5. Shope, “What is oral history?”, http://historymatters.gmu.edu/mse/oral/what.html.76. Quoted in DA Webb, “”Cultural <strong>History</strong>” museums and oral history”, in DieKultuurhistorikus, October 1987, p. 95.7. C Hamilton, “’Living by fluidity’: <strong>Oral</strong> histories, material custodies and the politics <strong>of</strong>archiving”, in C Hamilton et al (eds.), Refiguring the archive, (Cape Town, 2002),p. 217.8. A Skotnes, “People’s archives and oral history in <strong>South</strong> <strong>Africa</strong>: a traveller’s account”, in SA<strong>Archives</strong> Journal 37, 1995, p. 66.
8<strong>History</strong> writing<strong>Oral</strong> history has been a growing part <strong>of</strong> historical methodology since the secondhalf <strong>of</strong> last century, and in the <strong>South</strong> <strong>Africa</strong>n context it has become an importantpart <strong>of</strong> the reconstruction process. 9 Historian Andor Skotnes comments that“people’s oral history has a contribution to make to the <strong>South</strong> <strong>Africa</strong>n transition” 10and also that “a great wealth <strong>of</strong> experience with oral history exists in <strong>South</strong> <strong>Africa</strong>and ... there are enormous resources available in the country to anyone interestedin oral history.” 11<strong>Oral</strong> history <strong>of</strong>fers historians the opportunity to interact directly with their subjectmatter, establishing an active relationship between the present and the past. 12 Forarchival and museum purposes, oral history is extremely appealing as it is, as J.Tosh states, “an effective instrument for re-creating the past” by virtue <strong>of</strong> being“the authentic testimony <strong>of</strong> human life as it was actually experienced.” 13 Museumcurator D.A. Webb demonstrates that oral history is an inexpensive way to savemuseums from becoming “calcified” or “irrelevant” 14 and he has appealed to <strong>South</strong><strong>Africa</strong>n museums to “move away from simply collecting the dead past, [and to]start collecting the living past.” 15<strong>Oral</strong> history is therefore seen as an effective way to explore recent social historyand the everyday life <strong>of</strong> non-élite communities. 16 It gives history a human face byhighlighting the individual experience that is ordinary and also particular. 17 One <strong>of</strong>the main features <strong>of</strong> oral history is thus its democratic nature. Tosh explains thatby means <strong>of</strong> oral history, “[o]rdinary people are <strong>of</strong>fered not only a place in history,but a role in the production <strong>of</strong> historical knowledge.” 18 <strong>Oral</strong> history can thereforebring in the <strong>of</strong>ten unheard voices and address imbalances in the representation <strong>of</strong>the past. 19 Webb explains, “It puts the people who made the history back intohistory, and it does so by involving them.” 20________________9. Shope, “What is oral history?”, http://historymatters.gmu.edu/mse/oral/what.html; <strong>Oral</strong><strong>History</strong> Society, Essex University, http://www.oralhistory.org.uk; Skotnes, “People’sarchives and oral history in <strong>South</strong> <strong>Africa</strong>”, pp. 64-65; RC de Jong, “Use <strong>of</strong> oral sources inthe recreation <strong>of</strong> historical sites: four recent case studies”, <strong>Archives</strong> News 47(1), March2004, p. 40.10. Skotnes, “People’s archives and oral history in <strong>South</strong> <strong>Africa</strong>”, p. 65.11. Ibid.12. Tosh, The pursuit <strong>of</strong> history, pp. 211 & 215.13. Ibid., p. 211.14. Webb, “”Cultural <strong>History</strong>” museums and oral history”, pp. 95-99.15. Ibid,. p. 98.