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Pages 71-80 - Oswestry School

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THE MUSICAL YEARtaken aback by the length of the song in progress as I arrivedbut I was so keen to suss out who the various characterswere, what they were wearing and how the numbers werebeing staged that it was some while before I realized thatTHERE WAS NO DIALOGUE.After the initial shock, rehearsals with the soloists werea pleasure as they flung themselves into learning andperfecting their parts. Working with the chorus was moredifficult as personnel seemed to change weekly, and therewere the inevitable absences to contend with. NickZampariello and Harry Hickson became multi-part men:“Oh, so and so’s not here—you cover that Nick”, “Nowyou’re Bamatbois, Harry—now move to the other side ofthe stage and be the labourer”, “Yes, I know you’re theforeman as well, you’ll just have to change places and singto yourself—for continuity, you know!”Eventually, progress was made and a full cast wasachieved. As this was a bit of a special production, Mrs Payneorganized the hire of costumes (insurance value £10,000!)for the main characters, in addition to clothing arrays of oldpeople, beggars, factory workers, lovely ladies and revoltingstudents. Special sound and lighting effects and an overenthusiasticsmoke machine all contributed to the spectacle.All the main characters were superb and everyone, includingthe students in the orchestra, played their part in ensuringthree evenings of riveting entertainment. My sincere thanksto everyone involved, not the least to Mrs Price who putharrowing family circumstances aside to produce yet another“best yet” show.BELLAN AND THE LOWER SCHOOLThe 600 event for the summer term was aimed at theyounger members. We were fortunate to be able to use musicand lyrics from Oswald—King, co-written by Mr DavidFairfax, grandfather to Luke Martin in the Senior <strong>School</strong>.Mrs Woollam and I were extremely appreciative of all theadvice and assistance we received for Mr Fairfax in stagingHOUSE MUSIC COMPETITION—adjudicators: Mrs Davies and Mrs RichardsOSWALD HOUSECaptains Tristan Hartey, Charlotte Eve and Elliot DykeChoir Lullaby of Broadway (Harry Warren)SPOONER HOUSECaptains Tanny Gliksman, Lauren Lloyd-Jones andHelen LimbreyChoir I Get Around (The Beach Boys)BURNABY HOUSECaptains Alice Parker, Emily Middleton, JJ Crawfordand Luke BrosterChoir With a Little Help from my Friends (The Beatles)DONNE HOUSECaptains Tom Gonzalez and Lara WhiteChoir We are the Champions (Queen)ENSEMBLESOswald Taylor (Jack Johnson): Harry Hickson (vocals),Josh Austin (guitar), Jonathan Molesworth(drums), Kristina Kingolts (guitar)DonneJosh Simmonds (electric guitar), AlistairTalbot (cornet)James Bond Theme: George Read (sax),Charlie Underhill (sax), Jessica Smith (sax),Paige Baker (brass)JUNIOR SOLOISTSOswald The Entertainer (Joplin arr D Carr Glover):Richard Christie (piano)Spooner Lucy Whitthread (voice)Burnaby Maria (Leonard Bernstein): Cameron Biles-Liddell (Cornet)Donne Colours of the Wind (Menken): Paige Baker(voice)INTERMEDIATE SOLOISTSOswald Allegro from Suite in G Minor (JS Bach): AnnieKeogh (saxophone)Spooner Can I Kick It?: Alice Redmond (drums)Burnaby Aria (Bozza): Tom Niblock (saxophone)Donne The Unexpected Song (Andrew Lloyd Webber):Biba Gonzalez (voice)SpoonerBurnabyCrazy (Gnarls Barkley): Tanny Gliksman(voice), Brooke Simons-Akwah (electricguitar), Charlotte Dade (flute), Matt Dundon(drums)The Circle of Life (Elton John and Tim Rice):Emily Middleton and Alice Parker (vocals),Vicky Booth (piano), Alun Morris (percussion)SENIOR SOLOISTSOswald Empty Chairs, Empty Tables (Boublil andSchönberg): Tristan Hartey (vocal)Spooner The Carnival of Venice (Arban): Ed Wadon(cello)Burnaby Drum Improvisation: Alun Morris (drums)Donne Dance of the Blessed Spirits (Gluck): KatieHughes (flute)72 – The Oswestrian

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