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IT'S ONLY A MOVING IMAGE Archives, Access and the Social Contract ...

IT'S ONLY A MOVING IMAGE Archives, Access and the Social Contract ...

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entitlement19In fact, as many archivists know, people are beginning to feel quite a sense of entitlement relative to archival collections.They sometimes make dem<strong>and</strong>s that are difficult to address. On <strong>the</strong> positive side, we’ve ourselves discovered that peopledevelop passionate interest in unedited archival footage; <strong>the</strong>y don’t lament <strong>the</strong> absence of editing, narration <strong>and</strong>background music, <strong>the</strong>y want to see <strong>the</strong> original document! And many people remix, reedit <strong>and</strong> recontextualize <strong>the</strong>collections. Since we gave almost 2,000 of our own films to <strong>the</strong> Internet Archive for unrestricted access <strong>and</strong> reuse, we’veseen around 8 million downloads in 7 years, <strong>and</strong> I’ll make a wild estimate that over ten thous<strong>and</strong> derivative works havebeen made from <strong>the</strong>m.

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