
the fundamental laws of reproduction came about in the space of ten tumultuous years in the middle<br />
of the seventeenth century. This was when a network of six scientists and physicians – including<br />
names famous in the history of science such as de Graaf, Swammerdam, Redi, Malpighi and<br />
Leeuwenhoek – turned their scalpels and their microscopes, their intuition and their experimental<br />
ingenuity, on what had become the crucial problem of the age. Now, for the first time, THE EGG AND<br />
SPERM RACE tells their story.<br />
Linked by a series of friendships, rivalries and chance encounters, these six men were radically<br />
different in temperament and training: they include a poet keen on vipers, a shop-keeper with an<br />
unhealthy interest in his own sperm, a mystical student obsessed with insects, a bright young doctor<br />
loved by his friends and hated by his rivals, and a future saint who laid the foundations of neurology,<br />
geology and crystallography. Through the insights produced by their various approaches, they<br />
changed the way we understand the living world. Above all, they showed that humans are just like<br />
other animals, subject to the same laws of reproduction and development.<br />
Matthew Cobb is programme director for zoology at the University of Manchester, where he lectures<br />
on animal behaviour. Over the past few years he has also made an intensive study of the life of<br />
Swammerdam, one of the main protagonists in THE EGG AND SPERM RACE. Matthew has thus<br />
become an acknowledged expert on the scientific participants and debates of the seventeenth<br />
century, and has published several articles on the topic for both general readers and historians of<br />
science. He is also a regular reviewer for the Times Literary Supplement.<br />
UK Publisher Simon & Schuster<br />
US Publisher 8 August 2006<br />
UK Publication 3 April 2006<br />
Length 332 pages<br />
Agent PT<br />
All rights available excluding UK & Commonwealth, US, Netherlands (De Bezige Bij)<br />
48
SATAN'S CIRCUS<br />
Mike Dash<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
Nearly five million men and women have served the United States of America as police officers. Only<br />
one has been executed for murder.<br />
In 1912, Charley Becker was the most admired policeman in New York, cleaning up an area of<br />
Manhattan famed for the gambling, whoring and drinking that went on after dark. Everyone called it<br />
the Tenderloin: the most glamorous, notorious square mile on Earth.<br />
Then, on 16 July 1912, a gambler named Herman Rosenthal was shot dead. For the police it was the<br />
result of a gamblers’ dispute. But New York’s District Attorney thought differently, and Becker himself<br />
was charged with ordering the murder.<br />
His arrest transformed the Rosenthal affair into the most sensational murder case New York had seen.<br />
It emerged that Becker had led a double life. In theory, he was the pillar of the law. In practice, he<br />
had been thoroughly corrupt. By the time the case came to court, New York newspaper readers knew<br />
all about Charley Becker – and the corruption that riddled New York City.<br />
They also knew that Rosenthal was shot because he was going to talk. What they didn’t know, and<br />
the jury never heard, was that he had been killed by his fellow gamblers, terrified that Rosenthal<br />
would ruin them. Becker was a fall-guy, a man so corrupt no one would ever believe him.<br />
This is the story of ‘the crookedest cop who ever stood behind a 'shield’ – and of the raucous, gaudy,<br />
utterly corrupt city that made him.<br />
Mike Dash is a Cambridge-educated historian in his late 30s, and is the author of three previous<br />
books, THUG, TULIPOMANIA and BATAVIA’S GRAVEYARD, which have been published to acclaim<br />
around the world. Also a magazine editor and journalist, he contributes regularly to newspapers and<br />
magazines ranging a spectrum from The Times and the Telegraph to Time Out and Maxim.<br />
UK Publisher Granta<br />
US Publisher Crown/Random House<br />
UK Publication August 2007<br />
Status Manuscript<br />
Length 150,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US (Random House), Netherlands (Uitgeverij de<br />
Arbeiderspers)<br />
49
OUT OF HOLLYWOOD<br />
Tom Dewe Matthews<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
OUT OF HOLLYWOOD answers the question that nobody has posed until now: what happened to the<br />
Hollywood exiles when they fled from the House of un-American Activities Committee blacklist of<br />
Hollywood professionals during the 1950s’ communist witch hunt in America?<br />
Exile was forced upon the Hollywood exiles by their political prosecutors – over 80 per cent of the<br />
Hollywood witnesses refused to respond to the committee’s questions and many of the dissenters<br />
went into exile. Others avoided the US marshals bearing subpoenas to appear in front of the HUAC,<br />
hid out, went on the run and then fled from America.<br />
This is a book about political dissent as much as is it also about the exiles’ individual journeys: from<br />
the heights of Hollywood lifestyles to a hilltop village in the Scottish Highlands, a marble palace in<br />
Cuernavaca, a derelict farmer’s cottage in Kent or the salons in the fashionable quarters of Paris,<br />
London, Madrid and Mexico City. It also considers the reaction of the countries in which the exiles<br />
settled to the movie professionals suddenly among them.<br />
Above all, though, this is a book about heroes, because the Hollywood exiles gave up so much – their<br />
family and friends, their careers and country – all for the sake of a personal belief, a universal ideal:<br />
freedom of speech. Glamorous risk-takers who led extraordinarily adventurous lives, the Hollywood<br />
exiles took part in momentous historical events and lived the real-life adventure story of movie men<br />
and women in exile.<br />
Tom Dewe Matthews is a freelance journalist who writes for The Times, Guardian, Independent<br />
and Evening Standard, among other newspapers.<br />
UK Publisher Faber<br />
Delivery November 2006<br />
UK Publication November 2007<br />
Status Proposal<br />
Length 80,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
50
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
BODY SHOPPING<br />
Business, Bioethics and Human Tissue<br />
Donna Dickenson<br />
Donna Dickenson's work is characterized by commitment and openness. It encompasses philosophy, law, health<br />
care ethics, global politics, feminism, history, poetry, literature, and timely new areas in bioethics, such as stem<br />
cell research... Time and again, Dickenson strives to express the unique diversity of human values while<br />
respecting the concept of universality<br />
– International Spinoza Lens Award 2006 Committee<br />
From the sale of the late broadcaster Alastair Cooke’s bones, through the targeting of pregnant<br />
women by for-profit umbilical cord blood banks, to the collection of human eggs from US college<br />
students, BODY SHOPPING is the first full exposé of the burgeoning international trade in human body<br />
parts.<br />
With modern developments in medicine and biotechnology, our body parts – cells, tissues, organs –<br />
have increased in value both as a source of information and as the raw material for new commercial<br />
products. Everyone from researchers and entrepreneurs to insurers, employers and governments have<br />
uses for our biological materials and genetic information – and have more access to them than most<br />
of us know. What does this mean for the trust patients have traditionally placed in their doctors, for<br />
the motives and goals of medical research, for personal privacy, for our very sense of identity? Can a<br />
human being be reduced to the sum of his or her body parts?<br />
In BODY SHOPPING, Donna Dickenson makes a case against the newfound rights of businesses to<br />
harvest our bodies and gain exclusive profit from the resulting products and processes. At a time<br />
when the tissues and genes – the essence of each person’s individual humanity – are becoming, in<br />
the words of the head of one pharmaceutical company, ‘the currency of the future’, we are, she<br />
argues, no longer even considered owners of our own flesh and bone. To illustrate her case, she<br />
presents a series of compelling stories of individuals injured or abused by the increasingly rapacious<br />
biotechnology industry, so providing a fresh take on the evolving legal position, the international<br />
dimension, the historical long view and the latest biomedical research – an approach that goes beyond<br />
a mere recital of horror stories to suggest a range of new strategies to bring the biotechnology<br />
industry to heel.<br />
Donna Dickenson is Professor of Medical Ethics and Humanities at Birkbeck, University of London.<br />
She was recently awarded the prestigious Spinoza Lens award for her contributions to global ethics. In<br />
some twenty books and sixty articles, she has explored such weighty bioethical issues as death and<br />
dying, face and hand transplants, reproductive rights and the use of women’s tissues in stem-cell<br />
research. She has given expert evidence to the House of Commons Science and Technology<br />
Committee and as a member of the Royal College of Obstetrics and Gynaecology Ethics Committee, is<br />
a regular contributor to radio and television, and is frequently invited to lecture in the UK and abroad.<br />
Her books range across not only medical ethics, but also literature. BODY SHOPPING is her first<br />
popular book on science and medicine.<br />
UK Publisher Oneworld<br />
Delivery 30 June 2007<br />
UK Publication Spring 2008<br />
Status Proposal and sample chapter<br />
Length 85,000 words<br />
Agent PT<br />
All rights available excluding world English (Oneworld)<br />
51
DRIVING OVER BRATWURST<br />
Ben Donald<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
In the twenty-first century, Germany still labours under so many prejudices that it is the last place<br />
many English people would consider going on holiday. Yet the country is vast, beautiful and largely<br />
unknown outside its commercial centres. And the Germans themselves are funnier, more disorganized<br />
and more passionate than most people believe. Aside from the Rough Guide, a few city guides and<br />
dense cultural histories there is nothing on Germany in our travel sections, and certainly nothing lighthearted<br />
and idyllic. In summer 2006 Germany will host the football World Cup and for a month the<br />
world’s eyes will be on the country. What better time, then, and how much more zeitgeist could it be,<br />
to write a book giving a humorous but ultimately positive face-lift for this nation at the heart of<br />
Europe? AToujours Deutschland which would lie midway in the market between Peter Mayle and Alain<br />
de Botton…?<br />
Ben Donald lives with his wife and child in West London and is in charge of television and book<br />
rights at BBC Worldwide. His earlier life is more relevant, however, for he moved to Germany at the<br />
age of three. Ben went on to study German and German literature, among other languages, at school<br />
and university in England, and claims that it was at Cambridge that his youthful idealism found a<br />
mirror in the writings of the great German thinkers. Fluent in German, French and Italian, he also<br />
succumbed during his student days to an irrepressible wanderlust which, in turn, led him to write<br />
occasional travel pieces for The Times as well as three guidebooks (BOLOGNA, Footprint, 2002;<br />
TURIN, Footprint, 2004; MILAN, Cadogan) and also to co-author with Phil Dodd THE BOOK OF CITIES<br />
(Pavilion, 2004).<br />
UK Publisher Little, Brown<br />
Delivery November 2006<br />
UK Publication Autumn 2007<br />
Status Manuscript<br />
Length 90,000-100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
52
EXTREME PERSUASION<br />
Kevin Dutton<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
An argument in a bar turns nasty and a man waves a broken bottle in the face of his assailant; an<br />
armed robber slips a piece of paper across the counter to a bank-clerk, informing her he’s got a gun;<br />
a terrorist cell hijacks a commercial airliner and suddenly diverts it from its flight-path; a drunken<br />
passenger begins hurling abuse on a crowded train; a motorist pulls over and makes his way furiously<br />
towards the car of another driver who has cut him up: in such flashpoint manifestations of conflict,<br />
when anger rages, anxiety runs riot and feelings of hopelessness encroach and overwhelm, extreme<br />
persuaders can assassinate knife-edge confrontations with telescopic precision. They behave in a way<br />
fundamentally different from the rest of us. They can think without thinking, make instant decisions<br />
seemingly without having to decide, and finesse dramatic turnarounds under extreme conditions,<br />
effectively and quickly.<br />
In EXTREME PERSUASION, the brilliant young psychologist Kevin Dutton provides a guide to this, the<br />
ultimate frontier in conflict resolution. He investigates the origins of conflict in human history and<br />
explains how our in-built capacity to resolve it arose from complex neural systems that have evolved<br />
to enable us to survive; draws on personal testimonies and first-hand reports to piece together the<br />
psychological profile of the extreme persuader; explores what happens in the brains of the people<br />
whose thoughts and actions are being manipulated; and compares and contrasts the skills of extreme<br />
persuaders with those of psychopaths, the ultimate psychological manipulators whose characteristic<br />
attributes – including their intense gaze, charm and feigned humility – fly in the face of their lack of<br />
ability to empathize. Along the way we meet the professionals trained in the techniques of extreme<br />
persuasion (hostage negotiators, special-forces soldiers, high-finance trouble-shooters and lawyers) as<br />
well as the ‘naturals' (politicians and spiritual leaders, as well as psychopaths).<br />
EXTREME PERSUASION is the first popular and practical book to concentrate on persuasion squarely<br />
in the context of conflict resolution. Its watchword is humility rather than hubris. The book has wide<br />
implications for our day-to-day relationships with friends, family and colleagues, as well as for society<br />
as a whole. It presents new findings about the human brain and behaviour that may provide the key<br />
to understanding, and even changing, how we view ourselves and how we behave towards others.<br />
Kevin Dutton is a lecturer in psychology and senior research fellow at St Edmund's College,<br />
University of Cambridge. He has a first-class honours degree in psychology from the University of Kent<br />
and a doctorate in psychology from the University of Essex. In addition to his research on conflict<br />
resolution, he is the executive secretary of the International Society for Science and Religion (based at<br />
the University of Cambridge). He has organized and spoken at meetings and conferences across the<br />
world, and his work has been published in leading international scientific journals including Journal of<br />
Experimental Psychology and Cognition and Emotion.<br />
UK Publisher Heinemann<br />
US Publisher Harcourt<br />
Delivery 1 January 2007<br />
UK Publication Autumn 2007<br />
US Publication Autumn 2007<br />
Status Proposal and sample chapter<br />
Length 80,000 words<br />
Agent PT<br />
All rights available excluding UK & Commonwealth, US, Israel (Kinneret), Italy (Einaudi), Japan (Japan Broadcast<br />
Publishing)<br />
53
THE MAN'S BOOK<br />
Thomas Fink<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
Perhaps you’ve wondered about which urinal you should choose (and of course why), or the 119<br />
single malt whiskies and how they differ, or even Poker probabilities, conker strategies and darts<br />
statistics… Well, it’s all in THE MAN’S BOOK, which unabashedly celebrates being male and<br />
comprehensively examines the essential elements of a man’s life. It’s a chap’s companion if you like;<br />
a bloke’s bible that belongs in every man’s back pocket.<br />
The Man’s Book also clarifies matters of etiquette, from suggesting the politest way of banning<br />
smokers (or non-smokers) from your house, to explaining why you should never use your mobile<br />
phone while waiting for a date to arrive. The essential elements of a man’s life are all explained in a<br />
systematic and intelligent way, with facts and figures, diagrams, tables and formulas to help men out<br />
of any tight spot.<br />
Thomas Fink was a Junior Fellow at Caius College, Cambridge. He is now a theoretical physicist at<br />
Institut Curie and lives in Mayfair. He is co-author of THE 85 WAYS TO TIE A TIE, published by Fourth<br />
Estate.<br />
UK Publisher Weidenfeld & Nicolson<br />
UK Publication 14 September 2006<br />
Length 200 pages<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
54
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
WHEN I AM PLAYING WITH MY CAT, HOW DO I KNOW THAT<br />
SHE IS NOT PLAYING WITH ME?<br />
Saul Frampton<br />
WHEN I AM PLAYING WITH MY CAT will use the last twenty or so years of Michel de Montaigne's life<br />
in 16th Century France to show how this most modern of philosophers – modern in terms of the<br />
extraordinarily contemporary feel of his writing – moved from feeling that he walked in the shadow of<br />
death to embracing life again in all its messy, exuberant variety. The story really starts with that<br />
terrible moment when, aged 38, Michel de Montaigne suffered the deaths of five of his six children –<br />
and of his brother, and of his best friend – in quick succession, and withdrew to the tower of his<br />
chateau outside Bordeaux to write and prepare himself for his own death.<br />
There, in his circular study, surrounded by 1,000 books and working beneath beams which he had<br />
carved with quotations from his favourite classical philosophers, Montaigne began to write essays<br />
which initially mirrored the concerns of his 16th century noble Gascon background: essays on warfare,<br />
for instance, or on sieges and on battle tactics. But gradually Montaigne began to make himself his<br />
own material, interweaving his thoughts on the importance of friendship and his own personal failings,<br />
say, with his explorations of the rights of animals and the puzzling behaviour of foreigners. And what<br />
emerges over the 20-year span of his writing is a portrait of a man falling back in love with life, so<br />
much so that he begins to score out some of the more Stoic quotations carved above his head.<br />
Saul Frampton graduated with a first class degree in Philosophy and English, and wrote a doctorate<br />
on Renaissance literature at Wadham College, Oxford. Since then, he has been a fellow at Oxford<br />
University, an assistant editor at the London Review of Books and now teaches at the University of<br />
Westminster. He is 38.<br />
UK Publisher Faber & Faber<br />
US Publisher Pantheon/Vintage<br />
Delivery April 2007<br />
UK Publication April 2008<br />
Status Proposal<br />
Length 80,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US (Pantheon/Vintage), Italy (Guanda), Netherlands<br />
(Ambo/Anthos), Sweden (Brombergs Bokforlag)<br />
For French rights please contact Paul Keegan at Faber & Faber: paul.keegan@faber.co.uk<br />
55
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
FLAT EARTH<br />
The Extraordinary History and Modern Revival of an Ancient<br />
Idea<br />
Christine Garwood<br />
Contrary to popular belief, fostered in countless school classrooms the world over, Christopher<br />
Columbus did not discover that the world was round. The idea of the world as a sphere had been<br />
widely accepted in scientific, philosophical and even religious circles from as early as the fourth<br />
century BC. Bizarrely, it was not until the supposedly more rational nineteenth century that the notion<br />
that the world might actually be flat really took hold. Even more bizarrely, it persists to this day,<br />
despite Apollo missions and widely publicized pictures of the decidedly spherical earth from space.<br />
Based on a range of original sources, Christine Garwood’s history of flat-earth beliefs – from the<br />
Babylonians to the present day – raises issues central to the history and philosophy of science, its<br />
relationship with religion and the making of human knowledge about the natural world. FLAT EARTH<br />
is the first definitive study of one of history's most notorious and persistent ideas, and evokes all the<br />
intellectual, philosophical and spiritual turmoil of the modern age. Ranging from ancient Greece,<br />
through Victorian England, to modern-day America, this is a story that encompasses religion, science<br />
and pseudo-science as well as a spectacular array of people and places. Where else could eccentric<br />
aristocrats, fundamentalist preachers and conspiracy theorists appear alongside Copernicus, Newton<br />
and Nasa, except in an account of such a legendary misconception?<br />
Christine Garwood has a BA in history and a PhD in the history of science. She was formerly a<br />
research fellow at the Open University, where she was principal archivist on the Wallace Project. A<br />
part-time lecturer at University College Northampton (University of Leicester), she is the author of<br />
several articles on Alfred Russel Wallace and on Victorian and Edwardian science and society more<br />
generally.<br />
UK Publisher Macmillan<br />
UK Publication 20 April 2007<br />
Status Manuscript<br />
Length 324 pages<br />
Agent PT<br />
All rights available excluding UK & Commonwealth<br />
56
THE EXTRA MAN<br />
John Geiger<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE EXTRA MAN is a biography of an extraordinary idea: that, despite cruel hardships, something<br />
wonderful is happening to people who experience life at its most extreme.<br />
For scores of explorers, mountaineers, prisoners of war, sailors and astronauts have survived great<br />
stress and danger to life, only to reveal that an unseen companion guided them through the worst of<br />
their ordeal. Witnesses range a spectrum from Sir Ernest Shackleton and Charles Lindbergh, polar<br />
explorers Robert Swan and Ann Bancroft, climbers Hermann Buhl and Doug Scott, to US astronaut<br />
Jerry Linenger.<br />
As the legendary Italian mountaineer Reinhold Messner, who experienced the phenomenon on both<br />
Nanga Parbat and Everest, put it: ‘It is leading you out of the impossible’. Among the many people<br />
living today who can attest to the force is 9/11 survivor Ron DiFrancesco, who was guided through a<br />
smoke and fire-filled stairwell in the South Tower of the World Trade Center moments before it<br />
collapsed. A gripping and commercial exploration of this extraordinary syndrome, setting out all the<br />
various explanations, THE EXTRA MAN also is, first and foremost, a stirring inventory of the most<br />
remarkable survival stories ever told.<br />
John Geiger is the review editor of the National Post in Canada and an exploration expert who<br />
somehow makes time to spend his summers retracing the progress of various nineteenth-century<br />
expeditions across Greenland and the Arctic.<br />
Canadian Publisher Penguin Canada<br />
Delivery February 2007<br />
Canadian Publication August 2007<br />
Length 100,000 words<br />
Agent PW<br />
All rights available excluding Canada<br />
57
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
MCMAFIA<br />
Globalization and the Rise of Organized Crime<br />
Misha Glenny<br />
MCMAFIA is the first book to chart the course of the globalizing mafia through the vivid stories of<br />
individual mafiosi, their victims, their clients and their foot soldiers. It provides first-hand reports from<br />
the main centres of the new mafia – Russia, the Balkans, China, South-East Asia, West Africa, Israel,<br />
Dubai, Colombia, Mexico and Canada (yes, Canada) – to explain its rise over the past 15 years; its<br />
peculiar relationship with the West (one of mutual dependence as well as hostility); its strict<br />
adherence to liberal principles of supply and demand; its magnetic attraction to terrorism; how it is<br />
being combated by policing methods; and how major new thinking in foreign policy may prove the<br />
most effective antidote of all.<br />
The book demonstrates the connection between the massive rise in organized crime over the past two<br />
decades and both the deregulation of the global financial system and the collapse of the Soviet<br />
Empire. It examines the relationship between the system of global trade and organized crime as well<br />
as the links between the arms trade, crime and terror. And it argues that organized crime can only be<br />
successfully combated if it is regarded as an economic force that feeds off the poverty of the<br />
developing world and exploits the prohibition of commodities and services in the West.<br />
By following people or goods as they travel as victims, couriers, gangsters or police, ascertaining their<br />
motives, detailing their experiences and reliving their dramas, Misha Glenny blends colourful and<br />
dramatic individual stories into the broader picture of how crime in the underdeveloped world seeps<br />
into the Western world. In doing so, he sheds light both on the human dimension and on the guiding<br />
principles of an extraordinary global phenomenon.<br />
Misha Glenny is the author of THE REBIRTH OF HISTORY, THE RISE AND FALL OF YUGOSLAVIA<br />
and A HISTORY OF THE BALKANS. An acclaimed journalist and historian, he contributes regularly to<br />
the Guardian, Observer, The New York Times and New York Review of Books as well as specialist<br />
journals and books dealing with south-eastern Europe. A regular broadcaster on radio and television,<br />
he has most recently advised several southern European countries on policymaking and legislation<br />
(sponsored by the Greek government) and is informally consulted on a regular basis by the British<br />
Foreign Office, the US State Department and the British Army, as well as by US, European and south<br />
European think tanks. He is also a regular keynote speaker at conferences on organized crime,<br />
globalization, south-eastern Europe and US–Europe relations.<br />
UK Publisher Random House<br />
US Publisher Knopf<br />
Delivery March 2007<br />
UK Publication June 2008<br />
Status Proposal<br />
Length 100,000-110,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, US (Knopf), Brazil (Comphania das Letras), Canada (Anansi),<br />
Finland (Tammi), France (Denoël), Germany (DVA), Japan (Kobunsha), Israel (Books in the Attic), Italy<br />
(Mondadori), Netherlands (Ambo Anthos), Norway (Gyldendal), Spain (Destino), Sweden (Norstedts)<br />
58
SPRINGFIELD ROAD<br />
Salena Godden<br />
A true story of heartbreaking beauty<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
SPRINGFIELD ROAD is the childhood story of Salena Godden, born to a Jamaican go-go dancer<br />
mother and an Irish jazz musician in Hastings, England in the early 70s. Salena’s upbringing was<br />
meant to be sunny days and the silver Jubilee, but fate threw Salena, her older brother Gustave into a<br />
different direction. Her father left them, with no explanation, and Salena’s mother, after living alone<br />
and eking out a living, married a horrible disciplinarian who wouldn’t allow Salena or her brother to be<br />
in the house without an adult present. When Salena’s father comes back for a visit, she begins to see<br />
what her ‘real dad’ is like.<br />
This is a story of loss, love and the redemptive power of family while growing up multi-cultural in an<br />
uncertain Britain.<br />
Salena Godden is in her early 30s and lives in London. She has travelled the world performing<br />
television and radio presenting. She has hosted workshops in schools across Britain and New York to<br />
inspire teenagers to write fiction and/or poetry. She is currently writing freelance for Dazed and<br />
Confused with regular guest spots on BBC Radio 3’s The Verb.<br />
UK Publisher Harper Press<br />
Delivery Spring 2007<br />
UK Publication Spring 2008<br />
Status Proposal<br />
Length 80,000 words<br />
Agent KCS<br />
All rights available excluding UK & Commonwealth<br />
59
NEGRO WITH A HAT<br />
Colin Grant<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
At one time during the first half of the twentieth century, Marcus Mosiah Garvey was the most famous<br />
black man on the planet. Born into poverty in Jamaica, he travelled to London before the First World<br />
War and, on his return to Kingston, resolved to wage war against racial injustice. NEGRO WITH A HAT<br />
is that story. It’s a tale of horrendous bigotry, racial uplift, petty infighting, egotism, bad business<br />
management, international espionage, murder and profound tragedy.<br />
In 1920, Garvey’s organization, the Universal Negro Improvement Association, held its first convention<br />
in New York. Before a crowd of 25,000, Garvey, an awe-inspiring orator, outlined his plan to build a<br />
new African nation-state for the black diaspora. His ideas were contagious and soon the UNIA boasted<br />
more than 1,100 branches in more than 40 countries. He also launched the Black Star Shipping Line<br />
which was designed so that black businesses could interact with each other internationally. But<br />
Garvey’s lack of business experience meant that the Black Star Shipping Line was soon encumbered<br />
with serious financial difficulties, and Garvey’s dream of black nationalism failed when the cut-throat<br />
Liberian regime swindled him in land-deal negotiations. He died penniless in London, a sad, lonely<br />
figure.<br />
Colin Grant is a producer for BBC Radio 4 and is of Jamaican heritage. He is well placed to write this<br />
biography: long fascinated by Marcus Garvey; he developed the proposal for NEGRO WITH A HAT<br />
after putting together a radio documentary about Garvey’s meteoric rise to fame and rapid departure<br />
from the public stage.<br />
UK Publisher Cape/Random House<br />
Delivery October 2006<br />
UK Publication October 2007<br />
Status Proposal<br />
Length 100,000 words<br />
Agent KCS<br />
All rights available excluding world English rights (Cape/Random House)<br />
60
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE DOCTOR OF ZANZIBAR<br />
The Battle to End the African Slave Trade<br />
Alastair Hazell<br />
On the 15th June 1873, the Zanzibar slave market – where thousands men, women and children had<br />
been bought and sold annually – was finally closed.<br />
The astonishing story behind this is in part the account of a non-European colonization of Africa – long<br />
before the Scramble for Africa – when the Sultan of Oman decided in the 1820s to move his court<br />
from the Arabian Gulf to Zanzibar, in order ruthlessly to exploit the East African slave trade. An<br />
extraordinary move, given that the Sultan, and his successors, then brought money-changers and<br />
taxation officials in from India and struck wholesale deals with slave raiders far into the African<br />
interior, decimating entire tribes and shipping tens of thousands into captivity.<br />
The unknown story here is that of a young British doctor, John Kirk, who spent the majority of his<br />
working life trying to end the Zanzibar slave trade at a time when the British had no particular interest<br />
in East Africa and often refused militarily to back his efforts. Perhaps more amazingly, Kirk was neither<br />
an explorer nor a soldier. He was in fact a botanist, a classifier of plants, and a medical doctor.<br />
In THE DOCTOR OF ZANZIBAR, Alastair Hazell interweaves four years’ research of personal and<br />
national histories into a compelling and resonant chronicle, at the centre of which is the intersection of<br />
Islam and slavery.<br />
Alastair Hazell was raised in Malawi in the 60s, surrounded by neighbours there who viewed the<br />
Nyasa Slave Wars, which had ended just 70 years earlier, as very recent history: a sense of historical<br />
connection which stuck with Alastair when he studied at Cambridge, and on through the seven years<br />
during which he ran Macmillan Africa. Thereafter Alastair founded a financial information company,<br />
the successful sale of which allowed him to set up a couple of other business and to run an African<br />
NGO, and devote himself to these primary sources. He’s now 54.<br />
UK Publisher Constable & Robinson<br />
Delivery January 2008<br />
UK Publication January 2009<br />
Status Proposal<br />
Length 80,000-100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
61
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
KALASH!<br />
AK47 – The Story of the People’s Gun<br />
Michael Hodges<br />
Since its inception in the late 1940s in Russia, the Kalashnikov rifle has become the most ubiquitous<br />
and successful killing machine the world has ever known The United Nations has made a conservative<br />
estimate that there are between 70,000,000 and 100,000,000 of the weapons in existence today.<br />
KALASH! tells a remarkable story of the people’s gun, tracing it back to the birth of its inventor Mikhail<br />
Kalashnikov on a family farm on the Steppes of the Kazakstan-Mongolian border, through its many<br />
incarnations in many different countries and conflicts, to its current place as a potent symbol of<br />
revolution, liberation and terror around the world.<br />
Hungary, Vietnam, Angola, Afghanistan, Iraq, Breslan – you name the place, there’s a Kalash waiting<br />
for you. It is also the only gun in history to become a superbrand, its name adorning vodka bottles, Tshirts<br />
and mouse-mats. Unbelievably, you can now buy an MP3 player to slip into the ammunition<br />
magazine of your Kalash so you can listen to music while you kill.<br />
General Kalashnikov has agreed to work exclusively with the author on the project.<br />
Michael Hodges has reported extensively from Iraq and Palestine over the past three years. He<br />
came under Kalashnikov fire while patrolling first with the US army in the Sadr City suburb of Baghdad<br />
and then with the British army in southern Iraq. During the early 1980s he lived in the Middle East<br />
and witnessed Palestinian unrest in the West Bank and Jerusalem and the 1982 Israeli invasion of<br />
Lebanon. From 1999 to 2003, as executive editor of Maxim – the biggest-selling men’s magazine in<br />
the world – he was part of the team that launched the Maxim brand in more than 15 countries. He is<br />
now editor-at-large of Time Out, London.<br />
UK Publisher Hodder & Stoughton<br />
UK Publication March 2007<br />
Status Manuscript<br />
Length 90,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
62
ITALY'S SORROW<br />
A Year of War: 1944-45<br />
James Holland<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
Not since Napoleonic times had the Italian peninsula witnessed such widespread war and bloodshed<br />
as it did in the last year of World War II. Chaos and disorder reigned. Mussolini and his new Republic<br />
had no real power; they were little more than Hitler’s stooges, while Marshal Badoglio headed what<br />
amounted to a puppet government in the south; real authority in the southern half of the country was<br />
held by the Allied Military Government established by Britain and America.<br />
Consequently, in large parts of northern Italy, civilians found themselves caught between the devil<br />
and the deep blue sea. They supported the Partisans on pain of death, but faced severe retribution if<br />
they were seen to be collaborating with the Fascists. Hunger and poverty frequently forced terrible<br />
decisions upon them. The typhoon of steel that raged up the leg of Italy wreaked unimaginable<br />
destruction. The Allies had to defeat Nazi Germany – utterly and completely; that was the brief. The<br />
Germans had to prevent it. If Italians and their towns and villages got in the way, then so be it.<br />
ITALY’S SORROW will be based on the hundreds of interviews that James Holland has conducted over<br />
the last two years with survivors from all sides of this internecine conflict – ranging from the Partisans<br />
to Royalists members of the various Fascist organisations, from the Allies to the Germans and all the<br />
political shades – as well as extensive research into written records of what was the fiercest fighting<br />
of the entire war. It will be a work of historical reportage, telling the story through the experiences of<br />
those who were there.<br />
James Holland is the author of two novels: THE BURNING BLUE, which is set against the backdrop<br />
of the Battle of Britain, and A PAIR OF SILVER WINGS, both published by Heinemann. In 2003, he<br />
published his first work of history, FORTRESS MALTA, which became a Sunday Times top 10<br />
bestseller. The sequel, TOGETHER WE STAND: North Africa 1942-1943, was published this year. He is<br />
36.<br />
UK Publisher HarperCollins<br />
US Publisher St Martin's Press<br />
Delivery April 2007<br />
UK Publication June 2008<br />
Status Proposal<br />
Length 100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US, Italy (Longanesi)<br />
63
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE FORGE OF CHRISTENDOM<br />
The Eleventh Century and the Making of the West<br />
Tom Holland<br />
Praise for RUBICON and PERSIAN FIRE, both shortlisted for the Samuel Johnson Prize<br />
A terrific read and a remarkable piece of scholarship. As an introduction to Roman history, it is unlikely to be<br />
bettered<br />
– DAILY MAIL on RUBICON<br />
Fresh and vivid... there is no better and clearer guide to the tangled political events of 100-44 BC… if a new<br />
readership is to be won for ancient history, it is books like this that will pave the way<br />
– Frank McLynn, NEW STATESMAN, on RUBICON<br />
Tom Holland’s masterly study brings the Persians to vivid life… [a] panoramic and gripping book<br />
– OBSERVER on PERSIAN FIRE<br />
Confident, fluent and accessible, and with salutary lessons for our own times, this is history at its best<br />
– THE TIMES on PERSIAN FIRE<br />
At a time when the cultural identity of Europe is such a pressing issue, THE FORGE OF CHRISTENDOM<br />
looks back to the eleventh century, the period when the boundaries and character of Western<br />
Christendom were first being firmly set.<br />
The century begins amid millennial panic, fostered by a widespread sense that the world is coming to<br />
an end: the Christian kingdoms of the Mediterranean are being attacked by Saracen raiders, those of<br />
the north by Vikings; the kingdoms themselves are fragmenting; disease and anarchy are increasingly<br />
rife. It ends with the First Crusade, and a Christendom that has not merely endured, but proved itself<br />
triumphantly expansionist, with its banners planted in the Muslim heartlands, on the ramparts of<br />
Jerusalem itself. A century fundamental, in other words, to the whole future course of European<br />
history – for it ensures that the very notion of Christendom will survive.<br />
Tom Holland is the author of RUBICON: The Triumph and Tragedy of the Roman Republic (Time<br />
Warner, 2003) and PERSIAN FIRE: The First World Empire and the Battle for the West (Time Warner,<br />
2005). He has adapted Herodotus, Homer, Thucydides and Virgil for BBC Radio, and lives in London<br />
with his wife and two small children.<br />
UK Publisher Time Warner<br />
US Publisher Doubleday<br />
Delivery January 2008<br />
UK Publication January 2009<br />
Length 150,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US, Netherlands (Athenaeum-Polak & Van Gennep)<br />
64
THE KRONOS GENERATION<br />
Carl Honoré<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
Childhood is under threat. We no longer look on it as a separate stage of life, as a time of anarchy<br />
and wonder with its own rules and rhythms. Instead, we treat children like mini-adults. From the<br />
moment of conception, we start fretting over how to perfect them, how to help them steal a march on<br />
their peers, how to fill up every moment of their day with useful activity. At the same time, we<br />
mollycoddle the young, driven by fear to forbid them to walk to school or play outside alone. In this<br />
perfectionist, competitive age, we want to give our children the best of everything and make them the<br />
best at everything. The result is a new and damaging culture of ‘hyper-parenting.’ No longer<br />
something that comes naturally, parenting is now a skill to be studied, agonized over and mastered; it<br />
is a competitive sport.<br />
THE KRONOS GENERATION will expose the folly of striving obsessively to raise an alpha child, and<br />
show how everyone can benefit from a more relaxed, playful approach to parenting. Using stories<br />
from real parents and children, the book will take the reader from Asia to North America to Europe to<br />
visit classrooms, playgrounds, a virginity retreat, summer camps, sport centres, a Harry Potter<br />
convention, toy companies, television studios, computer labs, a video-gaming conference, a child<br />
beauty pageant, a plastic-surgery clinic for teens and more.<br />
Carl Honoré is a Canadian-born, London-based correspondent for several American and Canadian<br />
newspapers. Previously he spent three years in South America stringing for a range of magazines<br />
from the Economist and the Guardian in the UK to the Chicago Tribune and Time in the US.<br />
UK Publisher Orion<br />
US Publisher HarperCollins SanFrancisco<br />
Delivery May 2007<br />
UK Publication January 2008<br />
Status Proposal<br />
Length 90,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US, Brazil (Editora Record), France (Hachette Livre), Korea<br />
(Basecamp), Netherlands (Lemniscaat), Spain (RBA)<br />
65
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
DANDY IN THE UNDERWORLD<br />
An Unauthorised Autobiography<br />
Sebastian Horsley<br />
When Mother found out she was pregnant with me she took an overdose. Father gave her the pills. She needed a<br />
drama from time to time to remind her that she was still alive. The overdose didn’t work. The flow of life in me<br />
was too strong even for the violence Mother had done it. Had she known I would turn out like this she would<br />
have taken cyanide...<br />
– Extract from DANDY IN THE UNDERWORLD<br />
Sebastian's mother was an alcoholic who regularly attempted suicide, and his father a drunk and<br />
crippled billionaire who left him when he was young. As a 21 year old man, he embarked on a<br />
relationship with Jimmy Boyle (Scotland's most notorious gangster and murderer who was also<br />
sleeping with Sebastian’s wife.)<br />
DANDY IN THE UNDERWORLD charts Sebastian Horsley's years as a dandy, an artist, a visitor of<br />
prostitutes (and a period as a prostitute), his time as a sex-advice columnist, his love affairs, his<br />
descent into heroin and crack addiction, his desperate attempts and even more desperate failures to<br />
overcome it, his Crucifixion and his eventual success in finding a kind of peace.<br />
This is a man who, in every conceivable way, has lived a life of extremes. Sebastian is at once<br />
monstrous and loveable, hugely arrogant and painfully vulnerable. Full of Quentin Crisp quips and<br />
Wildean aphorism DANDY IN THE UNDERWORLD is a painfully honest and painfully funny book which<br />
demonstrates that he has also the ability to laugh at himself.<br />
Sebastian Horsley is a man who has done everything in a culture where people are famous for<br />
doing nothing. In the tradition of Byron, Thomas DeQuincy, Oscar Wilde and Quentin Crisp… at last<br />
we have a new English eccentric.<br />
In 2000 Sebastian went to the Philippines to be Crucified. Sarah Lucas made a film of the event,<br />
which was shown at the ICA. The Sun dubbed him ‘Art Freak’.<br />
The Observer fired him as their sex columnist for being ‘too graphic’.<br />
When he appeared on Jeremy Vine’s Radio 2 show the switchboard was jammed with complaints.<br />
But there is so much more to his life…<br />
UK Publisher Sceptre<br />
Delivery January 2007<br />
UK Publication September 2007<br />
Status Manuscript<br />
Length 115,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
66
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
SEX AND THE PSYCHE<br />
The Secret World of Sexual Fantasy<br />
Brett Kahr<br />
Although Europeans appear to be sexually liberal, we still possess enormous anxieties, fears,<br />
inhibitions, and shame in relation to our sexual lives. We may purport to be sexually free and<br />
confident whilst at the pub, but in private, many individuals experience ongoing, internal misery about<br />
their sexual lives.<br />
This amazing book emerges from the world’s largest-ever survey of sexual fantasies: a sample of over<br />
15,000 people who had each to complete a 32-page questionnaire before Brett Kahr then chose a<br />
core group to be interviewed at great length at his London practice. But the survey results are just<br />
part of SEX AND THE PSYCHE. Kahr will be drawing also on his 25 years of running a psychiatric<br />
practice which specialises in relationship and sexuality issues.<br />
Doing for the mind what Kinsey did for the body, SEX AND THE PSYCHE will, not surprisingly, be<br />
packed with revelations and research – about, for example, the plasticity of fantasies, or the<br />
difference between publicly admitted and private fantasies.<br />
Brett Kahr is a psychotherapist who has worked in mental health for 25 years. He has qualifications<br />
from Oxford and Yale, and can be heard in regular slots on BBC Radio 2. He is a prolific author and<br />
has worked as an advisor on Fame Academy, Operatunity and Big Brother yet is equally at home in<br />
front of an audience as a distinguished West End pianist and composer.<br />
UK Publisher Penguin Press<br />
US Publisher Perseus<br />
UK Publication July 2007<br />
Length 190,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US, Brazil (Distribuidora Record de Servicos de Imprensa),<br />
Canada (Penguin), France (Editions Bernard Grasset), Germany (Ullstein Buchverlag), Italy (Ponte Alle Grazie),<br />
Netherlands (De Boekerij BV), Norway (Bazar Forlag), Poland (Albatros), Portugal (Publicacoes Dom Quixote),<br />
Spain (Ediciones Martinez Roca)<br />
67
REAL ENGLAND<br />
Paul Kingsnorth<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
In REAL ENGLAND, Paul Kingsnorth bears witness to the death of an old England and the birth of a<br />
new – the decline of an England in which the small, the ancient, the indefinable, the meaningful, the<br />
interesting and the quirky are being systematically scoured out and bulldozed to make way for the<br />
clean, the sophisticated, the alien, the progressive, the corporate. The things that make our<br />
landscapes different, distinctive or special are being eroded, and replaced by things which would be<br />
familiar anywhere: the same chain shops in every high street; the same bricks in every new housing<br />
estate; the same signs on every road; the same menu in every pub. The result is stark: everywhere is<br />
becoming the same as everywhere else. Everywhere is becoming slicker, more corporate, more<br />
remote, less real. We are witnessing the McDonaldisation of England.<br />
What does it mean to be an individual in the twenty-first century? Can individuality survive in the age<br />
of a global market that demands uniformity of appearance, mass production, standardization of<br />
culture and standardization of taste? Why must we cease to value the distinctiveness of where we<br />
are? Must we really become consumers on a faceless, placeless international trading floor? In REAL<br />
ENGLAND, Paul Kingsnorth exposes the widespread elimination of character and authenticity from the<br />
landscape we all live in, explaining why it is happening, who is responsible and who is fighting to<br />
change it while, at the same time, offering a vision of a future in which money, bureaucracy and<br />
blinkered economic ideology do not combine to reshape our culture in the interests of global<br />
corporations.<br />
Paul Kingsnorth is a writer and environmental campaigner who first became involved in the green<br />
movement while studying at Oxford, when, as a 19-year-old student, he was sucked into the<br />
embryonic road-protest campaigns. Since then he has written prolifically on environmental and global<br />
political issues for publications including the Guardian and Independent, Big Issue and BBC Wildlife<br />
magazines. As well as being a former deputy editor of the Ecologist magazine, Paul is an awardwinning<br />
poet.<br />
UK Publisher Portobello<br />
Delivery April 2008<br />
UK Publication December 2008<br />
Status Proposal<br />
Length 90,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
68
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
QUANTUM<br />
Einstein, Bohr and the Great Debate about the Nature of<br />
Reality<br />
Manjit Kumar<br />
QUANTUM is the first popular book to tell the extraordinary story of quantum theory, and the great<br />
intellectual debate that it ignited. As well as providing a gripping account of the birth and<br />
development of a scientific idea, it chronicles the social and political upheavals that inspired the<br />
quantum revolution and shows how quantum theory has, in turn, revolutionized our lives.<br />
At its heart, QUANTUM is the story of the remarkable men behind the golden age of physics (Planck,<br />
Einstein, Bohr, de Broglie, Pauli, Heisenberg, Schrödinger, Dirac) – a very human and tangled story of<br />
love, tragedy and rivalry, as well as muddle, mistakes, intuition, creativity and disappointment.<br />
Albert Einstein was one of the first to recognize the radical nature of quantum theory. It was his 1905<br />
paper on the quantum that he considered ‘very revolutionary’, not the one on relativity for which he is<br />
chiefly remembered. And for 35 years Einstein was locked in a fierce battle with the Danish<br />
theoretician Niels Bohr over what quantum theory actually meant, a debate that continues to this day.<br />
In taking the story up to the present, QUANTUM shows how Bohr brainwashed a whole generation of<br />
physicists and how, nearly 50 years after his death, Einstein has been finally vindicated.<br />
Manjit Kumar is the founding editor and publisher of Prometheus, an interdisciplinary journal with a<br />
distinguished editorial board that covers the arts, sciences and humanities. He has a BSc in physics<br />
and an MSc in quantum fields and fundamental forces from Imperial College of Science, Technology<br />
and Medicine in London, and a BA in philosophy from the University of London. Between 1993 and<br />
1996, he gave courses at the City Literary Institute in London on a variety of topics including ‘Science<br />
and Religion in Historical Perspective’, ‘Science and Rationality’ and ‘Quantum: A Beginner’s Guide to<br />
Twentieth-century Physics’. He is the co-author with John Gillott of SCIENCE AND THE RETREAT<br />
FROM REASON (Merlin Press/Monthly Review Press, 1997).<br />
UK Publisher FourthEstate<br />
US Publisher 4th Estate<br />
UK Publication Spring 2007<br />
US Publication Spring 2007<br />
Status Manuscript<br />
Length 100,000 words<br />
Agent PT<br />
All rights available excluding UK & Commonwealth, US, Croatia (Izvori), France (Jean-Claude Lattes), Germany<br />
(Berlin), Greece (Patakis), Italy (Arnoldo Mondadori), Japan (Soshisha), Netherlands (Ambo Anthos), Norway (N.<br />
W. Damm), Spain (Salamandra), Sweden (Norstedts)<br />
69
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE FIRST PSYCHIC<br />
The Peculiar Mystery of a Notorious Victorian Wizard<br />
Peter Lamont<br />
Praise for THE RISE OF THE INDIAN ROPE TRICK<br />
A short, sharp little book… wonderfully entertaining<br />
– THE TIMES<br />
A labour of love. Lamont disentangles the gargantuan knot of lies and sets the record straight with a joyful<br />
vengeance<br />
– THE NEW YORK TIMES<br />
A fascinating, quirky and authoritative investigation into the world’s greatest mystery<br />
– Simon Singh<br />
On the evening of Sunday 13 December 1868, a remarkable event took place in the Westminster<br />
home of Viscount Adare. A thirty-five-year-old man, whose extraordinary exploits had already made<br />
him something of a sensation, floated out of one third-floor window and in through another.<br />
This was the most notorious of many feats performed by Daniel Douglas Home, a low-born Scot who<br />
became an international celebrity by convincing the rich and famous that tables floated, that spirit<br />
hands materialized and that he himself could levitate. Home is virtually unknown today, but everybody<br />
who was anybody in Victorian society, and many who were not, had a strong opinion about him.<br />
He was hated by Dickens, defended by Thackeray, denounced by Faraday and mysterious to Darwin.<br />
He was insulted by Tolstoy, praised by Mark Twain and patronized by Napoleon III. When he married<br />
a god-daughter of the Tsar of Russia, his best man was Alexandre Dumas. Home was the only subject<br />
upon which Robert and Elizabeth Barrett Browning disagreed. And the question that divided them was<br />
the same one asked by the Royal Society and the British Association for the Advancement of Science:<br />
how did he do it?<br />
THE FIRST PSYCHIC investigates the changing fortunes of a man whose life challenged the Victorian<br />
obsession with both science and religion, a man who baffled the establishment so much that they<br />
coined the word ‘psychic’ to describe him. It is the story of a controversial Victorian celebrity and of<br />
the strange and seemingly inexplicable events that occurred in his presence.<br />
Peter Lamont is a research fellow at the Koestler Parapsychology Unit, University of Edinburgh. He<br />
specializes in the history and psychology of magic and psychic phenomena, and is a past winner of<br />
the Jeremiah Dalziel prize in Birtish history. He has also worked professionally as a magician and<br />
psychic, and has performed and lectured across the world. His first book, THE RISE OF THE INDIAN<br />
ROPE TRICK, was published in 2003 by Little, Brown in the UK and Thunder’s Mouth in the US to wide<br />
critical acclaim.<br />
UK Publisher Little, Brown<br />
UK Publication 18 August 2005<br />
Length 320 pages<br />
Agent PT<br />
All rights available excluding UK & Commonwealth<br />
70
THE SCENT TRAIL<br />
Celia Lyttleton<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
A definitive account of the history of scent, THE SCENT TRAIL is a fascinating and beautifully<br />
illustrated journey to the heart of a vanishing world. It opens with Celia Lyttleton’s visit to a bespoke<br />
perfumer, who over the course of several hours asks Celia numerous questions: about her past, the<br />
smells from her childhood and the memories they evoked, her favourite sounds and her favourite<br />
colours. Gradually, using a palette of over five hundred smells, he creates a unique scent that only<br />
Celia will wear.<br />
Focusing on the ten key ingredients of this scent, Celia has travelled along the three major scent trails<br />
through Europe, Asia and the Middle East. She sources the ingredients, and meets and interviews<br />
those who harvest, ship, distil, create and sell scent, from peasants in Turkey and Bulgaria, through<br />
scent merchants in the souks of Damascus, to the ‘Noses’ of the scent-makers in the south of France<br />
– all the while travelling the same routes that have been used by merchants for thousands of years.<br />
THE SCENT TRAIL ends with Celia’s opening her bottle of bespoke scent and her experiencing the<br />
fruits and memories of her travels.<br />
Celia Lyttleton has been interested in scent from an early age: its ephemeral nature, its peculiar<br />
chemical qualities and the extraordinary myths that surround its history. An acclaimed art critic, she<br />
has written for numerous magazines, papers and journals around the world, ranging from Vogue, Elle<br />
Decoration, Tatler, World of Interiors, Harpers & Queen and Talk Magazine to Art & Auction in the US<br />
and the Evening Standard, Saturday Telegraph and Independent in the UK. She is the author of two<br />
specialist design books, THE NOW ART BOOK and FLOATING WORLDS, both of which were published<br />
in Japan.<br />
UK Publisher Transworld<br />
UK Publication June 2007<br />
Status Manuscript<br />
Length 256 pages (including black and white illustrations)<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, US<br />
71
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
I LOVE YOU BUT I'M NOT IN LOVE WITH YOU<br />
Andrew G. Marshall<br />
It is a phrase that many of us have heard or have spoken, and can be an achingly frustrating rejection<br />
to bear for the person on the receiving end, but what exactly does it mean, and is there hope for a<br />
relationship if one partner is beginning to feel ‘I love you but…’?<br />
Examining the causes of the phenomenon which is now ubiquitous among couples attending therapy,<br />
the leading therapist and journalist Andrew G. Marshall aims to help readers to get a grip on the crisis<br />
and to recover their relationship before counselling is necessary. He may be doing himself out of a<br />
job, but Andrew firmly believes that, if caught soon enough, the trend can be reversed and couples<br />
can regain security, intimacy and deep trust; to feel confident and confidently ‘in’ love. His ideas will<br />
almost certainly cause friction at first, as a central theme of the book is that we should strive to define<br />
ourselves against our partners as much as alongside them, but there’s every chance that the post-’I<br />
love you but…’ relationship will be stronger than ever before. Written with a practical focus, the book<br />
is inclusive enough also to inform those who feel that the confession may have been a smokescreen<br />
for hidden issues in a relationship; as well as those wanting to understand the end of a previous<br />
relationship to avoid encountering the same situation again.<br />
Andrew G. Marshall is a therapist with almost 20 years’ experience counselling couples for Relate<br />
and other organizations. Currently president of the British Men’s Counselling Association, he is best<br />
known in the UK for his weekly ‘Psychobabble’ column in The Times. He is a regular contributor to<br />
broadsheet newspapers and women’s magazines, and his self-help articles are syndicated around the<br />
world. He is also an experienced broadcaster who has hosted daily radio shows and guested regularly<br />
on UK Living TV.<br />
UK Publisher Bloomsbury<br />
UK Publication 3 July 2006<br />
Length 285 pages<br />
Agent EJ<br />
All rights available excluding UK & Commonwealth, US, Brazil (Record), Canada (Penguin Canada), Finland<br />
(Otava), France (Hachette/Marabout), Germany (Krueger Verlag/Fischer), Greece (Kritiki), Italy<br />
(Corbaccio/Longanesi), Japan (Aspect Corp), Netherlands (House of Books), Sweden (Norstedts)<br />
72
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
BEING WELL<br />
How a few small changes really can make a BIG difference<br />
Alan Maryon Davis<br />
BEING WELL is more than a handy guide to healthy living. Aimed primarily at the younger end of the<br />
older persons’ market, it focuses on motivational triggers and self-help tools in ten key lifestyle areas<br />
that can have a major impact on health: diet & nutrition; physical activity; stress, relaxation & sleep;<br />
sex; smoking; drinking; drugs (including prescribed medication); oral health, skincare (including feet)<br />
& sunbathing; check-ups, male and female; and developing a positive approach to life.<br />
Its essential message is that healthy living doesn’t have to mean an end to pleasure and enjoyment.<br />
Nor that you have to turn your life upside-down. Small changes really can make a big difference. A<br />
few, simple, very do-able steps can put you well on the path to a healthier, happier life.<br />
Informative but accessible, with a light-hearted approach and lots of practical checklists, handy hints,<br />
aides-memoir and progress charts, BEING WELL is the essential motivator, reference guide and routemap<br />
to health rolled into a single volume. A must-have for anyone who wants to enjoy life – for<br />
longer.<br />
Alan Maryon Davis is the author of nine popular books on health topics ranging from first aid to<br />
controlling cholesterol, and for 17 years wrote a weekly ‘dear doctor’ column in Woman magazine. He<br />
has been an expert guest on dozens of TV and radio programmes, was the BBC Radio 1 ‘doc’ for two<br />
years and presented his own award-winning series on heart health on BBC Radio 4. He is senior<br />
lecturer in public health at Kings College London, and current chair of the Royal Institute of Public<br />
Health.<br />
UK Publisher Heyday<br />
Delivery January 2007<br />
UK Publication April 2007<br />
Status Proposal<br />
Length 50,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
73
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
LIVE WORKING OR DIE FIGHTING<br />
How the Working Class Went Global<br />
Paul Mason<br />
When Frederick Winslow Taylor noticed 'worker Schmidt' lifting bars of pig iron at the Bethlehem Steel<br />
works in Pennsylvania, USA, in 1898, he knew he was on to something: a model worker whose output<br />
could be measured and used as a yardstick to test two things: the efficiency of the other workers and<br />
the efficiency of management methods. Modern management theory was born. You could do far<br />
more, Taylor told Schmidt, 'if you really tried'.<br />
A hundred years later, we're all worker Schmidt; and here Paul Mason tells for the first time the<br />
history of the working class from the perspective of the global present. He explores the main themes<br />
in a narrative that skips from the modern workshop of the world (China) to the original one<br />
(northwest England in the first half of the nineteenth century) - and touches down at all points in<br />
between. Here history lives side by side with the present, in a narrative that interweaves the broader<br />
social, economic and political threads with moving first-hand testimony and cutting-edge reportage.<br />
As Mason points out, until now the history of the working class, and the social movements it created,<br />
could be written about only in national compartments. But as economic reality activates the synaptic<br />
connections between workers on different continents, it is now possible to speak of a global working<br />
class. Charting the story of urban slums, strikes, brass bands, military movements, revolutions and<br />
resistance, unionism, factory occupations and more, he reveals the recurrent trends in working-class<br />
movements and communities and the traditions and skills we have lost.<br />
Alive with the voices of remarkable individuals, LIVE WORKING OR DIE FIGHTING provides a<br />
captivating backdrop for today's anti-globalization movement. Tracing the origins of the activism that<br />
we now see in Seattle, Edinburgh or Genoa, it is filled with stories from China, Nigeria, the United<br />
States, India, Bolivia, Iraq and Argentina and helps us understand where today's protest movement is<br />
coming from and what it is aiming for. Energetic and entertaining, it celebrates a common history,<br />
across the globe, of defiance, idealism and self-sacrifice, one as alive and active today as it was two<br />
hundred years ago.<br />
Paul Mason is the BBC’s Business and Industry Correspondent on Newsnight. He has led the<br />
programme’s coverage of issues ranging from Britain’s firefighters’ strike and railway crisis to<br />
corporate scandals such as Enron, Worldcom and Parmalat. In 2004 he won the Wincott Award for<br />
Business Journalism for his series of three films on the political economy of China. More recently he<br />
has reported from Baton Rouge on Hurricane Katrina and covered the US oil-for-food programme.<br />
UK Publisher Secker/Random House<br />
UK Publication 5 April 2007<br />
Status Manuscript<br />
Length 90,000 words<br />
Agent PT<br />
All rights available excluding UK & Commonwealth<br />
74
SUNSHINE<br />
A Love Affair<br />
Robert Mighall<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
Robert Mighall is obsessed with sunshine. Addicted. Known as ‘Gecko Boy’ to his neighbours, who<br />
often find him up a ladder, catching the few last rays of the descending sun, he knows where and for<br />
how long there will be patches of sunlight after work in the summer, and religiously pursues them in<br />
strict order around his home in Bloomsbury.<br />
SUNSHINE tells the story of our relationship with this elusive entity through Robert's own quest to<br />
understand his remote and fickle mistress. Put more simply, it is about the pursuit of happiness. It has<br />
that magic of an obsessive writing about his or her obsession, such as TULIP or WATERLOG, and<br />
celebrates something to which most of us feel a potent primal attraction, but which has strangely<br />
eluded serious or sustained attention in print. No one has quite got under the skin of our devotion to<br />
this stuff, which hits you with a sense of homecoming when you step onto the tarmac of a foreign<br />
airport, or which the cat – who knows nothing of metaphysics or allegory – serenely worships.<br />
Aimed at the market for such titles as James Hamilton-Paterson's SEVEN TENTHS and Charles<br />
Sprawson's HAUNTS OF THE BLACK MASSEUR, it will question what our relationship with sunshine<br />
actually is – what it is exactly that happens chemically, emotionally, associatively, aesthetically and<br />
metaphysically when we seek out, and bask in, a patch of that fleeting, fantastical golden light. In<br />
pursuing sunshine and its myriad meanings Robert is led into a broader exploration of the great<br />
themes: Happiness, Love, Memory, Worship, and the quest for Fulfillment.<br />
Robert Mighall is in his late thirties, whip-smart and, it goes without saying, always tanned.<br />
Although professionally now a copywriter/branding consultant, Robert was a junior fellow at Oxford<br />
before then spending three years as the Editor of the Penguin Classic Series and has contributed<br />
numerous introductions and essays to academic titles published variously by OUP, Everyman and<br />
Penguin – on Dickens, aspects of the Gothic, Oscar Wilde and so on. As a sideline, he writes<br />
occasional travel and review pieces for the national press. This is his first book.<br />
UK Publisher John Murray<br />
Delivery January 2008<br />
UK Publication Summer 2008<br />
Status Proposal<br />
Length 80,000-90,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
75
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
DECIPHERING 137<br />
Jung, Pauli and the Quest for the Primal Number<br />
Arthur I. Miller<br />
In the words of the physicist Richard Feynman, '137 has been a mystery ever since it was discovered<br />
more than fifty years ago, and all good theoretical physicists put this number up on their wall and<br />
worry about it. Immediately you would like to know where this number comes from. Nobody knows.<br />
It’s one of the damn mysteries of physics: a magic number that comes to us with no understanding by<br />
man.'<br />
Now, for the first time, Arthur I. Miller tells the full story of the quest to solve the enigma of 137, a<br />
number that seems to hint at the origins of the universe itself. It’s a story that encompasses many of<br />
the greatest thinkers of the twentieth century, as well as taking readers back to the roots of modern<br />
science, steeped as they are in mysticism and ancient history. It explores how physicists discover<br />
fundamental concepts, probes the relationship between mathematics, the mind and the real world,<br />
and reveals how one man's discoveries pushed him beyond the fundamental assumptions of scientific<br />
rationalism into exploring the human psyche.<br />
At the heart of the narrative are the intimate lives of the brilliant but disturbed physicist Wolfgang<br />
Pauli and the famous psychoanalyst Carl Jung, to whom Pauli turned to for help. Although polar<br />
opposites in temperament, both men were obsessed with 137. They became firm friends and<br />
corresponded for more than twenty years. Pauli also kept extensive records of his dreams, though he<br />
had to conceal them from his wife, who destroyed those she found. In writing the book, the author<br />
aims to draw on much of this and other rare and important material, much of which has only recently<br />
become available.<br />
Arthur I. Miller is Emeritus Professor of History and Philosophy of Science at University College<br />
London. He is the author of several acclaimed books, the most recent of which are EINSTEIN,<br />
PICASSO (Basic, 2001) and EMPIRE OF THE STARS (Little, Brown/Houghton Mifflin, 2005), which was<br />
shortlisted for the 2006 Aventis Prize for Science Books. An experienced broadcaster, lecturer and<br />
biographer, he is noted for being able to write engagingly about complex social and intellectual<br />
dramas, weaving the personal with the scientific to produce page-turners that read like novels.<br />
US Publisher Norton<br />
Delivery Autumn 2007<br />
US Publication Spring 2008<br />
Status Proposal and sample chapter<br />
Length 60,000-70,000 words<br />
Agent PT<br />
All rights available excluding world English (Norton), Germany (DVA), Japan (Soshisha)<br />
76
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
EMPIRE OF THE STARS<br />
Friendship, Obsession and Betrayal in the Quest for Black Holes<br />
Arthur I. Miller<br />
Shortlisted for the 2006 Aventis Prize for Science Books<br />
Remarkable… a story that needed to be told<br />
– Roger Penrose<br />
A fascinating book<br />
– Martin Rees, SUNDAY TIMES<br />
Fascinating… a quite brilliant account… based on meticulous and thoughtful research<br />
– Graham Farmelo, SUNDAY TELEGRAPH<br />
Ever since the evocative term was coined in 1967, black holes have assumed an almost mystical<br />
appeal for the public. EMPIRE OF THE STARS is the first book to tell the story of their discovery – a<br />
remarkable tale of friendship, rivalry and betrayal.<br />
In August 1930, the 20-year-old Indian astrophysicist Subrahmanyan Chadrasekhar (Chandra)<br />
calculated that certain stars could end their lives by collapsing indefinitely to a point. But Sir Arthur<br />
Eddington, the grand-old man of British astronomy, ridiculed the idea at a meeting of the Royal<br />
Astronomical Society in 1935. Chandra abandoned his work and emigrated to the US. Although his<br />
discovery was eventually recognized with a Nobel Prize in 1983, the episode damaged him<br />
professionally and personally and set back astrophysics for 40 years.<br />
EMPIRE OF THE STARS teases out the major implications of this infamous event, setting it against the<br />
backdrop of the turbulent growth of astrophysics. As such, it also follows the rise of the two great<br />
theories of twentieth-century science – relativity and quantum mechanics – which meet head on in<br />
black holes. In the ensuing clash of personalities, epochs and nationalities, EMPIRE OF THE STARS<br />
reveals the deep-seated psychological and philosophical prejudices at work in the acceptance and<br />
rejection of new scientific ideas: prejudices that create resistance to the idea of black holes even<br />
today.<br />
Arthur I. Miller is Emeritus Professor of History and Philosophy of Science at University College<br />
London. He is the author of several acclaimed books, the most recent of which are EINSTEIN,<br />
PICASSO (Basic, 2001) and EMPIRE OF THE STARS (Little, Brown/Houghton Mifflin, 2005), which was<br />
shortlisted for the 2006 Aventis Prize for Science Books. An experienced broadcaster, lecturer and<br />
biographer, he is noted for being able to write engagingly about complex social and intellectual<br />
dramas, weaving the personal with the scientific to produce page-turners that read like novels.<br />
UK Publisher Little, Brown/Time Warner<br />
US Publisher Houghton Mifflin<br />
UK Publication 17 March 2005<br />
US Publication 25 April 2005<br />
Length 400 pages<br />
Agent PT<br />
All rights available excluding UK & Commonwealth, US (Houghton), France (Jean-Claude Lattes), Germany (DVA),<br />
Greece (Travlos), Italy (Codice Edizioni), Japan (Soshisha), Korea (Prunsoop), Poland (Albatros)<br />
77
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
WEDLOCK<br />
How Georgian Britain's Worst Husband Met his Match<br />
Wendy Moore<br />
Praise for THE KNIFE MAN<br />
a stunning, gruesomely compelling biography… Brilliant<br />
– Alison Weir<br />
Moore’s tireless devotion to detail brings the man and his maverick career vividly, compellingly, gruesomely to life<br />
– THE NEW YORK TIMES<br />
With the death of her coal magnate father when she was just 11, Mary Eleanor Bowes became the<br />
richest heiress in Britain. Beset by admirers and fortune seekers, Mary was nonetheless a highly<br />
intelligent young woman who pursued her own intellectual interests into adulthood. Yet just as she<br />
had resigned herself to a married life of dutiful domesticity, a charming young army hero blew onto<br />
the London scene: ‘Captain’ Andrew Robinson Stoney. Torn between her two lovers Mary was a rabbit<br />
caught in lamplight. So when Stoney then insisted on defending her honour in a duel, Mary was<br />
convinced that she had at last found true love. They married four days later. She was 26.<br />
Sadly, the ‘Captain’ was not what he seemed. In reality, a scheming and debt-ridden lieutenant who<br />
had faked the duel solely to secure Lady Strathmore’s hand, his money troubles were so notorious<br />
that he would inspire the term ‘stony broke’. No sooner had he duped the Countess of Strathmore into<br />
accompanying him down the aisle, than he embarked on a relentless campaign of physical and mental<br />
torture. Repeatedly beaten, kicked, pinched, scratched, burnt and whipped, the Countess was denied<br />
visitors or letters, refused the food and clothing that she desired, and could only watch helplessly as<br />
her ancestral homes were neglected or sold, her beloved conservatories and hothouses were disposed<br />
of and her fortune was squandered. Servants saw her husband lock her in a cupboard, force her to<br />
eat potatoes until she was sick and threaten to kill her at knifepoint. Meanwhile, her husband –<br />
adopting the Bowes family nam after their marriage – brought prostitutes into the house, raped the<br />
nursemaids and sired numerous illegitimate children.<br />
The story of how she escaped (after eight years), commenced divorce proceedings, was recaptured<br />
by Stoney to be dragged accross snow-covered moors half way to Ireland, and eventually freed when<br />
a group of plucky villagers attacked her captor, is gripping. More extraordinary than this is that at a<br />
time when total subservience was demanded of wives by Georgian law, she exacted revenge by<br />
dragging him victoriously through the law courts. WEDLOCK will inject fresh blood into that market for<br />
histories of extraordinary Georgian women.<br />
Wendy Moore has written across the spectrum from the Observer to the BMJ, and from the<br />
Independent on Sunday to the Guardian. Having long specialised in medical stories, Wendy drew on<br />
that expertise for her first trade book, THE KNIFE MAN, which was published last year to fantastic<br />
coverage by Bantam in the UK and by Broadway in the States. She is 43 years old.<br />
UK Publisher Weidenfeld & Nicolson<br />
US Publisher Crown<br />
Delivery September 2007<br />
UK Publication June 2008<br />
Status Proposal<br />
Length 90,000-100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US<br />
78
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
DON’T RHYME FOR THE SAKE OF RIDDLIN’<br />
Chuck D and the Story of Public Enemy<br />
Russell Myrie<br />
The Authorised Biography of One of the Biggest Hip-Hop Bands Ever<br />
Public Enemy is the greatest hip-hop group of all time. And hip-hop is the greatest, most innovative<br />
and relevant musical genre of modern times. Does that make Public Enemy the greatest group of<br />
recent years? Many would argue that that is definitely the case. They must have been doing<br />
something right to sell over 20 million albums throughout their career.<br />
Yo Bum Rush The Show! Public Enemy’s debut 1987 album and its 1988 follow up It Takes A Nation<br />
Of Millions To Hold Us Back dominated not only hip-hop but popular music as a whole. Public Enemy<br />
were responsible for making the genre synonymous with black consciousness. Largely due to lead<br />
rapper Chuck D's powerful lyrics, a whole generation of youths across the world became politically<br />
aware. It surprised many that despite their politics, Public Enemy were just as popular with white<br />
consumers as they were with black ones. However, it could be argued that P.E. attracted a white<br />
audience because of their politics. Maybe this is because modern mainstream audiences were far<br />
more progressive than their parents perhaps would have been.<br />
DON'T RHYME FOR THE SAKE OF RIDDLIN’ will take the reader inside the world of one of the truly<br />
dangerous groups of modern times. It will chart their inception, success and failures, and, importantly,<br />
their legacy.<br />
Russell Myrie is editor at the influential British magazine, The Voice. Myrie regularly freelances for<br />
the Independent, and has interviewed hip-hop stars like 50 Cent and Chuck D. This is his first book.<br />
UK Publisher Canongate<br />
Delivery Spring 2007<br />
UK Publication Spring 2008<br />
Status Proposal<br />
Length 80,000 words<br />
Agent KCS<br />
All rights available excluding world English (Canongate)<br />
79
ENOUGH!<br />
John Naish<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
If you were compelled to spend your life’s precious time and energy in the pursuit of things you didn’t<br />
need, didn’t really want and ultimately didn’t enjoy, you’d feel sorely misused. But that’s what<br />
Western life does to us now.<br />
After long millennia of struggle, we have reached a point in the developed world where we have all<br />
the material goods we could ever need in order to feel fulfilled. But increasingly we are dissatisfied,<br />
overweight, fearful, angry and neurotic.<br />
To try to feel better, we strive to get more of the things we already have: more wealth, more choice,<br />
more information, more entertainment, more self-esteem, more control. But it no longer works. We<br />
are overshooting our rainbow. We need to evolve a new skill – that of feeling fulfilled with the bounty<br />
we’ve got.<br />
It’s not easy in a world where we are bombarded by 3,500 marketing messages a day, all aimed to<br />
make us jealous and hungry, and surrounded by people in the same behavioural loop.<br />
John Naish embarks on a journey to find how we can feel fulfilled in a world where ‘more, more,<br />
more’ is making us miserable. He explains, for example, the latest brain studies about human<br />
voraciousness and exposes how the science of marketing is increasingly capitalising on it.<br />
He explores the absurdity of the world we are creating: in America, the self-storage industry makes<br />
more money than the US music business. People are now working hard to pay to hoard all the things<br />
they’ve worked hard for but don’t use.<br />
He meets some of the world’s most successful and happy people to discover how they have quietly<br />
jettisoned many of the wants they don’t need (for this is not about downshifting – saying Enough is<br />
the only practical way now to get more).<br />
And crucially he helps the reader, in his uniquely humorous way, to re-evaluate how they use the two<br />
precious commodities that they can’t have 'more' of – their time and energy, to enable them to find<br />
fulfilment on their own terms.<br />
John Naish was a bookie’s boy and factory hand, played in rock bands and lived the long-haired bikie<br />
life before he finally got an English and philosophy degree and fell into health journalism. He has<br />
written for the Daily Telegraph and Daily Mirror, and became The Times motoring editor, despite not<br />
having a car licence. He helped to launch some of Britain’s first corporate websites, but walked away<br />
from the dotcom boom. His first two books were THE HYPOCHONDRIAC'S HANDBOOK and PUT WHAT<br />
WHERE? 2,000 years of bizarre sex advice. He is a contributing editor at The Times and is writing a<br />
new health series commissioned by BBC television.<br />
UK Publisher Hodder & Stoughton<br />
Delivery September 2007<br />
UK Publication May 2008<br />
Status Proposal<br />
Length 80,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
80
THE CLOUDSPOTTER'S GUIDE<br />
Gavin Pretor-Pinney<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
The inaugural publication of the Cloud Appreciation Society<br />
Sixteen weeks in the UK Top Ten Bestseller list<br />
This guide is for anyone who’s sat back, stared up at the clouds, and wondered how they form,<br />
whether they mean it is going to rain and why that one over there looks like an elephant. It explains<br />
clouds – showing how and why they form by covering each of the ten types of common clouds – but<br />
it also explores our contradictory feelings towards them. We talk of someone having ‘a cloud hanging<br />
over them’, and yet our poetry, literature and art abound with celebrations of cloudy skies. Is it not<br />
the clouds, after all, that give the sunset its beauty?<br />
With black-and-white illustrations running concurrent with the text, THE CLOUDSPOTTER’S GUIDE reawakens<br />
the sense of wonder we felt as children when we looked up at these most transient and<br />
beautiful of nature’s displays. It teaches us to distinguish the different types (whose names such as<br />
cirrus and nimbostratus are poetry in themselves). It reveals that there is a rare type of cloud that<br />
forms in Queensland which gliders ‘ride’ like surfers on a wave. It explains how the US military<br />
chemically manipulated the clouds during the Vietnam War to make it rain on the Viet Cong. It shows<br />
that someone who is blessed and lucky in Iran is described as having ‘a sky always filled with clouds’.<br />
The Cloud Appreciation Society, from which the guide originates, is for people who believe that clouds<br />
are unjustly maligned and that life would be immeasurably poorer without them. Who but Club 18–30<br />
sun fascists would want to look up at monotonous blue skies every day? Clouds are nature’s poetry,<br />
and it is high time we learned to read them. They are the expressions of the atmosphere’s moods,<br />
and can be read like those of a person’s countenance.<br />
Clouds are for dreamers, and their contemplation benefits the soul. They are the Rorschach images of<br />
the sky, onto which we project our imaginations. So look up, marvel at the ephemeral beauty and live<br />
life with your head in the clouds.<br />
Gavin Pretor-Pinney is the author of THE CLOUDSPOTTER'S GUIDE, the inaugural publication of<br />
the Cloud Appreciation Society, which spent months in the UK top 10 bestseller lists. Aside from this,<br />
he is the co-founder and creative director of the Idler, a magazine now in its twelfth year and<br />
described variously as ‘the world’s finest periodical’ (Time Out) and ‘truly inspired’ (Sunday<br />
Telegraph). THE IDLER BOOK OF CRAP TOWNS was published in September 2003, spent months in<br />
the bestseller lists and spawned several equally successful follow-ups. In 1996 Gavin was responsible,<br />
along with three other partners, for starting the UK revival of the infamous alcoholic spirit absinthe,<br />
and was the first to import the drink into the UK after an eighty-year ban. Besides writing for Harpers<br />
& Queen and the Evening Standard, Gavin has co-presented a Channel 4 programme about Action<br />
Man and been assistant producer on another documentary about cocktails.<br />
UK Publisher Sceptre<br />
US Publisher Perigee/Penguin Putnam<br />
UK Publication 24 April 2006<br />
Length 70,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US, Estonia (Eesti Ekspressi), France (Jean-Claude Lattes),<br />
Germany (Heyne (Hardback)), Italy (Guanda/Longanesi), Japan (Kawade), Netherlands (de Bezige Bij), Spain<br />
(Salamandra), Sweden (Damm), Taiwan (Yuan-Liou)<br />
81
WAVES<br />
Gavin Pretor-Pinney<br />
Author of THE CLOUDSPOTTER'S GUIDE<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
When they roll up the beach and lap at our feet on seaside holidays, waves can feel like Nature’s<br />
mantra. Their eternal repetition seems to clear the mind and bring our lives into perspective. Waves<br />
are also our main means of contact with the world around us, for everything we see and everything<br />
we hear reaches us in the form of light or sound waves.<br />
Incorporating photographs, diagrams and illustrations, WAVES is a light-hearted and informative guide<br />
to the central role they play in our lives. It has a colour section in the middle as well as a ‘moving<br />
section’ – a set of web pages, designed to fit with and compliment the book, showing waves in<br />
motion. And peppered throughout the reader will find occasional ‘experiments’, which couldn’t be<br />
further from the type if thing we did in science lessons at school! They are funny, revealing and<br />
sometimes ridiculous ways that the reader can experience the effects of waves at first hand.<br />
� We are all familiar with the siren of a speeding fire engine changing note as it passes by. This<br />
is due to the way sound waves are affected by movement. The same principle, when applied<br />
to light waves, reveals the distance of neighbouring galaxies.<br />
� ‘Rogue' waves at sea can reach well in excess of 100ft. Though their formation is unclear,<br />
they are considered to be responsible for many major shipwrecks. A new method of<br />
interpreting satellite imagery suggests that around ten rogue waves are prowling our oceans<br />
at any one time.<br />
� A musical instrument known as the viola d’amore has six strings hidden below the<br />
fingerboard. These are neither plucked nor bowed like the normal strings, but vibrate in<br />
sympathy with them – ‘played’ by the sound waves from above. This resonance serves as a<br />
metaphor for love: one system set in motion by the vibrations of another.<br />
A great follow-up to the cult UK bestseller, THE CLOUDSPOTTER'S GUIDE<br />
Gavin Pretor-Pinney is the author of THE CLOUDSPOTTER'S GUIDE, the inaugural publication of<br />
the Cloud Appreciation Society, which spent months in the UK top 10 bestseller lists. Aside from this,<br />
he is the co-founder and creative director of the Idler, a magazine now in its twelfth year and<br />
described variously as ‘the world’s finest periodical’ (Time Out) and ‘truly inspired’ (Sunday<br />
Telegraph). THE IDLER BOOK OF CRAP TOWNS was published in September 2003, spent months in<br />
the bestseller lists and spawned several equally successful follow-ups. In 1996 Gavin was responsible,<br />
along with three other partners, for starting the UK revival of the infamous alcoholic spirit absinthe,<br />
and was the first to import the drink into the UK after an eighty-year ban. Besides writing for Harpers<br />
& Queen and the Evening Standard, Gavin has co-presented a Channel 4 programme about Action<br />
Man and been assistant producer on another documentary about cocktails.<br />
UK Publisher Bloomsbury<br />
US Publisher Perigee/Penguin Putnam<br />
Delivery September 2007<br />
UK Publication May 2008<br />
Status Proposal<br />
Length 70,000-80,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US<br />
82
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
SELLING YOUR FATHER'S BONES<br />
Brian Schofield<br />
Is America really responsible for global warming or other environmental problems that the world is<br />
facing? If so, where does Bush’s government’s attitude come from? SELLING YOUR FATHER’S BONES<br />
argues that the American mentality comes from Manifest Destiny, where European immigrants were<br />
encouraged to move to the Western hinterlands and use the bountiful virgin land as they saw fit.<br />
At the heart of this polemical is the story of the Nez Perce tribe, who, in 1877, after the rapacious<br />
growth by settlers, were forced onto an even smaller reservation. Their leader, Chief Joseph, had<br />
promised his father on his death bed that he would never ‘sell his father’s bones’ and move the tribe<br />
from their ancestral burial grounds. But how would Chief Joseph know that four young tribe members<br />
would get drunk on whiskey and kill 14 white settlers? Chief Joseph tried to negotiate the peace after<br />
the bloodbath but was met with guns. He decided to make a run for the Canadian border… 1,700<br />
miles away.<br />
Schofield will make that trek by car and by foot to bring the reader into some of the most beautiful<br />
stretches of wilderness in the world. Along the way he’ll be exploring the scars that America has<br />
inflicted on its own environment. By tracking the Nez Perce’s doomed flight he will be able to show<br />
the reader the history of America’s expansion and in doing so, unearth the logic of a nation which<br />
continually threatens to eat itself, despite its enormous natural resources.<br />
Brian Schofield is 31 and in 2003 he won an award for being the best British travel writer covering<br />
North America. He’s spent the last eight years writing for GQ, FHM, Arena and the Sunday Times. His<br />
assignments have included completing the New York State Adventure Triathlon, going pig-hunting in<br />
Okeechobee, Florida, and successfully breaking into the Wynn Las Vegas casino. He’s currently<br />
employed as assistant travel editor, culture and news review writer at the Sunday Times and as<br />
contributing editor, specialising in opinion and politics, at Arena.<br />
UK Publisher Harper Press<br />
US Publisher Simon & Schuster<br />
Delivery Spring 2007<br />
UK Publication Spring 2008<br />
Status Proposal<br />
Length 80,000 words<br />
Agent KCS<br />
All rights available excluding UK & Commonwealth, US<br />
83
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
TIME UNLIMITED<br />
The Five Laws of Psychological Time and How to Control and<br />
Transcend Them<br />
Steve Taylor<br />
Praise for THE FALL<br />
Nominated by the Independent as a 2005 book of the year<br />
Has something of the sweep of H. G. Wells’s OUTLINE OF HISTORY... I read it straight through like a novel<br />
– INDEPENDENT<br />
It is hard to shake the feeling that Taylor is on to something... You are provoked into thought and agreement<br />
– Nicholas Lezard’s paperback choice of the week in the GUARDIAN<br />
Why does time seem to speed up as we get older? Why do new experiences often seem to stretch<br />
time. Why does time seem to fly when we’re having fun or drag when we are bored or anxious? Why<br />
is it that a watched pot never boils? And why does time drastically slow down or disappear altogether<br />
in situations of pain or distress, in drug experiences, for athletes who are in the ‘zone’ or for people<br />
with mental disorders such as schizophrenia?<br />
In this groundbreaking work of popular psychology, Steve Taylor tackles head on the riddle of time.<br />
Taking inspiration from Einstein, he sketches out for the first time a parallel ‘theory of relativity’ that<br />
deals with the inner world rather than the outer, looking at the factors that influence psychological<br />
time – that is, time as we perceive and experience it. Drawing on an impressive range of disciplines<br />
from child psychology and cognitive science to physics and anthropology, he reveals how we can learn<br />
to control the flow of psychological time and alter our perceptions so that we experience more of it.<br />
We don’t need to cheat the ageing process and try to live longer by eating healthy food and<br />
exercising, he argues – 'it’s actually easier, and more beneficial, to expand time from the inside by<br />
changing the way we experience the moment-to-moment reality of our lives'.<br />
Steve Taylor is a lecturer in the personal development section of the Centre for Continuing Education<br />
at the University of Manchester and also works at Salford College as a specialist in specific learning<br />
difficulties. Over the past three years, he has run courses on the psychology of time perception at the<br />
university, as well as giving lectures and talks on the subject at other venues. His previous book, THE<br />
FALL, was published in November 2005 by O Books.<br />
UK Publisher Icon<br />
UK Publication Spring 2007<br />
Status Manuscript<br />
Length 80,000 words<br />
Agent PT<br />
All rights available excluding UK & Commonwealth<br />
84
THE FORSAKEN<br />
Tim Tzouladis<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE FORSAKEN tells the story of the tens of thousands of Americans who emigrated to Russia in the<br />
1930s and then vanished, threaded around the gruelling experiences of the only two members of the<br />
American Baseball Team of Gorky Park who survived the gulags.<br />
It starts with a photograph of a baseball team. Since the year is 1936, the photograph is in black and<br />
white: two rows of young men, one standing, the other crouching with their arms around each other’s<br />
shoulders.<br />
They look just like any other baseball team except, perhaps, for the Russian lettering on their<br />
uniforms. They are the American Baseball Team of the People’s Recreation Park at Gorky, Moscow,<br />
most of whom will be dead within the next 18 months. They will not die in an accident, in a train or a<br />
plane crash. They will be murdered, one by one.<br />
The two who survive will be inordinately lucky. They will come so close to death in such terrible<br />
circumstances that, at times, they may even have wished they had died with the rest of the team.<br />
Firmly in line with the market’s mood, THE FORSAKEN is character-driven history, written from the<br />
ground up, and should therefore be bought by readers of all backgrounds and interests.<br />
Tim Tzouladis is a British documentary maker whose surname descends from Crimean Greeks with<br />
large business interests in Russia. Hence his familial connection to this story: his great-grandfather<br />
once employed the young Stalin as a factory-worker in Georgia; and his grandfather, who practised in<br />
Athens, was the doctor who slowly nursed back to health the few Greeks of Jewish origin who<br />
survived the Nazi concentration camps. As such Tim’s was a family in which one grew up with a close<br />
sense of the horrors of both the Russian gulags and the Jewish holocaust. He discovered this story<br />
while researching a film on the gulags, and took a year’s sabbatical to research it.<br />
UK Publisher Time Warner<br />
US Publisher Penguin<br />
Delivery December 2006<br />
UK Publication January 2008<br />
Status Proposal<br />
Length 100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US, France (Jean-Claude Lattes), Germany (Karl Blessing),<br />
Greece (Patakis), Spain (Emece/Grupo Planeta), Sweden (Walstrom & Widstrand)<br />
85
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
IN THE BEAT OF A HEART<br />
Life, Energy and the Unity of Nature<br />
John Whitfield<br />
This is a book about one of the few big ideas to have emerged in many years... IN THE BEAT OF A HEART<br />
achieves the rare trick of entertaining and illuminating at the same time<br />
– Philip Ball, author of CRITICAL MASS<br />
A strange and wonderful trip into the scientific frontier of nature<br />
– J. Whitfield Gibbons, Professor of Ecology, University of Georgia<br />
For centuries, scientists have dreamt of discovering an underlying unity to nature. Science now offers<br />
powerful explanations for both the dazzling diversity and the striking patterns seen in the living world.<br />
� Why does every mammal's heart beat one billion times in its life?<br />
� What can you learn from painting stripes on a cow?<br />
� Why do we have fisheries, but not birderies?<br />
� How much LSD should you give to an elephant?<br />
� Why are there more species in the tropics than at the poles?<br />
� Why is an American woman like a 30-tonne gorilla?<br />
The answers to all these questions have to do with energy. Understanding how life uses energy –<br />
understanding metabolism, in other words – has vexed scientists for over 100 years. Now, some of<br />
them think they have cracked it. What’s more, they think that their theory can explain how the natural<br />
world – from the tiniest bacterium to the greatest rain forest – is constructed.<br />
Biology has been the science of describing and classifying. But a maverick strand of the discipline has<br />
long sought laws that are like the laws of physics: simple, general, powerful and mathematical. And<br />
they have done some rather strange things in the process. IN THE BEAT OF A HEART combines<br />
biography, history, science and nature writing to tell this story. It captures the exciting advances –<br />
and the people who are making them – that are triggering a revolution as potentially important to<br />
biology as Newton’s findings were to physics.<br />
John Whitfield is a London-based science writer. After three years covering evolution, ecology and<br />
conservation for the journal Nature, his work now appears in numerous prestigious publications<br />
including Science, Discover, New Scientist, London Review of Books, Financial Times, Sunday Times,<br />
Independent on Sunday and BBC Wildlife Magazine. He holds a PhD in insect evolution from the<br />
University of Cambridge and plays in one of the world’s leading gamelan orchestras. IN THE BEAT OF<br />
A HEART is his first book.<br />
US Publisher Joseph Henry Press<br />
US Publication November 2006<br />
Status Proofs<br />
Length 280 pages<br />
Agent PT<br />
All rights available excluding world English (Joseph Henry Press)<br />
86
DECENCY AND DISORDER<br />
The Age of Cant, 1789-1837<br />
Ben Wilson<br />
Praise for THE LAUGHTER OF TRIUMPH<br />
The best history book of the year<br />
– SCOTSMAN<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
We all see the Victorians as a respectable, well-mannered and sober people, on the outside at least.<br />
Yet a generation before Queen Victoria ascended the throne, the British were notorious for their<br />
boisterous pastimes, plain-speaking and drunkenness. They were lightly policed, if at all, and a fair<br />
amount of disorder was tolerated as the price a country had to pay for its liberty. They detested<br />
meddling busybodies and revelled in their gregarious popular culture.<br />
But from the beginning of the century people sensed that things were changing. How was it that this<br />
free-spirited and pleasure-loving people embraced the kinds of values that we know as Victorian<br />
moralism?<br />
Many people – most famously Byron – realised that the British were changing. But they weren’t<br />
becoming more moral: they were becoming censorious and hypocritical. In the modern age of<br />
industry and machines, everything was becoming artificial and false, people included. Some clung on<br />
to the old customs and ways of life in the midst of rapid progress, fearing that Britons in the<br />
nineteenth-century would become consummate hypocrites who played the part of virtue only in the<br />
pursuit of gain and imposed their false values on those that dissented. Byron called it the age of<br />
marble, because it was cold and polished.<br />
Decency and Disorder is about the generation who grew up during the turmoil of the Napoleonic Wars<br />
and who lived to see more stable and prosperous days in the middle of the 19th century. Ben Wilson<br />
recreates their age, when ideas of progress and propriety jostled with older notions of what it was to<br />
be British. He examines their world: popular culture and sports, quack doctors, high-society scandals,<br />
dandies, the criminal underworld, philanthropic do-gooders, playboy actors, religious reformers,<br />
Byronic rebels and middle-class conformists. From an age of revolution, licentiousness and anxiety<br />
came one of prosperity, empire and strict morality.<br />
Today, when anti-social behaviour is a prominent political issue, people pine for lost values, and<br />
religious morality is re-establishing itself around the world, there are eerie parallels with the age of<br />
Decency and Disorder.<br />
Ben Wilson was a foundation scholar at Pembroke College, Cambridge, and graduated with a firstclass<br />
degree and college prize. He gained an MPhil in historical studies with a thesis entitled ‘Satirical<br />
Journalism in London, 1815–1825’. His forthcoming book, THE AGE OF CANT, explains how the<br />
debauched late English eighteenth century became the Victorian era in the space of forty years.<br />
UK Publisher Faber<br />
US Publisher Penguin Press<br />
UK Publication Spring 2007<br />
Length 110,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth, US<br />
87
LIBERTY<br />
Ben Wilson<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
‘Liberty’ is a word that we hear every day as governments seek new expedients to fight the war on<br />
terror, the war on identity fraud, the war on anti-social behaviour, and wars on everything else that<br />
threatens us in the twenty-first century. According to liberal politicians, journalists and lobby groups,<br />
the modern state is increasingly authoritarian and forgetful of the traditions of civil liberties.<br />
Governments answer by saying that the necessities of the present call upon responses unique to the<br />
times in which we live, and that old-fashioned notions of liberty are unhelpful in their struggle against<br />
the enormities of terrorism.<br />
But what do we mean when we use ‘liberty’ in such debates? In this book, Ben Wilson charts in the<br />
history of liberty through British, American and European history – the circumstances in which it was<br />
fought for, its changing meanings, and, most importantly, how far its history is relevant to the<br />
problems facing societies today.<br />
Throughout history, constitutions and laws have been framed on the premise that security must be<br />
balanced with liberty. Indeed, the very meaning of liberty has emerged out of episodic crises<br />
throughout history. In other words, it was not worked out in moments of calm and tranquillity, but in<br />
the heat of threats to the nation state. Today we face similar challenges, but what is missing now is a<br />
robust definition of liberty – the greatest benefit, surely, of Western civilization. Debates on these<br />
matters are becoming dangerously polarised, as if liberty and security are irreconcilable. Ministers<br />
speak of civil liberties as somehow stumbling-blocks to good government; their critics react to every<br />
new measure as if it is an encroachment on the rights of the individual. History shows that this need<br />
not be the case.<br />
Liberty, as it has been worked out through the centuries, is not an easy thing to understand. It is a<br />
convention – rather than an innate right – which exists only when there is common agreement as to<br />
what it means. Try to define it in the abstract, and you are left floundering in confusion and<br />
misunderstanding. The greatest politicians and philosophers have only been able to make sense of it<br />
within its historical context. It is only then that we can hope to understand what it is, how it can be<br />
abused and how mistakes can be avoided in the future.<br />
In this book, Ben Wilson uses the history of Western societies to refine and clarify the meaning of<br />
liberty, and how our present debates can be enriched by a clearer understanding of both our<br />
ancestors’ follies and bravery.<br />
Ben Wilson was a foundation scholar at Pembroke College, Cambridge, and graduated with a firstclass<br />
degree and college prize. He gained an MPhil in historical studies with a thesis entitled ‘Satirical<br />
Journalism in London, 1815–1825’. His forthcoming book, THE AGE OF CANT, explains how the<br />
debauched late English eighteenth century became the Victorian era in the space of forty years.<br />
UK Publisher Faber<br />
Delivery January 2008<br />
UK Publication Autumn 2008<br />
Length 100,000 words<br />
Agent CBC<br />
All rights available excluding UK & Commonwealth<br />
88
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
QUIRKOLOGY<br />
The Curious Science of Everyday Lives<br />
Richard Wiseman<br />
Whilst his colleagues were beavering away trying to figure out how our eyes detect the edge of<br />
objects, or how grammar is represented in the brain, Richard Wiseman was busy examining<br />
something very different – the science of personality. You might have wondered why incompetent<br />
politicians win elections, what the secret ingredients of charisma are, how our personalities are<br />
shaped by when we are born, or why people miss the obvious signs of their partner’s infidelity.<br />
On the surface, these investigations may appear diverse. However, they are all examples of a<br />
particular approach to understanding human behaviour – ‘quirkology’ if you like. It is an approach<br />
that involves wading through the backwaters of the human mind and exploring the places where<br />
mainstream scientists fear to tread. Using scientific methods to investigate offbeat topics that interest<br />
both the general public and the scientific community. Studying highly peculiar psychological<br />
phenomena that have important implications. It is about research that makes you laugh, and then<br />
makes you think.<br />
This book details Richard's adventures in quirkology, and pays homage to similar research carried out<br />
by the small band of dedicated academics who have kept the quirky flag flying over the past one<br />
hundred years<br />
So, as Richard says, 'Let the quirkology begin...'<br />
Richard Wiseman is the most cited psychologist now working in Britain. For 12 years he has run the<br />
Research Unit at The University of Hertfordshire, and in 2002 he was appointed the country’s first<br />
Professor in the Public Understanding of Psychology. More than anything, Richard has become wellknown<br />
for researching the areas that other psychologists ignore – investigating whether falling in love<br />
disrupts your sense of time, for instance, or how honest people are when given the wrong change in<br />
supermarkets. Now 39, he’s whip-smart, and brilliantly connected in the media. Google Richard’s<br />
name and you’ll find some 22,000 mentions of his work... alongside which, he has also developed a<br />
career lecturing to business groups. On the book front, he has written two hugely successful self-help<br />
titles – THE LUCK FACTOR and DID YOU SPOT THE GORILLA? – which have sold in 27 languages.<br />
UK Publisher Macmillan<br />
US Publisher Basic Books<br />
Delivery November 2006<br />
UK Publication October 2007<br />
Status Manuscript<br />
Length 80,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US, Brazil (Record), Germany (Fischer), Israel (Matar), Italy<br />
(RCS), Korea (Woongjing Think Big), Netherlands (AW Bruna)<br />
89
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
ONE IN THREE<br />
A Son's Journey into the History and Science of Cancer<br />
Adam Wishart<br />
In hospital, as Dad became more ill, his interests were no longer the realities of his health and treatment. Rather<br />
he had a paranoid concern that his grand-daughter no longer wished him to read bedtime stories to her. Again<br />
and again he mentioned it. That he had become so worried over such a small thing, we thought, was a sign that<br />
his mind was drifting from us, or perhaps that he was desperate to clutch a single experience that he was leaving<br />
behind. So Jessica was persuaded and Dad sat on his hospital bed in his pyjamas and dressing gown, with one<br />
hand holding the book and the other around his grand-daughter. Though he could barely gather the strength to<br />
stop The Lion, the Witch and the Wardrobe from shaking, he battled through its closing chapters, whilst Jessica<br />
swung her legs backwards and forwards<br />
– Extract from ONE IN THREE<br />
When Adam Wishart’s father was diagnosed with cancer, the author couldn’t find any book that<br />
answered his questions. What was the disease and how did it take hold? What is it about cancer’s<br />
biology that means it has not been eradicated? How close are we, really, to a cure? There was no<br />
such book. So he wrote it. This book interweaves two powerful stories: of his father’s personal<br />
experience, and of the two-hundred-year search for a cure. As treatments become increasingly<br />
effective, within twenty-five years many cancers will be illnesses that we live with, rather than die<br />
from, and this is a story of that hope.<br />
A third of us will develop cancer – this book will help people understand it without blind terror.<br />
Adam Wishart is an award-winning television documentary director who worked on Tomorrow’s<br />
World and Horizon. His first book LEAVING REALITY BEHIND was described by the Financial Times as<br />
‘absorbing as a well-crafted thriller’. He is 38.<br />
UK Publisher Profile<br />
US Publisher Grove Atlantic<br />
UK Publication 22 June 2006<br />
Status Manuscript<br />
Length 100,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth, US, Finland (Tammi)<br />
90
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
THE FLORAL REVOLUTION<br />
The Birth of the Modern Garden in the Eighteenth Century<br />
Andrea Wulf<br />
When Andrea Wulf got her first small London garden, she didn’t know much about gardening. But<br />
when she discovered the hidden stories behind the flowers, she became hooked. These plants<br />
revealed tales of a group of men that had created a flower revolution in the eighteenth century and<br />
thereby laid the foundation of our gardens today – just as Benjamin Franklin and Thomas Paine paved<br />
the way for modern democracy in the eighteenth century.<br />
These plant hunters, botanists, nurserymen and gardeners observed nature and experimented with<br />
plants, thereby casting aside myth and superstition which had reigned in the garden for centuries.<br />
Over the course of the eighteenth century as England became an Empire, they brought seven<br />
thousand new species to the nation’s gardens, they ordered and re-named all plants to create one<br />
international standard still is in use today and they brought botany and horticulture into the lives of<br />
the middle classes.<br />
THE FLORAL REVOLUTION is a group biography of the founding brothers of the modern garden. It is<br />
a tale of adventure, competition and commerce as well as science, reason and obsession. It also is the<br />
story of friendships that overcame class differences and national boundaries through a shared love for<br />
plants.<br />
As the nineteenth century dawned the possession of a garden came to be seen as an essential prerequisite<br />
for happiness – and perhaps Englishness itself. And as the tendrils of the garden revolution<br />
stretched ever outwards, Anglomania swept through the Western world. Gardeners from Poland to<br />
Italy, from Sweden to Germany, from Russia to France and as far as America recreated ‘le jardin<br />
anglais’, ‘der Englische Garten’ or ‘il giardino inglese’. England had become the garden of the world.<br />
Andrea Wulf trained as a design historian at the Royal College of Art. Her first book, THIS OTHER<br />
EDEN: Seven Great Gardens and 300 Years of English History, co-authored with Emma Gieben-Gamel,<br />
was published by Little, Brown in 2005. THE FLORAL REVOLUTION is her second book.<br />
UK Publisher Heinemann/Random House<br />
Delivery December 2006<br />
UK Publication Autumn 2007<br />
Status Proposal<br />
Length 70,000 words<br />
Agent PW<br />
All rights available excluding UK & Commonwealth<br />
91
FROM THE BRAIN ONLY<br />
A Portrait of the Soul<br />
Adam Zeman<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Non-fiction<br />
A book that does for the brain what Matt Ridley did for the genome<br />
Following in the tradition of A. R. Luria’s THE MAN WITH THE SHATTERED WORLD and Oliver Sacks’s<br />
THE MAN WHO MISTOOK HIS WIFE FOR A HAT, FROM THE BRAIN ONLY looks set to become a<br />
classic on the brain, mind and human condition.<br />
By combining case histories from his own clinical practice with the latest research findings, Adam<br />
Zeman works gradually from the atom to the mind, passing through the main constituents of the<br />
brain, including its genes, proteins, neuronal networks and lobes – and in doing so provides a truly<br />
literate, engrossing and intelligent tour of modern neuroscience. Each chapter looks at a different<br />
layer of our brain’s concealed complexity, showing how it is laid bare by neurological disorders ranging<br />
from the familiar such as memory loss, migraine, chronic fatigue and stroke to the unfamiliar such as<br />
compulsive fidgeting, CJD, narcolepsy and excessive déjà vu.<br />
Grounded in science, philosophy and clinical psychology and drawing on fiction to recreate seminal<br />
historical events, FROM THE BRAIN ONLY uniquely connects the third-person scientific view with the<br />
evocation of experience that arises from the brain.<br />
Adam Zeman is professor of cognitive and behavioural neurology at the Peninsula Medical School in<br />
Exeter, UK. He trained in Oxford, London and Cambridge. His previous book CONSCIOUSNESS: A<br />
User’s Guide (Yale University Press, 2003) was widely and well reviewed (‘An articulate liberally<br />
educated neurologist… his treatment of the disorders of knowledge is superb… approachable and<br />
instructive’, William H. Calvin, The New York Times; ‘Zeman is uniquely qualified to write this book…<br />
you get a concrete sense of patients with real brain problems… Few authors with have the nerve to<br />
try to explain so much in so little space’, John Searle, Los Angeles Times Book Review). Besides<br />
writing widely in medical and scientific journals, Adam has been a regular contributor to the London<br />
Times and has written occasionally for Prospect, the Scotsman and The New York Times.<br />
UK Publisher Yale University Press<br />
Delivery Spring 2007<br />
UK Publication Autumn 2007<br />
Length 60,000-70,000 words<br />
Agent PT<br />
All rights available excluding world English (Yale University Press)<br />
92
INDEX<br />
Author Index<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Index<br />
Anil Ananthaswamy TO THE EDGE OF REASON 32<br />
Francesca Beauman EVERYTHING BUT THE KITCHEN SINK 33<br />
Francesca Beauman SHAPELY ANKLE PREFERRED 34<br />
Belle de Jour FURTHER ADVENTURES OF BELLE DE JOUR, THE 35<br />
Marcus Berkmann PRINCE OF WALES (HIGHGATE) QUIZ BOOK, THE 36<br />
Tess Berry Hart GENOPOLIS 4<br />
Sarah Bilston BED REST 5<br />
Piers Bizony MAN WHO RAN THE MOON, THE 37<br />
Neil Boorman BONFIRE OF THE BRANDS 38<br />
Ken Bray HOW TO SCORE 39<br />
Michael Brooks THIRTEEN THINGS THAT DON’T MAKE SENSE 40<br />
Bruna Surfistinha SCORPION'S SWEET VENOM, THE 41<br />
Alex Butterworth LOST LIBRARIES OF THE RENAISSANCE 42<br />
Alex Butterworth WORLD THAT NEVER WAS, THE 43<br />
Michael Bywater LIKE BROTHERS 44<br />
Warwick Cairns ABOUT THE SIZE OF IT 45<br />
John Carbone GOOD GUY, THE 6<br />
Rita Carter CROWDED MIND 46<br />
Stuart Clark SUN KINGS, THE 47<br />
Matthew Cobb EGG AND SPERM RACE, THE 48<br />
Michael Cordy SOURCE, THE 7<br />
Lewis Crofts PORNOGRAPHER OF VIENNA, THE 8<br />
Mike Dash SATAN'S CIRCUS 49<br />
Tom Dewe Matthews OUT OF HOLLYWOOD 50<br />
Donna Dickenson BODY SHOPPING 51<br />
Ben Donald DRIVING OVER BRATWURST 52<br />
Matt Dunn EX-BOYFRIEND'S HANDBOOK, THE 9<br />
Kevin Dutton EXTREME PERSUASION 53<br />
Thomas Fink MAN'S BOOK, THE 54<br />
Saul Frampton WHEN I AM PLAYING WITH MY CAT, HOW DO I KNOW… 55<br />
Katy Gardner HIDDEN 10<br />
Christine Garwood FLAT EARTH 56<br />
John Geiger EXTRA MAN, THE 57<br />
Misha Glenny MCMAFIA 58<br />
Salena Godden SPRINGFIELD ROAD 59<br />
Colin Grant NEGRO WITH A HAT 60<br />
Sarah Hall BOTTLES 11<br />
Sarah Hall CARHULLAN ARMY 12<br />
Alastair Hazell DOCTOR OF ZANZIBAR, THE 61<br />
Dermot Healy CHILDSBOOK 13<br />
Michael Hodges KALASH! 62<br />
James Holland VERITY SERIES, THE 14<br />
James Holland ITALY'S SORROW 63<br />
Tom Holland FORGE OF CHRISTENDOM, THE 64<br />
Carl Honoré KRONOS GENERATION, THE 65<br />
Sebastian Horsley DANDY IN THE UNDERWORLD 66<br />
93
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Index<br />
Brett Kahr SEX AND THE PSYCHE 67<br />
Richard T. Kelly CRUSADERS 15<br />
Daren King MOUSE NOSES ON TOAST 16<br />
Paul Kingsnorth REAL ENGLAND 68<br />
Manjit Kumar QUANTUM 69<br />
Peter Lamont FIRST PSYCHIC, THE 70<br />
P.J. Lynch CHRISTMAS CAROL, A 17<br />
Celia Lyttleton SCENT TRAIL, THE 71<br />
Hector Macdonald STORM PROPHET, THE 18<br />
Andrew G. Marshall I LOVE YOU BUT I'M NOT IN LOVE WITH YOU 72<br />
Alan Maryon Davis BEING WELL 73<br />
Paul Mason LIVE WORKING OR DIE FIGHTING 74<br />
Hisham Matar IN THE COUNTRY OF MEN 19<br />
Robert Mighall SUNSHINE 75<br />
Arthur I. Miller DECIPHERING 137 76<br />
Arthur I. Miller EMPIRE OF THE STARS 77<br />
Wendy Moore WEDLOCK 78<br />
Joshua Mowl OPERATION TYPHOON SHORE 20<br />
Russell Myrie DON’T RHYME FOR THE SAKE OF RIDDLIN’ 79<br />
John Naish ENOUGH! 80<br />
Peadar O'Guilin INFERIOR, THE 21<br />
Ruth Padel HAMDRYAD 22<br />
DBC Pierre LUDMILA'S BROKEN ENGLISH 23<br />
DBC Pierre VERNON GOD LITTLE 24<br />
Gavin Pretor-Pinney CLOUDSPOTTER'S GUIDE, THE 81<br />
Gavin Pretor-Pinney WAVES 82<br />
Candace Robb GUILT OF INNOCENTS, THE 25<br />
Brian Schofield SELLING YOUR FATHER'S BONES 83<br />
Nicky Singer GEMX 26<br />
Steve Taylor TIME UNLIMITED 84<br />
Tim Tzouladis FORSAKEN, THE 85<br />
Steve Voake STARLIGHT CONSPIRACY, THE 27<br />
Mark Watson LIGHT-HEARTED LOOK AT MURDER, A 28<br />
John Whitfield IN THE BEAT OF A HEART 86<br />
Ben Wilson DECENCY AND DISORDER 87<br />
Ben Wilson LIBERTY 88<br />
Richard Wiseman QUIRKOLOGY 89<br />
Adam Wishart ONE IN THREE 90<br />
Tod Wodicka ALL SHALL BE WELL; AND ALL SHALL BE WELL… 29<br />
Isabel Wolff FORGET-ME-NOT 30<br />
Andrea Wulf FLORAL REVOLUTION, THE 91<br />
Adam Zeman FROM THE BRAIN ONLY 92<br />
94
Title Index<br />
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Index<br />
ABOUT THE SIZE OF IT Warwick Cairns 45<br />
ALL SHALL BE WELL; AND ALL SHALL BE WELL… Tod Wodicka 29<br />
BED REST Sarah Bilston 5<br />
BEING WELL Alan Maryon Davis 73<br />
BODY SHOPPING Donna Dickenson 51<br />
BONFIRE OF THE BRANDS Neil Boorman 38<br />
BOTTLES Sarah Hall 11<br />
CARHULLAN ARMY Sarah Hall 12<br />
CHILDSBOOK Dermot Healy 13<br />
CHRISTMAS CAROL, A P.J. Lynch 17<br />
CLOUDSPOTTER'S GUIDE, THE Gavin Pretor-Pinney 81<br />
CROWDED MIND Rita Carter 46<br />
CRUSADERS Richard T. Kelly 15<br />
DANDY IN THE UNDERWORLD Sebastian Horsley 66<br />
DECENCY AND DISORDER Ben Wilson 87<br />
DECIPHERING 137 Arthur I. Miller 76<br />
DOCTOR OF ZANZIBAR, THE Alastair Hazell 61<br />
DON’T RHYME FOR THE SAKE OF RIDDLIN’ Russell Myrie 79<br />
DRIVING OVER BRATWURST Ben Donald 52<br />
EGG AND SPERM RACE, THE Matthew Cobb 48<br />
EMPIRE OF THE STARS Arthur I. Miller 77<br />
ENOUGH! John Naish 80<br />
EVERYTHING BUT THE KITCHEN SINK Francesca Beauman 33<br />
EX-BOYFRIEND'S HANDBOOK, THE Matt Dunn 9<br />
EXTRA MAN, THE John Geiger 57<br />
EXTREME PERSUASION Kevin Dutton 53<br />
FIRST PSYCHIC, THE Peter Lamont 70<br />
FLAT EARTH Christine Garwood 56<br />
FLORAL REVOLUTION, THE Andrea Wulf 91<br />
FORGE OF CHRISTENDOM, THE Tom Holland 64<br />
FORGET-ME-NOT Isabel Wolff 30<br />
FORSAKEN, THE Tim Tzouladis 85<br />
FROM THE BRAIN ONLY Adam Zeman 92<br />
FURTHER ADVENTURES OF BELLE DE JOUR, THE Belle de Jour 35<br />
GEMX Nicky Singer 26<br />
GENOPOLIS Tess Berry Hart 4<br />
GOOD GUY, THE John Carbone 6<br />
GUILT OF INNOCENTS, THE Candace Robb 25<br />
HAMDRYAD Ruth Padel 22<br />
HIDDEN Katy Gardner 10<br />
HOW TO SCORE Ken Bray 39<br />
I LOVE YOU BUT I'M NOT IN LOVE WITH YOU Andrew G. Marshall 72<br />
IN THE BEAT OF A HEART John Whitfield 86<br />
IN THE COUNTRY OF MEN Hisham Matar 19<br />
INFERIOR, THE Peadar O'Guilin 21<br />
ITALY'S SORROW James Holland 63<br />
KALASH! Michael Hodges 62<br />
95
<strong>Conville</strong> & <strong>Walsh</strong> <strong>Ltd</strong><br />
Index<br />
KRONOS GENERATION, THE Carl Honoré 65<br />
LIBERTY Ben Wilson 88<br />
LIGHT-HEARTED LOOK AT MURDER, A Mark Watson 28<br />
LIKE BROTHERS Michael Bywater 44<br />
LIVE WORKING OR DIE FIGHTING Paul Mason 74<br />
LOST LIBRARIES OF THE RENAISSANCE Alex Butterworth 42<br />
LUDMILA'S BROKEN ENGLISH DBC Pierre 23<br />
MAN WHO RAN THE MOON, THE Piers Bizony 37<br />
MAN'S BOOK, THE Thomas Fink 54<br />
MCMAFIA Misha Glenny 58<br />
MIRROR MIRROR Maria Alvarez 3<br />
MOUSE NOSES ON TOAST Daren King 16<br />
NEGRO WITH A HAT Colin Grant 60<br />
ONE IN THREE Adam Wishart 90<br />
OPERATION TYPHOON SHORE Joshua Mowl 20<br />
OUT OF HOLLYWOOD Tom Dewe Matthews 50<br />
PORNOGRAPHER OF VIENNA, THE Lewis Crofts 8<br />
PRINCE OF WALES (HIGHGATE) QUIZ BOOK, THE Marcus Berkmann 36<br />
QUANTUM Manjit Kumar 69<br />
QUIRKOLOGY Richard Wiseman 89<br />
REAL ENGLAND Paul Kingsnorth 68<br />
SATAN'S CIRCUS Mike Dash 49<br />
SCENT TRAIL, THE Celia Lyttleton 71<br />
SCORPION'S SWEET VENOM, THE Bruna Surfistinha 41<br />
SELLING YOUR FATHER'S BONES Brian Schofield 83<br />
SEX AND THE PSYCHE Brett Kahr 67<br />
SHAPELY ANKLE PREFERRED Francesca Beauman 34<br />
SOURCE, THE<br />
SPRINGFIELD ROAD<br />
Michael Cordy<br />
Salena Godden<br />
7<br />
59<br />
STARLIGHT CONSPIRACY, THE Steve Voake 27<br />
STORM PROPHET, THE Hector Macdonald 18<br />
SUN KINGS, THE Stuart Clark 47<br />
SUNSHINE Robert Mighall 75<br />
THIRTEEN THINGS THAT DON’T MAKE SENSE Michael Brooks 40<br />
TIME UNLIMITED Steve Taylor 84<br />
TO THE EDGE OF REASON Anil Ananthaswamy 32<br />
VERITY SERIES, THE James Holland 14<br />
VERNON GOD LITTLE DBC Pierre 24<br />
WAVES Gavin Pretor-Pinney 82<br />
WEDLOCK Wendy Moore 78<br />
WHEN I AM PLAYING WITH MY CAT, HOW DO I KNOW… Saul Frampton 55<br />
WORLD THAT NEVER WAS, THE Alex Butterworth 43<br />
96