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Gestalt Factors in Human Movement Coordination - Society for ...

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Mechsner, <strong>Gestalt</strong> <strong>Factors</strong> <strong>in</strong> <strong>Human</strong> <strong>Movement</strong> Coord<strong>in</strong>ation 235One may speculate that not only spontaneous but also voluntary movement patternsare coord<strong>in</strong>ated directly by way of perceptions and perceptual anticipations,whereas correspond<strong>in</strong>g coord<strong>in</strong>ative processes <strong>in</strong> the motor system are not at allnecessary. In all fairness, <strong>in</strong> say<strong>in</strong>g so I certa<strong>in</strong>ly acknowledge that there are complexpatterns of muscular activity and motoric commands that br<strong>in</strong>g about the movements.However, I assume that such a pattern is not an autonomous entity, which isconceived as such and well organized <strong>in</strong> and of itself. I rather assume that this patternis organized as a by-product of ongo<strong>in</strong>g processes <strong>in</strong> a perceptual functional medium.Compare the motor system to a piano, movements to ongo<strong>in</strong>g music, and theplayer to the perceptual-cognitive system. In order to produce music it is possible tomake use of a player piano or electronic equipment that produces rhythms, harmonies,or even produces fully arranged melodies. On the other hand, one may play anormal piano. In this case the complex activity <strong>in</strong>side the apparatus is not due to thecomplexity of an autonomous <strong>in</strong>ternal configuration, but <strong>in</strong>stead is fully dependenton what the player is do<strong>in</strong>g. I am much <strong>in</strong>cl<strong>in</strong>ed to hypothesize that the motor systemdoes not work like a player piano, thus its activity is fully dependent on what is go<strong>in</strong>gon <strong>in</strong> the cognitive and perceptual functional medium.An experiment on bimanual circl<strong>in</strong>g by MECHSNER et al. (2001) provides additionalevidence. Participants circled two visible flags by way of two cranks, whichwere hidden under the table (Figure 3a). The left flag circled directly above the leftcrank and hand, i.e., <strong>in</strong> exact spatio-temporal correspondence to the hand. The rightflag, however, circled <strong>in</strong> a 4:3 frequency relationship with regard to the right crankand hand, due to a gear system.FIGURE 3: Flag circl<strong>in</strong>g apparatus (a) (see text). Instructed flag movement patters. Mirror-symmetry(b). Antiphase (c). Repr<strong>in</strong>ted by permission from Nature 414: 71 copyright 2001 Macmillan PublishersLtd.After twenty m<strong>in</strong>utes of tra<strong>in</strong><strong>in</strong>g, primarily with the handl<strong>in</strong>g of the right flag, theparticipants were <strong>in</strong>structed to circle the visible flags <strong>in</strong>wards either <strong>in</strong> mirror-symmetryor <strong>in</strong> antiphase (see Figure 3b,c). They were asked to beg<strong>in</strong> at a slow, com<strong>for</strong>tablevelocity and then speed up to a velocity they considered fast, but not beyond the

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