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The Wow Factor: The impact of arts in education

The Wow Factor: The impact of arts in education

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<strong>The</strong> <strong>Wow</strong> <strong>Factor</strong>: <strong>The</strong> <strong>impact</strong> <strong>of</strong><strong>arts</strong> <strong>in</strong> <strong>education</strong>Oslo, March 31 2008Pr<strong>of</strong>essor Anne BamfordWimbledon College <strong>of</strong> Art, Londona.bamford@wimbledon.<strong>arts</strong>.ac.uk


What do these countries have <strong>in</strong> common?Canada, F<strong>in</strong>land, NewZealand, Japan, Korea,Estonia, Australia, <strong>The</strong>Netherlands GermanyUK, Czech Republic,Hong Kong,Switzerland, Austria,Belgium and Iceland.


And can you guess what thesecountries have <strong>in</strong> common?oBrazil, Colombia, Cuba,Cambodia, Bhutan,Kenya and Nigeria.


<strong>The</strong> QCA: Identifies 5 creative behaviours. Question<strong>in</strong>g andchalleng<strong>in</strong>g Mak<strong>in</strong>g connections andsee<strong>in</strong>g relationships Envisag<strong>in</strong>g what mightbe Explor<strong>in</strong>g ideas, keep<strong>in</strong>goptions open Reflect<strong>in</strong>g critically onideas actions andoutcomes


Ofstedo <strong>The</strong> <strong>arts</strong> are important because they are<strong>in</strong>tr<strong>in</strong>sic components <strong>of</strong> human culture,heritage and creativity and are ways <strong>of</strong>know<strong>in</strong>g, represent<strong>in</strong>g, present<strong>in</strong>g,<strong>in</strong>terpret<strong>in</strong>g and symbolis<strong>in</strong>g humanexperience.o Contact with the <strong>arts</strong> requires the abilitiesto question, explore and collaborate; andto extend and develop one’s ideas, andthe ideas <strong>of</strong> others.o <strong>The</strong> creation <strong>of</strong> art requires a sense <strong>of</strong>structure, discipl<strong>in</strong>e, rigour, and a positiveresponse to challenge.


o schoolclimateo culturalcapital <strong>in</strong>familieso teacherengagement


<strong>The</strong> questionInterpellasjon fra Tove Karol<strong>in</strong>e Knutsen (A) tilkunnskapsm<strong>in</strong>isterenDatert: 05.02.2008o Den siste tids debatt om kvalitet i skolen har hatt sterkt fokus påPISA-undersøkelsens funn, som viser at Norge kommer relativtdårlig ut i basisfag som språk og matematikk. Med dette somviktigste utgangspunkt har det brede perspektivet på skolens målog oppdrag manglet så langt i debatten. Viktige lær<strong>in</strong>gsmål forskolen ivaretas gjennom pedagogiske plattformer for helefagporteføljen; elevene skal lære å forstå logiske strukturer,handtere kvalitative og kvantitative størrelser og øve opp evnen tilrefleksjon og kritisk tenkn<strong>in</strong>g. En UNESCO-rapport fra 2004, basertpå en bred undersøkelse utført av pr<strong>of</strong>essor Anne Bamford,konkluderer med at god, tilpasset og tilstrekkelig undervisn<strong>in</strong>g iestetiske fag har stor betydn<strong>in</strong>g for både det generellekunnskapsnivå og lær<strong>in</strong>gsmiljøet. Hvordan ser statsråden at slikeperspektiver kan implementeres i tenkn<strong>in</strong>gen rundt, og tiltakenefor, en bedre skole?


Ofsted’s <strong>in</strong>spection datasuggests that the good teach<strong>in</strong>gis <strong>in</strong> the <strong>arts</strong>o In secondary schools, for<strong>in</strong>stance, there is morevery good teach<strong>in</strong>g <strong>in</strong> artand design and musicthan <strong>in</strong> any other subject.o Inspection data also showthat many children withEnglish as an AdditionalLanguage and childrenwith special <strong>education</strong>alneeds learn particularlywell <strong>in</strong> art and design <strong>in</strong>comparison with othersubjects.


Improv<strong>in</strong>g City Schoolso <strong>The</strong> <strong>arts</strong> help good teach<strong>in</strong>g?• had very high expectations <strong>of</strong> the pupils• planned carefully for all the pupils <strong>in</strong> the class• took account <strong>of</strong> the pupils’ artistic <strong>in</strong>terests outsideschool and made the curriculum broad and relevant• challenged pupils creatively• celebrated pupils’ work <strong>in</strong> school and with their parents• made l<strong>in</strong>ks with pr<strong>of</strong>essional artists and <strong>arts</strong>organisations outside school• ensured that pupils were quickly <strong>in</strong>volved <strong>in</strong> lessons <strong>in</strong>the practical nature <strong>of</strong> the subject• formed positive relationships with pupils <strong>in</strong> lessons and<strong>in</strong> extra-curricular activities.(Ofsted 2000, 3b)


Where to get a copy…Anne Bamford<strong>The</strong> <strong>Wow</strong> <strong>Factor</strong>Global research compendium on the <strong>impact</strong> <strong>of</strong>the <strong>arts</strong> <strong>in</strong> <strong>education</strong>ISBN 3-8309-1617-5And can be obta<strong>in</strong>ed throughorder@waxmann.com orhttp//www.waxmann.comwww.eng<strong>in</strong>eroomcogs.org


Overall f<strong>in</strong>d<strong>in</strong>gso <strong>The</strong> <strong>arts</strong> appear <strong>in</strong> the <strong>education</strong>al policy <strong>in</strong> almostevery country <strong>in</strong> the world;o <strong>The</strong>re is a gulf between the ‘lip service’ given to <strong>arts</strong><strong>education</strong> and the provisions provided with<strong>in</strong> schoolso <strong>The</strong> term ‘<strong>arts</strong> <strong>education</strong>’ is culture and context specifico <strong>The</strong>re is a difference between <strong>education</strong> <strong>in</strong> the <strong>arts</strong> and<strong>education</strong> through the <strong>arts</strong>o Quality <strong>arts</strong> <strong>education</strong> has <strong>impact</strong> on the child, theteach<strong>in</strong>g and learn<strong>in</strong>g environment, and on thecommunityo <strong>The</strong>re is a need for more tra<strong>in</strong><strong>in</strong>g for key providers at thecoalface <strong>of</strong> the delivery-cha<strong>in</strong> (e.g. teachers, artists,and other pedagogical staff)


<strong>The</strong>re seemed to bebetween 17-28%(averaged at around22%) negative<strong>impact</strong>s <strong>of</strong> poorquality programmes.Put crudely, thismeant that <strong>in</strong> aglobal sense about¼ <strong>of</strong> all the <strong>arts</strong> andcultural <strong>education</strong> achild receives islikely to have anegative <strong>impact</strong>


HIGHHIGHLOWLOWRELEVANCERELEVANCEPARTICIPATIONHIGHHIGHLOWLOW


RelevanceoooRelevance to the nationRelevance to the communityRelevance to the <strong>in</strong>dividual


Cultural diversity?


Accessibility to allo Quality programmes are builtaround the notion <strong>of</strong> <strong>in</strong>clusivity


Qualityo creativeo artistico culturalo economico socialo <strong>in</strong>novationo spiritualo <strong>education</strong>al


World Economic Forum, Davos 2006Economic forecasts…<strong>The</strong> <strong>arts</strong> will be a majorforce <strong>in</strong> economicdevelopment. <strong>The</strong> socalledcreative<strong>in</strong>dustries are emerg<strong>in</strong>gas the largest s<strong>in</strong>glesector <strong>of</strong> economicactivity <strong>in</strong> manycountries and as thedriv<strong>in</strong>g force <strong>of</strong> the‘tiger’ economies <strong>of</strong>India, Ch<strong>in</strong>a and Korea.


Global music sales fell by 10% last yearDomestic market 32% <strong>in</strong> volumeBrian Slagel started Metal Blade out <strong>of</strong> theback <strong>of</strong> his mother's home <strong>in</strong> 1982 with therelease <strong>of</strong> "Metal Massacre" — the firstalbum to feature songs from Metallica andRatt. His current gross annual sales — some$10 million-plus <strong>in</strong> the States and another $6million-plus abroad — have been grow<strong>in</strong>gat 4 to 5 percent a year recently. Fans stillwant T-shirts and CDs, and there's noshortage <strong>of</strong> new metal bands.


'Quality' is def<strong>in</strong>ed asbe<strong>in</strong>g those <strong>arts</strong><strong>education</strong>provisions that are<strong>of</strong> high value andworth <strong>in</strong> terms <strong>of</strong>skills, attitudes andperformance. Inother words, a form<strong>of</strong> <strong>arts</strong> <strong>education</strong>that is relevant andmean<strong>in</strong>gful to thelearner.


Active partnership and collaborationo Shared responsibility for plann<strong>in</strong>g,implement<strong>in</strong>g and evaluat<strong>in</strong>g aprogramme.


Flexible organizational structures and permeableboundarieso organizational flexibilityo open boundaries


Reflectiono View their work more critically andreflectively


Localo Quality programmesconnect with the localenvironment.


Project-based, research-based <strong>in</strong>quiry <strong>in</strong>itiat<strong>in</strong>gapproacheso research-orientatedapproaches, comb<strong>in</strong>ed withproject-based methods


Active creation, performance and exhibitiono Exhibition and performance br<strong>in</strong>gskudos to the participants andpromotes the benefits <strong>of</strong> the <strong>arts</strong> to awider audience.


<strong>The</strong> languages <strong>of</strong> the <strong>arts</strong>


Encourages people to take risks and use theirfull potential


Monitor<strong>in</strong>g quality


Leadership


Everyone has the right freelyto participate <strong>in</strong> the culturallife <strong>of</strong> the community, toenjoy the <strong>arts</strong>


Promotion <strong>of</strong> Arts Education and Creativityo In 1999 UNESCO launched the InternationalAppeal for the Promotion <strong>of</strong> Arts Education andCreativity with<strong>in</strong> Schools, as part <strong>of</strong> theconstruction <strong>of</strong> a culture <strong>of</strong> peace. <strong>The</strong> appeal,among other th<strong>in</strong>gs, stated that: “we are todayclearly and strongly aware <strong>of</strong> the important<strong>in</strong>fluence <strong>of</strong> the creative spirit <strong>in</strong> shap<strong>in</strong>g thehuman personality, br<strong>in</strong>g<strong>in</strong>g out the fullpotential <strong>of</strong> children and adolescents andma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g their emotional balance.” <strong>The</strong>Appeal also emphasized the need to move tomore balanced k<strong>in</strong>ds <strong>of</strong> <strong>education</strong> to meet theneeds <strong>of</strong> the 21st century.http://www.unesco.org/culture/lea


Denmarkhttp://www.kunststyrelsen.dk/db/files/ildsjaele_<strong>in</strong>_the_classroom.pdfo Research<strong>The</strong> establishment <strong>of</strong> a centre <strong>of</strong> knowledge for the <strong>arts</strong> and culturalsubjectso Assessment<strong>The</strong> evaluation process cont<strong>in</strong>ues to need strengthen<strong>in</strong>g, and the<strong>education</strong>al results need to be made apparent throughout theentire programme <strong>of</strong> <strong>education</strong>o Susta<strong>in</strong>ed<strong>The</strong> number <strong>of</strong> teach<strong>in</strong>g hours needs to be <strong>in</strong>creasedo Pr<strong>of</strong>essional developmentCont<strong>in</strong>u<strong>in</strong>g <strong>education</strong> and teacher tra<strong>in</strong><strong>in</strong>g opportunities for artistsand teacherso Partnership<strong>The</strong> establishment <strong>of</strong> a Cultural Ambassador arrangementInvolv<strong>in</strong>g artists <strong>in</strong> school teach<strong>in</strong>gMore <strong>of</strong>fers <strong>of</strong> artistic experiences


Flandershttp://www.nsds.be/web/canon/adm<strong>in</strong>/media/14585_41.pdfo Arts, cultural or heritage<strong>education</strong>o Teacher <strong>education</strong> andpr<strong>of</strong>essional developmento Accessibility <strong>in</strong> school andout <strong>of</strong> schoolo Policy level disagreementso Cont<strong>in</strong>uity <strong>of</strong> experienceso Vocational <strong>education</strong>o Multiple systemso Mobilis<strong>in</strong>g the pr<strong>of</strong>essionalgroups


<strong>The</strong> Netherlandshttp://www.m<strong>in</strong>ocw.nl/english/culture/<strong>in</strong>dex.htmlo Arts or culture?- media? Heritage?o Long term partnerships- Jo<strong>in</strong><strong>in</strong>g the dots- Cultural agencies- Cont<strong>in</strong>uous learn<strong>in</strong>gl<strong>in</strong>eso Teacherso Monitor<strong>in</strong>go Fund<strong>in</strong>g


www.eng<strong>in</strong>eroomcogs.org


Norway?


HIGHHIGHLOWLOWRELEVANCERELEVANCEPARTICIPATIONHIGHHIGHLOWLOW

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