John Hinchcliffe

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O HangingComprising two wovenstrips of cut dyed cottoncloth; Arundel Studiophoto: John HinchcliffeHanging PFour wovenstrips of cutdyed cotton;Arundel Studiophoto:John Hinchcliffe62 J o h n H i n c h c l i f f e J o h n H i n c h c l i f f e 63
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John HinchcliffeSimon Olding
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ContentsISBN 0-9541627-7-3Published
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and purpose. The new works shown at
Page 14: during this period started from gui
Page 20: selling were important factors woul
Page 24: purple palette was used on the ston
Page 28: 1976. Caiger-Smith’s Aldermaston
Page 32: The early success of the studio ena
Page 36: a successful line. Hinchcliffe and
Page 40: epeat stencil patterns around the b
Page 44: The French period also saw the Hinc
Page 48: Hinchcliffe and Barber studio marks
Page 52: was one of dynamic pattern and bold
Page 56: as 1978, in his essay on colour for
Page 60: Whitworth Gallery, Manchester - Cra
Page 64: O Woven hangingDyed cut cloth;Arund
Page 70: O DaffodilHand blockedindigo resist
Page 74: O Selection of spongedmajolica plat
Page 78: O Stoneware platterDecorated at Dar
Page 84: O FishLino blocked paper(detail); C
Page 90: Previous pageConstruction (detail)U
Page 94: O Tile 2 (detail)Slip decoratedeart
Page 98: AcknowledgmentsIt would have been i
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John Hinchcliffe

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