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FEBRUARY 2012 - ISSUE 01 - Massive Magazine

FEBRUARY 2012 - ISSUE 01 - Massive Magazine

FEBRUARY 2012 - ISSUE 01 - Massive Magazine

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16FEATUREFurther Tintin concept art“Basically, I was like the car salesman,helping to push all of the Weta Workshopdesign team’s ideas to Steven and thengetting feedback on what could beimproved for the final design concepts.”The Art of the Adventures of Tintin writtenby Chris Guise is available now in all leading book suppliersat the same time put his ownspin on an already remarkableidea.In between jokes and a rundownof his adventures atwork, he says that though somepeople may think it is easy toget work at Weta, the reality issomewhat different – it is morelike an achievement. Obviously,hard work is satisfying at theend of the day, and if you arerewarded for it in the form ofa Golden Globe, as the workerson Tintin were, then it is all themore worthwhile.In a sense, this has been howTintin was for Chris as a designer.Leading the conceptualdesign on a movie, writing abook about the film processes ofthe movie, and helping to createthe iPad application for The Artof the Adventures of Tintin, youcould say is the result of a lot ofhard work.Hoping to inspire the nextgeneration by designing filmssuch as Tintin, Chris says thatif you want it enough then youcan make it happen. And becausethere are no Weta equivalentselsewhere in New Zealand,going abroad is an optionfor movie producer hopefuls.Companies such as Stan WinstonStudios in California offeraward winning opportunities,but he says you would have tohave the luck of the Irish becausecompetition is strong.So, from working alongsidethe likes of Andy Serkis andJamie Bell, to travelling to Belgiumand specifically to Franceto visit the actual MarlinspikeHall*, Captain Haddock’s countryhouse in the Tintin books,Chris Guise has had an interestingride to be where he is today.And today he is still reelingfrom a gift he received atChristmas: a signed poster fromSteven Spielberg, thanking himfor his contribution to the film.You could say that was a betterending for Chris than it was forTintin finding Haddock’s losttreasure.*Note: Marlinespike Hall(‘Chateau de Moulinsart’ in theoriginal French) was modelledon the Chateau de Cheverny,in France’s Loire Valley. TheFrench name is derived fromSart-Moulin, a village in Belgium.In an allusion to the Haddockfamily’s maritime history,the hall’s English name refers tothe marlinspike, a tool used inseamanship to splice ropes.

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