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Chicago RemembersCARLOS GAVITOCarlos Gavito was a strong <strong>in</strong>fluence onthe development of tango <strong>in</strong> Chicago.Not only did he <strong>in</strong>spire and encourageBob Dronski to open Tango…nadamas, the first and only salon devotedstrictly to Argent<strong>in</strong>e tango <strong>in</strong> NorthAmerica, but he drew many Chicagoans<strong>in</strong>to the tango dur<strong>in</strong>g Forever Tango’sChicago engagement. Gavito alsoshaped the way tango was danced<strong>in</strong> Chicago dur<strong>in</strong>g his time here andpersonally <strong>in</strong>spired many people.I have heard many stories frompeople over the years about Gavito andthey are not all here unfortunately. Ican honestly say that various peopleI have talked to about him mentionedhow he treated everyone warmly ratherthan keep<strong>in</strong>g a distance, despite thefact that he was an <strong>in</strong>ternationallyrecognized star. Many Chicagoans toldme that Gavito always rememberedthem, even their names, when theyran <strong>in</strong>to him <strong>in</strong> Buenos Aires after notsee<strong>in</strong>g him for a few years. Gavito alsoattended several local milongas while <strong>in</strong>Chicago, danc<strong>in</strong>g and socializ<strong>in</strong>g withmany people rather than act<strong>in</strong>g aloofor too superior to dance withthe masses.When you talk to people hereabout the development of tango <strong>in</strong>Chicago, especially those who havebeen danc<strong>in</strong>g s<strong>in</strong>ce the mid 90’s,Gavito’s name usually comes up.Although I was unable to obta<strong>in</strong> quotesfrom everyone who studied with Gavitoor was <strong>in</strong>fluenced by him, I collecteda few excerpts from dancers <strong>in</strong> ourcommunity that received someth<strong>in</strong>gfrom Gavito’s teach<strong>in</strong>g and presence <strong>in</strong>the Chicago community.My memories of Gavito are of his com<strong>in</strong>gto our Chicago Tango Club Argent<strong>in</strong>e.In the summer of 1996, the Club wastemporarily danc<strong>in</strong>g <strong>in</strong> the ballroom ofthe Chicago Athletic Club on MichiganAvenue (while Club 720 was undergo<strong>in</strong>grenovation). He came just to dance andenjoy - not to be a performer. Danc<strong>in</strong>gwith Gavito was as easy and natural asbreath<strong>in</strong>g.He and I were also <strong>in</strong>terviewed on a TVspecial out <strong>in</strong> a western suburb studio, butunfortunately I never saw a tape. Certa<strong>in</strong>lywe associate him with Tango…nada mas asguest dance master. Aga<strong>in</strong>, as a teacher hewas gracious and easy to understand. Weas a tango community are saddened by hispass<strong>in</strong>g.Charlotte VikstromCarlos Gavito was the <strong>in</strong>spiration forme to learn how to dance the Argent<strong>in</strong>eTango. His classes were always filled with<strong>in</strong>formation that to this day I rememberand use. He was one of the most beautifulmale tango dancers that I have ever seenand I will miss his vision greatly. Hisk<strong>in</strong>dness to me the last time he was herewill always be remembered. I can onlyhope he is at peace now.Janet RieckCarlos Gavito was among the half dozenbest tango dancers <strong>in</strong> the world. I studiedwith him and Marcela Durán when ForeverTango was <strong>in</strong> Chicago <strong>in</strong> 1995. I took manyprivate and group lessons with him. Morelessons than any other teacher that I’vestudied with. Particularly, I felt I learned agreat deal about the drama of tango. Longsteps with lop<strong>in</strong>g music, short steps withstaccato music. I learned to listen to themusic. When the music stops, you stop.You don’t have to dance every beat, butwhen you step, he said, step on the beat.I once asked him to give me a lesson <strong>in</strong>Buenos Aires. He said yes, but I had to askhim aga<strong>in</strong> and aga<strong>in</strong> before he scheduledit. Did I have a partner? No. We did thelesson at Gricel <strong>in</strong> the basement. Hebrought along Dolores de Amo, one of thebetter dancers. That was the extent of hispull. Even for a trivial lesson he could graba real good dancer. I remember how thelesson began, he said, “Stand like a man.”Posture, attitude. They were all important.It is not an accident that one of the mostfamous songs is called Gallo Ciego, thebl<strong>in</strong>d rooster.Tom BarnardCarlos Gavito will always be remembered<strong>in</strong> the world as the “Ambassador ofTango” for his style, presence and artisticdist<strong>in</strong>ction. His form of movement onthe dance floor and stage, but even moreimportantly, his musical <strong>in</strong>terpretation<strong>in</strong> my op<strong>in</strong>ion, appears as if he was notfollow<strong>in</strong>g the music. On the contrary, themusic was subject to his command. Hisartistic creations were for his own personalpleasure and he shared them with all of us.For those of us that had the privilegeof know<strong>in</strong>g him personally, we know thatalthough physically he is no longer amongus, his spirit will always be anywherethe tango is danced. I will not say to our“Maestro”, rest <strong>in</strong> peace, <strong>in</strong>stead I will saydance <strong>in</strong> peace.Jose CaravantesMy first encounter with Gavito was shortlyafter I began danc<strong>in</strong>g Argent<strong>in</strong>e tango(thank you, Bob (Dronski) and Kathleen(Kreher) for sponsor<strong>in</strong>g him – and othermaestros – dur<strong>in</strong>g the late ‘90s). Altho’Leroy (Hearon) had clued me <strong>in</strong> as to hismagical mastery, the experience of actuallymeet<strong>in</strong>g, study<strong>in</strong>g and danc<strong>in</strong>g with Gavitowith<strong>in</strong> the first few weeks of my <strong>in</strong>itialmilonga undoubtedly contributed to turn<strong>in</strong>g6 tango noticias • august 2005

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