John Hinchcliffe

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Previous pageMajolica tile panelCommissioned by theRussell-Cotes Art Galleryand Museum - the photoalso shows the woventapestry byWendy Barberphoto: David WestwoodWavePStoneware tablewarerange designed byHinchcliffe and Barberand produced byDartington Potteryfor the Russell-Cotes ArtGallery and Museum Caféphoto: David WestwoodO Stoneware vaseBy Hinchcliffe and Barber- this example made byDartington Potteryphoto: David WestwoodStoneware platter PDecorated by JohnHinchcliffe at DartingtonPotteryphoto: John Hinchcliffe78 J o h n H i n c h c l i f f e J o h n H i n c h c l i f f e 79
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John HinchcliffeSimon Olding
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ContentsISBN 0-9541627-7-3Published
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and purpose. The new works shown at
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during this period started from gui
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selling were important factors woul
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purple palette was used on the ston
Page 28: 1976. Caiger-Smith’s Aldermaston
Page 32: The early success of the studio ena
Page 36: a successful line. Hinchcliffe and
Page 40: epeat stencil patterns around the b
Page 44: The French period also saw the Hinc
Page 48: Hinchcliffe and Barber studio marks
Page 52: was one of dynamic pattern and bold
Page 56: as 1978, in his essay on colour for
Page 60: Whitworth Gallery, Manchester - Cra
Page 64: O Woven hangingDyed cut cloth;Arund
Page 68: O Italian tulipRed earthenware plat
Page 72: O CarouselHinchcliffeand Barberprod
Page 76: O Fish platterExample of a large se
Page 84: O FishLino blocked paper(detail); C
Page 90: Previous pageConstruction (detail)U
Page 94: O Tile 2 (detail)Slip decoratedeart
Page 98: AcknowledgmentsIt would have been i
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John Hinchcliffe

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