- Page 1 and 2: THEARTSSCHOOLSPrinciples, practice
- Page 3 and 4: © 1982 Calouste Gulbenkian Foundat
- Page 5 and 6: Chapter 4 Provision: the arts in pr
- Page 7 and 8: The Advisory CommitteeChairmanMembe
- Page 9 and 10: Foreword by the Chairman of the Inq
- Page 11 and 12: Introduction—1989This is not a re
- Page 13 and 14: and many others have done so since.
- Page 15 and 16: politicians on all sides were compe
- Page 17 and 18: the GCSE examination has addressed
- Page 19: REFERENCESArts in Schools Project (
- Page 23 and 24: significant than at present.4 The n
- Page 25 and 26: likely to be measured publicly by e
- Page 27 and 28: seem to improve when taught as part
- Page 29 and 30: world around them.e In understandin
- Page 31 and 32: ence essential to education? Why th
- Page 33 and 34: 10 The artsare notoptions11 Notwith
- Page 35 and 36: 1 Education, schooling and the arts
- Page 37 and 38: 15 The arts This is the ground on w
- Page 39 and 40: for certain forms of artistic activ
- Page 41 and 42: arts — is 'merely subjective" and
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- Page 45 and 46: school curriculum fall into this se
- Page 47 and 48: one who is intelligent but who exhi
- Page 49 and 50: 38 Quality Quantity by itself is in
- Page 51 and 52: 43 Freedom Two further points must
- Page 53 and 54: 3 Arts education and the cultural h
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- Page 57 and 58: a helps pupils to understand cultur
- Page 59 and 60: Child: "They said it was a march, b
- Page 61 and 62: their cultural identity'. Haley's b
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- Page 65 and 66: 4 Provision: the arts in primary sc
- Page 67 and 68: a What should be aimed at?b What pr
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learning.' (Schools Council, 1981a,
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performing arts — music, dance an
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techniques and resources for workin
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are thinking particularly of the ar
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they will suffer disproportionately
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Second, integration can mean many t
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arts have a substantial contributio
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distributed equally and equitably a
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art, craft, home economics, music a
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FIGURE 2SHEPSHEDCOMMUNITYCOLLEGEope
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in upper schools. Associated with t
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120 A Implicit in such proposals is
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78literature and put money and reso
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80outlined the sorts of provision t
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used — are appropriate to the wor
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135 Respon- If education involves t
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we look at, or participate in, visu
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MotivationalChildren on examination
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elevant help in compiling the profi
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ible to some form of appropriate as
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94more in-service training provisio
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1%—2% of the school population
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tuition under well qualified teache
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it is likely that more children wil
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102by professional musicians, many
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frequencies and belongs to the Part
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classroom teacher. Nevertheless, th
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'Within individual schools in certa
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implications of different types of
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We will first outline five main are
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186 Arts In the schemes we have jus
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schemes. The Arvon Foundation, for
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is likely to give his teaching rele
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periods of time. There are possibil
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207 The role The rple of the teache
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to be essential to the future devel
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scheme. The Charlotte Mason College
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d education is something that only
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iture. It does require a different
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225 Initial Initial and post-initia
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Germany 18% of the workforce has be
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outes for the visual arts. In parti
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at the centre on a regular basis. T
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potential. The exceptional situatio
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We have developed our arguments in
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wherever possible, co-ordinate the
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AppendixOur arguments in this repor
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Evening classes range from life-dra
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to work with them. CSE groups with
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from other schools to watch two lec
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the cost). Groups of children have
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iii as a special authorised charge
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BibliographyAdvisory Council for Ad
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Kerr, J F 1968 Changing the Curricu
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NotesThe Issues1 For a description
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the philosophy of Ludwig Wittgenste
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for candidates between the 100th an
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their education full-time in school