Chicago RemembersCARLOS GAVITOCarlos Gavito was a strong <strong>in</strong>fluence onthe development of tango <strong>in</strong> Chicago.Not only did he <strong>in</strong>spire and encourageBob Dronski to open Tango…nadamas, the first and only salon devotedstrictly to Argent<strong>in</strong>e tango <strong>in</strong> NorthAmerica, but he drew many Chicagoans<strong>in</strong>to the tango dur<strong>in</strong>g Forever Tango’sChicago engagement. Gavito alsoshaped the way tango was danced<strong>in</strong> Chicago dur<strong>in</strong>g his time here andpersonally <strong>in</strong>spired many people.I have heard many stories frompeople over the years about Gavito andthey are not all here unfortunately. Ican honestly say that various peopleI have talked to about him mentionedhow he treated everyone warmly ratherthan keep<strong>in</strong>g a distance, despite thefact that he was an <strong>in</strong>ternationallyrecognized star. Many Chicagoans toldme that Gavito always rememberedthem, even their names, when theyran <strong>in</strong>to him <strong>in</strong> Buenos Aires after notsee<strong>in</strong>g him for a few years. Gavito alsoattended several local milongas while <strong>in</strong>Chicago, danc<strong>in</strong>g and socializ<strong>in</strong>g withmany people rather than act<strong>in</strong>g aloofor too superior to dance withthe masses.When you talk to people hereabout the development of tango <strong>in</strong>Chicago, especially those who havebeen danc<strong>in</strong>g s<strong>in</strong>ce the mid 90’s,Gavito’s name usually comes up.Although I was unable to obta<strong>in</strong> quotesfrom everyone who studied with Gavitoor was <strong>in</strong>fluenced by him, I collecteda few excerpts from dancers <strong>in</strong> ourcommunity that received someth<strong>in</strong>gfrom Gavito’s teach<strong>in</strong>g and presence <strong>in</strong>the Chicago community.My memories of Gavito are of his com<strong>in</strong>gto our Chicago Tango Club Argent<strong>in</strong>e.In the summer of 1996, the Club wastemporarily danc<strong>in</strong>g <strong>in</strong> the ballroom ofthe Chicago Athletic Club on MichiganAvenue (while Club 720 was undergo<strong>in</strong>grenovation). He came just to dance andenjoy - not to be a performer. Danc<strong>in</strong>gwith Gavito was as easy and natural asbreath<strong>in</strong>g.He and I were also <strong>in</strong>terviewed on a TVspecial out <strong>in</strong> a western suburb studio, butunfortunately I never saw a tape. Certa<strong>in</strong>lywe associate him with Tango…nada mas asguest dance master. Aga<strong>in</strong>, as a teacher hewas gracious and easy to understand. Weas a tango community are saddened by hispass<strong>in</strong>g.Charlotte VikstromCarlos Gavito was the <strong>in</strong>spiration forme to learn how to dance the Argent<strong>in</strong>eTango. His classes were always filled with<strong>in</strong>formation that to this day I rememberand use. He was one of the most beautifulmale tango dancers that I have ever seenand I will miss his vision greatly. Hisk<strong>in</strong>dness to me the last time he was herewill always be remembered. I can onlyhope he is at peace now.Janet RieckCarlos Gavito was among the half dozenbest tango dancers <strong>in</strong> the world. I studiedwith him and Marcela Durán when ForeverTango was <strong>in</strong> Chicago <strong>in</strong> 1995. I took manyprivate and group lessons with him. Morelessons than any other teacher that I’vestudied with. Particularly, I felt I learned agreat deal about the drama of tango. Longsteps with lop<strong>in</strong>g music, short steps withstaccato music. I learned to listen to themusic. When the music stops, you stop.You don’t have to dance every beat, butwhen you step, he said, step on the beat.I once asked him to give me a lesson <strong>in</strong>Buenos Aires. He said yes, but I had to askhim aga<strong>in</strong> and aga<strong>in</strong> before he scheduledit. Did I have a partner? No. We did thelesson at Gricel <strong>in</strong> the basement. Hebrought along Dolores de Amo, one of thebetter dancers. That was the extent of hispull. Even for a trivial lesson he could graba real good dancer. I remember how thelesson began, he said, “Stand like a man.”Posture, attitude. They were all important.It is not an accident that one of the mostfamous songs is called Gallo Ciego, thebl<strong>in</strong>d rooster.Tom BarnardCarlos Gavito will always be remembered<strong>in</strong> the world as the “Ambassador ofTango” for his style, presence and artisticdist<strong>in</strong>ction. His form of movement onthe dance floor and stage, but even moreimportantly, his musical <strong>in</strong>terpretation<strong>in</strong> my op<strong>in</strong>ion, appears as if he was notfollow<strong>in</strong>g the music. On the contrary, themusic was subject to his command. Hisartistic creations were for his own personalpleasure and he shared them with all of us.For those of us that had the privilegeof know<strong>in</strong>g him personally, we know thatalthough physically he is no longer amongus, his spirit will always be anywherethe tango is danced. I will not say to our“Maestro”, rest <strong>in</strong> peace, <strong>in</strong>stead I will saydance <strong>in</strong> peace.Jose CaravantesMy first encounter with Gavito was shortlyafter I began danc<strong>in</strong>g Argent<strong>in</strong>e tango(thank you, Bob (Dronski) and Kathleen(Kreher) for sponsor<strong>in</strong>g him – and othermaestros – dur<strong>in</strong>g the late ‘90s). Altho’Leroy (Hearon) had clued me <strong>in</strong> as to hismagical mastery, the experience of actuallymeet<strong>in</strong>g, study<strong>in</strong>g and danc<strong>in</strong>g with Gavitowith<strong>in</strong> the first few weeks of my <strong>in</strong>itialmilonga undoubtedly contributed to turn<strong>in</strong>g6 tango noticias • august 2005
my <strong>in</strong>fatuation <strong>in</strong>to an obsession. I believemy frank approach on our first encounter– when I admitted my <strong>in</strong>experience(which some told me should prevent mefrom tak<strong>in</strong>g his workshops) – lead to anendear<strong>in</strong>g relationship. While I often heard“seasoned” attendees at tango festivalswhere Gavito was teach<strong>in</strong>g compla<strong>in</strong> abouthis ‘lectures on true milonguero style’, Inever tired of listen<strong>in</strong>g to him; Gavito’spassion for the romanticism of tango wasevidenced <strong>in</strong> his words as well as his dance.My only po<strong>in</strong>t of difference with him is thatI still haven’t learned to sit – rather thandance – <strong>in</strong> anticipation of or <strong>in</strong> ecstasy fromthat perfect tango. When I do have thosemoments, I know Gavito is present <strong>in</strong> myheart and soul … and feet.Phoebe J. GrantIt was 1996. We had been danc<strong>in</strong>g tango fora few years, and struggl<strong>in</strong>g like everybodyelse. Up to that po<strong>in</strong>t, Chicago had been atango orphan . We had had a few visit<strong>in</strong>gteachers like Daniel and Maria, and thefamous Northwestern University TangoFest, but <strong>in</strong>struction-wise, we were lack<strong>in</strong>g.Then Forever Tango came <strong>in</strong>to town andwith it came this guy Carlos Gavito. Wedecided to take a class with him just tocheck it out. One class was all it took forus to get completely hooked. His elegance,his attitude, his almost cock<strong>in</strong>ess weredraw<strong>in</strong>g. When he walked, he seemedto just float and move effortlessly withMarcela, his partner. Suffice it to say thatafter that moment my tango life changedradically. I started to take at least oneprivate class a week and to soak <strong>in</strong> as muchmaterial as possible from this seem<strong>in</strong>glyendless source of knowledge.His teach<strong>in</strong>g style was aggressive andimpatient. There was noth<strong>in</strong>g relaxed aboutit. He came to teach, and you were thereto learn. But he also was giv<strong>in</strong>g and wouldnot let you be mediocre. He demanded alot from those he felt were serious abouttango, and I was one of them. He taught mea lot more than just do<strong>in</strong>g steps; he taughtme to love and respect tango. We talkedat length about the tango culture and thetango codes. Today when people ask mewhy I am such a traditionalist, the answer isbecause I learned it from him.Perhaps the best lesson he taughtme was done one night at my home afterd<strong>in</strong>ner over a couple of dr<strong>in</strong>ks. He leanedover and said, “Tango should be about thewoman NOT about you. If you make herlook good, you’ll look like a million bucksyourself.”The second best lesson was when hewas angry at some other students, and heturned to me and said, “al tango hay queesperarlo, hay que tener vivencias antes deentenderlo (one has to wait for tango, youmust have lived and had many experiencesbefore you can start to understand it).” It isa process that can not be rushed.In my humble op<strong>in</strong>ion, Gavito was thebest tango dancer I ever saw. His walk<strong>in</strong>gtechnique was unique, and he couldmanage to make any woman look like thebest dancer <strong>in</strong> the world. I feel very luckyto have had such a master for a teacher.We truly lost a great master. I’d like toclose by rais<strong>in</strong>g my glass and say<strong>in</strong>g, “CiaoCarlos”.Fred RomeroFaces and personalities usually go byunnoticed <strong>in</strong> a crowd. Suddenly someonedist<strong>in</strong>guished captures your attentionfor a moment. And for a long time youmemorize that face, look and walk andbelieve that you would recognize thatperson anywhere.Be<strong>in</strong>g <strong>in</strong> “Tango…Nada Mas” for thefirst time we noticed a photograph of acouple <strong>in</strong> gracious tango posture. It seemsthat the image <strong>in</strong> my memory gets evenclearer <strong>in</strong> my m<strong>in</strong>d through time.One night after a couple of years ofclasses and milongas Bob Dronski called at11:00 pm, “Gavito is <strong>in</strong> town and will giveworkshops!”It was a big thrill for us. We werealmost as excited as we were at ourfirst visit to a milonga. The three daysof workshops went fast. We were veryfortunate to have a chance to try andunderstand Gavito walk, Gavito cross,and Gavito lead. The Maestro shared hispassion, love and “una emocion”. Thosewere the hours when we learned someuniversal rules of movement that we willuse for the rest of our tango life.Gavito was not only a perfect dancerbut also a very good teacher. We didn’tget to know him personally, but fromthe stories told by our teachers Bob andKathleen we understand that his entirelife belonged to tango. He was one of thebrightest flames of the tango fire and burnthimself up <strong>in</strong> this passionate dance.The maestro, the legend… we areproud and honored that you shared yourtalent with us.Ellen and OlegThe first time I saw Carlos Gavito was<strong>in</strong> the Forever Tango show <strong>in</strong> Chicago <strong>in</strong>the mid ‘90’s. I had been study<strong>in</strong>g tangofor a short time and was so <strong>in</strong>spired bythe sensual elegance of his tango with hispartner Marcela Durán. I felt the purposeof the tango music <strong>in</strong> the way he expressedthe musicality <strong>in</strong> his connection to and<strong>in</strong>teraction with Marcela. Needless to sayI studied as much as I could with the manwho exemplified the essence of tango.Dan ByrnesA number of years ago Facundo and KelyPosadas were <strong>in</strong> town. Les and I were giv<strong>in</strong>gthem a ride home after a workshop. Kelyand I were sitt<strong>in</strong>g <strong>in</strong> the back seat talk<strong>in</strong>gabout Gavito, his danc<strong>in</strong>g, his workshops,etc. The three of them had grown uptogether, so they knew Gavito VERY well– his charm<strong>in</strong>g ways, his love of the ladieset al. With a tw<strong>in</strong>kle <strong>in</strong> my eye I leanedover to Kely and said <strong>in</strong> a conspiratorialtone, “We th<strong>in</strong>k Gavito also is a ‘bad boy’.”(“bad boy” mean<strong>in</strong>g a flirt, a girl <strong>in</strong> everycity, etc.). Kelly took a second or twoto work through the translation of “badboy” and then laughed. She translated theconversation to Facundo up <strong>in</strong> the frontseat. He also laughed and totally agreedthat Gavito was <strong>in</strong>deed a “bad boy” <strong>in</strong> thebest sense of the phrase.Jan Carpenteraugust 2005 • tango noticias 7