Psychology of Consciousness, Robert Ornste<strong>in</strong> summarisesthese f<strong>in</strong>d<strong>in</strong>gs:'<strong>The</strong> left hemisphere ... is predom<strong>in</strong>antly <strong>in</strong>volved withanalytic, logical th<strong>in</strong>k<strong>in</strong>g, especially <strong>in</strong> verbal and mathematicalfunctions. Its mode of operation is primarilyl<strong>in</strong>ear. This hemisphere seems to process <strong>in</strong>formationsequentially. This ... of necessity must underlie logicalthought, s<strong>in</strong>ce logic depends on sequence and order . . . theright hemisphere is primarily responsible for our orientation<strong>in</strong> space, artistic endeavour, crafts, body image,recognition of faces. It processes <strong>in</strong>formation more diffusely... is more holistic and relational and more simultaneous<strong>in</strong> its mode of operation.' (Ornste<strong>in</strong>, 1975, p67)In the view of Ornste<strong>in</strong> and others, education has concentratedtoo much on the rationality of the left-hand hemisphereat the expense of the more sensuous, <strong>in</strong>tuitive andholistic aspects of consciousness and perception. We haveargued that education is not only a preparation for laterlife. But even those who do see it <strong>in</strong> those terms will f<strong>in</strong>dit difficult to deny that the pre-occupation with academic<strong>in</strong>telligence <strong>in</strong> schools is like'tra<strong>in</strong><strong>in</strong>g a person for a race by constantly exercis<strong>in</strong>g oneleg while leav<strong>in</strong>g the muscles of the other leg to atrophy.'(Hemm<strong>in</strong>gs, 1980, p32)We need forms of education which recognise and cater forthe development of both modes of consciousness, to promotea much wider and richer realm of human potential. Moreovera synthesis of these would also help to br<strong>in</strong>g about'a more complete science of human consciousness with anextended conception of our own capabilities.' (Ornste<strong>in</strong>,1975,p68)26 <strong>The</strong> <strong>The</strong> arts are of vital importance <strong>in</strong> this undertak<strong>in</strong>g for theyimportance are expressions of these other forms of rationality of centralof balance importance <strong>in</strong> the balanced growth and development of thechild. 7 Without the balance that an education <strong>in</strong> both thesciences and the arts can give, we should have a societyundignified by a predilection for beauty <strong>in</strong> art and dignity<strong>in</strong> relationships. We should have, rather, a nation of be<strong>in</strong>gswith heads like computers, hands like robots and heartslike Caliban's. People know this. <strong>The</strong>y value vocationalskills. But they also demand that young people should have afirm ground<strong>in</strong>g <strong>in</strong> educational knowledge and a commitment25
to and an understand<strong>in</strong>g of certa<strong>in</strong> values: tolerance, freedom,equality and a respect for other people <strong>in</strong>clud<strong>in</strong>g a regard forthe excellent and a disda<strong>in</strong> for the shoddy and the secondrate.For, even if it is true that economics demand that ourpupils be schooled, it is also true that parents and societywant them educated. For all of these reasons, the schoolcurriculum must provide for development and work <strong>in</strong> thebalanc<strong>in</strong>g activities of art, music, literature, dance, drama andmovement.27 Other <strong>Arts</strong> activities have other beneficial effects. First, they canoutcomes help to develop qualities and abilities that have very practicalof the arts applications: grace, poise and balance <strong>in</strong> gesture and movement;sharpness of vision, hear<strong>in</strong>g and touch; a high degreeof co-ord<strong>in</strong>ation between hand and eye; an ability to expressoneself <strong>in</strong> precise terms. Second, the visual arts, drama,dance, and music, for example, can have valuable therapeuticfunctions <strong>in</strong> the treatment of some physical and/or emotionaldisorders (see Chapter 6). Certa<strong>in</strong>ly, the arts have been usedto beneficial effect <strong>in</strong> schemes of therapy <strong>in</strong> hospitals andcl<strong>in</strong>ics. Third, there are the opportunities they provide forre-creation of the <strong>in</strong>dividual, <strong>in</strong> giv<strong>in</strong>g him or her differentperspectives and challenges away from the pre-occupationsof the everyday bus<strong>in</strong>ess, <strong>in</strong>dustrial or domestic worlds.28 <strong>The</strong> arts We must emphasise here that we do not see the importanceandof the arts only <strong>in</strong> terms of a much-discussed need nowadaysrecreation to provide 'education for leisure'. <strong>The</strong>re are two reasons forthis. First, the arts are of central importance to humanbe<strong>in</strong>gs whatever the social and economic circumstances. <strong>The</strong>yare not to be seen simply as pastimes, whose importance<strong>in</strong>creases as the opportunities for 'real' work decl<strong>in</strong>e. Forthe reasons we have given, although they are, <strong>in</strong> an importantsense, recreative, to associate them only with leisure isto set them apart from the 'serious' aspects of life withwhich they are <strong>in</strong>timately <strong>in</strong>volved.Second, whether several million long-term unemployedmen and women will consider themselves to be leisuredrema<strong>in</strong>s to be seen. Economically and psychologically theneed <strong>in</strong> our culture to work is so deeply rooted that thelong-term consequences of unemployment on the scale now<strong>in</strong> prospect are hard to envisage. It is easier to see that theequation of less work with more leisure is simplistic. <strong>The</strong>arts are not a palliative for unemployment. By <strong>in</strong>troduc<strong>in</strong>gpupils to these possibilities <strong>in</strong> our schools, however, wemay help them to prepare more fully for future problems,opportunities and needs while open<strong>in</strong>g a wide spectrum of<strong>in</strong>terests <strong>in</strong> the present.26
- Page 1 and 2: THEARTSSCHOOLSPrinciples, practice
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- Page 11 and 12: Introduction—1989This is not a re
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- Page 15 and 16: politicians on all sides were compe
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- Page 19 and 20: REFERENCESArts in Schools Project (
- Page 21 and 22: stances and of the perennial and va
- Page 23 and 24: significant than at present.4 The n
- Page 25 and 26: likely to be measured publicly by e
- Page 27 and 28: seem to improve when taught as part
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- Page 51 and 52: 43 Freedom Two further points must
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- Page 61 and 62: their cultural identity'. Haley's b
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- Page 67 and 68: a What should be aimed at?b What pr
- Page 69 and 70: composition — Western and non-Wes
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120 A Implicit in such proposals is
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78literature and put money and reso
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80outlined the sorts of provision t
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used — are appropriate to the wor
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135 Respon- If education involves t
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we look at, or participate in, visu
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MotivationalChildren on examination
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elevant help in compiling the profi
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ible to some form of appropriate as
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94more in-service training provisio
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1%—2% of the school population
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tuition under well qualified teache
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it is likely that more children wil
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102by professional musicians, many
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frequencies and belongs to the Part
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classroom teacher. Nevertheless, th
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'Within individual schools in certa
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implications of different types of
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We will first outline five main are
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186 Arts In the schemes we have jus
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schemes. The Arvon Foundation, for
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is likely to give his teaching rele
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periods of time. There are possibil
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207 The role The rple of the teache
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to be essential to the future devel
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scheme. The Charlotte Mason College
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d education is something that only
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iture. It does require a different
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225 Initial Initial and post-initia
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Germany 18% of the workforce has be
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outes for the visual arts. In parti
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at the centre on a regular basis. T
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potential. The exceptional situatio
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We have developed our arguments in
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wherever possible, co-ordinate the
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AppendixOur arguments in this repor
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Evening classes range from life-dra
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to work with them. CSE groups with
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from other schools to watch two lec
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the cost). Groups of children have
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iii as a special authorised charge
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BibliographyAdvisory Council for Ad
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Kerr, J F 1968 Changing the Curricu
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NotesThe Issues1 For a description
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the philosophy of Ludwig Wittgenste
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for candidates between the 100th an
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their education full-time in school