Sample Rider

MONITOR SYSTEMMIXING CONSOLE10. (1) One 24 channel mix console with 4 band fully parametric (with Q), capable of (4) four discreetmonitor mixes. (Preferences: Midas, Allen & Heath, Crest)11. (4) Four 1/3 Octave EQ's. One for each monitor mix. (Klark Technics, etc.)12. (4) High quality bi-amped monitor wedges with 1-2x 12"speakers. Prefer Meyer, D&B, Martin,ALL MONITORS MUST BE OF THE SAME MODEL.MICROPHONES13. MICROPHONES to include:Two (stereo pair if possible AKG 414 for Piano) or similar professional quality mics.Three (3) Beta 98S (w/gooseneck) mics for the toms.One (1) SM57 for the snareOne (1) AKG 535 for piano hole (SM57 alternative)One (1) AKG D112 mic or equivalent for kickOne (1) AKG CK 1, C451 mic for Overheads.One (1) SM58 for Talk micOne (1) Re20 or AKG D112 for micing Bass (not cabinet)One (1) Senheiser MD441, MD421 or Re20 for clarinet/saxophonesOne (1) XLR Cable with Phantom Power for the clarinet mic (Anat uses a DPA mic 4061 which shebrings with her)LIGHTING14. ARTIST prefers a two (2)-truss system with a minimum of ninety (90) Par 64 instruments. Werealize there will be significant system variations from venue to venue, so we will discuss theoptions when the tour is advanced. We will require, no matter what the lamp size and array is: aprofessional lighting console with programmable memory.15. Lighting system must also include a communication system SEPARATE FROM SOUND SYSTEMCOM CHANNEL between spot operators, console and house lights operator. PURCHASER willmake arrangements for all lights not specifically required by local safety ordinances to be turnedoff during performance.ELECTRICAL16. Two (2) separate services are required consisting of one (1) 400 amp three phase service forlighting, one (1) 200 amp single phase for sound.AGREED AND ACCEPTEDPURCHASERARTISTDATEDATE