Stereoscopy and 3D cinema

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1950s Golden Age of ‘Naturalvision’– Multicamera filming– 2 film stocks to be played back simultaneously (synced in theprojectors)– Skilled projectionists for effective <strong>3D</strong> viewing– Image quality problems
1960 / 70s revival– Multicamera filming– 2 film stocks to be played back simultaneously (synced in theprojectors)– Skilled projectionists for effective <strong>3D</strong> viewing– Image quality problems
Page 1 and 2: Stereoscopy - 3D CInema3D / stereos
Page 3: 3D AND THEFILM INDUSTRY
Page 7 and 8: 1990s- Film with digitisation- A di
Page 9 and 10: Economics of 3D• A certain amount
Page 11 and 12: Stereo vision and stereo imageryHow
Page 13 and 14: Stereopsis and stereoscopyStereopsi
Page 15: Mixing the viewsThe two separate im
Page 18 and 19: Visualizing and using disparity
Page 20 and 21: The disparity is forcing eyes to co
Page 22 and 23: The disparity is forcing the eyes t
Page 25 and 26: The stereoscopic comfort zoneToo mu
Page 27: Stereoptic depthOcclusion revelatio
Page 30 and 31: Monoscopic depth cuesRelative size-
Page 32 and 33: Monoscopic depth cuesLight and shad
Page 34: Object movement parallax• The far

Stereoscopy and 3D cinema

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