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national senior certificate grade 12 - FET Design & Visual Arts ...

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<strong>Visual</strong> <strong>Arts</strong>/P1 4 DoE/Exemplar 2008NSC - MEMONDARUMQUESTION 1<strong>Visual</strong> sourcesThe emerging voice of Black Art in the 50s and 60s- Peter Clarke, Wind blowing on the Cape Flats- Gerard Sekoto, Yellow houses – a street in Sophiatown1.11.2Learners must look carefully at both works provided in order to discuss andcompare them adequately.• Both Clarke and Sekoto portrayed scenes from settlements outside citycentres. Clarke gives a view of the Cape Flats with people struggling tomove in die wind blowing on the sand dunes. Sekoto gives a view of aSophiatown; observing the houses, everyday activities of the people,etc. Both give us a view of the life of poor, disadvantaged people.• Both made use of perspective – both linear and aerial. Learners canrefer to specific elements to show their understanding of perspective,e.g. things getting smaller towards the back to give the viewer a senseof distance.• In Clarke the girl with the bag forms the focal point as she is thebiggest shape and is placed in the centre of the painting. The lines ofthe grass and the shadow of her legs leads the eye to her. In Sekotothe lines created by the fence and the houses leads the eye ‘inside’ thepainting; the three figures form an area of focus.• Clark simplified his shapes; they are generalized shapes and do notshow individual features, e.g. the box-like houses, etc. Sekotoobserved and painted what he saw e.g. the garden in front becomespatches of colour, etc.• Clarke used stylization by simplifying the shapes, e.g. the ripples ofthe sand blowing on the dunes become patterns, etc. Sekoto usedobservation to create reflections of his society in a very painterlymanner. Learners may show their understanding of style by referring toinfluences from Modernist movements.(10)• Learners may choose any of the works. Marks are given to the reasonsfor their choice which must be related to the specific painting.(2)1.3Learners to choose any other overseas artist that they have studied.They must include the following information:• Name of the artist• Title/s of any work/s discussed• Relevance of artwork/s to question, i.e. use of art elements, imagery,message and technique.(8)utlook ETOTAL [20]Copyright reservedPlease turn over

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