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Robinet, The World Upside Down: Essays on ... - The Golden Elixir

Robinet, The World Upside Down: Essays on ... - The Golden Elixir

Robinet, The World Upside Down: Essays on ... - The Golden Elixir

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<str<strong>on</strong>g>The</str<strong>on</strong>g> Alchemical Languagesame path and find out by themselves. Li Daochun says: “I would liketo show you directly [the meaning of my discourse], but I am afraidthat you will not believe me and will not be able to put it into operati<strong>on</strong>(y<strong>on</strong>g). You must know by yourselves.” 8In fact, the alchemical masters deliberately use metaphors thatthey invite to surpass:<str<strong>on</strong>g>The</str<strong>on</strong>g> way of alchemy entirely c<strong>on</strong>sists of metaphors (xiang). Ittakes Lead and Mercury as substances, but <strong>on</strong>e must know thatthe “essence of Lead” and the “marrow of Mercury” are nothingbut metaphors. It is based <strong>on</strong> the terms Li and Kan, but <strong>on</strong>e mustknow that the “Kan boy” and the “Li girl” are nothing but emptyterms. It uses the forms of the Drag<strong>on</strong> and the Tiger, but <strong>on</strong>e mustknow that the “Drag<strong>on</strong>-Fire” and the “Tiger-Water” have noform. It talks about the “yellow sprout,” the “divine water,” andthe “flowery p<strong>on</strong>d,” but these are things that can neither be seennor used. 9Just like <strong>on</strong>e should go bey<strong>on</strong>d the phenomenal appearance of things,so it is necessary to surpass the letter of the texts and of their codes,p<strong>on</strong>dering at the same time the inexhaustible meaning that theyc<strong>on</strong>tain. When the alchemists say that all of their language c<strong>on</strong>sists<strong>on</strong>ly of metaphors, this means that they disguise the Truth, that theydo not speak it because this is something that cannot be d<strong>on</strong>e. It alsomeans that what they speak about differs from the meaning of thewords that they use, because this is, paradoxically, the most correctway of c<strong>on</strong>veying what is impossible to say. <str<strong>on</strong>g>The</str<strong>on</strong>g>ir language functi<strong>on</strong>sby means of a distantiati<strong>on</strong> that is c<strong>on</strong>tinuously reminded: the fingeris not the mo<strong>on</strong>, the net is not the prey. Only the allusive mode thatthey systematically use can account for the double character ofexistence—which is and at the same time is not, which acquiresfullness by being traversed by Emptiness but cannot be apprehendedin itself, and of which <strong>on</strong>e can <strong>on</strong>ly grasp the appearance and thetrace.<str<strong>on</strong>g>The</str<strong>on</strong>g> alchemists, therefore, create their own language. Somehow itmust functi<strong>on</strong>—they must make it functi<strong>on</strong>—in fr<strong>on</strong>t of the adept inorder to say what has already been said many times, and could besummarized in a few words. Paradoxically, the speaker is not the8Zh<strong>on</strong>ghe ji, 3.3b.9Xiao Yanzhi, mid-thirteenth century, in Xiuzhen shishu, 9.12b.19

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