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Twelfth Night TG - Penguin Group

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A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s <strong>Twelfth</strong> <strong>Night</strong> 4<br />

ACT I, SCENE V<br />

Back at Olivia’s we meet Feste, the Clown, who will, from time to time, comment ironically on the characters and action;<br />

and Malvolio, the head of Olivia’s household and a pompous ass, appears with the Countess. Sir Toby, now drunk,<br />

wanders in. At this point, Olivia gives in to Cesario’s (Viola’s) messages that he/she must see her. After Viola unsuccessfully<br />

represents Orsino’s love and leaves, the Countess discovers that she is falling in love with—not the Duke—but Viola as<br />

Cesario and sends Malvolio to carry a ring to Viola and ask her to return the next day.<br />

ACT II, SCENE I<br />

Back on the sea coast, Viola’s twin brother, Sebastian, who has re-named himself Roderigo, considers himself cursed to<br />

suffer more bad luck, and sets off for Orsino’s court with Antonio, a sea captain.<br />

ACT II, SCENE II<br />

On a street somewhere, Malvolio catches up with Viola, still disguised as a page, and delivers the ring, saying it must be<br />

hers left behind. After denying she left the ring, Viola realizes that the Countess is in love with her. The scene ends with<br />

Viola’s version of the play’s subtitle, “What You Will”: “O time! Thou must untangle this, not I./ It is too hard a knot for<br />

me t’untie!”<br />

ACT II, SCENE III<br />

Back at Olivia’s, Sir Toby, Sir Andrew, and Feste wander in after midnight still deep in partying. Feste sings one of<br />

Shakespeare’s most famous songs, “O mistress mine, where are you roaming?” and the others laugh and make friendly fun<br />

of his singing. Maria joins them, and then Malvolio shows up to tell them off for their drunken loudness. When he stalks<br />

out, the three plan revenge by forging a letter from Olivia that Malvolio will find and, thinking he is the subject of the<br />

letter, believe that Olivia’s letter is about him and she’s in love with him.<br />

ACT II, SCENE IV<br />

Back at the Duke’s, Viola delivers the rejection from Olivia to the Duke. The two discuss love, its pain and joy; and Viola<br />

shares her own sadness, pretending it is the story of her sister. The scene ends, with the Duke sending Viola back to Olivia<br />

with a jewel and a new message of love.<br />

ACT II, SCENE V<br />

Having given the plot against Malvolio a chance to develop, Maria drops the forged letter in Olivia’s garden, where<br />

Malvolio is bound to find it. Malvolio then enters and, as Sir Toby and Sir Andrew listen, talks of how things would be<br />

if he married Olivia, whom, we discover, he already suspects is in love with him. He finds the letter and reads it aloud.<br />

Completely taken in, he leaves, having resolved to smile and smile as the forged letter suggests he should and dress in a<br />

fashion the letter praises but, in fact, Olivia dislikes. The letter contains the famous passage, “some are born great, some<br />

achieve greatness, and some have greatness thrust upon ‘em,” which Malvolio will quote to Olivia shortly.<br />

ACT III, SCENE I<br />

The scene begins with an exchange between Viola, still masquerading as Cesario, and the Clown, that contains mostly<br />

joking but ends with a thoughtful passage by Viola about the Clown’s insight into the people he mocks. Olivia joins them<br />

in the garden; and, when they are alone, Cesario attempts again to represent the Duke to Olivia. Olivia, however, tells<br />

Cesario that she has fallen in love with him, not the Duke. Still pretending to be Cesario, Viola tells her that “no woman<br />

has; nor never none/Shall mistress be of it, save I alone,” a statement with strong double meaning.

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