full essay - Contemporary Practices

Essay117Mokhtar’s death, 1934 (translated from Arabic).Letter written by Mahmoud Saïd following MahmoudMokhtar’s death, 1934 (translated from Arabic).Karnouk, ibid., p. 10.Karnouk, ibid., p. 14.Karnouk, ibid., p. 14.Miller, ibid., p. 74.Miller, ibid., p. 222.Please note that in E. Dawastashy’s book (1997), Baigneusesis referenced as no. 117 p. 179 and is titled Nu-la FellahaÉgyptienne.Miller, ibid., p. 211.Miller, ibid., p. 228..B. El Din Abou Ghazi & G. Boctor, Mahmoud Saïd, Cairo,1952, p. 15 (translated from Arabic in Karnouk, ibid., p. 22-23).M.Saïd, in an interview with J.Moscatelli, 1936, ibid.Dawastashy, ibid., p. 164.Shabout, ibid., pp. 42-3.R. Younan, quoted in A. Rassem, ibid. (in Karnouk, ibid., p.23).Miller, ibid., p. 214.Miller, ibid., p. 214.Miller, ibid., p. 233.Miller, ibid., p. 225.Ex-Queen Farida, personal interview with L. Karnouk,October 22, 1983 (in Karnouk, ibid., p. 21).Abou Ghazi & Boctor, ibid., p. 2 (translated from Arabic inKarnouk, ibid., p. 21).N. Atallah Susa, Al Risala, v. 6, 1, 9 May 1938, p. 787), inMiller, ibid., p. 209.G. Boctor, Artistes contemporains d’Égypte, Mahmoud Saïd,Cairo, 1952, p. 14 (translated from French in M. Abaza (withcollector’s notes by Sherwet Shafei), Twentieth-Century EgyptianArt: The Private Collection of Sherwet Shafei, Cairo, 2011, p.13).Shabout, ibid., p. 43.Shabout, ibid., p. 45.Shabout, ibid., p. 43.Quoted in M. Abaza, ibid., p. 37.